Canon EF-S 17-85mm f/4-5.6 IS USM Lens
Product Summary
- Model name: Canon EF-S 17-85mm f/4-5.6 IS USM Lens
- Release Date: Aug. 19, 2004
- Focus Type: Autofocus / Manual
- Format : APS-C
- Mounts: Canon EF-S
- Color: Black
- Availability: Fall 2004
- Price: $599
- Purchase options: Amazon | Adorama | B&H
Overview
A slightly slower than the EF-S 17-55mm f/2.8 IS lens, the EF-S 17-85mm f/4-5.6 IS USM is a lens that is designed for smaller cropped sensor Canon DSLRs. It has the same effective focal length range as a 28-135mm lens would have on a 35mm camera. It features Canon’s Image Stabilization (IS) system which allows the lens, mounted on a DSLR, to be hand-held for shooting at up to three stops slower shutter speeds than normally is possible. This practically eliminates the need for a tripod for most cases.
The 17-85mm f/4-5.6 has a total of 17 elements arranged in 12 groups. The diaphragm of the lens is made up of 6 rounded blades. The lens features Canon’s ring-type USM (Ultra-sonic motor). This essentially makes the lens a good deal quieter when focusing. It also has FTM (Full-time manual focusing) which means it is possible to fine tune the focusing even when the auto-focusing is engaged. All one needs to do is to turn the focusing ring.
The lens can focus as close as 1.1’ (0.35 meters). This lens is not exactly best used as a micro lens. However for every other real requirement the Canon focuses very fast.
The build quality of the lens is not something to be too proud of. It is almost entirely made out of plastic. The mount of the lens is however metal. The lens takes a filter of 67mm. The dimensions of the lens are 3.1″ x 3.6″ and it weighs a reasonable 475 grams. Available at Amazon | Adorama | B&H
Sample Images by Canon EF-S 17-85mm f/4-5.6 IS USM on Flickr
Product Images
Canon EF-S 17-85mm f/4-5.6 IS USM Specifications
| Compatibility | APS-C |
|---|---|
| 35mm film equivalent focal length | 27-136 |
| Angle of view | H:68º 40′ – 15º 25′, V:48º – 10º 25′, D:78º 30′ – 18º 25′ |
| Construction (elements/groups) | 17/12 |
| No. of diaphragm blades | 6 |
| Min aperture | 22-32 |
| Closest focusing distance (m) | 0.35 |
| Max magnification (x) | 0.20 (at 85mm) |
| Distance information | Yes |
| Image stabilizer | 3-steps |
| AF actuator | USM¹ |
| Filter Size (mm) | 67 |
| Max. diameter x length (mm) | 78.5 x 92 |
| Weight (g) | 475 |
| Magnification – Extension Tube EF12 II | 0.43 – 0.14 |
| Magnification – Extension Tube EF25 II | 0.72 – 0.33 |
| Lens hood | EW-73B |
| Soft case | LP1116 |
| Extenders EF1.4x II and EF2x II | Not compatible |
More Info
Purchase options
EF-S 17-85mm f/4-5.6 IS available Amazon | Adorama | B&H
Canon EF 800mm f/5.6 L IS USM Lens
Product Summary
- Name: Canon EF 800mm f/5.6 L IS
- Release Date: January 23, 2008
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Canon EF
- Color: White
- Availability: May 2008
- Price: $11,999.00
- Purchase options: Amazon | Adorama | B&H
Overview
By far the largest and the most expensive commercially produced lens from Canon (the 1200mm f/5.6 super telephoto lens is manufactured only on demand and is an extremely rare piece of optical marvel) the EF 800mm f/5.6 L IS USM lens is not for someone with a faint heart. It costs a hefty $14,000 and is one most definitely built for only the most interested wild-life or sports photographer. So monstrous is this lens that it comes in a trunk of its own for transporting. However even for its monstrous focal length the lens actually weighs just under ten lbs (9.9) only making it (quite surprisingly) lighter than the 600mm f/4 IS.
This monster telephoto lens has a total of 18 elements including two fluorite elements, one UD (Ultra-low dispersion) and one super-UD glass element arranged in 14 groups. The lens has a great performance when it comes to color fringing, flares and ghosting. Not surprisingly when mounted on a full frame sensor the diagonal angle of view of the lens is only 3° 5′. Canon has provided ring-type USM (Ultra-Sonic Motor) on this lens making it quiet during auto-focusing.
The diaphragm of the lens is built using 8 rounded blades. The soft bokeh that the f/5.6 aperture provides isolates the subject from the background quiet beautifully. The closest focusing distance of the lens is 19.7’ (6 meters) with a magnification ratio of 0.14x. The external dimensions of the lens are 6.4” x 18.1”. The lens takes a gelatin filter of 52mm.
Images by Canon EF 800mm f/5.6 L IS on Flickr
Canon EF 800mm f/5.6 L IS Specifications
| Angle of view (horzntl, vertl, diagnl) | H:2° 35’, V:1° 40’, D: 3° 5’ |
|---|---|
| Construction (elements/groups) | 18/14 |
| No. of diaphragm blades | 8 |
| Min aperture | 32 |
| Closest focusing distance (m) | 6m |
| Max magnification (x) | 0.14 |
| Distance information | Yes |
| Image stabilizer | 4-stops |
| AF Motor | Ring USM |
| Filter Size (mm) | 52 Drop in |
| Max. diameter x length (mm) | 163 x 461 |
| Weight (g) | 4500g |
| Magnification – Extension Tube EF12 II | 0.16-0.02 |
| Magnification – Extension Tube EF25 II | 0.19-0.04 |
| Lens hood | ET-155 |
| Soft case | Lens case 800 |
| Extenders EF1.4x II and EF2x II | Compatible |
Product Images
More Info
Purchase options
EF 800mm f/5.6 L IS USM available at Amazon | Adorama | B&H
Canon TS-E 45mm f/2.8 Lens
Product Summary
- Model name: Canon TS-E 45mm f/2.8 Lens
- Release Date: April 1991
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Canon
- Color: Black
- Price: $1100
- Purchase options: Amazon | Adorama | B&H
Overview
Canon TS-E lens, give you the ability to control the angle of the plane of focus and the picture’s perspective. The effects of large-format camera movements can be mimicked with TS-E lenses for EOS cameras. This is a manual focus lens. But automatic aperture control enables autoexposure and autoexposure bracketing. The tilt and shift axes intersect at a 90° angle. At an authorized Canon Service Facility (modified at owner’s expense) they can be made parallel
This is the normal lens in the Canon’s TS-E line up, and an excellent choice for product shooting and other applications calling for a natural perspective. It enables up to 11mm of shift off-center, and even more impressive, tilting of the front standard up to 8° to modify the plane of focus. The TS-E 45mm f/2.8’s features are a floating optical system (focusing down to 1.3 ft/0.4m), and a precise rear-group focusing system.
Sample Images by Canon TS-E 45mm f/2.8 on Flickr
Product Images
Canon TS-E 45mm f/2.8 Specifications
| Angle of view | H:44°,V: 33°, D:51° (without shift or tilt) |
|---|---|
| Construction (elements/groups) | 10/9 |
| No. of diaphragm blades | 8 |
| Aperture | 2.8-22 |
| Closest focusing distance (m) | 0.4 |
| Max magnification (x) | 0.16 |
| AF actuator | – |
| Filter Size(mm) | 72 |
| Max. diameter x length (mm) | 81 x 90.1 |
| Weight (g) | 645 |
| Magnification – Extension Tube EF12 II | 0.44 – 0.27 |
| Magnification – Extension Tube EF25 II | – |
| Lens hood | EW-79BII |
| Hard case | LH-D14 |
| Soft case | LP1216 |
More Info
- Canon-Tilt-Shift-Concepts (PDF by Canon)
- An Introduction to Tilt-Shift Lenses (Canon Digital Learning Center)
- Canon Tilt-Shift Concepts (Canon Digital Learning Center)
- Tilt-Shift Lenses: Special Feature (Canon Digital Learning Center)
Purchase options
TS-E 45mm f/2.8 Lens available at Amazon | Adorama | B&H
Canon EF 70-200mm f/2.8 L IS II USM Lens
Canon EF 70-200mm f/2.8 L IS II USM Lens (Amazon | Adorama | B&H)
The most celebrated 70-200mm lens in the Canon EF line. At $2500 this is the most expensive 70-200mm medium telephoto lens that Canon offers. The best thing about this lens is the presence of IS II. For a lens that offers a 200mm maximum focal length range the presence of IS is a critically important requirement. At this high range even if you have very steady hands, the slightest of camera shake is magnified. The presence of the next generation of IS means that the lens can be hand held for slower shutter speeds of up to four stops without issues.
Additionally the presence of USM (Ultra-sonic Motor) ensures that the lens is silent when auto-focusing. This is not the cheaper Micro Motor variety USM but the advanced Ring-type USM that Canon uses for its higher end L series lenses mainly. Additionally full-time manual focusing is present in the lens. All one needs to do to shift to manual focusing is to turn the focusing ring without having to flick the mode switch.
There are a total of 23 elements arranged in 19 groups. Canon has provided a total of five UD (Ultra-low Dispersion) glass elements and one fluorite element in the lens ensuring that the lens has little to now effect from Lateral Chromatic Aberration (LCA).
The overall construction of the lens is extremely good. The build quality of the lens is befitting its L series tag and the lens is protected against water and dust related issues thanks due to its weather sealed construction. The external dimensions of the lens are 3.5 x 7.8” and it weighs 1490 grams. If you are in tight budget you can also consider Canon EF 70-200 f/4L IS.
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Sample Images by EF 70-200mm f/2.8 L IS II on Flickr
Available at Amazon | Adorama | B&H
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Canon EF 70-200mm f/2.8 L IS II Specifications
| Angle of view | H:29° – 10°,V: 19°30′ – 7°,D: 34° -12° |
|---|---|
| Construction (elements/groups) | 23/19 |
| No. of diaphragm blades | 8 |
| Min aperture | 32 |
| Closest focusing distance (m) | 1,2 |
| Max magnification (x) | 0.21 (at 200mm) |
| Distance information | Provided |
| Image stabilizer | 4-stops |
| AF actuator | Ring USM¹ |
| Dust/moisture resistance | Yes |
| Filter Size (mm) | 77mm |
| Max. diameter x length (mm) | 88.8 x 199 |
| Weight (g) | 1490g |
| Magnification – Extension Tube EF12 II | 0.28 – 0.06 |
| Magnification – Extension Tube EF25 II | 0.36 – 0.14 |
| Lens hood | ET-87 |
| Soft case | LZ1326 |
| Extenders | Compatible |
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Lake Success, N.Y., January 5, 2010 – Canon U.S.A., Inc., a leader in digital imaging, introduces the new EF 70-200mm f/2.8L IS II USM lens. Arguably the most popular focal range in Canon’s telephoto arsenal and a staple lens for any professional photographer, the EF 70-200mm f/2.8L IS II USM lens provides the focal length, maximum aperture and zoom power for capturing everything from fast-action sports to studio portraits. Built for the professional, the body structure of the new EF 70-200mm f/2.8L IS II USM lens has been enhanced to provide better durability and strength without a significant increase in weight. Canon has improved optical performance on the new EF 70-200mm f/2.8L IS II USM lens by redesigning the internal elements, incorporating a fluorite element and a fifth UD element. The use of the fluorite element and five UD elements helps to minimize secondary chromatic aberrations and produce better image quality with improved contrast and resolution through the entire zoom range; the end result is an optically precise lens worthy of becoming the leader of Canon’s L-series lenses.
Along with its redesigned optical elements, the new lens design features improved AF speeddue to a new focusing algorithm and has reduced the minimum focusing distance to 3.9 feet (1.2 meters) through the entire zoom range, allowing photographers to capture tighter portraiture shots in a small studio space. The previous lens model’s minimum focusing distance was 4.6 feet (1.4 meters), whereas now photographers can stand nearly 8 inches closer to their subject and achieve sharp focus and tight crops. Canon has also enhanced the Image Stabilization allowing it to compensate for shutter speeds up to four steps slower than 1/focal length, a one step improvement over the previous lens model.
“Canon’s core has always been our optics, and we are constantly challenging ourselves to produce better and more advanced optical systems for our customers. The new EF 70-200mm f/2.8L IS II USM lens incorporates the best advancements in Canon lens technology from the past few years and packages it into what we believe will be the most popular lens for professionals and advanced photographers,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
The enhanced magnesium alloy barrel design of the EF 70-200mm f/2.8L IS II USM lens features added strength with a minimal 20-gram increase in weight compared with the previous model (1490g vs. 1470g) and retains Canon’s protective seals and fittings providing dust and water resistance for those photographers working in adverse conditions. A new bayonet mount on the front of the lens includes a locking mechanism to ensure the supplied lens hood remains securely in place. Other noticeable improvements include a wider focusing ring, andsleeker design by reducing the thickness of any protruding elements such as the switch panel. The new lens is also compatible with Canon’s existing EF1.4X II and EF2X II Extenders as well as EF Extension Tubes and the 77mm Close-Up Lens 500D.
Pricing and Availability
The Canon EF 70-200mm f/2.8L IS II USM lens is supplied with a detachable tripod collar, a reversible bayonet mount lens hood and a lens pouch. The new lens is scheduled to be delivered to U.S. dealers in April, price to be determined.About Canon U.S.A., Inc.
Canon U.S.A., Inc. is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked third overall in the U.S. in 2008†, with global revenues of US $45 billion, is listed as number four in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2009 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all products. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei.# # #
† Based on weekly patent counts issued by United States Patent and Trademark Office
Specifications and availability are subject to change without notice.
All referenced product names, and other marks, are trademarks of their respective owners.
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Order Your EF 70-200mm f/2.8 L IS II Lens from
Canon EF 85mm f/1.2 L II USM Lens
Product summary
- Model name: Canon EF 85mm f/1.2 L II USM Lens
- Release date: 21 February, 2006
- Format: Full frame
- Mount: Canon EF
- Price: $2,099
- Purchase options: Amazon | Adorama | B&H
Features
This lens the bokeh king. Ideal as a medium range telephoto lens the EF 85mm f/1.2 L II USM is compatible with Canon’s entire range of full frame, APS-C and APS-H DSLRs.
The EF 85mm f/1.2 L II USM has a ring type USM (Ultra-Sonic Motor). This ensures that the auto-focusing performance of the lens is quiet and fast. The lens construction includes 8 elements arranged in 7 groups. It also has full-time manual focusing (FTM). This means for switching from auto to manual one does not need to flick a switch. Simply turning the manual focusing ring allows the lens to switch from auto to manual. The lens has a diagonal angle of view of 28°30′.
The closest focusing distance of the lens is 3.2 feet (0.95 meters) which makes the lens not the ideal partner for close-up photography. Additionally the lens is very expensive retailing at $2200. It is also one of the heavier of the medium range tele lenses that Canon currently offers. Additionally with a lens this wide, when shooting fully wide one is bound to get a bit more problem of flares and ghosts when compared to an f/1.4 lens.
The over all lens construction is befitting its L (luxury) tag and certainly makes professional users wielding a full frame DSLR and requiring an all purpose 85mm medium zoom seriously consider buying this. The external dimensions of the lens are 3.6” x 3.3” and it weighs a hefty 1025 grams. The lens has a large filter thread specification of 72mm.
This ultra-fast lens is perfect for low light photography without having to do a trade-off between shutter speed and noise. Having said that, it is great for all other types of lighting conditions as well. If your budget is tight, the EF 85mm f/1.8 USM Lens is a excellent choice as well.
Image by EF 85mm f/1.2 L II on Flickr
Canon EF 85mm f/1.2 L II Specifications
| Compatibility | Full Frame & APS-C |
|---|---|
| APS-C equivalent focal length | 136mm |
| Angle of view | H:16º, V:24º, D:28º 30′ |
| Construction (elements/groups) | 8/7 |
| No. of diaphragm blades | 8 |
| Min aperture | 16 |
| Closest focusing distance (m) | 0.95 |
| Max magnification (x) | 0.11 |
| Distance information | Yes |
| Image stabilizer | No |
| AF actuator | Ring USM¹ |
| Filter Size (mm) | 72 |
| Max. diameter x length (mm) | 91.5 x 84.0 |
| Weight (g) | 1025 |
| Magnification – Extension Tube EF12 II | 0.25-0.15 |
| Magnification – Extension Tube EF25 II | 0.42-0.33 |
| Lens hood | ES-79 II |
| Soft case | LP1219 |
| Extenders EF1.4x II and EF2x II | Not compatible |
Product Photos
Press Release
Amstelveen, The Netherlands, 21 February, 2006: Canon today releases its latest professional L-series prime lens: the exceptionally fast EF 85mm f/1.2 II USM. With the widest aperture of any lens in the current EF range, the new model becomes Canon’s definitive portraiture lens, offering extremely fine control over depth of field and consummate low light performance. With vastly improved auto focus speed, the lens replaces the popular EF 85mm f/1.2L USM. As with all L-series lenses, the EF 85mm f/1.2 II USM incorporates the very finest standards of precision optics.
EF 85mm f/1.2 II USM – $2,099 (€2,049)
The EF 85mm f/1.2 II USM features:
• Canon’s finest standards of image quality
• Latest Ultrasonic Motor (USM) for fast and near silent auto focus
• Full-time electronic manual focus override
• Super Spectra coatings and optimised lens element shaping to suppress flare and ghosting
• Large circular aperture diaphragm for good background bokeh and ‘removal’ of distracting backgrounds
• Distance information passed back to the new E-TTL II flash algorithm of all current model digital EOS cameras
• Lens hood and pouch included in the box
L-series construction
The L-series is Canon’s flagship professional lens range, designed and built to meet the needs of the most demanding professional photographers. The superb optics of the EF 85mm f/1.2 II USM and other L-series lenses represent the pinnacle of optical performance, enabling focal length/speed/quality combinations not readily attainable using traditional optical technologies.
Portrait photography
The combination of an almost circular aperture diaphragm for attractive bokeh (evenly graduated blurring of out-of-focus areas) and the extremely narrow depth of field at its widest aperture combine to make this an ideal portraiture and studio lens. With the lens’ aperture at f/1.2, photographers can create dramatic effects such as keeping a model’s eye sharp while blurring the eye lash ends.
Low light shooting
The maximum f/1.2 aperture is the widest in Canon’s current range and provides for shooting in low light conditions without the need for flash or slow shutter speeds. With improved auto-focus speed from Canon’s latest Ring-type Ultrasonic Motor (USM), the lens is expected to be popular with professional photographers shooting indoor sports. The USM holds the lens with precision and accuracy, the instant it arrives at the correct focus and without overshoot, and features full-time electronic manual focus override*. Super-fine control over depth of field afforded by the lens’ large aperture allows sports photographers to deliberately ‘blur out’ crowds, hoardings and other distracting backgrounds.
Aspheric element
Wide aperture lenses using traditionally manufactured elements suffer from spherical aberration which causes an overall softening and optical ‘smearing’ of the image. To ensure high corner-to-corner sharpness and contrast of in-focus subjects throughout the focus range and at wide apertures, the EF 85mm f/1.2 II USM incorporates a large aspherical lens element with precise variable curvature and a floating group construction.
Super Spectra coatings
In addition to optimised lens shaping to reduce reflections and the use of anti-reflective material inside the lens barrel, the EF 85mm f/1.2 II USM employs Canon’s patented Super Spectra lens element coatings. These suppress flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
E-TTL II flash integration
The EF 85mm f/1.2 II USM transmits distance information to the E-TTL II flash system of all current model digital EOS cameras, improving flash exposure metering when used in conjunction with Canon’s range of EX Speedlite flash units.
The EF 85mm f/1.2 II USM comes with a cylindrical lens hood and lens pouch.In keeping with Canon’s Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.* With P, Av, Tv and M camera modes only
Purchase options
Canon EF 85mm f/1.2 L II USM available at Amazon | Adorama | B&H
Nikon D4
Product Summary
- Model name: Nikon D4
- Release Date:February 2012
- Focus Type: Autofocus
- Format : Full Frame
- Purchase options: Adorama | Amazon | B&H
What’s new in the Nikon D4
- Magnesium-alloy body with full weather sealing
- A new 16.2 megapixels FX format CMOS sensor
- 51-point Auto-focusing system
- Superior 10 fps shooting speed with a continuous burst lasting for more than 200 full resolution images
- ISO range of 100-12800. Further expanded from 50-204,800
- Compatible with XQD memory cards, the next generation in storage media with a data transfer rate of 125/MB per second.
- An extremely fast start-up time of 0.12 seconds and shutter release lag time of 0.042
- Active D-lighting
- HDR imaging capabilities
- The initial auto-focusing is blazingly fast because of the Advanced Multi-CAM 3500FX auto-focus sensor module
- Shutter-cycle of 400,000
- Auto shutter speed and ISO detection for specific lenses
- Glass prism optical viewfinder
- Dual-axis virtual horizon
- 3D color matrix metering III
Features explained
The flagship D4 is Nikon’s top-of-the-line DSLR for professional photographers looking to shoot sports, action and anything else under the sun.
The 51-point auto-focusing system
The D4’s 51-point auto-focusing system is the key to superior sharp photos in most lighting conditions. The central 15 AF points performs as cross-type for lenses equal or faster than f/5.6. For any other lenses slower than f/5.6 but faster than f/8 15 AF points are available with the central 9 working as cross-type. For lenses slower than f/8 only the central horizontal line with one point each on other side of the central point on the vertical line is available. The central point serves as the only cross type AF point.
Auto-focusing speed
The Advanced Multi-CAM 3500FX auto-focus sensor module is at the heart of the blazingly fast auto-focusing system. Together with the 51 AF points the D4 can auto-focus with pin-point accuracy even in the most dimly lit conditions.
Continuous shooting speed
The D4 has a continuous shooting speed of 11 fps with locked focus and exposure on. However with metering and AE/AF on for each frame the D4 still churns out a fantastic 10 fps in full resolution.
Videos & stills
The D4 shoots FX format large JPEGs at 4,928 × 3,280 pixels. It can shoot RAW (NEF) in 12 or 14 bits and simultaneously shoot NEF+JPEG. It also shoots full HD videos at 30 and 24 fps. In 720p HD it shoots videos in 30 and 60 fps. Video format recorded are in .mov files and either of H.264 or MPEG4 compression system is used. Although the built-in mic is monaural there are options to plug in an external stereo mic jack via the 3.5mm plug. There is also a 24–36,000x time-lapse mode for shooting time lapse photography.
The viewfinder & the LCD monitor
The eye-level pentaprism viewfinder has a field of view coverage of 100% and a magnification of 0.7x. On DX format setting the viewfinder has a approx 97% coverage. The eyepoint is 18mm.
The D4 boasts a 3.2” LCD TFT monitor with 921,000 dots resolution. Even in bright sunshine the ambient brightness sensor ensures that the images displayed & reviewed are sharp and easy to view. It allows up to 46x enlargements for reviewing pictures shot at the highest resolution. The monitor has a wide 170˚ viewing angle.
Storage
The D4 comes with dual card slots. One of them is for the standard CF card compatible with UDMA 7 and the other one is for a XQD card. the two cards can be used to either record the same images / data, or used as a complimentary with each other like recording in one when the other is full, or record RAW in one and the JPEG in the other etc.
Dual-axis virtual horizon
The D4 comes with both a viewfinder (1degree increments) and a LCD monitor (5 ˚ increments) based dual-axis virtual horizon detection function that operates to let the photographer know whether he is perfectly level side to side and front to back. This is ideally suitable for professional photographers.
Other ports and compliances
The D4 comes with a Ethernet port for transferring of images to a computer or central ftp server via a RJ45 jack. There is also a 3.5mm jack terminal for plugging an external stereo mic jack. There is also a terminal for plugging a wireless transmitter WT-5A/B/C/D. the camera is also compliant with an optional remote control, GPS Unit GP-1.
Durability in severe environmental conditions
The D4’s body is comprised of strong-yet-lightweight magnesium alloy. This assures the camera’s superb reliability even in the most demanding environmental conditions
What are missing / wish list
Launched in early 2012, the D4 is the new flagship for FX format Nikon DSLRs. The engineers at Nikon have packed in almost every tiny improvement over the last few years. The ergonomics of the camera are pretty much the similar as well as the general feel in the hands; however some buttons and dials have switched places such as the new video recording button has taken the place where the old mode dial used to be. The advanced mode dial has not been improved. These are some bits of examples where Nikon could have improved the camera. However they have also done some good changes like the new function button. The fact that it can be separately programmed is wonderful.
Similar products
The older D3X and the rival Canon 1DX are two cameras that can be looked into. In fact, if you are not married to nikon with superior specs & better performance the Canon EOS 1DX is a clear winner.
Should I buy it?
At $6000 the D4 is certainly the best Nikon that your money can buy if you are a Nikon Shooter. This is a tool that is best used by the hands by a professional who knows what he is doing and can bring out the best in it. In the hands of an amateur who don’t know how to shoot, don’t expect that if you spend an insane amount of money you can start to shoot like a pro. So if you’re a pro and you absolutely need this beast, go right ahead and buy it. If not, then try looking at something like the D600, which is the smallest Nikon full frame DSLR retailing at around $2000 as the better choice.
Sample Images by Nikon D4 on Flickr
Nikon D4 Specifications
| mage sensor | 36.0 x 23.9 mm CMOS sensor (Nikon FX format) |
| Total pixels | 16.6 million |
| Dust-reduction system | Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software) |
| Effective pixels | 16.2 million |
| Lens mount | Nikon F mount (with AF coupling and AF contacts) |
| Image size (pixels) 1 | FX format (36×24): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S] 1.2x (30×20): 4,096 x 2,720 [L], 3,072 x 2,040 [M], 2,048 x 1,360 [S] DX format (24×16): 3,200 x 2,128 [L], 2,400 x 1,592 (M), 1,600 x 1,064 (S) 5:4 (30×24): 4,096 x 3,280 [L], 3,072 x 2,456 [M], 2,048 x 1,640 [S] FX-format photographs taken in movie live view (16:9): 4,928 x 2,768 [L], 3,696 x 2,072 [M], 2,464 x 1,384 [S] |
| Image size (pixels) 2 | DX-format photographs taken in movie live view (16:9): 3,200 x 1,792 [L], 2,400 x 1,344 [M], 1,600 x 896 [S] FX-format photographs taken in movie live view (3:2): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S] DX-format photographs taken in movie live view (3:2): 3,200 x 2,128 [L], 2,400 x 1,592 [M], 1,600 x 1,064 [S] A DX-based format is used for photographs taken using the DX (24×16) 1.5x image area; an FX-based format is used for all other photographs |
| Storage File format | NEF (RAW): 12 or 14 bit, lossless compressed, compressed or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8) or basic (approx. 1:16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats |
| Picture Control System | Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls |
| Media | XQD and Type I CompactFlash memory cards (UDMA compliant) |
| Dual card slots | Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards |
| File system | DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge |
| Viewfinder | Eye-level pentaprism single-lens reflex viewfinder |
| Frame coverage | FX (36×24): Approx. 100% horizontal and 100% vertical 1.2x (30×20): Approx. 97% horizontal and 97% vertical DX (24×16): Approx. 97% horizontal and 97% vertical 5:4 (30×24): Approx. 97% horizontal and 100% vertical |
| Magnification | Approx. 0.7x (50 mm f/1.4 lens at infinity, -1.0 m-1) |
| Eyepoint | 18 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens) |
| Diopter adjustment | -3 to +1 m-1 |
| Focusing screen | Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid |
| Reflex mirror | Quick return |
| Depth-of-field preview | When Pv button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes) |
| Lens aperture | Instant return, electronically controlled |
| Compatible lenses | Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC-NIKKOR lenses), DX lenses [using DX (24×16) image area], AI-P NIKKOR lenses and non-CPU AI lenses (exposure modes A and M only); IX-NIKKOR lenses, lenses for the F3AF and non-AI lenses cannot be used |
| Shutter Type | Electronically-controlled vertical-travel focal-plane shutter |
| Speed | 1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, bulb, X250 |
| Flash sync speed | X=1/250 s; synchronizes with shutter at 1/250 s or slower |
| Release modes | S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), (self-timer), MUP (mirror up) |
| Frame advance rate | Up to approx. 10 fps (CL) or approx. 10 to 11 fps (CH) |
| Self-timer | 2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2 or 3 s |
| Exposure Metering | TTL exposure metering using RGB sensor with approx. 91K (91,000) pixels |
| Metering method 1 | Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12-mm circle in center of frame; diameter of circle can be changed to 8, 15 or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame) |
| Metering method 2 | Spot: Meters 4-mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used) |
| Range (ISO 100, f/1.4 lens, 20deg.C) | Matrix or center-weighted metering: -1 to 20 EV Spot metering: 2 to 20 EV |
| Exposure meter coupling | Combined CPU and AI |
| Exposure modes | Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M) |
| Exposure compensation | -5 to +5 EV in increments of 1/3, 1/2 or 1 EV |
| Exposure bracketing | 2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV |
| Exposure lock | Luminosity locked at detected value with the center of the sub-selector |
| Exposure: ISO sensitivity | ISO 100 to 12800 in steps of 1/3, 1/2 or 1 EV; can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, 2, 3 or 4 EV (ISO 204800 equivalent) above ISO 12800; auto ISO sensitivity control available |
| Active D-Lighting | Can be selected from auto, extra high +2/+1, high, normal, low or off |
| ADL bracketing | 2 frames using selected value for one frame or 3 to 5 frames using preset values for all frames |
| Autofocus | Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors; f/8 supported by 11 sensors) |
| Detection range | -2 to +19 EV (ISO 100, 20deg.C/68deg.F) |
| Focus: Lens servo | Autofocus (AF): Single-servo autofocus (AF-S); continuous-servo autofocus (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used |
| Focus point | Can be selected from 51 or 11 focus points |
| Focus: AF-area modes | Single-point AF, 9-, 21- or 51-point dynamic-area AF, 3D-tracking, auto-area AF |
| Focus lock | Focus can be locked by pressing shutter-release button halfway (single-servo autofocus) or by pressing the center of the sub-selector |
| Flash control | TTL: i-TTL flash control using RGB sensor with approx. 91K (91,000) pixels is available with SB-910, SB-900, SB-800, SB-700, SB-600 or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering |
| Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; auto FP high-speed sync supported |
| Flash compensation | -3 to +1 EV in increments of 1/3, 1/2 or 1 EV |
| Flash bracketing | 2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV |
| Flash-ready indicator | Lights when optional flash unit is fully charged; flashes after flash is fired at full output |
| Accessory shoe | ISO 518 hot-shoe with sync and data contacts and safety lock |
| Nikon Creative Lighting System (CLS) | Advanced Wireless Lighting supported with SB-910, SB-900, SB-800 or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; auto FP high-speed sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units |
| Sync terminal | ISO 519 sync terminal with locking thread |
| White balance | Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2,500 K to 10,000 K); all with fine-tuning |
| White balance bracketing | 2 to 9 frames in steps of 1, 2 or 3 |
| Live View Modes | Live view photography (quiet or silent), movie live view |
| Live View: Lens servo | Autofocus (AF): Single-servo autofocus (AF-S); full-time servo autofocus (AF-F) Manual focus (M) |
| Live View: AF-area modes | Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF |
| Live View: Autofocus | Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected) |
| Movie Metering | TTL exposure metering using main image sensor |
| Frame size (pixels) and frame rate | 1,920 x 1,080; 30p (progressive), 25p, 24p 1,920 x 1,080 crop; 30p, 25p, 24p 1,280 x 720; 60p, 50p, 30p, 25p 640 x 424; 30p, 25p Actual frame rates for 60p, 50p, 30p, 25p and 24p are 59.94, 50, 29.97, 25 and 23.976 fps respectively; all options support both high and normal image quality |
| Movie: File format | MOV |
| Video compression | H.264/MPEG-4 Advanced Video Coding |
| Audio recording format | Linear PCM |
| Audio recording device | Built-in monaural or external stereo microphone; sensitivity adjustable |
| Movie: ISO sensitivity | Automatically adjusted in the range ISO 200 to 12800 or ISO 200 to Hi 4 |
| Maximum length | Approx. 29 min. 59 s (20 min. depending on frame size/rate and movie quality settings) |
| Monitor | 8-cm (3.2-in.), approx. 921k-dot (VGA) TFT LCD with 170deg.viewing angle, approx. 100% frame coverage and automatic monitor brightness control using ambient brightness sensor |
| Playback | Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, GPS data display, auto image rotation, voice memo input and playback and IPTC information embedding and display |
| USB | Hi-Speed USB |
| HDMI output | Type C mini-pin HDMI connector; can be used simultaneously with camera monitor |
| Audio input | Stereo mini-pin jack (3.5-mm diameter; plug-in power supported) |
| Audio output | Stereo mini-pin jack (3.5-mm diameter) |
| 10-pin remote terminal | Can be used to connect optional remote control, GPS Unit GP-1 or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional GPS Adapter Cord MC-35 and cable with D-sub 9-pin connector) |
| Ethernet | RJ-45 connector |
| Peripheral connector | For Wireless Transmitter WT-5A/B/C/D |
| Supported languages | Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian |
| Battery | One Rechargeable Li-ion Battery EN-EL18 |
| AC adapter | AC Adapter EH-6b; requires Power Connector EP-6 (available separately) |
| Tripod socket | 1/4 in. (ISO 1222) |
| Operating Temperature | 0 to 40deg.C/32 to 104deg.F |
| Operating humidity | Less than 85% (no condensation) |
| Dimensions (W x H x D) | Approx. 160 x 156.5 x 90.5 mm/6.3 x 6.2 x 3.6 in. |
| Weight | Approx. 1,340 g/2 lb 15.3 oz with battery and XQD memory card but without body cap and accessory shoe cover; approx. 1,180 g/2 lb 9.6 oz (camera body only) |
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Canon EF 135mm f/2.0 L USM Lens
Canon EF 135mm f/2.0 L USM (Amazon | Adorama | B&H)
Canon’s L series lenses have always been considered the pinnacle of their lens technology. Thanks to endearing reviews and the mad fanaticism that revolves around them; people have gone to great distances trying to own one of them. What makes them great is not only the reviews but the sheer piece of technological marvel that goes into making them. Each L series lens is a great piece of glass bundled with tiny pieces of technology marvels that make them that much easier to focus and compose the shots. The Canon EF 135mm f/2L USM lens is one such great piece of glass and one that has been used quite often by both professional and amateur photographers. The fact that it is an EF lens means that it can fit into almost all Canon DSLR’s that has an EF or an EF-S mount.
Canon EF 135mm f/2 L
So what’s so good about this one? One great thing about the Canon EF 135mm f/2L USM lens is it’s legendary sharpness & bokeh . This lens is so sharp that sometimes you need to reduce it in post process. The moment you start shooting with this lens, you’ll feel that sharpness even looking at your Cameras Back LCD. The front end of the lens does not rotate when you focus it, either when manually focusing or when auto-focusing. For those who use filters and polarizers, this means a big deal. Additionally the lens barrel does not extend as it has an internal focusing system. That means you appear less intimidating to your unsuspecting subjects while shooting. Apart from shooting fast action photography this is a great piece of glass for shooting exceptionally great quality portraits with amazing details, too much detail for some photographers who might even have to correct the blemishes captured.
The broad rubberized focusing grip of the lens feels quite nice in the hand and the fact it has no FTM (Full time manual focusing) unfortunately makes it a bit damper. The lens features two UD elements for ultra low dispersion and correcting chromatic aberrations when shooting wide. The lens is compatible with Canon’s extenders EF 1.4x and EF 2x which gives it an extended focal length however compromises with the speed of the lens
A majority of Canon’s L series (which actually means luxury series as per Canon) lenses comes with USM (ultrasonic motor) which is actually not about shooting at speeds of more than that of sound but more to do with less sound when focusing. When you compare Canon’s normal kit lenses such as the EF-S 18-55mm with the Canon EF 135mm f/2L USM, the deference becomes quite shamefully obvious. The EF-S 18-55mm or the EF-S 18-135mm can appear like a squeaky old robot trying desperately to keep up. The Canon EF 135mm f/2L USM lens on the other hand is smoother and more silkier in its sound and focusing.
One thing that needs mentioning for a prime lens this fast is the possibility of vignetting. Vignetting will be most surely be a problem if you are using a full frame body. However if you stop down the aperture this should progressively correct itself. It is always going to be a toss up between whether you should let go of the beautiful bokeh that you can get with this lens at f/2 or give it up for the vignetting on your full frame. However if you are using a crop body this problem will not be there. This lens works great with bodies such as the EOS 7D (1.6x crop) for that matter where you get a focal length of 216mm and reduced vignetting.
Sample Images by EF 135mm f/2.0 L USM on flickr
Canon EF 135mm f/2.0 L Specifications
| Focal Length | 135 mm |
| Aperture | Maximum: f/2.0 Minimum: f/32 |
| Mount Type | Canon EF |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor Canon (APS-C) |
| Angle of View | 18° |
| Min Focus Distance | 3′ (91.44 cm) |
| Magnification | 0.19x |
| Max Reproduction Ratio | 1:5.2 |
| Groups/Elements | 8/10 |
| Diaphragm Blades | 8 |
| Image Stabilization | No |
| Autofocus | Yes |
| Tripod Collar | No |
| Filter Size | 72 mm |
| Dimensions (DxL) | Approx. 3.2 x 4.4″ (8.13 x 11.18 cm) |
| Weight | 1.65 lb (750 g) |
Purchase options
Canon EF 135mm f/2.0 L USM Lens available at Amazon | Adorama | B&H
Canon EF 50mm f/1.2 L II USM lens
Product summary
- Model name: Canon EF 50mm f/1.2 L USM
- Release date: Aug. 24, 2006
- Available at Amazon | Adorama | B&H
Features
If you are shooting waist-up portraits while maintaining appropriate subject distance as a Full frame users you will appreciate the benefits of the 50mm focal length. on top of that, the large maximum aperture of f/1.2 delivers nice dreamy bokeh and makes subjects “pop” out of a portrait. In low light situation, photographers can also take advantage of higher shutter speeds and help prevent subject blurring caused by subject movement or camera shake.
The EF 50mm f/1.2 L USM lens is designed keeping in mind the need for photographers shooting at extremely wide apertures. At f/1.2 this is as good as one can get for a 50mm prime. Being an L lens means there is an ample amount of attention paid to the over all construction quality of the lens. EF lenses are compatible with all full frame, APS-C and APS-H Canon cameras. If you have something like the Canon 650D or any of the Rebel series Canon cameras, your effective field of view will be 80mm making it ideally suitable as a medium range lens for portraits, wedding, standard everyday photography.
The EF 50mm f/1.2 L USM has a total of 8 elements, including one glass-molded aspherical element, arranged in 6 groups and the diagonal field of view is 46˚. Auto-focusing is one of the dissatisfying aspects for the lens in spite of the fact that this is a very sharp f/1.2 lens. However the presence of full-time manual focusing means the lens can be tweaked by turning the focusing ring at any time to achieve precise focusing. Additionally the lens has USM (ultra-sonic motor) which means the lens is ultra quiet when focusing.
The lens diaphragm is made of 8 rounded blades and the maximum f-stop achievable is f/1.2. It can also stop down all the way to f/16.The overall dimensions of the lens are 3.4” x 2.6” (diameter x length) and weighs 545 grams only. The lens takes a filter size of 72mm. A plastic bayonet mount ES-78 lens hood is provided along with the lens. Available at Amazon | Adorama | B&H.
Images by EF 50mm f/1.2 L USM on flickr
Canon EF 50mm f/1.2 L Specification
| Type | Full Frame & APS-C |
|---|---|
| APS-C equivalent focal length | 80mm |
| Angle of view (horzntl, vertl, diagnl) | H:40º, V:27º, D:46º |
| Construction (elements/groups) | 8/6 |
| No. of diaphragm blades | 8 |
| Min aperture | 16 |
| Closest focusing distance (m) | 0.45 |
| Max magnification (x) | 0.15 |
| Distance information | Yes |
| Image stabilizer | No |
| AF Motor | Ring USM |
| Filter Size (mm) | 72 |
| Max. diameter x length (mm) | 85.8 x 65.5 |
| Weight (g) | 580 |
| Magnification – Extension Tube EF12 II | 0.39-0.24 |
| Magnification – Extension Tube EF25 II | 0.67-0.53 |
| Lens hood | ES-78 |
| Soft case | LP1214 |
| Extenders EF1.4x II and EF2x II | Not compatible |
Product Photo
Press Release
Canon’s Two New Lenses Focus on Needs of Professional and Advanced Amateur Photographers
LAKE SUCCESS, N.Y.–(BUSINESS WIRE)–Aug. 24, 2006
The EF 50mm f/1.2 L USM Lens – Serious Glass for Serious Photographers
Canon is the only camera manufacturer to provide professionals and advanced amateurs with Digital SLRs that feature full frame sensors, such as the Canon EOS-1Ds Mark II and EOS 5D digital SLRs. The new EF 50mm f/1.2 L USM lens complements full-frame cameras, while delivering beautiful results on APS-C/H sized sensor models as well.
The EF 50mm f/1.2 L USM lens is a strong testament to Canon’s heritage of optical excellence. Every aspect of this lens exudes professional quality from its wide 72mm filter diameter to itsdust and moisture sealed construction. A high refraction glass molded aspherical lens element helps to minimize spherical aberration, which is crucial in order to provide fine detail and maximum image quality from corner to corner, even when the lens is used wide open. Full frame digital camera users will especially appreciate the benefits of the 50mm focal length, when shooting waist-up portraits while maintaining appropriate subject distance at a wedding.
The large maximum aperture of f/1.2 allows this lens to produce shallow depth of field that softens the background and makes subjects “pop” out of a portrait. Photographers can also take advantage of higher shutter speeds to shoot in lower light and help prevent blurring caused by subject movement or camera shake. In addition to a large aperture, the new lens also has blazingly fast autofocus speed and response time, thanks in part to Canon’s ring-type Ultrasonic Motor (USM), which quietly drives the lens. A full-time manual focus feature allows photographers to fine-tune the sharpness of their images, even when the lens is set for autofocus.
Canon designed the EF 50mm f/1.2 L USM to deliver the best possible optical quality while being tough enough to meet the needs of demanding photographers. Eight lens elements in six groups provide high resolution, while advanced coating suppresses flare and ghosting. A glass molded (GMO) aspherical element ensures maximum image quality by reducing spherical aberration and linear distortion. Dust and moisture resistant components in the lens mount, switches, and focus ring help to protect the lens in a wide variety of shooting conditions.
The powerful and fast EF 50mm f/1.2 L USM lens will be available in November for an estimated selling price of $1,599**. The compact and universal EF 70-200mm f/4 L IS USM will also be available in November for an estimated selling price of $1,249**.
Pricing & Availability
Canon EF 50mm f/1.2 L USM available at Amazon | Adorama | B&H
Canon EF 40mm f/2.8 STM Pancake Lens
Product summary
- Model name: Canon EF 40mm f/2.8 STM Pancake Lens
- Release date: 8th June 2012
- Available at B&H | Adorama | Amazon
Key features
- Portable pancake design
- Smooth, quiet STM focusing when shooting movies on compatible cameras
- Fast f/2.8 maximum aperture for low-light shooting
- Close focus to 0.3m
- Fast, quiet AF for pin-sharp results
- Great image quality right across the frame
Features
A unique and indispensable addition to Canon’s series of EF lenses, the new EF 40mm f/2.8 STM offers an ultra-slim and lightweight design. Incredibly compact in size, the EF 40mm f/2.8 STM delivers high image quality from the center to the periphery thanks to its advanced lens configuration including an aspherical element, a bright 2.8 aperture, and optimized coatings that minimize ghosting and flare while providing exceptional color balance. The EF 40mm f/2.8 STM’s unobtrusive design helps the photographer avoid overwhelming their subjects with a large lens and to remain discreet in sensitive shooting situations with no compromise in performance. Its diminutive design is complemented by features such as a newly developed stepping motor for smooth and quiet continuous AF while capturing video with the Canon EOS Rebel T4i DSLR, a circular aperture (7 blades) for beautiful soft-focus backgrounds, and a short minimum focusing distance of only 0.98 ft./0.30 m.
The EF 40mm f/2.8 STM is Canon’s first EF pancake lens with a fixed focal length of 40mm and wide f/2.8 aperture, making it ideal for photographers who want a versatile, compact and lightweight lens for portrait, reportage, travel or landscape situations. Precision control over the circular, seven-blade aperture is enabled by the EMD, producing a beautiful bokeh effect and an aspheric lens with Super spectra coatings ensures optimal image quality from the centre of the lens to the periphery for stunning shots of practically any subject. Available at B&H | Adorama | Amazon
Sample Images by EF 40mm f/2.8 STM on Flickr
Product Images
Canon EF 40mm f/2.8 STM Specifications
| Angle of view | H: 49º,V: 34º,D:57º |
| Construction (elements/groups) | 6/4 |
| No. of diaphragm blades | 7 |
| Min aperture | 22 |
| Closest focussing distance (m) | 0.3 |
| Max magnification (x) | 0.18 |
| Distance Information | Provided |
| Image stabilizer | – |
| AF Motor | STM |
| Dust/moisture resistance | – |
| Filter Size (mm) | 52 |
| Max. diameter x length (mm) | 68.2 x 22.8 |
| Weight (g) | 130 |
| Lens Cap | E-52 |
| Lens hood | ES-52 |
| Lens case/pouch | LP811 |
| G.F.Holder III (hood III*) | – |
| G.F.Holder IV (hood IV*) | – |
| Magnification Extension Tube EF12 II | 0.50-0.32 |
| Magnification Extension Tube EF25 II | 0.88-0.70 |
| Extender Compatiblity | NC |
Additional Info
Purchase options
Canon EF 35mm f/1.4 L USM Lens
Product summary
- Model name: Canon EF 35mm f/1.4 L USM Lens
- Format: Full frame
- Mount: Canon EF
- Available at Amazon | Adorama | B&H
Features
The Canon EF 35mm f/1.4L wide-angle lens is a terrific standard lens for casual photographers and photojournalists who value low-light capability and high performance. The best thing about the EF 35mm f/1.4 L USM is its fast f/1.4 aperture. This makes it perfect for shooting in a broad range of lighting conditions. Being an EF lens it is compatible with all Canon full frame DSLRs along with the 1.3x APS-H and the APS-C crop sensors. If you’re using an EOS-M mirrorless camera you could use an EOS-M adapter to work with this lens. On a 1.6x crop sensor DSLR such as a Canon Rebel T4i the field of view will be the same as a 55mm lens on a full frame such as 5D Mark III. This lens belongs to the L or the Luxury series lenses made by Canon. It has 11 elements including an aspherical element arranged in 9 lens groups.
Rear focusing elements means the lens does not extended when focusing, a real advantage when you’re into precision photography using circ. polarizers and filters. The lens also comes with USM (ultra-sonic motor) and full-time manual focusing. FTM allows the user to simply turn the focusing ring (even when set to auto) and then precisely adjust the focus manually as required. Speaking of focusing the EF 35mm f/1.4 L USM has a close focusing distance of 1 foot (0.3 meter) and a maximum reproduction 0.18x.
The 8 blade diaphragm of the lens has a maximum (wide) aperture of f/1.4 and a minimum f-stop of f/22. The dimensions of the lens are 3.1″ x 3.4″ (diameter x length) and the overall weight is 580 grams.
This lens is ideally suitable as a fixed standard focal length for portraits, street photography and even landscapes. A great tool for creative Depth of field photography.
Sample Images Images By EF 35mm f/1.4 L on flickr
Product Images
Canon EF 35mm f/1.4 L Specifications
| Angle of view | H:54°,V: 38°, D:63° |
|---|---|
| Construction (elements/groups) | 11/9 |
| No. of diaphragm blades | 8 |
| Min aperture | 22 |
| Closest focusing distance (m) | 0.3 |
| Max magnification (x) | 0.18 |
| AF Motor | USM¹ |
| Filter Size (mm) | 72 |
| Max. diameter x length (mm) | 79 x 86 |
| Weight (g) | 580 |
| Magnification – Extension Tube EF12 II | 0.54 x 0.36 |
| Magnification – Extension Tube EF25 II | 0.97 – 0.79 |
| Lens hood | EW-78C |
| Hard case | – |
| Soft case | LP1214 |
Purchase options
EF 35mm f/1.4 L USM available at Amazon | Adorama | B&H
Canon EF 28mm f/2.8 IS USM Lens
Product summary
- Model name: Canon EF 28mm f/2.8 IS USM
- Release date: February 7, 2012
- Format: Full frame
- Mount: Canon EF
- Availability: June 2012
- Price: $799.99
- Available at Adorama | B&H | Amazon
Key Features
- Optical Image Stabilizer provides up to 4 shutter speed stops of correction.
- Ring USM, high-speed CPU, and optimized AF algorithms for fast auto focusing with a minimal focusing distance of 0.23m.
- Full-time manual focus for manual adjustment while in AF mode with silent and smooth operation making it suitable for video recording.
- Aspherical lens elements improve peripheral image quality.
- Circular diaphragm (7 blades) delivers beautiful, soft backgrounds.
Overview
The Canon EF 28mm f/2.8 IS USM Len’s features include a wide-angle view, an up to 4 stops of shake correction optical image stabilization, a ring-type Ultra Sonic Motor, an CPU with optimized AF algorithms, aspherical lens elements, a 7-blade circular aperture, and a mimimum focusing distance of 0.75 ft. (0.23m). Canon introduced EF 28mm f/2.8 IS lens along with EF 24mm f/2.8 IS lens. Canon updated this popular and widely used fixed focal length lens, the Canon EF 28mm f/2.8 IS USM. It is a fixed focal length wide-angle 28mm lens. In this upgrade Canon included Optical Image Stability system, superb image quality and increased AF performance perfect for use in any number of photographic applications including low light photography. Sharp, clear images are easily obtain with an Optical Image Stabilizer that offers up to 4 stops of shake correction. It also has a ring-type USM and advanced CPU with optimized AF algorithms enable faster auto focusing. Aspherical lens elements used to improve image quality on the periphery and lens coatings help reduce ghosting and flare. A 7-blade circular aperture diaphragm delivers beautiful bokeh. This Compact and lightweight lens with outstanding lens performance it’s the perfect lens to go with any EOS DSLR to shoot stills or video. Also check EF 24mm f/2.8 IS.
Product photos
Canon EF 28mm f/2.8 IS Specifications
| Angle of view | H: 65°, V: 46°, D: 75° |
| Construction (elements/groups) | 9/7 |
| No. of diaphragm blades | 7 |
| Min aperture | 22 |
| Closest focussing distance (m) | 0.23 |
| Max magnification (x) | 0.2 |
| Distance Information | Provided |
| Image stabilizer | 4 stops |
| AF Motor | Ring USM¹ |
| Filter Size (mm) | 58 |
| Max. diameter x length (mm) | 68.4x 51.5 |
| Weight (g) | 260 |
| Lens Cap | E-58U |
| Lens hood | EW-65B |
| Lens case/pouch | LP1014 |
| Magnification Extension Tube EF12 II | 0.71-0.50 |
| Magnification Extension Tube EF25 II | 1.30-1.11 |
| Extender Compatiblity | Not compatible |
Press Release
LAKE SUCCESS, N.Y., February 7, 2012: Canon Standard Prime Lenses with Optical Image Stabilizer:EF 24mm f/2.8 IS USM & EF 28mm f/2.8 IS USM. Empowering landscape and wide-angle photographers with improved optical performance, Canon has upgraded both its EF 24mm and EF 28mm lenses with Image Stabilization technology and Ultrasonic Motor-powered auto focus. Both lenses feature Canon’s Optical Image Stabilizer technology providing up to four shutter speed stops of correction. With the Optical Image Stabilizer turned on, photographers can capture sharp wide-angle images in low-light settings reducing the need for a flash or a tripod. New aspherical lens elements improve the peripheral image quality and a seven-blade circular diaphragm delivers beautiful, soft backgrounds. The silent and smooth operation of each lens makes them ideal choices for shooting video as well. The EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM lenses each have a minimum focusing distances of 0.20m and 0.23m, respectively.
The EF 24mm f/2.8 IS USM lens is expected to be available in June for an approximate retail price of $849.99, while the EF 28mm f/2.8 IS USM lens is expected to be available in June for an approximate retail price of $799.99.
Additional Info
sample images
Purchase options
EF 28mm f/2.8 IS USM available at Adorama | B&H | Amazon
Canon EF 24mm f/2.8 IS USM
Product summary
- Model name: Canon EF 24mm f/2.8 IS USM
- Release date: February 7, 2012
- Format: Full frame
- Mount: Canon EF
- Availability: June 2012
- Price: $849.99
- Available at Adorama | B&H | Amazon
Key features
- 24mm wide angle lens (38mm equivalent on APS-C sized sensors)
- Fast f/2.8 maximum aperture
- Up to four-stop Image Stabilizer
- Ultrasonic autofocus mechanism
- Circular aperture for soft background blur
- Super Spectra coatings reduce flare
Overview
Canon EF 24mm f/2.8 IS USM lens was introduced along with Canon EF 28mm f/2.8 IS USM. This lens offers an advantage of up to 4-stops over lenses without IS. The lens is ideal for capturing more of the scene, thanks to their wider focal lengths. It features a wide f/2.8 aperture, helping photographers to discover shallow depth of field, or to shoot in lower-light conditions.
The Canon EF 24mm f/2.8 IS USM lens is perfect entry focal length into the world of ultra wide-angle photography. This is a compact, fixed focal length 24mm lens equipped with 4 stops of shake correction Canon’s Optical Image Stabilizer technology, along with a ring-type USM and advanced CPU with optimized AF algorithms for faster auto focusing. Full-time manual focus option also available for manual focusing even while in AF mode while a minimum focusing distance of 0.66 ft (0.20m) provides a dramatic wide-angle view. Aspherical lens elements help to improve image quality on the peripheral part, while a 7-blade circular aperture diaphragm delivers beautiful bokeh. Lens coatings are also used to combat ghosting and flares. Offering superior image quality, silent and smooth operation in a compact & lightweight body. This lens is a ideal lens for capturing both stills and video. Also check out EF 28mm f/2.8L IS.
Sample Images by EF 24mm f/2.8 IS USM on Flickr
Product Images
Canon EF 24mm f/2.8 IS Specifications
| Angle of view | H:74°, V:53°, D: 84° |
| Construction (elements/groups) | 11/9 |
| No. of diaphragm blades | 7 |
| Min aperture | 22 |
| Closest focussing distance (m) | 0.20 |
| Max magnification (x) | 0.23 |
| Distance Information | Provided |
| Image stabilizer | 4 stops |
| AF Motor | Ring USM¹ |
| Filter Size (mm) | 58 |
| Max. diameter x length (mm) | 68.4 x 55.7 |
| Weight (g) | 280 |
| Lens Cap | E-58U |
| Lens hood | EW-65B |
| Lens case/pouch | LP1014 |
| Magnification Extension Tube EF12 II | 0.62-0.43 |
| Magnification Extension Tube EF25 II | 1.13-0.95 |
| Extender Compatiblity | Not compatible |
Additional Info
Purchase options
EF 24mm f/2.8 IS USM available at Adorama | B&H | Amazon
Canon EF 24mm f/1.4 L II USM Lens
Product summary
- Model name: Canon EF 24mm f/1.4 L II USM
- Released on: 17 September, 2008
- Format: Full frame
- Mount: Canon EF
- Available at Adorama | B&H | Amazon
Key features
- Fast f/1.4 aperture
- Aspherical and UD lens elements for correction of chromatic aberration
- Sub Wavelength structure Coating (SWC) to dramatically reduce ghosting and flare
- Circular aperture for creative blurred highlights
- USM for full-time manual focus
- Lead-free glass (RoHS compliance)
- Lens hood and pouch supplied
Overview
The Canon 24mm F/1.4L is commonly used for Landscape/scenery, Low light, Night photography, Weddings and more.The Canon 24mm F/1.4L is most used by customers who consider themselves to be a Semi-pro photographer among others.The Canon 24mm F/1.4L is popular because customers like the following qualities of the Canon 24mm F/1.4L: Consistent output, Durable, Easily interchangeable, Fast / accurate auto-focus, Nice bokeh, Rugged, Strong construction to mention just a few.
The Canon EF 24mm f/1.4L II USM Lens lens is a venerable wide-angle prime lens that provides sharpness and impressive performance at all settings. Its large maximum aperture of f/1.4 allows for superb low-light photographs, and its circular aperture and narrow depth of field provide pleasing background blur. It is the ideal tool for photojournalists, landscape and event photographers, and anyone who enjoys taking images from a wider perspective.
This version “II” improves greatly over its predecessor with the addition of two high-precision aspheric lenses, which correct aberration including curvature of field and distortion. Chromatic aberration common in wide-angle shooting is also reduced by the inclusion of two UD lenses, which ensure optimum image quality and corner-to-corner detail.
The EF 24mm f/1.4L II USM features Canon’s near-silent Ultra Sonic Motor (USM), which provides super-fast auto-focusing with full-time manual override. The floating internal focus system also helps maintain high image quality throughout the focal range.
Sample Images by Canon EF 24mm f/1.4 L II USM on Flickr
Product Images
Canon EF 24mm f/1.4 L II Specifications
| Angle of view: | H 74°, V:53°, D:84° |
|---|---|
| Construction (elements/groups) | 13/10 |
| No. of diaphragm blades | 8 |
| Min aperture | 22 |
| Closest focusing distance (m) | 0.25 |
| Max magnification (x) | 0.17 |
| Distance information | Provided |
| AF Motor | Ring USM¹ |
| Dust/moisture resistance | Yes¹ |
| Filter Size (mm) | 77 |
| Max. diameter x length (mm) | 93.5 x 86.9 |
| Weight (g) | 650g |
| Magnification – Extension Tube EF12 II | 0.67-0.50 |
| Magnification – Extension Tube EF25 II | NC |
| Lens hood | EW-83K |
| Soft case | LP1319 |
| Extenders | NC |
Canon EF 24mm f/1.4 L II Press Release
United Kingdom/Republic of Ireland, 17 September, 2008: Canon today strengthens its line-up of EF-series lenses with the introduction of a new fast aperture prime lens: the EF 24mm f1.4L II USM. Replacing the EF 24mm f/1.4L USM, the EF 24mm f1.4L II USM has been completely redesigned to provide an exacting partner lens to Canon’s new EOS digital SLRs, the EOS 50D and the EOS 5D MKII.
Superior image performance
Featuring a 13-element, 10-group lens, the EF 24mm f1.4L II USM is designed to achieve the highest standards of image quality. Two high-precision GMo aspheric lenses are employed to correct various forms of aberration such as curvature of field and distortion, with a floating mechanism ensuring crisp corner-to-corner detail throughout the focal range. In addition, two UD lenses reduce the chromatic aberration common in wide-angle lenses.
A fast, ultra-large maximum aperture of f/1.4 delivers excellent low-light performance, with the circular aperture offering the potential for creative out-of-focus highlights. A focal length of 24mm and a USM focus motor providing full-time manual focus also make the EF 24mm f1.4L II USM ideal for situations where a wide-angle, high-performance lens is required.
Advanced lens coating
Reflections off a digital camera’s image sensor can compromise images with ghosting and flare. To help reduce this, the inside of EF 24mm f1.4L II USM’s front element is treated with Canon’s new Sub Wavelength structure Coating. Developed specifically to work with Canon optics, this anti-reflective coating helps reduce flare and ghosting – for consistently crisp, undistorted images.
Robust build quality
Weighing just 650g, the EF 24mm f1.4L II USM is designed to withstand the rigours of even the most testing shooting environment – with Canon’s advanced weather and dust sealing making it the perfect choice for photojournalists and landscape photographers.
Additional Info
Availability
EF 24mm f/1.4 L II USM available at Adorama | B&H | Amazon
Canon EF 14mm f/2.8 L II USM
Product summary
- Model name: Canon EF 14mm f/2.8 L II USM
- Released date: 20 August, 2007
- Availability: October 2007
- Price: £1799.99 / €2599.99
- Available at Amazon | Adorama | B&H
Features
Ultra-wide angle lenses have always been in demand by architectural, corporate, and other top pro photographers. This new lens features completely redesigned optics including 2 high-precision Aspherical elements and two totally new UD-glass elements. The result is superior image quality: better contrast and sharpness at the outer edges, and a reduction in chromatic aberrations that can sometimes be seen with high-resolution digital SLRs. Its diagonal angle of view is an impressive 114″-anything larger would be a Fisheye lens. It has a built-in lens hood, and has been dust- and moisture- proofed. The lens uses a rear focusing system, high-speed CPU, and a powerful ring-type USM with revised electronics for faster, more responsive AF. This lens continues the proud tradition of superior clarity optics found in L-series Canon lenses. The Canon 14mm F/2.8L is useful in Landscape, scenery, Night photography.
Images by Canon EF 14mm f/2.8 L II USM on Flickr
Product Photos
Canon EF 14mm f/2.8 L II Specifications
| Angle of view | H:81º, V:104º, D:114º |
|---|---|
| Construction (elements/groups) | 14/11 |
| No. of diaphragm blades | 6 |
| Min aperture | 22 |
| Closest focusing distance (m) | 0.2 |
| Max magnification (x) | 0.15 |
| Distance information | Yes |
| Image stabilizer | No |
| AF Motor | Ring USM |
| Filter Size (mm) | Filter Holder |
| Max. diameter x length (mm) | 80 x 94 |
| Weight (g) | 645 |
| Magnification – Extension Tube EF12 II | Not compatible |
| Magnification – Extension Tube EF25 II | Not compatible |
| Lens hood | Built-in |
| Soft case | LP1016 |
| Extenders EF1.4x II and EF2x II | Not compatible |
Press release
United Kingdom / Republic of Ireland 20 August, 2007: Canon today releases its ultra-wide EF 14mm f/2.8L II USM lens. With the shortest focal length in Canon’s renowned professional L-series range, the lens boasts a 114 degree angle of view; exceeded only by Canon’s EF15mm f/2.8 Fisheye.
The newly designed lens incorporates aspherical and UD elements to achieve the very highest standards of image fidelity. With the latest Ultrasonic Motor for fast and accurate auto focus and the addition of dust and moisture sealing, it replaces the enormously popular EF14mm f/2.8L USM.
Availability and pricing
The EF 14mm f/2.8L II USM lens will be available from October 2007, priced at £1799.99 / €2599.99 RRP inc VAT.
The EF 14mm f/2.8L II USM lens features:
Extreme resolving power, superb contrast and sharpness across the frame through the use of aspheric and UD lens elements
Large f/2.8 aperture for low-light shooting
Latest Ring-type Ultrasonic Motor (USM) for fast and near silent auto focus with excellent holding torque
Full-time manual focus override via a large rubber ring that does not rotate during auto focus
Super Spectra coatings and optimised lens element shaping to suppress flare and ghosting
Large circular aperture diaphragm for good background bokeh and ‘removal’ of distracting backgrounds at wide apertures
Lens hood and pouch included in the box
L-series construction
The L-series is Canon’s flagship professional lens range, designed and built to meet the needs of the most demanding professional photographers. The optics of the EF 14mm and other L-series lenses represent the pinnacle of optical performance, enabling focal length/speed/quality combinations not readily attainable using traditional optical technologies.
New perspectives
The lens’ ultra-wide 114 degree angle of view can be used by photographers to dramatic effect. Effective for photographing buildings and other large subjects where the photographer cannot get enough distance to include everything in the frame, the EF 14mm f/2.8L II USM is also ideal for small interiors. The lens’ closest focusing distance of just 20cm allows photographers to get remarkably close to subjects for creative wide-angle shots.
Aspherical and UD elements
The EF 14mm f/2.8L II USM incorporates two aspherical lens elements to ensure high corner-to-corner sharpness throughout the focus range and at wide apertures. Pristine image quality is further assured through the incorporation of an Ultra-low Dispersion (UD) element, used to suppress chromatic aberration and associated colour fringing.
Super Spectra coatings
In addition to optimised lens shaping to reduce reflections and the use of anti-reflective material inside the lens barrel, the EF 14mm f/2.8L II USM employs Canon’s patented Super Spectra lens element coatings. These suppress flare and ghosting – more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural colour balance.
The EF 14mm f/2.8L II USM includes an integrated petal hood and redesigned lens cap. In keeping with Canon’s Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.
Additional info
Purchase Options
EF 14mm f/2.8 L II USM available at Amazon | Adorama | B&H
Zeiss Distagon 25mm f/2 ZE Lens – T* 2/25 lens
Product Summary
- Model name: ZEISS Distagon T* 1,4/35 ZM
- Focus Type: Manual
- Format : Full Frame
- Mounts: Canon | Nikon
- Purchase options: B&H | DigitalRev
Overview
Through the special optical design and the targeted selection of optical glass, chromatic aberrations are virtually eliminated on the Distagon T* 2/25. The effective correction of distortion and field curvature is attributable to the inclusion of two aspheric lens surfaces. The floating elements design ensures high quality across the entire image field. The Distagon T* 2/25 is practically distortion-free.
With outstanding image quality even at maximum aperture, the Distagon T* 2/25 proves particularly advantageous in indoor photography without the use of a tripod even in difficult lighting conditions. With this lens, you can take wide-angle shots which look natural and dynamic at the same time, thanks to the large angle of view. Whatever the application, this lens goes beyond the bounds of creativity. Zeiss Distagon T* 2/25 available at Amazon | Adorama | B&H
Features
Aspherical design
The aspherical lens design ensures consistent imaging performance throughout the entire focusing range as well as sharpness to the periphery of the image. The asphere’s more complex surface profile can reduce or eliminate spherical aberration and also reduce other optical aberrations compared to a simple lens.
Floating Elements Design
State-of-the-art camera techniques and high-resolution digital image sensors increasingly demand more from the lenses. The modern floating element design compensates aberrations of the Carl Zeiss SLR lenses at different distance settings. This is accomplished by changing the axial distance of single lens elements or element groups to each other. The adjustment of the element distance is coupled to the distance setting so that it always results in the right correction. The mechanical design of these lens elements is very complex and the workmanship must be particularly exact – both
Virtually distortion-free optics
Dramatic perspectives and a view from extraordinary image angles – SLR lenses from Carl Zeiss open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.
Ideal aperture with nine blades
High-Speed Lens
Great low-light shots start with a great lens for your DSLR camera. A high-speed lens captures as much light as possible. A lens with a wide maximum aperture offers the be
Specifications
| Filter Size | 67mm |
| f/Stop Range | 2.0-22 |
| Minimum Focus Distance | 9.8″ (25 cm) |
| Magnification | 1:59 |
| Angle of View | 81° |
| Groups/Elements | 10/11 |
| Length | 2.8″ (71mm) |
| Maximum Diameter | 2.8″ (71mm) |
| Weight | 1.26 lbs (570 g) |
| Warranty | Zeiss Warranty |
Product Images
Sample images
Purchase options
Canon EF 20mm f/2.8 USM Lens
Product summary
- Model name: Canon EF 20mm f/2.8 USM
- Mount: Canon EF
- Format: Full frame
- Available at Adorama | B&H | Amazon
Features
Wide-angle lenses let you capture more of the image by broadening the angle of view and increasing the depth of field, thereby bringing more of the area into focus. The lenses also provide a unique perspective by expanding the apparent distance between the foreground and the background. This Canon 20mm f/2.8 is no exception, with such additional features as a floating rear focusing system with an Ultra Sonic Motor (USM), a 0.8-foot close focusing distance, and a 94-degree diagonal angle of view. As with all Canon lenses, the 20mm lens carries a one-year warranty.
Ultra-wide-angle lens for serious applications. Easy to hold and carry at 14.3 oz. (405g). Floating rear focusing system. Sharp images are obtained at all subject distances.
The Canon 20mm F/2.8 is commonly used for Landscape/scenery and more.The Canon 20mm F/2.8 is popular because customers like the following qualities of the Canon 20mm F/2.8: Consistent output, Easily interchangeable, Fast / accurate auto-focus, Lightweight, Strong construction to mention just a few. Available at Adorama | B&H | Amazon
Images by Canon EF 20mm f/2.8 USM on Flickr
Product Images
Canon EF 20mm f/2.8 USM Specifications
| Angle of view | H:84°, V:62°, D:94° |
|---|---|
| Construction (elements/groups) | 11/9 |
| No. of diaphragm blades | 5 |
| Min aperture | 22 |
| Closest focusing distance (m) | 0.25 |
| Max magnification (x) | 0.14 |
| AF Motor | USM¹ |
| Filter diameter (mm) | 72 |
| Max. diameter x length (mm) | 77.5 – 70.6 |
| Weight (g) | 405 |
| Magnification – Extension Tube EF12 II | 0.72 – 0.60 |
| Magnification – Extension Tube EF25 II | – |
| Lens hood | EW-75II |
| Hard case | LH-D13 |
| Soft case | LP1214 |
Purchase options
EF 20mm f/2.8 USM available at Adorama | B&H | Amazon
Canon EOS 60D
Product summary
- Model name: Canon EOS 60D
- Release date: August 26, 2010
- Purchase options: Adorama | Amazon | B&H
Key Features
- 18.0 Megapixel CMOS sensor and DIGIC 4 Imaging Processor for high image quality and speed
- ISO 100 – 6400 (expandable to 12800) for shooting from bright to dim light
- Improved EOS HD Video mode with manual exposure control, expanded recording, Movie Crop recording in 640 x 480, sound recording level adjustment and an external microphone IN terminal for access to improved sound quality
- Vari-angle 3.0-inch Clear View LCD monitor for shooting at low angles and 1,040,000-dot VGA with reflection reduction using multi coating and high-transparency materials for bright and clear viewing
- 5.3 fps continuous shooting up to approx. 58 Large/JPEGs and 16 RAW
- 96% viewfinder coverage allowing you to see more of your image in the viewfinder
- Enhanced iFCL 63-zone, Dual-layer metering system; and 9-point AF system utilizing a high-precision, f/2.8 cross-type center point
- New convenient in-camera features allow you to convert RAW images into JPEGs and set the images to a 3:2 aspect ratio
- Compatibility with SD/SDHC/SDXC memory cards
- Compatible with the full line of Canon EF and EF-S lenses
Features
The 60D is an interesting camera in the Canon line up upper entry level crop bodies. It is priced interestingly too right between the 7D and the 600D which makes it something of a choice for a serious amateur. But trying to look at the features of the camera one is going to find several good features of both the world (an entry level DSLR and that of a semi-pro body).
Build quality
Let’s talk about the build quality first. The 60D is made of plastic. Unlike the 7D which is made of magnesium alloy material this one feels a bit less secure in the hands. But don’t take it otherwise; there is absolutely no reason to be frowning. If you’re looking for a perfectly weather sealed body then something like the K5 or the K30 from Pentax’s stable or even the 7D from Canon itself should be better suited at a slightly higher budget. Similarly if you need something that can withstand a few knock and bumps then the 7D is better suited because of its magnesium alloy body. But the 60D is a better build body than the 600D. If you happen to be looking for a decent upper entry level camera then the 60D should be more than enough for your needs.
Sensor & megapixels
The 60D is build around an APS-C 18 megapixels sensor that the 550D and the 600D shares. So for megapixels wise this one is not going to be much of an appeal to consumers more than any of the other models mentioned in this paragraph. But more megapixels necessary does not mean better pictures. So unless you’re in product or professional photography, you don’t need any more megapixels than this.
Performance
Looking at the noise performance of the 60D there is nothing much to really revel about. As a pretender of being a predecessor to the 50D this one is not something that is utterly delicious to drool about. At 6400 the pictures are still usable albeit for Internet. But if you’re inclined on printing them, stay within 1600 or roundabouts.
Compatible Lenses
The 60D supports both EF and EF-S lenses.
Viewfinder
The viewfinder is an eye level pentaprism. For those who do not know the difference between a pentaprism and a pentamirror, the later only mimics the functionalities of a pentaprism and offers a slightly dim view through the OVF. The 60D OVF gives 96% coverage, not something that a pro shooter will like but then this camera is not meant for pro-shooters.
AF system
9 point (All cross type) AF system is not something to really jump for joy. In fact this is the same as the 550D and the 600D and less than even the D3200 from Nikon. Canon has provided a tilting swiveling screen that allows the user to shoot at seemingly impossible angles. Does it make sense? Absolutely. This is something that even Nikon is adopting for its cameras (D5100).
Additional Features
Making accurate composition more convenient, the EOS 60D’s optical viewfinder provides 96 percent coverage along with Canon’s built-in single axis Electronic Level Display, which utilizes the exposure level scale below the picture area to let the photographer know when the camera is level. The Electronic Level Display is also visible on the camera’s LCD screen in both Live View and Movie modes. An artificial horizon display illustrates horizontal roll, allowing the photographer to know when the camera is in a fixed level position. The entire camera has been durability-tested to 100,000 exposures making the EOS 60D a reliable as well as a powerful imaging tool.
The final verdict
Overall the 60D is a good camera and is a value for money, but if you have a need for shooting only stills go for some cheaper models and save some money.
Sample Images EOS 60D on Flickr
Canon EOS 60D Specifications
| Camera Type | Digital, single-lens reflex, AF/AE camera with built-in flash |
| Recording Media | SD/SDHC/SDXC card |
| Image Format | 0.88 x 0.59 in. / 22.3 x 14.9mm (APS-C size) |
| Compatible Lenses | Canon EF lenses (including EF-S lenses) |
| Lens Mount | Canon EF mount |
| Sensor Type | High-sensitivity, high-resolution, large single-plate CMOS sensor |
| Pixels | Effective pixels: Approx. 18.0 Megapixels: 5200 (H) x 3462 (V) pixels |
| Total Pixels | Total pixels: Approx. 19.0 Megapixels: 5432 (H) x 3492 (V) pixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low Pass Filter | Fixed position in front of the CMOS sensor |
| Dust Deletion Feature | Self Cleaning Sensor Unit Dust Delete Data appended to the captured image Manual cleaning of sensor |
| Recording Format | Design rule for Camera File System 2.0 and Exif 2.3 |
| File Size | Large/Fine: Approx. 17.90 Megapixels (5184 x 3456) Medium/Fine: Approx. 8.00 Megapixels (3456 x 2304) Small 1/Normal: Approx. 4.50 Megapixels (2592 x 1728) Small 2/Fine: Approx. 2.50 Megapixels (1920 x 1280) Small 3/Fine: Approx. 0.35 Megapixels (720 x 480) RAW: Approx. 17.90 Megapixels (5184 x 3456) M-RAW: Approx. 10.10 Megapixels (3888 x 2592) S-RAW: Approx. 4.50 Megapixels (2592 x 1728) |
| File Numbering | Consecutive numbering, auto reset, manual reset |
| RAW + JPEG Simultaneous Recording | Provided (sRAW+JPEG also possible) |
| Color Space | sRGB, Adobe RGB |
| Picture Style | Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1-3 |
| Settings | Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature setting |
| Auto White Balance | Auto white balance with the image sensor |
| Color Temperature Compensation | White balance correction: ±9 stops in full-stop increments White balance bracketing: ±3 stops in full-stop increments Blue/amber direction or magenta/green direction possible |
| Color Temperature Info Transmission | Provided |
| Magnification | Approx. 0.95x (-1m-1 with 50mm lens at infinity) / 27.0deg. angle of view |
| Eye Point | Approx. 22mm (At -1m-1 from eyepiece lens center) |
| Dioptric Adjustment Correction | -3.0 to +1.0m-1 (diopter) |
| Focusing Screen | Interchangeable (Ef-D: Grid lines, Ef-S: Point of focus, Ef-A standard focusing screen provided) |
| Mirror | Quick-return half mirror (transmission: reflection ratio of 40:60) |
| Viewfinder Information 1 | AF information (AF points and focus confirmation light), Exposure information (Shutter speed, aperture, ISO speed (always displayed), AE lock, exposure level, Spot metering circle, exposure warning), Flash information (Flash ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light) |
| Viewfinder Information 2 | Image information (Highlight tone priority (D+), Monochrome shooting, maximum burst (2-digit display), white balance correction, card information), Electronic level (Horizontal only), Battery check |
| Depth Of Field Preview | Enabled with depth-of-field preview button |
| AF Points | 9 (Cross-type, Center AF point with dual cross sensor for f/2.8) |
| AF Working Range | EV 0-20 (at 73deg.F/23deg.C with EF 50mm f/1.4 USM lens, ISO 100) |
| Focusing Modes | Autofocus, One-Shot AF, Predictive AI Servo AF, AI Focus AF, Manual focusing (MF) |
| AF Point Selection | Automatic selection, manual selection |
| Selected AF Point Display | Superimposed in viewfinder and indicated on LCD panel |
| AF Assist Beam | Small series of flashes fired by built-in flash Effective range: Approx. 13.1 ft./4.0m at center, approx. 11.5 ft./3.5m at periphery |
| Exposure Control Systems | Program AE (Shiftable), Shutter-priority AE (Safety shift possible), Aperture-priority AE (Safety shift possible), Manual exposure, Bulb, Full Auto, Flash Off, Creative Auto, Programmed Image Control modes (Portrait, Landscape, Close-up, Sports, Night Portrait), E-TTL II Autoflash Program AE (Evaluative metering, Averaged metering) |
| ISO Speed Range | ISO 100 – 6400 (in 1/3-stop or whole-stop increments) ISO 12800 can be enabled with a Custom Function With [Highlight tone priority], the ISO speed range will be automatically set within 200-6400 |
| Exposure Compensation | Manual: ±5 stops in 1/3- or 1/2-stop increments AEB: ±3 stops in 1/3- or 1/2-stop increments |
| AE Lock | Auto AE lock – In the One-Shot AF mode with evaluative metering, AE lock takes effect when focus is achieved Manual AE lock – With AE lock button |
| Shutter | Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled 1/8000 to 1/60 sec., X-sync at 1/250 sec. 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode) Soft-touch electromagnetic release 10-sec. or 2-sec. delay (self-timer/remote control) For Remote Switch RS-60E3 |
| Shutter Speeds | 1/8000 to 1/60 sec., X-sync at 1/250 sec. 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode) |
| Shutter Release | Soft-touch electromagnetic release |
| Self Timer | 10-sec. or 2-sec. delay (self-timer/remote control) |
| Remote Control | For Remote Switch RS-60E3 |
| Guide Number | 43/13 (ISO 100, in feet/meters) |
| Recycling Time | Approx. 3 sec. |
| Flash Ready Indicator | Flash-ready icon lights in viewfinder |
| Flash Coverage | Up to 17mm focal length (equivalent to approx. 28mm in 135 format) |
| FE Lock | Provided |
| Zooming to Match Focal Length | Provided |
| Flash Metering | E-TTL II autoflash |
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| External Flash Settings | Flash function settings, Flash C.Fn settings |
| Drive Modes | Single, high-speed continuous, low-speed continuous, 10-sec. self-timer/ remote control, or 2-sec. self-timer/remote control |
| Continuous Shooting Speed | High-speed: Max. 5.3 shots/sec. (approx.) Low-speed: Max. 3.0 shots/sec. (approx.) |
| Maximum Burst | JPEG (Large/Fine): approx. 58 RAW: approx. 16 RAW+JPEG (Large/Fine): approx. 7 |
| Shooting Modes | Live View shooting Remote Live View shooting (with a personal computer installed with EOS Utility) |
| Focusing | Autofocus (One-Shot AF) Live mode – One-point, contrast AF. Switching to another AF point possible Face Detection Live mode – Face Detection, Contrast AF. Face selectable Quick mode – Nine-point, phase-difference AF, same as normal shooting Manual focus – Magnify the image by 5x or 10x and focus manually |
| Metering Modes | Real-time Evaluative metering with the image sensor |
| Metering Range | EV 0-20 (at 73deg.F/23deg.C with EF 50mm f/1.4 USM lens, ISO 100) |
| Magnified View | By 5x or 10x at AF point position |
| Grid Display | Provided (Two-type grid displays) |
| Silent Shooting | Provided (Mode 1 and Mode 2) |
| Display Type | TFT color, liquid-crystal monitor |
| Monitor Size | Wide 3.0-inch (Screen aspect ratio of 3:2) |
| Coverage | Approx. 100% Viewing angle: Approx. 160deg. |
| Brightness Control | 7 levels provided |
| Interface Languages | 25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese) |
| Display Format 1 | Single image display (Two types of single-image full display and two types of shooting information display), Index display (4-image index and 9-image index), Jump display (1/10/100 images, shooting date, by folder, video, stills, rating), AF point display, Histogram (1. Brightness 2. RGB), Magnify zoom display (1.5x to 10x enabled in 15 steps) |
| Display Format 2 | Rotated display (Manual, Auto) Slide Show (Image selection: Playback according to All images, Date, Folder, Movies, Stills, or Rating; Display time: 1, 2, 3, 5, 10, or 20 sec.; Repeat: Enable/Disable; Transition effect: Off, Slide in, Fade 1, Fade 2) |
| Highlight Alert | With single-image display (Info.) and single-image display, overexposed highlight areas will blink |
| Protection | Erase protection can be applied/canceled for a single image, all images in a folder, or all images in the card |
| Erase | Erase single image, erase selected images, erase all images on folder, erase all images in a card, or erase only unprotected images |
| Compatible Printers | PictBridge-compatible printers |
| Printable Images | JPEG images compliant to Design rule for Camera File System 2.0 and Exif 2.3 (DPOF printing possible) and RAW images captured with the EOS 60D |
| DPOF | Version 1.1 compatible |
| Compatible Images | Direct image transfer with the camera has been abolished since the personal computers’ OS-based support has become adequate for image transfers |
| Custom Functions | Total 20 |
| Camera User Settings | Register under Mode Dial’s setting |
| My Menu Registration | Up to six top-tier menu options and Custom Function settings can be registered |
| Battery | One Battery Pack LP-E6 |
| Battery Check | Auto |
| Power Saving | Provided. Power turns off after 1, 2, 4, 8, 15 or 30 min. |
| Date/Time Battery | Built-in secondary battery When fully-charged, the date/time can be maintained for about three months |
| Start-up Time | Approx. 0.1 sec. (Based on CIPA testing standards) |
| Working Temperature Range | 32-104deg.F/0-40deg.C |
| Working Humidity Range | 85% or less |
| Dimensions (W x H x D) | Approx. 5.69 x 4.17 x 3.09 in./144.5 x 105.8 x 78.6mm |
| Weight | 755g / 26.6 oz (CIPA) 675g / 23.8 oz (body only) |
Additional Images
More info
- User manual
- Canon EOS 60D Canon Digital Learning Center
- Canon EOS 60D Canon Camera Museum
- Canon EOS 60D Sample Images (by Canon)
Purchase options
Canon EOS 60D available at Adorama | Amazon | B&H
Canon EOS 7D: King of Canon APS-C DSLR
Product summary
- Model name: Canon EOS 7D
- Release date: September 1, 2009
- Purchase options: Amazon | B&H | Adorama
Key Features
- 18.0 Megapixel CMOS Sensor and Dual DIGIC 4 Image Processors .
- ISO 100-6400 (expandable to 12,800).
- 8.0 fps continuous shooting up to 126 Large/JPEGs with UDMA CF card and 15 RAW.
- Advanced movie mode with manual exposure control and selectable frame rates: 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p, 1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 60p (59.94) / 50p.
- Intelligent Viewfinder with 100% field of view, wide viewing angle of 29.4°, high magnification of 1.0, intelligent viewfinder with glass pentaprism and superimposed LCD display in viewfinder supports various shooting styles.
- New 19-point, all cross-type AF system equipped with dual diagonal cross-typesensors in center at f/2.8 and f/5.6 and AF area selection modes to match various shooting situations.
- iFCL Metering with 63 zone dual-layer metering sensor that utilizes AF and color information for optimizing exposure and image quality.
- Magnesium body with shutter durability up to 150,000 cycles and exclusive dust and weather resistance.
Features
The EOS 7D Features Fast 8 FPS Continuous Shooting, Class-Leading 18-Megapixel Resolution and Full HD Video Recording with Variable Frame Rates and Manual Exposure Control. Although Canon has tagged the 60D as the spiritual successor of the famed 50D, the 7D is more of a biological descendant of the plasticky and tag touchy crop body. what we have in he 7D is a phenomenal camera, well-built, weather sealed, supremely high performance with great auto-focus, more AF points that some of the higher full frame bodies; albeit in a crop body.
The build quality
The 7D has been built to withstand not only the vagaries of nature but also the hands of a clumsy photographer (no disrespect). It is probably good enough for a few knocks and bumps but that should not inspire you to drive your SUV over it. It is well built with a magnesium alloy body and feels strong and secure in the hands. The best thing is it is weather sealed so you don’t need a rain check each time you wish to sling the camera around your neck.
AF points and AF system
The 7D locks focus faster than even the professional 5D Mark II. With 19 AF points you can be absolutely sure about the precise focusing that it can deliver, and it does most of the times. The camera is compatible with both the standard lenses and the USM lenses that Canon has offering near silent focusing with the later. Night time performance in extremely low light conditions is also acceptable and while there is no comparison between some of the full frame EOS models this is perfect for most shooting needs.
Viewfinder
100% field of view is what you can expect with the optical view finder of the 7D. The view finder is very beautiful bright and takes the full advantage of the pentaprism type that gives it an advantage over many other APS-C crop bodies in the market.
Sensor & megapixels
The 7D is built around an 18 megapixels APS-C sized CMOS sensor with DIGIC 4 image processing system.
Image quality
Over all image quality is extremely great. The 7D boasts an impressive continuous drive mode of 8 fps. If you’re a sports photographer, you could take advantage of the 7D’s impressive 320 image continuous JPEG burst rate and the 24 images continuous RAW burst rates. Low light performance is also respectable especially if you compare some of the other comparable crop bodes such as the Nikon D300S or even the Pentax K-7. however if you compare the performance with some of the other full frame cameras in the EOS range such as the 5D Mark II or the latest 5D Mark III performance will be slightly off.
Pop-up flash
The 7D comes with a pop-up flash something that even the EOS 5D Mark II does not have. While this is not a caparison between the two cameras and they are designed for two different segments of users, the pop-up flash does add a bit of flexibility in the hands of a serious photographer.
Canon EOS 7D firmware v2 added new features
- Improved maximum burst for RAW images (up to 25)
- In-camera RAW image editing
- In-camera Image Rating
- In-camera JPEG resizing
- Maximum Auto ISO setting (ISO 400-6400)
- Manual audio level adjustment in movie recording
- GPS compatibility
- File name customisation
- Time zone settings
- Faster scrolling of magnified images
- Quick control screen during playback
- New firmware available for download here
Recommendations
The 7D is a strongly built and value for money camera. It has an impressive performance across most lighting conditions and is respectable even at ISO 12800. Additionally the buttons and features should appeal to a pro shooter who is comfortable with buttons and hates GUI. Overall this is a great camera to buy and should be one of the top two-three APS-C bodies currently available.
Sample Images by EOS 7D on Flickr
EOS 7D Specs
| Type | Digital, single-lens reflex, AF/AE camera |
| Recording Media | CF Card Type I and II, UDMA-compliant CF cards, via external media (USB v.2.0 hard drive, via optional Wireless File Transmitter WFT-E5) |
| Image Sensor Size | 22.3 x 14.9 mm (APS-C size) |
| Compatible Lenses | Canon EF lenses (35mm-equivalent focal length is approx.1.6x the lens focal length) |
| Lens Mount | Canon EF mount |
| Image Sensor Type | High-sensitivity, high-resolution, large single-plate CMOS sensor |
| Pixels | Effective pixels: Approx. 18.0 megapixels |
| Total Pixels | Total pixels: Approx. 19.0 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Color Filter System | RGB primary color filters |
| Low-pass Filter | Fixed position in front of the CMOS sensor |
| Dust Deletion feature | (1) Automatic sensor cleaning (2) Manual cleaning of sensor (3) Dust Delete Data appended to the captured image |
| Recording Format | Design rule for Camera File System 2.0 and Exif 2.21 |
| Image Type | Still: JPEG, RAW (14-bit, Canon original), sRAW, mRAW, RAW+JPEG Video: MOV (Image data: H.264, Audio: Linear PCM) |
| RAW + JPEG Simultaneous Recording | Provided (RAW/sRAW/mRAW+JPEG also possible); One-touch RAW+JPEG |
| Size | (1) Large: Approx. 17.90 Megapixels (5,184 x 3,456) (2) Medium: Approx. 8.00 Megapixels (3,456 x 2,304) (3) Small: Approx. 4.50 Megapixels (2,592 x 1,728) (4) RAW: Approx. 17.90 Megapixels (5,184 x 3,456) (5) M-RAW: Approx. 10.10 Megapixels (3,888 x 2,592) (6) S-RAW: Approx. 4.50 Megapixels (2,592 x 1,728) Exact file sizes depend on the subject, ISO speed, Picture Style, etc. |
| File Numbering | Consecutive numbering, auto reset, manual reset Possible to create new folders and select folders in the CF card |
| Color Space | sRGB, Adobe RGB |
| Picture Style | Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1-3 |
| Recording Functions | Images record directly to the CF card. With the WFT-E5A attached, image recording to the CF card and to the USB external media connected to the WFT-E5A will be possible as follows (1) Standard (2) Automatic switching of recording media(3) Separate recording (4) Recording of identical images (5) Backup to external recording media |
| Backup Recording | Enabled with WFT-E5A attached |
| Image Processing Type | White Balance: Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature setting |
| Auto White Balance | Auto white balance with the image sensor |
| Color Temperature Compensation | White balance correction: ±9 stops in 5 step increments White balance bracketing: ±3 stops in full-stop increments Blue/amber direction or magenta/green direction possible |
| Color Temperature Info Transmission | Provided |
| Viewfinder Type | Eye-level pentaprism |
| Viewfinder Coverage | Vertical/Horizontal approx. 100% |
| Viewfinder Magnification | Approx. 1.0x (-1m-1 with 50mm lens at infinity) |
| Viewfinder Eyepoint | Approx. 22mm (from eyepiece lens center) |
| Built-in Dioptric Adjustment | -3.0 to +1.0m-1 (diopter) |
| Focusing Screen | Fixed |
| Viewfinder Mirror | Quick-return half mirror (transmission: reflection ratio of 40:60) |
| Viewfinder Information | AF information (AF points, focus confirmation light), Exposure information (Shutter speed, aperture, ISO speed, AE lock, exposure level, spot metering circle, exposure warning), Flash information (Flash ready, flash exposure compensation, high-speed sync, FE lock, red-eye reduction light), Image information (Highlight tone priority, Monochrome shooting, maximum burst, white balance correction, CF card information), Composition information (Grid, electronic level), Battery Check |
| Depth-of-Field Preview | Enabled with depth-of-field preview button |
| Autofocus Type | TTL-CT-SIR AF-dedicated CMOS sensor |
| AF Points | 19-point all cross-type AF (f/2.8 at center: Dual Cross Sensor) |
| Metering Range | EV -0.5-18 (at 73°F/23°C, ISO 100) |
| Focusing Modes | Auto, One-Shot AF, Predictive AI Servo AF, AI Focus AF, Manual focusing (MF) |
| AF Point Selection | (1) Manual selection: Single point AF (2) Manual selection: Spot AF (3) Manual selection: AF point expansion (4) Manual selection: Zone AF (5) Automatic selection: 19 point AF |
| Selected AF Point Display | Indicated by transmissive LCD display in the viewfinder and on the LCD panel |
| AF-assist Beam | When an external EOS-dedicated Speedlite is attached to the camera, the AF-assist beam from the Speedlite will be emitted when necessary |
| Metering Modes | 63-zone SPC TTL metering with selectable modes Evaluative metering (linkable to any AF point) Partial metering (approx. 9.4% of viewfinder at center) Spot metering (approx. 2.3% of viewfinder at center) Center-weighted average metering |
| Metering Range | EV 1-20 (at 73°F/23°C with EF50mm f/1.4 USM lens, ISO 100) |
| Exposure Control | Program AE (Shiftable), Shutter-priority AE, Aperture-priority AE, Creative Auto, Full auto, Manual exposure, E-TTL II autoflash program AE |
| ISO Speed (Recommended Exposure Index) | Automatically set, ISO 100-6400 (in 1/3-stop or 1-stop increments) Basic Zone modes: ISO 100-3200 set automatically Extension settable (with C.Fn.I 3-1): ISO 12800 High Tone Priority settable: ISO 200-6400 |
| Exposure Compensation | Manual: ±5 stops in 1/3- or 1/2-stop increments (can be combined with AEB) |
| AE Lock | Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved Manual: By AE lock button |
| Shutter Type | Vertical-travel, mechanical, Electronically-controlled, focal-plane shutter |
| Shutter Speeds | 1/8000 to 1/60 sec., X-sync at 1/250 sec. 1/8000 to 30 sec., bulb (Total shutter speed range. Available range varies by shooting mode) |
| Shutter Release | Soft-touch electromagnetic release |
| Self-timer | 10-sec. or 2-sec. delay |
| Flash Metering | E-TTL II autoflash |
| Flash Exposure Compensation | ±2 stops in 1/3- or 1/2-stop increments |
| FE Lock | Provided |
| Drive Modes | Single, High-speed continuous, Low-speed continuous and Self-timer (10-sec. or 2-sec. delay) |
| Continuous Shooting Speed | High-speed: Max. 8.0 shots/sec Low-speed: Max. 3.0 shots/sec |
| Maximum Burst | JPEG (Large/Fine): approx. 94 (CF)/approx. 126 (UDMA CF) RAW: approx. 15/approx. 15 (UDMA CF) RAW+JPEG (Large/Fine): approx. 6 (CF/UDMA CF) Based on Canon’s testing standards with a 2GB CF card, high-speed continuous shooting, ISO 100 and Standard Picture Style |
| Focusing | Quick mode (Phase-difference detection) Live mode/Face Detection Live mode (Contrast detection) Manual focusing (5x/10x magnification possible) |
| Metering Modes | Evaluative metering with the image sensor (still photos) Center-weighted average metering (video) |
| Metering Range | EV 1-20 (at 73°F/23°C with EF 50mm f/1.4 USM lens, ISO 100) |
| Grid Display | Provided (Two-type grid displays) |
| Exposure Simulation | Provided |
| Silent Shooting | Provided (Mode 1 and 2) |
| LCD Monitor Type | TFT color, liquid-crystal monitor |
| Monitor Size | 3.0″ |
| Monitor Dots | Approx. 920,000 (VGA) |
| Monitor Coverage | Approx. 100% (viewing angle: approx. 170°) |
| Brightness Adjustment | Auto, 7 levels provided |
| Interface Languages | 25 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian,Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Japanese) |
| Image Playback Display Format | Single image, Single image + Image-recording quality/shooting information, histogram, 4- or 9-image index, magnified view (approx. 1.5x-10x), rotated image(auto/manual), image jump (by 10/100 images, index screen, by shooting date, by folder), slide show (all images/selected by date/folder) |
| Highlight Warning | Provided (Overexposed highlights blink) |
| Image Protect | Single images can be erase-protected or not |
| Image Erase | Single image, check-marked images or all images in the CF card can be erased (except protected images) |
| Compatible Printers | PictBridge-compatible printers |
| Printable Images | JPEG images compliant to Design rule for Camera File System (DPOF printing possible) and RAW/sRAW images captured with the EOS 5D Mark II |
| Easy Print feature | Provided |
| DPOF | Version 1.1 compatible |
| Compatible Images | JPEG and RAW images Only JPEG images can be transferred as wallpaper on the personal computer screen |
| Custom Functions | Total 27 |
| Camera User Settings | Register under Mode Dial’s C1 and C3 positions |
| My Menu Registration | Provided |
| USB Terminal | For personal computer communication and direct printing (USB 2.0 Hi-Speed) |
| Video Out Terminal | (1) Video OUT terminal: NTSC/PAL selectable (2) HDMI mini OUT terminal |
| Extension System Terminal | For connection to WFT-E5A |
| Battery | One Battery Pack LP-E6 AC power can be supplied via AC Adapter Kit ACK-E6 with Battery Grip BG-E6 attached |
| Battery Check | Auto |
| Power Saving | Provided; Power turns off after 1, 2, 4, 8, 15 or 30 min. |
| Date/Time Battery | One CR1616 lithium-ion battery |
| Start-up Time | Approx. 0.1 sec. |
| Working Temperature Range | 32-104°F/0-40°C |
| Working Humidity Range | 85% or less |
| Dimensions (WxHxD) | Approx. 5.8 x 4.4 x 2.9 in./148.2 x 110.7 x 73.5mm |
| Weight | Approx. 28.9 oz./820g (body only) |
| Warranty | Canon 1 year limited warranty |
Additional Images
More info
- Canon EOS 7D at the Canon Camera Museum
- Canon EOS 7D Sample Photos and Videos
- Canon EOS 7D First Look Videos @ CDLC
- Harnessing the Power of the EOS 7D’s Video System @ CDLC
- Canon EOS 7D On-Camera Tutorial Videos @ CDLC
- Canon EOS 7D Autofocus Modes
- EOS DSLR Video Recording
Purchase options
Canon EOS 7D available at Amazon | B&H | Adorama