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Canon EF-M 22mm f/2 STM Lens

 

Canon EF-M 22mm f/2 STM Lens

Product Summary

Overview

The Canon EF-M 22mm f/2 STM lens is equivalent to that of a 35.2mm lens in full-frame format. It has maximum f/2 aperture to aids in low light and action shooting. It features one aspherical element for aberration reduction and a circular aperture with 7 diaphragm blades for a soft out-of-focus quality Available at Amazon | AdoramaB&H

Product Images

 

Canon EF-M 22mm STM

Canon 22mm F/2 Specifications

Focal Length 22mm
Aperture Maximum: f/2
Camera Mount Type Canon EF-M
Format Compatibility Canon (APS-C)
Angle of View 63deg.
Minimum Focus Distance 5.91″ (15 cm)
Maximum Reproduction Ratio 1:2
Groups/Elements 6/7
Diaphragm Blades 7
Autofocus Yes
Tripod Collar No
Filter Thread 43 mm
Dimensions (D x L) 2.4 x 0.9″ (60.96 x 22.8 mm)
Weight 3.7 oz (105 g)

 

Press Release

LAKE SUCCESS, N.Y., July 23, 2012 – Combining the perfect blend of advanced video features and excellent still image quality in a convenient size, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the EOS M Digital Camera. Canon has made significant advancements in the realm of professional-quality HD video capture, from advanced CMOS sensor technology to smooth, quiet continuous autofocus. Inspired by EOS technology, the EOS M leverages these core technologies and distills them down to provide outstanding video capture capabilities while retaining high-quality still image capture. When shooting still images, the EOS M camera’s 18-megapixel APS-C-sized CMOS image sensor provides a shallow depth of field, incredible low-light image quality and a wide dynamic range to capture rich gradation and detail. This new addition to the EOS family offers a great solution to videographers and photographers of all levels, with two new lenses designed specifically for Canon’s new camera format – the EF-M 22mm f/2 STM kit lens and the optional EF-M 18-55mm f/3.5-5.6 IS STM lens– and the ability to use the full line of Canon EF and EF-S lenses through the optional Mount Adapter EF-EOS M.

“The EOS M includes a unique feature set making it an ideal movie-making tool, while also offering incredible still image quality on its APS-C-sized CMOS sensor. The camera’s size, image quality, advanced video capabilities and the versatility of Canon’s full lineup of lenses make the EOS M another great option to help our customers record and capture their creative vision,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

Product Specifications and Features:

  • EOS Full HD Movie mode with Movie Servo AF for continuous focus tracking of moving subjects also includes:
    Manual exposure control
    Multiple resolution frame rates
    Built-in stereo microphone
    Manual audio level adjustment
    Video Snapshot mode with touch-screen editing
  • 18.0-megapixel APS-C CMOS sensor
  • ISO 100–6400 (expandable to 12800 in H mode) for video recording, ISO 100–12800 (expandable to 25600 in H mode) for still image shooting from bright to dim light and high performance Powerful DIGIC 5 Image Processor for exceptional image quality video and photos
  • Hybrid CMOS AF delivers fast autofocus speed for video and photos
  • Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation allowing photographers to use familiar gestures such as “pinch-to-zoom” and “swiping” to scroll between pictures and Touch AF for an easy and intuitive video capture experience
  • Scene Intelligent Auto mode delivers expertly optimized photos and scene detection for amazing results even when shooting at night
  • Advanced imaging features like Handheld Night Scene mode, HDR Backlight Control mode, and seven Creative Filters provide added versatility
  • Multi-shot Noise Reduction helps preserve precious detail in photos at high ISO speeds
  • Compatible with SD/SDHC/SDXC memory cards, including new Ultra High Speed (UHS-I) cards
  • Compatible with all Canon Speedlite accessories including the new Speedlite 600EX and Speedlite Transmitter ST-E3-RT
  • Compatible with Canon’s GPS Receiver GP-E2

An Advanced Video Capture Device

The EOS M utilizes Canon’s Hybrid CMOS AF system to deliver fast autofocus speed for both video and photos. The Hybrid CMOS AF system truly shines when shooting video with EOS Full HD Movie mode including Movie Servo AF for continuous autofocus and tracking of moving subjects. The Hybrid CMOS AF system is located on the CMOS sensor itself and combines phase-difference AF and contrast AF to achieve operational stability, speed and precision. The Movie Servo AF function on the EOS M is enabled by default which keeps images on the rear screen in constant focus, even before the shutter is pressed. This continual focus makes for sharp video capture in a snap or to help reduce shutter lag due to focusing when still images want to be shot. The camera employs three AF methods for video and photos, Face Detection & Tracking AF, Multi-Point AF for automatic selection and Single-Point AF, where users select one of 31 AF points. Through the camera’s touch-panel operation, subject recognition and tracking is engaged at the touch of a finger, allowing users to track subjects accurately and focus on intended subjects with ease. In addition to subject tracking, the touch-panel LCD allows for simple, intuitive operation, menu navigation and touch features making it easy to shoot video and photos.

Thanks to Canon’s new Stepping Motor (STM) technology, when using either of the newly announced M-series lenses – the EF-M 22mm f/2 STM kit lens or the optional EF-M 18-55mm f/3.5-5.6 IS STM lens – the AF system remains silent, helping ensure users only capture the sound of the scene being recorded. The EOS M also features manual audio level control to 64 levels, a built-in stereo microphone, which includes a wind filter and an attenuator function to reduce audio distortion in extra loud situations. The EOS M records MPEG-4 AVC H.264 video as an .MOV file in a range of NTSC and PAL professional frame rates, including 1080p Full HD video at 30p (29.97), 24p (23.976) and 25p, 720p HD video at 60p (59.94) or 50p and Standard Definition video at 30p (29.97) or 25p.

In addition to the creativity afforded by over 70 compatible lenses, the EOS M also includes Picture Style settings – including custom Picture Styles – when shooting video, allowing users to adjust color settings the same as when shooting still images. The camera also includes Canon’s Video Snapshot mode for an easy way to record and create a fun highlight reel that can be easily shared. Video Snapshot mode combines a series of short video clips into a single file, all in-camera. Through the camera’s touch-screen controls users can delete, cut or re-order the clips in-camera for quick and easy editing.

Optical Diversity: New M-Series Lenses and Accessories

Along with the EOS M, Canon is also introducing two new M-series lenses – with new EOS M mounts –that include STM technology allowing for smooth and silent focusing when paired with Hybrid CMOS AF.

The EF-M 22mm f/2 STM kit lens is ideal for shooting video and still images. The fixed focal length lens has a great capacity for gathering light with an incredible aperture of f/2 and when combined with the camera’s APS-C image sensor, provides beautiful bright images and background blur for both video and stills. For more focal range versatility, Canon is also introducing the new EF-M 18-55mm f/3.5-5.6 IS STM, which provides videographers and photographers with a variable zoom range for general use with video recording or photographing. Both lenses are designed specifically for use with the EOS M digital camera.

In addition to the two lenses, any of Canon’s EF and EF-S lenses can be used with the EOS M with the optional Mount Adapter EF-EOS M. The EOS M camera’s strong magnesium and stainless steel frame provide the durability and rigidity to support the full line of EF and EF-S Lenses in a lightweight convenient design. Using the adapter allows the camera to be fully integrated into the EOS ecosystem of lenses, adding creative options and versatility to this powerful camera.

Ideal for use with the EOS M , Canon is also announcing a new compact and lightweight flash unit, the Speedlite 90EX, designed for the photographer on the go. The Speedlite 90EX is capable of coverage for 24mm wide angle lenses (35mm equivalent) with maximum guide numbers of 30 feet (9 meters) at ISO 100. The flash unit can be controlled wirelessly for creative multiple flash shoots and uses the standard Canon EOS hot shoe mount for compatibility with all EOS DSLR cameras and PowerShot digital cameras that include a hot shoe.

Availability

The EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be available in October for an estimated retail price of $799.99. A white version of the EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be exclusively available through the Canon Online store, shop.usa.canon.com.

The new EF-M 18-55mm f/3.5-5.6 IS STM lens, Mount Adapter EF-EOS M and Speedlite 90EX will all be available in October at an estimated retail price of $299.99, $199.99 and $149.99 respectively.

Sample Images

Purchase options

EF-M 22mm f/2 STM Lens available at Amazon | AdoramaB&H

Canon EF-M 18-55mm f/3.5-5.6 IS STM Lens

Canon EF-M 18-55mm f/3.5-5.6 IS STM Lens

Product Summary

Overview

The EF-M 18–55mm f/3.5–5.6 IS STM has three aspheric lens elements that help reduce aberration throughout the zoom range to provide high resolution and high contrast for superb image quality. Optimized lens placement and coatings ensure minimized ghosting and flare. This lens also supports the EOS M Digital Camera’s Movie Servo AF function for smooth and quiet continuous autofocus during video shooting by utilizing a stepping motor; it even has Dynamic IS to provide the image stabilization needed while recording video when walking (in movie shooting mode). Available at Amazon | AdoramaB&H

Product Images

Canon EF-M 18-55mm f:3.5-5.6 IS STM top

Canon EF-M 18-55mm f/3.5-5.6 IS STM Specifications

Compatibility EOS M
35mm film equivalent focal length (mm) 29-88
Angle of view (horzntl, vertl, diagnl) H:64º 30′ – 23º 20′, V: 45º 30′- 15º 40′, D: 74º 20′ – 27º 50′
Construction (elements/groups) 13/11
No. of diaphragm blades 7
Minimum aperture 22 – 38(36)
Closest focussing distance (m) 0.25
Maximum magnification (x) 0.25 (at 55mm)
Distance Information Provided
Image stabilizer 4-stops
AF actuator STM
Dust/moisture resistance No
Filter Size (mm) 52
Max. diameter x length (mm) 60.9 x 61
Weight (g) 210
Lens Cap E-52 II
Lens hood EW-54
Lens case/pouch LP814
G.F.Holder III (hood III*) 0
G.F.Holder IV (hood IV*) 0
Magnification Extension Tube EF12 II NA
Magnification Extension Tube EF25 II NA
Extender Compatiblity NC

Canon EF-M 18-55mm f/3.5-5.6 IS STM Press Release

LAKE SUCCESS, N.Y., July 23, 2012 – Combining the perfect blend of advanced video features and excellent still image quality in a convenient size, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the EOS M Digital Camera. Canon has made significant advancements in the realm of professional-quality HD video capture, from advanced CMOS sensor technology to smooth, quiet continuous autofocus. Inspired by EOS technology, the EOS M leverages these core technologies and distills them down to provide outstanding video capture capabilities while retaining high-quality still image capture. When shooting still images, the EOS M camera’s 18-megapixel APS-C-sized CMOS image sensor provides a shallow depth of field, incredible low-light image quality and a wide dynamic range to capture rich gradation and detail. This new addition to the EOS family offers a great solution to videographers and photographers of all levels, with two new lenses designed specifically for Canon’s new camera format – the EF-M 22mm f/2 STM kit lens and the optional EF-M 18-55mm f/3.5-5.6 IS STM lens– and the ability to use the full line of Canon EF and EF-S lenses through the optional Mount Adapter EF-EOS M.

“The EOS M includes a unique feature set making it an ideal movie-making tool, while also offering incredible still image quality on its APS-C-sized CMOS sensor. The camera’s size, image quality, advanced video capabilities and the versatility of Canon’s full lineup of lenses make the EOS M another great option to help our customers record and capture their creative vision,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

Product Specifications and Features:

  • EOS Full HD Movie mode with Movie Servo AF for continuous focus tracking of moving subjects also includes:
    Manual exposure control
    Multiple resolution frame rates
    Built-in stereo microphone
    Manual audio level adjustment
    Video Snapshot mode with touch-screen editing
  • 18.0-megapixel APS-C CMOS sensor
  • ISO 100–6400 (expandable to 12800 in H mode) for video recording, ISO 100–12800 (expandable to 25600 in H mode) for still image shooting from bright to dim light and high performance Powerful DIGIC 5 Image Processor for exceptional image quality video and photos
  • Hybrid CMOS AF delivers fast autofocus speed for video and photos
  • Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation allowing photographers to use familiar gestures such as “pinch-to-zoom” and “swiping” to scroll between pictures and Touch AF for an easy and intuitive video capture experience
  • Scene Intelligent Auto mode delivers expertly optimized photos and scene detection for amazing results even when shooting at night
  • Advanced imaging features like Handheld Night Scene mode, HDR Backlight Control mode, and seven Creative Filters provide added versatility
  • Multi-shot Noise Reduction helps preserve precious detail in photos at high ISO speeds
  • Compatible with SD/SDHC/SDXC memory cards, including new Ultra High Speed (UHS-I) cards
  • Compatible with all Canon Speedlite accessories including the new Speedlite 600EX and Speedlite Transmitter ST-E3-RT
  • Compatible with Canon’s GPS Receiver GP-E2

An Advanced Video Capture Device

The EOS M utilizes Canon’s Hybrid CMOS AF system to deliver fast autofocus speed for both video and photos. The Hybrid CMOS AF system truly shines when shooting video with EOS Full HD Movie mode including Movie Servo AF for continuous autofocus and tracking of moving subjects. The Hybrid CMOS AF system is located on the CMOS sensor itself and combines phase-difference AF and contrast AF to achieve operational stability, speed and precision. The Movie Servo AF function on the EOS M is enabled by default which keeps images on the rear screen in constant focus, even before the shutter is pressed. This continual focus makes for sharp video capture in a snap or to help reduce shutter lag due to focusing when still images want to be shot. The camera employs three AF methods for video and photos, Face Detection & Tracking AF, Multi-Point AF for automatic selection and Single-Point AF, where users select one of 31 AF points. Through the camera’s touch-panel operation, subject recognition and tracking is engaged at the touch of a finger, allowing users to track subjects accurately and focus on intended subjects with ease. In addition to subject tracking, the touch-panel LCD allows for simple, intuitive operation, menu navigation and touch features making it easy to shoot video and photos.

Thanks to Canon’s new Stepping Motor (STM) technology, when using either of the newly announced M-series lenses – the EF-M 22mm f/2 STM kit lens or the optional EF-M 18-55mm f/3.5-5.6 IS STM lens – the AF system remains silent, helping ensure users only capture the sound of the scene being recorded. The EOS M also features manual audio level control to 64 levels, a built-in stereo microphone, which includes a wind filter and an attenuator function to reduce audio distortion in extra loud situations. The EOS M records MPEG-4 AVC H.264 video as an .MOV file in a range of NTSC and PAL professional frame rates, including 1080p Full HD video at 30p (29.97), 24p (23.976) and 25p, 720p HD video at 60p (59.94) or 50p and Standard Definition video at 30p (29.97) or 25p.

In addition to the creativity afforded by over 70 compatible lenses, the EOS M also includes Picture Style settings – including custom Picture Styles – when shooting video, allowing users to adjust color settings the same as when shooting still images. The camera also includes Canon’s Video Snapshot mode for an easy way to record and create a fun highlight reel that can be easily shared. Video Snapshot mode combines a series of short video clips into a single file, all in-camera. Through the camera’s touch-screen controls users can delete, cut or re-order the clips in-camera for quick and easy editing.

Optical Diversity: New M-Series Lenses and Accessories

Along with the EOS M, Canon is also introducing two new M-series lenses – with new EOS M mounts –that include STM technology allowing for smooth and silent focusing when paired with Hybrid CMOS AF.

The EF-M 22mm f/2 STM kit lens is ideal for shooting video and still images. The fixed focal length lens has a great capacity for gathering light with an incredible aperture of f/2 and when combined with the camera’s APS-C image sensor, provides beautiful bright images and background blur for both video and stills. For more focal range versatility, Canon is also introducing the new EF-M 18-55mm f/3.5-5.6 IS STM, which provides videographers and photographers with a variable zoom range for general use with video recording or photographing. Both lenses are designed specifically for use with the EOS M digital camera.

In addition to the two lenses, any of Canon’s EF and EF-S lenses can be used with the EOS M with the optional Mount Adapter EF-EOS M. The EOS M camera’s strong magnesium and stainless steel frame provide the durability and rigidity to support the full line of EF and EF-S Lenses in a lightweight convenient design. Using the adapter allows the camera to be fully integrated into the EOS ecosystem of lenses, adding creative options and versatility to this powerful camera.

Ideal for use with the EOS M , Canon is also announcing a new compact and lightweight flash unit, the Speedlite 90EX, designed for the photographer on the go. The Speedlite 90EX is capable of coverage for 24mm wide angle lenses (35mm equivalent) with maximum guide numbers of 30 feet (9 meters) at ISO 100. The flash unit can be controlled wirelessly for creative multiple flash shoots and uses the standard Canon EOS hot shoe mount for compatibility with all EOS DSLR cameras and PowerShot digital cameras that include a hot shoe.

Availability

The EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be available in October for an estimated retail price of $799.99. A white version of the EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be exclusively available through the Canon Online store, shop.usa.canon.com.

The new EF-M 18-55mm f/3.5-5.6 IS STM lens, Mount Adapter EF-EOS M and Speedlite 90EX will all be available in October at an estimated retail price of $299.99, $199.99 and $149.99 respectively.

Sample Images

Purchase options

EF-M 18-55mm f/3.5-5.6 IS STM available at  Amazon | Adorama | B&H

Canon Speedlite 90EX

Canon Speedlite 90EX

Product Summary

Overview

Ideal for use with EOS M Camera, the compact and lightweight Canon Speedlite 90EX Flash is designed for the photographer on the go. The Speedlite 90EX is capable of coverage for 24mm wide angle lenses (35mm equivalent) with maximum guide numbers of 30 feet (9 meters) at ISO 100. The flash unit can be controlled wirelessly for creative multiple flash shoots and uses the standard Canon EOS hot shoe mount for compatibility with all EOS DSLR cameras and PowerShot digital cameras that include a hot shoe.

  • Designed for Canon EOS M Compact System Camera
  • Ultra-compact and ultra-lightweight unit
  • Wireless master function (optical)
  • Supports 24mm wide-angle lenses (35mm terms)
  • Max. Guide No. 30ft. / 9m at ISO 100
  • Standard Canon hot shoe mount for compatibility with all EOS SLRs

Product Images

Canon 90EX Specifications

Compatibility Canon EOS M System
GN Max. Guide No. 30ft. / 9m at ISO 100
Coverage Supports 24mm wide-angle lenses (35mm terms)
Recycling Time 6 sec
Bounce Head No
Swivel Head No

 

More Info

Purchase options

Canon Speedlite 90EX Available at Amazon | AdoramaB&H

Canon Unveils EOS M Mirrorless System

Canon EOS M

Product summary

Key Features:

  • Manual exposure control
  • Multiple resolution frame rates
  • Built-in stereo microphone
  • Manual audio level adjustment
  • Video Snapshot mode with touch-screen editing
  • 18.0-megapixel APS-C CMOS sensor
  • ISO 100-6400 (expandable to 12800 in H mode) for video recording, ISO 100-12800 (expandable to 25600 in H mode) for still image shooting from bright to dim light and high performance Powerful DIGIC 5 Image Processor for exceptional image quality video and photos
  • Hybrid CMOS AF delivers fast autofocus speed for video and photos
  • Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation allowing photographers to use familiar gestures such as “pinch-to-zoom” and “swiping” to scroll between pictures and Touch AF for an easy and intuitive video capture experience
  • Scene Intelligent Auto mode delivers expertly optimized photos and scene detection for amazing results even when shooting at night
  • Advanced imaging features like Handheld Night Scene mode, HDR Backlight Control mode, and seven Creative Filters provide added versatility
  • Multi-shot Noise Reduction helps preserve precious detail in photos at high ISO speeds
  • Compatible with SD/SDHC/SDXC memory cards, including new Ultra High Speed (UHS-I) cards
  • Compatible with all Canon Speedlite accessories including the new Speedlite 600EX and Speedlite Transmitter ST-E3-RT
  • Compatible with Canon’s GPS Receiver GP-E2

Features

Unleash Your Creativity Into Motion With The New EOS M. It is the Newest Mirroless Camera in Canon’s Lineup Delivers Exceptional EOS Full HD Video Quality with Continuous Autofocus and a huge Selection of Lenses. The Canon EOS M is an entirely new MILC system based on an 18MP APS-C CMOS sensor that can produce image quality that is comparable to that obtained by Canon’s best DSLRs.

Canon is emphasizing the EOS M primarily as a movie-making tool and secondarily as a still camera, but its specifications make it impressive in both. It has a built-in stereo microphone (with manual audio adjustment), manual exposure control and multiple resolution frame rates, as well as a video snapshot mode with touch-screen editing. The Movie Servo AF mode, which is the camera’s default setting, is claimed to be able to track moving subjects. The two new lenses introduced with the EOS M use STM (Stepping Motor Technology) for virtually silent autofocus that won’t be picked up by the camera’s internal microphone.

The Canon EOS M features a hybrid CMOS AF system that employs both contrast detection and phase detection autofocus techniques. In competing systems this hybrid approach has allowed for minimal focus time, and indeed, Canon claims speedy snap to focus for the M system with reduced shutter lag. Face Detection, Tracking AF, Multi-Point AF with 31 autofocus points as well as single-point AF are all user-selected focus options. Touch-screen operation activates subject recognition and tracking; users can use touch-screen to navigate the menus for both still and video.

A new camera mount and short flangeback design (which brings the rear lens element closer to the surface of the sensor) means a new lens system based on the EF-M mount, and the EOS M arrives at birth with two lenses, an EF-M 18-55mm f/3.5-5.6 IS STM kit lens (35mm equivalent: 29-88mm) and the new EF-M 22mm (35mm equivalent: 35mm) f/2 STM pancake lens. Owners of Canon EOS DSLR systems can also rejoice: Canon also announced the Mount Adapter EF-EOS M, which allows you to mount any Canon EOS EF and EF-S lens. With over 70 lenses currently available, the Canon M becomes another part of the Canon EOS ecosystem.

Finally, Canon also announced the Canon Speedlite 90EX, which is closely matched to the Canon M but can also be used with other Speedlites. The Speedlite 90EX boasts a 24mm angle of coverage, and a maximum guide number of 30 feet at ISO 100. The M is fully compatible with the entire Canon Speedlite line, and can control multiple speedlites wirelessly.

Canon EOS M is ideal for snapshooters, travelers, and first-time interchangeable-lens camera users. Measuring 4.3×2.6×1.3 inches (without lens) and weighing a mere 10.5 ounces (body only, with battery), the camera is small and light.

The top of the camera, from left to right, features left and right microphones, a flash/accessory mount (yes, you can mount the Canon TK GPS system), an on/off switch, and a shutter release surrounded by a rotating switch that lets you choose Auto+, still camera or video modes; choices within each mode can be found within the menu structure. A nice design element: The shutter release is nestled in a comfortable tilt within in a carved out wedge. With the flash mount so close, this makes sense because it reduces the likelihood that your shooting finger will bump up against the bottom of the mounted flash.

The back of the camera is dominated by the 3 inch LCD monitor which is built in and doesn’t rotate, but which boasts a very high 1.04 million dot resolution. A menu button accesses menu controls, while a preview button lets you look at stills and videos. A “Q” button also doubles as a feature set button, and is surrounded by a four-way circular toggle switch to control burst rate and self-timer, EV control, image delete, and an assignable function option indicated by an asterisk. An info button lets you control what information appears on screen during shooting or preview modes.

On the left side of the camera a door opens to reveal AV/Out digital and HDMI ports, as well as an external mic jack, and the front of the camera simply has a small grip protrusion, the lens mount and release button, and the infrared focus aid. There is no eye-level viewfinder option.

Despite its simplified layout, the Canon EOS M is solidly built. Its chassis is constructed of magnesium and stainless steel, and Canon says the body can, via the EOS lens adapter, be fully integrated into the entire line of Canon DSLR lenses.

Sample Images by EOS M on Flickr

Canon EOS M Specifications

Format APS-C (1.6x Crop Factor)
Resolution Effective Pixels: 18.0 Megapixels
Other Resolutions: 17.9 MP: 5184 x 3456
Other File Sizes: 8 MP (3,456 x 2,304) 4.5 MP (2,592 x 1,728) 2.5 MP (1,920 x 1,280) 0.35 MP (720 x 480) RAW – 17.9 MP (5184 x 3456)
Sensor Type / Size CMOS, 22.3 x 14.9mm
File Formats Still Images: JPEG, RAW
Movies: MOV
Audio: Linear PCM
Bit Depth 14-bit
Dust Reduction System Yes
Noise Reduction Yes
Memory Card Type SD
SDHC
SDXC
AV Recording Video Recording: Yes, NTSC/PAL
Aspect Ratio: 4:3, 16:9
Video Clip Length: Up to 44 Minutes
Audio Recording: With Video, Stereo, Via Optional External Mic
Focus Control Focus Type: Auto & Manual
Focus Mode: Single-servo AF (S), Continuous-servo AF (C), Manual Focus (M) , Focus Lock AF Area Mode
Autofocus Points: 31
Viewfinder/Display Viewfinder Type: LCD Display
Display Screen: 3.0″ Rear Touchscreen Live Preview LCD (1040000)
Live View: Yes
Exposure Control ISO Sensitivity: Auto, 100-6400 (Extended Mode: 12800-25600) Shutter Type: Electronic & Mechanical / Shutter Speed: 30 – 1/4000 sec 10
Metering Method: Spot metering, Center-weighted average metering, Average metering
Exposure Modes: Modes: Aperture Priority, Auto, Manual, Programmed Auto, Shutter Priority / Compensation: -3 EV to +3 EV (in 1/3 EV steps)
White Balance Modes: Auto, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Flash Built-in Flash: None
Dedicated Flash System: eTTL
External Flash Connection: Hot Shoe
Performance In-Camera Image Editing: Color Balance, Edit Movie, Filter Effects, Fisheye, Miniature Effect, Monochrome
Start-up Time: 1.6 Seconds
Shutter Lag: 0.05 Seconds
Self Timer: 10 sec, 2 sec
Connectivity: AV Output, HDMI C (Mini), USB 2.0 (out)
Wi-Fi Capable (With Optional Transmitter): No
Power Battery: 1x LP-E12 Built-in Rechargeable Lithium-ion Battery
AC Power Adapter: ACK-E12 (Optional)
Operating Temerature 32 to 104 °F (0 to 40 °C)
Humidity: 0 – 85%
Dimensions 4.28 x 2.62 x 1.27″ / 108.6 x 66.5 x 32.3 mm
Wt 9.24 oz / 262g without battery
Kit Lens Specs Focal Length: 22 mm / Comparable Focal Length: 35 mm
Aperture: Maximum: f/2 / Minimum: f/2
Angle of View: 63°
Minimum Focus Distance: 0.49′ (0.15 m) Groups/Elements: 6/7
Diaphragm Blades: 7
Autofocus: Yes
Image Stabilization: No
Filter Thread Front: 43 mm
Dimensions: (DxL) Approx. 2.40 x 0.93″ (60.9 x 23.7 mm)
Weight: 3.70 oz (105 g)

 

Additional Images

Canon EOS M Hands On

Purchase options

Canon EOS M with 22 f/2 STM Black at B&H | Amazon | Adorama | DigitalRev
Canon EOS M with 22 f/2 STM White at B&H | Amazon | Adorama
Canon Speedlite EX90  at B&H | Amazon | Adorama
Canon EF Adaptor at B&H | Amazon | Adorama
Canon 18-55 IS at B&H | Amazon | Adorama
Canon LP-E12 Battery at B&H | Amazon | Adorama

Nikon Close-up Speedlight Kit R1C1

Nikon Close-up Speedlight Kits R1C1

Product Summary

Specifications

Construction Wireless remote flash unit with Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry
GN 10/33 (ISO 100, m/ft.), 14/46 (ISO 200, m/ft.)
Coverage (78° horizontal, 60° vertical)
Flash modes i-TTL, D-TTL, TTL (film-based cameras), M (manual)
Recycling time 6 seconds or less
No. of flashes Approximately 290
Bounce Flash head tilts down (toward optical axis) to 60° with stops at every 15°, and up (away from optical axis) to 45° with stops at every 15°
Flash duration Approximately 600 ¬s
Mounting foot Dedicated shoe for SX-1 Attachment Ring or AS-20 Speedlight Stand
Target light White LED
Power One 3V CR123A lithium battery
Dimensions (WxHxD) Approximately 80 mmx?75 mm x 55 mm
3.1″ x? 3.0″ x? 2.2″
Wt Not Specified by Manufacturer
Transmission mode Infrared communication
Transmission range SB-800/SB-600: approximately 20 m (66 ft.) SB-R200: approximately 4 m (13 ft.) along the optical axis
No. of channels Four
No of groups: Three
No of transmissions Approximately 1,200
Transmission interval Approximately 1 second
Transmission wavelength 800 – 1,000 nm
Coverage Approximately 78 degrees horizontal and 60 degrees vertical
Display LCD, ready light
AF-assist illuminator range Approximately 10 m (33 ft.) at center area using a 50mm f/1.8 lens
Power One 3V CR123A lithium battery
Wt Approximately 160 g (5.6 oz.)
Dimensions (W x H x D): Approximately 68 x 96 x 58 mm (2.7 x 3.8 x 2.3 in.)

 

Product Images

Nikon Close-up Speedlight Kits R1C1

More Info

@ Nikon

Purchase options

Nikon Close-up Speedlight Kit R1C1 at Amazon | Adorama | B&H

Nikon Wireless Speedlight Commander SU-800

Nikon Wireless Speedlight Commander SU-800

Product Summary

Overview

The Wireless Speedlight Commander SU-800 (Amazon | Adorama | B&H) is a wireless commander which offers wireless controlling of an unlimited number of Speedlights (compatible with SB-R200, SB-910, SB-900, SB-800, SB-700 and SB-600 Speedlight units) and up to 3 Speedlight groups within a transmission range of 66’ (approx 20 meters). This allows the user to split all the Speedlights that he wants to control in totality and then control each group individually according to his requirement. Just in case you’re planning to use the system in a location that is also going to have other photographers using their wireless systems, the Wireless Speedlight Commander SU-800 comes with four independent channels. It supports all camera system compatible with Nikon’s Creative Lighting System (CLS) technology.

There are two types of close-up operations provided in the lens, one is dual-light close-up flash and the other one is triple-light close-up flash.

It also has a built-in AF beam that ensures proper focusing in areas where there are little to no ambient lights. It can make a total of 1200 transmissions at a delay of 1 sec between each. Lens coverage is 60° (vertically) and 78° (horizontally). Other specifications of Speedlight include a transmission wavelength of 800-1,000 mm and an Infrared transmission mode.

The Speedlight uses a power source of one 3V CR123A lithium battery. The overall dimensions of the Speedlight are 2.7 x 3.8 x 2.3 and it weighs 160 grams making it a lightweight compact system. Depending upon your country of location, the system comes with a SS-SU800 soft case for easy transportation.

Wireless Speedlight Commander SU-800 Specifications

Transmission mode Infrared-pulse emitting communication using a flash discharge tube
Transmission range Approx. 20m (66 ft.) for SB-910, SB-900, SB-800, SB-700, SB-600; Approx 4m (13 ft.) for SB-R200 at normal settings
No of channels 4
No of groups 3
Noof transmissions per battery Approx. 1200
Transmission interval Approx. 1 second
Flash light wavelength Approx. 800 to 1000nm (infrared ray)
Coverage Approx. 60°
Display LCD, ready-light
AF-Assist Illuminator Approx. 10m (33 ft.) at center area using a 50mm f/1.8 lens
Power One CR123A (3V) lithium battery
Weight (without battery) Approx. 160g (5.6 oz.)
Dimensions (W x H x D) Approx. 68 x 96 x 58mm (2.7 x 3.8 x2.3 in.)
Comes with Soft Case (SS-SU800)
Optional TTL Cord (SC-30)

 

Product Images

More Info

@ Nikon

Purchase options

Wireless Speedlight Commander SU-800 available at Amazon | Adorama | B&H

Nikon Wireless Remote Speedlight SB-R200

Nikon Wireless Remote Speedlight SB-R200

Product Summary

Overview

The Wireless Remote Speedlight SB-R200 (Amazon | Adorama | B&H) is a budget Speedlight system from Nikon that has been optimized for amateurs looking for something better than their built-in DSLR flash. The Wireless Remote Speedlight SB-R200 is compatible with Nikon’s Creative lighting System and any camera system that is compatible with this technology. Featuring i-TTL (intelligent through-the-lens) flash control that offers better control over the amount of light that is used to properly illuminate the subject the Wireless Remote Speedlight SB-R200 is a handy tool to have in low light conditions or even when you want to use it for filling the shadows in bright light. It also comes with manual flash control feature for precise amount of light for your compositions.

The Wireless Remote Speedlight SB-R200 comes with four independent channels for controlling up to three different Speedlight groups or with any number of independent compatible Speedlight units. These include the SB-900, SB-800, and SB-600 Speedlight units.

The guide number of the Wireless Remote Speedlight SB-R200 is 10 m/33’ at ISO 100 to 14 m/46’ at ISO 200. The recycling time of the Speedlight unit is 6 seconds and has a lens coverage of 24mm 60° (vertical) and 78° (horizontal). On a full charge of one 3V CR123A lithium battery the Speedlight can give 290 flashes.

The dimensions of the Speedlight are 3.1 x 3.0 x 2.2” and it has a weight of 120 grams. Retailing at $165, this is a budget wireless Speedlight that should cater to most amateurs looking for their first Speedlight.

 

Wireless Remote Speedlight SB-R200 Specifications

Construction Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry (for wireless remote flash only)
GN 10/33 (ISO 100, m/ft), 14/46 (ISO 200, m/ft)
Coverage Covering light distribution of 24mm lens; 60° (vertical) and 78° (horizontal)
Mode i-TTL, D-TTL, TTL (film-based cameras); M (manual)
Recycling time Approx. 6 seconds or less
Number of flashes Approx. 290 times
Bounce Flash head tilts down (toward the optical axis) to 60° with click stops at every 15°, or up to 45° (in the opposite direction) with click stops at every 15°.
Flash duration Approx. 600µs
Mounting foot Dedicated shoe for Attachment Ring SX-1 or Speedlight Stand AS-20
Target light White LED
Display Ready-light
Power One CR123A (3V) lithium battery
Wt (without battery) Approx. 120g (4.2 oz.)
Dimensions (W x H x D) Approx. 80 x 75 x 55mm (3.1 x 3.0 x2.2 in.)
Comes with Speedlight Stand (AS-20), Soft Case (SS-R200), Color Filter Set (SJ-R200), Color Filter Holder (SZ-1)
Optional accessory Color Filter Set (SJ-2)Adapter Ring (UR-5)*

Product Images

More Info

@ Nikon

Purchase options

 

Wireless Remote Speedlight SB-R200 available at Amazon | Adorama | B&H

Nikon Speedlight SB-400

Nikon Speedlight SB-400

Product Summary

Overview

At around $120, the Speedlight SB-400 (Amazon | Adorama | B&H) is an affordable system when you need something more powerful than the pop-up flash of your DSLR. The Speedlight SB-400 offers more power and more coverage than your built-in flash does. The guide number of the Speedlight at ISO 100, 18mm zoom-head position, is 21 m/69’. At ISO 200, 18mm zoom-head position it is 30 m/98.4’.

The Speedlight offers i-TTL (intelligent through-the-lens) flash coverage with compatibility for Creative Lighting System (CLS) for all cameras which come with it. on a DX format the lens coverage is 18mm. on a Nikon F6 the lens coverage is 27mm. the flash head tilt up to 90 ˚ with clicks indicating stops at 0°, 60°, 75°, 90°. Several flash exposure control options have been provided which includes manual, manual flash, red-eye correction, rear curtain sync, FV lock flash, slow-sync, red-eye reduction in slow-sync etc.

Using Ni-MH batteries the Speedlight SB-400 has a recycling time of 2.5 seconds. Again when using Oxyride™ batteries it is 3.5 seconds for the recycling time. Standard Alkaline batteries give a recycling time of 3.9 seconds ad Lithium batteries offers 4.2 seconds.

The Speedlight SB-400 also comes with a flash-ready indicator. It indicts if the power source is drained out, or if the camera system that it is mounted on is incompatible or even if there is insufficient light or the flash itself is overheated. The dimensions of the Speedlight SB-400 are 2.6 x 2.2 x 3.1” and its overall weight is only 128 grams.

Sample Images by Speedlight SB-400 on Flickr

Speedlight SB-400 Specifications

Construction Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry
GN (20°C/68°F) 30/98.4 (ISO 200, m/ft), 21/69 (ISO 100, m/ft)
Coverage Light distribution covers an 18mm lens when mounted on a Nikon DX format camera and a 27mm lens when mounted on an F6
Mode i-TTL, M*(manual)

  • *
    Possible with D700, D300 series, D7000, D90, D5100, D5000, D3100, D3000, D60 and D40 series
Recycling time Approx. 3.9 sec. with alkaline-manganese batteries
Number of flashes Approx. 140 times with alkaline-manganese batteries
Compatibility All cameras compatible with Nikon Creative Lighting System
Flash exposure control set on the camera Slow-sync, Red-eye reduction, Red-eye reduction in slow sync, Rear-curtain sync flash, FV Lock flash, manual flash*

  • *
    Possible with D700, D300 series, D7000, D90, D5100, D5000, D3100, D3000, D60 and D40 series
Bounce Flash head tilts up to 90° with click-stops at 0°, 60°, 75°, 90°
ON/OFF switch The ON/OFF switch turns the SB-400 on and off
Power Two AA-size alkaline-manganese (1.5V), lithium (1.5V), Oxyride (1.5V) or Ni-MH (2600 mAh) (rechargeable) (1.2V) batteries
Ready light
  • Lights up when the SB-400 is recharged and ready to fire
  • Blinks to indicate: insufficient light/insufficient battery power/incompatibility of camera with SB-400/overheating
Flash duration Approx. 1/1300 sec. at full output
Foot lever lock Provides secure attachment of SB-400 to the camera accessory shoe with a mount pin to prevent accidental detachment
Dimensions (W x H x D) Approx. 66 x 56.5 x 80mm (2.6 x 2.2 x 3.1 in.)
Weight (without batteries) Approx. 127g (4.5 oz.)
Comes with SS-400 Soft Case

 

Additional Images

Purchase options

Speedlight SB-400 available at Amazon | Adorama | B&H

Nikon to Release Super-Telephoto AF S NIKKOR 800mm f-5.6G

Nikon to Release Super-Telephoto 800mm Fixed Lens for Professional Photographers

Tokyo, Japan (July 12, 2012) – Nikon Corporation announced the development of a super-telephoto 800mm lens as a future addition to its lineup of world renowned NIKKOR  lenses. This FX-format lens will offer a fixed focal length of 800mm with a maximum aperture of f/5.6, and will provide professional photographers with the ability to capture stunning images at great distances.

This lens has been developed in order to strengthen the NIKKOR lineup of super-telephoto lenses. It will boast the longest focal length of any NIKKOR autofocus (AF) lens, and will be best suited to capture of a wide variety of decisive outdoor scenes, from sporting events to elusive wildlife. In addition to its superior optical performance for images that exhibit amazing sharpness and color, the lens will provide outstanding dust and water resistance to brave nearly any assignment.

In 2012, Nikon released three new FX-format digital-SLR cameras—the D4, the new flagship digital SLR, and the D800 and D800E, which offer incredible resolution and image quality. In addition to reinforcing its lineup of FX-format digital-SLR cameras, Nikon has also been working to expand the lineup of NIKKOR lenses to provide photographers with the best optics suitable for the highest quality images and HD video.

Nikon has been providing service and support to professional photographers for approximately fifty years through the activities of its Nikon Professional Services (NPS). In addition to providing maintenance and repairs for the equipment professional photographers use every day, NPS service depots are set up at a variety of international sporting and cultural events. At these service depots, photographers can have their equipment inspected and repaired, and are also able to loan equipment for professional use.  NPS can be found supporting photographers at major events, such as The Open Championship professional golf tournament as well as the Olympic Games in London this summer.

This amazing optic is also scheduled to be on display at Photokina 2012, one of the world’s largest photo and imaging exhibitions, to be held in Cologne, Germany from September 18–23, 2012.

Release date and suggested retail price for this product have not yet been determined.

About the NIKKOR brand

With a comprehensive assortment of FX and DX-format lenses and focal lengths, from the ultra-wide 10-24mm to the super telephoto 600mm VR, Nikon photographers have come to rely upon the NIKKOR core technologies that contribute to their optical superiority. NIKKOR is the brand name for Nikon’s photographic lenses, which are precision crafted to the most exacting standards in Nikon’s own glassworks. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the “Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon

Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the new Nikon 1 advanced camera with interchangeable lens system. In 2012, production of NIKKOR lenses surpassed 70 million, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook at http://www.facebook.com/nikon and get the latest news and information from Twitter by following @NikonUSA.

###

The information is current as of the date of publication. It is subject to change without notice.

*World’s four major golf tournaments: Masters Tournament, U.S. Open Championship, The Open Championship, PGA Championship

Zeiss 135mm f/2 – Apo Sonnar T* 2/135 lens

 

Zeiss Apo Sonnar T* 2/135 lens

Product Summary

  • Model name: Zeiss Apo Sonnar T* 2/135
  • Release Date: September 7, 2012
  • Focus Type: Manual
  • Format : Full Frame
  • Mounts: Canon | Nikon
  • Color: Black
  • Availability: December 2012
  • Price: $2.000
  • Purchase options: Amazon | Adorama | B&H

Overview

The Apo Sonnar T* 2/135 is the ideal lens for capturing detailed images from long distances, such as the skyline at sunset, a leopard in the zoo, or a pop star on a faraway stage. The new lens offers outstanding clarity of detail, high contrast and high resolution at any aperture. This mix of attributes makes it the perfect choice for portraits in advertising, fashion and lifestyle, as well as for landscape and reportage photography.

After putting the lens through its paces in New York, Magnum photographer Christopher Anderson was clearly impressed: “I am delighted with the performance of this new lens. It is relatively compact for a telephoto lens. Its image resolution and quality are outstanding, and there is a touch of magic in the way the light is refracted by the lens elements. I took some amazing photos, including some in poor light conditions.”

The Apo Sonnar T* 2/135 can capture subjects up to a scale of 1:4. It has been built based on Carl Zeiss’s proven “floating elements” design. A special variable arrangement of the lens elements delivers excellent images over the entire focusing range, from 0.8 meters to infinity. The compact telephoto lens features eleven elements in eight groups. Because this lens is an apochromat, chromatic abberations (axial chromatic abberations) are corrected with elements of special glass materials with anomalous partial dispersion. The chromatic aberrations are therefore significantly below the defined limits. Bright-dark transitions in the image, and especially highlights, are reproduced almost completely free of color artifacts.

As with all other SLR lenses in the ZE and ZF.2 series, the Carl Zeiss T* anti-reflective coating as well as the sophisticated treatment of the elements’ edges with a deep-black special lacquer make the Apo Sonnar T* 2/135 resistant to reflections and stray light. Another advantage for the user is the large rotation angle of 268°, which enables ultra-precise focusing.

The Apo Sonnar T* 2/135 is equipped with an all-metal barrel, which enables long-lasting use with high-quality results. It will be available with F bayonet (ZF.2) and with EF bayonet (ZE).

Specifications

Focal length 135mm
Aperture range f/2 -22
Lens elements/groups 11/8
Focusing range 0.80m (2.62ft) – infinity
Angular field**
(diag./horiz./vert.)
18.7°/ 15.6°/ 10.5°
Coverage at close range** 145 x 96 mm (close-up)
Image ratio at close range 1 : 4 (close-up)
Filter thread M 77 x 0,75
Length with caps 128mm (ZF.2)
130mm (ZE)
Diameter 84mm
Weight 920g (ZF.2)
930g (ZE)
Mounts ZF.2 (F bayonet)
ZE (EF bayonet)
Price €1.600 or US$2.000

 

Sample images

Purchase options

Zeiss available at Amazon | Adorama | B&H

Canon EOS 650D / Rebel T4i / Kiss X6i

Product summary

Key Features

  • STM Lens Support for Quiet AF in Movies
  • 18.0MP New Hybrid APS-C CMOS Sensor
  • DIGIC 5 Image Processor
  • 3.0″ Vari-Angle Touch Screen LCD (more info)
  • ISO 100-12800, Expandable to 25600
  • Full HD Movie Mode with Continuous AF
  • 5.0 FPS Continuous Shooting
  • 9-Point All Cross-Type AF System
  • Multi Shot Noise Reduction
  • Compatible with Canon EF and EF-S Lenses
  • Hybrid AF during video shooting

Overview

With the Canon EOS Rebel T4i / 650D / Kiss X6i Canon finally decided to bring on a touch screen for its entry level DSLR segment and we got the Canon EOS Rebel T4i or the 650D as it is known outside North America. Just when you’re about to ask why is that? Well I have no idea why, so let’s move on to some features and stuff.

Let’s just say that the 650D (I love calling it that) is a great camera for beginners. It has everything that the 600D has and more. The 650 D retains the same display resolution of the screen, the same 9 point AF system, the same 18 megapixels sensor which gives a crop factor of 1.6x and the 3:2 aspect ratio that Nikon users hate because it fills up the 3” screen better. But wait, is that enough to dish out the extra dollars that Canon is demanding for this camera? Look closely and you are bound to find a number of improvements for all those features which makes the 650D a more refined avatar of the 600D.

Features

Hybrid CMOS AF system

One of the most important features is the Hybrid CMOS AF system. Most of you ought to know what a CMOS sensor is. But what is Hybrid CMOS AF system? Conventional DSLR sensors use an AF system that uses only conventional contrast AF system. But the new hybrid CMOS AF system uses both conventional contrast detection AF and the new phase detection AF system in tandem. What it basically does is locks on focus faster and quieter.

Movie servo AF

The 650D has been packed with Movie servo which is now compatible with the new STM (stepping motor) lenses which provides fast and silent AF during movie shooting.

Touch screen

Finally, for what the entry level DSLR users (and for that matter the current crop of Smartphone users) will love Canon, the 650D comes with a 3” 1 megapixel display capacitative touch screen. Lost you? Okay, that means the camera has a touch screen that you can touch and pretty much control everything, without ever needing to touch a button or a dial. Sounds cool? The tilting and swiveling screen thus now has a state of the art touch screen that can rival most touch screen Smartphones in terms of responsiveness. For users graduating from a Compact Point & Shoot camera, the ability to compose a viewfinder is vital. This feature makes the 650D a real attraction garner in the market.

Continuous shooting speed and other features

Additional features include the 5 fps continuous shooting speeds. This is not going to really make pro shooters drool, but for everyday shooting needs, the 650D is more than enough.

Continuous AF during HD Video Recording

For the first time in a Canon EOS DSLR, the EOS Rebel T4i includes Canon’s new Movie Servo AF for recording video. When used with Canon’s new EF and EF-S STM lenses, the camera can provide smooth and quiet continuous AF while recording video. This technological breakthrough enables the new EOS Rebel T4i to achieve AF while still retaining a DSLR camera’s signature background blur and image quality, producing stunning videos of parties, events, summer vacations or graduations.

When shooting video with Canon’s STM lenses, AF also remains silent, helping ensure you only capture the sound of the scene being recorded. The EOS Rebel T4i features a built-in stereo microphone, a first for the Rebel line, that includes an attenuator function to reduce audio distortion in extra loud situations.

Buttons & dials

There is now a dedicated ISO button just in front of the main mode dial. The design specs are some what an inconvenience for users who does not want to play around with dials, switches and buttons, so Canon has provided all settings in the easy to use responsive graphical user interface. A dedicated movie option button has been also provided. Just slide the power on button to the point where it says Movie and the camera starts recording videos.

The final verdict

Overall if you have the 600D then there is no point in changing it for the 650D, but if you’re looking for a new entry level DSLR, this is definitely a better buy. EOS 650D / Rebel T4i available at B&H | Adorama | Amazon

Sample Images Rebel T4i / EOS 650D on Flickr

EOS 650D / Rebel T4i Specifications

Body Type Digital, AF/AE single-lens reflex, camera with built-in flash
Recording Media SD card, SDHC card, SDXC memory card / Compatible with Ultra High Speed (UHS-I) and Eye-Fi Cards
Image Sensor Size 22.3 x 14.9mm (APS-C size)
Compatible Lenses Canon EF lenses including EF-S lenses (35mm-equivalent focal length is approx.1.6x the lens focal length)
Lens Mount Canon EF mount
Image Sensor Type: CMOS Sensor
Pixels: Effective pixels: Approx. 18.00 megapixels
Total pixels: Approx. 18.50 megapixels
Pixel Unit: 4.3 µm square
Aspect Ratio: 3:2 (Horizontal: Vertical)
Color Filter System: RGB primary color filters
Low-pass Filter: Fixed position in front of the CMOS sensor
Dust Deletion Feature Self Cleaning Sensor Unit:
Removes dust adhering to the low-pass filter. Self-cleaning executed automatically (taking approx. 2 sec.) when power is turned on or off. Manual execution also possible (taking approx. 5 sec.).
Dust Delete Data Dust Delete Data acquisition and appending: The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images.The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.
Manual cleaning
Recording Format Complies with Design rule for Camera File system 2.0 and Exif 2.30
Image Type Still: JPEG, RAW (14-bit, Canon original), RAW+JPEG
Video: MOV (Image data: H.264, Audio: Linear PCM)
Simultaneous Recording Large RAW and JPEG images are recorded simultaneously
File Size Large: Approx. 17.90 Megapixels (5,184 x 3,456)
Medium: Approx. 8.00 Megapixels (3,456 x 2,304)
Small 1: Approx. 4.50 Megapixels (2,592 x 1,728)
Small 2: Approx. 2.50 Megapixels (1920 x 1280)
Small 3: Approx. 350,000Pixels (720 x 480)
RAW: Approx. 17.90 Megapixels (5,184 x 3,456)
Color Space sRGB, Adobe RGB
Picture Style Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
White Balance Auto, Daylight, Shade, Cloudy (Twilight and Sunset), Tungsten Light, White Fluorescent Light, Flash, Custom (Custom White Balance: Approx. 2,000° – 10,000° K)
Auto White Balance Auto white balance with the image sensor
Viewfinder Type Eye-level SLR (with fixed pentamirror)
Autofocus One-Shot AF
Predictive AI Servo AF
AI Focus AF
(Switches between One-Shot AF and AI Servo AF)
Manual Focus Yes
ISO Speed Manual setting range of ISO 100 12800, expansion to ISO 25600
Auto, ISO 100 6400 (in whole-stop increments)
In Creative Zone modes, the maximum ISO speed (ISO 400, 800, 1600, 3200, or 6400) for ISO Auto can be set.
With C.Fn-6-1 (Highlight tone priority), ISO 200 or higher will be set.
Shooting Mode Scene Intelligent Auto, Flash Off, Creative Auto, Landscape, Close-up, Sports, Night Portrait, HDR Backlight Control mode
Shutter Speeds 1/4000 to 1/60 sec., X-sync at 1/200 sec. (Scene Intelligent Auto)1/4000 to 30 sec., bulb, X-sync at 1/200 sec. (Total shutter speed range. Available range varies by shooting mode.)
(Settable in 1/3- or 1/2-stop increments)
Built-in Flash Auto pop-up, retractable, built-in flash in the pentamirror
Remote Control Compatible with Remote Controller RC-6, RC-1, and RC-5
Remote control mode (via menu) for video shooting provided
You can start or stop video shooting immediately with the wireless remote control’s 2-sec. delay mode (operates as immediate start/stop)
Still photo shooting is possible with the wireless remote control’s immediate shutter-release mode
External Flash Flash Metering: E-TTL II autoflash (evaluative flash metering and average flash metering), FE LockFlash Exposure Compensation: ±2 stops in 1/3- or 1/2-stop increments
Continuous Shooting Speed (Approx.) Max. Approx. 5.0 fps (with One-Shot AF or AI SERVO AF)
Same as with Battery Grip BG-E8 loaded with size-AA/LR6 alkaline batteries.
Maximum Burst Based on 8GB memory Card:
JPEG Large/Fine: Approx. 22 Shots
RAW: Approx. 6 Shots
RAW+JPEG Large/Fine: 3 ShotsBased on UHS-I memory card:
JPEG Large/Fine: Approx. 30 Shots
RAW: Approx. 6 Shots
RAW + JPEG Large/Fine: 3 Shots
Video File Format MOV (Image data: H.264; audio: Linear PCM – Stereo)
Video Recording File Size Full HD
1920 x 1080: 330 MB/min.HD
1280 x 720: 330 MB/min.SD
640 x 480: 82.5 MB/min.
Frame Rates 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p
1280 x 720 (HD): 60p (59.94) / 50p
640 x 480 (SD): 30p (29.97) / 25p
ISO Range Auto ISO range: ISO 100-6400
Manual ISO range: ISO 100-6400, H12800
If highlight tone priority is set, automatically set within ISO 200 or higher
Shooting Time (8GB memory) 1920 x 1080
30 fps: Approx. 22 min.
25 fps: Approx. 22 min.
24 fps: Approx. 22 min. 1280 x 720
60 fps: 22 min.
50 fps: 22 min.640 x 480
30 fps: 1 hr. 32 min.
25 fps: 1 hr. 32 min.
LCD Monitor Type: TFT color, liquid-crystal monitor with Touch Panel LCD (capacitive type)
Monitor Size: 3.0-inches (Screen aspect ratio of 3:2) Dots: Approx: 1,040,000 dots
Coverage: Viewing angle: 170º (vertically and horizontally)
Brightness Adjustment: Auto: Brightness adjusted automatically by the light sensor, Manual: 7 levels provided
Coating: Anti-smudge coating
Interface Languages English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese
USB Terminal For personal computer communication and direct printing (USB 2.0 Hi-Speed)
Audio/Video OUT Terminal Video OUT terminal: NTSC/PAL selectable
mini-HDMI OUT terminal
Power One Battery Pack LP-E8
With the AC Adapter Kit ACK-E8, AC power is possible.
With the BG-E8, two battery packs (LP-E8) can be used. Or six AA-sized/LR6 batteries can be used
Working Temperature Range 32-104°F / 0-40°C
Dimensions WxHxD 5.2 x 3.9 x 3.1″ / 133.1 x 99.8 x 78.8mm
Weight 18.3 oz. / 520 g (body only)

 

Hands On


Canon T4i / 650D: Low Light (ISO 1600, 3200) Video Test

Video Review

Additional images

More info

Purchase options

Canon Eos 650d-t4i-3

Canon EOS Rebel T4i at  B&H | Adorama | Amazon | Amazon UK
Canon EOS Rebel T4i and EF-S 18-55mm IS II Lens at  B&H | Adorama | Amazon | Amazon UK 
Canon EOS Rebel T4i and EF-S 18-135mm IS STM Lens at  B&H | Adorama | Amazon | Amazon UK
Canon EF 40mm f/2.8 STM Pancake Lens at B&H | Adorama | Amazon

 

[DPL Recommends (Shorcodes)]

Canon EF-EOS M Adapter

Canon EF-EOS M Adapter

Product Summary

  • Model name: Canon EF-EOS M Adapter
  • Release Date: July 23, 2012
  • Format : APS-C / Crop Sensor
  • Mounts: Canon EF-M
  • Color: Black
  • Availability:  October 2012
  • Price: $199.99
  • Purchase options: Amazon | AdoramaB&H

Overview

Expand your EOS M system and explore your creativity! The Canon Mount Adapter EF-EOS Mgives you complete access to the full spectrum of Canon EF and EF-S lenses so you can use your existing lenses and try out new ones to get the shots you want. The extensive range includes fixed focus and zoom lenses covering a focal length range from 8mm to 800mm. It permits all lens functions including image stabilization and autofocus, and features a removable tripod mount. Allows Canon EF and EFS lenses to be mounted on the Canon EOS M Compact System digital camera Fully compatible with all lens functions including image stabilization and autofocus Detachable tripod adapter provides support for longer Canon lenses. Available at Amazon | AdoramaB&H

Product Images

Canon EF-EOS M Adapter-a

Canon EF-EOS M AdapterSpecs

Dimensions (LxWxH) Package: 3.0 x 0.9 x 4.5″ (7.6 x 2.3 x 11.4 cm)
Weight Package: 0.1 lb (0.05 kg)

Press Release

LAKE SUCCESS, N.Y., July 23, 2012 – Combining the perfect blend of advanced video features and excellent still image quality in a convenient size, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the EOS M Digital Camera. Canon has made significant advancements in the realm of professional-quality HD video capture, from advanced CMOS sensor technology to smooth, quiet continuous autofocus. Inspired by EOS technology, the EOS M leverages these core technologies and distills them down to provide outstanding video capture capabilities while retaining high-quality still image capture. When shooting still images, the EOS M camera’s 18-megapixel APS-C-sized CMOS image sensor provides a shallow depth of field, incredible low-light image quality and a wide dynamic range to capture rich gradation and detail. This new addition to the EOS family offers a great solution to videographers and photographers of all levels, with two new lenses designed specifically for Canon’s new camera format – the EF-M 22mm f/2 STM kit lens and the optional EF-M 18-55mm f/3.5-5.6 IS STM lens– and the ability to use the full line of Canon EF and EF-S lenses through the optional Mount Adapter EF-EOS M.

“The EOS M includes a unique feature set making it an ideal movie-making tool, while also offering incredible still image quality on its APS-C-sized CMOS sensor. The camera’s size, image quality, advanced video capabilities and the versatility of Canon’s full lineup of lenses make the EOS M another great option to help our customers record and capture their creative vision,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

Product Specifications and Features:

  • EOS Full HD Movie mode with Movie Servo AF for continuous focus tracking of moving subjects also includes:
    Manual exposure control
    Multiple resolution frame rates
    Built-in stereo microphone
    Manual audio level adjustment
    Video Snapshot mode with touch-screen editing
  • 18.0-megapixel APS-C CMOS sensor
  • ISO 100–6400 (expandable to 12800 in H mode) for video recording, ISO 100–12800 (expandable to 25600 in H mode) for still image shooting from bright to dim light and high performance Powerful DIGIC 5 Image Processor for exceptional image quality video and photos
  • Hybrid CMOS AF delivers fast autofocus speed for video and photos
  • Touch Screen 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation allowing photographers to use familiar gestures such as “pinch-to-zoom” and “swiping” to scroll between pictures and Touch AF for an easy and intuitive video capture experience
  • Scene Intelligent Auto mode delivers expertly optimized photos and scene detection for amazing results even when shooting at night
  • Advanced imaging features like Handheld Night Scene mode, HDR Backlight Control mode, and seven Creative Filters provide added versatility
  • Multi-shot Noise Reduction helps preserve precious detail in photos at high ISO speeds
  • Compatible with SD/SDHC/SDXC memory cards, including new Ultra High Speed (UHS-I) cards
  • Compatible with all Canon Speedlite accessories including the new Speedlite 600EX and Speedlite Transmitter ST-E3-RT
  • Compatible with Canon’s GPS Receiver GP-E2

An Advanced Video Capture Device

The EOS M utilizes Canon’s Hybrid CMOS AF system to deliver fast autofocus speed for both video and photos. The Hybrid CMOS AF system truly shines when shooting video with EOS Full HD Movie mode including Movie Servo AF for continuous autofocus and tracking of moving subjects. The Hybrid CMOS AF system is located on the CMOS sensor itself and combines phase-difference AF and contrast AF to achieve operational stability, speed and precision. The Movie Servo AF function on the EOS M is enabled by default which keeps images on the rear screen in constant focus, even before the shutter is pressed. This continual focus makes for sharp video capture in a snap or to help reduce shutter lag due to focusing when still images want to be shot. The camera employs three AF methods for video and photos, Face Detection & Tracking AF, Multi-Point AF for automatic selection and Single-Point AF, where users select one of 31 AF points. Through the camera’s touch-panel operation, subject recognition and tracking is engaged at the touch of a finger, allowing users to track subjects accurately and focus on intended subjects with ease. In addition to subject tracking, the touch-panel LCD allows for simple, intuitive operation, menu navigation and touch features making it easy to shoot video and photos.

Thanks to Canon’s new Stepping Motor (STM) technology, when using either of the newly announced M-series lenses – the EF-M 22mm f/2 STM kit lens or the optional EF-M 18-55mm f/3.5-5.6 IS STM lens – the AF system remains silent, helping ensure users only capture the sound of the scene being recorded. The EOS M also features manual audio level control to 64 levels, a built-in stereo microphone, which includes a wind filter and an attenuator function to reduce audio distortion in extra loud situations. The EOS M records MPEG-4 AVC H.264 video as an .MOV file in a range of NTSC and PAL professional frame rates, including 1080p Full HD video at 30p (29.97), 24p (23.976) and 25p, 720p HD video at 60p (59.94) or 50p and Standard Definition video at 30p (29.97) or 25p.

In addition to the creativity afforded by over 70 compatible lenses, the EOS M also includes Picture Style settings – including custom Picture Styles – when shooting video, allowing users to adjust color settings the same as when shooting still images. The camera also includes Canon’s Video Snapshot mode for an easy way to record and create a fun highlight reel that can be easily shared. Video Snapshot mode combines a series of short video clips into a single file, all in-camera. Through the camera’s touch-screen controls users can delete, cut or re-order the clips in-camera for quick and easy editing.

Optical Diversity: New M-Series Lenses and Accessories

Along with the EOS M, Canon is also introducing two new M-series lenses – with new EOS M mounts –that include STM technology allowing for smooth and silent focusing when paired with Hybrid CMOS AF.

The EF-M 22mm f/2 STM kit lens is ideal for shooting video and still images. The fixed focal length lens has a great capacity for gathering light with an incredible aperture of f/2 and when combined with the camera’s APS-C image sensor, provides beautiful bright images and background blur for both video and stills. For more focal range versatility, Canon is also introducing the new EF-M 18-55mm f/3.5-5.6 IS STM, which provides videographers and photographers with a variable zoom range for general use with video recording or photographing. Both lenses are designed specifically for use with the EOS M digital camera.

In addition to the two lenses, any of Canon’s EF and EF-S lenses can be used with the EOS M with the optional Mount Adapter EF-EOS M. The EOS M camera’s strong magnesium and stainless steel frame provide the durability and rigidity to support the full line of EF and EF-S Lenses in a lightweight convenient design. Using the adapter allows the camera to be fully integrated into the EOS ecosystem of lenses, adding creative options and versatility to this powerful camera.

Ideal for use with the EOS M , Canon is also announcing a new compact and lightweight flash unit, the Speedlite 90EX, designed for the photographer on the go. The Speedlite 90EX is capable of coverage for 24mm wide angle lenses (35mm equivalent) with maximum guide numbers of 30 feet (9 meters) at ISO 100. The flash unit can be controlled wirelessly for creative multiple flash shoots and uses the standard Canon EOS hot shoe mount for compatibility with all EOS DSLR cameras and PowerShot digital cameras that include a hot shoe.

Availability

The EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be available in October for an estimated retail price of $799.99. A white version of the EOS M Digital Camera bundled with the new EF-M 22mm f/2 STM kit lens will be exclusively available through the Canon Online store, shop.usa.canon.com.

The new EF-M 18-55mm f/3.5-5.6 IS STM lens, Mount Adapter EF-EOS M and Speedlite 90EX will all be available in October at an estimated retail price of $299.99, $199.99 and $149.99 respectively.

Purchase options

EF-EOS M Adapter available at Amazon | AdoramaB&H

Nikon 1 NIKKOR VR 10-30mm f/3.5-5.6 Lens

Product Summary

Overview

The 1 NIKKOR VR 10-30mm f/3.5-5.6 (Amazon | Adorama | B&H) comes with Nikon’s Vibration Reduction technology. That effectively allows the user to slow down the shutter speed by two stops for better hand-held performance. Nikon has also used the Stepping Motor (STM) feature for quiet auto-focusing performance. The 10-30mm (27-81mm on a 35mm format equivalent) is perfect as a standard zoom lens suitable for most everyday shooting needs. It is ideal for group photos, landscape, architecture and is also suitable for shooting pictures on your next vacation. While the maximum aperture is f/3.5 the lens can stop down to f/16. This CX format lens has a maximum angle of view of 77°; where as the minimum angle of view is 29°40”.

The presence of three Aspherical Elements (AS) ensures that the lens can completely counter the problems of coma even when set to full wide. Nikon’s Super Integrated Coating (SIC) elements ensure that the lens has reduced flares and ghosting when shooing at wide open. Internal Focusing (IF) technology means the front end of the lens never protrudes when focusing. This is ideal for keeping the over all barrel length of the lens to a more compact size, easy to handle while shooting and also hassle free when transporting.

There are a total of 12 lens elements arranged in 9 groups. The diaphragm of the lens is made up of 7 rounded blades. The minimum focusing distance is 0.66’ from the subject to the lens. The lens takes a filter of 40.5 mm. It weighs only 115 grams.

Sample Images by 1 NIKKOR VR 10-30mm on Flickr

 

1 NIKKOR VR 10-30mm Specifications

Lens name 1 NIKKOR VR 10-30mm f/3.5-5.6
Lens construction (groups/elements) 9/12
Angle of view 77° to 29°40′
VR yes
Number of diaphragm 7(rounded diaphragm opening)
Minimum f-stop 16
Minimum focus distance 0.2m/0.7ft.from focal plane at all zoom positions
Maximum reproduction ratio(35mm equivalent ratio) 0.21x(0.57x)
Weight Approx. 115 g (4.1oz)
Dia. x length Approx. 57.5 x 42mm(distance from camera lens mount flange when lens is retracted)
Filter-attachment size 40.5mm
Lens cap type Snap-on
Lens hood HB-N101(optional)
Lens case CL-N101(optional)

More Info

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Purchase options

1 NIKKOR VR 10-30mm available at Amazon | Adorama | B&H

Nikon FT1 Mount Adapter

Nikon FT1 Mount Adapter

Product Summary

Overview

The FT1 Mount Adapter (Amazon | Adorama | B&H) allows the mounting of Nikkor F mount lenses on to a Nikon 1 mount (designed for the Nikon 1 series Mirrorless Interchangeable Lens cameras). On a Nikon 1 series camera F mount Nikkor lenses have a crop factor of  2.7x effectively increasing the focal length by 2.7 times. Currently there are more than 60 different Nikkor lenses that can be used via the FT1 Mount Adapter on a Nikon 1 series camera.

Barring a select few lenses such as the AI Nikkor 20mm f/2.8, PC-E NIKKOR 24mm f/3.5D ED, the AI Nikkor 24mm f/2.8  and the non-AI lenses, teleconverters, and auto extension rings the remaining lenses including DX lenses can be used with the FT1 Mount Adapter.

Auto-focusing capabilities are also retailed with the use of the FT1 Mount Adapter however only limited to the AF-S lenses. All other lenses will however need to be précised focused manually. Even for the AF-S lenses, only the AF-S mode will work for auto-focusing and other modes will b non-responsive. Only the Single Point AF will work. Again Vibration Reduction (VR) technology also works with all VR enabled lenses. Additionally electronic range-finding is possible with lenses with manual focusing.

The dimensions of the adapter are 61.5 mm x 42.5 mm and it is 150 grams in weight. The adapter ships with the BF-1B body cap and the LF-N1000 rear lens cap. The CL-N101 soft lens case is compatible with the adapter but is not shipped with it. It can be purchased optionally.

Nikon FT1 Mount Adapter Specifications

Type Mount adapter
Supported cameras Nikon 1 interchangeable lens format digital cameras (Nikon 1 V1 supported from firmware version A 1.10/B 1.10, Nikon 1 J1 from firmware version A 1.10/B 1.10)
Dimensions Approx. 61.5 mm diameter (excluding projections) x 42.5 mm
Weight Approx. 150 g/5.3 oz
Supplied Accessories
  • Body Cap BF-1B
  • Rear Lens Cap LF-N1000
Compatible Accessories Lens Soft Case CL-N101

More Info

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Purchase options

Nikon FT1 Mount Adapter available at Amazon | Adorama | B&H

Nikon 1 NIKKOR VR 10-100mm f/4.5-5.6 PD Lens

Nikon 1 NIKKOR VR 10-100mm f/4.5-5.6 PD Lens

Product Summary

Overview

The 1 NIKKOR VR 10-100mm f/4.5-5.6 PD-ZOOM (Amazon | Adorama | B&H) is a very powerful telephoto lens that has a optical zoom of 10x, ranging from 10mm to 100mm (27mm to 270mm in 35mm format equivalent). It is one of the longest telephoto range CX format lens for the current 1 series Nikon cameras. Retailing at $750 it is also one of the most expensive of all current 1 series Nikkor lenses.

The 1 NIKKOR VR 10-100mm f/4.5-5.6 PD-ZOOM has some of the best Nikkor lens technologies amalgamated into it. It incorporates HRI (High Refractive Index) elements which ensure that the lens has a refractive index of more than 2.0. HRI lens have a higher refractive power than normal glass elements, as such they are capable of better optical results in a smaller & lighter frame.

Nikon has also provided VR (Vibration Reduction) technology in it to make it achieve sharp performance at up to two stops slower shutter speeds. Additionally when panning, the VR system automatically detects it and disengages. Internal Focusing ensures that the lens barrel never extends when focusing. AS (Aspherical Elements) ensures that the lens has a suppressed spherical aberration issue. Nikon has provided its Extra-low Dispersion (ED) lens elements together with Super Integrated Coating (SIC) which ensures lower chromatic aberrations reduced flare and ghosting.

While the lens has a wide f/stop of f/4.5 it can stop down to f/16 for the sharpest perspective. The 1 NIKKOR VR 10-100mm f/4.5-5.6 PD-ZOOM has 21 lens elements arranged in 14 lens groups and weighs 515 grams.

Images by 1 NIKKOR VR 10-100mm f/4.5-5.6 PD on Flickr

1 NIKKOR VR 10-100mm PD Specifications

Mount Nikon 1
Aperture range 4.5 – 16
Format CX
Max Angle of View 77°
Construction 14 Groups / 21 Elements
Optical Conversion Factor 2.7x
Compatible Formats CX
VR (Vibration Reduction) Yes
Diaphram Blades 7 (rounded diaphram opening)
Ed Glass Elemenst 3
Aspherical Elements 2
Autofocus Yes
Internal Focusing Yes
Closest Focusing Distance 1.0ft. (0.3m) (at 10mm focal length), 2.8 ft (0.85m) (at 100 mm focal length)
Filter Size 72mm
Lens Barrel Retraction Function Yes (performed by DCM motor built into the lens based on power status information received from the camera body)
Dimensions (Approx.) 3.0×3.7 in. (Diameter x Length)
77×95 mm (Diameter x Length)
Weight (Approx.) 18.2 oz. (515g)

 

More Info

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Purchase options

1 NIKKOR VR 10-100mm f/4.5-5.6 PD available at Amazon | Adorama | B&H

Nikon 1 NIKKOR VR 30-110mm f/3.8-5.6 Lens

Nikon 1 NIKKOR VR 30-110mm f/3.8-5.6 Lens

Product Summary

Overview

The 1 NIKKOR VR 30-110mm f/3.8-5.6 (Amazon | Adorama | B&H) is a compact telephoto CX format lens designed for the Nikon 1 series digital cameras. The 30-110mm (81-297mm in 35mm format equivalent) is perfect for bringing subjects at a distance much closer for a clearer picture. From wild life to portrait shots, to landscape and even architecture, this lens is a versatile match for the 1 series Nikon digital camera.

The presence of VR (Vibration Reduction) means the lens is steadier at up to two stops slower shutter speeds when hand holding. Internal Focusing (IF) ensures that the lens barrel does not extend when focusing. This is suitable to keep the overall length of the lens constant and unassuming when shooting candid shots of people and animals. The presence of ED (Extra-low dispersion) elements means the lens has suppressed spherical aberrations, better color saturation and overall sharper. Super Integrated Coating (SIC) also ensures that the ghosting flares are reduced to the minimum.

Maximum aperture of the lens is f/3.8 where as at the narrow end the lens can stop down all the way to f/16. It has a maximum angle of view of 29°40” and a minimum of 8°20”. This small lens has a total of 18 lens elements arranged in 12 groups. The diaphragm is made of 7 rounded blades and the overall weight of the lens is 175 grams. The lens ships with the LC-N40.5 front end snap-on lens cap, the LF-N1000 rear end lens cap and the HB-N103 bayonet lens hood.

Sample Images on Flickr

Product Images

Nikon 1 NIKKOR VR 30-110mm f/3.8-5.6 Lens

1 NIKKOR VR 30-110mm Specifications

Mount Nikon 1
Aperture range 3.8 – 16
Format CX
Max Angle of View 29° 40″
Construction 12 Groups / 18 Elements
Optical Conversion Factor 2.7x
Formats CX
VR Yes
Diaphram Blades 7 (rounded diaphram opening)
Ed Glass Elemenst 3
Aspherical Elements 2
Autofocus Yes
Internal Focusing Yes
Closest Focusing Distance 3.3ft.(1m)
Filter Size 40.5mm
Lens Barrel Retraction Function Rotation of zoom ring (manual)
Dimensions (Approx.) 2.4×2.4 in. (Diameter x Length)
60×61 mm (Diameter x Length)
Weight (Approx.) 6.2 oz. (175g)

 

More Info

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Purchase options

1 NIKKOR VR 30-110mm f/3.8-5.6  available at Amazon | Adorama | B&H

Nikon 1 NIKKOR 10mm f/2.8 Lens

Nikon 1 NIKKOR 10mm f/2.8 Lens

Product Summary

Overview

A 10mm prime lens designed to have a fast f/stop, the 1 NIKKOR 10mm f/2.8 (Amazon | Adorama | B&H) is a fast and effective lens for the shutterbugs. The fast aperture ensure that the lens is perfect for capturing fast action, sports, landscape and low light photography with ease. A focal length that is equivalent to a 27mm on a 35mm format, it is perfect for street photography as well when paired with a Nikon 1 series camera.

An f/stop of f/2.8 means the lens is perfect for the purpose of creating a shallow depth of field and ensures that a soft background blur is always possible when shooting. The 1 NIKKOR 10mm f/2.8 has a range of Nikon innovations bundled into it. The presence of Rear Focusing elements (RF) means only the back lens elements are moving during focusing. It actually helps in achieving a faster auto-focusing system.

Aspherical lens elements (AS) ensures that the spherical aberrations are greatly suppressed in the lens. Aspherical elements also ensures that the lens design is smaller and overall weight is also far less. Nikon has used 2 AS elements in the lens.

Nikon’s Super Integrated Coating (SIC) elements ensures that the lens suppresses the effect of ghosting and flares and enhances the color saturation ensuring a super sharp result every time you press the shutter release.

The diaphragm of the lens is designed using 7 rounded blades. There are a total of 6 lens elements arranged in 5 groups. The overall weight of the lens is only 77mm.

1 NIKKOR Sample Images on Flickr

Product Images

Nikon 1 NIKKOR 10mm f/2.8 Lens

1 NIKKOR 10mm f/2.8 Specifications

Mount Nikon 1
F stop range 2.8 – 11
Format CX
Max Angle of View 77°
Construction 5 Groups / 6 Elements
Optical Conversion Factor 2.7x
Compatible Formats CX
VR (Vibration Reduction) Image No
Diaphram Blades 7 (rounded diaphram opening)
Aspherical Elements 2
Autofocus Yes
Internal Focusing No, Rear Focusing
Closest Focusing Distance 0.66ft.(0.2m)
Filter Size 40.5mm
Dimensions (Diameter x Length) 2.2×0.9 in / 55.5×22 mm
Weight (Approx.) 2.8 oz / 77g

 

More Info

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Purchase options

1 NIKKOR 10mm f/2.8 available at Amazon | Adorama | B&H

Nikon 1 NIKKOR 11-27.5mm f/3.5-5.6 Lens

Nikon 1 NIKKOR 11-27.5mm f/3.5-5.6 Lens

Product Summary

Overview

The 1 NIKKOR 11-27.5mm f/3.5-5.6 (Amazon | Adorama | B&H) is a versatile lens and is the go to lens for shooters looking for a standard zoom lens. This is a CX format lens compatible with all Nikon 1 series (Nikon 1 mount) cameras. At only 31mm long and with the 11-27.5mm focal length (30-74 on a 35mm format equivalent) this lens is just perfect for the purpose of shooting wide angle shots, landscapes, architecture and group photos. The fast aperture is also suitable for the purpose of capturing fast action photography and for creating a soft background blur in portraiture. At the narrow end the lens can stop down to f/16.

The 1 NIKKOR 11-27.5mm f/3.5-5.6 comes with several of Nikon’s technological advances. The AS (Aspherical) elements in the glass ensures the suppression of spherical aberrations. The presence of ED (extra-low dispersion) elements ensures that the lens plays down color fringing and increases the color saturation of the final images. Again the presence of Internal Focusing (IF) means that the lens never protrudes or extends when focusing thereby never increasing the overall length of the lens barrel.

The lens has 8 elements arranged in 6 groups. The lens diaphragm is made of 7 rounded blades. It has a maximum angle of view of 72° and a minimum of 32°20”.

The diameter x length specifications of the lens is 2.26×1.22”. The overall weight of the lens is only 80 grams. The lens ships with the LC-N40.5 front lens cap and a LF-N1000 rear lens cap.

1 NIKKOR 11-27.5mm Sample Images on Flickr

Product Images

Nikon 1 NIKKOR 11-27.5mm f/3.5-5.6 Lens

 

1 NIKKOR 11-27.5mm f/3.5-5.6 Specifications

Mount Nikon 1
F stop range 3.5 – 16
Format CX
Max Angle of View 32° 20″
Construction 6 Groups / 8 Elements
Optical Conversion Factor 2.7x
Compatible Formats CX
Diaphram Blades 7 (rounded diaphram opening)
Ed Glass Elemenst 1
Aspherical Elements 1
Autofocus Yes
Internal Focusing Yes
Closest Focusing Distance 1.0ft.(0.3m)
Filter Size 40.5mm
Lens Barrel Retraction Function Rotation of zoom ring (manual)
Dimensions (Approx.) 2.26×1.22 in. (Diameter x Length)
57.5×31 mm (Diameter x Length)
Weight (Approx.) 2.8 oz. (80g)

More Info

@ Nikon

Purchase options

1 NIKKOR 11-27.5mm f/3.5-5.6 available at Amazon | Adorama | B&H