Lowepro

Corel unveils Painter™ Lite

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Corel Introduces Painter™ Lite for Aspiring Digital Artists

Simplified Painting App Unlocks an Affordable Way to Become a Digital Artist
Ottawa, ON—October 30, 2012

Corel today announced Painter Lite, a powerful painting app designed specifically for aspiring digital artists. Based on Corel® Painter™, the original natural-media software, Painter™ Lite gives digital art enthusiasts an affordable way to experience realistic digital painting. With a wide range of brushes including acrylics, markers, impasto and special effects, Painter Lite opens up a world of creativity for anyone looking to pursue an interest or future career in digital art.

“We often hear from today’s aspiring artists that they’re looking for a way to dive into the world of digital art but don’t know which tools they need to get started. With Painter Lite, we’re not only offering a seamless and natural transition from canvas to computer, but we’re also providing a simple and affordable entry point for anyone to experiment with different techniques and mediums,” said Andy Church, Senior Product Manager for Corel Painter.

Building on 20 Years of Digital Art Software Experience

As digital art software leaders, Painter Lite integrates high quality painting and drawing tools with a simple interface for up and coming professionals to experiment and grow their skills. Painter Lite delivers one of the most realistic digital art experiences featuring:

  • Wide range of brush categories from digital watercolor, oil brushes and air brushes to pencils, pens, sponges, chalk, pastels and crayons
  • Trendy tools and effects like blenders, palette knives, kaleidoscope painting and mirror painting to inspire creativity
  • Easy-to-use interface and navigation with built-in help
  • Ability to pair with a digital art pen and tablet to experience pressure sensitive brush control that behaves like traditional art tools
  • Most comprehensive entry-level digital art software for Mac and Windows with progressive drawing tools and lifelike natural-media brushes

From Aspiring Artist to Painter Master

“Painter Lite is a great starting point for those with an interest in art or desire to become a full-time artist,” said Greg Newman, Corel’s newest Painter Master. “People can experiment with a wide range of brushes and methods that can be built upon in the full, professional version of Corel Painter.”

Availability and Pricing

Corel Painter Lite is available now for Windows and Mac in English markets worldwide. North American pricing is $69 (USD & CAD). The Mac version can be purchased from the Mac Apple Store and the Windows version can be purchased from Corel’s website at www.corel.com/painterlite.

Canon EOS 6D – Smallest and Lightest Full Frame

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Product summary

Overview

The Canon 6D is a full frame DSLR, the lightest yet offered by Canon and was launched soon after rival Nikon came up with the D600 a full frame small body DSLR. While the EOS 6D may have been launched after the D600 many of the specs that the EOS has are shared from the current darling of the Canon stable, the EOS 5d Mark III.

key features & specs

  • A newly designed 20.2 megapixels full-frame CMOS sensor
  • ISO performance from 100-25,600 which can be further upgraded from ISO 50 to 51,200 and 102,400.
  • 11 point AF system with one center cross-type AF point
  • iCFL metering with 63 zone dual metering system
  • continuous shooting speed of 4.5 fps
  • Full HD video recording at 30p, 24p, and 25p along with manual exposure control.
  • DIGIC 5+ Image processing engine
  • Built-in Wi-Fi transmitter allows you to share your images instantly with your laptop; tablet or Android / iOS powered Smartphone. EOS remote app is required to be installed on your Smartphone / tablet to use this feature.
  • Built-in GPS receiver allows recording of the location data about the place where the images have been taken.
  • 3” LCD with a resolution of 1,040,000 dots. LCD with a viewing angle of 160˚

Whats inside?

The Canon EOS 6D DSLR camera is the ideal tool for unlocking your creativity. It features a 20.2 Megapixel Full-Frame CMOS sensor, a ISO range of 100-25600, which is further expandable to L: 50, H1: 51200, and H2: 102400, for incredible low light image quality, and a DIGIC 5+ Image Processor delivers exceptional noise reduction and exceptional data processing speed. With a new 11-point AF system including a high-precision center cross-type AF point with EV -3 sensitivity at the centre allows focusing even in extreme low-light conditions. It can shoot continuously up to 4.5 fps, you are ready to capture fast action and Built-in Wireless and GPS

Feature like Full HD video with manual exposure control, multiple frame rates, and a Full-Frame sensor provides stunning performance and creative flexibility. The built-in Wi-Fi® transmitter allows you to wirelessly transfer your photos instantly to social networking sites through CANON iMAGE GATEWAY, or upload virtually anywhere from your iOS or Android smartphone with the free EOS Remote app. With this free application you can use your smartphone for remote camera control and operation or even print your images on a Wi-Fi® compatible printer.

In addition, it is also perfect for travel and nature photography, the built-in GPS allows location data to be recorded while shooting. Compact, lightweight, low-light performance, and loaded with user friendly features, the EOS 6D is truly the Full-Frame DSLR camera for everyone.

Detailed Features

The 9-point AF system

The older 9-point AF system of Canon’s rebel series and other prosumer model DSLRs has been used in the 6D. In terms of numbers the D600 has more but the 9-point AF system works without issues.

The design ergonomics

Canon’s designing of the 6D is great. For those who have loved the ergonomics of the 5d Mark III you will also love the 6D’s button layout. For those who prefer a one-handed use of their DSLRs (not sure this is something that is absolutely a must) you may not like the fact that the menu button is on the left. For added convenience, however, and just like most professional DSLRs, it is possible to reprogram the set button to mimic the menu button and get out of that small hurdle. For those who prefer it on the left the button layout is just fine.

Higher ISO performance

The 6D has an impressive performance at higher ISOs, when the lighting conditions are really tricky. The performance is near comparable to the 5d Mark III.

Full-Frame 1080p Full HD Video

Videographers, student filmmakers, and creative independent spirits will appreciate the full-frame video capabilities of the EOS 6D in an affordable and compact body. Borrowing from the best of the EOS 5D-series, the EOS 6D provides full manual control over exposure and audio levels while recording video. The camera features NTSC and PAL video modes at multiple frame rates, recording 1080p at 30 (29.97), 24 (23.976) and 25 fps, 720p at 60 (59.94) and 50 fps and standard video at 30 (29.97) and 25 fps. The camera provides up to 29 minutes and 59 seconds of continuous recording (with 4GB automatic file partitioning) in selectable All i-framei or IPB compressions with embedded timecode. Especially when used with large aperture lenses, the EOS 6D camera’s full-frame sensor offers a tremendous degree of creative control over depth-of-field, helping users to achieve pro-quality cinematic effects in Full HD video recordings.

EOS Remote

Built-in Wireless and GPS

For the ultimate in DSLR connectivity and control, the EOS 6D features a built-in wireless transmitter which allows the camera to share images and video with the user’s choice of wireless devices such as select PowerShot cameras, smartphones, or tablets, as well as cloud-based destinations including social networking sites through the Canon iMAGE GATEWAYii iii. A very intuitive and useful wireless feature is the new, free Canon EOS Remote app available for iOS and Android systems which will allow a smartphone or wireless device such as a tablet to remotely connect, control and operate the connected EOS 6Div. This seamless connection and control will open new opportunities for professional photographers shooting weddings or remote wildlife, without the need for tethered operation or accessories.

The good

The 6D is much better when it comes to auto-focusing in low light conditions compared to its nearest rival the D600. Plus it seems to be it is almost everything that the 5d Mark III can do while being a good $1500 cheaper.

The silent mode of the 6D is much better than its rival the Nikon D600 and almost comparable to the 5d Mark III. The 5d Mark III has arguably the best silent mode in the business but the 6D is up there with it.

Weather-sealing has been provided in the 6D, but much like the 5d Mark III and the rival D600, this camera is definitely not what you would want to carry if you’re heading straight for a tropical storm. You would like to carry one of Sony’s models or the Canon flagship 1DX.

The Bad

The 6D does not have continuous AF in movie mode.

There are only 11 AF points and only one cross-type AF points. The rival D600 has a total of 39 AF points to boot 9 of which are cross-type. Thus the D600 scores heavily over the 6D.

The 3” LCD screen is slightly smaller than the 3.2” LCD screen of the D600 but the resolution is much brighter than the Nikon model. The viewfinder coverage is only 97%. This is something that a professional photographer will not enjoy. The rival D600 has a 100% viewfinder coverage and even the top-level prosumer DSLR from Nikon the D7000 also has that. Additionally the 6D has only one SD card slot while the rival D600 has two. The only good thing about the 6D appears to be it is a lighter camera and has most of the features of the top-level prosumer from the same make the 5d Mark III at a price that is much much less.

Auto White Balance (AWB) is one area of the 6D that is not satisfactory. The camera does not correct the temperature of the light source as desired and pictures taken under different light sources or when taken in shade can have unusual color casts.

The continuous shooting speed is only 4.5 fps. While this is not something that is ideal for shooting sports or action photographs it is respectable. The 5d Mark III has a much better 6 fps.

Similar Products

This discussion has already, liberally, drawn comparisons between the Nikon D600, the Canon 5d Mark III and the Canon EOS 7D. Together with the EOS 6D, all these four are great cameras and what you end up buying is entirely personal. The 7D in spite of being a great camera has an APS-C sensor. If we drop it on that basis t6hen among the remaining three the D600 and the EOS 6D are priced at par. If we come down to features the D600 is a great camera too and has its own reasons to buy.

Should I buy it?

This 6D is for those who are looking for the performance of a EOS 5d Mark III but do not have anywhere near the required budget. The camera offers almost all of the features of the pricier model and yet costs nearly half of it. Plus it inherits the built-in GPS and Wi-Fi transmitter from the cheaper compact models which should make you happy when you’re traveling. Needless to say you can now tag locational data for your images as well share them in instant via your Android / iOS phone. If you’re however looking for more megapixels, the fancy 39-point auto-focusing system, twin memory card slots etc then the D600 is a better buy. Available at Amazon | B&H | Adorama | DigitalRev

Sample Images by EOS 6D on Flickr

Canon EOS 6D Specifications

Type Digital AF/AE single-lens reflex camera
Recording Media SD card, SDHC card, SDXC memory card
* Compatible with Ultra High Speed (UHS-I) memory cards.
Image Sensor Size 35.8mm x 23.9mm (Full-Frame)
Compatible Lenses Canon EF lenses (except EF-S and EF-M lenses)
Lens Mount Canon EF mount
Image Sensor Type CMOS Sensor
Pixels Effective pixels: Approx. 20.2 megapixels
Total Pixels Total pixels: Approx. 20.6 megapixels
Aspect Ratio 3:2 (Horizontal: Vertical)
Pixel Unit 6.55 um square
Aspect Ratio 3:2 (Horizontal: Vertical)
Color Filter System RGB primary color filters
Low-pass Filter Fixed position in front of the CMOS sensor
Dust Deletion feature Self Cleaning Sensor Unit
Dust Delete Data acquisition and appending
Manual cleaning
Recording Format Complies with Design rule for Camera File system 2.0 and EXIF 2.30
Image Type Still: JPEG, RAW (14-bit, Canon original), RAW+JPEG
Video: MOV (Image data: H.264, Audio: Linear PCM)
RAW + JPEG Simultaneous Recording Yes
Large RAW and JPEG images are recorded simultaneously
Size Large: Approx. 20.0 megapixels (5,472 x 3,648)
Medium: Approx. 8.9 megapixels (3,648 x 2,432)
Small 1: Approx. 5.0 megapixels (2,736 x 1,824)
Small 2: Approx. 2.5 megapixels (1920 x 1280)
Small 3: Approx. 350,000 pixels (720 x 480)
RAW: Approx. 20.0 megapixels (5,472 x 3,648)
M RAW: Approx. 11.0 megapixels (4,104 x 2,736)
S RAW: Approx. 5.0 megapixels (2,736 x 1,824)
File Numbering Consecutive numbering, auto reset, manual reset
Color Space sRGB, Adobe RGB
Picture Style Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
Backup Recording Not Availabled
White Balance Settings Auto, Preset (Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash), Custom (Approx. 2,000° – 10,000°K), Color Temperature (Approx. 2,500° – 10,000°K), White Balance Correction, and White Balance Bracketing
Auto White Balance Auto white balance with the image sensor
Color Temperature Compensation Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels
* Correction based on the current WB mode’s color temperature
Color Temperature Info Transmission Provided
Viewfinder Type Eye-level SLR (with fixed pentaprism)
Viewfinder Coverage Vertical/Horizontal approx. 97%
Viewfinder Magnification / Angle Approx. 0.71x / 33.3 Degree
Viewfinder Eyepoint Approx. 21mm (from eyepiece lens center)
Built-in Dioptric Adjustment -3.0 to +1.0m-1 (diopter)
Focusing Screen Eg-A II provided. Interchangeable with Eg-D and Eg-S. Incompatible with Eg-A.
Viewfinder Mirror Quick-return half mirror (transmission: reflection ratio of 40:60)
Viewfinder Information AF information:AF points and focus confirmation
Exposure information: Shutter speed, aperture, ISO speed (always displayed), AE lock, exposure level, exposure warning
Flash information:Flash ready, flash exposure compensation, high-speed sync, FE lock
Image information:Highlight tone priority (D+), maximum burst (2-digit display), card information
Battery check
Composition information: Electronic level
Warning Symbol
Depth-of-Field Preview Enabled with depth-of-field preview button
AF Points 11 pointsall cross-type AF (f/2.8 at center: Dual Cross Sensor)
Center: cross-type at f/5.6; vertical line-sensitive at f/2.8.
Upper and lower AF points: vertical line-sensitive AF at f/5.6.
Other AF points: Horizontal line-sensitive AF at f/5.6.
AF Working Range Center AF Point: EV -3 to 18 (at 73°F/23°C, ISO 100)
Other AF points: EV +0.5 to 18 (at 73°F/23°C, ISO 100)
Focusing Modes Autofocus: One-Shot AF – AI Servo AF – AI Focus AF
Manual focus
AF Point Selection Automatic selection
Manual selection
Selected AF Point Display Displayed or indicated by superimposed display in the viewfinder and on the LCD monitor.
AF-assist Beam Enable
Disable
IR AF-assist beam only
Metering Modes Max. aperture TTL metering with 63-zone SPC with the following selectable modes:
1) Evaluative metering
2) Partial metering (center: approx. 8% of viewfinder)
3) Spot metering (center: approx. 3.5% of viewfinder)
4) Center-weighted average metering
Metering Range EV 1-20 (at 73°F/23°C with EF50mm f/1.4 USM lens, ISO 100)
Exposure Control Creative Zone
Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb, Custom shooting mode,
Basic zone
Scene Intelligent Auto (Program AE / non-shiftable), Creative Auto
Special Scene
Portrait, Landscape, Close-up, Sports, Night Portrait, Handheld Night Scene, HDR Backlight Control mode
ISO Speed (Recommended Exposure Index) Auto and Manual setting range of ISO 100-25600 (expansion possible to ISO 50, ISO 51200 and 102400) in 1/3-stop or whole-stop increments)
Exposure Compensation Manual: ±5 stops in 1/3- or 1/2-stop increments
AEB : ±3 stops in 1/3- or 1/2-stop increments
AE Lock Yes
Shutter Type Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Shutter Speeds 1/4000 to 30 sec., X-sync at 1/180 sec. (Total shutter speed range. Available range varies by shooting mode.)
Shutter Release Soft-touch electromagnetic release
Shutter Lag Time (1) During SW-1 ON, time lag between SW-2 ON and start of exposure: approx. 0.060 sec.
(2) Time lag between simultaneous SW-1/SW-2 ON and start of exposure: Approx. 0.144 sec.
* Time lag with the aperture stopped down by 3.5 stops or less (Excludes AF operation time).
Self-timer 10-sec. or 2-sec. delay
Compatible Speedlites EX-series Speedlites
Flash Metering E-TTL II autoflash (evaluative flash metering and average flash metering)
Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments
External Speedlite Control Provided
* Compatible with radio wireless flash photography.
FE Lock Provided
Drive Modes (1) Single shooting
(2) Continuous shooting
(3) Silent single shooting
(4) Silent continuous shooting
(5) 10-sec. self-timer/Remote control
(6) 2-sec. self-timer
Continuous Shooting Speed Continuous shooting: Max. approx. 4.5 fps
Silent continuous shooting: Max. approx. 3.0 fps
Maximum Burst Based on 8GB memory Card:
JPEG Large/Fine: Approx. 73 Shots
RAW: Approx. 14 Shots
RAW+JPEG Large/Fine: 7 Shots
Based on 8GB UHS-I memory card:
JPEG Large/Fine: Approx. 1250 Shots
RAW: Approx. 17 Shots
RAW + JPEG Large/Fine: 8 Shots
Focusing (1) Autofocus
1. FlexiZone – Single * One-point, contrast AF. Switching to another AF point is possible.
2. Face Detection Live mode
* Face detection, contrast AF. Face is selectable.
2. Face Detection Live mode
* Face detection, contrast AF. Face is selectable.
3. Quick Mode AF
* Phase-difference AF with 11 AF points.
(2) Manual Focus 1. Magnify the image by 5x or 10x and focus manually.
Metering Modes Real-time evaluative metering with image sensor.
(1) Evaluative metering (315 zones)
(2) Partial metering (approx. 11% of Live View screen)
(3) Spot metering (approx. 3% of Live View screen)
(4) Center-weighted average metering
Metering Range EV 1-20 (at 73°F/23°C with EF 50mm f/1.4 USM lens, ISO 100)
Grid Display Provided (Two-type grid displays)
Exposure Simulation Provided
Silent Shooting Provided (Mode 1 and 2)
Video File Format MOV (Image data: MPEG-4 AVC / H.264)
Audio: Linear PCM (Stereo)
Video Frame Rates 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p
1280 x 720 (HD): 60p (59.94) / 50p
640 x 480 (SD): 30p (29.97) / 25p
Video ISO Range Auto ISO range: ISO 100-12800
Manual ISO range: ISO 100-12800 in 1/3- or whole-stop increments (expandable to H: ISO 16000/20000/25600)
* If highlight tone priority is set, automatically set within ISO 200 or higher.
Video Shooting Time Based on 8GB Memory card
[1920 x 1080]
30 fps/25 fps/24 fps:
32 min. with IPB compression
11 min. with All-I compression
[1280 x 720]
60 fps/50 fps:
37 min. with IPB compression
12 min. with All-I compression
[640 x 480]
30 fps/25 fps:
97 min. with IPB or All-I compression
LCD Monitor Type TFT color, liquid-crystal monitor
Monitor Size 3.0-inches (Screen aspect ratio of 3:2)
7.7cm diagonal (6.37cm wide, 4.25cm high)
Monitor Dots Approx: 1,040,000 dots
Monitor Coverage Approx. 100%
Brightness Adjustment Manually adjustable to one of 7 levels
Interface Languages 25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian,Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
Image Playback Display Format Single image display
Two types of single-image full display, two types of shooting information
Index display
o 4-image index and 9-image index
Jump display
Jump 1/10/100 images, Shooting Date, Folder, Movies, Stills, or Rating
Highlight Alert With single-image display (Info.) and single-image display, overexposed highlight areas will blink.
Histogram Brightness and RGB can be displayed.
USB Terminal For personal computer communication and direct printing (USB 2.0 Hi-Speed)
Audio/Video (Out) Terminal Audio/Video (Out) Terminal (1) AV stereo OUT terminal: NTSC/PAL selectable
(2) mini-HDMI OUT terminal (Type C)
Remote Control Terminal N3-type terminal
Battery One Battery Pack LP-E6
With the AC Adapter Kit ACK-E6, AC power is possible.
With Battery Grip BG-E13, two battery packs (LP-E6) can be used. Or six AA-sized/LR6 batteries can be used
Dimensions (W x H x D) Approx. 5.7 x 4.4 x 2.8 in./ 144.5 x 110.5 x 71.2mm
Weight Approx. 26.7 oz. / 755g (CIPA standard)
Approx. 24.0 oz. / 680g (Body only)

 

Additional Images

“Deep Green” Video by EOS 6D

More info

Purchase options

Canon EOS 6D left

Available at Amazon | B&H | Adorama | DigitalRev

Canon USA Fall 2012 Lens, DSLR & Speedlite Rebate – Save up to $400

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One of the best Canon DSLR, lens and flash rebate programs ever until Dec 1, 2012. So act now if you want to take advantage of these great deals and save upto $400. Check this out on Adorama.com , Amazon.com and B&H.com. Dont miss it! Here is current Canon DSLR, Lens and Flash rebate list:

Canon DSLRs

 

Model Rebate Check at
Canon EOS 5D Mark III 200 Amazon | Adorama | B&H
Canon EOS 5D Mark II 400 Amazon | Adorama | B&H
Canon EOS 7D 100-350 Amazon | Adorama | B&H
Canon EOS 60D 100-350 Amazon | Adorama | B&H
Canon EOS Rebel T4i / 650D 50 -250 Amazon | Adorama | B&H

 

Prime Lenses

Model Rebate Check at
EF 14mm f/2.8 L II USM 200 Amazon | Adorama | B&H
EF 20mm f/2.8 USM 50 Amazon | Adorama | B&H
EF 24mm f/1.4 L II USM 200 Amazon | Adorama | B&H
EF 24mm f/2.8 IS USM 100 Amazon | Adorama | B&H
EF 28mm f/1.8 USM 60 Amazon | Adorama | B&H
EF 28mm f/2.8 IS USM 100 Amazon | Adorama | B&H
EF 35mm f/1.4 L USM 150 Amazon | Adorama | B&H
EF 50mm f/1.2 L USM 180 Amazon | Adorama | B&H
EF 50mm f/1.4 USM 60 Amazon | Adorama | B&H
EF 50mm f/1.8 II 30 Amazon | Adorama | B&H
EF 85mm f/1.2 L II USM 200 Amazon | Adorama | B&H
EF 85mm f/1.8 USM 60 Amazon | Adorama | B&H
EF 100mm f/2.0 USM 50 Amazon | Adorama | B&H
EF 135mm f/2.0 L USM 100 Amazon | Adorama | B&H
EF 300mm f/4.0 L IS USM 100 Amazon | Adorama | B&H
EF 400mm f/5.6 L USM 120 Amazon | Adorama | B&H

 

Zoom Lenses

 

Model Rebate Check at
EF 8-15mm f/4 L USM 180 Amazon | Adorama | B&H
EF 16-35mm f/2.8 L II USM 200 Amazon | Adorama | B&H
EF 17-40mm f/4.0 LUSM 100 Amazon | Adorama | B&H
EF 70-200mm f/4.0 L USM 80 Amazon | Adorama | B&H
EF 70-200mm f/4.0 L IS USM 150 Amazon | Adorama | B&H
EF 70-200mm f/2.8 L USM 150 Amazon | Adorama | B&H
EF 70-200mm f/2.8 L IS II USM 400 Amazon | Adorama | B&H
EF 70-300mm f/4-5.6 L IS USM 200 Amazon | Adorama | B&H
EF 100-400mm f/4.5-5.6 L IS USM 200 Amazon | Adorama | B&H

 

TS-E Lenses

 

Model Rebate Check at
TS-E 17mm f/4 L 250 Amazon | Adorama | B&H
TS-E 24mm f/3.5 L II 250 Amazon | Adorama | B&H
TS-E 45mm f/2.8 100 Amazon | Adorama | B&H
TS-E 90mm f/2.8 180 Amazon | Adorama | B&H

 

 

Macro Lenses

 

Model Rebate Check at
EF 50mm f/2.5 Macro 30 Amazon | Adorama | B&H
MP-E 65mm 1-5x Macro 100 Amazon | Adorama | B&H
EF100mm f/2.8 USM Macro 50 Amazon | Adorama | B&H
EF 100mm f/2.8 L IS USM Macro 150 Amazon | Adorama | B&H
EF 180mm f/3.5 L USM Macro 150 Amazon | Adorama | B&H
EF-S 60mm f/2.8 Macro USM 60 Amazon | Adorama | B&H

 

EF-S Lenses

 

Model Rebate Check at
EF-S 10-22mm f/3.5-4.5 USM 120 Amazon | Adorama | B&H
EF-S 15-85mm f/3.5-5.6 IS USM 100 Amazon | Adorama | B&H
EF-S 17-55mm f/2.8 IS USM 120 Amazon | Adorama | B&H
EF-S 60mm f/2.8 Macro USM 60 Amazon | Adorama | B&H

 

Extender

 

Model Rebate Check at
Extender EF 1.4x III 70 Amazon | Adorama | B&H
Extender EF 2x III 70 Amazon | Adorama | B&H

 

Speedlites

 

Model Rebate Check at
Speedlite 600EX-RT 60 Amazon | Adorama | B&H
Speedlite 430EX II 45 Amazon | Adorama | B&H
Speedlite 270EX II 15 Amazon | Adorama | B&H
Macro Twin Lite MT-24EX 80 Amazon | Adorama | B&H
Macro Ring Lite MR-14EX 50 Amazon | Adorama | B&H

 

Nikon 1 NIKKOR 6.7-13mm-f3.5-5.6 lens

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1-NIKKOR-6.7-13mm-f3.5-5.6-lens

Nikon 1 NIKKOR 6.7-13mm-f3.5-5.6 lens

Nikon to Develop Three New 1 NIKKOR Lenses for the Nikon 1 Advanced Camera with Interchangable Lens System

TOKYO, JAPAN – Today, Nikon Corporation announced the development of three new lenses for the Nikon 1 Advanced Camera with Interchangeable Lens System. These lenses will be welcomed additions to the current lineup of popular 1 NIKKOR lenses, and will provide system owners a breadth of new NIKKOR optics to explore new shooting perspectives.

The development of these new 1 NIKKOR lenses will strengthen Nikon’s lineup of 1 NIKKOR lenses while providing three new options to fit the various shooting needs of Nikon 1 users, whether for still images or HD video. The new lineup will include a 32mm medium-telephoto fixed focal length lens (equivalent to 86.4mm in 35mm format) with a fast maximum aperture of f/1.2, ideal for portraits and creating a bokeh effect. The second lens is a 6.7-13mm f/3.5-5.6 ultra wide-angle zoom lens (equivalent to 18-35mm in 35mm format) that includes Vibration Reduction (VR) and is the first 1 NIKKOR lens to offer a wide, 100-degree angle of view. The third lens is a compact and lightweight 10x zoom lens, a 10-100mm f/4-5.6 (equivalent to 27-270mm in 35mm format). This lens is convenient and portable enough to take everywhere, including weekend getaways and family vacations.

The 1 NIKKOR interchangeable lens lineup follows in the tradition of the renowned Nikon F-mount lenses that were first introduced more than half a century ago. The 1 NIKKOR lenses are specifically engineered for the Nikon 1 system of cameras and are developed using optical technologies that Nikon has cultivated with years of experience in optics expertise. The 1 NIKKOR lens lineup offers the same superior image quality that users have come to expect from the Nikon and NIKKOR brands, whether capturing still images or HD videos.

The addition of the three new lenses will join the six 1 NIKKOR lenses currently available:
1 NIKKOR VR 10-30mm f/3.5-5.6 standard zoom lens
1 NIKKOR VR 30-110mm f/3.8-5.6 compact telephoto zoom lens
1 NIKKOR 10mm f/2.8 slim wide-angle fixed focal length lens
1 NIKKOR VR 10-100mm f/4.5-5.6 PD-ZOOM lens equipped with a power drive mechanism (recommended for movie recording )
1 NIKKOR 11-27.5mm f/3.5-5.6 zoom lens
1 NIKKOR 18.5mm f/1.8 fixed focal length lens with fast maximum aperture

Nikon will continue to develop and expand the 1 NIKKOR lineup with lenses that make the most of the capabilities and performance offered by the revolutionary Nikon 1 system.

Additional Info

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Available at Amazon

Nikon 1 NIKKOR 10-100mm-f4-5.6 lens

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Nikon 1 NIKKOR 10-100mm-f4-5.6 lens

1 NIKKOR 10-100mm-f4-5.6 lens

Nikon to Develop Three New 1 NIKKOR Lenses for the Nikon 1 Advanced Camera with Interchangable Lens System

TOKYO, JAPAN – Today, Nikon Corporation announced the development of three new lenses for the Nikon 1 Advanced Camera with Interchangeable Lens System. These lenses will be welcomed additions to the current lineup of popular 1 NIKKOR lenses, and will provide system owners a breadth of new NIKKOR optics to explore new shooting perspectives.

The development of these new 1 NIKKOR lenses will strengthen Nikon’s lineup of 1 NIKKOR lenses while providing three new options to fit the various shooting needs of Nikon 1 users, whether for still images or HD video. The new lineup will include a 32mm medium-telephoto fixed focal length lens (equivalent to 86.4mm in 35mm format) with a fast maximum aperture of f/1.2, ideal for portraits and creating a bokeh effect. The second lens is a 6.7-13mm f/3.5-5.6 ultra wide-angle zoom lens (equivalent to 18-35mm in 35mm format) that includes Vibration Reduction (VR) and is the first 1 NIKKOR lens to offer a wide, 100-degree angle of view. The third lens is a compact and lightweight 10x zoom lens, a 10-100mm f/4-5.6 (equivalent to 27-270mm in 35mm format). This lens is convenient and portable enough to take everywhere, including weekend getaways and family vacations.

The 1 NIKKOR interchangeable lens lineup follows in the tradition of the renowned Nikon F-mount lenses that were first introduced more than half a century ago. The 1 NIKKOR lenses are specifically engineered for the Nikon 1 system of cameras and are developed using optical technologies that Nikon has cultivated with years of experience in optics expertise. The 1 NIKKOR lens lineup offers the same superior image quality that users have come to expect from the Nikon and NIKKOR brands, whether capturing still images or HD videos.

The addition of the three new lenses will join the six 1 NIKKOR lenses currently available:
1 NIKKOR VR 10-30mm f/3.5-5.6 standard zoom lens
1 NIKKOR VR 30-110mm f/3.8-5.6 compact telephoto zoom lens
1 NIKKOR 10mm f/2.8 slim wide-angle fixed focal length lens
1 NIKKOR VR 10-100mm f/4.5-5.6 PD-ZOOM lens equipped with a power drive mechanism (recommended for movie recording )
1 NIKKOR 11-27.5mm f/3.5-5.6 zoom lens
1 NIKKOR 18.5mm f/1.8 fixed focal length lens with fast maximum aperture

Nikon will continue to develop and expand the 1 NIKKOR lineup with lenses that make the most of the capabilities and performance offered by the revolutionary Nikon 1 system.

Additional Info

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Available at Amazon

Canon T4i DSLR and EF 40mm f/2.8 STM Bundle – $686.95 Shipped

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Adorama has the following Canon EOS Rebel T4i Bundle for $686.95 shipped after rebate. Items include:

  • Canon EOS Rebel T4i DSLR Body (reg $739.00)
  • Canon EF 40mm f/2.8 STM Pancake Lens (reg $199.00)
  • Canon Photo Paper Plus Semi-Gloss, 13 x 19″, 50 Sheets (reg $79.00)
  • Adobe Photoshop Elements 10 and Premiere Elements 10 (reg $99.99)
  • Canon Pixma PRO9000 Mark II Photo Printer (reg $438.00)

First go to the Canon Rebel T4i page. Then you have to click on the “Save up to $110.00 with bundle” link below the Buy together and save title. Scroll down to the Canon EF 40mm f/2.8 STM Lens and select the option & click “Add to Cart”.

Canon Powershot G1X

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Product summary

Key Features

  • A new 1.5-inch, 14.3 Megapixel High-Sensitivity CMOS sensor combined with the power of DIGIC 5 Processor able to creates Canon’s HS SYSTEM for excptional low-light performance up to ISO 12800.
  • Full range of shooting and recording modes: 14-bit RAW + JPEG, found in Canon DSLR cameras.
  • 1080p Full HD video, stereo sound with a dedicated movie button; zoom while shooting and play back videos on an HDTV via the HDMI output.
  • 4x Optical Zoom with Optical Image Stabilizer, plus a 28mm Wide-Angle Lens delivers exceptional image quality and allows you to capture more in your frame.
  • Intelligent IS automatically select from six different modes to optimize image stabilization.
  • Bright 3.0-inch Vari-Angle PureColor System LCD with 922,000 dots for shooting at a variety of angles plus an optical viewfinder.
  • High-Speed Burst HQ with continuous capture at a maximum of 6 frames* while maintaining superb image.
  • Compatible with all Canon Speedlite system.
  • Mode Dial and Front Dial provide intuitive manual adjustment.
  • HDR scene mode combines multiple shots into one picture showing greater image detail.

Overview

First look at the Canon G1X and one gets a distinct feeling that the camera is designed very much in the lines of the Canon G series compact models. It is in fact labeled as one, but Canon does not intend this camera for the amateurs. Canon in fact markets the camera as one for those who already own a DSLR and are looking for something more light weight and a bit discreet when the demands of the moment are as such.

Canon has not gone the path of other compact mirrorless models and opted for a fixed lens instead. Well for a camera manufacturing company which makes premium quality DSLR cameras, it would obviously want to be able to keep selling them. So when the market is now starting to get a dose of large sensor interchangeable lens compact cameras, Canon has decided that it does not need interchangeable lenses in a compact body.

Promo Video

 

Features Explained

The sensor & megapixels

The large 1.5” CMOS sensor gives it a resolution of 14.3 effective megapixels. By and large the sensors are bigger and better performing than the Nikon 1 series which comes with the new 1” sensors.

The lens

A 4x optical zoom gives the Canon G1X a range of 28mm to 112mm on a 35mm format equivalent. Compact shooters will say that this is nothing compared to some of the other models from Canon and other manufacturers. But then rarely does a camera combine the benefits of superior quality ergonomics and features such as that of the famed G12 in such pocketable format and yet give a respectable zoom range to boot.

At f/2.8-5.8 the maximum aperture across the zoom range is something that is not going to mighty pleasing to a low light photography enthusiast, but it is far better than any pocketable format camera in the market. Additionally the manual controls offer plenty of options for a discerning photographer.

Viewfinder

The G1X comes with an optical viewfinder. This offers only 80% coverage of the field of view and offers only a tunnel view that will not excite any pro shooter.

LCD screen

The 3” LCD TFT screen offers 100% coverage of the field of view and has 922,000 dots resolution. The biggest USP is that it tilts and swivels to any angle and offers the photographer an amazing amount of flexibility when composing his shots from tight angles.

Image quality

Image quality is top among the point & shoot category. The G1X comes with 14 bit RAW shooting mode. A great option for both pros and semi-pros. Post processing is a major concern for most pros and they want to be able to keep that in their hand even when not using a DSLR. This should make a lot of them happy. The camera has an operating ISO range of 100 – 12800. This is quite large and though the sensor is much smaller to an APS-C format, it makes the most of the size to perform respectably well in low light.

Video mode

The G1X offers a full HD video recording option at 1080p. However as there are no manual options, one cannot adjust the ISO, shutter speed or aperture. Also there are no external audio rerecording jacks.

Recommendations

Overall a nice camera. At the price bracket this can also look a bit out of reach for a compact shooter who needs more fun stuff and less complexities. To be fair there are several other compact options in the market such as the Sony NEX-7 or the Panasonic GX1 or even the Fujifilm X10 which would appear as a better choice. Availble at at Amazon |  Adorama | B&H

Images by Powershot G1X on Flickr

Powershot G1X Specifications

Resolution Effective: 14.3 Megapixel, Actual Pixels: 15.0 Megapixel
Sensor size 1.5″ CMOS
File Formats Still Images: JPEG, RAW – Movies: MPEG-4 AVC/H.264, MOV – Audio: Linear PCM
Max Resolution 14.3MP: x
Aspect Ratio 1:1, 3:2, 4:3, 4:5, 16:9
Image Stabilization Optical
Lens EFL: 15.1-60.4mm (35mm equivalent: 28-112mm)Aperture: f/2.8 (W) – 5.8 (T)
Zoom Optical: 4x – Digital: 4x
Focus Range Normal: 1.3′ (0.40 m) – Infinity, Normal: 4.3′(1.31 m) – Infinity, Auto: 7.9″ (20.07 cm) – Infinity, Auto: 2.8′ (0.85 m) – Infinity, Macro: 7.9″ (20.07 cm) – 2.3′(0.70 m), Macro: 2.8′ (0.85 m) – 5.2′ (1.58 m)
ISO Sensitivity Auto, 100-12800
Shutter 60 – 1/4000 sec
Exposure Metering Center-weighted, Evaluative, Spot
Exposure Modes Modes: AE Lock
Compensation: -3EV to +3EV (in 1/3EV steps)
White Balance Modes Auto, Cloudy, Daylight, Flash, Fluorescent, Fluorescent H, Tungsten, Underwater 2
Self Timer 10 Seconds, 2 Seconds
Built-in Flash Yes: Auto, Flash On, Off, Slow Sync
Effective Flash Range 1.6 – 23′ (0.49 – 7.01 m)
External Flash Hot Shoe
MStorage Type SD, SDHC, SDXC
Video Recording Yes
Audio Recording With Video
Viewfinder Type Optical

 

Product Images

More info

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Powershot G1X available at  Amazon |  Adorama | B&H

Canon EOS 5D Mark III

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Product summary

Features

22.3 megapixel, DIGIC 5+ image processing systems, a beefed up ISO range for better performance in low light conditions and a respectable continuous shooting mode, Canon’s latest release is the EOS 5D Mark III. Successor to the very popular EOS 5D Mark II, Canon has packed in some obvious features and some not so obvious ones while they have beefed up the price by a fat 30%. For professional photographers looking to upgrade, the choice between the Canon 5D Mark III and the Nikon D 800/ 800E could be a difficult one to make. At the end it might just turn to the fact as to what kind of photography you do and whether you are a Canon or a Nikon fan.

Sensor

The Canon 5D Mark III features a 22.3 megapixel full frame sensor compared to the 36 megapixel of the Nikon D800. What it means straightaway is that the Nikon retains a whole lot of information and detail of the frames compared to the Canon. In any shooting requirement, details can be a matter of great advantage. For studio shoots such as products or even fashion photography, the Nikon D800 has a definite edge over the Canon. It is possible to crop and or blow out a sector of the frame or even print it and still retain an amazing amount of detail. In a real world however 22.3 megapixel should be enough.

Focusing

Canon has transposed the focusing system of the 1DX onto the 5D Mark III. There has been a kind of borrowing going on for both Canon and Nikon, trying to bring forward more of their professional DSLR features to their semi-professional bodies. Tid bits of improvements made by Canon since the launch of the last 5D (too bad they only a bit of megapixel to the new 5D) has all made it to the 5D Mark III. One of the biggest complaints that the EOS 5D Mark II had (and for that matter the original first generation 5D too) was its tiny 9 point circular AF system. For professional photographers shooting in outdoor and even in studio setup, the limited opportunity to lock on focus was frustrating. This has now been bumped up quite significantly with the 61 point AF system with 41 cross type focusing points. Focusing is faster and one can have a lot of fun with it. Compared to the Nikon D800 which has a 51 point auto-focusing system and 15 cross type focusing points the Canon seems better off.

ISO and low light performance

Canon has beefed up the ISO performance to a fantastic 102,400. What it means is the camera can shoot pictures in the toughest of low lighting conditions. Even when there are no direct light source, the EOS 5D Mark III can shoot impressive frames using only the ambient light. The frames that you get at 3200 are still usable. If you go higher, the noise becomes prominent and there are less and less chance of being able to use the shots that you shoot. Compared to the Nikon it has a better ISO range but poor performance with color noise creeping in to the mid tones. The Nikon D800 has a definite edge as its photos are sharper than the Canon. Canon tend to smoothen out the frames at higher ISO. However, even in low light conditions, the Canon manages to have an impressive auto focusing performance.

Continuous shooting speeds

Faster continuous shooting speeds is a major advantage when shooting, well, faster subjects; and that means sports photography, a playful dog or a child that won’t simply sit down and allow itself to be photographed. So one would need a decently better performing continuous shooting mode. While at 6 fps the Canon 5D Mark III isn’t quite the best in terms of continuous shooting speeds, but still its performance is respectable. What is impressive is that it can keep shooting for around 20 frames before finally stalling and even at that point it gives a good continuous shooting speeds. The Nikon on the other hand is slower at 4 fps and does not have a great buffer either.

Video mode

Video modes are one of Canon’s specialties in the full frame DSLR cameras. The Mark III shoots videos in 1920 x 1080 (full HD) at 30 fps / 25 fps / 24 fps. If you prefer however to see the world a bit slower than usual, you will however have to switch to 720p HD when you can shoot at higher frame rates of 60 and 50. The Nikon too shoots Full HD 1080p video at 30/25/24p with stereo sound. What the Canon has in addition to the option to plug in external earphone plugs (which the Nikon has too) is a volume level controller. This allows the Canon to control the volume levels whilst recording. The Nikon does not have this feature.

Recording media

Canon has introduced the dual card recording system in this camera. What it does is basically it allows you to use a SD card and a CF card simultaneously. You could either choose to record in one of them and then switch to the other seamlessly when the first one is full; or you could also choose to record the same images in exactly the same resolution in both the cards (come to think of it, professional wedding photographers will have a field day with this feature as they can now simply shoot and then hand over one card to their clients for review); or you could choose to record different quality images in different cards. Saves a lot of hassles really.

Weather sealing

Weather sealing is a major factor for some photographers, especially professional photographers worth their salt. The 5D Mark III comes with an all weather body. Handy that you can now shoot pictures with an utter disregard for the elements.

Final word

The Canon is more suitable for photojournalism while also being very good for studio photography. The impressive buffer and the fast continuous mode together with the 61 point AF system makes the Canon the choice for fast action photography among the two. The Nikon comparatively does not have nearly as good a buffer speed (to some extent the large 36 megapixel and file size makes it kind of slow to process which affects the final speeds) as the Canon. But the Nikon is definitely better for studio and really capturing a world of detail which is suitable for fashion photography and of course product photography. Also the Nikon has a better dynamic range compared to the Canon.

Sample Images by 5D Mark III on Flickr

Canon 5D Mark III Specifications

Type Digital, single-lens reflex, AF/AE camera
Recording Media CF Card Type I and II
Compatible with UDMA CF cards
SD, SDHC, and SDXC Memory Cards
Image Sensor Size 36.0mm x 24.0mm (35mm Full-frame)
Compatible Lenses Canon EF Lenses (excluding EF-S Lenses)
Lens Mount Canon EF mount
Image Sensor Type High-sensitivity, high-resolution, large single-plate CMOS sensor
Pixels Effective pixels: Approx. 22.3 megapixels
Total Pixels Total pixels: Approx. 23.4 megapixels
Aspect Ratio 3:2 (Horizontal: Vertical)
Pixel Unit 6.25 m square
Color Filter System RGB primary color filters
Low-pass Filter Fixed position in front of the image sensor
Dust Deletion feature (1) Self Cleaning Sensor Unit
Automatic Sensor Cleaning
Removes dust adhering to the infrared- and ultraviolet-blocking glass.
Self-cleaning executed automatically when power is turned on or off. Manual execution also possible.
Low-pass filter has a fluorine coating.
Dust Deletion Feature (2) Dust Delete Data acquisition and appending
The coordinates of the dust adhering to the infrared- and ultraviolet-blocking glass are detected by a test shot and appended to subsequent images.
The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.
Dust Deletion Feature (3) Manual cleaning
Recording Format Design Rule for Camera File System 2.0 and EXIF 2.3
Image Type Still Image: JPEG, RAW (14-bit Canon Original), M-RAW, S-RAW, RAW+JPEG, M-RAW+JPEG, S-RAW+JPEG
Video: MOV (Image data: H.264/MPEG-4 AVC; Audio: Linear PCM)
Simultaneous Recording The image-recording quality can be selected in any combination of the three RAW and eight JPEG recording quality settings.
File Size (1) Large: Approx. 22.10 Megapixels (5760 x 3840)
(2) Medium: Approx. 9.80 Megapixels (3840 x 2560)
(3) S1 (Small 1): Approx. 5.50 Megapixels (2880 x 1920)
(4) S2 (Small 2): Approx. 2.50 Megapixels (1920 x 1280)
(5) S3 (Small 3): Approx. 350,000 Pixels (720 x 480)
(6) RAW: Approx. 22.10 Megapixels (5760 x 3840)
(7) M-RAW: Approx. 10.50 Megapixels (3960 x 2640)
(8) S-RAW: Approx. 5.50 Megapixels (2880 x 1920) Exact file sizes depend the subject, ISO speed, Picture style et
File Numbering The following three types of file numbers can be set:
(1) Continuous numbering
(2) Auto reset
(3) Manual reset
Backup Recording Enabled with WFT-E4A attached
File Numbering Consecutive numbering, auto reset, manual reset
Possible to create new folders and select folders in the CF card
Color Space sRGB, Adobe RGB
Picture Style Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
Auto White Balance Auto white balance with the image sensor
Color Temperature Compensation Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels
* Corrected in reference to the current WB mode’s color temperature
Color Temperature Info Transmission Provided
Viewfinder Type Eye-level pentaprism
Viewfinder Coverage Approx. 100% vertically and horizontally (At approx. 21mm eyepoint)
Viewfinder Magnification Approx. 0.71x (-1m-1 with 50mm lens at infinity)
Viewfinder Eyepoint Approx. 21mm (from eyepiece lens center)
Built-in Dioptric Adjustment -3.0 to +1.0m-1 (diopter)
Focusing Screen Fixed
Viewfinder Mirror Quick-return half mirror (transmission: reflection ratio of 40:60,
Viewfinder Information AF information (AF point, focus confirmation, AF status indicator)
Exposure information (Shutter speed, aperture, ISO speed (always displayed), AE lock, exposure level, exposure warning)
Flash information (Flash ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light)
Image information (Highlight tone priority (D+), maximum burst (2-digit display), card information)
Battery check
Composition information
Warning symbol
Depth-of-Field Preview Enabled with depth-of-field preview button
Autofocus Type TTL Secondary image registration, phase detection
AF Points 61-point AF (up to 41 cross-type points)
AF Working Range EV -2 – 18 (at 73°F/23°C and ISO 100)
Focusing Modes Auto, One-Shot AF, Predictive AI Servo AF, AI Focus AF, Manual focusing (MF)
AF Point Selection 1. Single-point AF (Manual selection)
2. Auto selection 61-Point AF
3. Single-point Spot AF (Manual selection)
4. AF point expansion (Manual selection, 4 points: Up, down, left, and right)
5. AF point expansion (Manual selection, surrounding 8 points)
6. Zone AF (Manual zone selection)
Selected AF Point Display Displayed in viewfinder with transparent LCD and on LCD panel
AF-assist Beam (1) Enable
With an EOS-dedicated Speedlite, AF-assist beam is emitted automatically when necessary.
(2) Disable
(3) IR AF assist beam only
* No AF-assist beam with flash bursts.
AF Area and AF Point Selection AF area used in horizontal/vertical (grip up or down) shooting and the manually-selected AF point position can be set separately
Metering Range EV 1-20 (at 73°F/23°C with EF50mm f/1.4 USM lens, ISO 100)
Exposure Control (1) Scene Intelligent Auto
(2) Program AE (shiftable)
(3) Shutter-priority AE (Safety shift possible)
(4) Aperture-priority AE (Safety shift possible)
(5) Manual exposure
* The metering mode can be specified with a Custom Function.
(6) Bulb
(7) E-TTL II autoflash program AE
* Evaluative metering, Averaged metering
ISO Speed (Recommended Exposure Index) ISO 100-25600 (in 1/3-stop or whole-stop increments)
ISO speed expansion possible to ISO 50, 51200, and 102400.
For [Highlight tone priority], the settable ISO speed range will be 200-25600.
ISO speed safety shift possible with Custom Function.
Exposure Compensation Manual: ±5 stops in 1/3- or 1/2-stop increments
AEB: ±3 stops in 1/3 or 1/2-stop increments
AE Lock (1) Auto AE lock
In the One-Shot AF mode with evaluative metering, AE lock takes effect when focus is achieved.
(2) Manual AE lock
With AE lock button. (AE lock is updated each time you press the button.) Enabled in all metering modes.
Shutter Type Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled
Shutter Speeds 1/8000 to 1/60 sec., X-sync at 1/200 sec.
1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode.)
Shutter speed’s control range can be set with a Custom Function.
Shutter Release Soft-touch electromagnetic release
Self-timer 10-sec. or 2-sec. delay
Shutter Lag Time 1) During SW-1 ON, time lag between SW-2 ON and start of exposure:
Approx. 0.059 sec.
2) Time lag between simultaneous SW-1/SW-2 ON and start of exposure:
Approx. 0.2 sec
Compatible Flash E-TTL II autoflash with all EX Series Speedlites
Zooming to Match Focal Length Provided
Flash Exposure Compensation ±2 stops in 1/3- or 1/2-stop increments
FE Lock Provided
External Flash Settings The camera can set the following with Speedlite 600EX-RT, 580EX II, 430EX II, 320EX, 270EX II, or 270EX:
(1) External flash control
(2) Flash Custom Function setting
Drive Modes Single, High-speed continuous, Low-speed continuous, Silent Single Shooting and Self-timer (10 sec. self-timer/remote control, or 2-sec. self-timer/remote control)
Continuous Shooting Speed High-speed: Maximum approx. 6.0 shots/sec.
Low-speed: Maximum approx. 3.0 shots/sec.
Silent continuous shooting: Maximum approx. 3.0 shots/sec.
Maximum Burst JPEG Large/Fine: Approx. 65 shots (approx. 16270 shots)
RAW: Approx. 13 shots (approx. 18 shots)
RAW+JPEG Large/Fine: Approx. 7 shots (approx. 7 shots
Shooting Modes Still photo shooting and video shooting
Focusing (1) Autofocus (One-Shot AF) – Live mode (One-point, contrast AF. Switching to another AF point possible.)- Face detection Live mode (Face detection, contrast AF. Face selectable.) – Quick mode (61-point, phase-difference AF, same as normal shooting.)
(2) Manual focus
Metering Modes Real-time Evaluative metering with the image sensor
Metering Range Real-time evaluative metering with image sensor:
Metering range: EV 0 – EV 20 (At 73°F/23°C, 50mm f/1.4 lens, ISO 100)
AE lock possible
The active metering time can be changed.
Grid Display Three grid display provided
Silent Shooting Provided (Mode 1 and 2)
LCD Monitor Type TFT color, liquid-crystal monitor
Monitor Size 3.2 in.
Monitor Dots Approx. 1.04 million dots
Monitor Coverage Approx. 100% (viewing angle: approx. 170°)
Brightness Adjustment Auto: Brightness adjusted automatically by the light sensor
* Adjustable to one of three levels: Darker, Standard, Brighter
Manual: Adjustable to one of seven brightness levels
Interface Languages 25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, 15/15 Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
Tilt Display – On LCD Monitor Electronic level indicates up to 360° roll and ±10° pitch in 1° increments.
Tilt Display – In Viewfinder The AF point display is used to indicate up to ±6° horizontal tilt and ±4° vertical tilt in 1° increments (During vertical shooting, up to ±1 ° horizontal tilt and ±6° vertical tilt).
Video – File Format MPEG-4 AVC / H.264
Variable (averaged) bit rate
Video – File Size Recording Sizes: 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480
Video – Frame Rates [1920 x 1080]: 30 fps / 25 fps / 24 fps – [1280 x 720]: 60 fps / 50 fps – [640 x 480]: 30 fps / 25 fps
Video – ISO Range P, Av, and Bulb: Automatically set within ISO 100 – 12800, expandable to H (equivalent to ISO 25600) – A+ and Tv: Automatically set within ISO 100 – 12800, – M: Auto ISO (automatically set within ISO 100 – 12800), ISO 100 – 12800 set manually (in 1/3- or whole-stop increments), expandable to H (equivalent to ISO 16000/20000/25600)
Video – Focusing Same as focusing with Live View shooting
video – Exposure Control (1) Program AE for movie shooting (2) Manual exposure
Video – Exposure Compensation Up to ±3 stops in 1/3-stop increments
Display Format Single image, Single image + Image-recording quality/shooting information, histogram, 4- or 9-image index, magnified view (approx. 1.5x-10x), rotated image (auto/manual), image jump (by 10/100 images, index screen, by shooting date, by folder), two-image comparative display, slide show (all images/selected by date/folder), star rating
Highlight Alert With single-image display (Info.) and single-image display, overexposed highlight areas will blink
Quick Control Function The following functions can be set: Shutter speed, aperture, ISO speed, exposure compensation, AEB, flash exposure compensation, AF point selection (including AF area selection modes), Picture Style, White Balance, WB Correction, metering mode, Auto Lighting Optimizer, recording function switching, image-recording quality, AF mode, drive mode, and Custom Controls (camera controls/buttons customization).
Image Protection Erase protection can be applied or canceled for a single image, all images in a folder or all images in the card
Image Erase Erase a single image, selected images, all images in a folder, all images in a card or erase only unprotected images
Compatible Printers PictBridge-compatible printers
Printable Images RAW and JPEG images complying to Design rule for Camera File System
Custom Functions 13 Custom Functions settable with the camera
Camera User Settings Current camera settings can be registered to C1, C2 and C3 on the Mode Dial (Automatic registration update is possible)
My Menu Registration Up to six top-tier menu options and Custom Function settings can be registered
USB Terminal For personal computer communication and direct printing (USB 2.0 Hi-Speed)
Audio/Video OUT Terminal (1) Video OUT terminal: NTSC/PAL selectable
(2) mini-HDMI OUT terminal
Extension System Terminal For connection to WFT-E7A (WFT) and GP-E2 (GPS)
Gigabit-Ethernet The RJ-45 jack is not built-in and is only available via the Wireless File Transmitter WFT-E7A
Battery One Battery Pack LP-E6
AC power can be supplied with the AC Adapter Kit ACK-E6
Battery Check Automatic battery check when the power switch is turned on: Displayed in 6 levels:
Power Saving Power turns off after the set time (1, 2, 4, 8, 15 or 30 minutes) of non-operation elapses.
Startup Time Approx. 0.1 sec
Dimensions (W x H x D) Approx. 6.0 x 4.6 x 3.0 in. (152.0 x 116.4 x 76.4 mm)
Weight Approx. 33.5 oz. / 950g (Based on CIPA standards)
Approx. 30.3 oz./ 860g (Body only)

 

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More info

Purchase Options

EOS 5D Mark III

Amazon
Canon EOS 5D Mark III (Body)
Canon EOS 5D Mark III with EF 24-105mm f/4 L IS USM Lens
Canon Speedlite 600EX-RT Flash
Canon BG-E11 Battery Grip 
Canon GP-E2 GPS Receiver
Canon Speedlite Transmitter A
Canon Wireless File Transmitter 
Adorama
Canon EOS 5D Mark III (Body)
Canon 5D Mark III w/24-105 f/4L IS
B&H
Canon EOS 5D Mark III Body
Canon 5D Mark III with EF 24-105 f/4
Canon Speedlite 600EX-RT
J&R
Canon EOS 5D Mark III Body
Canon 5D Mark III with EF 24-105 f/4

Canon EOS 1D X

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Product Summary

Overview

This camera comfortably takes on the mantle of the flagship professional DSLR in the Canon lineup. This a camera with three brains. 1D X features three DIGIC processors, including Dual DIGIC 5+ image processors. It is obvious, Canon has not been fooling around with this camera. They have decided to take it to next level. 1D X features a new 18-megapixel full-frame Canon CMOS sensor, Dual DIGIC 5+ Imaging Processors, 14-bit A/D data conversion and capable of shooting an incredible 12 frames-per-second (fps). Canon’s EOS DSLR cameras and accessories have a long-standing legacy of providing high-quality results to professionals in a wide range of markets, including sports, nature, cinematography, wedding and commercial studios. The addition of this new model will help take this tradition to a whole new level. It retires both the 1D Mark III and the 1D Mark IV from the Canon lineup by combining the performance and features of both the Canon 1Ds and the 1D line.

Whats New?

New 18.1Mp Full-Frame CMOS Sensor

The EOS-1D X features a newly developed Canon full-frame 18.1 megapixel CMOS sensor that’s designed from the ground up to create high resolution, perfectly detailed images with unprecedented speed and clarity. A full 24 x 36mm, the sensor captures 5184 x 3456 large individual 6.95 µm pixels and has a much-improved S/N ratio resulting in better images from the start. A new photodiode structure with an increased photoelectric conversion rate increases the sensor’s sensitivity by approximately 2 stops over previous models, meaning higher ISOs with the lowest noise of any EOS digital camera. And a 2-line 16-channel simultaneous signal readout means speeds of up to 12 fps (RAW + JPEG) and even 14 fps (Super High Speed Mode) are possible!

14-bit A/D Conversion

Wide Range ISO Setting 100-51200The EOS-1D X not only offers 14-bit signal processing for excellent image gradation, it delivers higher standard and expanded ISOs, and a score of new options to enhance shooting in varied and fast-changing lighting situations. With a standard range of ISO 100-51200, the EOS-1D X represents a 2-stop increase in sensitivity over previous cameras. Thanks to the improved signal-to-noise ratio of the new sensor and powerful noise reduction, the EOS-1D X can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H1), and even 204800 (H2)! Beyond the obvious advantages of its wide ISO range, the EOS-1D X has automatic ISO settings, found on the dedicated ISO menu. Minimum and maximum ISO settings can be specified, as can a user-defined range, plus full auto and manual

Dual DIGIC 5+ Image Processors for Enhanced Noise Reduction and Blazing Processing Speed

For a whole new level of performance, the EOS-1D X uses Dual DIGIC 5+ Image Processors that include four 4-channel A/D converter front-end processing circuits and deliver speeds of up to 12 fps (RAW + JPEG) and 14 fps (JPEG). Compared with the predecessor, Canon’s DIGIC 4 Image Processor, the Dual DIGIC 5+ Image Processor offers approximately 17x faster processing speed, and feature new algorithms that promote greater noise reduction at higher ISOs. In addition to conventional image processing functions the Dual DIGIC 5+ Image Processors offer real-time compensation for Chromatic Aberration in both still and motion images. With the power of these two processors, speed improvements are noticeable from the instant the camera is turned on and the stunning results speak for themselves

61-Point High Density Reticular AF

The newly designed 61-Point High Density Reticular AF features an Offset Array Sensor (with staggered AF point arrangement) to deliver greater accuracy, no matter the situation. It offers multi-zone wide-area AF for better tracking, has 5 central dual cross-type points (f/2.8 diagonal), 21 central cross-type points (f/5.6 horizontal and vertical) and 20 outer cross-type points (f/4.0 horizontal), and is sensitive in extremely low-light situations (EV-2 for a central point with a f/2.8 lens).The EOS-1D X has a dedicated AF menu tab, so AF can be controlled without having to go through custom function menus. It also has 6 AF point selection methods (Spot, Single Point, Single + Adjacent 4 Points, Single + Adjacent 8 Points, Zone Selection, and Automatic AF Point Selection), plus a dedicated AF configuration tool for control of AI Servo AF III tracking parameters (tracking sensitivity, acceleration/deceleration tracking, and AF point auto switching).

Metering System

It has a much improved metering system that is 100k pixel and 252 zone RGB when compared to some of the other pro bodies which has only a 63 zone metering system. Even in utterly low light conditions, the camera offers great shots at such high ISO as 12800. If you’re comparing between a 5D Mark III and the 1DX and looking for lower noise in low light conditions, the later wins the race handsomely because of its better noise performance. The 1DX certainly benefits from the dual DIGIC 5 image processing system and the presence of a dedicated DIGIC 4 processor for AE.

Updated AI Servo AF & Cross-Type AF Support at f/8.0

By popular demand, Canon is offering Firmware Update Ver. 1.1.1, which enhances the 61-Point High Density Reticular AF System of the EOS-1D X DSLR camera. Included in the free downloadable firmware update, available on Canon’s website, is AF Point Illumination when using AI Servo AF mode, as well as the addition of Cross-Type AF support down to f/8.0 lens aperture. When AI Servo AF Mode is selected there will be red AF point illumination markers for easy viewing of the selected focus point – ideal for photographers shooting in low-light and when photographing dark subjects. Cross-Type AF Support down to f/8.0 means when the maximum aperture is as narrow as f/8.0, the firmware update will allow cross-type AF to be usable – which is great for use with Canon EF super-telephoto lenses with extenders, greatly expanding the range of lens and extender combinations that support autofocus with the EOS-1D X.

EOS iSA Powered by Canon DIGIC 4 Image Processor

The EOS-1D X features a brand new 100,000-pixel RGB Metering Sensor with a dedicated DIGIC 4 Image Processor that delivers substantial improvements in evaluative ambient and flash metering. The sensor has 252 distinct zones for general metering, with 35 zones used for low-light metering. The meter’s DIGIC 4 Image Processor uses EOS iSA (Intelligent Subject Analysis System) that incorporates face and color recognition data for more stable performance under rapidly changing lighting situations. The E-TTL Flash metering gains the same improvements. These improvements ensure accurate automatic exposure in a greatly increased group of shooting situations, offering a level of performance that will impress even the seasoned pro

EOS HD Video Recording

Addressing the requests of the pros, the EOS-1D X captures HD video with an unprecedented level of sophistication for a digital SLR. It offers both All-I and IPB compression, supports H.264/MPEG-4 AVC High Profile, and automatically splits files greater than 4GB (FAT specifications) for extended recording up to 29:59 minutes without interruption. It offers the option of timecoding only during recording (Rec Run) or at all times (Free Run) – useful for multi-camera shoots. The EOS-1D X offers easy operation with the new Live View shooting/Movie shooting button. Menu options can still be set even when the Live View image is displayed. A dedicated menu tab for video capture allows functions to be changed quickly on the fly. Improved sound recording adjustment capabilities offer 64-step volume control; and a sound recording level meter that is accessible through the Quick Control screen during video shooting. With the Silent Control function, adjustments can be made quietly with a touch pad located on the inner portion of the Quick Control Dial. The built-in wind filter helps suppress unwanted wind noise that can distort or muffle sound. The CMOS sensor’s new drive system significantly increases image processor performance, reducing color artifacts and moiré

High-Speed Continuous Shooting

The EOS-1D X combines fast 16-channel data readout from its 18.1 megapixel CMOS sensor and the supercharged processing capabilities of its Dual DIGIC 5+ Image Processors with a speedier shutter and mirror system to raise the performance bar for all digital cameras, capturing full-frame images and recording them fast to UDMA cards stored in the cameras Dual Card Slots. Ideal for fixed focus situations, the EOS-1D X’s can shoot up to 12 fps (RAW + JPEG). In Super High Speed Mode, high-speed shooting up to 14 fps (JPEG) is possible.Thanks to a more resilient design, shutter lag with the EOS-1D X is reduced to 55ms (down even further to 36ms via custom function). A redesigned mirror system, featuring a Quad Active Mirror Stopper, uses more effective material to absorb impact when moving up and down not only aids in speedy shot-to-shot times, but the reduced mirror vibration provides more stable shots at all times

Magnesium Alloy Body with Shutter Durability and Dust and Weather-Resistance

For professionals who demand nothing less than the best, the EOS-1D X is designed to perform superbly, even in the most treacherous environments, every time. The body is constructed of rigid, high-strength magnesium alloy for rugged performance and features a new grip design for easier finger placement and reduced hand fatigue. Its newly redesigned shutter has lightweight and carbon-fiber blades, and is rated to maintain up to 14 fps performance without compromise, for up to 400,000 cycles. The EOS-1D X and accessories like the new Wireless File Transmitter WFT-E6A and GPS Receiver GP-E1 have extensive gasketing for improved dust and water resistance, even at their connection points

Ultrasonic Wave Motion Cleaning (UWMC)

The EOS-1D X’s integrated cleaning dust removal cleaning uses a carrier wave type self-cleaning sensor unit. While previous dust removal systems removed dust adhered to the surface of the infrared absorbing/ultraviolet-blocking glass in a frontward direction by vibrating the glass with ultrasound, the new system effectively rolls rather than shakes the dust particles off, removing an even greater amount of dust, especially smaller particles. As with previous cameras, the IR/UV absorbing glass in front of the EOS-1D X’s sensor is treated with an anti-dust fluorine coating making it easier to remove damp or sticky dust particles. As part of Canon’s Integrated Cleaning System dust missed by the camera can be identified and removed using the Dust Delete Data feature of Canon’s Digital Professional Pro software, bundled with every EOS digital SLR

Intelligent Viewfinder with Superimposed LCD

The EOS-1D X’s Intelligent Viewfinder offers a sharp, bright approximately 100% field of view with an approximate magnification of .76x, a viewing angle of 35° and a 20mm eye-point. With a new construction featuring aspherical lens elements, the viewfinder displays less distortions and color aberrations than previous models. It uses a transparent LCD to superimpose a customizable combination of focus points and gridlines directly over the image. The AF status indicator can even be directed to display within or outside of the viewfinders image area. With the intelligent viewfinder, unlike with other cameras, the photographer has the choice of seeing shooting information or looking only at the scene in front of the camera. The ability to effectively erase all shooting data and turn it back on with the touch of a button gives the photographer the opportunity to concentrate simply on looking and composing the photograph without distraction, a great advantage in numerous shooting situations

3.2″ TFT LCD Screen

The EOS-1D X’s 3.2″ TFT LCD monitor has 1,040,000 dots, anti-reflective construction and features Canon’s Clear View II technology for bright, sharp display in any number of shooting situations. It’s ideal for reviewing settings and images, as well as for shooting in Live View mode. In Live View, grid lines can be displayed in 9 sections, 24 sections, or 9 sections with diagonals, as can the dual-axis electronic level, which helps ensure accurate level by displaying both roll and pitch in 1-degree increments. For image review, the EOS-1D X has a new, dedicated Magnify/Reduce button. While pressing the button, zooming in or out (up to 10x) is achieved simply by turning the Main Dial. Images can be protected or erased quickly, individually or in batches, and slideshows can be created with some or all images and can be sequenced by date, folders, movies, stills or rating. A feature guide can be accessed for the selected menu, providing detailed reference information whenever needed

Improved Handling with Addition of New Customizable Controls

Reconceived based on the experience and feedback of professional users, the EOS-1D X’s new ergonomic design is more comfortable and intuitive than ever. With a refined and intelligent layout of all control buttons and dials, shooting settings can be made with just the right hand, and quick image check and image processing operations with just the left. New, assignable and tactile function buttons located on the front of the camera enable fast access to features the photographer uses frequently. The vertical grip has been redesigned for comfort and familiarity, and combined with a vertical position Multi-Controller, Mfn2 and Depth-of-Field preview buttons provides every option found with horizontal for uninterrupted, intuitive shooting no matter the camera’s orientation.During shooting, the EOS-1D X’s dedicated Quick Control button enables speedy changes of nearly every shooting parameter with the touch of a button. During playback, pressing the Quick Control button enables the photographer to protect images, rotate, rate, resize, view highlight alert, AF point and much more. Plus, with the EOS-1D X’s new Multi Function Lock, the Main Dial, Quick Control Dial and Multi-Controller can all be locked, individually or together.The EOS-1D X’s Graphic User Interface shows improvements as well. The menu structure has been redesigned so that frequently used functions previously buried in the menu hierarchy are brought to the front. Operations previously assigned to buttons, controls, menus and custom functions have been consolidated for quick access in the menu, ensuring the photographer can concentrate on composing and shooting images

Enhanced Recording Options with Dual Card Slots, Gigabit-Ethernet Terminal

To complement the high-speed drive and record the maximum number of shots as quickly as possible, the EOS-1D X records solely to industry speed-leading CompactFlash cards and features Dual Card Slots. Supporting UDMA mode 7, with a maximum data transfer rate of 167 MB/s as well as exFAT maximum file sizes, the EOS-1D X can use Type I and Type II CF recording media. Three recording settings are available: Auto switch, wherein the camera automatically switches from one card to another when the first is filled, Record Separately where the same image is recorded to each card, but in different size or file type, or Record to Multiple, where the same image is saved to both cards in the same size (or sizes), providing an instant backup for added security. Additionally, images can easily be transferred from one CF card to the other. Wired image transfer is also speedier than ever thanks to the EOS-1D X’s built-in Gigabit Ethernet terminal (1000BASE-TX)

Optional Canon Wireless File Transmitter and GPS

The EOS-1D X is compatible with the new WFT-E6A Wireless File Transmitter for wireless LAN and Bluetooth transfer with the IEEE 802.11 a/b/g/n standards, performing up to 2.5x faster than previous models. A new image resend feature ensures that all images get transferred, even if a signal drop interrupts transmission. The small and lightweight WFT-E6A is discrete, does not interfere with other camera operations, and maintains the EOS-1D X’s high level of dust and drip resistance.The GPS Receiver GP-E1 attaches to the EOS-1D X, offering the same dust and water-resistant protection as the camera body itself, features its own power supply and is always ready to append location data to images. It records latitude, longitude, elevation and has a GPS Time Sync Function that synchronizes the camera clock with a satellite and features an electronic compass that records the camera’s orientation when shooting

Ultra-Fast Shutter Lagtime – Only 36ms

Thanks to a non-contact charge and more resilient design, shutter lag with the EOS-1D X is reduced to 55ms (down even further to 36ms via custom function). A redesigned mirror that uses more effective material to absorb impact when moving up and down not only aids in speedy shot-to-shot times, but the reduced mirror vibration provides more stable shots at all times

Built-In Chromatic Aberraton Correction and In-Camera RAW Processing

Chromatic aberration in Canon lenses can be corrected at the time of shooting with the EOS-1D X’s Lens Aberration Correction feature and can be saved and registered to the particular lens. The EOS-1D X can even distinguish between different lenses of the same model by supporting registration of serial numbers specific to each lens.Post processing, in-camera, is both quick and easy with the EOS-1D X. It offers in-camera RAW processing with image correction like white balance, brightness, picture style and more, as well as image resizing with JPEG images. Additionally, the EOS-1D X features Expanded Quick Control functions during playback like Image protect, image rotate, rating, resize, highlight alert, AF point and image jump, meaning a streamlined workflow can begin in the field

System Status Display Function Provides Critical Information

For optimal camera maintenance, The EOS-1D X’s new System Status Display Function offers pertinent information about the camera’s use and condition. In addition to displaying the camera’s serial number and firmware version, the System Status Monitor also displays the total number of shutter release cycles (in thousands), a camera error log, which lists errors that may warrant service

Multiple Exposure Shooting

The EOS-1D X offers a number of multiple exposure options for creative photography, in-camera. It can take from two to nine exposures to create one multiple exposure image, with four distinct settings for exposure control: Additive (where, like with a traditional film-based multiple exposures) the total exposure amount adds up as the exposures are taken (thereby requiring manual exposure compensation for each frame); Average, where the exposure is controlled automatically; (Comparative) Bright, a setting suited for uniformly dark scenes with distinct bright subjects; and (Comparative) Dark, which is suitable for eliminating bright sections or reflections. Images can be checked on the LCD during shooting. An existing image can be chosen for the first exposure and the EOS-1D X offers a number of other settings for highly controlled multiple exposure photography of the highest caliber

If you’re a Nikon fan you would be sorry to note that neither of the so called top of the line professional DSLR cameras that Nikon sells, the D4, D3X has speed, AF performance in both stills and videos and the superb overall quality and performance as the 1DX.

This camera is clearly in what can be called the upper echelons of 35mm photography. If you’re an amateur and don’t want to ruin your life with either a hole in your life’s savings or the complexities of shooting with a juggernaut of a camera, then stay away. If you’re a professional photographer whose life depends on the image quality, close your eyes, save up and buy this, period.

Sample Images by EOS 1DX on Flickr

EOS 1DX Specifications

LCD Monitor Type TFT color, liquid-crystal monitor
Monitor Size 3.2-inches
Pixels Approx. 1.04 million dots
Coverage Approx. 100%
Viewing angle: 170 deg
Brightness Control 7 levels provided
Recording Media Dual CF Cards (Type I or II)
Compatible with UDMA 7 CF cards
Image Format Approx. 36 mm x 24mm (35 mm Full-frame)
Compatible Lenses Canon EF Lenses
Image Sensor Type High-sensitivity, high-resolution, large single-plate CMOS sensor
Pixels Effective pixels: Approx. 18.1 megapixels
Total Pixels 19.3 megapixels
Aspect Ratio 3:2 (Horizontal: Vertical)
Color Filter System RGB primary color filters
Low Pass Filter Fixed position in front of the image sensor
Recording Format Design Rule for Camera File System 2.0 and EXIF 2.3
Image Format: Sill JPEG, RAW (14-bit Canon Original), M-RAW, S-RAW, RAW+JPEG, M-RAW+JPEG, S-RAW+JPEG
Image Format: Video MOV (Image data: H.264; Audio: Linear PCM)
File Size Large: Approx. 17.9 Megapixels (5184 x 3456)
M1: Approx. 14.20 Megapixels (4608 x 3072)
M2: Approx. 8.00 Megapixels (3456 x 2304)
Small: Approx. 4.5 Megapixels (2592 x 1728)
RAW: Approx. 17.90 Megapixels (5184 x 3456)
M-RAW: Approx. 10.10 Megapixels (3888 x 2592)
S-RAW: Approx. 4.50 Megapixels (2592 x 1728)
Exact file sizes depend on the subject, ISO speed, Picture Style, etc
Recording Functions Standard: Select one of the CF cards to record.
Auto switch card: When the current card becomes full, the camera switches to the other card automatically.
Record separately: The same image is saved to both cards, but in a different size (L, M1, M2, S, RAW, M-RAW, or S-RAW) that was set for the respective card.
Record to multiple: The same image is saved to both cards in the same size (RAW+JPEG also possible)
File Numbering Consecutive numbering, auto reset, manual reset.
Possible to create new folders and select folders in the CF card
RAW + JPEG Simultaneous Recording The image-recording quality can be selected in any combination of the three RAW and four JPEG recording quality settings
Color Space sRGB, Adobe RGB
Picture Style Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
Auto White Balance Auto white balance with the image sensor
White Balance settings Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature setting
Color Temperature Compensation Blue/amber bias: ±9 levels
Magenta/green bias: ±9 levels
Viewfinder Type Eye-level pentaprism
Viewfinder Coverage Vertical/Horizontal approx. 100%
Magnification Approx. 0.76x (-1m-1 with 50mm lens at infinity) / 35.0 deg angle of view
Viewfinder Eye Point Approx. 20mm (At -1m-1 from eyepiece lens center)
Dioptric Adjustment Correction -3.0 to +1.0 m-1 (diopter)
Focusing Screen Interchangeable
Mirror Quick-return half mirror (transmission: reflectance ratio of 40:60)
Depth Of Field Preview Enabled with depth-of-field preview button
Autofocus Type TTL-AREA-SIR AF-dedicated CMOS sensor
AF Points 61-point AF
Focusing Modes (1) Autofocus
One-Shot AF
Predictive AI Servo AF
Selected AF Point Display Indicated by transmissive LCD display in the viewfinder and on the LCD panel
Metering Range EV 0 – EV 20 (at 73Deg.F/23Deg.C with 50mm f/1.4 lens, ISO 100)
Exposure Control Systems Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb, E-TTL II autoflash program AE
ISO Speed Range Automatically set, ISO 100-51200 (in 1/3-stop or 1-stop increments)
Basic Zone modes: ISO 100-51200 set automatically
Extension settable: ISO 50; 102,400 and 204,800
Exposure Compensation Manual: ±5 stops in 1/3- or 1/2-stop increments
AEB: ±3 stops in 1/3- or 1/2-stop increments
Shutter Speeds 1/8000 to 1/30 sec., bulb, X-sync at 1/250 sec
Self Timer 10-sec. delay, 2-sec. delay
EOS Dedicated Speedlite E-TTL II autoflash with all EX Series Speedlites
Flash Metering E-TTL II autoflash
Flash Exposure Compensation ±3 stops in 1/3- or 1/2-stop increments
External Flash Settings External Flash Control
Flash Custom Function Setting
Drive Modes Single, High-speed continuous, Low-speed continuous, Silent Single Shooting and Self-timer (10-sec. self-timer/remote control, or 2-sec. self-timer/remote control)
Continuous Shooting Speed Super High-speed: Maximum 14 shots/sec.
High-speed: Maximum 12 shots/sec.
Low-speed: Maximum 3 shots/sec
Maximum Burst JPEG Large: Approx: TBA
UDMA CF Card: Approx: TBA
RAW: Approx: TBA
UDMA 7 CF Card: Approx. TBA
Shooting Modes Still photo and video recording
Focusing Quick mode (61- Point Phase-difference detection AF)
Live mode/Face detection Live mode (One-Point Contrast detection AF, switching to another point possible)
Face detection Live mode (Contrast AF, Face Selectable)
Manual focusing (5x/10x magnification possible)
Metering Modes Real-time Evaluative metering with the image sensor
Metering Range Real-time evaluative metering with image sensor: Metering range: EV 0 – EV 20 (At 73Deg.F/23Deg.C, 50mm f/1.4 lens, ISO 100)
AE lock possible
The active metering time can be changed
Grid Display Three grid display provided
Video File Format MOV (image data: H.264; audio: Linear PCM)
File Size Recording Sizes: 1920 x 1080 (Full HD), 1280 x 720 and 640 x 480
Frame Rates [1920 x 1080]: 30 fps / 25 fps / 24 fps
[1280 x 720]: 60 fps / 50 fps
[640 x 480]: 30 fps / 25 fps
Interface Languages 25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese)
Display Format Single image, Single image + Image-recording quality/shooting information, histogram, 4- or 9-image index, magnified view (approx. 1.5x-10x), rotated image (auto/manual), image jump (by 10/100 images, index screen, by shooting date, by folder), slide show (all images/selected by date/folder), star rating
Highlight Alert With single-image display (Info.) and single-image display, overexposed highlight areas will blink
Compatible Printers PictBridge-compatible printers
Printable Images RAW and JPEG images complying to Design rule for Camera File System
DPOF (Digital Print Order Format) Version 1.1 compatible
Compatible Images JPEG and RAW images and movies
Custom Functions Total 31
Camera User Settings Current camera settings can be registered to C1, C2 and C3 on the Mode Dial (Automatic registration update is possible)
My Menu Registration Up to six top-tier menu options and Custom Function settings can be registered
Battery One Battery Pack LP-E4N or LP-E4
AC power can be supplied with the AC Adapter Kit ACK-E4
Power Saving Power turns off after the set time (1, 2, 4, 8, 15 or 30 minutes) of non-operation elapses
Date/Time Battery CR2025 lithium battery
Start-up Time Approx. 0.1 sec
Working Temperature Range 32-104Deg.F/0-40Deg.C
Working Humidity Range 85% or less
Dimensions (W x H x D) 6.2 x 6.4 x 3.3 in. (158 x 163.6 x 82.7 mm)

 

Canon EOS 1DX Intro Video

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Canon EOS 1DX

Canon EOS 1DX  Available at Adorama | Amazon | B&H

Think Tank Photo to Add Retrospective® 40 and Retrospective® 50 Shoulder Bags

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In November, we will add two new laptop-carrying sizes to our“retro” Retrospective® shoulder bag line: the Retrospective 40 and the Retrospective 50. Designed for the professional photographer that wants to remain inconspicuous in any situation, their retro look mixes “Old-School” with “New-School” that is a throwback to the days when bags where visually simple but highly functional.

The Retrospective 40 is perfectly suited for pro-size DSLRs with a pocket for most 13” laptops and the Retrospective 50 holds pro-size DSLRs with a pocket for 15.4” laptops. Both bags accommodate a 70-200 2.8 attached to a pro-size body. The large front pocket provides an optional divider for an additional two pro-size bodies or for documents

“With broad appeal, the Retrospective series has quickly become one of the leading bag collections in the industry,” said Doug Murdoch, Think Tank Photo CEO and Lead Designer. “Working pros to vacationers all will find the Retrospective 40 and 50 to be the most useful and functional bags for a day’s outing.”

Additional features include:

  • Cushioned and padded nonslip shoulder strap for all day comfort
  • Sound Silencers™ to turn off the front flap hook and loop for silent operation
  • Organizational and zippered pockets for accessories
  • Removable divider set for custom layouts
  • Convenient carrying handle for grab and go
  • Seam sealed rain cover
  • Expandable front pocket for DSLR body or accessories
  • Business card slot under the front flap for identification
  • High quality YKK zippers
  • Soft, flexible, lightweight
  • Available in Black nylon, Pinestone or Slate Blue cotton canvas

Specifications:

Retrospective 40

  • External Dimensions: 14.2” W x 11.8” H x 8” D (36.1 x 30 x 20.3cm)
  • Internal Dimensions: 13.8” W x 11” H x 6.5” D (35.1 x 27.9 x 16.5cm)
  • Laptop: 13″ W x 10.2″ H x 1.3″ D (33 x 25.9 x 3.3cm)
  • Weight: 3.9 lbs (1.8 kg)

Retrospective 50

  • External Dimensions: 16” W x 11.8”H x 8.5” D (40.6 x 30 x 21.6cm)
  • Internal Dimensions: 15.5” W x 11” H x 6.5” D (39.4 x 27.9 x 16.5cm)
  • Laptop: 15″ W x 11″ H x 1.4″ D (38 x 28 x 3.6cm)
  • Weight: 4.2 lbs (1.9kg)

Check out Think Tank products at B&H

Tiffen Introduced Next Generation Domke Bag

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NEXT GENERATION DOMKE UNVEILED AT 2012 PDN PHOTOPLUS EXPO

World’s most recognized and utilized photography gear expands bag lineup with new styles and complete customization

Hauppauge, NY – October 25, 2012 – The Tiffen Company®, a leading manufacturer and distributor of award-winning accessories for the still imaging, video, motion picture and broadcast markets, today unveiled its Next Generation Domke gear at the 2012 PDN PhotoPlus Expo (booth 545), held at the Jacob K. Javits Center in New York City from October 25 – 27. For over 30 years, Domke bags and accessories have earned the industry’s respect and are recognized as the most-trusted brand in photography gear, proudly represented by generations of photographers. Tiffen’s Next Generation Domke line keeps the core Domke DNA and personality, adding personalization capabilities that can be customized to fit every shooter. “Next Generation Domke embodies 30 years of outstanding photography bag design know-how and confidence with absolute, personalized customization, filling the needs of any and all photographers,” comments Steve Tiffen, president and CEO, The Tiffen Company. “Next Generation Domke gear is designed for the way you shoot, with a stylish, updated look that brings the legendary performance and feel of Domke to today’s photographer.”

Demonstrated at PhotoPlus Expo, Next Generation Domke includes the Journalist Series, the Adventurer Series, the Metropolitan Series and the Visionary Series, each offering the new Domke GearProtex divider and PocketFlex pocket and pouch personalization and customization systems.

Made in the USA, Next Generation Domke evolves with photographers, offering products as unique as the people that carry them. Customizable to any shooter’s needs, Domke bags are made of soft, fashionable canvas that mold to the body for a comfortable fit when on the go. Interchangeable pocket inserts let shooters custom-tailor their Domke bag to fit all the accessories they need, protecting gear and providing easy and convenient access to it in even the most action-packed situations. Smart, high-tech fabrics and unique hardware combine to make “bomb-proof” yet versatile bags that do more than just hold gear – they facilitate the art of photography.

Proud of its rich heritage, Domke is the official bag of the White House News Photographer Association.

Check out Tiffen Product At B&H

Phase One anoounced Capture One Pro 7

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New Processing Engine Drives an Image Quality Revolution

COPENHAGEN, October 25, 2012 — Phase One, the world’s leader in open-platform, high-end camera systems and solutions, today released Capture One Pro 7. Capture One Pro is the advanced digital imaging software for professional photographers who require superior image quality, maximum workflow efficiency and the flexibility to work the way they want to work.

Capture One Pro 7 is a major release built on a new processing engine with new and advanced professional tools that dramatically boost out-of-the-box image quality, offering exquisite detail and color rendition. Powerful digital asset management functionality, derived from years of technical expertise built into the Media Pro catalog system, has been added to offer more options to select, search and organize image files. And the world’s most advanced tethering shooting solution now includes Live View support for selected DSLRs.

“Phase One engineers have unique advantages in developing image processing software: their high-end digital hardware expertise, their enduring passion for perfection and their collaboration with some of the world’s best photographers,” said Linda K. Poulsen, Software Marketing Director, Phase One.

“Image quality is always our prime directive,” said Niels V. Knudsen, Vice President of Innovation and Application Development, Phase One’s popular ‘Image Quality Professor.’ “We are proud to introduce what we believe is the world’s best professional imaging software, and we wish to thank photographers around the globe for inspiring us to meet their needs for high quality images with a natural look and feel.”

A Revolution in Image Quality
Advancements in the Capture One raw processing engine yield vastly more accurate rendition of details and colors. While medium format camera systems with Capture One Pro achieve the highest-level results, DSLR users will see stellar performance from their cameras too. A highly advanced noise reduction algorithm has been added that gives stunning performance at even high ISO levels. Precision adjustment tools offer greatly enhanced dynamic range for astonishing details in both shadows and highlights, reveal fine details and structure, reduce the effect of haze and give images a more threedimensional look and add local contrast and saturation to images for extra punch. The new OpenCL implementation yields faster browsing and higher-speed image processing.

Powerful Digital Asset Management
Next to the familiar and proven sessions approach, Capture One Pro users can now organize their image files via comprehensive and flexible catalogs. Incorporating powerful digital asset management features found in Media Pro, they can work with multiple catalogs at the same time; share catalogs with other users; switch between different catalogs without relaunching; easily tag images for later search and retrieval; and browse and adjust images when the original images files are offline.

Workflow AdvancesFrom capture to final output, Capture One Pro 7 has been optimized for efficiency. Capture One Pro’s support for instant tethered shooting is renowned for its ease (just plug in and shoot) with both medium format and high-end DSLR cameras. Now Live View is available for selected DSLRs aiding composition and critical focus. Capture One Pro 7 has a selection of default lens profiles that can be chosen to automatically correct any unwanted optical issues. Capture One Pro 7 speeds delivery of final image files to clients and colleagues in whatever format, size, or resolution they need.

For a complete list of new and advanced features, please go to http://www.phaseone.com/en/Image-Software.aspx

Pricing and Availability
Phase One Capture One Pro 7 is available now for Mac OS X and Windows online at www.phaseone.com/store and from Phase One Partners. The price is 299 USD and 229 EUR 229. Owners of Capture One Pro 3/4/5/6 may upgrade for 99 USD and 69 EUR. Owners of Capture One Express may upgrade to Capture One Pro 7 for 249 USD and 199 EUR. For customers who have purchased Capture One Pro 6 since September 26, 2012, Phase One is offering a grace period, exempting them from the upgrade fee.

Check out Phase One Product at B&H

DxO Lab Optics Pro 8 with Smart Lighting

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DxO Optics Pro 8 introduces DxO Smart Lighting allowing greater photo details and more vivid colors

Comprehensive image content analysis coupled with camera calibrationpushes image quality even further

Software will be available on October 29, 2012 at a 33% discount through November 15th

October 24, 2012 – DxO Labs announces the October 29th availability of DxO Optics Pro 8, a major new release of its image quality processing software of reference for all demanding photographers. Available for both Mac and Windows, DxO Optics Pro 8 provides the best tool for automatically adjusting contrast and light, the most advanced optical corrections, and even finer and more precise color management. Its enhanced performance and improved interface deliver a better user experience.

DxO Optics Pro is based on a unique approach consisting of extensive camera and lens calibrations in DxO Labs’ laboratories. The software integrates several powerful tools delivering automatic RAW and JPEG image processing for both amateur photographers and experts: optical and geometrical corrections, exposure and contrast, noise reduction, and color and detail preservation.

DxO Optics Pro’s many presets allow photographers to process images according to their own taste, getting in just a few cliks the best out of their photos, whatever the shooting conditions.

DxO Smart Lighting: Mastering the light with one slider

New DxO Smart Lighting brightens up photos by optimizing contrast and lighting quickly and efficiently. This exclusive DxO Labs technology intelligently adapts to image content and allows users to easily adjust image contrast using a single slider. DxO Smart Lighting automatically recovers details both in highlights and shadows under even the most extreme shooting conditions.

For more advanced users, DxO Optics Pro 8 offers a new Selective tone tool that allows them to apply precise corrections separately to highlights, midtones, and dark zones.

Brilliant and fully textured colors

The Protection of saturated colors tool can restore a significant number of details and rich textures hidden in areas of vivid or saturated color that can appear flatly uniform to the eye.

DxO Optics Pro 8 automatically applies the color rendering settings chosen by the photographer while precisely taking into account the current image content. Textures in vivid colors reappear, revealing all the details in the image.

Exceptional optical corrections: Even more supported lenses

Flaws in photos are specific to the combination of lens and camera used. DxO Labs has measured nearly 10,000 combinations to provide the specific corrections required for each camera.

Developed in DxO Labs’ laboratory using an exclusive calibration process, DxO Optics Modules contain tens of thousands of data about the inner characteristics and flaws of each camera and lens. This unique and world exclusive database allows DxO Optics Pro to automatically correct all optical flaws with an unrivaled level of quality, for both RAW and JPEG images, including distortion, vignetting, chromatic aberrations, and lens softness.

DxO Optics Pro 8 further improves the correction of chromatic aberrations for RAW-format images by combining DxO Optics Module data with image content analysis.

The Lens softness tool, also based on DxO Optics Modules, automatically boosts lens resolution by homogenizing sharpness across the field. Optimized in DxO Optics Pro 8, the tool gives photographers extremely sharp images from the center of the image right out to the edges, even when the settings are pushed to high levels.

The opening of a new laboratory in Seattle has reinforced DxO Labs’ measurement and calibration capacity. Now with six laboratories located in both Europe and the United States, DxO Labs has set a goal of providing 20,000 available DxO Optics Modules by the end of 2013.

A smoother user experience: Regrouping features and Retina screen optimization

DxO Labs has extensively revised the DxO Optics Pro 8 interface for more user comfort. The most commonly used functions have been regrouped to offer photographers easier visibility and handling.

A specific workspace brings together the most important and common operations such as white balance, color and contrast adjustment, and exposure compensation. Similarly, many advanced tools have been more logically reorganized in different palettes.

DxO Optics Pro 8’s Mac interface has been entirely redesigned to take advantage of all the visual quality offered by Retina screens. Photographers can now enjoy unprecedented displayed details in their images!

Faster and truer viewing: A more efficient display and workflow

Beyond the improvements in terms of image quality and interface, DxO Optics Pro 8 has increased display speed.

Thumbnails now display in real time the current state of the photo, thanks to live preview. The user can now instantly figure out if a photo is the original one or the working version.

To improve workflow further, now every photo once opened in DxO Optics Pro instantaneously loads, even after closing and reopening the application – a real time-saver.

New tools: Print module and new Output settings options

DxO Optics Pro 8 now includes a new integrated print module allowing photographers to directly print RAW or JPEG images on the fly as they preview them. Different print modes and layout options are available, from contact sheet to full page printing.

As a part of the new Output settings options, users can now also adjust the destination and size and choose among several resampling solutions.

Availability and special introductory offer

The Standard and Elite editions of DxO Optics Pro 8 for Mac and Windows will be available on October 29, 2012, in the DxO Labs online store (shop.dxo.com), and at photo resellers during November, at a special introductory discount valid until November 15, 2012:

USD:

  • DxO Optics Pro 8 Standard Edition: $ 99 instead of $ 169
  • DxO Optics Pro 8 Elite Edition: $ 199 instead of $ 299

EUR:

  • DxO Optics Pro 8 Standard Edition: 99 € instead of 149 €
  • DxO Optics Pro 8 Elite Edition: 199 € instead of 299 €
    (Suggested retail prices, including VAT)

BGP:

  • DxO Optics Pro 8 Standard Edition: £ 89 instead of £ 135
  • DxO Optics Pro 8 Elite Edition: £ 179 instead of £ 269
    (Suggested retail prices, including VAT)

Photographers who have purchased a DxO Optics Pro 7 license on or after September 1, 2012 are eligible for a free upgrade to version 8. Other users can take advantage of a special discount on all upgrades from now until November 15, 2012, directly from their customer account.

A complete, fully-functional trial version of DxO Optics Pro 8, good for one month, will be available on October 29, 2012 on the DxO Labs website (http://www.dxo.com/intl/photo/free_trial_version).

Check out DXO Optics product at B&H

Call for entries: Nikon Photo Contest 2012-2013

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Guidelines for the 2012-2013 Nikon Photo Contest were published online. The contest has been running since 1969, more details after the break:

TOKYO – Nikon Corporation is pleased to announce that entries to its international Nikon Photo Contest for 2012-2013. The entry period is December 1, 2012, through February 28, 2013.

The “Nikon Photo Contest” (NPC) is the new name for what was formerly the “Nikon Photo Contest International” (NPCI), a contest held by Nikon since 1969 with the goal of “contributing to the development of photographic culture by providing a venue for communica-tion among photographers from around the world, be they professionals or amateurs”.

For this year’s contest, our 34th, we have completely overhauled the contest by, among other things, establishing a movie category. We are looking for entries in four categories: single photo (Category A), composite photo (Category B, featuring composites composed of series of two to five photographs), photographic videos (Category C, featuring videos of 45 seconds in length), and Motion Snapshot (Category D). In category D we are requesting works in the new “Motion Snapshot” image format that combines still images and movies and is available with Nikon 1, Advanced Camera with Interchangeable Lens.

The judges include well-known photographers active on the global scene who will select a total of 54 works for first, second, and third prizes in each category, together with a Grand Prize for the very best entry. A new addition is the “Participants Award for Most Popular Entry”, which will be chosen by the contest entrants. The winning entries are to be announced in the summer of 2013 and are to be included in a public exhibition (the location, date, and other details of which are yet to be announced).

Guidelines for the Nikon Photo Contest, 2012-2013

  • Eligibility The contest is open to all, professional and amateur, regardless of age, sex or nationality.
  • Theme and Categories 
  1. Theme:No theme is specified for any of the four categories.CategoriesA:Single photo
  2. Composite photo (each consisting of a series of from two to five photographs)
  3. Photographic video (45 seconds long)
  4. Motion Snapshot (shot with the Motion Snapshot feature on Nikon 1)
  • Entry Period Saturday, December 1, 2012, to 1:00 p.m. Japan Standard Time on Thursday, February 28, 2013.
  • How to Enter Entries must be submitted via the Internet. Visit the Nikon Photo Contest 2012–2013 website (http://www.nikon-photocontest.com), complete the entry form, and submit it together with your works.
  • Submissions
    • Each entrant is limited to a total of ten works in categories A and B; for example, two entries of one photograph each in the single photo category and one entry of four photographs in the composite category would total six works.
    • The same works or portions of the same works can not be submitted in both category A and category B.
    • Each entrant can submit one work in each of categories C and D. These works can be in addition to works submitted in categories A and B.
    • Entry is restricted to original works that have not previously been published and to which the entrant holds the rights. Works that have been submitted to other previous or ongoing contests will not be accepted. The category of works submitted to other contests includes those that are submitted to another contest after being entered in the Nikon Photo Contest.
  • Eligible Works
  • Categories A and B
    • Image data files created with digital cameras (including medium- and large-format cameras). Images that have been retouched using software or by other means will be accepted. Both color and monochrome images will be accepted. (Scans of photographs taken with film cameras are not eligible.)
    • File size: Up to 20 MB.
    • File format: JPEG/150 dpi recommended.
    • The standard color space for the judging process is sRGB.
    • Entrants may be requested to provide higher resolution images for publication or display purposes related to the contest.
  • Category C
    • Movie files containing videos created from footage shot using the movie recording feature of digital still cameras (including medium- and large-format cameras)
    • Length:45 seconds.
    • Each movie entered must have a file size of 200 MB or less and be in MOV format.
    • Any music used must either be copyright-free and performed and recorded by the entrant or a person designated by the entrant (commercial recordings of copyright-free music may not be used) or be works for which the entrant holds the rights and for which the rights have not been transferred to a copyright collective.
  • Category D
    • Motion Snapshot files created with the Motion Snapshot feature on Nikon 1 cameras.
    • Entries must be in MOV format.
  • Judging/Announcement of Results Entries will be published to this website after the first round of judging following the completion of the entry period (current plans call for the entries to be published at the end of April, 2013). The final winners will be determined after the second (April) and final (June) rounds of judging. The final results are to be announced on this website in the summer of 2013. All entrants will be eligible to vote for the “Participants Award for Most Popular Entry”. The details will be announced on official website.
  • Awards and Prizes The most outstanding entry in categories A, B, and C will receive the Grand Prize. A total of 49 prizes will be awarded in categories A, B, and C, including the Grand Prize and 48 prizes for entries placing first, second, or third in each category, while prizes will also be awarded to the top three entries in category D. All winners will receive in the foregoing categories will receive trophies and prizes of Nikon products with values determined by the type of prize. In addition, a “NIKKOR Award”, trophy, and prize money will be awarded for the best work shot with a NIKKOR lens, and the winner of the “Participants Award for Most Popular Entry” will be awarded prize money and a trophy. An exhibition of the prize-winning works is to be held, and the winners of the Grand Prize and the first-place finishers in each category will be given the right to post other works to a photo gallery on the Nikon Photo Contest 2012–2013 website.
The prizes are listed below.
Category 1st place 2nd place 3rd place
Grand Prize Number awarded: 1. Nikon products with a combined retail value of ¥1,000,000. Participation in the photo gallery.
Category A: Single photo Number awarded: 1. Nikon products with a combined retail value of ¥500,000. Participation in the photo gallery. Number awarded: 5. Nikon products with a combined retail value of ¥200,000. Number awarded: 10. Nikon products with a combined retail value of ¥100,000.
Category B: Com-posite photo Number awarded: 1. Nikon products with a combined retail value of ¥500,000. Participation in the photo gallery. Number awarded: 5. Nikon products with a combined retail value of ¥200,000. Number awarded: 10. Nikon products with a combined retail value of ¥100,000.
Category C: Photo-graphic video Number awarded: 1. Nikon products with a combined retail value of ¥500,000. Participation in the photo gallery. Number awarded: 5. Nikon products with a combined retail value of ¥200,000. Number awarded: 10. Nikon products with a combined retail value of ¥100,000.
Category D: Motion Snapshot Number awarded: 3. Nikon products with a combined retail value of ¥200,000.
NIKKOR Award Number awarded: 1. Prize of ¥100,000.
Participants Award for Most Popular Entry Number awarded: 1. Prize of ¥500,000.
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