Samyang 10mm f/2.8 ED AS UMC CS Lens!
Samyang 10mm f/2.8 ED AS UMC CS Lens
Samyang 10mm 1:2.8 ED AS UMC CS is a prototype of the ultra wide-angle prime lens designed for use with cameras fitted with APS-C/DX sensors. Its extremely short focus length and rectilinear imaging system ensure extra wide angle of view amounting to 110 degrees (~107 degree for Canon version). As a result the lens is a comprehensive tool for architecture and landscape shooting. New Samyang 10mm 1:2.8 ED AS UMC CS is similar to the 35mm system lens with 15mm or 16mm focal length in the case of Canon APS-C cameras.
All details concerning the optical construction of the lens and available mounts will be published at a later date. The lens will be introduced for sale either at the end of 2012 or in the first days of 2013.
Sample Images by Samyang 10mm f/2.8 ED on Flickr
Product Images
Samyang 10mm f/2.8 ED Specifications
| Focal Length | 10mm Comparable 35mm Focal Length: 16 mm |
| Aperture | Maximum: f/2.8 Minimum: f/22.0 |
| Camera Mount Type | Canon EF-M |
| Format Compatibility | Canon (APS-C) |
| Angle of View | 105.9deg. |
| Minimum Focus Distance | 9.45″ (24 cm) |
| Elements/Groups | 14/9 |
| Dimensions (D x L) | Approx. 3.39 x 3.12″ (86.10 x 79.24 mm) |
| Weight | 1.36 lbs (0.61kg) |
Redesigned Arca-Swiss Z1g+ and Z2+ Ballheads Announced
For Photokina 2012, Arca-Swiss announces redesigned Z1g+ and Z2+ ballheads:
Arca-Swiss Monoball Z1g+
Monoball Z1g+
With the Monoball Zg1+ ARCA SWISS has improved the well known ballhead Z1g in all its aspects. The new head incorporates an additional panning top above the ball and its weight is reduced significantly. The Monoball Zg1+ guarantees a smooth, even movement and an accurate positioning of the camera. The MRGC (Motion Related Gravitiy Control), a variable and bi-directional drag is independently operative on both axis: with a horizontal movement the resulting friction remains constant, whereas with vertical movements the friction increases progressively. In all directions the movements are stabilized.
Available at Adorama
Arca-Swiss Monoball Z2g+
Monoball Z2+
Improved as well, the bigger ballhead Monoball Z2+ is now equipped with a second panning top and additionally, its weight has been reduced considerably. The Z2+ combines the advantages of a ballhead with the features of a multiaxial tripod head. The secret hides in a newly designed ball unit which allows an individual and independent control of the x- and the y-axis, with gravity compensation and separate locks. The upper lever locks the smaller ball in the x-axis ( at 80°; 40°; -40°), whereas the lower lever is locking the bigger ball in the y-axis (at 140°; 90°; -50°).The Monoball Z2+ sports two panning mechanisms, one at the base of the head, the other, a proper panning top for panoramic photography, is located above the ball allowing perfect and leveled panorama stichings. Innovative and ready for all circumstances the ARCA SWISS monoball Z2+ is a clever synthesis of the advantageous ease of a ballhead and the exacting features of a three-way head.
Check Arca-Swiss ballheads at Amazon
Tamron SP 70-200mm F/2.8 Di VC USD Lens
Product Summary
- Model name: Tamron SP 70-200mm F/2.8 Di VC USD
- Release Date: March 18, 2013
- Focus Type: Autofocus / Manual
- Format : Full Frame / APS-C / Crop Sensor
- Mounts: Canon | Nikon Sony
- Color: Black
- Availability: March 28, 2013
- Purchase options: Amazon | Adorama | B&H
Key Features
- One special XLD (Extra Low Dispersion) *5 glass in concert with four LD (Low Dispersion) elements minimize chromatic aberrations. This combined with a new optical design that delivers high contrast and high resolution throughout the zoom range achieves leading-edge image quality.
- Tamron’s advanced multi-layer coating technology dramatically improves lens performance by reducing flare and ghosting for crisper, clearer images.
- The rounded diaphragm*6 affords the photographer spectacular blur effects, delivering the kind of rich expression only achievable with a high-speed telephoto zoom lens.
- The most compact*1 full-size, high-speed telephoto zoom lens with VC (Vibration Compensation)*2 image stabilization and USD (Ultrasonic Silent Drive)*3 in its class delivers superior mobility, enabling photographers to capture the previously unattainable.
- Features USD (Ultrasonic Silent Drive)*3 to power a speedy AF drive together with a continuous manual focus mechanism.
- The VC (Vibration Compensation)*2 image stabilization mechanism reduces camera shake to deliver sharp images.
- Moisture-resistant construction helps prevent moisture from penetrating the lens.
Overview
The Tamron SP 70-200mm F/2.8 Di VC USD lens shares the same focal length of the Tamron SP 70-200mm F/2.8 Di LD (IF) lens. However the former has a major advantage and that is it comes with VC (Vibration Control) feature which reduces image blurring when hand holding the camera. Tamron claims that four stops of image stabilization is achieved by the lens. Additionally the lens incorporates Tamron’s USD (Ultrasonic Silent Drive) technology that allows the lens to be very quiet when focusing.
Di lenses are capable of being used on both full frame and APS-C crop sensor based DSLRs. The lens construction consists of a total of 23 elements including a XLD (Extra low dispersion) element and 4 LD (low dispersion) elements arranged in 17 groups. Full time manual (FTM) focusing is also provided which means the lens allows the photographer to manual focus the lens by overriding the auto-focusing mechanism simply by turning the focus ring. A special moisture preventive construction (MR) has been used in the lens which resists moisture from penetrating the lens and thus affecting its optical qualities.
The rounded diaphragm (RD) of the lens is built with 9 rounded blades giving a wide f/2.8 aperture. Additionally it can stop all the way down to f/32. Even when using a wide aperture the lens has great sharpness all through to f/16. Mounted on a full frame DSLR the lens has an angle of view of 34°21′-12°21′. The overall weight of the lens is 1470 grams and it takes a filter of size 77mm. Available at Amazon | Adorama | B&H
Images by Tamron SP 70-200mm F/2.8 Di VC USD on Flickr
Tamron SP 70-200mm F/2.8 Di VC Specifications
| Model | A009 | |
|---|---|---|
| Focal length | 70-200mm | |
| Max aperture | F/2.8 | |
| Angle of view(diagonal) | 34°21’－12°21′ (with full-size SLR cameras) 22°33’－7°59′ (with APS-C sized sensor digital SLR cameras) |
|
| Construction | 23 elements in 17 groups | |
| Min focus distance | 1.3m (51.2 in) | |
| Max magnification ratio | 1: 8 (at f=200mm: MFD 1.3m) | |
| Filter size | φ77mm | |
| Length | 188.3mm (7.4 in)* | |
| Entire Length | 196.7mm (7.7 in)* | |
| Diameter | φ85.8mm | |
| Weight | 1470g (51.9 oz)*(including detachable tripod mount) | |
| No. of diaphragm blades | 9 (rounded diaphragm) | |
| Min aperture | F/32 | |
| Accessories | Flower-shaped lens hood | |
| Available mounts | Canon, Nikon, Sony | |
Product Photo
Purchase options
Tamron SP 70-200mm F/2.8 Di VC USD available at Amazon | Adorama | B&H
Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD
Product Summary
- Model name: Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD
- Release Date: September 13, 2012
- Focus Type: Autofocus / Manual
- Format : Full Frame / APS-C / Crop Sensor
- Mounts: Canon | Nikon | Sony
- Color: Black
- Availability: End of 2012
- Purchase options: Amazon | Adorama | B&H
Key Features
- Tamron has updated their legendary 90mm Macro lens with a new, state-of-the-art optical design. The lens, reborn for the age of digital photography, offers VC (Vibration Compensation)*1 and USD (Ultrasonic Silent Drive)*2.
- Adopting a state-of-the-art optical design and a rounded diaphragm*4, this lens carries on the long tradition of Tamron’s 90mm Macro lens in delivering spectacular blur effects. Two XLD*5 (Extra Low Dispersion) glasses and one LD (Low Dispersion) element reduce chromatic aberrations, yielding sharp images and outstanding resolution.
- Tamron’s newly developed eBAND (Extended Bandwidth & Angular-Dependency) Coating*6 delivers a dramatic improvement in antireflection performance-significantly reducing flare and ghosting for clearer, crisper images.
- The VC (Vibration Compensation)*1 image stabilization mechanism reduces camera shake to deliver sharp images.*7
- Features USD (Ultrasonic Silent Drive)*2 to power a speedy AF drive together with a continuous manual focus mechanism.
- Incorporates IF (Internal Focus) system, which focuses by moving only the internal lens group, rather than the front lens elements. The overall length of the lens therefore does not change when focusing, thus ensuring a broad working distance.
- Moisture-resistant construction helps prevent moisture from penetrating the lens.
Overview
Optically the Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD lens is a reincarnation of the classic 90mm classic lens that Tamron used to make. However a range of improvements make the lens one of the most formidable pieces of equipments that one can hope to use in a macro photography setup. The lens has a minimum focusing distance of 1.8 inches and offers a magnification ratio of 1:1. This makes the Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD a true macro lens.
An important aspect of the lens is the VC (Vibration Compensation) technology. It gives the lens stability against shakes and helps create sharp pictures even when the camera is hand-held. Sony users will however not get VC in their lens as Sony DSLR bodies have built-in vibration reduction motor. Macro lenses require four basic features to be a successful and this lens has al of them. Apart from VC and 1:1 magnification, the lens is fast at f/2.8 which allows the camera to shoot great pictures in low light. Also the lens also has USD (Ultra-sonic silent drive) mechanism for quite and fast auto-focusing.
The overall construction of the lens consists of 14 elements including two XLD (Extra low-dispersion) glass elements and one LD (Low-dispersion) element arranged in 11 groups. The diaphragm of the lens consists of 9 rounded bladed that stops wide at f/2.8 to create a soft blur of the background. The lens is 4.8” in length and weighs 550 grams. It uses a filter of size 58mm. Available
Sample Photos by Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD on Flickr
Tamron SP 90mm F/2.8 Di MACRO 1:1 VC Specifications
| Model | F004 | |
|---|---|---|
| Focal length | 90mm | |
| Max aperture | F/2.8 | |
| Angle of view (diagonal) | 27°02′ (with full-size SLR cameras) 17°37′ (with APS-C sized sensor digital SLR cameras) |
|
| Construction | 14 elements in 11 groups | |
| Min focus distance | 0.3m (11.8 in) | |
| Max magnification ratio | 1: 1 | |
| Working distance | 139mm (5.5 in) | |
| Filter size | φ58mm | |
| Length | 114.5mm (4.5 in)* | |
| Entire Length | 122.9mm (4.8 in)* | |
| Diameter | φ76.4mm | |
| Weight | 550g (19.4 oz)* | |
| No. of diaphragm blades | 9 (rounded diaphragm) | |
| Min aperture | F/32 | |
| Accessories | Lens hood | |
| Available mounts | Canon, Nikon, Sony | |
Purchase options
Tamron SP 90mm F/2.8 MACRO 1:1 VC available
Nikon Full Frame D600
Nikon D600 (Amazon | B&H | Adorama)
The Nikon D600 is the smallest, lightest and arguably the greatest full frame DSLR ever to come out of the Nikon assembly line. It is a tough thing to claim specially if you consider some of the top of the line models such as the D4 or the D3X or even the D800. No matter how much you compare, at this price and when you compare the specs from the rest of the models, it is the best full frame from Nikon and certainly value for money
What are the new / key features & specs?
- The D600 features a 24.3 megapixels CMOS sensor that offers a ISO sensitivity of 100-6400, which can be further upgraded to 12800
- The D600 can shoot full HD videos at 30/25/24p
- The continuous shooting speed of the D600 is 5.5 fps which is much better than the 4 fps of the D800.
- 39 point AF system with 9 cross type AF points
- Non-articulated 3.2” LCD screen with a resolution of 921,000 dots.
- External head-phone jack for plugging a microphone and record stereo quality sound.
- The live-view button is a combined movie/live view type which is the same as in D800
- 2 SD card slots, instead of 1 SD card + 1 CF card in the D800
Nikon‘s D600 Digital Camera body features a full-frame 24.3MP FX-format CMOS sensor. In addition D600 with a full-sized sensor also comes a powerful engine; the EXPEED 3 processing system. It enables a 5.5 fps continuous shooting at full resolution. Being compact it also fits in a 3.2″ LCD monitor.
Other hardy features include a wide ISO range of 100-6400, which is also expandable to 50-25600. Suitable for capturing shots in a variety of lighting situations and maintaining minimal image noise. The cameras’ AF system has 39 focus points for wide-area AF coverage for both stills and HD video shooting.
The D600 enpowers the photographers to focus on the job with features like Nikon’s best metering system and onboard intelligence. The D600 uses the company’s intelligent Scene Recognition System with 3D Color Matrix Metering II for beautiful, high-def photos. This metering analyses the brightness, contrast, subject distance, and the scene colors for accurate, balanced photos. The i-TTL flash, auto white balance, subject tracking, and autofocus all come into play as well.
The D600 is a complete HDSLR. It features 1080p HD video. Selectable frame rates include 30/25/24p at the highest resolution and 30/25/24p at 720p. Other important features for shooting movies include manual exposure control, full-time AF with face-priority, dedicated stereo mic and headphones input, Simultaneous Live View etc.
The Nikon D600 takes F-mount NIKKOR interchangeable lenses (both FX and DX-format).It givs the photographers options to use existing nikon lenses. Additionally, D600 has an option to use Nikon’s WU-1b Wireless Mobile Adapter for wireless transfer of images to a smartphone or tablet devices. The adapter can even be used for remote shooting with the D600 using the compatible application.
Detail Features
Sensor resolution
24.3 megapixels of the Nikon D600 works like a charm and is ideal for any full frame DSLR. The camera really benefits from all those extra megapixels and the bigger sensor retaining a huge amount of detail which is discernable even when you crop an image at 100%. Additionally, the image is very sharp which however, can cause a bit of problem of anti-aliasing when exposing for repetitive patterns.
39-point auto-focusing system
In real use, the 39-point AF system of the D600 is really good. It in fact is comparable to the other more illustrious brothers of the Nikon FX family. When compared with something like the Canon full frame DSLRs mainly the Canon 5d Mark III the performance is again quite satisfactory.
Metering and Onboard Intelligence
The D600 delivers beautiful stills and HD videos, thanks to Nikon’s intelligent Scene Recognition System with 3D Color Matrix Metering II. Its 2,016 pixel RGB sensor to evaluate every scene, measuring brightness, contrast, subject distance and the scene colors, all within the time it takes to press the shutter release button. After that the that data is referenced against an onboard image database for consistently accurate exposures, auto white balance, i-TTL flash and subject-tracking autofocus performance
Cinema-Quality HD Video Projects
Shoot 1080p HD videos with selectable frame rates of 30p, 25p or 24p and MPEG-4 AVC/H.264 compression. Bend time with 720p HD at 60p, 50p or 30p for ultra-smooth video playback of fast moving subjects, or create slow-motion footage during post processing. Maintain your creative vision with manual exposure control, full-time AF with face-priority and subject tracking, dedicated inputs for a stereo mic and headphones, still image exporting, and much more. Enhance all that with the dramatic perspectives and depth-of-field control of NIKKOR interchangeable lenses
Built-In Accessory Terminal
On the opposite side of the camera’s dual memory card bays you’ll find the various sockets and ports including everything from audio jacks to USB. Under the flap designated “GPS” is the same accessory port used for both the GP-1A GPS Unit and MC-DC2 Remote Release Cord (both sold separately). While there is no 10-pin terminal, the MC-DC2 enables remote firing of select D-SLRs, including this D600, so you won’t bump or vibrate the camera when taking photos. The GP-1A geotags your images so you can record latitude, longitude, altitude and time information. Allowing you to plot your images on map software and retrace your steps.
Share Images Easily with the WU-1b Wireless Mobile Adapter
Using the optional WU-1b Wireless Mobile Adapter, users can automatically send great pictures to their smartphone or tablet and even remotely capture images from the D600. With its simple app, now when you can’t wait to share that great image, you don’t have to. Share it to your smartphone or tablet in an instant
The U1 and U2 modes
The U1 and U2 modes are really helpful in as much as going back to a tried & tested settings is concerned and really gives the D600 that much of an additional edge over other DSLRs in the Nikon line-up; barring the D7000. While you will have to flip and press a number of menu options and buttons in order to change the old settings on the D600 (and the D7000) you can save up to two combinations of your favorite options for faster change-over. There are less chances of missing a moment because of this.
The good
Ergonomically the D600 is definitely a great design. While this is something very personal and two photographers may not have the same preferences, by and large the D600 buttons and controls have been designed and laid out with a lot of thought.
The Bad
the central clustering of the AF points towards the center of the frame my bothers users who have migrated from a DX format to a FX format to have more focusing control over their frames. In fact for some one accustomed to using the D7000 the 39-point AF system of the D600 would appear to be the same. If you switch to a DX format then the AF points would appear to be more equally spaced, but then there is no point to switch to a FX camera so that you can use it in DX mode!
We can go on picking on the minor issues about the camera such as the maximum bracketing being limited to three frames only, but then these are superficial and at the end of the day it all depends on how you perceive something to be a ‘disadvantage’ and what to be an ‘advantage’.
The quiet mode of the D600 is however not good. In spite of the fact that it is quiet, it is too slow making it a pain to shoot.
For some users the viewfinder of the D600 may be a bit too dark when using lenses less than f/2.8. The viewfinder has been optimized for faster lenses such as f/2.2 and that means all lenses slower than this will make the viewfinder image appear darker than usual.
Weather sealing is not in the same league as the D4. Nikon, although says it is to some extent weather sealed one would be ill-advised to brave the rains with the D600.
Similar Products
Nikon’s own product catalogue has at least two cameras that can be considered worthy competitors of the D600. One of them is the full frame D800 and the other one is the recently launched DX format D7100. The D7100 has almost the same performance in broad daylight and difficult low light conditions as the D600. Although the bigger sensor of the D600 does outperform the D7100 at higher ISOs, for everyday needs the performance quality is better than needed. The 20 megapixels Canon EOS 6D is another camera that can be considered in the same breadth as the D600. Being a full frame DSLR and with relatively comparable features the 6D is definitely a camera that you can also look at. Sony’s recently launched full frame SLT A99 is yet another camera that can be looked at. However the price of the D600 significantly cheaper compared to the SLT A99.
Should I buy it?
The D600 is definitely a DSLR that is worth a look. However if you want the same performance image wise and at less price & don’t need a full frame body, then the D7100 is a better buy. The D7100 has comparable resolution and a better AF system that covers more of the frame. Additionally it is priced at around half the price of the D600 making it much less a burden for your pockets. The only area where the D7100 loses out to the D600 is in low light conditions and at higher ISO; the larger sensor size really makes its presence felt in such circumstances. Available at Amazon | B&H | Adorama
Sample Images by Nikon D600 on Flickr
Nikon D600 Specifications
| Type | Single-lens reflex digital camera |
| Lens Mount | Nikon F bayonet mount |
| Picture Angle | Nikon FX format |
| Effective Pixels | 24.3 million |
| Image Sensor | CMOS sensor, 35.9mm x 24.0mm, Nikon FX format |
| Total Pixels | 24.7 million |
| Dust-Reduction System | Image sensor cleaning |
| Dust-Off Reference Photo | Yes |
| File Format | JPEG: JPEG-Baseline Compliant; can be selected from Size Priority and Optimal Quality JPEG: JPEG-Baseline Compliant with fine (approx 1:4), Normal (approx 1:8) or Basic (approx 1:16) Compression NEF (RAW): Lossless Compressed, Compressed or Uncompressed 12 or 14 bit TIFF (RGB) |
| Picture Control System | Landscape Monochrome Neutral Portrait Standard User-customizable Settings Vivid |
| Storage Media | SD SDHC SDXC |
| File System | Compliant with DCF (Design Rule for Camera File System) 2.0 DPOF (Digital Print Order Format) EXIF 2.3 (Exchangeable Image File Format for Digital Still Cameras) PictBridge |
| Viewfinder | Eye-level Pentaprism Single-Lens Reflex Viewfinder |
| Viewfinder Frame Coverage | FX (36×24): 100% Horizontal and 100% Vertical Approx. DX (24×16): 97% Horizontal and 97% Vertical Approx. |
| Viewfinder Eyepoint | 20.6mm (-1.0) |
| Viewfinder Diopter Adjustment | Built-in diopter adjustment (-3 to +1) |
| Viewfinder Magnification | 0.70x Approx. |
| Focusing Screen | Type B BriteView Clear Matte Mark VIII with AF Area Brackets (grid lines can be displayed) |
| Compatible Lenses | AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC lenses) and DX lenses (using DX 24 × 16 1.5x image area), AI-P NIKKOR lenses, and non-CPU AI lenses (A and M modes only). IX NIKKOR lenses, lenses for the F3AF, and non-AI lenses cannot be used. |
| Reflex Mirror | Quick-return type |
| Slowest Shutter Speed | 30 sec. |
| Depth-of-field Control | Yes |
| Bulb Shutter Setting | Yes |
| Fastest Shutter Speed | 1/4000 sec. |
| Lens Compatibility at a Glanc | AF-S or AF lenses fully compatible Metering with AI lenses |
| Shutter Type | Electronically controlled vertical-travel focal-plane shutter |
| Self-timer | 2, 5, 10, 20 sec. Timer duration electronically controlled |
| Speed | 1/4000 to 30 sec. Bulb |
| Flash Sync Speed | Up to 1/200 sec. Synchronizes with shutter at 1/250s or slower |
| Release Modes | Continuous low-speed [CL] mode; 1-5 frames per second Continuous high-speed [CH] mode; 5.5 frames per second Mirror-up [Mup] mode Quiet Shutter Release Self-timer mode Single-frame [S] mode |
| Continuous Shooting Options | FX-format CH: Up to 5.5 frames per second CL: Up to 1-5 frames per second |
| Top Continuous Shooting | at full resolution 5.5 frames per second |
| Mirror Lock Up | Yes |
| Metering System | TTL exposure metering using 2,016-pixel RGB sensor |
| Metering System | Center-weighted: Weight of 75% given to 8mm circle in center of frame Matrix: 3D color matrix metering II (type G and D lenses); color matrix metering II (other CPU lenses) Spot: Meters 4mm circle (about 1.5% of frame) centered on selected focus point |
| Metering Range | 0 to 20 EV (3D color matrix or center-weighted metering) 0 to 20 EV (spot metering) |
| Exposure Meter Coupling | Combined CPU and AI |
| Exposure Modes | Aperture-Priority (A) Manual (M) Programmed auto with flexible program (P) Shutter-Priority (S) |
| Exposure Compensation | ±5 EV in increments of 1/3, 1/2 or 1 EV |
| Exposure Lock | Yes |
| Exposure Bracketing | 2 or 3 frames in steps of 1/3, 1/2, 2/3, 1 or 2 EV |
| ISO Sensitivity ISO 100 – 6400 | Lo-1 (ISO 50) Hi-1 (ISO 12,800) Hi-2 (ISO 25,600) |
| Lowest Standard ISO Sensitivity | 100 |
| Highest Standard ISO Sensitivity | 6400 |
| Lowest Expanded ISO Sensitivity | Lo-1 (ISO 50 equivalent) |
| Highest Expanded ISO Sensitivity | HI-2 (ISO 25,600 equivalent) |
| Expanded ISO Sensitivity Options | Hi-1 (ISO-12,800 equivalent) in 1/3, 1/2 or 1 EV Hi-2, (ISO-25,600 equivalent) 1 EV |
| Long Exposure Noise Reduction | Yes |
| High ISO Noise Reduction | Low Normal High Off |
| Active D-Lighting | Auto Extra High High Normal Low Off |
| D-Lighting Bracketing | D-Lighting Bracketing 2 frames using selected value for one frame 3-5 frames using preset values for all frames |
| Single-point AF Mode | Yes |
| Dynamic AF Mode Number of AF points | 9, 21, 39 and 39 (3D-tracking) |
| Auto-area AF Mode | Yes |
| Autofocus System | Nikon Multi-CAM 4800 autofocus sensor module with TTL phase detection |
| Detection Range | -1 to 19 EV (ISO 100, 68°F/20°C) Lens Servo Autofocus (AF): Single-servo AF (AF-S); Continuous-servo AF (AF-C); auto AF-S/AF-C selection (AF-A); predictive focus tracking activated automatically according to subject status Manual focus (MF): Electronic rangefinder can be used |
| AF-area mode | 9, 21 or 39 point Dynamic-area AF Auto-area AF Single-point AF 3D-tracking (39 points) |
| Focus Lock | Focus can be locked by pressing AE-L/AF-L button Focus can be locked by pressing shutter-release button halfway (single-servo AF) |
| Focus Modes | Auto AF-S/AF-C selection (AF-A) Continuous-servo (AF-C) Face-Priority AF available in Live View only and D-Movie only Manual (M) with electronic rangefinder Normal area Single-servo AF (AF-S) Wide area |
| Maximum Autofocus Areas/Points | 39 |
| Autofocus Sensitivity | -1 to +19 EV (ISO 100, 20°C/68°F) |
| Autofocus Fine Tune | Yes |
| Built-in Flash | Yes |
| Flash Bracketing | 2 to 3 frames in steps of 1/3, 1/2, 2/3, 1 or 2 EV |
| Built-in Flash Distance | 39 ft. (ISO 100) |
| X-Sync Speed | 1/200 |
| Top FP High Speed Sync | Up to 1/4000 |
| Flash Control | TTL: i-TTL flash control using 2,016-pixel RGB sensor are available with built-in flash and SB-910, SB-900, SB-700, or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighting metering, standard i-TTL flash for digital SLR with spot metering |
| Flash Sync Modes | Front-curtain sync (normal) Rear-curtain sync Red-Eye reduction Red-Eye reduction with slow sync Slow sync |
| Flash Compensation | -3 to +1 EV in increments of 1/3, 1/2 or 1 EV |
| Flash-ready indicator | Lights when built-in flash or optional flash unit such as SB-910, SB-900, SB-400, SB-80DX, SB-28DX or SB-50DX is fully charged |
| Accessory Shoe | Yes |
| Nikon Creative Lighting System | (CLS) CLS Supported |
| White Balance | Auto Choose color temperature (2500K-10000K) Cloudy Direct Sunlight Flash Fluorescent (7 types) Incandescent Preset manual (up to 4 values can be stored) Shade |
| White Balance Bracketing | 2 or 3 exposures |
| Live View Shooting | Photography Live View Mode Movie Live View Mode |
| Live View AF-area mode | Face-priority AF Wide-area AF Normal-area AF Subject-tracking AF |
| Live View Autofocus | Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) |
| Live View Scene Auto Selector | Auto mode Auto (flash off) mode |
| Movie Metering | TTL exposure metering using main image sensor |
| Movie Maximum recording time | 20 minutes at highest quality 29 minutes 59 seconds at normal quality |
| Movie File Format | MOV |
| Movie Video Compression | H.264/MPEG-4 Advanced Video Coding |
| Movie Audio recording format | Linear PCM |
| Movie | HD 1,920×1,080 / 30 fps HD 1,920×1,080 / 25 fps HD 1,920×1,080 / 24 fps HD 1,280×720 / 60 fps HD 1,280×720 / 50 fps HD 1,280×720 / 30 fps HD 1,280×720 / 25 |
| Movie Audio | Built-in microphone, monaural External stereo microphone (optional) |
| Monitor Size | 3.2 in. diagonal |
| Monitor Resolution | 921,000 Dots |
| Monitor Type | Wide Viewing Angle TFT-LCD |
| Monitor Angle of View | 170-degree wide-viewing angle |
| Monitor Adjustments | Brightness, 5 levels Brightness control using ambient brightness sensor |
| Virtual Horizon Camera Indicator | Yes |
| Playback Functions | Auto Image Rotation Full-Frame and Thumbnail (4, 9, or 72 images or calendar) Highlights Histogram Display Image Comment Movie Playback Movie Slideshow Playback with Zoom Slideshow |
| In-Camera Image Editing | Color Balance Color Outline Color Sketch D-Lighting Distortion Control Edit Movie Filter Effects Fisheye Image Overlay Miniature Effect Monochrome NEF (RAW) Processing Perspective Control Quick Retouch Red-Eye Correction Resize Selective Color Side-by-Side Comparison Straighten Trim |
| Image Comment | Yes |
| Interface | Accessory Terminal: Remote Cord: MC-DC2 (available separately); GPS unit: GP-1 (available separately) HDMI output: Type C mini-pin HDMI connector Headphone Connector Hi-speed USB Stereo Microphone Input |
| Wi-Fi Functionality | Eye-Fi Compatible WU-1b Wireless Mobile Adapter |
| GPS | GP-1 GPS unit GP-1A GPS unit |
| Save/Load Camera settings | Yes |
| Total custom Settings | 50 |
| My Menu | Yes with customization |
| Recent Settings | Yes |
| Supported Languages | Arabic Brazilian Portuguese Chinese (Simplified and Traditional) Czech Danish Dutch English Finnish French German Greek Hindi Hungarian Indonesian Italian Japanese Korean Norweigan Polish Portuguese RomanianRussian Spanish Swedish Thai Turkish Ukrainian |
| Date, Time and Daylight Savings Time | Yes |
| World Time Setting | Yes |
| Battery / Batteries | EN-EL15 Lithium-ion Battery |
| Battery Life (shots per charge) | 900 shots per charge (Battery Life) (CIPA) |
| AC Adapter | EH-5b AC Adapter Requires EP-5B Power Supply Connector |
| Battery Charger | MH-25 Quick Charger |
| Tripod Socket | 1/4 in. |
| Approx. Dimensions | Width: 5.6 in. (141mm) Height: 4.4 in. (113mm) Depth: 3.2 in. (82mm) |
| Approx. Weight | 42 oz. (760g) – camera body only |
| Operating Environment | 0-40 °C (+32 104 °F) |
| Warranty | Nikon U.S.A. |
Additional Images
Purchase options
Nikon D600 is now available at Amazon | B&H | Adorama
Sony SLT-A99V
Product Summary
- Model name: Sony SLT-A99V
- Release Date: Sept 12, 2012
- Focus Type: Autofocus / Manual
- Color: Black
- Availability: Oct 2012
- Price: $800
- Purchase options: Adorama | B&H | Amazon
Overview
Sony’s long awaited α99 digital camera sets a new performance standard for professional-class DSLRs, combining all of the benefits of full-frame imaging with the responsiveness and speed of Translucent Mirror Technology.
The successor to Sony’s flagship α900 DSLR, the α99 camera features a brand new 24.3 MP full-frame image sensor, a unique dual phase-detect AF system and a host of other innovative technologies that work together to deliver the best image and full HD video quality in the history of Sony’s acclaimed line of α cameras.
“The new α99 camera is the ultimate combination of Sony’s expertise and rich history of image sensor production coupled with our truly innovative approach to camera design” said Mike Kahn, director of the alpha interchangeable lens camera division at Sony. “It redefines what can be accomplished with a full frame DSLR camera.”
New Levels of Imaging Performance and Response
The flagship α99 model combines its new 24.3 effective megapixel Exmor® CMOS sensor with a highly advanced BIONZ image processing engine, delivering unprecedented levels of performance in both still and video shooting.
The full frame sensor is enhanced by a newly-developed separate multi-segment optional low-pass filter, increasing its resolving power. Assisted by an all-new front-end LSI, the BIONZ engine can process massive amounts of image signal data from the sensor at very high speeds. Together with a powerful new area-specific noise reduction (NR) algorithm, it allows to the camera to achieve 14-bit RAW output, rich gradation and low noise.
The evolved BIONZ processor also gives the α99 model a maximum sensitivity range (in expanded sensitivity mode) as wide as ISO50 – 25600 – a range of nine stops. Its unprecedented processing power enables the camera to shoot a burst of images at up to six frames per second at full resolution or up to 10 fps in Tele-zoom high speed shooting mode.
The new α99 digital camera features a unique dual AF system, a world’s first for digital cameras. This camera’s main focusing system – a 19-point AF system with 11 cross sensors – is complemented by a 102-point focal plane phase-detection AF sensor overlaying the main image sensor. Harnessing the power of Translucent Mirror Technology, light is passed to both phase-detection AF sensors simultaneously and continually, measuring subject distance and position more completely than other cameras. This unique Dual AF System permits ultra-fast, accurate autofocusing that maintains tracking focus even if a subject temporarily leaves the frame.
The AF-D (depth) continuous autofocus mode* utilizes the Dual AF system for wider and more dense coverage of the frame, significantly improving AF performance with fast or erratically moving subjects against complex backgrounds. Additionally, during movie shooting, AF Duration control provides reliable depth focusing information and ensures that the camera maintains proper focus on its subject when objects or people cross the focal plane.
A new AF range control allows photographers to manually select foreground and background distance to which the AF system will not respond, especially useful for shooting fast moving sports or animals through a nearby wire mesh or in front of a complex background that commonly distracts camera AF systems.
Crafted for Videographers and Movie-makers
The new α99 camera’s video capabilities build on Sony’s expertise in developing professional motion picture cameras, combining the unmatched resolving power and sensitivity of the full-frame sensor with several advanced features optimized for professional video production.
The flagship α99 model is the first full-frame DSLR to offer Full HD 60p/24p progressive video recording to meet AVCHD™ Version 2.0 specifications and Full-time Continuous AF Movie mode, allowing smooth, non-stop tracking of moving subjects. Other enhancements include real-time Full HD video output via HDMI®, and uninterrupted ‘dual-card’ recording using both of the camera’s media slots.
For added convenience while shooting video, a new silent, programmable multi-control dial on the front of the camera body allows silent adjustment of common settings during shooting including exposure compensation, ISO sensitivity, shutter speed, aperture and much more.
The camera’s audio features are designed to meet the demanding needs of serious videographers. An audio level display and adjustable audio record levels are joined by a headphone jack for accurate in-the-field monitoring. Additionally, the multi-interface shoe provides balance audio input for the optional XLR-K1M adaptor kit, which adds a high-quality mono shotgun microphone and pro-standard XLR connections for dependable audio acquisition.
Uncompromised Handing for Advanced Photographers
The camera’s XGA OLED Tru-Finder™ viewfinder offers 100% frame coverage on the viewfinder screen with exceptional brightness, contrast, clarity and resolution, ensuring a detail-packed view of the desired scene and subject. The unique electronic viewfinder will also maintain a 100% field of view with DT lenses that are optimized for APS-C sensor cameras, converting the angle of view automatically for image recording and display.
Complementing the Tru-Finder EVF is a three-way tiltable 1229k-dot (VGA equivalent) XtraFine LCD™ display with WhiteMagic™ technology to boost overall screen brightness. It’s especially useful for framing and shooting with the LCD in outdoor, sunny conditions.
Despite its impressive pro-class credentials, the α99 camera is the world’s lightest 35 mm full-frame interchangeable-lens digital camera. Constructed of high-rigidity magnesium alloy panels, it weighs in at just 733g (without lens and battery). Translucent Mirror Technology, which eliminates the need for a full-frame moving mirror mechanism and heavy glass pentaprism, also contributes to the extremely light design.
Additionally, the camera is weather-sealed and all buttons and controls have been ruggedized. A redesigned shutter block, tested to approximately 200,000 releases, further ensures the camera’s stamina and reliability.
The camera’s enhanced ergonomics include a re-designed grip and differentiated designs of several switches and buttons that allow for intuitive fingertip operation. A new exposure mode dial lock prevents accidental rotation, and a newly-developed Quick Navi Pro interface gives quick, intuitive one-handed access to common shooting parameters and controls.
The new model can also be operated via remote PC connection. Supported functions include switching between still and video shooting plus automatic transfer of still images from camera to PC for an improved studio workflow.
Designed for Professionals: New α Lens and Accessories
The full-frame imaging capabilities of the α99 camera make it an ideal partner for the new 300mm F2.8 G SSM II (SAL300F28G2) lens. Designed for demanding sports and wildlife applications, this bright super-telephoto offers a significantly improved optical design and handling compared with its predecessor. The Sony-developed Nano AR Coating assures flawless still images and HD video with reduced flare and ghosting, offering enhanced contrast. Further, a new LSI drive circuit offers faster, more accurate autofocus with enhanced subject tracking. The new lens is also dust- and moisture-resistant, making it an ideal candidate for the toughest outdoor shooting assignments.
Additionally, a new wide-aperture Carl Zeiss® A-mount prime lens is now under development. Optimized for superb results with the camera’s new 35mm full frame image sensor, the Planar T* 50mm F1.4 ZA SSM will be available next spring.
Offered exclusively for the α99 camera, the brand-new VG-C99AM vertical grip can house and manage three batteries in total (including the camera’s own on-board battery). Resistant to dust and moisture, the grip is ideal for lengthy shooting sessions in the studio or outdoors.
The brand new, range-leading HVL-F60M is a powerful flash (GN60, in meters at ISO 100) with built-in LED light that’s ideal for creative applications with still image or movie shooting. Smart functions include wireless multi-flash ratio control and Sony’s unique Quick Shift Bounce adjustment, while operation can be controlled quickly via the flash’s intuitive Quick Navi system. Also resistant to dust and moisture, the HVL-F60M flash comes supplied with a bounce adaptor for flash and a color conversion filter for use with LED lighting.
Compatible with 49mm and 55mm diameter lenses, the new HVL-RL1 Ring Light offers highly effective LED illumination of small subjects and is ideal for macro shooting**. Its high output level (approx. 700 lx/0.3m) is approximately four times brighter than the previous model, and operation can be switched between full-ring illumination and half-ring illumination.
The new XLR-K1M XLR Adaptor Kit is designed to meet the most demanding audio needs. It provides two pro-standard XLR terminals for connecting the α99 camera with professional microphones and mixing consoles and offers MIC/LINE input selection and separate adjustment of two channel levels to maximize operating flexibility. The adaptor kit comes supplied with Sony professional ECM-XM1 monaural shotgun microphone, but may also be used with a wide range of professional microphones. An optional bracket is required when using the XLR-K1M kit with the α99 model.
The RMT-DSLR2 Remote Commander allows wireless shutter release for still images and start/stop control of video shooting. It’s compatible with the new α99 models as well as other α A-mount and E-mount cameras that include a remote control receiver.
Styled to reduce carrying fatigue, the new LCS-BP3 Backpack can hold the α99 camera body, an attached telephoto zoom lens plus the VG-A99AM vertical grip as well as three to four spare lenses, accessories and a laptop up to 15.5”.
The ADP-MAA is a new shoe adaptor that allows Multi Interface Shoe cameras to be used with Auto-lock Accessory Shoe accessories. This adaptor will be supplied with the new HVL-60M flash and HVL-RL1 ring light mentioned above. Conversely, the ADP-AMA shoe adaptor allows Auto-lock Accessory Shoe cameras to be used with Multi Interface Shoe accessories.
Lastly, the PCK-LM14 Screen Protector Semi Hard Sheet safeguards the camera’s LCD screen against dust, scratches and fingerprints, and is supplied with a separate protector sheet for the top display panel.
Sony’s new SDXC memory UHS-1 memory card, SF-64UX (64 GB) is ideal for burst shooting with the α99. It’s ultra-high speed interface (UHS-1) compatibility offers high transfer speeds up to 94 MB/s (read) and rapid data rates when transferring large RAW files of video files to PC. The new cards are water-resistant and designed to perform under a wide range of operating temperatures. For additional data integrity, Sony’s File Rescue Software can help recover photos and videos that may have been accidentally deleted.
Features
- 24.3MP Exmor Full-Frame CMOS Sensor
- The 24.3MP full-frame Exmor CMOS sensor provides a high level of image quality and additional low-light sensitivity benefits. This sensor allows for an extended ISO range from 100 to 25600 while effectively reducing noise at higher sensitivities. This combination of sensitivity and reduced noise make this camera ideal for use for action photography indoors or at night.
- Dual Autofocus System
- Utilizing the Translucent Mirror technology, the autofocus system is able to continuously monitor the image frame and alter the autofocus quickly and responsively. Two phase contrast sensors, a 19-point sensor above the translucent mirror and a 102-point focal plane phase detection sensor, work together to deliver greatly improved subject tracking performance and increased precision.
- Full HD Video Recording
- Full HD 1080p recording is supported with this camera and also makes use of the high-speed Translucent Mirror Technology for continuous autofocus, even while using Live View to monitor your shooting. The AVCHD format is used and allows recording of 60 frames per second (60p) for outstanding clarity and motion detail. Additionally, the 24p frame rate is supported allowing you to create movies with a more cinematic feel. For even greater control over video recording, P/A/S/M manual shooting modes, selection of ISO from 100 to 6400, and Picture Effects are available.
- Xtra Fine LCD
- The rear 3.0″ LCD features Sony’s TruBlack technology for increased clarity and resistance to reflections. It has a 1,228,000-dot resolution for sharp, vivid imagery when reviewing images or monitoring your recording while using Live View. The monitor also features Shot Result Preview, for previewing the effects of your camera’s settings before the exposure is made. For even greater viewing possibilities while shooting, the screen is able to tilt up to 180° vertically and rotate up to 270° horizontally. The range of movements and reflection protection give you a wide variety of possibilities for viewing from difficult angles and lighting conditions.
- BIONZ Image Processor
- The enhanced BIONZ image processor easily handles the large 14-bit data generated by the full-frame sensor to deliver fast speeds and performance. It offers significantly reduced write times. The increased power afforded by this processor allows increased noise reduction and richly detailed gradations throughout the entire dynamic range.
- SteadyShot INSIDE Image Stabilization
- This camera features Sony’s SteadyShot technology for image stabilization within the camera. By reducing camera shake at the camera level you can achieve shake compensation up to 2.5-4.5 stops in shutter speed. This technology is compatible with any Sony Alpha lens.
- Lens Shading and Aberration Compensation
- Depending on the Sony lenses you mount to the A99, the camera will compensate for its unique handling of the images you shoot through it. Shading, or vignetting, caused by the lens will be corrected, and aberrations like ghosting, distortion and chromatic aberration will be compensated for each unique lens attached – providing ideal compatibility from one to the next.
- 6 Frames per Second Continuous Shooting
- Full-frame images can be captured at 6fps with the dual AF system. When using the Tele-zoom High Speed Shooting mode, up to 10fps can be recorded while magnifying the center of your image by 1.46x. This cropping limits your image resolution somewhat and brings your subject closer for tighter compositions.
- Tru-Finder OLED Electronic Viewfinder
- The Tru-Finder EVF is a high resolution finder featuring a 1,440K-dot resolution, a 100% field of view, and a wide 31.9° viewing angle. It delivers a bright, clear image in almost any lighting conditions, including bright sunlight. This finder displays image information regarding exposure settings and modes, and Shot Result Preview allows you to preview the effects of exposure control, white balance modifications, and other creative modes before making an exposure. You can also review photos and video after you’ve captured it. Adjustable finder magnification gives you the choice between 1.04x and 0.97x, permitting you to see the entire frame while wearing glasses.
- Area-Specific Noise Reduction
- The noise reduction system used by the A99 divides your images into various parts based on their patterns including edges, textures and gradients. It then processes these areas using the best and most appropriate settings to optimize image quality, and reduce noise. This is all in addition to the conventional noise reduction techniques employed by the camera, and helps to produce images with low noise throughout the wide 9-stop ISO range of 100 to 25600, and expanded to include ISO 50.
- Quiet Multi Control Dial
- The combination of a button within a smooth twisting dial allows you to adjust photo, video or audio settings without producing audible clicks or vibrations that may be heard while recording. You’ll find this dial built into the front of the camera body, below the lens release button, and is kept right at your fingertips when holding the camera in both hands.
- Dirt, Dust and Moisture Protection
- The A99 employs comprehensive dust and moisture resistance that contributes to its high reliability and long life. Sony tightly interlocked the camera’s panels and components, added sealing around most of its buttons and dials, and placed gaskets along the edges of the viewfinder and LCDs (both top and rear) in order to help prevent water and dust from entering the body during rough conditions. Jack covers are fitted with rubber-based covers for better sealing and are organized by function in order to minimize unnecessary opening and closing. The front section of the accessory shoe is also constructed of highly dust and water resistant parts.
- Sensor Cleaning System
- Should dust particles enter the camera when the lens is being changed, two levels of internal protection safeguard the image sensor. The first is a newly developed coating applied to the surface of the optical low-pass filter. This highly effective anti-dust coating effectively suppresses the attachment of both dry and moist dust particles, simplifying their removal. The second level of protection is an anti-dust vibration mechanism that vibrates the filter at high speed every time the camera is switched off in order to dislodge any dust particles that settled on its surface.
- 1200-Zone Evaluative Metering
- An advanced evaluative metering sensor with 1200 zones ensures you capture balanced exposures in a wide range of lighting conditions, as well as accurate subject recognition when tracking subjects. Choose between the available Multi segment, Center weighted and Spot metering modes.
- Two-Axis White Balance
- Enabling finer white balance adjustment than auto white balance is capable of, you can adjust white balance using amber to blue and green to magenta spectrums in order to achieve more true-to-life color using almost any kind of light source.
- Auto HDR
- When this mode is selected, three separate bracketed exposures are made at a time and then automatically composited into a single file. This resulting file represents the longest range of tones in highlights, mid-tones, and shadows. Unlike traditional high dynamic range capture, this mode does not require the use of a tripod and simplifies the entire process into a simple, in-camera function.
- Auto Portrait Framing
- Auto Portrait Framing automatically creates compositions revolving around your portrait subjects and artfully crops your image based on the rule of thirds, where your portrait is located within the frame, exposure on your subject, and the direction he or she is looking. Face Detection, Smile Shutter, and Face Recognition modes are used in conjunction with Auto Portrait Framing for creating the best portraiture possible in a highly efficient manner. This mode utilizes the Clear Image Zoom function and automatically creates a second image file based on these considerations.
- Multi Frame NR and Hand-Held Twilight
- Similar in theory to an HDR image, Multi Frame NR and Hand-held Twilight feature a noise reduction technology that automatically composites 6 different images into one file for a reduction in noise up to 2 ISO stops. Once you have selected your desired settings, you can create extremely low light images with confidence. The camera combines these 6 exposures to provide a gain in brightness without the increased noise that is associated with higher sensitivity levels. Since the initial exposure length is also shorter, you can easily handhold for shots that are sharp regardless of the ambient lighting.
- Built-In GPS for Geotagging
- The A99’s built-in GPS feature tags your photos with global positioning data that indicates where and when they were taken, so you don’t have to. When you view tagged photographs on a PC installed with PMB software, or on a connected BRAVIA TV with its Photo Map function, the photos are displayed on a map to indicate where they were taken. A highly sensitive antenna in the camera ensures clear GPS reception wherever your photography takes you.
- Picture Effects
- A variety of picture effects are supported for in-camera image-processing and creative applications. These effects include HDR Painting, Soft Focus, Miniature, Soft High-key, Pop Color, Partial Color (Red, Green, Blue, Yellow), Rich-tone Monochrome, Toy Camera, High Contrast Monochrome, Posterization (Color), Posterization (Black & White), and Retro Photo. They are available for both photo and video recording.
Specifications
| Lens Compatibility | Sony A-mount lenses, operation with Minolta/Konica Minolta lenses confirmed |
| Camera Type | Sony A-mount interchangeable-lens digital camera |
| Sensor | Imaging Sensor: “Exmor” CMOS sensor (35.8 x 23.9mm) Anti Dust: Charge protection coating on low-pass filter and image sensor shift mechanism Pixel Gross: Approx. 24.7 megapixels Effective Picture Resolution: Approx. 24.3 megapixels Focal Length Conversion Factor: 1.5x Color Filter System: RGB primary color filters |
| Media Type | Memory Stick PRO Duo /Pro-HG Duo media; SD, SDHC and SDXC memory card |
| Color Space | sRGB, Adobe RGB |
| Still Image Mode | JPEG (Standard, Fine, Extra Fine), RAW, RAW+JPEG |
| Still Image Size 16:9 | 35mm full frame L: 6000 x 3376 (20M) M: 3936 x 2216 (8.7M) S: 2640 x 1488 (3.9M)APS-C L: 3936 x 2216 (8.7M) M: 2640 x 1488 (3.9M) S: 1728 x 976 (1.7M) |
| Still Image Size 3:2 | 35mm full frame L: 6000 x 4000 (24M) M: 3936 x 2624 (10M) S: 2640 x 1760 (4.6M)APS-C L: 3936 x 2624 (10M) M: 2640 x 1760 (4.6M) S: 1728 x 1152 (2.0M) |
| Panorama Still Image Size | Wide: Horizontal 12,416 x 1,856 (23M) Vertical 5,536 x 2,160 (12M)Standard: Horizontal 8,192 x 1,856 (15M) Vertical 3,872 x 2,160 (8.4M) |
| Video Format | AVCHD Ver. 2.0 (Progressive), AVCHD, MP4 |
| Video Mode | AVCHD: PS – 1920 x 1080/60p@28Mbps FX – 1920 x 1080/60i@24Mbps FH – 1920 x 1080/60i@17Mbps FX – 1920 x 1080/24p@24Mbps FH – 1920 x 1080/24p@17MbpsMP4: HD – 1440 x 1080/ 30p@12Mbps VGA – 640 x 480/ 30p@3Mbps |
| Dual Record | Simult. Rec (Still,Movie), Simult. Rec (Still/Movie), Sort (JPEG/RAW), Sort (Still/Movie), Copy |
| Audio Format | Dolby Digital (AC-3) / MPEG-4 AAC-LC, 2ch |
| Microphone/Speaker | Built-in stereo microphone or ECM-ALST1 (with supplied shoe adaptor) / ECM-CG50 / XLR-K1M (sold separately). Built-in, monaural, Volume settings in 8 steps between 0 and 7 |
| Still Image File Format | JPEG (DCF Ver. 2.0, Exif Ver. 2.3, MPF baseline compliant), RAW (Sony ARW 2.3 format), RAW & JPEG |
| Digital Zoom | Still images: 4x Movie: 4x |
| Smart Zoom Technology | M: approx. 1.5x, S: approx. 2.3x |
| Viewfinder | Type: 1.3 cm (0.5 type) electronic viewfinder (color) (2,359k dots) Diopter Adjustment: -4.0 to +3.0m-1 Magnification: Approx. 0.71 x (with 50mm lens at infinity, -1m-1) |
| LCD | LCD Type: 7.5 cm (3.0 type) TFT drive (1,228,800 dots) Brightness Control: Auto, Manual (5 steps between -2 to +2), Sunny Weather Real-time image adjustment display: Yes(On/Off) Peaking: Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow) Customization Graphic Display, Display All Info., No Disp. Info., Digital Level Gauge, Histogram, Shooting Info Angle Adjustment: Tilt angle: 140° up and 180° down / Rotation angle: 180° clockwise and 90° counterclockwise |
| Focus | Focus System: TTL Phase-detection AF (CCD line sensors and Focal Plane Phase Detection sensors) Focus Points: Detector 1: 19 points (11 points cross type), Detector 2: 102 assist points AF Modes Single-shot AF (AF-S), Automatic AF (AF-A), Contin. AF(AF-C), Depth Map Assist Contin. AF (AF-D) selectable Focus Area: Wide (auto, 19 points)/Zone/Spot/Local selectable Focus Sensitivity: EV -1 to 18 EV (at ISO100 equiv, with F2.8 lens attached) |
| Focus Features | Predictive control (AF-A, AF-C), Focus Lock, Eye-start AF |
| Focus AF Illuminator | Built-in, LED type (range approx. 3.3 to 23 ft (1-7m)) |
| Metering | 1200-zone evaluative metering |
| Metering Modes | Multi-segment, Center-weighted, Spot |
| Metering Sensitivity | -2 to 17 EV (at ISO 100 equivalent with f/1.4 lens) |
| Exposure Compensation | +/-5.0 EV (1/3EV, 1/2EV steps selectable) |
| Exposure Settings | AUTO (iAUTO, Superior Auto), Programmed AE (P), Aperture priority (A), Shutterspeed priority (S), Manual (M), Scene Selection, Sweep Panorama, Tele-zoom Continuous Advance Priority AE, Movie (Programmed AE (P), Aperture priority (A) / Shutter-speed priority (S) / Manual (M) selectable in manual focus mode) |
| Scene Mode(s) | Portrait, Landscape, Macro, Sports action, Sunset, Night portrait, Night View, Handheld Twilight |
| Auto Exposure Lock | Yes with AE lock button (AE also locked when focus is locked in a multi-segment metering mode). |
| Color Temperature | Manual (5 steps) |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps)) |
| Exposure Bracketing | Bracket: Cont./Bracket: Single, 3/5 frames (2.0 EV, 3.0 EV : only 3 frames) selectable |
| ISO | Still images: Auto (ISO 100-6400, selectable lower limit and upper limit), ISO 100- 25600 Movies: ISO 100-6400 equivalent; Auto (ISO 100-3200 equivalent) |
| Noise Reduction | Long Exposure NR: (On/Off, available at shutter speeds longer than 1 second) High ISO NR: (High/Normal/Low/Off) |
| White Balance Mode | Auto, Daylight, Shade, Cloudy, Incandescent, Fluorescent (Warm White, Cool White, Day White, Daylight), Flash, Color Temperature (2500 to 9900K) & color filter (G7 to M7, A7 to B7) / Custom (3) |
| Continuous Shooting Speed | Tele-zoom Continuous Advance Priority AE: approx. 10/8 fps selectable; Continuous (Hi:35mm full frame: approx. 6 fps APS-C: approx. 7 fps; Lo: 35mm full frame: approx. 2.5 fps APS-C: approx. 2.5 fps) |
| Drive Mode | Single-shot, Continuous shooting (Hi/Lo selectable), Self-timer (10/2 sec delay selectable), Bracket (Continuous/Single/WB/DRO), Remote commander (RMTDSLR2) |
| Flash Sync Speed | 1/250 sec. |
| Self-timer | 2-sec. or 10-sec. delay |
| Shutter Speeds | Still images: 1/8000 to 30 sec, Bulb Movies: 1/8000 to 1/4 (1/3 step), up to 1/60 in AUTO mode (up to 1/30 in Auto Slow Shutter mode) |
| Shutter Type | Electronically controlled, vertical-traverse, focal-plane type |
| Flash | Flash Compensation: +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) Flash Bracketing: 0.3/0.5/0.7/2.0/3.0 EV steps, 3/5 frames (2.0/3.0 EV : only 3 frames) selectable Flash Modes: Auto, Fill-flash, Slow Sync., Rear Sync., Hi-speed sync., Red-eye reduction (on/off |
| Still Image Playback Options | Single, 4/9-frame index view, Enlarged display mode, Auto Review (10/5/2 sec, off), Image orientation (On/Off selectable), Slideshow, Panorama scrolling, Folder selection, Delete, Protect |
| Video Playback Options | Forward/Rewind (Movie) |
| Easy Handycam/Help Function | Yes |
| Embedded GPS | Yes |
| Face Detection | On/On (Regist. Faces)/Off (face registration, face selection). Max. 8 faces detectable |
| Features | Smile Shutter technology: Yes Tracking Focus: Yes Audio Level Display: Yes |
| Audio I/O | Headphone Jack: Yes (3.5 mm Stereo minijack) Microphone Input: Yes (3.5 mm Stereo minijack) |
| Accessory Shoe | Yes (with supplied shoe adaptor) |
| DC In | Yes |
| HD Output | HDMI mini connector (Type-C) BRAVIA Sync (link menu) PhotoTV HD |
| Battery | Battery Type: InfoLITHIUM NP-FM500H (7.2V) Number of Still Images: Approx. 410 shots with viewfinder, 500 shots with LCD monitor (CIPA measurement) Power Consumption (in View Finder Operation): approx. 4.2W (still images, with SAL2470Z lens) |
| Dimensions WxHxD | 5.8 x 4.4 x 3.1″ (147 x 111.2 x 78.4mm) |
| Weight | 1.6 lb (733 g) body only 1 lb 12.7 oz (812 g) with battery and memory stick |
Additional Images
Sample images
Purchase options
Sony Cyber-shot DSC-RX1 – Full Frame Compact Digital Camera
Product Summary
- Model name: Sony Cyber-shot DSC-RX1
- Release Date: Sep 2012
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Purchase options: B&H | Adorama | Amazon
Product Highlights
- Full Frame 24MP Sensor with 14-bit RAW
- Fixed f/2.0 Carl Zeiss Sonnar T* Lens
- Full HD 24p Video with Manual Controls
- High Speed AF as Fast as 0.13 Seconds
- Full Frame 24MP Bursts at up to 5fps
- Dedicated Focus, Iris and Macro Rings
- Shoe for Flash, Light or External Mic
- Auto HDR Protects Highlight and Shadow
- Xtra Fine 3″ LCD Display
- ISO Range 100-25600
Detail Features
The Sony DSC-RX1 Full Frame Point & Shoot Digital Camera is the world’s first fixed lens, digital camera with a 35mm sized sensor. Sony has put DSLR quality imaging technology into this compact camera. In addition to 24MP JPEG or RAW stills, the RX1 will also shoot Full HD 1080p video. The fixed lens is a Carl Zeiss Sonnar T* with full manual controls.
Full Frame Sensor and Fixed Carl Zeiss Lens
The RX1 features a 24MP digital 35mm sensor and a fixed Carl Zeiss f/2.0 Sonnar T* lens. The lens features a maximum aperture of f/2.0 with 9 iris blades, for shallow depth of field with attractive bokeh. The lens’s macro capabilities allow focusing down to 7.87″ (0.2 m). A premium multi-layered T* coating also reduces ghost and flare caused by light reflection.
Full HD 24p Video with Manual ControlsThe RX1 can record video in Full HD 1080p at 24 frames per second. Video features include manual controls, an audio input jack and a multi interface shoe for mounting an external microphone or other accessories (sold separately). Manual Exposure, Program Auto, Aperture Priority and Shutter Speed Priority exposure modes are also available for photos and video. Sound recording and playback are possible via a built-in stereo microphone and mono speaker.
JPEG and RAWThe DSC-RX1 saves pictures as compact JPEG files and/or 14-bit RAW files. RAW files save images prior to de-mosaicing, white balance, sharpness and color enhancement. This retains maximum latitude for enhancing the image in post.
High Speed AF as Fast as 0.13 Seconds – Focus as fast as 0.13 seconds with high speed AF. To improve focusing speed and sensitivity, the Exmor CMOS sensor uses its rapid throughput to deliver image signals to the camera’s BIONZ processor, which provides response data to a new high speed actuator motor in the lens. The result is fast, DSLR-like focusing speeds even in low light.
Four Focusing Modes and Manual Focus Aids – The RX1 features for focusing modes, Single-shot AF, Continuous AF, Manual Focus and Direct Manual Focus. Users can deploy auto focusing to focus on the subject and quickly switch to manual focus for more precise adjustment. When activated, peaking helps define critical focus by highlighting the edges of objects that are in focus with your choice of three colors (white, red, or yellow).
Full Frame 24MP Bursts at up to 5fps – The BIONZ image processor enables up to 5 fps high-speed continuous shooting and 14-bit RAW image data recording.
Dedicated Focus, Iris and Macro Rings – RX1 features three distinct manual control rings for aperture, focusing, and macro.
Low-light Performance – The maximum selectable ISO setting is 25600, which enables low-light shooting without a flash. In addition, DSC-RX1 can capture six images in a fraction of a second and combine the data from all six to create a single image with a reduction in noise equivalent to two additional steps of ISO sensitivity.
Shoe for Flash, Light or External Mic – The multi interface shoe provides a versatile connection for accessories like an external flash unit, an electronic viewfinder, an optical viewfinder, a thumb grip, a clip-on LCD monitor, an external microphone and more (sold separately).
Quick Navi – Pressing the Fn button activates Quick Navi, which allows the user to check camera settings at a glance and promptly change settings without having to search for dedicated menus.
Memory Recall – MR (memory recall) mode can memorize up to three groups of the user’s preferred settings. Settings include zoom magnification, white balance, exposure compensation, shutter speed, drive mode and metering modes. This enables quick switching of settings at the right moment.
Auto HDR Protects – Highlight and ShadowAuto HDR captures more dynamic range, combining the best highlight detail from one shot with the best mid-tones from a second and the best shadow detail from a third, for one output shot with up to 6 EV stops in a split second.
3″ Xtra Fine LCD DisplayThe 3″ Xtra Fine LCD Display features 1,229k dot resolution, and WhiteMagic technology increases visibility in bright daylight.
Built in pop up flash – The RX1 has a built-in flash with Auto, Slow Sync, Rear Sync, Fill-flash and Flash Off modes.
Dual Aspect Ratio – Recording for Still ImagesThe RX1 can capture still images in either 3:2 or 16:9 aspect ratios, which allows you to choose a ratio that matches the scene or the specific shooting purpose.
Digital Level Gauge – A digital level gauge makes it easy to level the camera.
Conveniently Placed Dials – The camera features an exposure compensation dial and a focus mode dial.
Creative Styles – Control how the camera processes your images with 15 finishing styles: Standard, Vivid, Neutral, Clear, Deep, Light, Twilight, Night View, Autumn Leaves, B&W, Sepia, Sunset, Portrait and Landscape. You can even fine-tune contrast, saturation, and sharpness to your personal taste.
Picture Effect Mode – Picture Effects are a simple way to give scenes a heightened mood and emphasize certain attributes. Effects include Soft Focus, Posterization, Retro Photo, High Contrast Monochrome, Rich-tone Monochrome, Miniature, Soft High-key, Toy Camera, Pop Color, Partial Color, Watercolor Painting, HDR Painting, and Illustration.
Sweep Panorama Mode – Sweep Panorama Mode captures expansive landscapes automatically. Press the shutter and sweep vertically or horizontally, while the camera shoots continuous images and stitches them together.
Face Detection/Registration Technology – The RX1 can automatically detect and register up to eight individual faces and adjust focus, exposure, white balance and flash. This technology can even prioritize children or adults.
Auto Portrait Framing – Combining Face Detection and By Pixel Super Resolution technologies with the rule of thirds, Auto Portrait Framing provides pleasingly composed and balanced, full resolution portraits. When activated, Auto Portrait Framing will save the optimally reframed image and a copy of the original.
Pricing and Availability
The Cyber-shot RX1 compact, fixed lens camera will be available this November for about $2800.
The FDA-EV1K electric viewfinder and FDA-V1K optical viewfinder will each be available at launch for about $600 and $450, respectively.
The thumb grip, lens hood and jacket case will also be available at launch for about $250, $180 and $250, respectively.
Sony DSC-RX1 Specifications
Brightness Control: Auto / Manual (5 steps) / Sunny Weather mode
| Drive System | Shutter Type: Program Auto (30-1/2000) / Manual (Bulb, 30-1/2000) / Aperture Priority (30-1/2000) / Shutter Priority (30-1/2000) Continuous Shooting Speed: 5 fps at 24.3MP Self-timer: 10sec. / 2sec |
| Advanced Features | Sweep Panorama: Sweep Panorama Face Detection: 8 Faces (Off / On(Registered Faces) / On) Image Stabilization: SteadyShot Image Stabilization Intelligent Auto: Yes Picture Effects: Yes, 13 effects |
| Media Type | Memory Stick Duo Memory Stick PRO Duo Memory Stick PRO Duo (High Speed) Memory Stick PRO-HG Duo SD Memory Card SDHC Memory Card SDXC Memory Card |
| Still Image Mode | JPEG, RAW (Sony ARW 2.3 format) |
| Still Image Size 16:9 | L: 20M (6000 x 3376) M: 8.7M (3936 x 2216) S: 3.9M (2640 x 1488) |
| Still Image Size 3:2 | L: 24M (6000 x 4000) M: 10M (3936 x 2624) S: 4.6M (2640×1760) |
| Panorama Still Image Size | Standard (3872 x 2160/8192 x 1856) Wide (5536 x 2160/12416 x 1856) |
| Video Format | AVCHD: 28M PS (1920×1080, 60p/50p) 24M FX (1920×1080, 60i/50i), 17M FH (1920×1080, 60i/50i) 24M FX (1920×1080, 24p/25p) 17M FH (1920×1080, 24p/25p) MP4: 12M (1440×1080, 30fps/25fps) 3M VGA (640×480, 30fps/25fps) |
| Focus Control | Focus System : Single-shot AF (AF-S) / Continuous AF (AF-C) / Direct Manual Focus (DMF) / Manual Focus (MF)AF Modes : Multi point AF (25 points) / Center weighted AF / Flexible spot / Flexible spot (tracking focus) / Flexible sport (face tracking) |
| Flash | Flash Modes : Auto/Fill-flash/Slow Sync/Rear Sync/Off/Wireless Flash Coverage : ISO Auto 0.75m to 21.7m / ISO 25600 up to 43.4 |
| Interface | Memory Card Slot: MS Duo and SD/SDHC/SDXC Compatible HD Output: Micro HDMI USB Port(s): Micro USB, Hi-Speed USB (USB2.0) Microphone Input: Microphone jack Accessory Shoe: Multi Interface Shoe |
| Power | Battery Type: LITHIUM ION NP-BX1 (supplied) Power Consumption (in Operation): Approx. 1.5W |
| Dimensions | 4.5 x 2.6 x 2.7″ (113.3 x 65.4 x 69.6mm) |
| Weight | Weight: 17 oz (782g) Weight: 16 oz (453g ) main unit only |
Product Images
Sample images
Purchase options
Sony DSC-RX1 available at B&H | Adorama | Amazon
Hasselblad unveils H5D medium format camera series and HCD 24mm F4.8 lens
Hasselblad H5D
Hasselblad is set to launch a new flagship H5D medium format camera series.
Hasselblad’s ‘next generation’ H System camera will be showcased at the Hasselblad press conference at photokina, Cologne, Germany (Tuesday Sep 18: 2pm-3pm). The H5D features a modernized design and a complete new electronic engine to pave the way for ultimate quality imaging, for print ready JPEG files, and for a smooth and intuitive user interface. The camera is billed by the Sweden-based company as ‘the latest step in the evolution of the best high-end camera system in the world’.
Aimed at high-end professional users the H5D offers:
- New H System lens: HCD 4.8/24 mm, equivalent to 17 mm on 35 mm DSLR format
- New Macro Converter, for superb close-up performance with wide angle lenses
- RAW + JPEG mode for quick preview and print
- New True Focus II provides unique, accurate focus and Immediate Focus Confirm
- Full access to camera information and image preview on rear in tethered mode
- The largest, brightest viewfinder image on the market
- New larger, more ergonomic buttons and an easier to read display style
- New sealing for improved weather proofing plus new sensor unit safety lock
- Optional battery adapter for standalone operation of digital capture unit
- Ultimate image quality with Hasselblad Natural Color Solution
- A choice of software: Hasselblad Phocus 2.7 and Adobe® Lightroom® 4 both included
Peter Stig-Nielsen, Hasselblad’s Director of Professional Camera Products said: “Customers will immediately notice the new-look and improved ergonomics and this progressive system also brings upgraded performance on a number of levels. Hasselblad is a world-leader with an unmatched and comprehensive range of lenses. Now that line has been extended with the new wide angle HCD 4.8/24 mm lens, which offers the same performance as the HCD 28 mm and is the equivalent of a 17 mm on 35 mm DSLR format. Additionally, our new Macro Converter provides excellent close-up performance with the HC 50, HCD 28 and HC 35 lenses – negating the need for additional macro lens purchase.”
Hasselblad HCD-24
He added: “Our new True Focus II further advances focusing accuracy after re-compose, and an intuitive focus check has been added. The new hardware architecture allows for delivering print ready JPEG files in addition to the superb RAW files. And we have re-written the user interface to achieve a smooth and intuitive operation. All in all we believe the H5D Camera series will provide the ultimate high-end addition to any serious photographer’s capture equipment.”
The H5D Series will be available as models with 40, 50 and 60 megapixels as well as 50 and 200 megapixel Multi-Shot versions and will start shipping in December 2012.
Hasselblad H5D 60 Front
Hasselblad H5D 60 Back
Hasselblad H5D-60 Left
Pentax Ricoh K-5 II DSLR and K-5 IIs with no low-pass filter
Press Release
Versatile cameras feature newly developed AF sensor for stellar performance in low-light conditions, as well as high quality CMOS sensor, LCD monitor
Denver, CO (September 10, 2012) – PENTAX RICOH IMAGING AMERICAS CORPORATION today announced the introduction of its Pentax K-5 II and K-5 IIs flagship digital SLR cameras, designed to advance the company’s well-received K-5 camera, which launched in October 2010. These new dustproof, weather-resistant and cold-resistant cameras include a newly developed SAFOX X AF sensor that delivers the broadest autofocusing EV range (-3 EV to +18 EV) in its class. In addition, the PENTAX K-5 IIs is offered without an anti-aliasing filter, making it the perfect solution for photographers who practice commercial and studio photography where camera settings, lens selection, lighting, and other shooting conditions are controlled.
The new PENTAX K-5 II / K-5 IIs offer a compact, solid body that delivers high quality image reproduction, especially when working in low light conditions. The camera’s new, highly sensitive AF sensor enables photographers to work with a luminous flux based on F2.8 levels in addition to F5.6, which increases the AF accuracy when using fast lenses. The AF sensor also includes an upgraded AF algorithm as well as the Select-Area Expansion feature, which automatically tracks the subject when it deviates from a pre-assigned selection point, by assessing data from neighboring sensors.
“The new K-5 II and K-5 IIs deliver an extensive range of photographic possibilities for the resolution-conscious photographer in all of us. As a successor to our popular K-5 camera, these new models offer upgraded features designed to produce superb image quality, including the new AF sensor which is especially useful for photographers working in low light conditions,” said John Carlson, Sr. Manager of Sales and Marketing, PENTAX.
Major features include:
High resolution CMOS sensor for true-to-life images with minimal noise
With its large sensor measuring 23.7mm by 15.7mm with approximately 16.28 effective megapixels, the K-5 II’s latest-generation CMOS image sensor ensures high-speed image data readout. By coupling the sensor with the PRIME (PENTAX Real Image Engine) II imaging engine, the K-5 II delivers super high resolution, rich gradation digital images free of digital noise over a wide sensitivity range – from ISO 100 to ISO 12800 in the standard setting, or from ISO 80 to ISO 51200 when expanded via a custom function.
High quality LCD monitor with outstanding visibility outdoors
The K-5 II includes a 3.0 inch, wide-view, air-gap-free LCD display with approximately 921,000 dots for excellent visibility when outdoors. Situated between the front glass panel (which is coated with an anti-glare film) and the LCD screen is a unique resin layer that alleviates the reflection and dispersion of light to effectively prevent ghost images and maintain image brightness. The LCD cover is also made of tempered glass to keep it free of scratches and abrasions.
Anti-aliasing filter-free feature of the K-5 IIs
The K-5 IIs is offered without an anti-aliasing filter, which is commonly found in many DSLRs to smooth computer generated imagery by decreasing high frequencies and distortion, but adversely reduces detail resolution. Without this filter, the K-5 IIs creates deeply rich, detailed imagery at supreme resolution levels.
Compact, solid body with dustproof, weather-resistant construction
The K-5 II’s exterior casing is made of sturdy and lightweight magnesium alloy, while its chassis is made of highly rigid stainless steel. With 77 special seals in its body, the camera offers a dustproof, weather-resistant and cold-resistant construction, assuring reliable operation at temperatures as low as 14°F (-10°C). It also features a dependable shutter unit for a top shutter speed of 1/8000 per second, and the ability to withstand as many as 100,000 shutter releases.
PENTAX-original SR mechanism
The camera features the PENTAX-developed SR (Shake Reduction) mechanism, which compensates for the adverse effects of camera shake by approximately three shutter steps for blur-free images. The SR mechanism works with a variety of PENTAX interchangeable lenses – even those designed for film-format cameras. Thanks to its flexible design, which shifts the image sensor unit in all directions within the image place, the K-5 II offers several useful features to assist the photographer during shooting, such as auto level compensation and image composition fine-adjustment functions.
Bright, clear optical viewfinder with a nearly 100-percent field of view
The K-5 II features a glass pentaprism finder with a 100% field of view and approximately 0.92-times magnification (with a 50mm F1.4 lens at infinity) for an exceptional view of the entire image field and improved accuracy while photographing. The camera is also equipped with the Natural-Bright-Matte III focusing screen to facilitate manual-focus operation.
High-speed, continuous shooting to capture up to seven images in one second
The K-5 II’s high-speed continuous shooting mode allows photographers to record as many as 30 images (in the JPEG format) in a single sequence at a maximum speed of approximately seven images per second. This is ideal when shooting fast-moving subjects such as athletes and wildlife – all with ease and precision.
Innovative image processing functions
A custom image function allows users to easily select the desired finishing touch for a particular image to help express their creativity. This function provides a choice of nine distinctive custom image modes, such as Bleach Bypass, which creates a solemn visual effect used in motion pictures, and Cross Process, which produces eye-catching images with unique, dramatic colors. The K-5 II also offers 18 built-in digital filters, including sketch and posterization, to add distinctive visual effects to images without the need for software-aided computer re-touching.
Additional features of the PENTAX K-5 II / K-5 IIs include:
- Electronic Level function, with a vertical level scale
- Automatic compensation of distortion and lateral chromatic aberration (available only with DA,D FA and FA Limited series lenses)
- CTE mode, to automatically adjust the white balance to emphasize the dominant colors of a specific scene
- DR II (Dust Removal II) mechanism, to effectively shake dust off the CMOS image sensor using ultrasonic vibration
- PENTAX-original Hyper Control system, to swiftly and accurately respond to the photographer’s creative intentions
- Dynamic range expansion function, to compensate for both whitewashed (overexposed) highlight area and blackout (underexposed) shadow area
- RAW data retrieve function to save the original RAW data of a just-recorded JPEG format image
- RAW/Fx button, for single-action switching of image file format, as well as for assignment and instant recall of a specific function
- A choice of three grid patterns while in Live View mode, including “Golden Section”
- Long battery life, for recording of approximately 980 images with a full recharge
Pricing and Availability
The new Pentax K-5 II will be available at retail outlets nationwide and online in October 2012 with a suggested retail price of $1,199.95 for body only, $1,349.95 for the Pentax K-5 II Digital SLR Camera with DA 18-55mm f/3.5-5.6 AL WR Zoom Lens Kit and $1,549.95 for the Pentax K-5 II Digital SLR Camera with SMC DA 18-135mm f/3.5-5.6 ED AL [IF] DC WR Lens Kit. The K-5 IIs will also be available at retail outlets nationwide and online in October with a suggested retail price of $1,299.95 for body only.
Sony RX1: the first full frame compact camera – Picture leaked!
Sony RX1
Finally a Full Frame Compact from sony ! Here re the first images of the Sony RX1 compact camera Leaked by Photoprice.ca with a full frame CMOS sensor and Zeiss Sonnar 2/35 lens at price tag around $2700. This camera is aimed to compete against the Fuji X100 and Leica X2. Sony RX1 will cost more and have a larger FF sensor, still will cost a lot less than a Leica M9! This is the beginning of a new race!
Sony RX1
Check out the orange band near the lens mount it says “35mm Full Frame CMOS Image Sensor”. Sony’s big announcement for Photokina is this coming week on Wednesday Spetember 12th,2012. So stay tuned!
Read details here
Samyang 24mm F3.5 Tilt and Shift lens
Product Summary
- Model name: Samyang T-S 24mm 1:3.5 ED AS UMC
- Focus Type: Manual
- Format : Full Frame
- Mounts: Canon EF, Nikon F, Pentax and Sony a
- Color: Black
- Purchase options: Available at B&H (Canon | Nikon)
Overview
Samyang Optics is about to release a new lens with the perspective control function — Samyang T-S 24mm 1:3.5 ED AS UMC. The official product presentation will take place on September 18th 2012, during international photographic Photokina fairs held in Cologne.
New Samyang T-S 24mm 1:3.5 ED AS UMC is a wide-angle, full-frame lens fitted with the perspective control and tilt-shift functions. Its unique optical and mechanical construction makes it an ideal tool for architecture and landscape photography. The product will be also extremely useful when convergence of the lines in the frame is required. Owing to the mechanism of optical axis tilt, focus depth operation brings utterly new quality and possibilities, enabling photographers to shape the image according to their individual needs, both on digital and analog carriers.
Optical design of Samyang T-S 24mm 1:3.5 ED AS UMC comprises of sixteen lenses arranged in eleven groups, including two aspherical lens and two lens made of ED glass with low dispersion factor. Thanks to this solution, the lens perfectly reproduces detailed elements and gives splendid image plasticity, also with the T-S function on. Each optical component of the product was covered with multi-layered, anti-reflective UMC coatings, which provide great light transmission factor, high contrasts and render only natural colors of the photographed scene. With sophisticated optics and developed T-S function, Samyang T-S 24mm 1:3.5 ED AS UMC is currently the most advanced lens produced by Samyang Optics and may compete with similar lenses of other brands.
Tilt-Shift function
Tilt-Shift function in Samyang T-S 24mm 1:3.5 ED AS UMC allows for smooth and individual adjustment of the focus plane angle by +/-8.5 and enables parallel shift of the optical axis by +/-12 millimeters. To make Tilit-Shift function even more seamless, both the lens mount as well as Tilt-Shift section may be rotated on the optical axis. The Tilt-Shift section may be rotated left by 90 degrees (with 30 degree adjustment), while mount of the lens may be rotated both in left and right direction by 90 degrees, also with 30 degree adjustment.
Sample Images by Samyang T-S 24mm 1:3.5 ED on Flickr
Product Images
Samyang T-S 24mm 1:3.5 ED AS UMC Specifications
| Aperture Range | F3.5-22 |
|---|---|
| Optical Construction | 16 elements in 11 groups / 2 aspherical elements |
| Min Focus | 0.2m |
| Filter thread | 82mm |
| Max Diameter | 86mm |
| Angle of view | 83.5° (35mm full frame) |
| Length | 110.5mm (Nikon F mount) |
| Tilt movement | +/-8°; rotates 90° relative to shift movement |
| Shift movement | +/-12mm; rotates +/- 90° relative to lens mount |
Purchase options
Canon G1X vs. EOS M
Powershot G1X
The Canon Powershot G1X has been launched by Canon as a latest offering from the acclaimed G series of compact cameras. The G1X can boast a 14.3 megapixel CMOS sensor that is much bigger than a four-third at 1.5” and certainly bigger than Nikon’s 1” series. Read more on different sensor sizes here. At a size of around 20% less than most APS-C DSLR’s the camera should theoretically give a much a better result when shooting in lower ISO and more clarity in all lighting conditions. Compared with four-third systems and even 1/ 2.3” systems it is quite bigger. Canon is touting this as a system that should appeal to users who already own a DSLR and is used to bigger sensors, but don’t always fancy carrying a big chunky camera in hand. Speaking of chunky, this camera is quite chunky compared to a standard point and shoot. The built in tele-lens provides a focal length of 15.1 mm to 60.4 mm (in 35mm format equivalent that should be 28mm – 112mm). The G1X offers a lot of manual shooting options that a compact point and shoot does not offer. This is suitable for both a professional DSLR user who is simply using this for not to so serious shooting and for amateur photography enthusiasts who is looking to have a bit more control over his compositions. Maximum aperture is f/2.8 – f/5.8; however don’t expect to get a great bokeh with this piece of camera. Shutter speeds can be adjusted between 1-1/4000th of a second. The camera has a built in flash and an optical viewfinder but the viewfinder is nearly not as comfortable as a DSLR. It is quite small to be useful. The 922,000 dots LCD monitor however gives 100% coverage and is easier to compose shots with. The G1X is fantastic for video shooting. The built in Image Stabilization system is what makes the camera quite shake free even when hand holding your shots (which is likely to be the case with this camera).Read more on Powershot G1X here
EOS M
Canon’s first foray into MILC is the EOS-M. Compared to the G1X this camera has a big APS-C sized 18 megapixel sensor and the features of this MILC (Mirrorless interchangeable lens camera) is to a large extent similar to the Canon 650D (the Rebel T4i). The two cameras (Canon G1X vs. EOS M) are as different to each other as chalk and cheese but the should appeal to different users. While they both have larger sensors compared to a compact point and shoot, one has the option to use interchangeable lenses the other one does not and has a built-in tele lens. However the EOS-M wins the sensor size battle as it’s sensor is the larger of the two. The EOS-M is going to be a part of Canon’s EOS series cameras, but there is a caveat. Canon’s erstwhile range of EF and EF-S lenses won’t mount without an adapter ring Canon EOS M Mount Adapter on this camera. This one is not yet due for a few more months and when it comes out it will do with two accompanying M mount lenses; the EF-M 18-55mm f3.5-5.6 IS STM and the EF-M 22mm f/2 STM. There are no viewfinders on this camera but a 3” LCD screen with 1,040,000 dots compensates for that. Several additional features should appeal to a serious photographer like the 31 point AF system, 100-12800 ISO setting (expandable to 25600) and full HD video shooting capabilities in 1080p in 30, 24 and 25p. Read more on EOS M here
Who should choose these cameras? While the Powershot G1X has a significantly great performance shooting videos and have a decent sized sensor together with DSLR like features, the EOS-M has a larger sensor for better theoretical image quality, DSLR like superior AF & ability to use entire range of EF lenses. It depends really on what kind of photography you do as both of them are going to be available for just under $800.
Related reading:
Fujifilm announced X-E1 16MP ‘X-Trans’ mid-level mirrorless camera
X-E1 Features 16 Megapixel APS-C X-Trans CMOS sensorTM, FUJIFILM Original X-Mount and a 2.36 Million Dot Organic LED (OLED) Viewfinder to Deliver Astonishing Image Quality and Operability
Valhalla, N.Y., September 6, 2012 – FUJIFILM North America Corporation is proud to introduce its second compact system camera of this year – the FUJIFILM X-E1 – a premium interchangeable lens camera system that truly exemplifies the high quality and extraordinary image resolution that the X-Series is known for among professional photographers.
The FUJIFILM X-E1 follows in the tradition of the award-winning FUJIFILM X-Pro1 and utilizes the same proprietary 16.3 Megapixel APS-C X-Trans CMOS sensorTM and the same X-Mount for use with FUJINON XF lenses, all in a body that is 30% smaller than the FUJIFILM X-Pro1.
With its compact, travel-friendly size, the X-E1 promises to be an exciting addition to the FUJIFILM X-Series. It will be available in two classic designs: a two-tone black and silver, and a solid black. Both versions of the X-E1 will also ship as kits with the XF18mm-55mm (27-84mm) F2.8-4 lens in November 2012.
“It’s an exciting day for Fujifilm as we launch our second premium interchangeable lens digital camera this year, the FUJIFILM X-E1, and two extraordinary new XF lenses” said Go Miyazaki, president and chief operating officer, FUJIFILM North America Corporation. “The X-Series has thrilled photographers around the world with its exceptional image quality and stunning design, and the new X-E1 promises to continue that tradition with a slightly smaller body and all of the attention to detail that is the hallmark of FUJIFILM X-Series digital cameras.”
Exceptional color rendition and image resolution
Fujifilm’s advanced X-Trans CMOS sensor is capable of delivering resolution that is superior to other APS-C sensors, and equal to even some full frame sensors found in popular DSLR cameras.
The FUJIFILM X-E1’s unique color filter array can effectively minimize moiré and false color without the need for an optical low pass filter. This makes it possible for the camera to maximize its extremely high resolution, and to capture each photograph with accuracy and clarity across the whole image.
FUJIFILM original “X-Mount” maximizes lens performance
Specifically designed to take advantage of the camera’s mirrorless design, the X-Mount has a short flange back distance of just 17.7mm made possible by designing the mount ring as thin as 2.5mm. This means the rear lens elements are as close as possible to the sensor, reducing the back focus distance of each lens to the minimum possible, thus achieving high resolution from edge to edge. And when fitted with a FUJIFILM M Mount Adapter, the X-E1 can use a wide variety of M lenses to broaden the scope of your photography.
2.36 million dot “Organic LED (OLED) electronic viewfinder”
The FUJIFILM X-E1 camera comes equipped with a high definition, high luminance OLED electronic viewfinder with a resolution of 2.36 million dots that is one of the highest resolutions available on an EVF-equipped digital camera today(1). The natural, bright viewfinder offers a horizontal field of view of 25-degrees, allowing users to scan the entire scene quickly and easily.
Premium quality design and portability
Made in Japan, the X-E1 exudes precision, elegance and premium quality that can be seen from each of its components. The top and front covers are made from die-cast magnesium for a solid, yet functional design. At roughly the same size as the FUJIFILM X100, the X-E1 is refreshingly compact and lightweight (12.35oz(2)). Featuring a rubber grip for additional stability, and with the X-Mount positioned centrally on the camera, the X-E1 is perfectly-balanced.
Expanding the FUJINON XF lens lineup: New XF14mm (21mm) F2.8 single focal length lens and XF18mm-55mm (27-84mm) F2.8-4 lens
The FUJIFILM X-E1 pairs perfectly with the XF18mm-55mm (27-84mm) F2.8-4 lens to deliver super-fast focusing speeds that will capture even the fastest action. The highly responsive linear motor in the XF18-55mm lens combines with the high-speed signal readout of the X-Trans CMOS sensor and the EXR Processor Pro, to achieve a huge leap in AF speed and precision performance. Contrast Detection in the X-E1 brings your subject into sharp focus in as little as 0.1 seconds.
A true masterpiece of optical technology, the high quality all-glass lens structure consists of 14 elements in 10 groups, including 3 aspherical lenses and 1 extra low dispersion element, as well as a seven-blade rounded diaphragm. This zoom lens covers a broad range of frequently-used focal lengths from 18mm in wide angle to 55mm mid telephoto(3) to capture everything from landscapes to street photography.
At F2.8-4 wide open, this fast lens is perfect for low-light photography or scenes beckoning a beautiful bokeh effect. Advanced optical and mechanical designs are optimized to keep the lens compact, while maintaining a physical aperture ring so that users can make fluid adjustments. The lens also features OIS to provide image stabilization equivalent to 4 stops, controlling the effect of camera shake and allowing users to seize perfect photo opportunities.
The new FUJINON XF14mm (21mm) F2.8 single focal length lens offers a stunning, ultra wide angle that delivers exceptional resolution from edge to edge. The new lens consists of 10 elements in 7 groups, including 2 aspheric and 3 extra low dispersion elements, and a seven-blade rounded diaphragm.
With its distance and depth of field scales on the barrel, the FUJINON XF14mm (21mm) F2.8 lens is ideally suited for a range of shooting techniques. And with its bright, F2.8 aperture, the lens performs beautifully in low-light shooting.
Diverse shooting modes
The X-E1 offers Fujifilm’s creative “Film Simulation Modes” to simulate the distinctive color palates of conventional photo film. Film Simulation Modes include “Velvia,” “ASTIA,” and “PROVIA,” as well as two additional settings based on professional color negative films, PRO Neg.Std and PRO Neg.Hi.
In addition, advanced digital processing in the X-E1 enables multiple exposures, giving photographers the ability to take two shots while visually checking the finished image, either in the viewfinder or LCD screen.
Full HD Movie recording
The X-E1 supports shooting Full HD movies (1920×1080) at 24fps. In addition, you can now use Monochrome or Film Simulation modes when video recording and even take advantage of the X-E1’s large sensor and bright XF lenses to capture movies with beautiful bokeh effect. Connect a stereo microphone (3rd party sold separately) to the external microphone input and record audio with enhanced clarity.
FUJIFILM X-E1 key features list:
- 16.3 megapixel APS-C X-Trans CMOS Sensor and EXR Processor Pro
- FUJIFILM X-Mount
- Extra high resolution 2.36 million dot Organic OLED viewfinder
- 2.8-inch (460K dot) LCD
- Built-in pop-up TTL Flash
- ISO100 – 25600 (range of ISO200-6400 when using ISO Auto)
- Q Menu shortcut button
- In-camera RAW converter
- Film simulation modes (Velvia, ASTIA, PROVIA, Monochrome, Sepia, PRO Neg.Std & PRO Neg.Hi)
- Multiple exposure and panoramic shooting modes
- Auto Bracketing functions (AE/ISO/DR and FS)
- Full HD Movie (1920×1080)
- Approximately 350 shots per battery charge(4)
FUJINON XF14mm key features list:
- 21mm equivalent bright F2.8 lens
- Consists of 10 elements in 7 groups, including 2 aspheric and 3 extra low dispersion elements and a seven-blade rounded diaphragm
- 58mm lens filter size
FUJINON XF18mm-55mm key features list:
- 27-84mm equivalent F2.8-4 lens
- Highly responsive linear motor
- Contrast Detection brings subject into sharp focus in as little as 0.1 seconds(5)
- High quality all-glass lens structure consists of 14 elements in 10 groups, including 3 aspherical lenses and 1 extra low dispersion element, as well as a seven-blade rounded diaphragm
- OIS to provide image stabilization equivalent to 4 stops
- 58mm lens filter size
Accessories available for the FUJIFILM X-E1
- High quality leather half case
- FUJINON XF Lenses (3 available and 2 announced today, 10 total by end of 2013)
- M Mount Adapter
- Ergonomically designed hand grip
- Three dedicated flash models to choose from depending on requirements (EF20, EF40, EFX20)
- Protector filters (39mm, 52mm, 58mm)
- Remote release cable (RR-80)
Pricing and Availability
The FUJIFILM X-E1 (body only) will be available in November 2012 for $999.95.
The FUJIFILM X-E1 and XF18mm-55mm (27-84mm) F2.8-4 lens (kit) will be available in November for $1,399.95. The FUJINON XF14mm (21mm) F2.8 single focal length lens and XF18mm-55mm (27-84mm) F2.8-4 lens will be available in November for $899.95 and $699.95, respectively.
For FUJIFILM X-Pro1 and X-E1 customers
Please update the firmware of your camera body when using the XF18-55mm and XF14mm lenses for the first time.
The firmware will be supplied by SD card (bundled in 18-55mm and 14mm Lens Boxes) or can be downloaded from “Support” on the Fujifilm Global website.
Please go to the following URL for details. Each firmware will be available soon: Fujifilm Global website:http://www.fujifilm.com/support/digital_cameras/.
- FUJIFILM Research; August 2012
- Including the battery and memory card, excluding the lens
- Equivalent 35mm format: 27mm to 84mm
- With the XF18mmF2 R, XF35mmF1.4 R or XF60mmF2.4 R attached
- When paired with the X-E1
Carl Zeiss Distagon 55mm f/1.4 ZF.2 lens
Product Summary
- Model name: Carl Zeiss Distagon 55mm f/1.4 ZF.2
- Release Date: Sept 6, 2012
- Focus Type: Manual
- Format : Full Frame
- Mounts: Canon | Nikon
- Purchase options: B&H
Press Release
OBERKOCHEN, 06.09.2012.
During photokina 2012 in Cologne (September 18-23), Carl Zeiss will present attractive new pro- ducts as well as its well-known classics, all of the highest technical quality. Among them will be a new moderate telephoto lens for SLR cameras which will celebrate its world premiere at photokina and be available in stores from the end of 2012. Carl Zeiss will also unveil two new pro- duct families to the public. Carl Zeiss’s new stand concept integrates product presentations, possibi- lities to apply and test Carl Zeiss products, and the company’s global social media community with the hashtag #zeissphk12.
Carl Zeiss will present its entire range of camera and cine lenses, binoculars and spotting scopes during photokina. The latest Nokia smartphone models with built-in ZEISS optics will again be shown at Carl Zeiss’s stand. Visitors will be able to try out all the exhibits right on the spot, from high-quality SLR lenses, Sony cameras with ZEISS optics, ZEISS lenses for Sony system cameras to the new Nokia 808 PureView smart- phone with 41-megapixel camera sensor. The VICTORY HT binoculars can also be tested. An innovative optics concept from Carl Zeiss in con- nection with HT glasses from SCHOTT makes VICTORY binoculars with transmission values of more than 95 percent very fast.
A must-see attraction is a high-performance, full-format SLR camera lens with manual focus. With a focal length of 55 mm and aperture of f/1.4, this lens is the first model of a new product family designed for demanding users. Thanks to a newly developed optical design, this lens is superior to conventional full-frame lenses, and it achieves with powerful full-frame, full-format cameras an image performance that until now has only been seen with medium-format systems. The first pro- totype of this new range will celebrate its world debut at photokina. The family of lenses is ex- pected to be on the market in the second half of 2013 for EF bayonet (ZE) and F bayonet (ZF.2).
Another highlight will be the presentation of a de- sign study, with which Carl Zeiss will offer a sneak preview of a new family of autofocus lenses for mirrorless system cameras (CSC) that will most likely be available in mid-2013. Due to their perfor- mance and high speed, these new lenses will be ideal for deliberate photo composition, making them perfect for more sophisticated photograph- ers as well. Carl Zeiss plans to initially offer fixed focal lengths in the wide angle and standard range as well as a macro. „The trend toward mirrorless system cameras has accelerated since 2010 and we notice growing interest for them among ambitious photographers. We are convinced that as a result of the new and very high-quality cameras and lenses that are coming onto the scene, this market will become even more important. We see lots of potential, which is why we will offer more products for this target group in the future,” said Dr. Winfried Scherle, Vice President and General Manager of the Camera Lens Division of Carl Zeiss AG.
For fans of the Carl Zeiss family of ZM systems for rangefinder cameras, Carl Zeiss has a special surprise in store. In 2013, at least one fast lens with M bayonet will go on sale. Using lenses from the ZM series with adapters is also very popular on mirrorless system cameras.
“The market is extremely dynamic at the moment with numerous innovations across all areas. Our broad range of high-quality products and our suc- cessful partnerships with Sony, Nokia, Logitech and ARRI make us very well positioned in the market,” says Scherle. “As the world’s leading trade fair for photography approaches, we are full of optimism, especially considering the many new features and products we will present. We hope that both the public and visitors to our stand will be excited about them too.”
The “walk-in lens”, which first appeared at photokina in 2008, makes a comeback this year and promises to be the main optical eye-catcher at Carl Zeiss’s stand. Visitors are welcome to take a stroll through the oversized lens and experience the fascinating development of a ZEISS lens. Moreover, there will be an extensive applications ‘island’ at the Carl Zeiss stand where visitors can take as much time as they like to test and experi- ment with Carl Zeiss’s entire portfolio of lenses on different cameras and to talk to experts.
Carl Zeiss has created a special section on its website about photokina (www.zeiss.com/photo/ phk12). Photography enthusiasts from around the world can use the site to get the latest news each day about the trade fair and to ask Carl Zeiss any question they want about all topics related to photokina. The website is available in various languages. Carl Zeiss will also report live from photokina on its social media channels and invites its social media community to likewise share their thoughts, ideas and suggestions about products from Carl Zeiss using the hashtag #zeissphk12.
Sample Images
Purchase options
Available at B&H
Redrock Micro Ultra Cage Blue for Canon EOS C100
First Support Cage for C100 Builds on Canon/ Redrock EOS Cinema Heritage
Hollywood, CA and Dallas, TX – Redrock Micro, the recognized leader in affordable professional-level cinema accessories, announced today the new ultraCage | blue for the Canon EOS C100. Built in partnership with Canon for the premiere at IBC 2012, the ultraCage C100’s form-fitting design matches the ergonomics and size of the C100, adds needed support and mounting features, and minimizes bulk and weight.
Redrock Micro ultraCage blue for Canon Cinema EOS C100
Canon and Redrock Do It Again
When the revolutionary EOS C300 was introduced in November 2011, Canon selected Redrock as the exclusive rig provider for the launch including featured films from Vincent Laforet DGA, Sam Nicholson ASC, Richard Crudo ASC and Felix Alcala/Larry Carroll.
Building on this success and Redrock’s recognized heritage of innovation and design, Canon has again tapped Redrock to deliver a support cage uniquely created for the C100 for the camera’s worldwide preview at IBC 2012.
“Recognizing the integral role of support equipment and Redrock for the C300 launch, Canon approached us to create a support system that would match the form, style and pricing level of the EOS C100,” said James Hurd, Chief Revolutionary of Redrock Micro. “We felt it was important to mirror the C100’s beautiful design without increasing the camera’s footprint. The ultraCage C100 retains the camera’s feel and ergonomics, and adds the support, stability and features customers want for this phenomenal camera. Redrock’s revolutionary prices are also a great match to the C100’s new entry level price for Canon EOS Cinema.”
The Redrock ultraCage | blue: The Essential Accessory for the Canon EOS C100
The ultraCage C100 delivers the features you need and the options you want in a camera support and rig system.
Key features and benefits include:
- 360 degrees of protection and mounting points – The ultraCage C100 mirrors the sleek, compact design of the Canon C100 and closely wraps the camera to maintain its beautiful natural form factor while providing 360 degree camera casing for maximum security and support with minimal bulk and size.
- Complete camera access – The ultraCage C100 is designed to ensure all buttons, functions and doors on the camera are completely accessible. The C100’s removable hand grip can be attached and used or detached – all without removing the ultraCage.
- Unparalleled flexibility – The ultraCage C100 delivers mounting points on all four sides as well as at top and bottom to place camera-top accessories wherever you choose. Top and bottom rails deliver flexibility for placing accessories such as a follow focus and matte box.
- Powered Cage – The optional powerPack attaches to the cage and delivers centralized power for the C100 and all your camera-top accessories including monitors, external recorders and focus units.
- Affordability – Redrock continues to offer professional-level cinema accessories at revolutionary prices so that anyone can afford to own great gear and get more value for their money.
The Right Rig For You
In addition to the standalone cage, the ultraCage C100 is offered as part of four ergonomic, complete rigs. You can jump right into production or use them as a starting point to create your own perfect rig:
- ultraEvent – A balanced, compact handheld rig.
- ultra Field Cinema Bundle – A comfortable shouldermount rig for all-day shooting.
- ultraCage Studio Bundle – The ultimate rig for shooting on tripods, dollies, jibs and cranes.
Alternatively, pros and enthusiasts alike can build their dream rig from the ground up w/Redrock’s huge arsenal of pro-level cinema accessories that solve common problems and speed production, including:
- Rear chassis – Cage extension delivers more rail space and mounting points for all your camera-top accessories.
- backPack – Rear mounting plate for attaching an external battery, recorder or other large accessories while keeping your rig balanced.
- microFollowFocus – A brilliant performer for precise and repeatable focus control.
- microRemote – Remote focus control with both wireless and fingerwheel operator controls. Fits all lenses and cameras.
Works With Existing Redrock Gear and New Redrock ultra Series™
With the new ultraCage, the C100 is compatible with the ultra Series—Redrock’s professional-grade rig components and accessories – and can share accessories and parts with other cameras compatible w/the ultra Series, including the Canon C300 and DSLRs.
The ultra Series maintains industry standards for maximum compatibility with third-party accessories, allowing gear migration from one camera to another to completely maximize return on investment.
For More Information
Additional details on the ultraCage C100 can be found on the ultraCage page:http://store.redrockmicro.com/Canon-cinema-eos-c100-c300
Pricing and Availability
Pricing for the ultraCage | blue C100 starts at $550 and is available now for pre-order (shipping end of October 2012). As with all Redrock products, customers can purchase direct from Redrock Micro’s website at store.redrockmicro.com, or from any of Redrock’s worldwide authorized resellers.
Vanguard Alta Pro 284 CT Tripod Review
Vanguard Alta Pro 284 CT Carbon Fiber Tripod
The tripod is one of the most important photographic accessory for a nature photographer. Sometimes you need to deal with difficult angles. Winner of the prestigious 2009 TIPA awards, the Vanguard Alta Pro 284CT is a sturdy and highly maneuverable tripod featuring a carbon fiber body and retractable legs that are in four segments making them ideally suitable for shooting tight shots at very acute angles.
Operation and control
Turning the legs and locking them in position is quite simple really. In real life situations all one needs is to make a quick 1/4th turn and they simple click in position. It saves a lot of hassles as the photographer can have it setup fast and get started. For additional grip while shooting at outdoors, where the conditions are rarely to your satisfaction, you can spin the feet and a spike pops out from the base making the legs get that extra bit of firm grip. The legs can be set at varying angles such as 25, 50 and all the way to 80 degrees. This is a cool feature to have especially on the higher end where it allows the camera to almost sit down on top of the subject. This is handy when you are shooting dew drops on the grass or composing a shot of a flowerbed or even trying something very interesting with your set of macro lenses. The die-caste canopy and head is made of premium quality magnesium and is very well built.
The innovative Multi-Angle Central Column system
The tripod features Vanguard’s innovative Multi-Angle Central Column system (MACC) which allows the photographer to reach underneath the central column, pull a knob and the central column immediately becomes unlatched and ready to be moved around 180 degrees vertically. By locking the central column, overlooking a product, a photographer can easily use it to shoot images for food items, ready to serve cooked items and other products which are ideally suited for overhead shots. The central column can be locked at any angles when it is going down which means it is possible to have it hanging straight down at 180 degrees. Combined with the fact that the legs can go down to an angle of 80 degrees, one can really shoot a very tight overhead shot without having to place the camera on the ground.
Specifications
- Extended height(mm):1600
- Folded height(mm):535
- Weight(kg):1.8
- Maximum loading capacity(kg):8
- Titled Loading Capacity(kg):7
- Extended height(inch):63
- Folded height(inch):21
- Weight(lbs):3.97
- Maximum loading capacity(lbs):18
- Titled Loading Capacity(lbs):15.4
- Number of Leg Sections:4
- Leg Diameter(mm):28
- Head Specs: 1 Bubble level(pcs)
Some cheeky features
Offsetting the balance of the camera weight when it is mounted on the head and extended at right angle can be a challenge. This is especially true when you are shooting landscapes and have nothing around you but stones. So what Vanguard has done with the Altapro 284 CT tripod is provide a metal hook at the back of the central column. This allows you to hang a small bag containing say sand or rocks to prevent the tripod from getting offset when extended. This is actually a nice feature to have which allows the photographer to have more control over his equipment and ensure that he gets a steady shot. This works together with the advanced camera shock absorber and vibration control built into tripod. When shooting macro, every nanometer of movement can impact the final result. It thus pays to have as much shock absorber and vibration control as possible. The 6X carbon fiber can withstand a maximum weight of 8 Kg, which should be enough considering the fact the heaviest pieces of equipments including a bulky DSLR and a telephoto lens should be within that allowable range. The tilted loading limit is also respectable at 7 Kg. Overall weight is not that much and at 1.8 Kgs it feels nothing when carried in the provided bag. At $349 it is also a great bargain.
In Real Life Use
Mostly, I am using it for my Canon EOS 5D Mark III along with Canon 70-200mm f/2.8 IS, EF 70-200f/4L IS and the EF16-35 f/2.8L and had no issues with stability or performance. I also used it for macro photography using EF 100 mm f/2.8L IS without any issue. Built-in spike that comes out by rotating the rubber feet is useful in order to add a bit more stability while shooting on carpet or dirt. If I had to list any con’s, I would say the legs being a little resistant to coming out and the bag is little bit short for a attached ball head.
Recommendations
Before buying, I considered Gitzo GT2541EX over Vanguard. Definitely solid & sturdier than Vanguard Alta Pro 284CT. However they come at a cost. Besides cost, if you are using it more for regular photography & less for Macro, it’s off center central column is little bit odd too. If you use your tripod mostly for difficult angle shot or macro you should seriously consider Gitzo GT2541EX. Remember, a good tripod will serve you more than a decade. Overall, I’m very happy with this tripod, and I’m hoping this will be the last tripod I need for quite some time. For regular use & budget conscious folks Vanguard Alta Pro 284CT it is real bargain. This is an all-rounder…
Liked it? Order your Vanguard Altapro 284 CT Tripod from
Carl Zeiss Announces New Cinema Lenses CZ.2 28-80/T2.9 and CP.2 25/T2.1 For Full Frame Cameras
Carl Zeiss CZ.2 28-80/T2.9
OBERKOCHEN/Germany, 30.08.2012.
Carl Zeiss will display the new cine zoom lens Compact Zoom CZ.2 28-80/T2.9 at the IBC in Amsterdam, the leading international trade show for film, radio and television, from September 7 to 11, 2012 in hall 11 booth G64. The new Compact Zoom CZ.2 28-80/T2.9 by Carl Zeiss is a cine zoom lens ideally suited to a wide variety of shooting situations. It is easy to handle, compact and versatile. It takes pictures in 4K resolution — in full format. This is the second Compact Zoom CZ.2 lens from Carl Zeiss, complementing the Compact Zoom CZ.2 70-200/T2.9 presented in April at the NAB Show 2012 in Las Vegas for the longer focal length range. For color rendition, contrast and other parameters such as great flare suppression, calibrated focus scales, consistent aperture over the zoom range, round iris the new CZ.2 family is closely aligned to one another, making these lenses ideal for attaining a con- sistent optical performance when changing lenses.
With a length of 196 millimeters and weighing in at 2.5 kg (5.5lbs), the Compact Zoom CZ.2 28-80/T2.9 is sleek and lean. Thanks to the five different mounts (PL, EF, F, MFT and E), this new zoom lens from Carl Zeiss can be easily adapted to numerous camera systems both now and in the future, as well as on HDSLR cameras, HD video cameras and professional cine cameras.
“Thanks to the interchangeable mount and the 36 x 24mm image-circle illumination, the new Com- pact Zoom CZ.2 28-80/T2.9 is highly versatile and a future proof investment,” says Michael Schieh- len, Director of Sales of the Camera Lens Division of Carl Zeiss AG. “With focal lengths from 28 to 80mm and outstanding image performance, it offers professionals as well as ambitious cinema- tographers a lot of room to explore their creativity in many types of shooting situations. The Com- pact Zoom CZ.2 70-200/T2.9 has already proven that there is no comparable zoom family on the market with full frame coverage and interchangeable mount.”
With its slim build, the Compact Zoom family follows the current market trend towards smaller and lighter lenses that are perfect for handheld cameras, Steadicam systems, or for shooting in tight spaces. The Compact Zoom CZ.2 is espe- cially comfortable to use thanks to its ergonomi- cally designed and partly rubber-coated surface, which allows both precise manual focusing as well as mechanical focusing via follow-focus systems. The Carl Zeiss T* anti-reflective coating ensures maximum contrast and color rendition by minimizing stray light and ghosting within the lens. The Compact Zoom CZ.2 lenses delivers flare- free results and has no focus shift over the whole zoom range.
During the IBC, Carl Zeiss will display in a huge glass case all of its camera lenses that are currently available on the market — lenses that guarantee images of the highest quality, whether used on Hollywood movie cameras, HDSLR or HD video cameras.
The Compact Zoom CZ.2 28-80/T2.9 will be delivered in the second quarter of 2013. The recommended retail price is €14,900 or US$19,900 (excluding VAT)*.
Carl Zeiss CP.2 25/T2.1
OBERKOCHEN/Germany, 30.08.2012.
Carl Zeiss will present a new cine lens from the Compact Prime CP.2 lens family during the IBC 2012 in Amsterdam, the leading international trade show for film, radio and television, from September 7 to 11, 2012, in hall 11 booth G64. With an even larger aperture, the new Compact Prime CP.2 25/T2.1 lens from Carl Zeiss achieves outstanding images in challenging lighting conditions.
The Compact Prime CP.2 25/T2.1 succeeds the Compact Prime CP.2 25/T2.9, which will continue to be available as long as supplies last. “We are responding to the wish of many cinematographers and video producers who would like a high-speed CP.2 lens with a maximum aperture of T2.1 for the 25mm focal length range as well,” says Anna Rausch, Product Manager Cine Lenses in the Camera Lens Division of Carl Zeiss AG. “Our optical experts have virtually eliminated the chromatic aberrations on these lenses through a special design and selection of materials. We can now offer a constant max T-Stop of 2.1 for all of our CP.2 lenses in the focal length range of 25-135mm.” This gives users even more possibi- lities to compose their images and requires less effort with the lighting. The biggest advantage on set is that the light does not have to be adapted when switching lenses because they all have the same F-Stop. The lens speed is ideal for playing with the depth-of-field.
The Compact Prime CP.2 lens series, extremely popular among ambitious cinematographers thanks to its 14 fixed focal lengths from 15 to 135mm, will again be the center of attention during Carl Zeiss’s presence at the IBC 2012. By using the interchangeable mounts for PL, EF, F, MFT and E, the lenses can be easily adapted to numerous camera systems, ensuring compati- bility with future cameras as technology changes. Thanks to the interchangeable mounts and the 36 x 24mm image-circle illumination the Compact Prime CP.2 lens family is versatile to use — on HDSLR and HD video cameras as well as on professional cine cameras. The lenses are characterized by their robustness, a standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for every demand on the film set. All Compact Prime CP.2 lenses have a standard cine-style housing with gearing that allows the attachment of any standard follow-focus system.
All the new features that Carl Zeiss presented at the NAB Show in Las Vegas in April will now enjoy a European debut at the IBC 2012: two Compact Prime CP.2 lenses (CP.2 15/T2.9 and CP.2 135/T2.1), three Compact Prime CP.2 Super Speed lenses as well as the Compact Zoom CZ.2 70-200/T2.9. The new focal lengths 15mm and 135mm expand the offering of the Compact Prime CP.2 family and open up many new creative possi- bilities, from super wide angle to tele. The three Compact Prime CP.2 Super Speed lenses have an aperture of T1.5 and are available in focal lengths 35mm, 50mm and 85mm. These high- lights as well as other cine and camera lenses can be experienced and tried out on the spot during the IBC.
Alongside the new features, Carl Zeiss will display behind a huge glass case all of its cine and camera lenses that are currently available on the market — lenses that guarantee images of the highest quality, regardless of whether they are used on cameras to shoot Hollywood movies, on HDSLR cameras or HD video cameras. The dis- play will include the well-known Master Prime, Ultra Prime, Compact Prime CP.2 and Compact Zoom CZ.2, DigiPrime, Lightweight Zoom LWZ.2 lenses, as well as SLR camera lenses, which are ideal for getting started in the HD video segment.
In addition, Carl Zeiss and its partner ARRI will present the long-awaited anamorphic lens to public. Visitors to the Carl Zeiss stand will have an opportunity to try out a prototype of the lens that is currently in the final design phase on an ARRI Alexa Studio camera.
Carl Zeiss will start shipping the new Compact Prime CP.2 25/T2.1 on October 1st, 2012. The expected retail price is EUR 3,300 (excl. VAT) or US$ 4,500 (excl. VAT)*.
Adobe Announces Photoshop CS6 Version 13.0.1 Update
Adobe Photoshop 13.0.1 update for Adobe Photoshop CS6
For convenience and reliability, we highly recommend that you apply this update directly from within Photoshop. To do so, choose Help > Updates in Photoshop CS6 and apply all of the updates listed under Adobe Photoshop CS6 in the Adobe Application Manager.
This update applies to all languages of Adobe Photoshop CS6.
The Adobe Photoshop 13.0.1 update includes many critical fixes improving security, stability and performance while also addressing a number of high priority bugs with 3D, Crop, Type, Painting, Paths, and Shapes.
Multiple Languages: Windows | Macintosh