What is chromatic aberration and how to tackle them while shooting?
While taking wide angle or even ultra wide angle shots the final image when viewed in full resolution on the computer may appear to have color fringing, overlapping cyan or magenta on the fringes. Color fringing is more prominent when the areas which are highlighted are immediately next to dark areas or in other words there is a lot of contrasting colors in a particular area which the lens has trouble focusing on correctly. Color fringing happens as the lens is unable to focus all of the colors (which are in different wave lengths) on the same focal plane and that creates the problem of color fringing in the final result. In an ideal world all the colors traveling in different wavelengths will be able to hit the sensor plane at the correct areas. That rarely happens. As such this problem is also termed as longitudinal chromatic aberrations. For those using very wide angle lenses and shooting to capture the bokeh normally associated with f/2 or faster lenses will be able to identify with this problem a bit more.
A number of very high quality lenses are increasingly being manufactured such as Canon’s L (Luxury) series lenses with special UD (Ultra-low dispersion) and Super UD elements which can reduce the effect of chromatic aberrations. What they do is they use different pieces of glass all with different refractive indexes and correct the different wave lengths allowing them to converge on the same plane. EF 70–200mm f/2.8L IS USM is one such lens that has UD elements to correct chromatic aberrations. Canon’s lenses also come with Fluorite elements which also help in reducing this problem. Lenses such as the Canon EF 600mm f/4L IS USM come with Fluorite elements. Precision Molded Optics (PMo) is another element that Canon uses to correct chromatic aberrations. This is present in lenses such as the EF-S 18-135mm f/3.5-5.6 IS STM. However technically it is extremely expensive to manufacture lenses which are 100% corrected for chromatic (as well as Aspherical aberrations) and would be prohibitive for non professional photographers to afford.
There is also another type of color fringing which is popularly known as Purple Fringing or simply PF. A ghosting of purple color appears on the areas which are affected which are again towards the edges where the object which is darker and the background which is brightly lit transposes and the lens is unable to correct for the different wavelengths. There are many reasons for which Purple Fringing can happen. Purple fringing often also happens because of the presence of color wavelengths that are outside the visible range but yet affects the DSLR sensors which are sensitive to them. It can also happen because of stray UV light or overexposure when shooting in wide apertures during a brightly lit day.
Both purple fringing and longitudinal chromatic aberrations are a problem that is more associated with cameras with cheaper made lenses and more commonly affects cameras which are in the budget range, the compact point and shoot ones. These lenses don’t have UD elements and when they shoot at wide angle ghosting and fringing starts to appear.
What is Back Focusing & Focal shift?
When we shoot images with a digital camera (DSLR or a compact point & shoot) leaving the camera to do the focusing (auto-focus on), often the AF mechanism goes haywire. A strong word (haywire) was necessary to describe the problem of focal shift (back focusing and front focusing) but it was necessary. Even a shift of + / – 2 can still create softer and thus unacceptable results for a professional photographer; although it may not mean that much to an amateur. The final result is softening of the pictures, shifting of the focal plane and unintentional focusing areas than what was focused on during composing.
Every digital camera has an auto-focusing mechanism that aligns the image properly on to the sensor. However the inherent nature of the digital cameras and lenses (which are manufactured via an automated production facility) makes for a slight aberration. This is the inability of the camera to accurately focus on a plane that is intended. This can be further explained with an example. Say you’re trying to shoot a portrait. You set your camera to auto-focus and then focus on the subject’s left eye. When the final shot comes out you notice that not the eye but the ears are the sharpest point of the picture! What just happened is that the inability of the camera and the lens combination to focus properly on the intended focus point was highlighted. Even if you used one of the AF points the actual focusing area is slightly bigger and if the left eye and the ear happen to have fallen on the same area (while both being on different plane) it can throw the AF off. This is true with varying degrees on most digital cameras and lenses, even the high end ones. The Canon 5D Mark III which has a significantly improved AF system, compared to the older model the 5D Mark II, also has this critical issue. It consistently produces softer images while severely back-focusing.
How to correct for back focusing or focal shift? It does not matter whether you’re using a semi-professional DSLR body or an entry level one, chances are that you will have to send the camera to the store for calibration. Since every piece of photography equipment is manufactured allowing for some tolerance, it means if the camera short focuses (or front focuses) by a margin of say +/- 2 or 3 (which let’s say falls within the degree of tolerance that the manufacturer has set for the equipment) manufacturers will not consider it as an error. For the users of professional DSLRs however there is a respite; some of these higher end DSLRs have an inbuilt focus correction function. It can help the photographer to adjust the problem of focal shift without having to send the camera to the shop.
Using Auto-Focus Micro Adjustment
This is a system that is built into the higher end Canon DSLRs such as the 5D Mark III and the older Mark II and the 1DX. AF fine tuning is present in Nikon professional bodies such as the D3 as well. It allows the photographer to use fine adjustments to correct the focal shift by fine tuning depending upon the amount of correction required.
Will this change AF performance consistently? Not really. Even if the calibration and or find tuning is done using built in or external tools, the camera will always have a problem to AF perfectly on a point which has more than one planes.
What is white balance & how to correct it?
White balancing is a problem that a lot of digital camera owners, and some of them with a lot of experience too, somehow choose not to address to, don’t know how to address to or downright just don’t know anything about. As a result we come across expressions “I bet the girls were wearing white!” or something like, “honey you need a teeth whitener” while reviewing photos. Well, most of the time you dont have to put much of your gray cerebral power on white balancing. Your cameras “Auto White Balance” tool will handle it so nicely that you won’t even notice it. But some projects, like product or fashion photography demand color accuracy. You have to balance your white to get accurate color. Of course you can do it in post process. However, doing it before shooting will help you to save many work hours & hassle in post processing. Unless of course you have a digital camera with a sensor that is as adjustable as the human eye, you will have problems of white balancing when shooting in different light conditions. So what is white balance and how can we correct the problem? Since this is a part of a series that is addressed to the needs of photography enthusiasts just starting off and looking to master the fundamentals, it will remain an effort to keep things as less technical as possible.
What Is White Balance?
White balance is the process that ensures the color “white” (and along with that all other colors) appear as naturally as they normally looked to the naked eye in photographs. So, basically you shoot a girl wearing a white wedding dress and it will look white when you are viewing the images on your computer screen and not something gray, yellowish or bluish. Every light source has a temperature (color) which affects the color of the subject. Try shooting a portrait indoors with a fluorescent lamp as the light source and you will notice there is a bluish tinge on the final image. This is because of the incandescent light source that you used. Use a filament bulb and the color changes to yellowish. There is always a warm reddish tinge for all shots taken during the sunset or sunrise.
White Balance Menu of Canon DSLR
Preset White Balance
Thanks to modern digital camera technologies almost every piece of camera that hits the market has some sort of white balancing feature in it. These are some of the most common ones that you can find on them – (a) Auto, (b) Tungsten, (c) Fluorescent, (d) Daylight, (e) Cloudy and (f) Manual. Some, such as the latest Canon 5D Mark III, has a color temperature option as well.
Preset White Balance menu of Nikon DSLR
Manual White Balance & How to set it?
Using the manual mode is preferred by professional photographers. Since their work is related with their income they cannot afford to see white turning into something else after they release the shutter. But anyone who is in pursuit of perfection can use these settings. Preset modes in the cameras give the option to test the white balance by using a test shot. This is done usually setting the camera at a wide aperture pointing at white wall and then measuring it by a test shot. Once the test shot is taken the camera automatically adjusts the white balance to optimum level and using that as the reference point adjusts the other colors as well. This is probably the best way to ensure the colors look natural. Obviously on the fly, specially using compact cameras, the pre-set white balance settings are very useful. They are fast and quite accurate too. Of course if you don’t like any of this, there is a simple solution. Set your camera to Auto mode and click away!
Olympus OM-D E-M1 Mark II, OM-D E-M5 Mark II & PEN-F gets Greater Performance with New Firmware
Olympus is pleased to announce the latest firmware upgrades for Olympus’ range of Compact System Cameras, Ver. 1.2 for the Olympus OM-D E-M1 Mark II, Ver. 3.0 for the Olympus OM-D E-M5 Mark II, Ver. 2.0 for the Olympus PEN-F and lens firmware upgrades.
This firmware upgrade enables compatibility with the new Profoto Air Remote TTL-O*1, allowing users to seamlessly integrate Profoto AirTTL flashes with these cameras. It also enables the latest functions on the E-M5 Mark II and PEN-F, such as “Save Setting/Mysets” first introduced with the E-M1 Mark II.
The E-M1 Mark II is the latest flagship model designed to withstand the rigors of professional use and the E-M5 Mark II is a high-performance Compact System Camera that features 5-axis image stabilisation. The PEN-F with its Monochrome and Colour Profile Control functions is a high-performance PEN series model perfect for creative photography.
Upgrading to firmware Ver. 1.2 for the E-M1 Mark II, Ver. 3.0 for the E-M5 Mark II and Ver. 2.0 for the PEN-F enables true compatibility with the Profoto Air Remote TTL-O, making TTL and HSS available for Olympus photographers. This upgrade also makes the latest functions introduced with the E-M1 Mark II, such as “Save Setting/Mysets”, available on the E-M5 Mark II and PEN-F. By releasing such firmware upgrades, Olympus is committed to continual improvements in product functionality and performance, whilst also delivering cameras that users can enjoy for a long time.
New features available via firmware upgrade
1. Compatibility with Profoto Air Remote TTL-O
New feature for E-M1 Mark II, E-M5 Mark II and PEN-F
Profoto Air Remote TTL-O wirelessly integrates the Profoto AirTTL Flash with these selected cameras. Simply attach it to the hot shoe for quick remote control of all functions. This firmware upgrade delivers compatibility between the Profoto Air Remote TTL-O and the E-M1 Mark II, E-M5 Mark II, and PEN-F models. For more information, please see the Profoto website on which functions can be used.
2. “Save Setting/Mysets” for saving camera settings on a computer
New feature for E-M5 Mark II and PEN-F
The “Save Setting/Mysets” function has been added for saving customised settings on computer and restoring them on the camera when required. This feature is useful for applying the same settings to multiple cameras and saving detailed settings when upgrading firmware.
3. Midtone adjustment function added to Highlight & Shadow Control
New feature for E-M5 Mark II
A midtone adjustment function has been added to the Highlight & Shadow Control, a feature that provides tonal control over bright and dark sections of the image. This new function provides a more fine-tuned control, enabling better expression of subject details that are not always possible by adjusting exposure compensation alone.
4. “AF target spot metering” provides spot metering at the focus point
New feature for E-M5 Mark II
“AF target spot metering” has been added. This links the AF Target position and spot metering area, making spot metering available at the focus point.
5. Touch to select Art Filters while viewing sample images
New feature for PEN-F
Sample images that demonstrate the effects of the highlighted Art Filter are shown at the bottom of the screen as an intuitive way to view the effects of each Art Filter for better real time visualisation. Simply touch the sample Art Filter image on the screen to instantly activate the option.
6. Set the shutter speed to begin raising the ISO sensitivity in ISO AUTO
New feature for PEN-F
It is now possible to set the “Lowest shutter speed setting” that automatically begins raising the ISO sensitivity when using ISO AUTO. Once the specified lowest shutter speed is reached, the camera will start raising its ISO speed to ensure optimal exposure output.
7. Improved AF Targeting pad on the rear LCD monitor
New feature for PEN-F
The AF Targeting Pad provides the freedom to move the AF point on the rear LCD monitor by using touch operations while keeping your eye on the viewfinder. The firmware upgrade makes it possible to use touch pad operations even if your nose touches the rear LCD monitor while looking through the viewfinder.
8. High Res Shot and Focus Stacking mode compatibility on non-Olympus flashes
New feature for E-M1 Mark II
Shooting with 50M High Res Shot and Focus Stacking modes are not only supported by Olympus flashes, but are also available for use with non-Olympus flashes.
9. Automatic switching to rear LCD monitor when shooting with the viewfinder
New feature for E-M1 Mark II
While shooting with the viewfinder and moving your eye away from the viewfinder during Rec View, the camera will automatically switch to the rear LCD monitor for image playback. (Same as E-M1).
10. AF HOME settings saved when camera is turned off
New feature for E-M1 Mark II
Previously, AF HOME settings were reset after the camera was turned off. However, this firmware upgrade saves AF HOME settings even after the camera has been turned off. (Same as E-M1).
Other changes
- Improved viewfinder colour reproduction during shooting – New feature for E-M1 Mark II
- Improved stability for battery level display – New feature for E-M1 Mark II
- Improved stability in conjunction with lens firmware upgrade
- New feature for E-M1 Mark II: Combination with Zuiko Digital ED 12-100mm f/4.0 IS PRO firmware Ver. 1.1 and M.Zuiko Digital ED 300mm f/4.0 IS PRO firmware Ver. 1.2 improves silent sequential shooting performance when image stabilisation is active.
- New feature for E-M5 Mark II and E-M1: Combination with Zuiko Digital ED 12-100mm f/4.0 IS PRO firmware Ver. 1.1 improves 5-axis sync IS performance.
Firmware upgrade by model
OM-D E-M1 Mark II
1. Compatibility with Profoto Air Remote TTL-O
2. High Res Shot and Focus Stacking mode compatibility on non-Olympus flashes
3. Automatic switching to rear LCD monitor when shooting with the viewfinder
4. AF HOME settings saved when camera is turned off
OM-D E-M5 Mark II
1. “Save Setting/Mysets” for saving camera settings on a computer
2. Midtone adjustment function added to Highlight & Shadow Control
3. “AF target spot metering” provides spot metering at the focus point
PEN-F
1. “Save Setting/Mysets” for saving camera settings on a computer
2. Touch to select Art Filters while viewing sample images
3. Set the shutter speed to begin raising the ISO sensitivity in ISO AUTO
4. Improved AF targeting pad on the rear LCD monitor
Compatibility table for new functions and improvements ( indicates a new function)
| E-M1 Mark II Ver.1.2 | E-M5 Mark II Ver.3.0 | PEN-F Ver.2.0 | |
| Compatibility with Profoto Air Remote TTL-O | Yes | Yes | Yes |
| “Save Setting/Mysets” for saving camera settings on a computer | Already available | Yes | |
| Midtone adjustment function added to Highlight & Shadow Control | Already available | Yes | Already available |
| “AF target spot metering” provides spot metering at the focus point | Already available | Yes | Already available |
| Touch to select Art Filters while viewing sample images | – | – | Yes |
| Set the shutter speed to begin raising the ISO sensitivity in ISO AUTO | Already available | – | Yes |
| Improved AF targeting pad on the rear LCD monitor | Already available | – | Yes |
| High Res Shot and Focus Stacking mode are available on non-Olympus flashes | Yes | Already available | Already available |
| Automatic playback on rear LCD when using Rec View in the viewfinder | Yes | Already available | Already available |
| AF HOME settings saved when camera is turned off | Yes | Already available | Already available |
| Improved viewfinder colour reproduction | Yes | – | – |
| Improved stability for battery level display | Yes | – | – |
Compatibility table for new lens function improvements ( indicates a new function)
|
E-M1 Mark II |
E-M5 Mark II |
E-M1 |
|
| Combination with M.Zuiko Digital ED 12-100mm f/4.0 IS PRO firmware Ver. 1.1 and M.Zuiko Digital ED 300mm f/4.0 IS PRO firmware Ver. 1.2 improves silent sequential shooting performance when image stabilization is active |
Yes*4 |
– |
– |
| Combination with M.Zuiko Digital ED 12-100mm f/4.0 IS PRO firmware Ver. 1.1 improves 5-axis sync IS performance | Already available |
Yes |
Yes |
*4 E-M1 Mark II must be upgraded to firmware Ver. 1.2.
Download Firmware
Phase One’s RAW Editor Capture One 10.1 Brings Major Improvements
Capture One Pro 10 is a professional RAW converter offering you ultimate image quality with beautiful colors and incredible detail from more than 400 high-end cameras – straight out of the box. It offers state-of-the-art tethered capture, powerful digital asset management, extensive adjustment tools and a flexible workflow.
With an updated processing engine, market-leading performance and powerful new features, Capture One Pro 10 is the professional choice in imaging software. The highly responsive tools give you the power to create stunning images from your camera’s RAW files, in a time-saving workflow that can be customized to fit your needs.
Capture One 10 is made by Phase One (the world’s leading manufacturer of high-end digital camera systems) in collaboration with the world’s leading professional photographers.
Capture One 10.1 Update
Capture One 10.1 is a feature release with several new features and improvements to the Capture One experience.
PSD support (read only)
Capture One can now view PSD assets, leveraging Capture One’s cataloging ability as an Asset Manager for working PSD files. To open an asset, select it, right click> open with…and choose PS. Save PSD’s from PS with “maximize compatibility” enabled to view the returning asset in Capture One. Note: adjustments and meta data can be added to the PSD file in Capture One for organizational purposes, but these will be ignored if opening the asset in PS. Adjustments can only be “committed” to the PSD file if the file is re-processed (however layers in the PSD file will be flattened in the resulting output file.)
Delete From Collection
Deleting images has been revised and appended with a new function to give more control over the culling process. Functions can be found in the File> menu (and shortcut in the shortcut manager).
Delete:
As in previous versions, does the lightest possible destruction on the selected image. For images in a folder, this sends the images to the Document trash. For albums or cloned variants, this just removes the variant.
Move to Catalog Trash (new):
Deletes from the collection, and sends the linked parent image to the Catalog/Session trash. This is especially useful for cleaning up albums in catalogs and at the same time removing the source file. Note For “folder” collection types (e.g session folders) this function is sometimes duplicated by the Delete Function.
Delete from Disk:
As in previous versions, removes the asset from the document and deletes the source image permanently from disk (after accepting confirmation box).
X-trans Support: Re-design
Fuji Cameras with X-trans type sensors can now leverage the LCC, Focus Mask, Chromatic Aberration Analysis and Purple Fringing suppression tools for your workflow. X-trans files are now also supported via OpenCL.
Fuji Compressed Format
Capture One 10.1 supports the Fuji Compressed RAW format
Master Temporary Reset
Hold the alt key and click/hold the master reset icon to see a quick before/after of the adjusted RAW file.
Styles: UI Re-design
The styles interface is redesigned allowing easier preview of large style collections and nested style collections without obscuring the main viewer with the menu.
Token Watermarking
The popular Token technology comes to the Watermarking tool. Create a watermark with dynamically named content (e.g file name) in a matter of clicks. Text and tokens can be mixed (as with other tools). The feature is also available in the Print watermark dialog.
Improved Watermark Quality
The quality of the text type watermark has been improved, especially noticeable with smaller output files.
Vectorscope Orientation Color-Wheels
Colorists familiar with the “Vectorscope” layout orientation of the color-wheels can now change orientation in the preferences to match that of their other application workflows, leveraging muscle memory on the Tangent control surfaces.
Automation with Apple Script (Mac only)
More functionality is added to the scripting dictionary, giving Capture One some serious automation functionality. The functions added or improved are listed below:
Import
Keywords
Batch Rename/Batch Counter
Current collection
Next Capture Adjustments (configuration)
Output counter
Selections (improved syntax)
Camera controls
Stop live view
Sync folder
Adjustments clipboard (copy/paste)
General logging/error message improvements
OpenCL: UX improvements
The process of initializing OpenCL is made more transparent to the end user. The initialization is now visualized (only required on first run) and the result can now be seen in the prefs in General> Hardware acceleration, with a link to help in the support knowledge base if there are issues.
10.1 Camera Support
• Sony A9
• Nikon D5600
• Nikon D3400
• Fujifilm X-T20
• Fujifilm X-A10
• Fujifilm XQ2
• Panasonic TZ85/ZS60/TZ80
• Panasonic TZ100/ZS100/TZ101
• Panasonic FZ2000/FZH1
• Panasonic GH5
• Pentax K-70
• Pentax KP
10.1 Lens Support
• Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR
• Nikon 1 Nikkor VR 6.7-13 mm F/3.5-5.6
• Nikon AF-S NIKKOR 105mm f/1.4E ED
• Nikon AF-S NIKKOR 70–200mm f/2.8E FL ED VR
• Panasonic LUMIX G 25mm f/1.7 ASPH (H-H025)
• Panasonic LUMIX G Fisheye 8mm f/3.5 (H-F008)
• Panasonic LUMIX G MACRO 30mm f/2.8 ASPH. MEGA O.I.S. (H-HS030)
• Panasonic LUMIX G X Vario PZ 14-42mm f/3.5-5.6 ASPH Power O.I.S. (H-PS14042)
• Panasonic LUMIX G X Vario PZ 45-175mm f/4.0-5.6 ASPH (H-PS45175)
• Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH MEGA O.I.S. (H-ES045)
• Panasonic Lumix G X Vario 35-100mm F2.8
• Sigma 18-300mm F3.5-6.3 DC MACRO OS HSM | C #886
• Sigma 24mm F1.4 DG HSM | A #401
• Sigma 50-100mm F1.8 DC HSM | Art #693
• Sigma 85mm F1.4 DG HSM | A #321
• Sony DT 55-200mm F4-5.6 (SAL55200)
• Sony DT 55-200mm F4-5.6 SAM (SAL55200-2)
• Sony FE 100mm F2.8 STF GM OSS (SEL100STFGM)
• Sony FE 85mm F1.8 (SEL85F18)
• Sony Vario-Tessar T* FE 16–35 mm F4 ZA OSS (SEL1635Z)
• Zeiss Distagon T FE 35 mm F1.4 ZA (SEL35F14Z)
• Tamron SP 15-30mm F/2.8 Di VC USD
• Tamron SP 150-600mm F/5-6.3 Di VC USD
• Tamron SP 150-600mm F/5-6.3 Di VC USD G2
• Voigtländer 10mm/F5.6 Hyper Wide Heliar
• Voigtländer 15mm/F4.5 Super Wide Heliar III
• Zeiss Batis 2.8/135
• Zeiss Loxia 2.4/85
• Zeiss Milvus 2.8/15
• Zeiss Milvus 2.8/18
• Zeiss Milvus 2/135
• Zeiss Otus 1.4/28
New Fujifilm Medium Format GF Lenses Now Available for Pre-Order
Fuji announced two new GF Lenses & an adapter for GFX Medium Format System.
All are expected to start shipping in late June.
Fujifilm FUJINON GF 23mm F/4 R LM WR Lens – $2,599.95
Adorama | B&H | Amazon
Fujifilm FUJINON GF 110mm F/2 R WR LM Lens – $2,799.95
Adorama | B&H | Amazon
Fujifilm View Camera Adapter G – $399.99
Adorama | B&H | Amazon
More on Fujifilm GFX Camera System
Sony Instant Rebates – May 2017
Sony has Instant Rebates up to $150 off.
Shipping is free with 4% rewards – Expires 05/20/2017
Cameras and kits
Sony Alpha A6300 Mirrorless Camera with 16-50mm f/3.5-5.6 OSS Zoom Lens
$ 998.00 after $150 Instant Rebate
Sony Alpha a6300 Mirrorless Digital Camera Body
$ 898.00 after $100.00 Instant Rebate
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Sony Alpha a5100 Mirrorless Camera with 16-50mm Lens, Black
$ 498.00 after $ 100.00 Instant Rebate
Sony Alpha A5100 Mirrorless Digital Camera with 16-50mm Lens White Body – Silver Lens
$ 498.00 after $ 100.00 Instant Rebate
Lenses
Sony Planar T* FE 50mm F1.4 ZA Lens
$ 1,398.00 after $ 100.00 Instant Rebate
Sony 70-200mm f/4.0 G OSS E-Mount NEX Camera Lens
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Sony FE 50mm F/1.8 Lens for E-Mount Cameras
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On Camera Flash and Mics
Sony ECM-GZ1M Microphone for Cameras with Multi-Interface Shoe
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Sony ECM-XYST1M Stereo Microphone
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Sony FA-WRC1M Radio Control Wireless Commander
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Sony FA-WRR1 Wireless Radio Receiver
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Sony HVL-F20M External Flash with Multi Interface Shoe and Built-In Diffuser – Compatible with Alpha TTL System
$ 128.00 after $ 20.00 Instant Rebate
Sony HVL-F32M TTL External Flash for Sony alpha7 Series Cameras
$ 248.00 after $ 50.00 Instant Rebate
Sony HVL-F43M Compact External Flash for Sony Cameras
$ 328.00 after $ 70.00 Instant Rebate
Sony HVL-F60M Wireless Shoe Mount Flash with built-in LED light
$ 448.00 after $ 100.00 Instant Rebate
Accessories
Sony LA-E4 A NEX Camera Mount Adapter
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Sony MPK-URX100A Underwater Housing for RX100 Series
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Sony VG-C1EM Vertical Grip for Alpha a7, a7R and a7s
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Sony VG-C2EM Vertical Grip for Alpha A7 II, Alpha A7R II and Alpha 7S II Cameras
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Sony VG-C77AM Vertical Grip for Alpha a77 and a77 II Cameras
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Canon Instant Rebates – May 2017
Canon has new Instant Rebates on several of their Cameras and lenses.
All ship free and Instant Rebates are valid through 6/3 (unless noted below).
Full Frame DSLR
Canon EOS 5D Mark IV Body
$3,299 after $200 Instant Rebate
Canon EOS 5D Mark IV + EF 24-70mm f/4L IS USM Lens
$4,049 after $350 Instant Rebate
Canon EOS 5D Mark IV + EF 24-105mm f/4L IS II USM Lens
$4,199 after $400 Instant Rebate
Canon EOS 5D Mark III DSLR Body
$2,299 after $500 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS-5D Mark III Body + EF 24-105mm f/4L Lens
$2,899 after $500 Instant Rebate
Canon EOS-5D Mark III + EF 24-70mm f/4L IS Lens
$3,049 after $500 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS 6D DSLR Body
$1,399 after $300 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS 6D + EF 24-105mm f 3.5-5.6 IS STM Lens
$1,799 after $300 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS 6D + EF 24-105mm f/4L IS USM Lens
$1,999 after $300 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
APS-C DSLR
Canon EOS 80D + EF-S 18-55mm f/3.5-5.6 IS STM Lens
$1,149 after $200 Instant Rebate
Canon EOS 80D + EF-S 18-135mm f/3.5-5.6 IS USM Lens
$1,399 after $400 Instant Rebate
Canon EOS 80D DSLR Video Creator Kit
with EF-S18-135/3.5-5.6 IS USM Lens, Rode VIDEOMIC GO Mic, 32GB SD Card – PowerZoom Adapter
$1,499 after $550 Instant Rebate
Canon EOS 77D DSLR Body
$849 after $50 Instant Rebate
Canon EOS 77D + EF-S 18-55mm F4-5.6 IS STM Lens
$999 after $50 Instant Rebate
Canon EOS 77D + EF-S 18-135mm F3.5-5.6 IS USM Lens
$1,249 after $250 Instant Rebate
Canon EOS 70D DSLR Body
$799 after $400 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS 70D Digital SLR Camera Body Kit
with EF-S 18-55mm F3.5-5.6 IS STM Lens
$899 after $450 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS 70D + EF-S 18-135mm F3.5-5.6 IS STM Lens
$1,099 after $450 Instant Rebate
+ Free Canon LP-E6 N Lithium-Ion Battery Pack
Canon EOS 70D Video Creator Kit
with EF-S 18-135mm F3.5-5.6 IS STM Lens, Rode VIDEOMIC GO Mic, Sandisk 32G SD Card
$1,149 after $500 Instant Rebate
Canon EOS Rebel T6s DSLR Camera Body
$699 after $150 Instant Rebate
Canon EOS Rebel T7i 24MP DSLR Camera (Body Only)
$699 after $50 Instant Rebate
Canon EOS Rebel T7i + EF-S 18-55mm f/4-5.6 IS STM Lens
$849 after $50 Instant Rebate
Canon EOS Rebel T7i + EF-S 18-135mm f/3.5-5.6 IS STM Lens
$1,049 after $250 Instant Rebate
Canon EOS Rebel T6i DSLR Body
$649 after $100 Instant Rebate
Canon EOS Rebel T6i + EF-S 18-55mm f/3.5-5.6 IS STM Lens
$649 after $250 Instant Rebate (Exp 5/21)
Canon EOS Rebel T6i Video Creator Kit
with EF-S 18-55mm f/3.5-5.6 IS STM Lens, Rode VIDEOMIC GO Mic, Sandisk 32G SD Card Class 10
$699 after $300 Instant Rebate (Exp 5/21)
Canon EOS Rebel T6i + EF-S 18-135mm f/3.5-5.6 IS STM Lens
$849 after $250 Instant Rebate (Exp 5/21)
Canon EOS Rebel SL1 + EF-S 18-55mm f/3.5-5.6 IS STM and EF 75-300mm F/4-5.6 III Zoom Lens
$549 after $350 Instant Rebate
Mirrorless Cameras
Canon EOS M5 Camera Body
$929 after $50 Instant Rebate
Canon EOS M5 + EF-M 15-45mm f/3.5-6.3 IS STM Lens
$1,049 after $50 Instant Rebate
Canon EOS M5 + EF-M 18-150mm f/3.5-6.3 IS STM Lens
$1,199 after $280 Instant Rebate
Canon EOS M6 + EF-M 18-150mm f/3.5-6.3 IS STM Lens Black | Silver
$1,099 after $180 Instant Rebate
+ Free accessory bundle
Lenses
Canon EF-S 24mm f/2.8 STM Lens
$129 after $20 Instant Rebate
Canon EF 50mm f/1.8 STM Lens
$110 after $15 Instant Rebate
Point & Shoot Cameras
Canon PowerShot G3 X
$799 after $200 Instant Rebate
Canon PowerShot G5 X
$699 after $100 Instant Rebate
Canon PowerShot G9 X Mark II
$429 after $100 Instant Rebate
Canon PowerShot SX60
$429 after $120 Instant Rebate
Canon PowerShot SX720 HS
$329 after $50 Instant Rebate (Exp 5/13)
Canon PowerShot SX620 HS
$229 after $50 Instant Rebate
Canon PowerShot SX530 HS
$249 after $130 Instant Rebate
Canon PowerShot SX420 IS
$229 after $70 Instant Rebate
Canon PowerShot ELPH HS 360
$199 after $10 Instant Rebate
Canon PowerShot ELPH 190
$149 after $10 Instant Rebate
Nikon Instant Rebates – May 2017
Nikon has some Instant Rebates on the D500, D750 & D810 DSLR’s
All come with a free battery grip and small accessory bundle.
All ship free and prices are valid through 6/3.
Nikon D500 DSLR Body With Nikon MB-D17 Battery Grip
$1,796.95 after $600 Instant Rebate
Nikon D500 DSLR with 16-80mm ED VR Lens W/ MB-D17 Battery Grip
$2,396.95 after $1,070 Instant Rebate
Nikon D750 DSLR Body Only Camera Includes Nikon MB-D16 Grip
$1,496.95 after $900 Instant Rebate
Includes free Battery Grip
Nikon D750 DSLR Camera w/24-120 Lens Includes Free MB-D16 Grip
$1,996.95 after $1,500 Instant Rebate
Nikon D810 DSLR Body With Nikon 24-70mm f/2.8G Lens w/ MB-D12 Grip
$3,933.90 after $1,260 Instant Rebate
Nikon D810 DSLR with 24-120mm VR Lens W/Nikon MB-D12 Battery And Accesory Bundle
$2,996.95 after $1,500 Instant Rebate
Best Performing Lenses for Nikon D800E – Recommended By Nikon
Nikon posted a list of 23 Nikkor Lenses ideal for use with the Nikon D800E. To get best from the 36MP sensor of cameras like the D800E, maximizing lens resolution is vital. Although outcome may vary from lens to lens. According to Nikon, the best way to achieve highest contrast all the way to frame peripheries is to set the aperture setting two to three stops down from maximum aperture. Listed below are some lenses that provide excellent resolution on Nikon D800E.
Zoom Lenses
Prime Lenses
PC-E Lenses
| Model | Available at | |
|---|---|---|
| PC-E NIKKOR 24mm f/3.5D ED | Amazon | Adorama | B&H | |
| PC-E Micro NIKKOR 45mm f/2.8D ED | Amazon | Adorama | B&H | |
| PC-E Micro NIKKOR 85mm f/2.8D | Amazon | Adorama | B&H |
Macro Lenses
| Model | Available at | |
|---|---|---|
| AF-S Micro NIKKOR 60mm f/2.8G ED | Amazon | Adorama | B&H | |
| AF-S Micro-NIKKOR 105mm f/2.8G IF-ED VR | Amazon | Adorama | B&H |
Read more about best performing lenses for Nikon D800 here
Source: [NPS]Panasonic Lumix PZ 45–175mm f/4–5.6 Lens New Firmware Version – 1.3
Panasonic Lumix G X Vario PZ 45–175mm f/4–5.6 Asph Power O.I.S. Lens (H-PS45175) Firmware Version – 1.3
Change log:
- Dual I.S. is available by this firmware update.
(in case of the usage of Camera with this function)
Download
Canon EOS 5D Mark IV – Log Feature Upgrade Coming in July
MELVILLE, N.Y., April 20, 2017 – In a move to help meet the demands of professional filmmakers, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the availability of a feature upgrade for the EOS 5D Mark IV DSLR camera that will add the ability to record with Canon Log. With this upgrade, the EOS 5D Mark IV can achieve a cinematic look similar to what can be achieved using Cinema EOS cameras, allowing it to serve as a second camera on a Cinema EOS shoot or to stand alone as a cinema camera. Current EOS 5D Mark IV camera owners can have the Canon Log feature upgrade installed for $99 at any of the Canon service centers across the U.S. starting in July. The camera will also be available for sale (body only) with the feature upgrade pre-installed starting in July, with an estimated retail price of $3,599.00*.
Canon Log uses the image sensor’s characteristics in a way that allows for a wide dynamic range, minimal loss of detail in shadows and highlight areas and an increased range of choices when color grading. Color grading options available with Canon Log include optimized color saturation, accurate colors with minor color bias, visual continuity and accurate skin tones.
Canon Log also works with and complements several EOS 5D Mark IV camera features including 4K shooting, Dual Pixel CMOS AF, high speed 119.9p shooting in HD and 59.94p shooting in Full HD. Additional features include Movie Servo AF allowing the camera to focus on a subject even when the shutter button is not used, the ability to register custom shooting modes in Canon Log and movie shooting in Canon Log on a compatible iOS® or Android™ device using the free Canon Camera Connect app.
Canon EOS 5D Mark IV Purchase options : Adorama | B&H | Amazon
About Canon Log Upgrade
Panasonic Lumix DC-GH5 New Firmware Version – 1.1
Panasonic Lumix DC-GH5 Firmware Version – 1.1
Change log:
- FHD 4:2:2 10-bit video recording has been added. It can be selected in either FHD [MP4 (LPCM)] or [MOV] recording format.
- 4:2:2 10-bit video recording has been added to Anamorphic (4:3) mode.
- There was a problem in which the exposure adjustment did not operate properly during live view standby when the [SS/Gain Operation] display was set to [ANGLE/ISO] while [Variable Frame Rate] was selected for Creative Video mode. This has been fixed.
- A problem in [V-LogL] of Photo Style mode where afterimages appeared when recording video under high ISO sensitivity settings has been fixed.
Download
Panasonic Lumix DC-GF9 / GX800 / GX850 New Firmware Version – 1.1
Panasonic LUMIX DC-GX850 / GX800 / GF9 Firmware Version – 1.1
Change log:
- [Beauty Retouch] is now available.
New function which enables the user to apply aesthetic and makeup effects to faces in your pictures.
Download
SIGMA sd Quattro – New Firmware Version 1.04
SIGMA sd Quattro – New Firmware Version 1.04
Change log
- Ability to save images in DNG format (RAW 12bit)
- Compatible with the Live View Display of Sigma Capture Pro
- Compatible with the SFD mode of Sigma Capture Pro
- Offers faster AF speed of lenses from the Contemporary, Art and Sports lines by about 10 – 30%, and has improved the AF accuracy as well.
- When used with the SIGMA ELECTRONIC FLASH EF-630 for SIGMA, it has improved the color rendering of the White Balance’s Flash mode in (it requires the latest firmware for the EF-630 for SIGMA as well).
- Corrected the phenomenon that the AF Shooting button did not work while the camera was using AF Lock.
- Corrected the phenomenon that adjustments on the marked images could occasionally freeze the software when the card has an X3I file in it.
- Improved the general operation of the software to achieve better stability.
Firmware Update
Canon EOS 7D Mark II – New Firmware Ver 1.1.1
Canon EOS 7D Mark II Firmware Update, Version 1.1.1
Change log
- Enhances reliability of communications when transferring images using Wireless File Transmitter WFT-E7 (A/B/C/D/E).
- Corrects the phenomenon of Err70 which occurs with certain combinations of settings.
- Corrects the phenomenon in which in very rare cases the shutter can no longer be released.
- Enhances reliability of operations for specific custom function settings.
Download Firmware Update
New Sony 100-400mm Compact Super Telephoto Zoom Lens
Product Summary
- Model name: Sony FE 100-400mm F4.5–5.6 GM OSS (model SEL100400GM)
- Release Date: 19th April 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Sony E-mount
- Availability: July 2017
- Price: $2,498.00
- Purchase options: Adorama | B&H | Amazon
Key features
- High resolution and fast autofocus lens
- One Super ED Element and Two ED Elements
- Sony Nano AR Coating to eliminate flare and ghosting
- Circular 9-blade aperture for beautiful defocus effects
- Dust and Moisture-Resistant Construction
- Zoom torque adjustment ring to help zooming faster or slower depending on shooting style
The new full-frame lens maintains the high standard of resolution that is the hallmark of Sony’s flagship lineup of G Master™ lenses, while also offering incredibly fast, precise AF capabilities, a lightweight, portable design and a variety of professional functions and customisability. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, particularly those that are commonly shooting sports or wildlife.
Uncompromised G Master Design and Performance
A super telephoto zoom that meets the intense build requirements of Sony’s acclaimed G Master series lens lineup, the new FE 100-400mm GM model produces outstanding corner-to-corner sharpness throughout the lens’ zoom and focus ranges and beautiful rendered ‘bokeh’ or background defocus, ensuring the finest details are brought out in every subject and scene.
The complex design features 22 lens elements configured in 16 different groups, including one Super ED (Extra-low Dispersion) and two ED glass elements, all of which are working together to minimise chromatic aberration and ensure the ultimate resolution is captured. The lens also has Sony’s original Nano AR coating, which is particularly useful for shooting sports scenes or wildlife, as it reduces unwanted reflections.
Precise, Quick AF Performance
In order to keep up with fast-moving action, the new FE 100-400mm GM super telephoto zoom lens features the combination of a double linear motor and a Direct Drive SSM actuator, which also ensures precise, quiet operation.
The double motor system allows rapid focus lens drive acceleration to capture the sudden motion that is common with sports and wildlife photography, while high precision positioning control and a newly optimised AF algorithm ensure the subject is quickly found and focused on. This ensures that the maximum AF performance of a camera like the new α9 is realised.
Lightweight Design, Extensive Customizability
In order to satisfy the extensive demands of customers craving lighter, smaller and more portable super telephoto lenses, the new FE 100-400mm GM weighs in at a mere 1,395 grams (49.3 ounces), making it among the lightest in its class and an ideal fit for Sony’s wide range of compactly designed cameras.
Functionally, the lens has a zoom torque adjustment ring – a first for Sony α – allowing the user to adjust the level of torque in the ring to zoom faster or slower depending on their shooting style. There is also a focus hold button that can also be assigned to variety of functions including focus mode selection, AF area selection or the popular Eye AF lock feature.
The telephoto zoom lens is dust and moisture resistant, and has fluorine coating on the front lens that makes it easier to remove dust or grease. There is also a removable tripod mount.
Professional Operation and Reliability
The new FE 100-400mm GM lens features built-in optical image stabilisation, ensuring that sharp images can be captured during handheld shooting. It also offers a minimum focusing range of just 0.98 metres (3.22 feet), which maximises its versatility in the field, and a 9 bladed circular aperture design that produces soft, beautiful bokeh.
The FE 100-400mm GM is compatible with both the 1.4x (model SEL14TC) and 2.0x (model SEL20TC) teleconverters, allowing photographers and videographers to shoot at up to 800mm on full-frame cameras and approximately 1200mm (35mm full-frame equivalent) on APS-C cameras.
A replacement lens hood (model ALC-SH151) for the new lens will also be available.
Product Photo
Sample Image
Specification
| Focal Length | 100 – 400mm |
| Aperture | Maximum: f/4.5 – 5.6 Minimum: f/32 – 40 |
| Camera Mount Type | Sony E (Full-Frame) |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
| Angle of View | 24° – 6° 10′ |
| Minimum Focus Distance | 3.22′ (.98 m) |
| Magnification | 0.12 – 0.35x |
| Maximum Reproduction Ratio | 1:2.85 |
| Elements/Groups | 22/16 |
| Diaphragm Blades | 9, Rounded |
| Image Stabilization | Yes |
| Autofocus | Yes |
| Tripod Collar | Yes Removable – rotating |
| Filter Thread | Front: 77 mm |
| Dimensions (DxL) | Approx. 3.70 x 8.07″ (93.9 x 205 mm) |
| Weight | 49.21 oz (1395 g) |
Super-Fast Sony Alpha 9 Professional Mirrorless Camera Released
Product Summary
- Model name: Sony α9 (model ILCE-9)
- Release Date: 19th April 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Sony E-Mount
- Availability: June 2017
- Price: $4,498.00
- Purchase options: Adorama | B&H | Amazon
Brochure Download : English
Key features
- World’s first 24.2 MP full-frame stacked CMOS sensor
- Blackout-Free Continuous Shooting at up to 20fps for up to 241 RAW / 362 JPEG images
- Silent, Vibration-free shooting at speeds up to 1/32,000 sec
- ISO 100 – 51200 expandable to ISO 50 – 204800
- 693 point focal plane phase detection AF points with 60 AF/AE tracking calculations per second
- Extensive professional features including Ethernet port for file transfer, Dual SD card slots and extended battery life
- 5-axis in-body image stabilisation with a 5.0 step shutter speed advantage
Sony today introduced its new revolutionary digital camera, the α9 (model ILCE-9).
The most technologically advanced, innovative digital camera that Sony has ever created, the new α9 offers a level of imaging performance that is simply unmatched by any camera ever created – mirrorless, SLR or otherwise.
The new camera offers many impressive capabilities that are simply not possible with a modern digital SLR camera including high-speed, blackout-free continuous shooting at up to 20fps, 60 AF/AE tracking calculations per second, a maximum shutter speed of up to 1/32,000 second and much more. These are made possible thanks to its 35mm full-frame stacked Exmor RS™ CMOS sensor – the world’s first of its kind – which enables data speed processing at up to 20x faster than previous Sony full-frame mirrorless cameras. This unique sensor is paired with a brand new, upgraded BIONZ X processing engine and front-end LSI that maximises overall performance.
This industry-leading speed and innovative silent shooting is combined with a focusing system that features an incredible 693 phase detection AF points. Covering approximately 93% of the frame, the focusing system ensures that even the fastest moving subjects are reliably captured and tracked across the frame.
The new α9 also features a vibration free, fully electronic, completely silent anti-distortion shutter with absolutely no mechanical mirror or shutter noise, making it an extremely powerful photographic tool for any shooting situation that demands quiet operation. To ensure maximum usability and reliability, the camera features a new Z battery with approximately 2.2x the capacity of W batteries, as well as dual SD media card slots, including one that supports UHS-II cards. An Ethernet port (wired LAN terminal) is available as well, and there are i a wide variety of new settings, controls and customisability options that are essential for working professionals.
A New Standard of Speed and Focusing Accuracy
Critical to the record-breaking speed of the new α9 is the combination of the new stacked 24.2 MP Exmor RS image sensor, new BIONZ X processor and front end LSI.
The immense processing power from these new components allows for faster AF/AE calculation while also reducing EVF display latency. The processor and front end LSI are also responsible for the larger continuous shooting buffer, enabling photographers to shoot at a blazing 20 fps with continuous AF/AE tracking for up to 362 JPEG or 241 RAW images.
The camera’s innovative AF system tracks complex, erratic motion with higher accuracy than ever before, with the ability to calculate AF/AE at up to 60 times per second, regardless of shutter release and frame capture. Further, when the shutter is released while shooting stills, the electronic viewfinder functions with absolutely no blackout, giving the user a seamless live view of their subject at all times. This feature truly combines all of the benefits of an electronic viewfinder with the immediacy and “in the moment” advantages that not even the finest optical viewfinders can match, and is available in all still image modes including high speed 20 fps continuous shooting.
With 693 focal plane phase detection AF points covering approximately 93% of the frame, the camera ensures improved precision and unfailing focus in scenes where focus might otherwise be difficult to achieve. The Fast Hybrid AF system – pairing the speed and excellent tracking performance of phase detection AF with the precision of contrast AF – achieves approximately 25% faster performance when compared with α7R II, ensuring all fast-moving subjects are captured.
Professional Capabilities in a Compact Body
Sony’s new full-frame camera is equipped with a variety of enhanced capabilities that give it a true professional operational style.
The α9 features an all-new, high-resolution, high-luminance Quad-VGA OLED Tru-Finder with approximately 3,686k dots for extremely accurate, true-to-life detail reproduction. The new Tru-Finder, which is the highest resolution viewfinder Sony has ever incorporated in an α camera, features an optical design that includes a double-sided aspherical element, helping it to achieve 0.78x magnification and a level of corner to corner sharpness that is simply outstanding. The EVF also utilises a ZEISS® T* Coating to greatly reduce reflections, and has a fluorine coating on the outer lens that repels dirt.
This all adds up to a luminance that is 2x higher than the XGA OLED Tru-Finder from the α7R II, creating a viewfinder image with a brightness level that is nearly identical to the actual scene being framed, ensuring the most natural shooting experience. The frame rate of the Tru-Finder is even customisable, with options to set it for 60 fps or 120 fps to best match the action.
The α9 is equipped with an innovative 5-axis image stabilisation system that provides a shutter speed advantage of 5.0 steps, ensuring the full power of the new sensor can be realised, even in challenging lighting. With a simple half press of the shutter button, the effect of the image stabilisation can be monitored in the viewfinder or on the LCD screen, allowing framing and focus to be accurately checked and continually monitored.
The α9 also offers an Ethernet port (wired LAN terminal), allowing convenient transfer of still image files to a specified FTP server at high speeds, making it an ideal choice for studio photography, high-profile news and sporting events and more. In addition, there is a sync terminal, enabling external flash units and cables to be connected directly for convenient flash sync.
New Features for Fast Operation
Sony’s new α9 has several new and updated focus functions that support faster, easier focusing in a variety of situations. The camera features a multi-selector joystick on the back of the camera, allowing shooters to easily shift focus within the frame by pressing the multi-selector in any direction up, down, left or right when shooting in Zone, Flexible Spot or Expanded Flexible Spot focus area modes. The new model also offers touch focusing on the rear LCD screen for easy selection of, and shifting focus towards a desired focus point or subject.
New for Sony E-mount cameras, the α9 includes the addition of separate drive mode and focus mode dials, plus a new “AF ON” button that can be pressed to activate autofocus directly when shooting still images or movies.
Additional new capabilities include the “AF Area Registration”, which allows frequently used focus areas to be memorised and recalled via custom button assignments. There is also the ability to assign specific settings (exposure, shutter speed, drive mode, etc) to a custom button to be instantly recalled when needed. The camera can memorise and automatically recall the last focus point used in a vertical or horizontal orientation, instantly switching back to it when that specific orientation is used again.
For enhanced customisation, a “My Menu” feature is available, allowing up to 30 menu items to be registered in a custom menu for instant recall when needed.
Double Battery Life, Double Memory
The innovative α9 camera features an all-new Sony battery (model NP-FZ100) with 2.2x the capacity of previous Sony full-frame models, allowing for much longer shooting performance.
Based on extensive customer feedback, the new camera offers two separate media card slots, including one for UHS-II media. The same data can simultaneously be recorded to both cards, or the user can choose to separate RAW / JPEG or still images / movies. Movies can also simultaneously be recorded to two cards for backup and more efficient data management.
High Sensitivity and Wide Dynamic Range
The unique design of the α9 image sensor represents the pinnacle of Sony device technology. The 24.2 MP full-frame stacked CMOS sensor is back-illuminated, allowing it to capture maximum light and produce outstanding, true-to-life image quality. The sensor also enables the diverse ISO range of 100 – 51200, expandable to 50 – 204800 , ensuring optimum image quality with minimum noise at all settings.
The enhanced BIONZ X processor plays a large part in image quality as well, as it helps to minimise noise in the higher sensitivity range while also reducing the need to limit ISO sensitivity in situations where the highest quality image is required.
The new α9 also supports uncompressed 14-bit RAW, ensuring users can get the most out of the wide dynamic range of the sensor.
4K Video Capture
The new α9 is a very capable video camera as it offers 4K (3840x2160p) video recording across the full width of the full-frame image sensor. When shooting in this format, the camera uses full pixel readout without pixel binning to collect 6K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth. Recording is also available in the popular Super 35mm size.
Additionally, the camera can record Full HD at 120 fps at up to 100 Mbps, which allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking.
New Accessories
Sony has released a variety of new accessories to compliment the new α9, including:
– NP-FZ100 Rechargeable Battery: High-capacity battery with approximately 2.2x the capacity of the NP-FW50 W-series battery. Supports InfoLITHIUM® technology, which makes it possible to view the remaining battery power as both a percentage display and five step icon on the camera’s LCD screen.
– VG-C3EM Vertical Grip: Provides same operation, handling and design as α9, doubles battery life and allows USB battery-charging via the camera body.
– NPA-MQZ1K Multi-Battery Adaptor Kit: External multi-battery adaptor kit capable of functioning as an external power supply for four Z series batteries and as a quick charger. Kit comes with two packs of NP-FZ100 rechargeable batteries.
– GP-X1EM Grip Extension: Grip extender with same look, feel and design as α9. Enables more solid hold on camera.
– FDA-EP18 Eyepiece Cup: Eye piece cup with locking mechanism
– BC-QZ1 Battery Charger: Quick-charging battery charger. Charges one new Z series battery in approximately 2.5 hours.
– PCK-LG1 Screen Protect Glass Sheet: Hard, shatterproof glass screen protector with anti-stain coating to prevent fingerprints. Compatible with touch operation and tilting LCD screen
Product Photo
Sample Video
Sample Image
Specification
| Lens Mount | Sony E-Mount |
| Camera Format | Full-Frame |
| Pixels | Actual: 28.3 Megapixel Effective: 24.2 Megapixel |
| Max Resolution | 24 MP: 6000 x 4000 |
| Aspect Ratio | 3:2, 16:9 |
| Sensor Type / Size | CMOS, 35.6 x 23.8 mm |
| File Formats | Still Images: JPEG, RAW Movies: AVCHD Ver. 2.0, MP4, MPEG-4 AVC/H.264, XAVC S Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM |
| Bit Depth | 14-Bit |
| Dust Reduction System | Yes |
| Memory Card Type | SD SDHC SDXC Memory Stick Duo |
| Image Stabilization | Sensor-Shift, 5-Way |
| Video Recording | Yes, NTSC/PAL |
| Video Format | 3840 x 2160p at 24, 25, 30 fps (100 Mbps XAVC S) 3840 x 2160p at 24, 25, 30 fps (60 Mbps XAVC S) 1920 x 1080p at 100, 120 fps (100 Mbps XAVC S) 1920 x 1080p at 100, 120 fps (60 Mbps XAVC S) 1920 x 1080p at 24, 25, 30, 50, 60 fps (50 Mbps XAVC S) 1920 x 1080p at 50, 60 fps (28 Mbps AVCHD) 1920 x 1080i at 50, 60 fps (24 Mbps AVCHD) 1920 x 1080i at 50, 60 fps (17 Mbps AVCHD) 1920 x 1080p at 24, 25 fps (24 Mbps AVCHD) 1920 x 1080p at 24, 25 fps (17 Mbps AVCHD) 1920 x 1080p at 50, 60 fps (28 Mbps MP4) 1920 x 1080p at 25, 30 fps (16 Mbps MP4) 1280 x 720p at 25, 30 fps (6 Mbps MP4) |
| Aspect Ratio | 16:9 |
| Video Clip Length | Not specified by manufacturer |
| Audio Recording | Built-In Mic: With Video (Stereo) Optional External Mic: With Video) |
| Focus Type | Auto & Manual |
| Focus Mode | Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S) |
| Autofocus Points | Phase Detection: 693 Contrast Detection: 25 |
| Viewfinder Type | Electronic |
| Viewfinder Size | 0.5″ |
| Viewfinder Pixel Count | 3,686,400 |
| Viewfinder Eye Point | 23.00 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 0.78x |
| Diopter Adjustment | -4 to +3 m |
| Display Screen | 3″ Rear Touchscreen Tilting LCD (1,440,000) |
| Screen Coverage | 100% |
| ISO Sensitivity | Auto, 100-51200 (Extended Mode: 50-204800) |
| Shutter | Type: Mechanical Speed: 30 – 1/8000 Second , Bulb Mode Type: Electronic Speed: 30 – 1/32000 Second in Bulb Mode |
| Metering Method | Center-Weighted Average Metering, Multi-Zone Metering, Spot Metering, Highlight Weighted |
| Exposure Modes | Modes: Aperture Priority, Auto, Manual, Program, Shutter Priority Metering Range: EV -3.0 – EV 20.0 Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV Steps) |
| White Balance Modes | Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Continuous Shooting | Up to 20 fps at 24.2 MP for up to 362 frames in JPEG format Up to 20 fps at 24.2 MP for up to 241 frames in raw format Up to 10 fps at 24.2 MP Up to 5 fps at 24.2 MP Up to 2.5 fps at 24.2 MP |
| Built-in Flash | No |
| Max Sync Speed | 1 / 250 Second |
| Flash Compensation | -3 EV to +3 EV (in 1/3 or 1/2 EV steps) |
| Dedicated Flash System | P-TTL |
| External Flash Connection | Hot Shoe, PC Terminal |
| Self Timer | 10 Seconds, 5 Seconds, 2 Seconds |
| Connectivity | 1/8″ Headphone, 1/8″ Microphone, HDMI D (Micro), Micro-USB, X-Sync Socket |
| Wi-Fi Capable | Yes |
| Battery | 1 x NP-FZ100 Rechargeable Lithium-Ion Battery Pack, 7.2 VDC, 2280 mAh |
| Operating/Storage Temperature | Operating 32 to 104°F (0 to 40°C) |
| Dimensions (WxHxD) | 5.0 x 3.8 x 2.5″ / 126.9 x 95.6 x 63.0 mm |
| Weight | 1.48 lb / 673 g |