Think Tank Airport TakeOff™ Rolling Camera Bag Review

Posted by Digital Photography Live Date August 30, 2012

A traveling photographer out on an assignment will need to carry most of his photography equipments with him. His professional DSLR bodies, lenses, filters, polarizer, tripods battery packs, chargers, remote triggers, flash gear and even his laptop. To pack all of these together a sturdy, all weather and convenient to carry bag is an absolute necessity. At the same time it needs to pass cabin baggage allowance and be within the maximum allowed dimension for it to fit in most overhead cabin space in modern airlines.

This is where the Airport TakeOff™ Rolling Camera Bag from Think Tank clicks. It has sufficient space to carry two professional DSLR bodies. One can choose to or not to attach the lenses with them but there is sufficient space to also carry several lenses of the maximum length of 400mm f/2.8 with lens cap. It can also carry a 15” laptop easily and any of the specified 17” laptops. There are special laptop straps which ensure that the laptop is secured and does not move around when the bag is in motion or being stowed.

Convenience of carrying the bag makes it a must have for all photographers carrying their precious photography equipments when Travelling. Apart from the collapsible handle which makes the bag easy to pull on its smooth rolling skate wheels, there is an additional set of straps to use the bag as a backpack. They remain invisible safely tucked away till the time when you need them. At that point all you need to do is to open a flap give them a light pull and they are ready to sling on your shoulders.

Back Strap

Inside the bag a carefully and well thought out planning has created several compartments to carry the cameras, lenses and other accessories. The rear panel can be opened easily by a zip which reveals a compartment for stacking away the backpack straps. Straps and tripod cup included with the bag allow a tripod to be carried easily on the sides. There is also a cable and lock feature that are inside the clear pocket and underneath the front flap of the bag. 420D velocity nylon (comprising of 3-ply bonded thread) is used to manufacture the body of the bag. DWR is used to treat the exterior fabric resulting in high tensile strength and the underside fabric is treated with PU for extended water resistance while the bag is traveling with you. The zippers used are YKK® RC Fuse which provides maximum protection against abrasion which is a very common factor when the bag is traveling.

Few things to improve

Dividers need more thickness.
A sturdier handle is much desirable.
TSA-approved combination zipper locks to secure main compartment
Carry straps are sturdy but not comfortable as s dedicated camera back pack of this size and loaded weight.
The laptop pocket needs more padding, specially when it is on top.
There is no dedicated tripod carrying option.

Several other refinements including a 3D air mesh, closed cell foam and polyethylene made dividers for the compartments, in-line skate wheels which are replaceable, PU backed velex liner & dividers makes the bag a joy to use and carry around. A fully functional piece of design that not only ensures that you can keep maximum amount of accessories inside but also keep them safe and make them easy to carry around.

[DPL Recommends (Shorcodes)]

Sony Alpha NEX-5R A Mirrorless Camera With Hybrid AF & Wi-Fi capable

Posted by Digital Photography Live Date August 29, 2012

Product Summary

Model name: Sony Alpha NEX-5R
Release Date: August 29, 2012
Focus Type: Autofocus / Manual
Format : APS-C / Crop Sensor
Color: Silver & Black
Availability: October 2015
Price: $650
Purchase options: Amazon

Press release

SAN DIEGO, August 29, 2012 – Combining a stylish, lightweight design and the freedom of interchangeable lenses with large-sensor image quality, speedy AF and the introduction of Wi-Fi capability, the new Sony α NEX-5R compact system camera offers all the benefits of DSLR-style imaging in a more convenient, portable package with added connectivity.

The NEX-5R camera features a newly-developed 16.1 effective megapixel Exmor® APS HD CMOS sensor – identical in size to sensors found in traditional DSLR cameras – combined with a powerful BIONZ® processor to assure richly detailed still images and crisp Full HD videos in all types of lighting conditions.

In a first for Sony’s line of interchangeable lens cameras, the new NEX-5R model features “Fast Hybrid AF” autofocus technology, combining phase-detection and contrast-detection methods to ensure speedy, accurate autofocus in any shooting situation. It is also Sony’s first interchangeable lens camera with integrated Wi-Fi capabilities for easy image sharing, saving and viewing, and introduces the new concept of downloadable Camera Apps for adding creative, fun features that can be personalized to fit a photographer’s needs.

“With the NEX-5R camera, Sony brings the core strength of our consumer electronics business into play to fully support our digital imaging business. This unique combination of technology and style results in a compelling new product that strikes the ultimate balance between size and performance.” said Mike Kahn, director of the alpha interchangeable lens camera business group at Sony Electronics. “With a host of exciting, innovative new features and the same outstanding image and HD video quality that our E-mount line has become known for, the NEX-5R is an ideal choice for step-up point-and-shoot users or more serious photo enthusiasts who don’t want to compromise on image quality and connectivity while traveling light.”

Fast Hybrid AF

The intuitive new “Fast Hybrid AF” autofocus technology utilizes 99 phase-detection AF points arrayed on the image sensor to detect a subject’s distance and quickly lock focus on it, and then utilizes contrast-detection AF to confirm extremely fine, precise details. In Speed Priority Continuous shooting mode, the camera will switch automatically to phase detection tracking AF and can track fast-moving action accurately in each frame up to 10 frames per second.

Wi-Fi Sharing and New Camera Apps

The added connectivity of the NEX-5R camera allows photos and videos to be transferred wirelessly to a smartphone or tablet running Sony’s free PlayMemories Mobile app, available on both Android™ and Apple iOS platforms. Additionally, content can be directly uploaded from the camera to Facebook® using a Wi-Fi connection and the new “Direct Upload” application, part of Sony’s new PlayMemories Camera Apps platform.

This new concept of PlayMemories Camera Apps is the world’s first application download service in an interchangeable lens camera that allows consumers to install new functions on demand, tailoring their cameras to fit their personal shooting needs. The service can be accessed over Wi-Fi or when the camera is connected directly to a PC via USB.

Available apps at launch, outside of “Direct Upload” as mentioned earlier, will include “Picture Effect+”; “Bracket Pro”; “Multi Frame NR”; “Photo Retouch”; and “Smart Remote Control. A variety of other apps including “Time-Lapse” and “Cinematic Photo” are also planned for release.

Shooters can also utilize the family of PlayMemories applications to transfer content directly to a networked PC, streamlining the image back-up process and avoiding the need to connect cables or transfer memory cards between devices. Additionally, they can transfer photos to any DLNA® compatible TV either through a wireless access point or any TV supporting Wi-Fi.

Added Flexibility and Functionality

Aesthetically, the new NEX-5R features a new fully programmable control dial and function button, a versatile combination for photographers accustomed to the flexibility and direct control of a DSLR camera. It also has a switchable on-screen digital level gauge that helps keep horizons level with landscapes and architectural shots.

Additionally, the new α NEX-5R model features an intuitive touch-screen LCD with a Touch Shutter function for added convenience. The clear, bright touchscreen can also flip upwards 180 degrees for easy arm’s length self-portraits.

Full HD (1920×1080@60p) movie shooting is enhanced with a new Auto Slow Shutter feature, adding extra detail to low-light clips. The camera detects dim interiors and night scenes, automatically switching to a slower shutter speed to brighten footage.

New Sony α Accessories

On the α accessories front, the stylish new LCS-SL20/B soft carrying case will be compatible with the new Sony NEX-5R model as well as other E-mount camera bodies. It features four internal dividers for easy storage of camera bodies and lenses, as well as a dedicated space for a tablet. The new LCS-SL10/B soft carrying case offers two internal dividers and multiple storage pockets in a compact size.

Also designed for Sony’s E-mount line is the new LCS-EME/BL, a modern, innovative sling bag. With space to accommodate an NEX and two additional lenses, the LCS-EME/BI is a perfect accessory for active photographers. Additionally, a new Screen Protect Semi-Hard sheet (model PCK-LM13) will be available that will help protect both the camera and lens of the new NEX-5R camera.

Pricing and Availability

The NEX-5R compact system camera will be available this October in silver, black and white for about $750 with an 18-55mm kit zoom lens as well as body-only for about $650.

The new camera and all compatible accessories will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

Please visit www.blog.sony.com/nex5r for a full video preview of the new NEX-5R compact system camera and follow #SonyNEX on twitter for the latest α NEX camera news.

Sample images

Purchase options

Available at Amazon

Canon U.S.A. Unveils EOS C500 4K Digital Cinema Camera And EOS C100 Digital Video Camera

Posted by Digital Photography Live Date August 29, 2012

Two New Camera Models Fill Out a Well-Rounded Cinema EOS Line-up with High-End 4K and Entry-Level HD Camera Solutions

LAKE SUCCESS, N.Y., August 29, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, continues its commitment to the advancement of tools for visual expression and expand its contribution to cinematic culture with the introduction of the new EOS C500 4K Digital Cinema Camera* and the EOS C100 Digital Video Camera*. The C500 will take its place as the flagship camera model in Canon’s Cinema EOS System while the C100 provides another option for beginning filmmakers working on a budget. The C500 is Canon’s high-end professional 4K (4096 x 2160-pixel) cinema camera capable of originating uncompressed RAW output for external recording to meet the demands of premium cinematic productions and other top-quality production markets. The C100 digital video camera is a compact, affordable entry-level model delivering full 1920×1080 HD video and integrating the popular AVCHD codec for universal compatibility with laptop and desktop editing systems. The C500 will be available in both EF- and PL-mount versions; while the C100 will be offered in EF mount only and will be compatible with the more than 70 zoom and prime lenses in Canon’s EF, EF-S and EF Cinema lens lineups. All products in the Canon Cinema EOS line are engineered to provide exceptional image creation capabilities for professionals in the motion picture, television, and other diverse high-resolution digital production industries.

“We developed the Cinema EOS C500 digital cinema camera to deliver the benefits of full 4K motion capture to Hollywood’s premier filmmakers, while the C100 is designed for economical productions that need sophisticated HD capabilities and optical lens diversity. As we said in November of 2011, the C300 was just the beginning to our Cinema EOS system and we now offer a more complete system of imaging solutions with a range of cameras for every level of production,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A., Inc.

The EOS C500 4K digital cinema camera and EOS C100 digital video camera join Canon’s Cinema EOS System which includes two other camera models, the EOS C300 digital cinema camera for mainstream HD production and the EOS-1D C 4K Digital SLR cinema camera for 4K and HD filmmakers favoring the SLR form factor. The Cinema EOS System also offers filmmakers optical diversity with seven EF Cinema lens models: the compact and lightweight CN-E15.5-47mm T2.8 L wide-angle cinema zoom and the CN-E30-105mm T2.8 L telephoto cinema zoom (available in EF and PL versions); the CN-E14.5-60mm T2.6 L wide-angle zoom and CN-E30-300mm T2.95-3.7 L telephoto zoom (also available in EF and PL versions); and the CN-E24mm T1.5 L, CN-E50mm T1.3 L, and CN-E85mm T1.3 L prime lenses for EF-mount cameras, in addition to the more than 60 lenses in Canon’s EF and EF-S lens lines (which include macro, fisheye, telephoto, and tilt-shift models).

4K, 2K, and Full HD Image Quality

The Canon EOS C500 and C500 PL digital cinema cameras are designed to provide a versatile high-quality 4K imaging solution to high-end productions. High-quality 4K resolution imaging has become the new standard for advanced effects and is particularly important for big-budget motion pictures that include scenes compositing live-action cinematography with high-resolution computer-generated imagery. The C500 and C500 PL cameras output 4K resolution to external recorders as a 10-bit uncompressed RAW data stream, as well as offering the additional versatility of being able to output quad full-HD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and other imaging options. All of these digital image source formats fully conform to established SMPTE production standards. All 4K formats can be selected to operate from one to 60 frames per second. When shooting in 2K, the C500 and C500 PL cameras employ a 12-bit RGB 4:4:4 signal format from one to 60 frames-per-second (fps) as well. For high-speed shooting and slow motion capture the cameras can be set to a 10-bit YCrCb 4:2:2 mode, and can output 4K or 2K video up to 120 fps.

While outputting 4K or 2K video to an external recorder, the Canon EOS C500 and C500 PL digital cinema cameras simultaneously record a 50 Mbps Full HD video file in-camera to the user’s choice of one or two CF cards. The 8-bit 4:2:2 in-camera recordings can be used as a proxy for offline editing of 4K projects, and they are also suitable for various projects that do not require 4K resolution. Equipped with Canon’s exceptional Super 35mm 8.85-megapixel CMOS sensor, both C500 camera models are compatible with a wide range of interchangeable Canon lenses – the C500 is compatible with EF, EF-S and EF Cinema lenses for Canon SLR cameras, while the C500 PL is compatible with PL-mount EF Cinema lenses and other PL-mount lenses. Highly mobile and compact, the C500 digital cinema camera provides the same ergonomic features as the C300 model, with the exception of a fixed hand grip that incorporates a pair of 3G-SDI ports for 4K video output and another pair of video ports for monitoring purposes. Canon is working with several independent manufacturers of external video recorders to support smooth workflow options, and these recorders are expected to be available by the time the EOS C500 and C500 PL 4K digital cinema cameras ship to authorized dealers later this year.

One-Person Full HD With Automatic Functions

A cost-effective camera solution for a wide range of everyday users, the EOS C100 digital video camera is ideal for many full HD applications such as:

Low-budget television production and independent moviemaking
Museums, galleries, and film schools that utilize Full HD video
Wedding, corporate and event videography

The EOS C100 digital video camera is approximately 85% of the size of the EOS C300 model, for maximum mobility. Designed for professional operability, the C100 includes a push auto iris function, one-shot auto focus (or full manual focus and exposure control), a multi-angle 3.5-inch LCD control panel, a high-resolution electronic viewfinder (EVF), built-in ND filters, dual XLR inputs, and a locking HDMI output. These features combine with such advanced technologies as reduced rolling shutter artifacts in 60i mode, enhanced gamma modes (including Wide Dynamic Range (DR) Gamma and Canon Log Gamma), cinematic depth of field characteristics, and excellent low-light performance. The C100 records to dual SD cards contributing to the camera’s reduced size and convenience.

Like its C300 sibling, the EOS C100 employs Canon’s uniquely designed Super 35mm 16:9 CMOS sensor that captures individual R, G, and B channels for each full HD 1920 x 1080 frame. This high-sensitivity CMOS sensor provides creative depth of field capabilities for an excellent “bokeh” effect, and provides an ISO range of from 320 to 20,000, enabling the capture of images in low light with minimal picture noise. The Canon DIGIC DV III image processor in the C100 helps ensure high color fidelity and smooth color gradations. The camera’s AVCHD codec utilizes MPEG-4 AVC/H.264 compression similar to the codec used in Canon’s XA10 professional HD camcorder. AVCHD features a maximum recording bit rate of 24Mbps in full HD 1920 x 1080 and 4:2:0 color space for sharp, vivid images. Multiple recording modes, resolutions, and frame rates (including 24p) make the C100 creatively flexible for many production environments. The C100 also offers enhanced gamma modes (including Wide DR Gamma and Canon Log Gamma) for a peak dynamic range of 800% and the wide exposure latitude needed for creative post-production image processing, color correction, and contrast manipulation.

Designed for extensive operational versatility, the Canon EOS C100 digital video camera features a mobile core configuration that allows users to flexibly add accessory parts to the main camera body according to their production needs. A removable side-mounted rotating grip with start/stop button and miniature “joystick” menu control provides traditional SLR camera-style operation. A detachable handle unit connects to the top of the C100 and includes dual XLR connectors, a built-in stereo microphone, a bracket for an external microphone, audio-input level adjustments, and a tally light. The C100 records linear PCM two-channel audio or Dolby digital two-channel audio.

In addition to its ability to record to both SD cards simultaneously, or relay-record from one card to the other, the Canon C100 Cinema EOS camera can also output uncompressed digital HD to an external recording device via its locking HDMI connector. This HDMI output includes superimposed time code and 2:3 pull-down marker information. Additional outputs include a USB connector and stereo headphone jack.

Pricing and Availability

The Canon EOS C500 and C500 PL 4K Digital Cinema Cameras are scheduled to be available in October for an estimated list price of $30,000. The Canon EOS C100 Digital Video Camera is scheduled to be available in November 2012 for an estimated list price of $7,999.

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With approximately $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in U.S. patents registered in 2011† and is one of Fortune Magazine’s World’s Most Admired Companies in 2012. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

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* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Canon Introduced Two Compact Lightweight Cinema Zoom Lenses For 4K and 2K Digital Cinema Cameras

Posted by Digital Photography Live Date August 29, 2012

New Precision-Matched Wide-Angle and Telephoto Zoom Lenses in Both EF and PL Mounts Enhance Canon’s Cinema EOS System

LAKE SUCCESS, N.Y., August 29, 2012 – As the production of motion pictures, episodic television shows, commercials, documentaries, and other program content increasingly transitions to digital, Canon U.S.A., Inc., a leader in digital imaging solutions, continues to provide innovative Cinema EOS products designed to enable the most discerning filmmakers and producers to capture their unique creative visions. The latest of these Canon products, two new compact and lightweight cinema zoom lenses available in both EF- and PL-mount versions, were first announced at NAB 2012 and have now been officially added to the Canon Cinema EOS product line. Designated as the CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens, both are engineered to deliver exceptional optical performance for the latest large-format single-sensor 4K and 2K digital cinematography cameras. Both lenses feature a compact, lightweight design to facilitate handheld and SteadicamTM shooting while also covering a wide range of focal lengths.

“These two new compact lightweight cinema zoom lenses provide exceptional optical and operational performance for creative film and television professionals. The Canon Cinema EOS line of high-resolution cameras and lenses is engineered to affordably serve the highest-performance needs of the production community and enable it to truly ‘Leave No Story Untold,'” noted Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

A leading maker of precision lenses for professional digital photography, broadcast HDTV sports and news coverage, and many other markets, Canon has leveraged its years of expertise as a world leader in optics and imaging to develop the compact and lightweight CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens. Each lens will be available in both EF- and PL-mount configurations. (The EF-mount version is designated by the letter “S” at the end of the model name; the PL-mount version by the letters “SP”.)

Main Features: CN-E15.5–47mm T2.8 L S/SP and CN-E30–105mm T2.8 L S/SP

1. High optical performance for use with 4K-resolution cameras

Supports 4K (4096 x 2160 pixels) production standards, with a level of resolution exceeding four times the resolution of Full HD.
Offers compatibility with industry-standard Super 35 mm-equivalent image format as well as APS-C-size sensors.ⁱ
The optimal placement of low-refraction, low-dispersion UD (ultra-low dispersion) glass corrects for axial and lateral chromatic aberrations to realize exceptional imaging performance without color blurring.
With a T-number of 2.8, the new lens lineup offers bright performance and, with no changes in brightness during zooming, enables the use of attractive blur effects when employing a shallow depth of field.
Each lens is equipped with an 11-blade aperture diaphragm for soft, attractive blur characteristics.
The lenses minimize focus-induced changes in the angle of view and, through the latest advances in anti-reflective coating and related technologies, reduce the occurrence of ghosting and flare.

2. Broad focal-length coverage despite compact, lightweight design

Designed with hand-held shooting in mind, each lens weighs just approximately 2.2 kg, less than half the weight of the top-end zoom lens models that went on sale earlier this year.
Combining the wide-angle and telephoto zoom lenses as a set enables users to cover a wide focal length range, from 15.5 mm (wide-angle end) to 105 mm (telephoto end).
Because the lenses provide a long focal length at the telephoto end, they enable the magnification of scenes shot from a distance and the use of attractive blur effects when employing a shallow depth of field.

3. Designed to deliver high operability

With a focus rotation angle of approximately 300 degrees, the lenses facilitate precise focusing performance.
Zoom, focus and iris markings all appear on angled surfaces for improved readability from behind the camera.
Features a unified front lens diameter and uniform gear positions, doing away with the need to adjust or reposition accessory gear when switching between the two lenses.
By removing the cover ring, users can easily perform flange-back adjustment.

4. Functionality to realize increased shooting convenience

The new lenses can be used with matte boxes and other standard manual and electronic movie industry accessories widely used in the motion picture production.
Each lens offers a reduced minimum object distance (0.5 m for the CN-E15.5-47mm T2.8 L S/SP and 0.6 m for the CN-E30-105mm T2.8 L S/SP) that makes possible tighter close-ups and facilitates shooting in limited-space environments.
The EF-mount version lenses, when combined with Cinema EOS System cameras, support lens-camera communication enabling the recording of zoom and other settings along with video data, making possible the effective management of shooting conditions. Additionally, a future camera firmware update (release date to be decided) will enable automatic image correction along with other benefits.

Specifications for the Canon CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens are as follows:

	CN-E 15.5-47mm T2.8 L S/SP	CN-E 30-105mm T2.8 L S/SP
OPTICAL
Image Coverage (Diagonal)	31.4mm	31.4mm
Zoom Ratio	3.0x	3.5x
Focal Length Range	15.5 – 47 mm	30 – 105 mm
Maximum Aperture	T 2.8 (15.5-47mm)	T 2.8 (30-105mm)
Iris Blades	11	11
Minimum Operating Distance	1’8” / 0.5m	2’ / 0.6m
OPERATION
Angle of View 1.78:1 (24.0×13.5mm) (H)	75.5º (Wide)/28.6º (Tele)	43.6º (Wide)/ 13.0º (Tele)
Angle of View 1.78:1 (24.0×13.5mm) (V)	47.1º (Wide)/16.3º (Tele)	25.4º (Wide)/7.4º (Tele)
Angle of View 1.9:1 (26.2×13.8mm) (H)	80.4º (Wide)/31.1º (Tele)	47.2º (Wide)/14.2º (Tele)
Angle of View 1.9:1 (26.2×13.8mm) (V)	48.0º (Wide)/16.7º (Tele)	25.9º (Wide)/7.5º (Tele)
Focus Rotation	300º	300º
PHYSICAL
Mount	PL (SP)/EF (S)	PL (SP)/EF (S)
Filter Size	Dia. 105mm	Dia. 105mm
Lens Front Diameter	114 mm	114 mm
Dimensions (WxHxL) (PL)	114 x 125 x 214 mm	114 x 125 x 210 mm
Dimensions (WxHxL) (EF)	300º	300º
Weight (approx.)	4.8lbs/2.2 kg	4.8lbs/2.2 kg
Follow Focus Gear Pitch	0.8	0.8

The Canon Cinema EOS System of professional digital cinematography products includes the EOS C300 and EOS C500 digital cinema cameras (available in EF- or PL-mount versions), the EOS C100 digital video camera, the EOS-1D C DSLR camera, the CN-E14.5-60mm T2.6L S/SP wide-angle zoom and CN-E30-300mm T2.95-3.7L S/SP telephoto zoom lenses (EF and PL versions available), and the CN-E24mm T1.5 L F, CN-E50mm T1.3 L F, and CN-E85mm T1.3 L F prime lenses for EF-mount cameras. Cinema EOS cameras are also compatible with the more than 60 lenses in Canon’s EF lens line (which includes macro, fisheye, telephoto, and tilt-shift models) for maximum creative versatility. Canon continues to enhance its Cinema EOS System product line to support diverse image creation in motion picture, television, and other high-resolution digital production industries.

Pricing and Availability

The Canon CN-E15.5-47mm T2.8 L S/SP wide-angle cinema zoom lens is expected to be available in November 2012 and the CN-E30-105mm T2.8 L S/SP telephoto cinema zoom lens is expected to be available in January 2013, both for an estimated list price of $24,500 each.

About Canon U.S.A., Inc.

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† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

ⁱ Not compatible with 35 mm full-frame or APS-H-size sensors

Pinnacle Studio 16 Announced

Posted by Digital Photography Live Date August 29, 2012

New Pinnacle Studio 16 Revolutionizes the Art of Video Editing

Award winning technology, unique 3D capabilities & free cloud storage make Pinnacle Studio 16 the most innovative version to date

Ottawa, ON – August 28, 2012

Today, Corel announced the release of the new Pinnacle Studio software family, which includes: Pinnacle Studio™ 16, Pinnacle Studio 16 Plus, Pinnacle Studio 16 Ultimate and Pinnacle Studio for iPad. Based on award winning technology and inspired by the ease-of-use of previous versions, the new line offers a solution for every level of video editor. And with optimization for the latest CUDA GPUs, exclusive NVIDIA 3D Vision support, free cloud file sharing and storage with Box, and a fresh user interface, Pinnacle Studio 16 is the most innovative version to date. Modern, fast, and easy, Pinnacle Studio 16 helps everyone tell their story with style.

“The new Pinnacle Studio family is the first consumer video editing application lineup that offers users the ability to edit professional quality projects on their PC or on the go with their iPad thanks to cloud storage and seamless integration with Pinnacle Studio for the PC and iPad. No other solution on the market delivers this capability,” said Matt DiMaria, Executive Vice President and General Manager of Digital Media at Corel. “What’s more, with its robust yet intuitive feature set there’s a version that is perfectly suited to any level of user,” added DiMaria. “We are confident that our users will love the creative freedom and flexibility the new line offers.”

Unique 3D Support & Optimization

Pinnacle’s partnership with NVIDIA allows exclusive NVIDIA 3D Vision support on Quadro graphics cards and on NVIDIA’s GeForce consumer line as well. Users can now edit and preview their 3D work in both full-screen and window modes – something no other editing application can do! In addition, Pinnacle Studio takes full advantage of the latest NVIDIA CUDA enabled graphics cards for an incredibly fast editing and rendering experience.

Access, Edit and Share Anywhere, Anytime With iPad and the Cloud

The Pinnacle Studio 16 family includes up to 50GB of free in-app cloud storage and file-sharing via Box, making media files and projects readily available to send and edit from any browser. Users can even start editing their projects on the go thanks to the seamless integration with Pinnacle Studio for iPad

“The Box and Pinnacle Studio 16 integration makes it incredibly simple for digital artists to access, edit and share their video content wherever the studio may take them,” said Chris Yeh, VP of Platform at Box. “Box’s open platform and the Pinnacle Studio software family will unlock new levels of innovation for creatives across the media and entertainment markets.”

About Pinnacle Studio 16

Creating incredible movie memories in HD or 3D has never been faster and easier, thanks to Pinnacle Studio 16.

Learn to make great videos on the fly with built-in video tutorials produced by Class on Demand
Quickly import video and photos from any digital device
Import and polish projects from Pinnacle Studio for iPad
Create stereoscopic 3D movies as easily as HD movies
Storyboard quick first drafts – even create movies automatically
Enhance and fix video clips, photos, and audio on 6 timeline tracks
Use 1500+ 2D/3D effects, menus, animations, and more
Create custom-fit soundtracks with Scorefitter®
Share instantly via Facebook, YouTube, iPad, Apple TV, XBox, DVD, and more

About Pinnacle Studio 16 Plus

In addition to all the amazing features available in Pinnacle Studio 16, Pinnacle Studio 16 Plus also includes:

Advanced HD/3D editing features
24-track frame-accurate editing
1800+ 2D/3D effects, menus, animation and more with keyframed effects control
Simultaneous source and timeline viewing
Blu-ray disc authoring
Dolby Digital 5.1 Surround Sound mixing

About Pinnacle Studio 16 Ultimate

Pinnacle Studio 16 Ultimate is the easy-to-use power tool for creating professional-looking HD and 3D videos. It includes all the powerful features of Pinnacles Studio 16 Plus, as well as:

2000+ effects
Seven premium Red Giant plug-ins within the Filmmaker’s and Motion Graphics Toolkits
Classic green screen sheet

About Pinnacle Studio for iPad

Easily create amazing videos on the go with Pinnacle Studio for iPad. Users can start editing project on their iPad, then import into any Pinnacle Studio product on their PC for additional polishing.

Users can work with any media on their device (video, audio, and photos), even in HD 1080p
Organize media by Albums, Events, Faces, and more
Make precise edits and trim individual frames in the Timeline and Precision Trimmer
Quickly create multi-layer 3D animations with included Montage templates
Generate professional-looking motion titles with full control over text, font, color, size, position, and rotation
Record voice overs directly to the timeline
1080p output support for sharing movies via YouTube, Facebook, Box email, and more

Availability

Pinnacle Studio 16, Pinnacle Studio 16 Plus and Pinnacle Studio 16 Ultimate are available in 17 languages and can be purchased immediately as an electronic download (ESD) from www.pinnaclesys.com or from Corel’s global resellers.

North American suggested retail pricing (SRP) of Pinnacle Studio 16 is $59.95, Pinnacle Studio 16 Plus $99.95 and Pinnacle Studio 16 Ultimate $129.95 (both US and CDN). Users of Pinnacle Studio 9 or higher, Avid Studio and Pinnacle/Avid Liquid 6 or higher are eligible for the following upgrade pricing: Upgrade to Pinnacle Studio 16 Plus: $69.95,upgrade to Pinnacle Studio 16 Ultimate: $89.95. For more information please visit www.pinnaclesys.com.

The Pinnacle Studio 16 app for the iPad is available worldwide today from the App Store in English, German, French, Italian, Spanish, Japanese, Dutch, and Simplified Chinese. For more information, please visit www.pinnaclesys.com/studioapp.

Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX NH Fisheye Lens

Posted by Digital Photography Live Date August 27, 2012

Product Summary

Model name: Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX NH Fisheye
Focus Type: Autofocus / Manual
Format : APS-C / Crop Sensor
Purchase options: Amazon | Adorama | B&H

Overview

There are a few important differences between the seemingly same Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX NH Fisheye Lens and the Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX Fisheye. The former has a new WR (water resistant) material that ensures that the lens can repel any dust, dirt and fingerprints on the lens easily. Additionally this lens can be used on a FX format camera as well and if the lens hood is removed it fills the frame.

The lens is suitable for a unique fish-eye perspective something that is impossible to achieve using any other conventional lenses. This lens is more for experimental and unique perspective photography and has very little application in standard portrait, or other types of photography. Performance wise the lens is very sharp. The lens can be used as a normal wide angle lens but there will be plenty of barrel distortion.

The minimum focusing distance of the lens is 0.5’ and it offers magnification ratio of 1:2.56. Ideally as such this is not your go to lens for macro photography. The lens construction has a total of 10 elements including one SD glass element arranged in 8 groups and comes in multi-layer coating. The lens provides an angle of view of 180-100˚ for an unique perspective. 6 aperture blades make up the lens diaphragm. The widest f-stop of the lens is f/3.5 when fully zoomed out. It can additionally stop down to f/22. The overall weight of the lens is 350 grams. Available at Amazon | Adorama | B&H

Sample Images by Tokina 10-17mm f/3.5 – 4.5 AT-X DX NH Fisheye on Flickr

Product Images

Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX NH Fisheye Specifications

Zoom range	10 – 17mm
Max Aperture	f/3.5 – 4.5
Min Aperture	f/22
Construction E/G	10 Elements in 8 Groups
Coatings	Multi-layer
Angle of View	180 – 100°
Min Focus Distance	0.5 ft (0.14 m)
Macro Ratio	1:2.56
Zooming System	Rotary Type
Aperture Blades	6
SD Glass	One elements
Max Outer Diameter	2.7 in (69.85mm)
Lens Width	2.7 in (69.85mm)
Lens Length	2.8 in (70.88mm)
Weight	12.3 oz (350g)
Available Mounts	Canon Full Frame, Nikon Full Frame, Canon APS-C, Nikon APS-C

More Info

Purchase options

Tokina AT-X 107 AF DX NH Fisheye available at Amazon | Adorama | B&H

Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX Fisheye Lens

Posted by Digital Photography Live Date August 27, 2012

Product Summary

Model name: Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX Fisheye Zoom
Focus Type: Autofocus / Manual
Format : APS-C / Crop Sensor
Purchase options:Amazon | Adorama | B&H

Overview

As the name suggests the Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX Fisheye is a DX format lens that gives fish-eye perspective. The angle of view mounted on a DX format is 180-100˚. If you’re a big fan of the peep-hole type photography (because that’s what the perspective is when you look through the viewfinder) then this lens should give you hours of joy. This lens actually takes some time to get used to especially for those who are not experienced in this unique perspective. Having said that, for some users, this can also work as an ultra-wide angle lens. But note barrel distortion will be there and that is something to be expected of the lens. Auto-focusing capabilities of the lens is great throughout and stopping down does not help that much.

The construction of the lens consists of 10 elements arranged in 8 groups with the lens diaphragm consisting of 6 blades. At its widest the lens has an f-stop of f/3.5 and stops down all the way to f/22. The lens comes with multi-coating to reduce flares and ghosts something that ultra-wide angle lenses are always susceptible to. It is great that Tokina has provided a built-in lens hood for this baby. The minimum focusing distance of the lens is 0.5’ and gives a magnification ratio of 1:2.56. In other words while you may not shoot real world macro shots with this lens, you can do a bit of close-up photography. The overall weight of the lens is 350 grams. Available at Amazon | Adorama | B&H

Sample Images by Tokina 10-17mm f/3.5 – 4.5 AT-X DX Fisheye on Flickr

Product Images

Tokina 10-17mm f/3.5 – 4.5 AT-X DX Fisheye Lens Specifications

Zoom Range	10 – 17mm
Max Aperture	f/3.5 – 4.5
Min Aperture	f/22
Construction E/G	10 Elements in 8 Groups
Coatings	Multi-layer
Angle of View	180 – 100°
Min Focus Distance	0.5 ft (0.14 m)
Macro Ratio	1:2.56
Zooming System	Rotary Type
Aperture Blades	6
Max Outer Diameter	2.7 in (69.85mm)
Lens Width	2.7 in (69.85mm)
Lens Length	2.8 in (70.88mm)
Weight	12.3 oz (350g)
Lens Hood	Built-in
Available Mounts	Canon APS-C, Nikon APS-C

More Info

Purchase options

Tokina AT-X 107 AF DX Fisheye available at Amazon | Adorama | B&H

Tokina 12-24mm f/4 AT-X 124 AF PRO DX II Lens

Posted by Digital Photography Live Date August 27, 2012

Product Summary

Model name: Tokina 12-24mm f/4 AT-X 124 AF PRO DX II
Focus Type: Autofocus / Manual
Format : APS-C / Crop Sensor
Purchase options: Amazon | Adorama | B&H

Overview

A lot of acronym and a lot of details but what the lens does is provide a sharp perspective for APS-C DSLR users. This DX format lens is designed for the purpose of the smaller image circle of a crop sensor. Much like a number of the other pro model lenses from Tokina, the 12-24mm f/4 AT-X 124 AF PRO DX II Lens also has a one-clutch focus ring mechanism that enables the user to shift from auto-manual focusing simply by turning the focusing ring towards the camera.

An important new aspect in version II of the lens is the new AF motor for Nikon mount. This AF motor allows the lens to auto-focus on Nikon D40 and D60 series DSLRs. If you’re a Canon user the lens only offers a new coating that will reduce ghosting and flares as the older model already had the auto-focusing motor built-in.

The lens consists of 13 elements including 2 aspherical elements and SD elements arranged in 11 groups. It offers the same 1.5x and 1.6x crop factor for Nikon and Canon camera respectively giving a equivalent field of view of a 18-36mm lens mounted on a full frame DSLR. The angle of view of the lens is 99 – 61°. The lens is a superb landscape photography tool to have, but for the lack of image stabilization.

The lens diaphragm is made up of 9 blades giving it a maximum constant aperture of f/4. It can alternatively stop down to f/22. The lens takes a filter of size 77mm and weighs 540 grams. Available at Amazon | Adorama | B&H

Sample Images by Tokina 12-24mm f/4 PRO DX II on Flickr

Tokina 12-24mm f/4 AT-X 124 AF PRO DX II Specifications

Zoom Range	12 – 24mm
Max Aperture	f/4
Min Aperture	f/22
Construction E/G	13 Elements in 11 Groups
Coatings	Multi-layer
Angle of View	99 – 61°
Min Focus Distance	1.0 ft (0.3 m)
Macro Ratio	1:8
Zooming Type	Rotary Type
Aperture Blades No	9
Filter Size	77mm
Lens Width	3.5 in (87.88mm)
Lens Length	3.5 in (88.90mm)
Weight	1.2 lbs (540g)
Lens Hood	BH-777 Star bayonet hood
Available Mounts	Canon APS-C, Nikon APS-C
Compatibility	The lens is designed for Digital cameras with APS-C sized CMOS and CCD sensors (DX) , not designed for cameras with Full Frame sensors (FX).

More Info

Purchase options

Tokina AT-X 124 AF PRO DX II available at Amazon | Adorama | B&H

Tokina 11-16mm f/2.8 AT-X116 Pro DX II Lens

Posted by Digital Photography Live Date August 24, 2012

Product Summary

Model name: Tokina 11-16mm f/2.8 AT-X116 Pro DX II
Focus Type: Autofocus / Manual
Format : APS-C / Crop Sensor
Purchase options: Amazon | Adorama | B&H

Overview

An upgrade of the Tokina 11-16mm f/2.8 AT-X 116 Pro DX the Tokina 11-16mm f/2.8 AT-X116 Pro DX II as one significant improvement that makes the lens even more powerful and useful for pro photographers. The lens now features a silent focusing motor (for the Nikon mount) that enables the lens to auto-focus even on Nikon DSLRs that don’t have an AF motor built into the bodies. Apart from this lens now has a slightly better multi-coating to ensure better suppression of flares and ghosts.

The lens inherits all the goodies of the older brother; a fast aperture of f/2.8 that allows the lens to be used in really tough lighting conditions and get away with stunning pictures. If you’re looking for a bright lens that can handle your landscape and architectural shots or take care of a very tight group shot from a less maneuverable position then this is the go to lens. Arguably this one and its predecessor the Tokina 11-16mm f/2.8 AT-X 116 Pro DX are the sharpest ultra-wide angle lenses for a DX format camera. The angle of view of the lens is 104 – 84°.

The lens construction consists of 13 elements including two Super-Low Dispersion glass elements and two aspherical glass elements arranged in a total of 11 groups. 9 blades make up the lens diaphragm which enables it to have a wide aperture of f/2.8. The lens can also stop down all the way to f/22. The overall weight of the lens is 550 grams and it uses a filter of size 77mm. Available at Amazon | Adorama | B&H

Sample Images by Tokina 11-16mm f/2.8 AT-X Pro DX II on Flickr

Product Images

Tokina 11-16mm f/2.8 AT-X Pro DX II Lens Specifications

Zoom Range	11 – 16mm
Max Aperture	f/2.8
Min Aperture	f/22
Lens Construction E/G	13 Elements in 11 Groups
Coatings	Multi-layer
Angle of View	104 – 84°
Min Focus Distance	1.0 ft (0.3 m)
Macro Ratio	1:11.6
Focusing Type	Internal Focusing
Zoom Mode	Rotary Zoon
Aperture Blades	9
Filter Size	77mm
Lens Width	3.3 in (84mm)
Lens Length	3.5 in (89.2mm)
Weight	1.2 lbs (550g)
Accessories	Flower design Bayonet lens hood (BH77B)
Lens Hood	BH-77B
Available Mounts	Canon APS-C, Nikon APS-C
Compatibility	The lens is designed for Digital cameras with APS-C sized CMOS and CCD sensors, not designed for cameras with Full Frame sensors. Please note, the Tokina AT-X 116 PRO DX lens itself is not waterproof or water resistant. Will not AF when used on Nikon D40, D5000/5100, D3000/3100 or any other Nikon digital SLR body that does not have a built-in auto-focus drive gear.

More Info

Purchase options

Tokina 11-16mm f/2.8 AT-X Pro DX II Available at Amazon | Adorama | B&H

Tokina 11-16mm f/2.8 AT-X 116 Pro DX Lens

Posted by Digital Photography Live Date August 24, 2012

Product Summary

Model name: Tokina 11-16mm f/2.8 AT-X 116 Pro DX
Focus Type: Autofocus / Manual
Format : APS-C / Crop Sensor
Purchase options: Amazon | Adorama | B&H

Overview

This ultrawide DX format (APS-C) lens offers a wide angle coverage of 11-16mm. mounted on a DX camera the lens has the same field of view as that of a 17-24mm lens mounted on a FX (full frame DSLR). The constant fast aperture of f/2.8 provides a lot of opportunities to shoot in low light or literally freeze action if that’s what you’re looking for. This lens is ideally suitable for the purpose of landscape photography and also for architectural shots. This lens is also suitable for taking group photos from a tight angle.

The lens features the one-touch focus clutch mechanism that enables a photographer to move from auto to manual focus and vice versa is present in this lens. If you’re a big fan of full-time manual focusing this may take a while to get used to. There is no MF-AF switch and everything is accomplished by snapping the focus ring. The lens has internal focusing elements which mean it will not extend when focusing. The angle of view on a DX format is 104 – 84°.

Overall image quality is very sharp. It is arguably the sharpest wide angle lens for an APS-C format DSLR; never mind comparable Nikon and or Canon lenses for APS-C DSLRs. The lens construction consists of 13 elements arranged in a total of 11 groups. 9 aperture blades form the lens diaphragm and giving it a maximum wide aperture of f/2.8 while also stopping down to f/22. Overall weight of the lens is 560 grams and it takes a filter of 77mm. Available at Amazon | Adorama | B&H

Sample Images by Tokina 11-16mm f/2.8 AT-X Pro DX on Flickr

Product Images

Tokina 11-16mm f/2.8 AT-X Pro DX Lens Specifications

Zoom Range	11 – 16mm
Max Aperture	f/2.8
Min Aperture	f/22
Construction E/G	13 Elements in 11 Groups
Coatings	Multi-layer
Angle of View	104 – 84°
Min Focus Distance	1.0 ft (0.3 m)
Macro Ratio	1:11.6
Focusing Type	Internal Focusing
Zoom Mode	Rotary Zoon
Aperture Blades	9
Filter Size	77mm
Lens Length	3.5 in (89.2mm)
Weight	1.2 lbs (560g)
Accessories	Flower design Bayonet lens hood (BH77A)
Lens Hood	BH-77A
Available Mounts	Canon APS-C, Nikon APS-C, Sony Alpha APS-C
Compatibility	* The lens is designed for Digital cameras with APS-C sized CMOS and CCD sensors, not designed for cameras with Full Frame sensors. Please note, the Tokina AT-X 116 PRO DX lens itself is not waterproof or water resistant. * Will not AF when used on Nikon D40, D5000/5100, D3000/3100 or any other Nikon digital SLR body that does not have a built-in auto-focus drive gear.

More Info

Purchase options

Tokina 11-16mm f/2.8 AT-X Pro DX available at Amazon | Adorama | B&H

Nikon Announces COOLPIX S800c

Posted by Digital Photography Live Date August 22, 2012

Great Images Are Now Trending: With Wi-Fi® Connectivity and a Powerful Android™ Platform, the New Nikon COOLPIX S800c is the Easy Way to Instantly Capture, Create and Share

The New COOLPIX S800c Enhances the User’s Connected Life, Letting Them Instantly Share Great Images From a Device That Includes Features Only a Camera Can Provide with the Ease and Versatility of a Smartphone or Tablet

MELVILLE, N.Y. (August 22, 2012) – Today, Nikon Inc. announced the innovative COOLPIX S800c, Nikon’s first Wi-Fi compact digital camera to incorporate Nikon’s powerful camera imaging technologies and the boundless capabilities of an Android Operating System (OS). Designed for the always connected individual, the S800c delivers the high picture quality and superior performance expected from a Nikon camera coupled with communication functions and app-based versatility of a smartphone or tablet.

The new S800c answers the call for users who need the ability to capture photos and HD video with amazing clarity and color, yet offers a familiar portal to connect to social networks and popular imaging applications through an Android Operating System. With the introduction of the S800c, beautiful images can now be confidently and quickly shared with friends and family.

“With the new COOLPIX S800c, Nikon designed a camera for users looking to capture stunning images and videos with a compact digital camera but also want to share their content with their friends and family in a familiar way,” said Bo Kajiwara, Vice President of Marketing, Planning and Customer Experience, Nikon Inc. “Now users can connect easily and instantly with their social networks through the wireless connection, and take advantage of the vast possibilities of the Android Operating System. The new S800c is truly the easiest way to share amazing images on the spot.”

Powerful Images Are What Connects Us

What sets the S800c apart from connected devices is the focus on the quality of images that people can share. Features such as the spectacular 10x NIKKOR zoom lens and the 16-megapixel CMOS sensor affords the ability to create photos and HD video with unrivaled sharpness and clarity, whether up-close or at a distance, even in challenging lighting conditions. The S800c helps users to create images they will be proud to share, while offering connectivity and additional benefits to users, including:

Optical 10x Zoom NIKKOR Lens: covering from wide-angle 25-250mm, so either the largest group or action from afar is captured with clarity that can only be accomplished with a quality lens. Additionally, the lens is bolstered with Nikon’s VR optical image stabilization for blur-free photos and stable HD video, even while handheld.

16 Megapixel Backside Illuminated (BSI) CMOS Sensor: Much larger than the CCD sensor traditionally found in smartphones or tablets, this BSI CMOS sensor excels in challenging lighting conditions, and provides images with vivid colors, low noise and exceptional contrast and sharpness.

Powered by Android: The camera’s connection features allow users to seamlessly connect, browse and upload to their social networks, including Google+™, Facebook and Twitter. Users can also take advantage of the full functionality of Android technology to surf the web or even download applications and games onto their S800c. Just like a smartphone or tablet device, the camera has the opportunity to run camera-specific photo and video applications, yet enables the various benefits of shooting with a real camera.

Google Play™: The S800c provides access to a vast world of applications for games, productivity and personal communication/ email, including Nikon’s photo storage and sharing site, my Picturetown®. Users are also able to watch video downloaded from Google Play right on their camera.

The Benefits of COOLPIX Camera Technology: With the EXPEED C2 processing engine, users will enjoy rapid response and speedy performance from their device. Additional benefits include the ability to use a camera flash to illuminate subjects, while continuous drive mode captures up to approximately 8 frames-per-second (up to three shots) to help ensure no moment will be missed. What’s more, a variety of scene modes and creative filters keep it fresh and let the user easily create stunning images.

Full HD Video: The S800c makes it easy to capture Full HD 1080p HD video with amazing fidelity and sharpness, with full stereo sound. Video clips can be instantly uploaded to popular video sites such as YouTube™ and Vimeo®.

Built in GPS: Ever wanted to track a weekend excursion or geo-tag a hard to find shooting spot? The GPS function enables recording of shooting location information on stills and movies.

Easy Settings, Easy Connection, Instant Gratification

Smartphone and tablet users will feel at home with the S800c’s familiar controls and operation, and will be able to easily navigate using the wide and bright 3.5-inch touchscreen OLED monitor. The camera will connect to the internet via granted access to any Wi-Fi network. Upon connection, the user will be prompted through an easy-to-understand set-up process, similar to that of other Android devices. The COOLPIX S800c also has the ability to connect through WPS for a fast and secure push-button connection. Additionally, when a Wi-Fi connection is not open or available, the camera can transmit images and videos wirelessly to a smartphone or tablet, allowing the user to share better images through a mobile network.

COOLPIX core technologies also make it easy for users to create share-worthy images. Various camera modes help the user achieve the greatest shot, whether it’s a macro shot of tonight’s cuisine or a scenic HDR shot of downtown, the image is instantly ready to share. For maximum creativity, the S800c has 18 filter effects, including the new Toy Camera effect, Pop and Super Vivid color filters, as well as Cross Process and Peripheral Darkening filters.

Price and Availability

The S800c will be available in September 2012 in both White and Black for a suggested retail price (SRP) of $349.95*. For more information about this COOLPIX camera, or other Nikon products, please visit www.nikonusa.com.

About Nikon

Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR® optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the new Nikon 1 advanced camera with interchangeable lens system. In 2012, production of NIKKOR lenses surpassed 70 million, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook at http://www.facebook.com/nikon and get the latest news and information from Twitter by following @NikonUSA.

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*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

Android, Google Play, Google+, YouTube and other marks are trademarks of Google Inc.

Facebook® is a registered trademark of Facebook, Inc.

Twitter® is a registered trademark of Twitter Inc.

Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance

All Nikon trademarks are the property of Nikon Corporation

Nikon Speedlight SB-700

Posted by Digital Photography Live Date August 22, 2012

Product Summary

Model name: Nikon Speedlight SB-700
Brand: Nikon
Purchase options: Amazon | Adorama | B&H

Overview

At $330 the Speedlight SB-700 is a great choice to go for especially as it encompasses Nikon’s i-TTL (intelligent through-the-lens) technology that is compatible with Nikon’s Creative Lighting System (CLS). Additionally the Speedlight SB-700 can be set up on the Wireless Commander Mode that allows it to be used to control up to 2 remote Speedlight groups or unlimited number of individual Speedlights (compatible). A total of four wireless channels are provided to ensure that there are no obstructions in an environment where there are multiple photographers all using remotely controlled flashes.

An interesting feature built-into the Speedlight SB-700 is the Color Filter Identification system. The Speedlight can automatically detect if there are any hard filters being used in the camera at any time and resultantly can automatically adjust the camera white balance. The Speedlight SB-910 offers Standard, Even and Center-weighted illumination patterns. The Speedlight can also detect the format of DSLR that is mounted (DX or FX) and accordingly adjust the light distribution for optimum effect.

The guide number of the lens at ISO 100, 35mm zoom head position, in FX format, is 28 m/92’. It is 39 m/128’ on at ISO 200, 35mm zoom head position. Both guide numbers are on FX format. Lens coverage is 14-120mm on a DX format DSLR and 24 to 120mm on a FX format DSLR.

The head can tilt (for bounce function) down to -7° or up to 90°. The overall weight of the Speedlight SB-700 is 360 grams and comes with several accessories.

Sample Images by Speedlight SB-700 on Flickr

Speedlight SB-700 Specifications

Construction	Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry
GN (35 mm zoom head position, FX format, Standard illumination pattern)	28/92 (ISO 100, m/ft.), 39/128 (ISO 200, m/ft.)
Illumination type	Three illumination patterns: standard, even and center-weightedThe light distribution angle is automatically adjusted to the camera’s image area in both FX and DX formats
Effective flash output distance range (in i-TTL mode)	0.6 m to 20 m (2 ft. to 66 ft.) (varies depending on camera image area setting, illumination pattern, ISO sensitivity, zoom head position and lens aperture in use)
Mode	i-TTL, manual flash, distance-priority manual flash
Other functions	Test firing, monitor pre-flashes, AF-assist illumination for multi-point AF, and modeling illumination
Multiple flash-unit photography operation	Advanced Wireless Lighting, SU-4 type wireless multiple flash-unit photography
Compatibility	All cameras compatible with Nikon Creative Lighting System (other cameras can be used but functionality is reduced)
Flash exposure control set on the camera	Camera sync modes: slow sync, red-eye reduction slow-sync, front-curtain sync, rear-curtain sync, rear-curtain slow-syncPhotography functions: auto FP high-speed sync, FV lock, red-eye reduction
Bounce	Flash head tilts down to 7° or up to 90° with click-stops at -7°, 0°, 45°, 60°, 75°, 90°Flash head rotates horizontally 180° to the left and right with click-stops at 0°, 30°, 60°, 75°, 90°, 120°, 150°, 180°
Power	Four AA-type alkaline (1.5V), lithium (1.5V) or Ni-MH (1.2V) batteries
Flash-ready indicator	Fully recycled: lights upInsufficient flash output for correct exposure (in i-TTL or distance-priority manual flash mode): blinks
Flash duration	Approx. 1/1042 sec. at full output
Mounting foot lock lever	Provides secure attachment of SB-700 to camera’s accessory shoe using locking plate and locking pin to prevent unintentional detachment.
Dimensions (W x H x D)	Approx. 71 x 126 x 104.5 mm (2.8 x 5.0 x 4.1 in.)
Wt (without batteries)	Approx. 360 g (12.7 oz.)
Included accessories	Speedlight Stand AS-22, Nikon Diffusion Dome SW-14H, Incandescent Filter SZ-3TN, Fluorescent Filter SZ-3FL, Soft Case SS-700

Additional Images

Purchase options

Speedlight SB-700 available at Amazon | Adorama | B&H

Nikon Speedlight SB-910

Posted by Digital Photography Live Date August 22, 2012

Product Summary

Model name: Nikon Speedlight SB-910
Brand: Nikon
Purchase options: Amazon | Adorama | B&H

Overview

The Speedlight SB-910 (Amazon | Adorama | B&H) is Nikon’s top of the grade Speedlight system which is compatible with all of the DX format, the FX format and the P7000 series Coolpix cameras. The Speedlight SB-910 features Nikon’s state of the art i-TTL (intelligent through-the-lens) technology ensuring both on camera or remote metering capability. Whether mounted as a dedicated flash on a DSLR or used as a secondary remote flash unit, the Speedlight SB-910 is the best Nikon flash that a professional can hope to use with his professional DSLR.

Speedlight SB-910 is the ideal partner for you if you’re into precision flash photography. It can independently be mounted on the hotshoe of your DSLR or be used to control three additional groups via three channels or an unlimited number of SB-910, SB-900, SB-700 or SB-R200 units.

The Speedlight SB-910 has a guide number of 34 m/111.5’ at ISO 100, 35mm zoom head position. At ISO 200, 35mm zoom head position the guide number is 48 m/157.5’. Both positions are on a FX format. On a DX-format, Automatic mode the lens coverage is 8 to 11mm. it is 12 to 17mm for a FX format. On a DX-format, Automatic mode the lens coverage is 12 to 200mm and again 17 to 200mm on a FX format.

The Speedlight SB-910 offers Standard, Even and Center-weighted illumination patterns. The flash head can be tilted from -7° to up to 90°. When mounted on a DX or FX format the light distribution angle is automatically adjusted depending on the as per the sensor format.

Sample Images by Speedlight SB-910 on Flickr

Speedlight SB-910 Specifications

Construction	Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry
GN (@ 35 mm zoom head position, in FX format, standard illumination pattern, 20°C/68°F)	34/111.5 (ISO 100, m/ft), 48/157.5 (ISO 200, m/ft)
Illumination Type	There are three illumination patterns: standard, even and center-weightedThe light distribution angle is automatically adjusted to the camera’s image area in both FX and DX formats
Effective flash output distance range (in i-TTL, auto aperture flash or non-TTL auto flash mode)	0.6 m to 20 m (2 to 66 ft.) (varies depending on camera’s image area setting, illumination pattern, ISO sensitivity, zoom head position, and lens aperture in use)
Mode	i-TTL, Auto aperture flash, Non-TTL auto flash, Distance-priority manual flash, Manual flash, Repeating flash
Other functions	Test firing, monitor pre-flashes, AF-assist illumination for multi-point AF, and modeling illumination
Multiple flash-unit photography operation	Advanced Wireless Lighting, SU-4 type wireless multiple flash-unit photography
Compatibility	All cameras compatible with Nikon Creative Lighting System (other cameras can be used but functionality is reduced)
Flash exposure control set on the camera	The SB-910 is fully recycled: lights upInsufficient flash output for correct exposure (in i-TTL, auto aperture flash, non-TTL auto flash or distance-priority manual flash mode): blinks
Bounce	Flash head tilts down to 7° or up to 90° with click-stops at -7°, 0°, 45°, 60°, 75°, 90°Flash head rotates horizontally 180° to the left and right with click-stops at 0°, 30°, 60°, 75°, 90°, 120°, 150°, 180°
Power	Use four AA-size batteries of the same brand from anyof the following types: 1.5 V LR6 (AA-size) alkaline batteries 1.5 V FR6 (AA-size) lithium batteries 1.2 V HR6 (AA-size) rechargeable Ni-MH batteries
Flash-ready indicator	The SB-910 is fully recycled: lights upInsufficient flash output for correct exposure (in i-TTL, auto aperture flash, non-TTL auto flash or distance-priority manual flash mode): blinks
Flash-ready indicator(remote mode)	The SB-910 is fully recycled: blinksInsufficient flash output for correct exposure (in i-TTL, auto aperture flash or non-TTL auto flash mode, or AUTO mode in SU-4 type wireless multiple flash-unit photography): blinks
Flash duration	Approx. 1/880 sec. at full output
Foot lock lever	Provides secure attachment of the SB-910 to camera’s accessory shoe using locking plate and locking pin to prevent unintentional detachment.
Dimensions (W x H x D)	Approx. 78.5 x145 x 113 mm (3.1 x 5.7 x 4.4 in.)
Wt	Approx. 510 g (18 oz) (with four 1.5 V LR6 (AA-size) alkaline batteries)Approx. 420 g (14.8 oz) (Speedlight only)
Accessories	Speedlight Stand AS-21, Nikon Diffusion Dome SW-13H, Incandescent Filter SZ-2TN, Fluorescent Filter SZ-2FL, Soft Case SS-910

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Speedlight SB-910 available at Amazon | Adorama | B&H

Canon Celebrates Production Of 80 Million EF Lenses

Posted by Digital Photography Live Date August 21, 2012

LAKE SUCCESS, N.Y., August 21, 2012 – Canon Inc. today announced the achievement of a new EF lens-manufacturing milestone with the production of the company’s 80-millionth EF lens on August 3, 2012. Production of EF lenses surpassed the 10-million mark in 1995, doubling to 20 million units in 2001. After reaching the 30 million unit milestone in 2006, Canon celebrated the production of its 40-millionth lens in 2008. Owing to the rapid spread of the EOS Digital series of SLR cameras, production for Canon’s EF lenses then gained momentum to reach the 50 million unit milestone in 2009, followed by the 60 million mark in January 2011 and the 70 million mark in October of the same year. Now, just over nine months later, the EF lens series has reached the 80 million mark on August 3, 2012, adding a distinguished achievement to the 25th anniversary of the launch of Canon’s EOS system.

Canon’s EF lens series was first introduced together with the EOS SLR camera system in March 1987, and over the years has led the industry through the incorporation of a number of innovative technologies, including a number of world’s firstsⁱ such as the Ultrasonic Motor (USM) for use in lenses, Image Stabilizer (IS), a multi-layered diffractive optical (DO) element, and Subwavelength Structure Coating (SWC) anti-reflection technology. Also, since last year, the EF series newly added the EF Cinema Lens series for digital cinematography and the EF-M series for interchangeable lens cameras. As a result, Canon’s current EF lens lineup is comprised of 76 modelsⁱⁱ. In 1987, production of interchangeable EF lenses for Canon EOS-series AF (autofocus) single-lens reflex cameras began at the company’s Utsunomiya Plant. Since then, it has expanded to a total of four production facilities including Canon Inc., Taiwan; Canon Opto (Malaysia) Sdn. Bhd.; and Oita Canon Inc. in Japan.

Canon will continue to refine its diverse imaging technologies based on its core optical technologies. The Company strives to produce exceptional and reliable lenses and cameras that cater to the varying needs of photographers-from first-time users to advanced amateurs and professionals-while also contributing to expanding the culture of photographic and video imaging.

About Canon U.S.A., Inc.

###

† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks or registered trademarks of their respective owners.

Availability and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

ⁱ Among interchangeable lenses for SLR cameras

ⁱⁱ Including two EF lens extenders and models available outside of Japan, 69 EF Lens models and seven EF Cinema Lens models

Tokina AT-X 17-35 F4 PRO FX Lens

Posted by Digital Photography Live Date August 21, 2012

Product Summary

Model name: Tokina AT-X 17-35 F4 PRO FX
Focus Type: Autofocus / Manual
Format : Full Frame / APS-C / Crop Sensor
Purchase options: Amazon | Adorama | B&H

Overview

The Tokina AT-X 17-35 F4 PRO FX lens is a FX format (full-frame) DSLR lens (available at Amazon | Adorama | B&H) with a wide perspective of 17-35mm an angle of view of 103.9˚ and a fast constant aperture of f/4. This lens is also compatible with other APS-C bodies but with a crop factor of 1.5x (for Nikon) and 1.6x (for Canon). This is designed for landscape, architecture and group shots.

Designed using a total of 13 elements arranged in 12 groups the lens construction encompasses two Super-low Dispersion (SLD) glass elements and one aspherical glass element. The presence of these SLD and aspherical elements reduces chromatic aberration and increases the sharpness of the images.

Tokina uses a unique to its lenses focusing clutching mechanism for smooth transition from auto-focusing to manual focusing. For auto-focusing simply pull the focus ring forward and vice versa for manual focusing. Tokina claims that there is a small focusing DC Motor inside the lens. This however does not solve the problem of noise when focusing.

Using this lens hand-held the main problem is the lack of image stabilization. This is where the lens loses out to many of its competitors in the market, specially the wide zoom lenses from Canon and Nikon which have image stabilization. There are plenty of fast wide zooms from both these manufactures and for a wide the maximum f/4 aperture is also something that may be not worth the money. The lens diaphragm is built using 9 aperture blades and it uses a filter size of 82mm. Also check Tokina AT-X 16-28 F2.8 PRO FX Lens.

Sample Images by Tokina AT-X 17-35 F4 PRO FX on Flickr

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Tokina AT-X 17-35 F4 PRO FX Specifications

Focal Length	17 – 35mm
Max Aperture	f/4.0
Min Aperture	f/22
Construction E/G	13 Elements in 12 Groups
Coatings	Multi-layer
Angle of View	103.96 – 64.74°
Min Focus Distance	0.9 ft (0.279 m)
Macro Ratio	1:4.82
Zooming System	Rotary Type
Aperture Blades No	9
Filter Size	82mm
Max Outer Diameter	3.5 in (88.90mm)
Lens Width	3.5 in (88.90mm)
Lens Length	3.7 in (93.98mm)
Weight	1.3 lbs (600g)
Lens Hood	BH-82
Available Mounts	Canon Full Frame, Nikon Full Frame, Canon APS-C, Nikon APS-C
Compatibility	The AT-X 17-35 is only water-resistant, not water-proof and is not designed to be submerged or used unprotected in heavy rain.

More Info

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Tokina AT-X 17-35 F4 PRO FX available at Amazon | Adorama | B&H

Tokina AT-X 16-28 F2.8 PRO FX Lens

Posted by Digital Photography Live Date August 21, 2012

Product Summary

Model name: Tokina AT-X 16-28 F2.8 PRO FX
Focus Type: Autofocus / Manual
Format : Full Frame / APS-C / Crop Sensor
Purchase options: Amazon | Adorama | B&H

Overview

This lens is designed for the full frame DSLR cameras and offers an ultra-wide angle field of view. Having said the lens is suitable for APS-C sensor based DSLRs as well. It contains the new DC auto-focusing motor and the GMR magnetic AF sensor and works together to create a fast and silent auto-focusing mechanism. The lens offers an angle of view of 107.11º-76.87º on a full frame DSLR.

A major drawback if you’re into filter based precision photography is that the lens does take a filter. This makes it lose out to many of its compatriots such as the 16-35mm f/4 VR from Nikon which does take a filter. Auto-focusing performance of the lens is great and while the lens does make a certain amount of noise performance is comparative to some of the best wide angle lenses in the market. Performance wise the lens is very sharp.

Internal focusing elements ensure that the lens does not extend when focusing. The lens has a total of 15 elements including three aspherical elements and three super low dispersion glasses arranged in 13 groups. Tokina has also provided multi-coating to ensure that the lens has a much suppressed effect from ghosting and flares. The diaphragm of the lens has a total of 9 rounded blades giving a maximum constant aperture of f/2.8. At 950 grams it is one of the heaviest ultra-wide angle lenses available in the market and something that may be an issue for landscape photographers looking for a light gear. Also check Tokina AT-X 17-35 F4 PRO FX Lens.

Sample Images by Tokina AT-X 16-28 F2.8 PRO FX on Flickr

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Tokina AT-X 16-28 F2.8 PRO FX Specifications

Focal Length	16 – 28mm
Magnification Ratio	1:5.26
Max Aperture	f/2.8
Min Aperture	f/22
Lens Construction E/G	15 Elements in 13 Groups
Coatings	Multi-layer
Angle of View	107.11 – 76.87°
Min Focus Distance	0.9 ft (0.28 m)
Macro Ratio	1:5.26
Focusing Mode	Internal Focusing
Zoom Type	Rotary Zoom
Aperture Blades	9
Lens Width	3.5 in (89.92mm)
Lens Length	5.2 in (133.35mm)
Weight	2.1 lbs (950g)
Lens Hood	Built-in
Available Mounts	Canon Full Frame, Nikon Full Frame, Canon APS-C, Nikon APS-C
Compatibility	The lens is designed for digital cameras with full frame (FX= 24mmX36mm) sized CMOS and CCD sensors. It can be used on digital cameras with APS-C (DX) sizes sensors as well.

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Tokina AT-X 16-28 F2.8 PRO FX Available at Amazon | Adorama | B&H

Canon PowerShot SX500 IS and PowerShot SX160 IS

Posted by Digital Photography Live Date August 21, 2012

New PowerShot Cameras ‘Zoom Photographers In’ Close To The Action And Offer Fast Auto Focus Speeds To Help Capture The Moment In Stunning Quality

LAKE SUCCESS, N.Y., August 21, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced two new additions to the Canon PowerShot digital camera lineup designed for the on-the-go photographer looking for large extended zoom in compact easy-to-use cameras. For all those times when the action is just out of reach, Canon offers two new super-zoom solutions, the new PowerShot SX500 IS and PowerShot SX160 IS digital cameras featuring an impressive 30x and 16x optical zoom, respectively. Both cameras are equipped with Canon’s latest advancements in AF technology enhancing auto focus (AF) speeds over previous SX-series camerasⁱ to capture the excitement in brilliant clarity and quality. The extremely responsive high-speed AF lets you capture great shots as they happen, with significantly reduced lag time. With incredible zoom capabilities, fast responsive AF, stunning resolution and easy-to-use features, both cameras are stylish and compact to take along for any occasion to help you get a good shot from the back of a school theatre or the sidelines of a game.

Borrowing from Canon’s optics expertise, these new models include long-reaching zoom and Canon’s Intelligent Image Stabilization technology which analyzes the scene being shot and compensates for camera movement for steady images and video even while panning or walking. In addition to the great optical features, both of these new cameras are also equipped with Canon’s Smart AUTO mode – which will automatically apply optimum image settings for 32 different shooting scenarios. In this mode, the camera automatically identifies the ideal setting, making high-quality images easy for anyone to capture.

“In photography, there is no substitution for great optical zoom and while our customers may not always be close to the action, these cameras are designed to help bring their photos and videos in close, with great image resolution and quality as if they were standing right there,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

PowerShot SX500 IS

With a 24mm wide angle lens and an incredible 30x optical zoom (up to 720mm) packed into a compact design, the PowerShot SX500 IS enables users to pull subjects in close and capture stunning, high-quality images with a 16.0 megapixel sensor and powerful DIGIC 4 image processor. With such incredible zoom capabilities, the camera is also equipped with Canon’s Intelligent IS system for rock-steady images and HD video even at full-telephoto zoom. A 3.0-inch LCD screen makes operation easy and intuitive, and displays the scene with brilliant clarity. In addition, the camera is equipped with a Zoom Framing Assist feature – a Canon technology that makes zooming-in and framing subjects quick and effortless. This feature is a tremendous benefit for those times when you lose sight of your subject after zooming in. By simply pressing the Zoom Framing Assist button located on the lower front left of the camera, the lens will quickly zoom out to help you re-locate and frame your subject. A frame box appears on the LCD as a guide to place your subject in and releasing the button quickly brings the camera back to the initial “zoomed-in” range. The lens retraction and extension is faster using the Zoom Framing Assist button than the zoom lever, and allows the photographer to keep the camera more stable for the shot, this is particularly helpful for those trying to zoom in and shoot pictures of animals or moving subjects.

PowerShot SX160 IS

With its compact design and powerful 16x optical zoom, the PowerShot SX160 IS is a versatile camera with a dynamic optical zoom range from 28mm wide up to 448mm, perfect for everyday use. This model also features a 16.0-megapixel sensor, DIGIC 4 image processor and Canon’s Intelligent IS system – providing ultimate functionality in a compact, easy-to-carry design. The camera is always ready to shoot video with its dedicated movie button to start and stop recording HD video instantly and uses the full range of optical zoom when recording, without sacrificing HD resolution. The camera’s large 3.0-inch LCD provides a beautiful display when shooing and recording video or simply scrolling through menu options. Powered by AA batteries, the PowerShot SX160 IS is ideal for easy and convenient shooting on-the-go even when charging a battery may not be an option. The PowerShot SX160 IS digital camera will be available in red or black.

Both the new PowerShot SX500 IS and PowerShot SX160 IS digital cameras are expected to be available in September 2012 for an estimated retail price of $329.99, and $229.99, respectively.

For more information, visit www.usa.canon.com/powershot

About Canon U.S.A., Inc.

###

† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks or registered trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

ⁱ According to tests performed by Canon Inc. when compared to the PowerShot SX150 IS model, the PowerShot SX160 IS digital camera exhibits improvements in AF speed with a 22 percent reduction in AF time and a 46 percent reduction in shutter lag. When tested against PowerShot SX40 HS model, the PowerShot SX500 IS digital camera exhibits improvements in AF speed with a 32 percent reduction in AF time and a 33 percent reduction in shutter lag. Tests were conducted under identical conditions – Subject brightness: Lv 13, shooting mode: P mode/Single AF (center point). The percentage of improvement for AF and Shooting time lag (Shutter lag) is measured in seconds. Defined focal length for each model: SX500 IS and SX40 HS at 24mm wide and SX160 IS and SX150 IS at 28mm wide. AF time definition conforms to CIPA guidelines established in April 2012.

Canon EF 70-200 f/4L IS USM Lens Review

Posted by Digital Photography Live Date July 30, 2012

Canon has been experimenting with the 70-200mm L lenses and one of their best is the EF 70-200mm f/4.0 L IS USM Lens. Some would ask there were already the EF 70-200mm f/4 L USM Lens and the faster EF 70-200mm f/2.8 L USM and the EF 70-200mm f/2.8 L IS II USM Lenses, so why would Canon go for another lens in the same category? The answer is 70-200mm is a great range for medium telephoto and different photographers has different shooting needs even at this same focal range. Some need IS while others need FTM while still others need wider apertures for portrait shots using the medium reach. Apparently introduced at different price points, Canon seems to be trying to cater to each and every of its customer’s needs at this very popular focal range segment. But there is a bit more than just small refinements and marketing sense that prompted the launch of the EF 70-200mm f/4.0 L IS USM lens. The EF 70-200mm f/4.0 L IS USM is an improvement over its older sibling the EF 70-200mm f/4 L USM lens. Canon has introduced the IS feature in this focal range, giving the lens up to 4 stops of stabilization against camera shake. It also has FTM and additional elements and groups which makes the lens sharper and better than the older sibling.

Weight and convenience when using for handheld shots or carrying around

Weight is one of the strongest advantage of this lens over heavier f/2.8 version. Weight wise this lens is slightly on the heavier side at 760gms (when compared with the non-IS version). Again when compared with the f/2.8 lenses of the same focal range (from Canon), this one is a good 500gms lighter. Lighter weight is perfect for photographers who plan to shoot landscapes or any other subjects handheld at the maximum focal length. It is also ideal for carrying around for long periods of time mounted on a professional body.

Canon EF 70-200 f/4L IS & EF 16-36 f:2.8L II

Features & specs

Speaking of handheld shots, the IS feature with its up to 4 steps stabilization system makes it suitable for handheld shots at hitherto impossible slower shutter speeds. The EF 70-200mm f/2.8 L IS USM lens was ideally the best lens (not considering the price factor) at this range because of the IS. However not many photographers could afford the price tag of $2000. it is way too much for most photographers to invest on a single lens. Additionally, not all the time a photographer would be shooting at a faster aperture of f/2.8 which means the full capabilities of the lens would never really be required. Thus Canon’s decision to introduce IS to its slightly slower aperture of f/4 actually makes great sense. It is affordable, does everything that the more expensive lens does and at just one stop less speed, than the expensive sibling, makes perfect choice for most photographers.

A rock solid image stabilization system is perfect for handheld shooting. An example will make this point even easier to understand. Say you’re shooting in a tricky lighting condition and the available additional lighting options is not enough; you will need a faster aperture and a commensurate shutter speed to capture the moment. At f/4 this is certainly wide and in a non-IS lens one would have to use this together with a commensurate shutter speed to perfect the shot. However, without a built in IS it is not possible to use a slower shutter speed. This is where the IS lens is so handy as it allows slower shutter speeds without any image softening. Say earlier if one could shoot with a shutter speed of 1/250^th of a second one can now use a 4 stop slower shutter speed and still get a sharp picture. The convenience of this is one can achieve much better results in low light and even when hand holding the camera.

Speaking of hand holding and IS, some photographers complain that when they mount the lens and the camera system on a tripod, with the IS on, the camera sometimes shoots soft images. The reason is modern lenses with built in IS often tries to correct camera shake even when there is none. In such circumstances one could try switching off the IS and then shoot the pictures to compare the results.

Image quality

For any and every lens the biggest test of its quality is no doubt the images. At f/4 the lens is very sharp at the middle and at the corners. One does not need to stop down further to increase the sharpness (and there is no real improvement either at f/5.6 or smaller). Compared with the EF 70-200mm f/4 L USM lens (the non-IS version) this lens has 2 more elements and 4 groups. However the image quality for both the non-IS and the IS versions are more or less comparable. Performance of the IS version is slightly better though at the center and at the corners from 85mm up to its longest focal length. Canon has done a great job of suppressing chromatic aberrations which are present in most lenses when shooting at extreme focal lengths. At 200mm some amount of chromatic aberration is present, though overall performance is still great. Additionally there is less vignetting in the IS than in the non-IS version (when used with a crop body) making this a better choice for shooting at f/4 and 70mm. When used with a full frame body, some amount vignetting is unavoidable and is present in this lens as well. Flares are occasional hazards and the EF 70-200mm f/4.0 L IS USM performs really well. In fact it is better than the EF 70-200mm f/2.8 L IS USM lens making this a better choice for shooting in bright sunlight.

Lake Mountain, Auatralia. EOS 5D III, EF 70-200 f/4L IS; f/5.6, 1/320 sec,

Weather sealing

Almost all of Canon’s L series lenses are weather sealed. If one is using a professional body such as the 5D Mark II or the mark III or the flagship 1DX these lenses are perfect for an all round weather sealed system. Weather sealing in some lenses is complete only when a UV filter is screwed on. However this lens has no such requirement.

Is it a good buy?

The EF 70-200mm f/4.0 L IS USM lens retails at a price of $1099 which means it is a good $1000 less than the EF 70-200mm f/2.8 L IS II USM. For those who don’t need a very wide aperture this is probably the best buy given the remaining specifications are nearly the same.

Sample Photos by Canon EF 70-200mm f/4.0 L IS USM lens on Flickr

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Available at Amazon | Adorama | B&H

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Sample Images by Tokina 10-17mm f/3.5 – 4.5 AT-X DX NH Fisheye on Flickr

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Tokina 10-17mm f/3.5 – 4.5 AT-X 107 AF DX NH Fisheye Specifications

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Sample Images by Tokina 10-17mm f/3.5 – 4.5 AT-X DX Fisheye on Flickr

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Tokina 10-17mm f/3.5 – 4.5 AT-X DX Fisheye Lens Specifications

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Sample Images by Tokina 12-24mm f/4 PRO DX II on Flickr

Tokina 12-24mm f/4 AT-X 124 AF PRO DX II Specifications

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Sample Images by Tokina 11-16mm f/2.8 AT-X Pro DX II on Flickr

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Tokina 11-16mm f/2.8 AT-X Pro DX II Lens Specifications

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Sample Images by Tokina 11-16mm f/2.8 AT-X Pro DX on Flickr

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Tokina 11-16mm f/2.8 AT-X Pro DX Lens Specifications

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Great Images Are Now Trending: With Wi-Fi® Connectivity and a Powerful Android™ Platform, the New Nikon COOLPIX S800c is the Easy Way to Instantly Capture, Create and Share

The New COOLPIX S800c Enhances the User’s Connected Life, Letting Them Instantly Share Great Images From a Device That Includes Features Only a Camera Can Provide with the Ease and Versatility of a Smartphone or Tablet

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Sample Images by Speedlight SB-700 on Flickr

Speedlight SB-700 Specifications

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Sample Images by Speedlight SB-910 on Flickr

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Sample Images by Tokina AT-X 17-35 F4 PRO FX on Flickr

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Tokina AT-X 17-35 F4 PRO FX Specifications

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Sample Images by Tokina AT-X 16-28 F2.8 PRO FX on Flickr

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Tokina AT-X 16-28 F2.8 PRO FX Specifications

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New PowerShot Cameras ‘Zoom Photographers In’ Close To The Action And Offer Fast Auto Focus Speeds To Help Capture The Moment In Stunning Quality

Sample Photos by Canon EF 70-200mm f/4.0 L IS USM lens on Flickr

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