Nikon Announced Nikon 1 V2 Interchangeable Lens Camera
Nikon 1 V2
The Nikon 1 V2 is an upgrade of the older V1 MILC which Nikon launched along with the J1. The new V2 uses a 13.2mm x 8.8mm CMOS sensor that churns out a hefty 14.2 million pixels resolution. It is compatible with the current crop of Nikon 1 mount lenses. The sensor produces large images (in 3:2 aspect ratio) of 4,608 x 3,072 pixels. It also shoots full HD videos in 60i and 30p. It can also shoot videos in 1280 x 720 at 60p. The V2 comes with an EVF 0.47” size with 1440k resolution and 100% frame coverage. Additionally a 3” diagonal monitor of resolution 921,000 dots provides a bright display for composing of the frame if required be and for reviewing the images and videos shot.
The Electronically-controlled vertical-travel focal plane mechanical shutter offers a fast shutter speed of 1/16,000th of a second. At the slow end the shutter speed is only 30 second. The continuous high speed drive offers a maximum burst rate of 5 frames per second. The V2 is powered by an EN-EL21 Lithium-ion Battery which provides 310 shots per charge.
The metering mode offers three options of matrix, spot and center-weighted metering of the frame. There are several exposure modes available for the V2 including scene auto selector, manual, aperture priority, shutter priority, aperture priority auto and programmed auto. The available scene modes include portrait, landscape, night landscape, night portrait, close-up and auto. The overall weight of the camera is 278 grams only. Available at Amazon | Adorama | B&H
Images Taken by Nikon 1 V2 on Flickr
Product Images
Nikon 1 V2 Specifications
| Type | Advanced Camera with Interchangeable Lenses |
| Lens Mount | Nikon 1 mount |
| Picture Angle | Approx. 2.7x lens focal length (Nikon CX format) |
| Effective Pixels | 14.2 million |
| Sensor Size | 13.2mm x 8.8mm |
| Image Sensor Format | CX |
| Image Sensor Type | CMOS |
| Total Pixels | 15.13 million |
| Dust-reduction system | Image sensor cleaning |
| Image Area (pixels) | Still Images (3:2 aspect ratio) 4,608 x 3,072 3,456 x 2,304 2,304 x 1,536 Smart Photo Selector (3:2 aspect ratio) 4,608 x 3,072 3,456 x 2,304 2,304 x 1,536 Movie Mode (16:9 aspect ratio) 4,606 x 3,072 (1080/60i, 1080/30p) 1,280 x 856 (720/60p, 720/30p) Motion Snapshot (16:9 aspect ratio) 4,608 x 2,592 |
| File Format | Compressed 12-bit NEF (RAW) JPEG: JPEG-Baseline compliant with fine (approx 1:4), normal (approx 1:8), or basic (approx 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Picture Control | Standard Neutral Vivid Monochrome Portrait Landscape Selected Picture Control can be modified User-customizable Settings |
| Storage Media | SD SDHC SDXC |
| Card Slot | 1 Secure Digital (SD) |
| File System | Compliant with DCF (Design Rule for Camera File System) 2.0 DPOF (Digital Print Order Format) EXIF 2.3 (Exchangeable Image File Format for Digital Still Cameras) PictBridge |
| Viewfinder | EVF (electronic viewfinder), 0.47-in., approx. 1440k-dot color TFT LCD viewfinder with diopter control and brightness adjustment |
| Viewfinder Frame Coverage | 100% Approx. |
| Viewfinder Diopter Adjustment | -3 to +2 m |
| Lens Aperture | Electronically controlled |
| Eye Sensor | Camera switches to viewfinder display when it detects that viewfinder is in use |
| Shutter type | Electronically-controlled vertical-travel focal plane mechanical shutter; electronic shutter |
| Fastest Shutter Speed | Electronic Shutter: 1/16,000 sec. Mechanical Shutter: 1/4,000 sec. |
| Slowest Shutter Speed | 30 sec. with either Electronic or Mechanical Shutter |
| Flash Sync Speed | Electronic shutter: 1/60 sec. Mechanical shutter: 1/250 sec. |
| Bulb Shutter Setting | Yes |
| Shutter Release Modes | Single-frame [S] mode Continuous Mechanical Electronic Electronic [Hi] Self-timer mode Delayed remote Quick Response Remote Interval Timer Shooting |
| Frame Advance Rate | Electronic [Hi]: Approx. 5, 15, 30, or 60 fps Other modes: Up to 5 fps (single AF or manual focus, S Shutter- priority auto or M Manual exposure mode, shutter speed 1/250 sec or faster, and other settings at default values) |
| Top Continuous Shooting Speed Full Res | 5 frames per second 10, 15, 30 or 60 fps using Electronic (Hi) shutter |
| Self-timer | 2, 10 sec. Timer duration electronically controlled |
| Remote Control Modes | Delayed remote (2 sec) Quick-response remote |
| Exposure Metering System | TTL metering using image sensor |
| Metering Method | Matrix Center-weighted: Meters 4.5mm circle in center of frame Spot: Meters 2mm circle centered on select focus area |
| Exposure Modes | Programmed Auto with flexible Program (P) Shutter-Priority Auto (S) Aperture-Priority Auto (A) Manual (M) Scene Auto Selector |
| Scene Modes | Portrait Landscape Night Landscape Night Portrait Close-up Auto |
| Shooting Modes | Still Image (3:2) Smart Photo Selector (3:2) Movie (HD 16:9) Movie Slow Motion (8:3) Motion Snapshot (16:9) |
| Exposure Compensation | ±3 EV in increments of 1/3EV |
| Exposure Lock | Luminosity locked at detected value with AE-L/AF-L button |
| ISO Sensitivity | 160-6400 |
| Active D-Lighting | On Off |
| Autofocus System | Hybrid autofocus (phase detection/contrast-detect AF) AF-assist illuminator |
| AF-area mode | Single-point AF: 135 focus areas Auto-area AF: 41 focus areas Subject tracking Face-priority AF |
| Focus Lock | Focus is locked by pressing AE-L/AF-L button or lightly pressing shutter release button in (S) AF |
| Focus Modes | Auto (AF) Auto AF-S/AF-C selection (AF-A) Single-servo AF (AF-S) Continuous-servo (AF-C) Full-time Servo (AF-F) Manual Focus (MF) |
| Built-in Flash | Yes |
| Guide Number | 5/16 (m/ft ISO 100, 20°C/68°F) Approx. At ISO 160, Guide Number is approx. (6.3/20.7) |
| Flash Control | i-TTL flash control using image sensor available |
| Flash Mode | Fill-flash Slow sync Red-eye reduction Slow sync with red-eye reduction Rear curtain with sync Rear curtain with slow sync |
| Flash Compensation | -3 to +1 EV in increments of 1/3 EV |
| Flash-ready indicator | Lights when built-in flash unit is fully charged |
| Accessory Shoe | Yes |
| Nikon Creative Lighting System (CLS) | i-TTL flash control using image sensor available with optional SB-N5 flash unit or SB-N7 flash unit |
| White Balance | Auto Incandescent Fluorescent Direct Sunlight Flash Cloudy Shade Preset Manual All except preset manual with fine tuning |
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Metering method | Matrix Center-weighted: Meters 4.5mm circle in center of frame Spot: Meters 2mm circle centered on select focus area |
| Movie File Format | MOV |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio recording format | AAC |
| Movie Audio recording device | Built-in stereo microphone; sensitivity adjustable Optional external ME-1 stereo microphone (with the AS-N1000 Multi Accessory Port Adapter) |
| Movie | HD: 1920 X 1080/60i HD: 1920 X 1080/30p HD: 1280 x 720/60p Slow-motion: 640×240/400fps Slow-motion: 320×120/1200fps Motion Snapshot: 1920×1080/60p (plays at 24p) Audio file format: ACC Movie file format: MOV |
| Monitor Size | 3.0 in. diagonal |
| Monitor Resolution | 921,000 Dots |
| Monitor Type | TFT-LCD with brightness adjustment |
| Interface | USB: Hi-speed USB HDMI output: Type C mini-pin HDMI connector Multi accessory port used for designated accessories Audio input: Stereo mini-pin jack (3.5mm diameter) |
| GPS | Optional GP-N100 GPS unit |
| Supported Languages | Arabic Chinese (Simplified and Traditional) Czech Danish Dutch English Finnish French German Greek Hindi Hungarian Indonesian Italian Japanese Korean Norwegian Polish Portuguese (European and Brazilian) Romanian Russian Spanish Thai Turkish Ukrainian Vietnamese |
| Date and Time Settings | Yes |
| World Time Setting | Yes |
| Battery | EN-EL21 Lithium-ion Battery |
| Battery Life (shots per charge) | 310 shots (CIPA) |
| AC Adapter | EH-5b AC Adapter Requires EP-5D Power Supply Connector |
| Tripod Socket | 1/4″ |
| Operating Environment | 32 to 104°F (0 to 40°C) |
| Dimensions (WxHxD) | 4.2 x 3.2 x 1.8″ (107.8 x 81.6 x 45.9mm) |
| Weight | 9.8 oz (278g) |
Additional Info
Purchase options
Nikon Announced Development of Three Nikon 1 Series Lenses – 1 NIKKOR 10-100mm-f4-5.6, 6.7-13mm-f3.5-5.6 & 32mm f1.2
Nikon to Develop Three New 1 NIKKOR Lenses for the Nikon 1 Advanced Camera with Interchangable Lens System
TOKYO, JAPAN – Today, Nikon Corporation announced the development of three new lenses for the Nikon 1 Advanced Camera with Interchangeable Lens System. These lenses will be welcomed additions to the current lineup of popular 1 NIKKOR lenses, and will provide system owners a breadth of new NIKKOR optics to explore new shooting perspectives.
The development of these new 1 NIKKOR lenses will strengthen Nikon’s lineup of 1 NIKKOR lenses while providing three new options to fit the various shooting needs of Nikon 1 users, whether for still images or HD video. The new lineup will include a 32mm medium-telephoto fixed focal length lens (equivalent to 86.4mm in 35mm format) with a fast maximum aperture of f/1.2, ideal for portraits and creating a bokeh effect. The second lens is a 6.7-13mm f/3.5-5.6 ultra wide-angle zoom lens (equivalent to 18-35mm in 35mm format) that includes Vibration Reduction (VR) and is the first 1 NIKKOR lens to offer a wide, 100-degree angle of view. The third lens is a compact and lightweight 10x zoom lens, a 10-100mm f/4-5.6 (equivalent to 27-270mm in 35mm format). This lens is convenient and portable enough to take everywhere, including weekend getaways and family vacations.
The 1 NIKKOR interchangeable lens lineup follows in the tradition of the renowned Nikon F-mount lenses that were first introduced more than half a century ago. The 1 NIKKOR lenses are specifically engineered for the Nikon 1 system of cameras and are developed using optical technologies that Nikon has cultivated with years of experience in optics expertise. The 1 NIKKOR lens lineup offers the same superior image quality that users have come to expect from the Nikon and NIKKOR brands, whether capturing still images or HD videos.
The addition of the three new lenses will join the six 1 NIKKOR lenses currently available:
1 NIKKOR VR 10-30mm f/3.5-5.6 standard zoom lens
1 NIKKOR VR 30-110mm f/3.8-5.6 compact telephoto zoom lens
1 NIKKOR 10mm f/2.8 slim wide-angle fixed focal length lens
1 NIKKOR VR 10-100mm f/4.5-5.6 PD-ZOOM lens equipped with a power drive mechanism (recommended for movie recording )
1 NIKKOR 11-27.5mm f/3.5-5.6 zoom lens
1 NIKKOR 18.5mm f/1.8 fixed focal length lens with fast maximum aperture
Nikon will continue to develop and expand the 1 NIKKOR lineup with lenses that make the most of the capabilities and performance offered by the revolutionary Nikon 1 system.
Nikon AF-S NIKKOR 70-200mm f/4G ED VR
Nikon AF-S NIKKOR 70-200mm f/4G ED VR
The AF-S NIKKOR 70-200mm f/4G ED VR Lens is Nikon’s First Lens with up to Five Stops of VR with Outstanding Performance and professional Image Quality. These Compact high-performance FX-format telephoto zoom equipped with an f/4 fixed aperture and Nikon’s third-generation Vibration Reduction (VR). Made to capture high quality stills and HD videos with a classic 70-200mm view (105-300mm on DX-format cameras). Surely, an essential lens for both low light or fast action photography.
Nikon’s compact high-performance AF-S NIKKOR 70-200mm f/4G ED VR, inspired by today’s versatile HD-SLR shooters, it strikes an ideal balance between exceptional image quality, advanced lens technical features including third generation of Vibration Reduction (VR) with up to 5 stops of image stabilization and a remarkably compact, lightweight body. Doesn’t matter you shoot with an FX or DX format camera, handheld or tripod-mounted, these lens ready to delivers exceptional performance you’ve been seeking.
At just 30.0 oz wt and 7.0-in. long, the AF-S NIKKOR 70-200mm f/4G ED VR is well balanced and comfortable, even on a day long shooting. Its f/4 fixed maximum aperture lets you maintain a consistent exposure while zooming, especially shooting videos. The 70-200mm focal length range (105-300mm on DX-format cameras) has been the choice of pros for years. But for greater reach it is also compatible with Nikon’s teleconverters to achieve 1.4X, 1.7X or 2X magnification. The AF-S NIKKOR 70-200mm f/4G ED VR lens can focus as close as 3.28-ft with a maximum magnification of 0.274x, so you can so some macro works while maintaining a comfortable working distance.
These lens is optimized for capturing high-quality stills and HD videos on both FX- and DX-format DSLRs, the AF-S NIKKOR 70-200mm f/4G ED VR incorporates Nikon most advanced lens technology and optical formula. It is the first lens equipped with third generation Vibration Reduction system, which enables hand-held shooting at shutter speeds up to 5 stops slower than would otherwise be possible. Use of Nano Crystal Coat (N) helps to reduce ghosting and lens flare; three Extra-low Dispersion (ED) glass elements added to provide maximum sharpness and reduced chromatic aberration, even at f/4; and the Silent Wave Motor (SWM) provides fast and quiet autofocusing with anytime manual focus override.
Pair it with either AF-S NIKKOR 16-35mm f/4F ED VR or AF-S NIKKOR 24-120mm f/4G ED VR, and you’ll be able to cover an extremely broad focal length range. You will be able to create a lightweight professional lens system with f/4 speed, superior image quality and compactness.
Sample Images by Nikon AF-S 70-200mm f/4G ED VR on Flickr
Additional Images
Nikon 70-200mm f/4G ED VR Specifications
| Min Aperture | f/32 |
| Max Angle of View (DX-format) | 22°50′ |
| Min Angle of View (DX-format) | 8° |
| Max Angle of View (FX-format) | 34°20′ |
| Min Angle of View (FX-format) | 12°20′ |
| Max Magnification | 0.274x |
| Construction | 14 Groups /20 Elements |
| Format Compatibility | Nikon FX/35mm Film / Nikon DX |
| VR (Vibration Reduction) | Yes |
| Diaphragm Blades | 9 |
| Distance Information | Yes |
| Nano Crystal Coat | Yes |
| ED Glass Elements | 3 |
| Super Integrated Coating | Yes |
| Autofocus | Yes |
| AF-S (Silent Wave Motor) | Yes |
| Internal Focusing | Yes |
| Closest Focusing Distance | 3.28 ft |
| Focus Mode | AF, Manual |
| G-Type | Yes |
| Filter Size | 67mm |
| Dimensions | (Approx.) 3.1×7.0 in. (Diameter x Length) 78.0×178.5mm (Diameter x Length) |
| Wt | (Approx.) 30.0 oz. (850g) |
Additional Info
Purchase options
NIKKOR 70-200mm f/4G VR Available at B&H | Adorama | Amazon
Canon 5D Mark III To Get f/8 AF Capability & Uncompressed HDMI Output Through New Firmware Update!
NEW FIRMWARE UPDATE FOR CANON EOS 5D MARK III DIGITAL SLR CAMERA PROVIDES UNCOMPRESSED HDMI OUTPUT SUPPORT AND IMPROVED AF PERFORMANCE
From Canon:
LAKE SUCCESS, N.Y., October 23, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced a new firmware update for the EOS 5D Mark III Digital SLR camera that significantly improves the camera’s performance and usability. In response to requests from professionals working in the fields of cinema and television production, the firmware update enables the use of uncompressed HDMI Output support, making possible more efficient video editing and monitoring procedures. Additionally, the upgrade supports the advanced needs of photographers through improved AF performance when capturing still images.
Uncompressed HDMI Output Support
When shooting video, HDMI Output makes possible the recording of high-definition uncompressed video data (YCbCr 4:2:2, 8 bit) from the EOS 5D Mark III to an external recorder via the camera’s HDMI terminal. This, in turn, facilitates the editing of video data with minimal image degradation for greater on-site workflow efficiency during motion picture and video productions. Additionally, video being captured can be displayed on an external monitor, enabling real-time, on-site monitoring of high-definition video during shooting.
Improved AF Functionality
Even when the EOS 5D Mark III is equipped with an extender and lens making possible a maximum aperture of f/8, the firmware update supports AF employing the camera’s central cross-type points (currently compatible with maximum apertures up to f/5.6). Accordingly, the update will allow users to take advantage of AF when shooting distant subjects, benefitting sports and nature photographers, particularly when using telephoto lenses.
The new firmware update will be available, at no charge, in April 2013 from the Canon U.S.A. website and can be downloaded by end users or through Canon Factory Service Centers.
Nikon To Exhibit Winning Photos of Nikon Photo Contest International 2010–2011 in Brazil and India
Winning photos from one of the world’s most prestigious international photo contests, Nikon Photo Contest International 2010–2011, to be exhibited in Brazil and India
October 17, 2012
TOKYO – Nikon Corporation will be exhibiting winning photos from one of the world’s most prestigious international photo contests, Nikon Photo Contest International 2010–2011, in Brazil and India.
The winners, which were exhibited in Tokyo, Osaka, and London last year, will be exhibited this year in São Paulo, Brazil, and Mumbai, India, at the photography event, International Photographic Passport, supported by the global creative event, Tokyo Graphic Passport. In addition to exhibition of the 53 photos selected as winners in Nikon Photo Contest International 2010–2011 by an elite panel of judges, Tokyo Graphic Passport’s full support has enabled a number of special events, including workshops, to be hosted by those working on the front lines of Japan’s creative industries.
Overview of the exhibition of winning photos from Nikon Photo Contest International 2010–2011
São Paulo, Brazil
Date/Venue:
- Thursday, October 25, 2012 through Wednesday, November 14, 2012 at SENAC Santo Amaro
- Thursday, November 22 2012 through Friday, November 30 2012 at SENAC Santo Amaro
*Closed Period: from November 15 , 2012 through November 21, 2012
Program
- Opening ceremony
- Exhibition of winning photos from Nikon Photo Contest International 2010–2011
- Portfolio viewing
Students and those new to creative fields will present their portfolios (photos and other works). - Presentation by Japanese guest speaker
- Workshop by Japanese guest
Mumbai, India
Dates: Friday, December 14, 2012 through Sunday, December 23, 2012
Venue: The National Centre for Performing Arts (NCPA)
Program
- Opening ceremony
- Opening conference
- Opening reception
- Exhibition of winning photos from Nikon Photo Contest International 2010–2011
- Workshop
Canon EOS M In Stock at DigitalRev
Great news! The Canon EOS M is In Stock at DigitalRev.com! Three lens kits come with this newest, first ever Canon Mirrorless camera – Canon EOS M 18-55mm lens kit, Canon EOS M 22mm lens kit, and Canon EOS M 18-55mm & 22mm Twin lens kit. Read more about EOS M here
Canon EOS-1D X Now Able to Autofocus at f/8 With New Firmware Update!
Canon EOS 1DX
LAKE SUCCESS, N.Y., October 17, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced a new firmware update in response to user requests which further enhances the capabilities of Canon’s flagship EOS-1D X Digital SLR camera. The EOS-1D X will now be capable of AF point illumination during AI Servo AF and cross-type AF for maximum apertures as small as f/8. The new firmware update is available now at no charge from the Canon U.S.A. website and can be downloaded by end users or through Canon Factory Service Centers.
AF Point Illumination During AI Servo AF
To support the needs of wedding, portrait, sports, wildlife, and theatrical performance photographers working in low light, the new firmware allows AF points in the EOS-1D X’s viewfinder to be illuminated in red when the shutter button is pressed halfway during AI Servo AF, for easy viewing of the selected point. This valuable feature will enhance the photographers’ ability to aim the camera accurately in low-light conditions, and when photographing dark subjects. To preserve exposure-metering accuracy, illumination is intermittent, not continuous. Three choices will be selectable from the menu system – Non-illuminated, Illuminated (Normal) and Illuminated (Brighter).
Cross-Type AF Support at f/8
The EOS-1D X is equipped with an innovative 61-point High Density Reticular AF System featuring up to 41 cross-type AF points, depending on the lens in use. The cross-type AF points recognize a wide variety of subject matter, making them highly desirable for maximum autofocus performance. Until now, cross-type AF on the EOS-1D X has been limited to EF lenses and lens/extender combinations with a maximum aperture of f/5.6 or larger. The new firmware allows cross-type autofocusing with the center AF point even when the maximum aperture of a Canon EF lens/extender combination becomes as small as f/8. Ideal for wildlife photographers and others who often use EF super-telephoto lenses with extenders, this new feature greatly expands the range of EF lens/extender combinations that support autofocus when used with the EOS-1D X.
If AF point expansion is selected with an f/8 maximum aperture lens/extender combination, the four AF points surrounding the center point will act as AF Assist points. This option effectively expands the size of the AF detection area to enhance autofocus performance with subjects that are small in the frame and difficult to track, such as small animals and birds in flight. AF points above and below the center will be sensitive to vertical contrast, while points to the left and right will be sensitive to horizontal contrast.
Please visit the following website for complete information on the firmware update:
http://www.usa.canon.com/eos1dxfirmwareupdate
Sigma 24-70mm f/2.8 EX DG HSM Lens
Product Summary
- Model name: Sigma 24-70mm f/2.8 EX DG HSM
- Focus Type: Autofocus / Manual
- Format : Full Frame / APS-C / Crop Sensor
- Mounts: Canon | Nikon | Sigma
- Purchase options: Amazon | Adorama | B&H
Overview
This lens has a great focal length range of 24-70mm and designed for full frame DSLRs. It directly competes with a number of Canon’s and Nikon’s 24-70mm lenses in terms of its performance and features. It features Sigma’s HSM (Hyper-sonic motor) which is a similar type technology to the USM from Canon and keeps the lens quiet during auto-focusing.
The lens is designed for landscape, wedding and a general purpose lens for everyday shooting needs. It also serves as a great portrait lens and is suitable for most lighting conditions because of the f/2.8 aperture.
The lens has a total of 14 elements including three aspherical elements, one SLD (super low dispersion) and one ELD (extra low dispersion) elements arranged in 12 groups. Sigma has also provided multi-layer coating on the lens to ensure that ghosts and flares are suppressed to a large extent.
The diaphragm of the lens is made up of 9 rounded blades giving it a maximum constant aperture of f/2.8. However, it can stop all the way down to f/22 as well. The rounded blades are also responsible for the purpose of creating a beautiful soft bokeh. At only 15” the lens has a very close focusing distance and a maximum magnification ratio of 1:5.3. The angle of view of the lens is 84.1-34.3.
Sigma’s EX lenses are known for their quality build and this lens does not disappoint in that regard. The dimensions of the lens are 3.5 x 3.7” and it weighs 790 grams. Also check Sigma 70-200mm f/2.8 EX DG OS HSM
Sample Images by Sigma 24-70mm f/2.8 EX DG on Flickr
Product Images
Sigma 24-70mm f/2.8 EX DG HSM Lens Specifications
| Lens Construction | 12 groups /14 elements |
| Angle of view | 84.1°-34.3° |
| F stop range | 22 |
| Closest Focusing Distance | 38cm / 15″ |
| Max Magnification | 1:5.3 |
| Filter Size | 82mm |
| Dimensions (L x D) | 88.6mm × 94.7mm / 3.5in × 3.7in |
More Info
Purchase options
Sigma 24-70mm f/2.8 EX DG HSM available at Amazon | Adorama | B&H
Sigma 17-70mm f/2.8-4 DC Macro OS Lens
Product Summary
- Model name: Sigma 17-70mm f/2.8-4 DC Macro OS
- Focus Type: Autofocus / Manual
- Format : APS-C / Crop Sensor
- Mounts: Canon | Nikon | Sigma
- Purchase options: Amazon
| Adorama | B&H
Overview
Sigma 17-70mm f/2.8-4 DC Macro OS Lens
Whether you’re interested in landscape photography or taking portrait snaps of your loved ones a focal length range of 17-70mm is a great choice. While most kit lenses will only give you a range of 18-55mm the extra 10-15mm of reach can often make a lot of difference. The Sigma 17-70mm f/2.8-4 DC Macro OS (Amazon
Sigma’s OS (Optical Stabilization) technology gives a shake free image and coupled with the wide aperture it is possible to manage both reasonably long exposures and tricky lighting with hand. up to four stops of slow shutter speed correction is possible with the lens. For users wielding a Pentax or Pentax DSLR the optical viewfinder will show a optically stabilized view of the FOV.
The lens construction includes 17 elements arranged in 13 groups. The diaphragm of the lens is made up of 7 blades and apart from the wide maximum aperture of f/2.8 it can stop all the way down to f/22. The external dimensions of the lens are 3.1 x 3.5” and it weighs 535 grams. Similar product Sigma 17-50mm f/2.8 EX DC OS HSM Lens
Sample Images by Sigma 17-70mm f/2.8-4 DC OS on Flickr
Product Images
Sigma 17-70mm f/2.8-4 DC OS Lens Specifications
| Lens Construction | 17 Elements in 13 Groups |
| Angle of view | 72.4°-20.2° |
| F stop range | Minimum Aperture :F22 |
| Closest Focusing Distance | 22cm (8.7″) |
| Max Magnification | 1:2.7 |
| Filter Size | 72mm |
| Dimensions (L x D) | Length 88.9mm (3.5″) x Diameter 79mm (3.1″) |
| Wt | 535gr / 18.9oz |
More Info
Purchase options
Sigma 17-70mm f/2.8-4 DC OS available at Amazon
Lytro Camera Adds New Manual Controls
We’re celebrating the launch of three big changes for the Lytro camera: new manual controls, new colors and new accessories.
Manual Controls – Creative Tools for Lytro Photographers
With new, easy-to-use, and readily accessible manual controls, Lytro camera owners have more creative capabilities with light field photography. “Manual controls give Lytro photographers the opportunity to take control of the exposure in a scene,” said Eric Cheng, Lytro’s director of photography. “We introduced these features as a result of feedback from our most creative camera owners, who are capturing things like subjects in motion or experimenting with artistic styles like light painting. With manual controls, they now have more flexibility as they push the boundaries of the light field.” Check out these examples for inspiration.
The new controls are:
- Shutter Speed- By manually controlling the shutter speed, Lytro photographers can keep the shutter open longer to capture living pictures in dark conditions. The maximum shutter speed is 8 seconds and the minimum is 1/250 second.
- ISO Sensitivity – Controlling ISO gives Lytro photographers more ways to take creative living pictures in a variety of lighting conditions, from low-light concerts and restaurants to brightly lit soccer fields and amusement parks. The ISO range is 80 (min) to 3200 (max).
- Neutral Density (ND) Filter – When in full manual mode, Lytro photographers can turn on the ND Filter to adjust the amount of light captured in extremely bright settings.
- Auto Exposure (AE) Lock – Lytro photographers can lock the auto exposure while changing the composition of a picture in a scene.
These controls are included in all new camera purchases starting today. For existing Lytro camera owners, the free camera update begins rolling out today. To check for the update, just plug your Lytro camera into your computer.
New Colors and Accessories – More Choices to Customize Your Camera
In addition to introducing new creative tools, we’re also offering two new colors (U.S. only), Seaglass and Moxie Pink (available only through Target), and two new accessories, a Camera Case and Camera Sleeve (available at select retailers).
Check out Lytro products at Amazon
DxO Optics Pro v7.5.5 added Canon EOS-1D X and the Nikon D600
October 10, 2012 – DxO Labs announces the immediate availability of DxO Optics Pro v7.5.5 for Mac and Windows, its image processing software of reference for all serious photographers. This update means that DxO Optics Pro 7 now provides supports for the Canon EOS-1D X and the Nikon D600 (Elite edition only), as well as for the Panasonic Lumix DMC-G5 and DMC-LX7.
DxO Optics Pro v7.5.5 also benefits from the continuous development of DxO Optics Modules. Nearly 400 camera/lens combinations have been added to the library, thereby providing support for additional Canon, Nikon, Olympus, Panasonic, Sigma, Tamron, Tokina, and Zeiss lenses for Canon, Nikon, Olympus, Panasonic, Pentax, and Sony cameras.
Developed in the laboratory and following a scientific calibration process for all combinations of cameras and lenses, DxO Optics Modules contain tens of thousands of data points about the intrinsic limitations of each piece of equipment. This unique database means that DxO Optics Pro automatically corrects all lens optical defects – distortion, vignetting, chromatic aberrations, and lens softness – with an incomparable level of quality. Watch the video.
This update is free of charge for all owners of DxO Optics Pro 7, as well as for photographers who purchased a license for DxO Optics Pro 6 after September 1, 2011.
Nikon D600 sample images
Exif f/2.8, 25 sec, ISO 3200, AF 14-24 f/2.8 lens (Nikon)
Nikon D600 sample images can be found at Nikon Imaging
Nikon D800/D800E is incompatible with Eye-Fi X2 Cards
“The Nikon D800 / D800E is not compatible with Eye-Fi X2 Cards.
Eye-Fi engineering has found and confirmed a compatibility issue with the Eye-Fi card that impacts the use of Direct Mode in the Nikon D800. We are currently investigating an issue with the D800’s SD slot that appears to contribute to a lack of steady signal while the Eye-Fi card is in Direct Mode which makes the Direct Mode feature incompatible with the camera. The Nikon D800/D800e passes all other wireless network tests and is compatible with wireless transfers via a wireless router.”
Eye-Fi Pro X2 16GB card available for pre-order At Amazon
Eye-Fi Unveils 16GB Pro-X2 Wireless Memory Card & Same Old Price
Eye-Fi Pro X2 16GB card
Improved Class 10 Speed Allows For Faster Performance
MOUNTAIN VIEW, Calif., October 3, 2012 – Eye-Fi Inc. (www.eye.fi), makers of the world’s first wireless memory card, has announced today a new Eye-Fi Pro X2 16GB, Class 10 card that increases both storage and speed capabilities while continuing to deliver convenient, reliable wireless upload of photos and videos from cameras. The new 16GB card provides twice the storage capacity of the prior Pro X2 card, while the Class 10 performance delivers ultra-fast read and write speeds. That means more power and speed for the same retail price of $99.99. And, the new Pro X2, like Eye-Fi’s other X2 series cards, enables you to wirelessly connect a camera to a mobile device, such as a smartphone or tablet, or use an authorized WiFi network to move content directly to a computer.
“Cameras have more megapixels, and pictures and videos are more demanding in terms of size. Moving to a 16GB, Class 10 card keeps up with these trends and delivers what our customers have been asking for,” said Yuval Koren, CEO and co-founder of Eye-Fi. “Customers already know and love our Eye-Fi cards for instant wireless uploads, so the added space and faster speeds are a great addition, especially with the highest-volume photo days coming up.”
Anyone with the new 16GB, Class 10 card can immediately use Eye-Fi’s popular features to:
- Upload anywhere: users can instantly upload images to their home computer, smartphone or tablet, either connecting wirelessly to the device with Direct Mode or over an authorized WiFi network
- Shoot forever with endless memory mode: Cards can be set to automatically free-up space after photos & videos are transferred, so photographers never have to worry about running out of space
- Transfer RAW files: as with the prior Pro X2, the highest resolution photos can transfer wirelessly
- Back-up automatically: Pictures are safely stored on a home computer or Eye-Fi’s cloud, Eye-Fi View – a great relief if the camera is lost or stolen
- Share in real-time: Card can be set to automatically share with selected social networks or photo sharing sites (Facebook, Flickr, etc.)
- Geotag pictures immediately: Eye-Fi’s auto WPS Geotagging feature tags photos, allowing users to instantly see where memories were made
Eye-Fi Pro X2 16GB card is available for pre-orders that ship within the United States for $99.99 USD from Amazon.com. The card will also be available, within the coming weeks, for customers in Australia for $108.00 AUD and Japan for ¥9980. With the launch of the new Eye-Fi Pro X2 16GB card, the previous Eye-Fi Pro X2 8GB and the Eye-Fi Mobile X2 8GB will be reduced from $99.99 to $79.99 and $79.99 to $59.99, respectively, starting this month. For more information, visit www.eye.fi.
Eye-Fi Pro X2 16GB card available for pre-order At Amazon
Canon EF 135 f/2.8 with Soft Focus Lens
Product Summary
- Model name: Canon EF 135 f/2.8 Soft Focus Lens
- Format: Full Frame
- Mount: Canon EF
- Color: Black
- Purchase Options: Amazon | Adorama | B&H
Features
A soft-focus lens is one that creates a blurred image but at the same time the edges of the image still remain in sharp focus. This is inherently a limitation of the optics of the lens and was a common factor back in the old days. When photographers started using them creatively, lenses such as the EF 135mm f/2.8 with soft focus started to get in demand. Lenses such as this one are now used by specialist soft-focus photography enthusiasts.
The EF 135mm f/2.8 can be used also as a normal 135mm f/2.8 lens which should be ideal for photographers looking for a medium range telephoto at an affordable price. There are built-in options for the two settings. This gives the lens a lot of flexibility. The EF 135mm f/2L USM is almost double the price of the EF 135mm f/2.8 (Soft Focus).
The lens construction has 7 elements arranged in 6 groups and has a minimum focusing distance of 1.3 meters or 4.3’. Certainly the lack of closeness of the minimum focusing distance rules out it being a preferred choice for macro photography. Presence of rear focusing system means the lens does not extend when focused. The diagonal angle of view of the lens is 18°.
The build quality of the lens leaves something to be desired. It is almost entirely build out of plastic except for the lens mount. The overall dimensions of the lens are 2.7″ x 3.9″ and it weighs 390 grams. It takes a filter of size 52mm.
Sample Images Canon EF 135 f/2.8 Soft Focus Lens by on Flickr
Product Images
Canon EF 135 f/2.8 Soft Focus Lens Specifications
| Angle of view | H:15°, V:10°,D: 18° |
|---|---|
| Construction (elements/groups) | 7/6 |
| Number of diaphragm blades | 6 |
| Min aperture | 32 |
| Closest focusing distance (m) | 1.3 |
| Max magnification (x) | 0.12 |
| AF Motor | AFD |
| Filter diameter (mm) | 52 |
| Max. diameter x length (mm) | 69.2 x 98.4 |
| Weight (g) | 390 |
| Magnification – Extension Tube EF12 II | 0.22 – 0.09 |
| Magnification – Extension Tube EF25 II | 0.33 – 0.20 |
| Lens Cap | E-52 / E-52II |
| Lens hood | ET-65III |
| Hard case | LH-C13 |
| Soft case | ES-C13/LP1016 |
Purchase Options
EF 135 f/2.8 Soft Focus available at Amazon | Adorama | B&H
Benro Introduces New MeFOTO™ Transfunctional Travel Tripod Kit
Benro MeFOTO Tripod
Available in a choice of modern metallic colors, the stylish new MeFOTO Travel Tripod Kit quickly and easily converts to a monopod.
North White Plains, NY – October 1, 2012 – Benro, manufacturer of tripods, monopods and heads designed for today’s demanding professional photographers and filmmakers, announces today the eye-catching and very versatile new MeFOTO Transfunctional Travel Tripod Kits. This new tripod provides photographers with a reliable camera support for sharp photos and videos while allowing them to express their individual style when choosing from a selection of brilliant Red, Green, Blue, Gold and Titanium Metallic colors.
Offering even greater versatility, the new MeFOTO Transfunctional Travel Tripod provides all the same great features of the Compact MeFOTO Travel Tripod kit, plus the ability to convert from a full size tripod into a 64” monopod quickly and easily – without tools.
“These colorful, well-built and modern new Transfunctional Travel Tripods are the perfect addition to the MeFOTO product line,” said Jan Lederman, President of MAC Group. “While the Compact MeFOTO Travel Tripods are ideal for any general picture-takers using lightweight point-and-shoot digital cameras and compact interchangeable lens digital camera systems, this new Transfunctional model provides photographers with dependable support for larger camera bodies and lenses.”
Utilizing a Reverse Folding Leg system based on the popular Benro Travel Angel kits, the new MeFOTO Transfunctional Tripods, available in one size with a choice of five colors, are only 15.4″ when folded yet 61.6″ extended. The MeFOTO Transfunctional Travel Tripod weighs 3.6 lbs. and can securely support up to 17.6 lbs.
Aluminum alloy material is utilized extensively in the construction of these tripods to take advantage of cast, forged and CNC machining techniques, all accentuated by an elegant series of robust surface treatments accented with color.
Features include:
- Travel Compact – Reverse Folding Leg system
- Quick Twist Rubber Lock Grips with Anti-Rotating Legs
- Two Position Leg Angles
- Tool free conversion from Tripod to Monopod
- Recessed Center-Column Hook
- Precision Matched Dual Action Q Series Ballhead with Arca-Swiss Style QR Mount and QR Plate
- Separate Head and Pan Lock
- 360-degree Pan Index
- Integral Bubble Level
- Compact Carry Case with Shoulder Strap
The new MeFOTO Transfunctional Travel Tripod Kit is available now. Suggested retail price for the new Tripod Kit is $229.
Nikon 1 J2 Mirrorless Camera
Nikon 1 J2
The AF Micro-Nikkor 60mm f/2.8D is a fast f/2.8 prime lens with a medium range focal length. This lens works well as a landscape lens and for even as a close up portrait lens. It has a maximum angle of view of 26°30′ on a DX format DSLR and a 39°40′ on a FX format DSLR. The AF Micro-Nikkor 60mm f/2.8D has a total of 8 lens elements arranged in 7 groups. The lens diaphragm consists of 7 rounded blades which creates wonderful bokeh. Overall picture quality is sharp.
Ideal for very close photography the minimum focusing distance of the lens is 0.72’ (or 0.22 meters). Nikon’s Close Range Correction (CRC) technology ensures that the lens can eliminate the issues of close range focusing and performs equally well in both near and far focusing distances. This technology gives Nikon’s Macro lenses a lot of edge over the other lenses in the market tailor made for close range photography. This lens however does not come with Nikon’s Vibration Reduction (VR) technology.
The widest focusing distance of the lens is f/2.8 and it can further stop down to f/32. The lens has a filter thread specification of 62mm. this is by far one of the cheapest and lightest medium focal length range prime lenses from Nikon. It retails at $520 and has a weight of only 440 grams.The dimensions of the lens is 2.8×2.9 in. (diameter x length). The lens ships with a 62mm front end lens cap and a rear end lens cap. Available at Adorama | Amazon | B&H
Images by Nikon 1 J2 on Flickr
Nikon 1 J2 Specifications
| Type | Advanced Camera with Interchangeable Lenses |
| Lens Mount | Nikon 1 mount |
| Picture Angle | Approx. 2.7x lens focal length (Nikon CX format) |
| Effective Pixels | 10.1 million |
| Sensor Size | 13.2mm x 8.8mm |
| Image Sensor Format | CX |
| Image Sensor Type | CMOS |
| Total Pixels | 12 million |
| Dust-reduction System | Optical anti-dust mechanism |
| Pixels Still Images (3:2 ratio) | 3,872 x 2,592 2,896 x 1,944 1,936 x 1,296 |
| Pixels Smart Photo Selector (3:2 aspect) | 3,872 x 2,592 2,896 x 1,944 1,936 x 1,296 |
| Pixels Movie Mode (16:9 aspect ratio) | 3,840 x 2,160 (1080/60i) 1,920 x 1,080 (1080/30p) 1,280 x 720 (720/60p) |
| Pixels Motion Snapshot (16:9 ratio) | 3,840 x 2,160 |
| File Format | Compressed 12-bit NEF (RAW) JPEG: JPEG-Baseline compliant with fine (approx 1:4), normal (approx 1:8), or basic (approx 1:16) compression NEF (RAW) + JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats . |
| Picture Control | Standard Neutral Vivid Monochrome Portrait Landscape Selected Picture Control can be modified User-customizable Settings |
| Storage Media | SD SDHC SDXC |
| Card Slot | 1 Secure Digital (SD) |
| File System | Compliant with DCF (Design Rule for Camera File System) 2.0 DPOF (Digital Print Order Format) EXIF 2.3 (Exchangeable Image File Format for Digital Still Cameras) PictBridge |
| Viewfinder | LCD |
| Lens Aperture | Electronically controlled |
| Shutter Type | Electronic Shutter |
| Fastest Shutter Speed | 1/16,000 sec. |
| Slowest Shutter Speed | 30 sec. |
| Flash Sync Speed | Up to 1/60 sec. |
| Bulb Shutter Setting | Yes |
| Shutter Release Modes | Single-frame [S] mode Continuous Electronic [Hi] Self-timer mode Delayed remote Quick Response Remote Interval Timer Shooting |
| Frame Advance Rate | Electronic [Hi]: Approx. 10, 30 or 60 fps Other modes: Up to 5 fps (single AF or manual focus, S Shutter- priority auto or M Manual exposure mode, shutter speed 1/250 sec or faster, and other settings at default values) |
| Top Continuous Shooting Speed Full Res | 5 frames per second 10, 30 or 60 fps using Electronic (Hi) shutter |
| Self-timer | 2, 5, 10 sec. Timer duration electronically controlled |
| Remote Control Modes | Delayed remote (2 sec) Quick-response remote |
| Exposure Metering System | TTL metering using image sensor |
| Metering Method | Matrix Center-weighted: Meters 4.5mm circle in center of frame Spot: Meters 2mm circle centered on select focus area |
| Exposure Modes | Programmed Auto with flexible Program (P) Shutter-Priority Auto (S) Aperture-Priority Auto (A) Aperture-Priority (A) Manual (M) Scene Auto Selector |
| Scene Modes | Portrait Landscape Night Portrait Close-up Auto |
| Shooting Modes | Still Image (3:2) Smart Photo Selector (3:2) Movie (HD 16:9) Movie Slow Motion (8:3) Motion Snapshot (16:9) |
| Exposure Compensation | ±3 EV in increments of 1/3EV |
| Exposure Lock | Luminosity locked at detected value with AE-L/AF-L button |
| ISO Sensitivity | 100-3200 6400 |
| Active D-Lighting | On Off |
| Autofocus System | Hybrid autofocus (phase detection/contrast-detect AF) AF-assist illuminator |
| AF-area Mode | Single-point AF: 135 focus areas Auto-area AF: 41 focus areas Subject tracking Face-priority AF |
| Focus Lock | Focus is locked by pressing AE-L/AF-L button or lightly pressing shutter release button in (S) AF |
| Focus Modes | Auto (AF) Auto AF-S/AF-C selection (AF-A) Single-servo AF (AF-S) Continuous-servo (AF-C) Full-time Servo (AF-F) Manual Focus (MF) |
| Built-in Flash | Yes |
| Guide Number | 5/16 (m/ft ISO 100, 20°C/68°F) Approx. |
| Flash Control | i-TTL flash control using image sensor available |
| Flash Mode | Fill-flash Slow sync Red-eye reduction Slow sync with red-eye reduction Rear curtain with sync Rear curtain with slow sync |
| Flash Compensation | -3 to +1 EV in increments of 1/3 EV |
| Flash-ready Indicator | Lights when built-in flash unit is fully charged |
| White Balance | Auto Incandescent Fluorescent Direct Sunlight Flash Cloudy Shade Preset Manual All except preset manual with fine tuning |
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Metering Method | Matrix Center-weighted: Meters 4.5mm circle in center of frame Spot: Meters 2mm circle centered on select focus area |
| Movie File Format | MOV |
| Movie Video Compression | Matrix Center-weighted: Meters 4.5mm circle in center of frame Spot: Meters 2mm circle centered on select focus area |
| Movie File Format | MOV |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio Recording Format | AAC |
| Movie Audio Recording Device | Built-in stereo microphone; sensitivity adjustable |
| Movie | HD: 1920 X 1080/60i HD: 1920 X 1080/30p HD: 1280 x 720/60p Slow-motion: 640×240/400fps Slow-motion: 320×120/1200fps Motion Snapshot: 1920×1080/60p (plays at 24p) Audio file format: ACC Movie file format: MOV |
| Monitor Size | 3.0 in. diagonal |
| Monitor Resolution | 921,000 Dots |
| Monitor Type | TFT-LCD with brightness adjustment |
| Interface | USB: Hi-speed USB HDMI output: Type C mini-pin HDMI connector |
| Supported Languages | Arabic Chinese (Simplified and Traditional) Danish Dutch English Spanish Finnish French Italian German Indonesian Japanese Korean Polish Portuguese Russian Spanish Swedish Czech Norwegian Thai Turkish |
| Date & Time | Date, time and daylight savings time settings World time setting |
| Battery | EN-EL20 Lithium-ion Battery |
| Battery Life (shots per charge) | 220 shots (CIPA) |
| AC Adapter | EH-5b AC Adapter Requires EP-5C Power Supply Connector |
| Tripod Socket | 1/4 in. |
| Operating Environment | 32 to 104°F / 0 to 40°C |
| Dimensions WxDxH | 4.2 x 2.4 x 1.2″ / 106 x 61 x 29.8mm excluding projections |
| Weight | 8.4 oz / 238g camera body only |
Images & Videos
Purchase options
Nikon 1 J2 available at Adorama | Amazon | B&H
Tokina 300mm f/6.3 Reflex Telephoto Macro Lens
Product Summary
- Model name: Tokina 300mm f/6.3 Reflex Telephoto Macro (for Micro 4/3 rds Mount)
- Focus Type: Autofocus / Manual
- Format : Four-Third
- Purchase options: Amazon | Adorama | B&H
Overview
The Tokina 300mm f/6.3 Reflex Telephoto Macro lens is an ultra-telephoto lens designed for the micro four-thirds mount based Mirrorless Interchangeable Lens cameras and offers the same angle of view of that of a 600mm lens mounted on a full frame DSLR. The lens does not have auto-focusing and has to be focused manually. It has a constant aperture of f/6.3 which is reasonable and cannot be considered to be fast. The lens offers a decent performance in low light conditions and when shooting fast action photography.
This lens is suitable for shooting landscape, nature, wildlife and sports photography. even then fast action photography can offer a bit of a problem, the lens is great when shooting fixed subjects at a distance. As such it offers a great telephoto reach for smaller micro four thirds based MILC cameras. The lens has minimum focusing distance of 34.50”.
Overall design is very compact and solid. The lens has a large manual focusing ring that helps in the precise focusing of the lens. The barrel is metal made and offers a secure feeling.The lens is catadioptric and has very little to non-existent chromatic aberration. Even then Tokina has provided multi-layer coating which means the lens has absolutely no issues from flares and ghosts when shooting in bright sunlight.
The external dimensions of the lens are 2.17” x 2.60″. The lens has a total of 13 elements arranged on 11 groups. The lens has a weight of 298 grams and it takes a filter of 55mm. Available at Amazon | Adorama | B&H
Product Images
Tokina 300mm f/6.3 Reflex Telephoto Specifications
| Focal Length | 300mm |
| Maximum Aperture | f/6.3 |
| Minimum Aperture | f/6.3 |
| Construction E/G | 13 Elements / 11 Groups |
| Coatings | Multi-layer coatings |
| Angle of View | 4 degrees 8 minutes° |
| Minimum Focus Distance | 2.6 ft (0.8 m) |
| Macro Ratio | 1:2 |
| Filter Size | 55mm |
| Maximum Outer Diameter | 2.2 in (55mm) |
| Lens Width | 2.2 in (55mm) |
| Lens Length | 2.6 in (66mm) |
| Weight | 10.5 oz (298g) |
| Lens Hood | BH-552 |
| Mounts | Micro 4/3rds |
Sample images
More Info
- More info at Tokina
- Sample Images
- Tokina Lens Catalog 2013
- Tokina Lens User Manual Download
- Tokina Tips & Technique
Purchase options
Tokina 300mm f/6.3 Reflex Telephoto Macro available at Amazon | Adorama | B&H