Limited Edition LEICA M-P ‘GRIP‘ By Rolf Sachs
Product Summary
- Model name: Leica M-P (Typ 240) ‘grip‘ by Rolf Sachs
- Release Date: 12 October 2016
- Mounts: Leica
- Availability: November 2016
- Price: £ 12,500.00
- Purchase options: Red Dot Cameras
In collaboration with artist and photographer Rolf Sachs, Leica Camera AG presents a new special edition in the Leica M-System portfolio – the Leica M-P (Typ 240) ‘grip‘ by Rolf Sachs. The unusual set, consisting of a Leica M-P camera and the fast classic lens Leica Summilux-M 35 mm f/1.4 ASPH., unites legendary rangefinder technology with creative product design. The combination of unusual materials in an eye-catching choice of colour and classic design lends the camera a unique look and makes the Leica M-P ‘grip‘ by Rolf Sachs a true collector’s item. This special edition will strictly be limited to only 79 sets for the worldwide market and will be available exclusively at select Leica Stores from November 2016.
“For many photographers over many years, the Leica M has been a passionate love affair! Its functionality and iconic design attracts me as an artist and an avid user. I am thrilled for the opportunity to ‘undress’ the camera and create a new look, surprising as much as functional. Applying a material that has never before been used as an easy-to-grip camera surface, created a striking aesthetic and a unique tactility,” says Rolf Sachs.
In his Leica M-P ‘grip‘ by Rolf Sachs concept the artist focused on the Leica M-P rangefinder camera in black paint finish modifying features of its design to create the unique style that he envisaged. For the body trim, Sachs chose a material that is usually used in the production of table tennis bats. Applied to the camera body, the red nubs of this rubber trim lend the otherwise plain and simple appearance of the camera a uniquely striking look – while also creating an entirely new haptic experience.
Various individual elements on the top deck of the camera are matched to the colour scheme of the Leica M-P ‘grip‘ by Rolf Sachs – the engravings on the accessory shoe, the shutter speed dial, the on/off switch, the video button and the style of the shutter release button are now picked out in red, rather than white. A ‘Rolf Sachs’ logo graces the back of the top deck as a signature of the designer. The engravings on the lens are also partially picked out in a shade of red.
The Leica M-P ‘grip‘ by Rolf Sachs set comes in a black case containing the camera, the lens, a carrying strap and a Leica SF 40 flash. The special edition also includes a special brush for cleaning the camera trim and a premium-quality brush for cleaning the exposed parts of the set.
In all other respects, the performance and technical specifications of the camera and lens of the Leica M-P ‘grip‘ by Rolf Sachs special edition are identical to those of the equivalent serial production products. The Leica M-P offers all the technical advantages of the Leica digital rangefinder system cameras and possesses the same enduring and robust qualities for which the Leica M-System is renowned. Thanks to its combination of moderate wide-angle character and natural reproduction of proportions, the Summilux-M 35 mm f/1.4 ASPH. is one of the most versatile lenses in the Leica M-System portfolio. From selective focus in the close-up range to high-contrast available-light applications and landscape shots with immense depth of field, the lens delivers persuasive arguments in any situation.
The long-standing collaboration and amicable relationship between Leica and Rolf Sachs is founded on a multitude of projects. Most recently, ‘Camera in Motion: from Chur to Tirano’, an impressive exhibition showing his work shot with a Leica S, was on view at the Leica Galleries in Salzburg and Wetzlar.
About Rolf Sachs:
Rolf Sachs was born in Lausanne, Switzerland, in 1955. He studied in England and the USA. He found inspiration in the art around him from the early years of his youth and became an artist himself in the late nineteen-eighties. His creative genres include photography, sculpture, set-design and installations. Inspired by everyday objects and their materiality, he searches for the unusual and unconventional within them and brings it to light in the unique conceptual diction of his multidisciplinary works.
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Nikon COOLPIX W100 Instruction or User’s Manual Available for Download [PDF]
Nikon COOLPIX W100 Instruction or User’s Manual Available for Download in PDF.
Download Links
- Quick Start Guide : Asia | Europe
- Reference Manual
Nikon COOLPIX A900 Instruction or User’s Manual Available for Download [PDF]
Nikon COOLPIX A900 Instruction or User’s Manual Available for Download in PDF.
Download Links
- Quick Start Guide : Asia | Europe | America
- Reference Manual
Pentax K-70 Instruction or User’s Manual Available for Download [PDF]
Nikon COOLPIX B700 Instruction or User’s Manual Available for Download [PDF]
Nikon COOLPIX B700 Instruction or User’s Manual Available for Download in PDF.
Download Links
- Quick Start Guide : Asia | Europe | America
- Reference Manual
Ricoh Theta SC Captures 360° Image & Video
Product Summary
- Model name: RICOH THETA SC
- Release Date: 12th October 2016
- Focus Type: Autofocus
- Color: Beige | Blue | Pink | White
- Availability: October 2016
- Price: $299.95
- Purchase options: Adorama | B&H | Amazon
Key features
- 360° fully spherical images and videos
- Image Sensor 14 megapixels (Approx.)
- ISO 100-1600
- Shutter speed from 1/8000 sec. to 60 sec.
- Full HD 1080p Movie Recording at 30 fps
- Dedicated Smartphone application
- Wireless sharing
Ricoh Imaging Americas Corp. today announced it has added a full-featured, affordably-priced mid-range model to its pioneering line of Theta 360-degree spherical imaging cameras. Merging advanced imaging capabilities with simplified operation, the new Ricoh Theta SC is designed to appeal to the growing numbers of consumers interested in capturing and sharing 360-degree photos and videos.
Market demand for cameras that capture immersive imagery is on the rise, and experts predict that devices required for augmented- and virtual-reality experiences—such as 360-degree cameras and VR headsets—will be at the top of consumers’ holiday 2016 gift lists.
Ricoh offers the industry’s most extensive line of spherical imaging cameras, known for their high image quality, sleek design and ease of use. First introduced in 2013, Theta cameras are unique in their ability to allow consumers to record fully spherical images that show the entirety of a scene in photos or videos. The pocket-sized Theta SC is the fourth-generation Theta, joining the award-winning, top-of-the-line Theta S and entry-level Theta m15 series cameras.
Like its predecessors, the Theta SC boasts a stylish and sleek design, lending itself to quick and convenient operation. The camera can be handheld with one-button operation or placed on a flat surface or tripod to be remotely controlled by a smartphone and the newly updated Theta S app. It comes in a range of attractive colors including beige, blue, pink and white for a wide range of users.
The Theta SC delivers the same high level of image quality provided the Ricoh Theta S—with a high-performance CMOS image sensor and large-aperture dual lenses—in a more lightweight package. It captures 14-megapixel, high-resolution stills and records high-definition (HD) video clips up to five minutes in duration, in keeping with consumers’ interest in shooting and sharing short video clips. The resulting spherical images can be easily uploaded to the dedicated theta360.com website; posted and shared via Facebook, Google+, Google Maps and YouTube; as well as shared via Twitter and Tumblr.
With the introduction of the Theta SC, Ricoh is also unveiling an updated Theta S app for iOS and Android devices. The newly updated Theta app is designed to be even easier to use—making capturing, viewing, managing and sharing fully spherical imagery a snap.
Main Features
1. High-resolution, fully spherical images
The Ricoh Theta SC delivers high-resolution, fully spherical images with an approximately 14 megapixel output, thanks to the combination of bright, large-aperture twin-lens folded optics (with the same f/2.0 maximum aperture as the Theta S) and a large image sensor. Together they capture beautiful 360-degree images with minimal noise, even in low-light conditions. The completely redesigned user interface of the Theta app for smartphones and tablets provides intuitive operation, allowing users to easily make adjustments, change settings, upload images and much more.
The Ricoh Theta SC allows the user to upload spherical images to the theta360.com dedicated website, and share them on social networks such as Facebook, Twitter, Instagram and Tumblr. It is also possible to submit captured videos to 360-degree channels such as Google MapsTM, Google+TM and YouTubeTM.
2. High-resolution, fully spherical videos
The Ricoh Theta SC captures high-resolution, fully spherical videos at Full HD quality (1920 x 1080 recorded pixels, 30 frames per second) for a duration of up to five minutes (after a synthesizing process). Once transferred to a smartphone or tablet using the Theta app, users can adjust the image size, shape and composition of videos with simple fingertip operation. Using the dedicated THETA+ Video image-editing applications,* users can easily edit captured videos.Just like fully spherical still images, the edited videos (a maximum data capacity of 5MB) can be uploaded to the theta360.com dedicated website, and shared on social networks.THETA+ Video applications operate on iOS8.0. or later, or Android 4.4 or later. Proper operation is not guaranteed with all mobile devices.
3. 360-degree Live-view display
When synchronized with a smartphone or tablet computer, the Ricoh Theta SC provides Live-view display (still images only) on the device’s monitor. This allows the user to check the outcome of various setting changes on the Live-view screen during shooting. The camera provides a choice of two display modes: Full Screen and Panorama.
4. Stylish and functional body design
The Ricoh Theta SC is equipped with an LED indicator on its front panel for at-a-glance confirmation of the current mode, and a still-image/video switching button on the side panel. These controls let users operate the camera smoothly and unerringly even when it is disconnected from a smartphone or tablet computer.
5. Other features
• A large internal memory (approx. 8GB) for storage of approximately 1,600 still images (at L image size)
• Minimum start-up time lag of 1.5 seconds
• Self-timer function, with a delay time selectable from the Theta, smartphone or tablet
• Interval shooting function, convenient for creating time-lapse videos
• The THETA+ application can be used to edit still images and export images for printing
Optional Accessory
• TH-2 Hard Case
A weather resistant (IPX7), solid case designed to house the Ricoh Theta SC.
This case provides a tripod socket for attachment of various camera accessories.
Note:
This case is not designed for underwater shooting. When the camera is housed in the case, shooting can be performed only through remote operation via a smartphone or tablet computer.
Product Photo
Sample Image Gallery
Specification
| Object distance | Approx. 10cm to infinity (from front of lens) |
| Shooting mode | Still image: Auto, shutter priority, ISO priority, Manual *1, Video: Auto |
| Exposure control | Program AE, ISO Priority AE, Shutter Priority AE, Manual Exposure |
| Exposure compensation | Still image: Manual compensation (-2.0 to +2.0EV, 1/3EV step) *1 |
| ISO sensitivity (standard output sensitivity) |
Still image: ISO 100 to 1600, Video: ISO 100 to 1600 |
| White balance | Still image: Auto, outdoor, shade, cloudy, incandescent lamp 1, incandescent lamp 2, daylight color fluorescent lamp, natural white fluorescent lamp, white fluorescent lamp, light bulb color fluorescent lamp*1 Video: Auto |
| Shutter speed | Still image: 1/8000 sec. to 1/8 sec. Still image(Manual): 1/8000 sec. to 60 sec. Video(L): 1/8000 -1/30 sec. Video(M): 1/8000 – 1/15 sec. |
| Recording medium | Internal memory: Approx. 8GB |
| Number of photos that can be recorded, time *2 | Still image: Approx. 1600(L), Approx. 9000(M) Video (time per recording): Max. 5 minutes *3 Video (total recording time): Approx. 63 minutes(L), Approx. 171 minutes(M) |
| Power source | Lithium-ion battery (built-in)*4 |
| Battery life | Approx. 260 photos*5 |
| Image file format | Still image: JPEG (Exif Ver. 2.3), DCF2.0 compliant, Video:MP4 (Video: MPEG-4 AVC/H.264, Audio: AAC) |
| External interface | micro USB: USB2.0 |
| Remote Shutter | Cable Switch CA-3(Optional Accessory) |
| Exterior/external dimensions | 45.2mm (W) x 130.6mm (H) x 22.9mm (17.9 mm *6) (D) |
| Weight | Approx. 102g |
| Lens construction | 7 elements in 6 groups |
| Lens F number | F2.0 |
| Image sensor size | 1/2.3 (x2) |
| Image sensor effective pixels | 12MP(x2), pixel count equivalent to Approx. 14M |
| File size (still images) | L: 5376×2688 M: 2048×1024 |
| File size (videos) | L: 1920×1080/30fps/16Mbps M: 1280×720/15fps/6Mbps |
| Communications protocol | HTTP |
Pentax K-1 – New Firmware Version 1.30
PENTAX K-1 Firmware – 1.30
Change log:
-
- The Electronic Shutter can be selected at the Menu to reduce camera shake from the mechanical shutter when shooting with Live View mode.
- Added and selectable [Square format (1:1)] size at the Crop mode.
- Addition to the current [3 frames bracketing (OFF, TYPE1, TYPE2)], the [2 frames bracketing (OFF, TYPE2)] is added and selectable for the [AA Filter Simulator bracketing]
- At the [BKT] setting, the bracketing range [±0 (=single frame)] can be selected.
*For more details click here
[Others]
- Improved stability for general performance.
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New Nikon NRW (RAW) Codec For Windows
NRW Codec for Windows (Version – 1.7.0)
• Added support for NRW (RAW) files created with the COOLPIX B700.
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Nikon COOLPIX B500 – New Firmware Version 1.1
Nikon COOLPIX B500 Firmware – 1.1
Change log:
- Added support for the iOS version of SnapBridge.
- Updated some help text.
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Nikon D4s Firmware Update C-1.32
Nikon D4s Firmware “C” – 1.32
Change log:
- Fixed the following issues, which would in rare cases occur when RAW+JPEG photographs were taken with write-enabled cards inserted in both the XQD and CompactFlash card slots, RAW primary – JPEG secondary selected for Secondary slot function in the SHOOTING MENU, and On selected for Network > Options > Auto send in the SETUP MENU.
– The camera would sometimes freeze on restart after users had (1) pressed the shutter-release button all the way down without first activating the standby timer and then (2) allowed the timer to expire or turned the camera off without first reactivating the timer.
– If the shutter-release button was pressed all the way down to begin shooting with the standby timer off, the first shot would sometimes neither be marked for transfer nor uploaded.
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Sony Alpha 6500 APS-C Flagship Camera Announced
Product Summary
- Model name: Sony α6500 (model ILCE-6500)
- Release Date: 6th October 2016
- Focus Type: Autofocus
- Format : APS-C
- Color: Black
- Availability: November 2016
- Price: $ 1,400
- Purchase options: Adorama | B&H | Amazon
Key features
- 24.2MP APS-C Exmor CMOS Sensor
- BIONZ X® Processor and New Front-End LSI
- 4D FOCUS with 425 phase detection AF points
- Touch Screen Focusing
- Slow motion at up to 120 fps
- 5-axis Image Stabilization Provides 5 Steps Shutter Speed Advantage
- Shutter durability 200,000 cycles
Sony introduced their new flagship APS-C sensor camera, the α6500 (model ILCE-6500).
As the latest addition to Sony’s lineup of award winning mirrorless cameras, the new α6500 shares the same unrivaled 4D FOCUS™ system as the α6300 camera, which can lock focus on a subject in as little as 0.05 seconds, the world’s fastest1 AF acquisition time. Also shared with the α6300, the new α6500 features 425 phase detection AF points that are densely positioned over nearly the entire image area – the world’s highest2 number of AF points on any interchangeable lens camera. The new model can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking and up to 8 frames per second in a live-view shooting mode that makes it easy to track fast moving subjects, as it combines all of the benefits of an electronic viewfinder with the immediacy of an optical viewfinder.
The camera can shoot at these high speeds for up to 307 frames3 thanks to its expanded buffer, which, along with the fast response speeds described above, are all achieved with the support of a new front-end LSI chip that has been added to the camera. This new front-end LSI also serves to enhance both still and video image quality.
Additionally, the new α6500 features Sony’s acclaimed in-camera 5-axis optical image stabilization, making it the first Sony APS-C sensor camera to offer all of the benefits of advanced in-body stabilization, which include a shutter speed advantage of approximately 5 steps4. It also offers touchscreen AF capabilities for focus point selection and adjustment.
“We are continuing to push the boundaries of modern innovation in digital imaging, in particular within the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “By equipping the α6500 with 5-axis image stabilization and touchscreen AF, we’re offering photographers and videographers more control than ever before and a seemingly endless amount of creative possibilities. As our flagship APS-C camera, it far exceeds the performance threshold of any camera in its class, and many above its class as well.”
Unmatched AF Capability
Sony’s new α6500 camera utilizes the same 4D FOCUS system as the α6300 – a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. It also features 425 phase detection AF points and High-density Tracking AF Technology, which significantly improves subject detection and tracking performance.
New for the α6500, thanks to faster internal processing capabilities enabled by the front-end LSI, the maximum buffer for high-speed continuous shooting is an impressive 307 frames3, greatly increasing the chances to catch that decisive moment.
The camera’s 425 phase detection AF points, focusing tracking and accuracy are also available when using non-native A-mount lenses5 with Sony’s LA-EA3 mount adaptor. Additionally, it includes silent shooting, Eye AF in AF-C mode, AF in focus magnifier modes, Expand Flexible Spot AF and more.
5-axis Image Stabilization Provides 5 Steps Shutter Speed Advantage
One of the most exciting developments in the new α6500 is the implementation of 5-axis image stabilization for the first time in a Sony APS-C sensor camera. Additionally, through a total revision of the internal design of the camera, this newly developed stabilization system fits entirely within a body that is nearly the same size as the α6300 model6. This innovative 5- axis system provides a shutter speed advantage of 5 steps4, ensuring the full resolving power of the sensor can be realized, even in challenging lighting.
The shake compensation provided by the system works with a variety of lenses, including E-mount lenses without OSS (Optical SteadyShot) stabilization and A-mount lenses7 when used with a compatible mount adapter. When an E-mount lens with OSS is mounted, pitch and yaw are compensated in the lens and horizontal, vertical and roll axes are compensated in the camera body, resulting in optimal 5-axis stabilization 7.
Also, with a simple half press of the shutter button, the effect of the image stabilization can be monitored in the viewfinder or on the LCD screen, allowing framing and focus to be accurately checked and continually monitored. This is available even when a lens is attached that does not have built-in shake compensation.
New Touch Screen Focusing
The new α6500 comes equipped with touch screen functionality, allowing users to lock focus on a subject simply by touching it on the screen. This is a powerful compliment to its advanced AF system and video shooting capabilities.
Additionally, in a first for Sony cameras, the α6500 features touchpad functionality. When utilizing the viewfinder for framing and shooting, the LCD screen can be used as a touch pad. Simply drag a finger across the screen to shift the focus point from one area to another.
Powerful 24.2 MP8 Exmor CMOS Sensor, BIONZ X® Processor and New Front-End LSI
The new α6500 features an APS-C sized 24.2 MP8 Exmor CMOS sensor that works together with a BIONZ X image processor and the newly developed front-end LSI to maximize processing power and achieve an impressive sensitivity range of ISO 100-512009.
The image sensor employs a thin wiring layer and large photodiode substrate that maximizes light collection efficiency, plus copper wiring in its structure for outstanding read-out speed. The BIONZ X image processor and newly developed front-end LSI ensure superior image and video quality with low noise even when using higher ISO settings, in particular those at high sensitivity values where other cameras typically struggle. The LSI is also responsible for the expanded buffer depth for continuous shooting.
Professional Video Capabilities
The new α6500 becomes the latest Sony interchangeable lens camera to offer internal 4K movie recording, as it can shoot 4K (3840x2160p) video in the popular Super 35mm format on the full width of the image sensor. When shooting in this format, the camera uses full pixel readout without pixel binning to collect 6K of information – approximately 2.4×10 (20 MP equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality 4K footage with exceptional detail and depth.
Additionally, the α6500 will focus exceptionally fast during movie shooting thanks to its Fast Hybrid AF system, offers touch focusing for professionally smooth focus shifts, while also offering adjustable AF transition speed and AF tracking sensitivity. The camera supports the XAVC S codec11 during video shooting, which records at a high bit rate of up to 100 Mbps during 4K recording and 50 Mbps during Full HD shooting, ensuring maximum detail and clarity in both video formats.
Other professional caliber video features include the ability to record Full HD at 120 fps at up to 100 Mbps, which allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD (24p) resolution with AF tracking.
New on the α6500 is the incorporation of a ‘Slow and Quick’ (S&Q) mode that supports both slow motion and quick motion. In this mode, frame rates from 1 fps to 120 fps can be selected in 8 steps for up to 60x quick motion and 5x slow motion recording12. Footage shot in this mode can be previewed after shooting without the need for PC-based post processing.
The camera also offers S-Log gamma recording13 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space. Both options allow for greater creativity for processing video post-production.
Shooters also now have the ability to select, extract and save still images from movie footage directly on the camera. Approximately 8 MP images and 2 MP images can be pulled from 4K modes and Full HD modes, respectively.
Enhanced Operability and Reliability
The new α6500 has a refined design, maintaining the mobility of the α6000 series while adapting much of the usability of Sony’s acclaimed α7 II series. The new model features the same high contrast, high-resolution 2.4 million dot XGA OLED Tru-Finder as the α6300 that offers exceptional corner-to-corner visibility.
New hardware features on the α6500 include a magnesium alloy body and a high-durability shutter with a tested life span of approximately 200,000 release cycles14. It also has several design features that are borrowed from the α7 II series of full-frame cameras, which include a robust lens mount, a recessed grip to improve handling, a larger release button and ten total custom buttons including ‘C1’, ‘C2’ and ‘C3’. It also has an improved operation feel for its mode and control dials and rear face buttons, as well as a softer eyepiece cup for more comfortable usage.
On the software front, there is a new overall user interface, which allows for a much smoother process for searching and adjusting menu settings, as well two new metering modes – Highlight, where exposure metering is focused on the brightest area of the frame, and Entire Screen Avg, which maintains an average metering for the entire image.
The camera is Wi-Fi®, QR and NFC compatible and fully compatible with Sony’s PlayMemories Mobile™ applications15available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™. The α6500 also offers location data acquisition via a Bluetooth16 connection to a compatible mobile device and an updated menu structure to deliver a smoother navigational experience.
Product Photo
Sample Image
Specification
| Lens Mount | Sony E-Mount | |
| Camera Format | APS-C (1.5x Crop Factor) | |
| Pixels | Actual: 25 Megapixel
Effective: 24.2 Megapixel |
|
| Max Resolution | 24 MP: 6000 x 4000 | |
| Aspect Ratio | 3:2, 16:9 | |
| Sensor Type / Size | CMOS, 23.5 x 15.6 mm | |
| File Formats | Still Images: JPEG, RAW
Movies: AVCHD Ver. 2.0, MP4, MPEG-4 AVC/H.264, XAVC S Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
|
| Bit Depth | 14-bit | |
| Dust Reduction System | Yes | |
| Memory Card Type | SD
SDHC SDXC Memory Stick Pro Duo Memory Stick PRO HG-Duo |
|
| Image Stabilization | Sensor-Shift, 5-Way | |
| Video Recording | Yes, NTSC/PAL | |
| Video Format | UltraHD
XAVC S 3840 x 2160p / 30 fps (100 Mbps) / 30 fps (60 Mbps) / 25 fps (100 Mbps) / 25 fps (60 Mbps) / 24 fps (100 Mbps) / 24 fps (60 Mbps) High Definition XAVC S 1920 x 1080p / 120 fps (100 Mbps) / 120 fps (60 Mbps) / 100 fps (100 Mbps) / 100 fps (100 Mbps) / 60 fps (50 Mbps) / 50 fps (50 Mbps) / 30 fps (50 Mbps) / 25 fps (50 Mbps) / 24 fps (50 Mbps) High Definition AVCHD 1920 x 1080p / 60 fps (28 Mbps) / 50 fps (28 Mbps) / 25 fps (24 Mbps) / 25 fps (17 Mbps) / 24 fps (24 Mbps) / 24 fps (17 Mbps) High Definition AVCHD 1920 x 1080i / 60 fps (24 Mbps) / 60 fps (17 Mbps) / 50 fps (24 Mbps) / 50 fps (17 Mbps) High Definition MP4 1920 x 1080p / 60 fps (28 Mbps) / 50 fps (28 Mbps) / 30 fps (16 Mbps) / 25 fps (16 Mbps) High Definition MP4 1280 x 720p / 30 fps (6 Mbps) / 25 fps (6 Mbps) |
|
| Aspect Ratio | 16:9 | |
| Video Clip Length | Up to 29 Min 59 Sec | |
| Audio Recording | Built-in Mic: With Video, Stereo
Optional External Mic: With Video, Stereo |
|
| Focus Type | Auto & Manual | |
| Focus Mode | Automatic (A), Continuous-servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S) | |
| Autofocus Points | Phase Detection: 425
Contrast Detection: 169 |
|
| Viewfinder Type | Electronic | |
| Viewfinder Size | 0.39″ | |
| Viewfinder Pixel Count | 2,359,296 | |
| Viewfinder Eye Point | 23.00 mm | |
| Viewfinder Coverage | 100% | |
| Viewfinder Magnification | Approx. 1.07x | |
| Diopter Adjustment | – 4.0 to +3.0 m | |
| Display Screen | 3″ Rear Screen Tilting Touchscreen LCD (921,600) | |
| Screen Coverage | 100% | |
| ISO Sensitivity | Auto, 100-25600 (Extended Mode: 100-51200) | |
| Shutter | Type: Electronic & Mechanical
Speed: 30 – 1/4000 second, Bulb Mode |
|
| Metering Method | Center-weighted average metering, Multi-zone metering, Spot metering | |
| Exposure Modes | Modes: Aperture Priority, Auto, Intelligent Auto, Manual, Movie, Program, Scene Selection, Shutter Priority, Superior Auto, Sweep Panorama
Metering Range: EV -2.0 – EV 20.0 Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV steps) |
|
| White Balance Modes | Auto, Cloudy, Color Temperature, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater | |
| Continuous Shooting | Up to 11 fps at 24.2 MP for up to 233 frames in JPEG format
Up to 11 fps at 24.2 MP for up to 301 frames in JPEG format Up to 11 fps at 24.2 MP for up to 107 frames in raw format Up to 8 fps at 24.2 MP Up to 6 fps at 24.2 MP Up to 3 fps at 24.2 MP |
|
| Flash Modes | Auto
Fill-in Hi-Speed Sync Off Rear Sync Red-eye Reduction Slow Sync Wireless |
|
| Built-in Flash | Yes | |
| Guide No. | 19.69′ (6 m) ISO100 | |
| Max Sync Speed | 1 / 160 seconds | |
| Flash Compensation | -3 EV to +3 EV (in 1/3 or 1/2 EV steps) | |
| Dedicated Flash System | TTL | |
| External Flash Connection | Hot Shoe, Wireless | |
| Self Timer | 10 seconds, 5 seconds, 2 seconds | |
| Connectivity | 1/8″ Microphone, HDMI D (Micro), Micro-USB, USB 2.0 | |
| Wi-Fi Capable | Yes | |
| Battery | 1x NP-FW50 Rechargeable Lithium-ion Battery Pack, 7.2 VDC, 1080 mAh | |
| AC Power Adapter | AC-PW20 (Optional) | |
| Operating/Storage Temperature | Operating
32 to 104°F (0 to 40°C) |
|
| Dimensions (WxHxD) | 4.7 x 2.6 x 2.1″ / 120.0 x 66.9 x 53.3 mm excluding protrusions | |
| Weight | 15.98 oz / 453 g with battery and memory card | |
| Pixels | Actual: 21.0 Megapixel
Effective: 20.1 Megapixel |
|
| Sensor | 1″ (13.2 x 8.8 mm) CMOS | |
| File Formats | Still Images: JPEG, RAW
Movies: AVCHD Ver. 2.0, MP4, XAVC S Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
|
| Max Resolution | 20 MP: 5472 x 3648 | |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 | |
| Image Stabilization | Optical | |
| Color Spaces | sRGB, Adobe RGB | |
| Lens | Carl Zeiss Vario-Sonnar, 10 elements in 9 groups
9 Aspherical EFL: 8.8-25.7mm (35 mm equivalent: 24-70mm) Aperture: f/1.8 (W) – 2.8 (T) |
|
| Zoom | Optical: 2.9x
Clear Image Zoom: 5.8x Digital: 11x |
|
| Focus Range | Wide: 1.97″ (5 cm) – Infinity
Telephoto: 11.81″ (30 cm) – Infinity |
|
| ISO Sensitivity | Auto, 125-12800 (Extended Mode: 80-12800) | |
| Shutter | Type: Mechanical
Speed: 4 – 1/2000 second in Auto Mode Type: Mechanical Speed: 30 – 1/2000 second in Program Mode Type: Mechanical Speed: 30 – 1/2000 second in Manual Mode 30 – 1/2000 second in Aperture Priority Mode Type: Mechanical Speed: 30 – 1/2000 second in Shutter Priority Mode Type: Electronic Speed: 4 – 1/32000 second in Auto Mode Type: Electronic Speed: 30 – 1/32000 second in Bulb Mode Type: Electronic Speed: 30 – 1/32000 second in Program Mode Type: Electronic Speed: 30 – 1/32000 second in Aperture Priority Mode Type: Electronic Speed: 30 – 1/32000 second in Shutter Priority Mode |
|
| Exposure Metering | Center-weighted, Multi, Spot | |
| Exposure Modes | Modes: Aperture Priority, Intelligent Auto, Manual, Memory Recall, Movie, Panorama Shot, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto | |
| Shooting Modes | Anti-motion Blur
Fireworks Gourmet Handheld Twilight High Sensitivity Landscape Macro Night Portrait Night Scene Pet Mode Portrait Sports Sunset |
|
| White Balance Modes | Auto, Cloudy, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade | |
| Continuous Shooting | Up to 24 fps at 20.1 MP for up to 148 frames in JPEG format
Up to 24 fps at 20.1 MP for up to 71 frames in raw format |
|
| Self Timer | 10 Sec, 5 Sec, 2 Sec | |
| Remote Control | RM-VPR1 (Optional) | |
| Flash Modes | Auto
Flash On Off Rear Sync Red-eye Reduction Slow Sync |
|
| Built-in Flash | Yes | |
| Maximum Effective Flash Range | Wide: 1.31 – 33.46′ (0.4 – 10.2 m)
Telephoto: 1.31 – 21.33′ (0.4 – 6.5 m) |
|
| External Flash Connection | None | |
| Memory Card Type | Memory Stick Duo
Memory Stick Pro Duo Memory Stick PRO Duo (High Speed) Memory Stick PRO HG-Duo SD SDHC SDXC |
|
| Video Recording | Yes, NTSC/PAL | |
| Resolution | 3840 x 2160p: 30 fps, 25 fps, 24 fps
1920 x 1080p: 60 fps, 50 fps, 30 fps, 25 fps, 24 fps 1920 x 1080i: 60 fps, 50 fps 1280 x 720p: 30 fps, 25 fps 1920 x 1080p: 240 fps, 480 fps, 960 fps 1824 x 1026p: 240 fps, 480 fps, 960 fps 1676 x 566p: 240 fps, 480 fps, 960 fps 1920 x 1080p: 250 fps, 500 fps, 1000 fps 1824 x 1026p: 250 fps, 500 fps, 1000 fps 1676 x 566p: 250 fps, 500 fps, 1000 fps |
|
| Video Clip Length | Up to 29 Min | |
| Audio Recording | Built-in Mic: With Video, Stereo | |
| Viewfinder Type | Electronic | |
| Diopter Adjustment | – 4 to +3 m | |
| Viewfinder Coverage | 100% | |
| Screen | 3.0″ LCD Rear Screen Tilt (1,228,800 pixels) | |
| Connectivity | HDMI D (Micro), Micro-USB, USB 2.0 | |
| Wi-Fi | Yes, 802.11b/g/n built-in | |
| Battery | 1x NP-BX1 Rechargeable Lithium-Ion Battery Pack, 3.6 VDC, 1240 mAh | |
| AC Power Adapter | AC-UB10C (Included) | |
| Dimensions (WxHxD) | 4.0 x 2.3 x 1.6″ / 101.6 x 58.1 x 41.0 mm | |
| Weight | 10.55 oz / 299 g with battery and memory card | |
All New Sony Cyber-shot RX100 V with 315 AF Points
Product Summary
- Model name: Sony Cyber-shot RX100 V (model DSC-RX100M5)
- Release Date: 6th October 2016
- Focus Type: Autofocus
- Format : Crop Sensor
- Color: Black
- Availability: October 2016
- Price: $ 1,000
- Purchase options: Adorama | B&H | Amazon
Key features
- 20.1MP 1″ Exmor CMOS Sensor
- 24-70mm Zeiss Vario-Sonnar T* f/1.8-2.8 Lens (35mm Equivalent)
- 315 dedicated AF points covering 65% of the sensor
- 24 fps Continuous Shooting
- Super slow motion at up to 960 fps
- Electronic Shutter Speed up to 1/32000 second
Sony announced a new flagship model for their popular Cyber-shot RX100 series of compact cameras, the RX100 V (model DSC-RX100M5).
The exciting new camera brings a new level of AF performance and speed to today’s compact camera market. It is equipped with a Fast Hybrid AF system with the world’s fastest AF acquisition1 at 0.05 seconds2 and world’s highest number of AF points on sensor1 with 315 points covering approximately 65% of the frame. The camera can also shoot continuously at speeds of up to 24 fps3 – the world’s fastest for a compact camera1 – at full 20.1 MP (approx. effective) resolution with AF/AE tracking for up to 150 continuous shots4.
The RX100 V is equipped with a newly developed 1.0-type stacked Exmor RS™ CMOS sensor with a DRAM chip, a ZEISS® Vario-Sonnar T* 24-70 mm5 F1.8 – 2.8 large aperture lens and an enhanced image processing system with a new front-end LSI chip that maximizes processing speed, expands the memory buffer and optimizes image quality, in particular at high ISO settings. The camera also features 4K video recording with full pixel readout and no pixel binning6, super slow motion recording at up to 960 fps7 with extended recording time and more.
“Featuring a level of power and performance that has never before been achieved in a compact, the new RX100 V redefines what it means to be a ‘pocket camera’,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “This camera is yet another example of Sony innovating to a level far beyond what exists in the conventional marketplace.”
Fast Focusing, Fast Shooting
A first for Sony’s RX100 series of cameras, the new RX100 V model features a Fast Hybrid AF system that combines the respective advantages of focal-plane phase detection AF and contrast detection AF and ultimately enables the camera to lock focus in as little as 0.05 seconds2. This high speed focusing is a perfect complement to the 315 dedicated AF points that cover 65% of the sensor, and ensures that shooters will be able to capture their intended subject with high speed and accuracy, even if it’s moving rapidly in unpredictable directions.
Additionally, processing speed has been greatly enhanced through the addition of a front-end LSI that perfectly supports the camera’s BIONZ X® image processing engine. These two components combined with the powerful AF system allow the camera to shoot continuously at speeds of up to 24 fps 3 at full 20.1 MP (approx. effective) resolution for up to 150 shots4 with AF/AE tracking. Viewfinder blackout between shots has also been minimized in this high-speed shooting mode, which greatly improves photographers’ ability to follow fast action and capture the decisive moment. Silent shooting is also available in these high-speed modes as well8.
Other advancements to AF performance on the new RX100 V include the addition of AF-A mode, which allows the camera to automatically switch between continuous and single-shot AF modes. Users can also manually select if they’d like the continuous AF and phase detection AF areas to be displayed live on screen while they are framing a shot.
The RX100 V also has a high speed Anti-Distortion Shutter (maximum speed of 1/32000 second) that minimizes the “rolling shutter” effect commonly experienced with fast moving subjects. This fast shutter speed also allows the camera to capture sharp, crystal clear images with a wide open aperture at brightness levels up to EV199. Shooting at wide aperture with the fast shutter speed allows photographers and videographers to capture beautiful content with sharply focused subjects and defocused backgrounds under some of the most difficult, bright lighting conditions.
New on the RX100 V, users can freely select the initial magnification ratio when shooting in a mode with Focus Magnifier, and can select between “focus point” and “center of display” for the location of Focus Magnifier.
Professional Movie Functionality
The pocket-friendly RX100 V is packed with a variety of video capabilities that will satisfy even the most demanding video enthusiasts.
With Fast Hybrid AF, the focal plane phase detection AF sensor ensures accurate focusing and tracking performance, even for the severe focusing requirements of 4K movie shooting. AF drive speed and AF tracking sensitivity can also be adjusted via the menu system, giving shooters plenty of flexibility based on their focusing preferences.
In 4K mode 6, the new RX100 V utilizes full pixel readout without pixel binning to ensure that all the finer details of 4K video are captured with minimal moire and ‘jaggies’. These high-quality results are achieved through use of the XAVC S codec, which records video at a high data rate of up to 100 Mbps during 4K recording and 50 Mbps during full HD shooting10.
Additional professional caliber video features include Picture Profile, S-Log2/S-Gamut, 120p HD Full HD mode and more. Users also have the ability to manually select a frame from a recorded movie and save it as a still image file of approximately 8 MP during 4K shooting or 2 MP during HD shooting.
The RX100 V is able to record super-slow motion video7 at up to 40x slower than the standard rate, and can do this for about twice as long as the RX100 IV model. This extended time allowing users to capture a series of high-speed, fleeting moments of action with incredible detail, resolution and clarity.
Prior to shooting, users will have the ability to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats to optimize the recording to fit the speed of the moving subject, with the option to use the movie record button as a ‘start trigger’ to begin recording once button is pressed or ‘end trigger’ to record footage up until the button is pressed.
Pocket-Friendly Design, Premium Performance
The new RX100 V maintains the convenient pocket-sized design of the remainder of the RX100 family and is equipped with a high-contrast 2.35 million dot XGA OLED Tru-Finder™, ensuring true-to-life image preview and playback functionality. The EVF conveniently retracts in and out of the camera body based on user preference, and features optics with ZEISS® T* Coating.
The new camera is also Wi-Fi® and NFC™ compatible and can access Sony’s growing range of PlayMemories Camera Applications. Learn more at www.sony.net/pmca.
Another convenient addition is the ability for users to freely set the leading three characters of saved file names for easier sorting and organization.
There will also be a new underwater housing (model MPK-URX100A) that will be available as a separate accessory for the RX100 V and all other RX100 series cameras. Designed exclusively to fit the RX100 cameras, the housing features a depth level of 40m/130ft.
Product Photo
Sample Image
Specification
| Pixels | Actual: 21.0 Megapixel
Effective: 20.1 Megapixel |
| Sensor | 1″ (13.2 x 8.8 mm) CMOS |
| File Formats | Still Images: JPEG, RAW
Movies: AVCHD Ver. 2.0, MP4, XAVC S Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
| Max Resolution | 20 MP: 5472 x 3648 |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image Stabilization | Optical |
| Color Spaces | sRGB, Adobe RGB |
| Lens | Carl Zeiss Vario-Sonnar, 10 elements in 9 groups
9 Aspherical EFL: 8.8-25.7mm (35 mm equivalent: 24-70mm) Aperture: f/1.8 (W) – 2.8 (T) |
| Zoom | Optical: 2.9x
Clear Image Zoom: 5.8x Digital: 11x |
| Focus Range | Wide: 1.97″ (5 cm) – Infinity
Telephoto: 11.81″ (30 cm) – Infinity |
| ISO Sensitivity | Auto, 125-12800 (Extended Mode: 80-12800) |
| Shutter | Type: Mechanical
Speed: 4 – 1/2000 second in Auto Mode Type: Mechanical Speed: 30 – 1/2000 second in Program Mode Type: Mechanical Speed: 30 – 1/2000 second in Manual Mode 30 – 1/2000 second in Aperture Priority Mode Type: Mechanical Speed: 30 – 1/2000 second in Shutter Priority Mode Type: Electronic Speed: 4 – 1/32000 second in Auto Mode Type: Electronic Speed: 30 – 1/32000 second in Bulb Mode Type: Electronic Speed: 30 – 1/32000 second in Program Mode Type: Electronic Speed: 30 – 1/32000 second in Aperture Priority Mode Type: Electronic Speed: 30 – 1/32000 second in Shutter Priority Mode |
| Exposure Metering | Center-weighted, Multi, Spot |
| Exposure Modes | Modes: Aperture Priority, Intelligent Auto, Manual, Memory Recall, Movie, Panorama Shot, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto |
| Shooting Modes | Anti-motion Blur
Fireworks Gourmet Handheld Twilight High Sensitivity Landscape Macro Night Portrait Night Scene Pet Mode Portrait Sports Sunset |
| White Balance Modes | Auto, Cloudy, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade |
| Continuous Shooting | Up to 24 fps at 20.1 MP for up to 148 frames in JPEG format
Up to 24 fps at 20.1 MP for up to 71 frames in raw format |
| Self Timer | 10 Sec, 5 Sec, 2 Sec |
| Remote Control | RM-VPR1 (Optional) |
| Flash Modes | Auto
Flash On Off Rear Sync Red-eye Reduction Slow Sync |
| Built-in Flash | Yes |
| Maximum Effective Flash Range | Wide: 1.31 – 33.46′ (0.4 – 10.2 m)
Telephoto: 1.31 – 21.33′ (0.4 – 6.5 m) |
| External Flash Connection | None |
| Memory Card Type | Memory Stick Duo
Memory Stick Pro Duo Memory Stick PRO Duo (High Speed) Memory Stick PRO HG-Duo SD SDHC SDXC |
| Video Recording | Yes, NTSC/PAL |
| Resolution | 3840 x 2160p: 30 fps, 25 fps, 24 fps
1920 x 1080p: 60 fps, 50 fps, 30 fps, 25 fps, 24 fps 1920 x 1080i: 60 fps, 50 fps 1280 x 720p: 30 fps, 25 fps 1920 x 1080p: 240 fps, 480 fps, 960 fps 1824 x 1026p: 240 fps, 480 fps, 960 fps 1676 x 566p: 240 fps, 480 fps, 960 fps 1920 x 1080p: 250 fps, 500 fps, 1000 fps 1824 x 1026p: 250 fps, 500 fps, 1000 fps 1676 x 566p: 250 fps, 500 fps, 1000 fps |
| Video Clip Length | Up to 29 Min |
| Audio Recording | Built-in Mic: With Video, Stereo |
| Viewfinder Type | Electronic |
| Diopter Adjustment | – 4 to +3 m |
| Viewfinder Coverage | 100% |
| Screen | 3.0″ LCD Rear Screen Tilt (1,228,800 pixels) |
| Connectivity | HDMI D (Micro), Micro-USB, USB 2.0 |
| Wi-Fi | Yes, 802.11b/g/n built-in |
| Battery | 1x NP-BX1 Rechargeable Lithium-Ion Battery Pack, 3.6 VDC, 1240 mAh |
| AC Power Adapter | AC-UB10C (Included) |
| Dimensions (WxHxD) | 4.0 x 2.3 x 1.6″ / 101.6 x 58.1 x 41.0 mm |
| Weight | 10.55 oz / 299 g with battery and memory card |
Union – Paid Photography Apps Become Free – for iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
Union – Combine, Blend, and Edit Photos
Normal Price : $ 1.99
Download Now
Union is an elegant image blending tool that lets you create superimposed, silhouetted, and double-exposed photos. Here’s how it works.
1. Load a background image, solid color, or transparent layer
2. Load a foreground image, solid color, or shape
3. Efficiently erase areas of the foreground image using Union’s palette of intuitive, user-friendly tools
4. Adjust the position and size of the foreground image to reach desired composition
5. Make color adjustments on the background and foreground so they blend seamlessly
6. Save your work in full resolution and share your work with friends
Also included in Union is Pixite Source, a free resource for professional quality images, textures, and overlays that you can use in your edits. Union invites professionals and hobbyists alike to explore image blending and photo editing.
Sigma 500mm F4 DG OS HSM Sport Lens – Pro
Product Summary
- Model Name: Sigma 500mm F4 DG OS HSM Sport Lens – Pro
- Release Date: September 19, 2016
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Canon | Nikon | Sigma
- Color: Black
- Availability: Late October 2016
- Price: $5999.00
- Purchase options: Adorama | B&H
Key features
- Aperture Range: f/4 to 32
- One SLD and Two FLD Elements
- Super Multi-Layer Coating
- Hyper Sonic AF Motor, Manual Override
- Optical Stabilizer; Drop-In Filter Slot
- Magensium-Alloy Barrel & Brass Mount
- Dust- and Splash-Proof Construction
- Rotatable Tripod Collar with Click Stops
- Compatible with Sigma Teleconverters
Features
Sigma 500mm F4 DG OS HSM Sport Lens – Pro Fast-Aperture Prime Super Telephoto. The flagship Sigma super telephoto 500mm F4 Sport lens incorporates the very latest in Sigma optical technology and innovation. Designed for the professional sports and wildlife shooter, the ultra-durable lens features magnesium alloy components, a carbon fiber hood, a water and oil resistant front element, and is dust and splash proof. The 500mm F4 features a drop-in rear filter slot for polarizers, UV and other critical filters. To help prevent damage during shooting and maintenance, the lens is also compatible with the exclusive SIGMA Protector LPT-11 (sold separately).
The lens incorporates two FLD and one SLD glass elements, while the optimized power distribution helps minimize spherical aberration and axial chromatic aberration. The optical system also effectively minimizes transverse chromatic aberration, which can affect the edges of the shots taken in the telephoto range. In addition, image quality remains exceptional when the lens is used with a Sigma Telephoto Converter (sold separately).
Other key performance features include Sigma’s two-mode Optical Stabilizer for enhanced performance when shooting handheld for still subjects or panning and tracking for moving subjects. There is also a customizable AF “return” function for setting the focus position of one’s choice and returning to that preset distance. The all new Sigma 500mm F4 supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.
Product Photos
Sigma 12-24mm F4 DG HSM Art Lens
Product Summary
- Model Name: Sigma 12-24mm F4 DG HSM Art
- Release Date: September 19, 2016
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Canon | Nikon | Sigma
- Color: Black
- Availability: Late October 2016
- Price: $1599.00
- Purchase options: Adorama | B&H
Key features
- Aperture Range: f/4 to 22
- FLD and Aspherical Elements
- Super Multi-Layer Coating
- Hyper Sonic AF Motor, Manual Override
- Rounded 9-Blade Diaphragm
- TSC Material, Brass Bayonet Mount
- Dust- and Splash-Proof Construction
- Compatible with Sigma USB Dock
Features
Sigma 12-24mm F4 DG HSM Art Ultra-Wide Angle Zoom for the Era of Ultra-High Resolution Digital Cameras Boasting the renowned Global Vision image quality from center to edge, the new Sigma 12-24mm F4 features the largest aspherical glass mold in the industry, offering photographers an ultra-wide angle zoom with virtually no distortion, flare or ghosting. Encompassing the long history of Sigma wide angle lens development expertise, the new 12-24mm F4 performance highlights include constant F4 brightness and the brand new Sigma AF system with 1.3X torque boost. The 12-24mm F4 features lens elements made with FLD (“F” Low Dispersion) glass, which is equivalent to calcium fluorite in performance. Combined with an optimized power distribution, the result is outstanding image quality from center to edges. With a minimum focus distance of 9.4 inches at 24mm, photographers can compose incredible close-up shots with expansive backgrounds. The all new Sigma 12-24mm F4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.
Product Photos
Sigma 85mm F1.4 DG HSM Art Lens
Product Summary
- Model Name: Sigma 85mm F1.4 DG HSM Art Lens
- Release Date: September 19, 2016
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Canon | Nikon | Sigma
- Color: Black
- Availability: Late October 2016
- Price: $1199.00
- Purchase options: Adorama | B&H
Key features
- Aperture Range: f/1.4 to 16
- Two Low Dispersion Elements
- Super Multi-Layer Coating
- Hyper Sonic AF Motor, Manual Override
- Rounded 9-Blade Diaphragm
- TSC Material, Brass Bayonet Mount
- Compatible with Sigma USB Dock
Features
Delivering the ultimate in creative expression, the new Sigma 85mm F1.4 Art lens is engineered to support the highest resolution sensors on the market with an exceptional degree of sharpness. The high-performance optical system is purpose-built by Sigma R&D to produce the attractive bokeh effect sought after by discerning photographers. The lens’ advanced architecture features two SLD (special low dispersion) glass elements and one glass element with a high rate of anomalous partial dispersion and refraction. A re-engineered AF system brings 1.3X the torque of its predecessor, while other features such as a full-time manual focus override have been added, which can be controlled when the focus ring is rotated, even during continuous AF. The Sigma 85mm F1.4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature a brand new electromagnetic diaphragm.
Product Photos
Olympus OM-D E-M1 Mark II – Development announced
Product Summary
- Model Name: Olympus OM-D E-M1 Mark II
- Release Date: September 19, 201
- Focus Type: Autofocus / Manual
- Format : Micro Four Thirds
Features
The OM-D E-M1 Mark II will be equipped with the newly-developed high-speed TruePic VIII Image Processor which is 3.5 times faster than previous TruePic processors and a new 20.4 megapixel Live MOS sensor equipped with 121 points of cross-type on-chip phase detection and contrast detection AF. These technologies will work with the camera’s electronic shutter to provide full resolution images at up to an unprecedented 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.
The advanced Dual FAST AF system will automatically select between contrast and phase detection AF depending on lens type, camera settings and lighting conditions to ensure accurate focus and sharp image quality. In addition, the continuous AF tracking performance will be dramatically improved with a new moving subject tracking algorithm.
The OM-D E-M1 Mark II will boast a wide array of shooting features including a new Pro Capture Mode for lag-free shooting that enables the capture of split-second moments, a 50 Megapixel High Res Shot Mode for images with incredible detail that rivals that of full-frame DSLRs, in-body 5-Axis Image Stabilization with a maximum of 5.5 shutter speed steps of compensation performance1, and 5-Axis Sync IS for a maximum of 6.5 shutter speed steps of compensation2 when combined with the new M.ZUIKO Digital ED 12-100mm f4.0 IS PRO.
The OM-D E-M1 Mark II will be weathersealed to be dustproof, splashproof, and freezeproof (down to 14°F / -10°C) in a compact lightweight design, ideal for shooting in all types of outdoor conditions. The camera will exceed professional photographers’ performance requirements by employing a high-performance durable shutter designed to clear 200,000 actuations*3, dual memory card slots, and an improved battery capacity of 37 percent from its predecessor model.
Main Features
High-Speed Sequential Shooting and Superior AF Performance
Live MOS sensor and TruePic VIII Image Processor
The newly-developed high-speed TruePic VIII Image Processor and a new 20.4 megapixel live MOS sensor will work in concert with the camera’s electronic shutter to provide full resolution images at a maximum 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.
The TruePic VIII Image Processor will boast a dual quad core system with four CPU cores and four image processing cores that achieve image processing speeds approximately 3.5 times faster than the TruePic VII Processor. Because camera operation and image processing functions will be carried out in parallel, transfer speeds and menu operations will be vastly improved over previous models. A new Pro Capture Mode will provide lag-free shooting so users can capture high-quality full resolution images at precise moments with no compromises.
Advanced Dual FAST AF
The advanced Dual FAST AF will automatically choose between on-chip phase detection AF, contrast detection AF, or will utilize both phase and contrast detection simultaneously. This system will boast 121 cross-type on-chip phase detection focus points in order to dramatically improve accuracy. The simultaneous use of contrast detection and on-chip phase detection AF will enable accurate focus in difficult lighting conditions, while a new moving subject tracking algorithm will rapidly and continuously measure the subject-to-camera distance to precisely maintain focus. Finally, an in-camera AF limiter will be included to achieve faster focusing by limiting the focus range of the lens, thus preventing time-consuming focus hunting.
Autofocus functions such as AF Target Mode4, AF target position, and face/eye priority AF will be easily set with a single action. AF operations will be enhanced with a new cluster display, which illuminates active sensors to assure the user of focus subject accuracy. The AF Targeting Pad feature will allow users to select the AF point by sliding their finger on the rear touch LCD while looking through the viewfinder.
High-magnification, high-speed electronic viewfinder
The performance of the 1.48x (35mm equivalent) high-magnification, high-resolution electronic viewfinder will rival those of professional full-frame interchangeable lens cameras. With high-speed operation that includes a maximum frame rate of 120 fps and a minimum six-millisecond display time lag during shooting, users will never lose track of fast-moving subjects.
High-speed response
Superior response will be facilitated by a significant improvement in shutter release lag time; this time will be reduced by approximately 30% from that of the predecessor model so users will never miss a photo opportunity. In addition, frame advance speed during playback will be approximately three times faster for faster scrolling and review of images.
Outstanding Portability and Reliability
A compact, lightweight system with excellent portability
The OM-D E-M1 Mark II will feature weatherproof construction in a compact and lightweight design. Coupled with an Olympus M.ZUIKO lens, the OM-D system remains extremely compact, providing the ultimate in portability for shooting and transportation. Hand-held super-telephoto shooting will be possible with the M.ZUIKO Digital ED 300mm f4.0 IS PRO lens (600mm focal length in 35mm equivalent), and this camera and lens combination will even be compact enough to store in carry-on luggage when flying.
Weatherproof construction and Super-Sonic Wave Filter dust reduction system
The OM-D E-M1 Mark II will feature high-performance weathersealing for excellent dustproof, splashproof and freezeproof (down to 14°F / -10°C) performance so that users can shoot in the harshest of conditions. This weatherproofing will not be limited to the camera body alone: it is extended across the entire OM-D system, including the dustproof, splashproof, and freezeproof M.ZUIKO PRO lens lineup5. In addition, a Supersonic Wave Filter (SSWF) dust reduction system will vibrate the image sensor more than 30,000 times a second to virtually eliminate any dust that may land on the sensor while changing lenses.
High-performance shutter rated for 200,000 actuations
A newly-developed shutter will be rated for 200,000 shots3 to withstand consistent daily use in professional environments.
Dual memory card slots
The OM-D E-M1 Mark II will feature dual memory card slots to allow simultaneous use of two SD cards for more versatile shooting. The slots will be positioned in a staggered layout, making cards easier to insert and remove. Users will be able to select from four types of settings: “Standard” will record to the specified card; “Automatic Switching” will automatically switch to the second card when the first card becomes full; “Dual Independent” will record to both cards according to the specified image quality setting assigned to each; and “Dual Same” will record identical files to both cards simultaneously. Slot 1 will support UHS-II and UHS-I cards, while Slot 2 will support UHS-I cards.
High-capacity battery and rapid charger
With an improved 1720mAh rating, the new BLH-1 lithium-ion rechargeable battery will have a capacity that’s approximately 37% higher than that of the BLN-1 used in the predecessor model. The Olympus OM-D E-M1 Mark II will display the remaining battery life percentage on the rear monitor so that users will never be surprised by a depleted battery. Also, the new BCH-1 charger will be 50% faster than the previous version.
Exceptional Image Quality
Higher resolution and improved dynamic range
The new 20.4 megapixel Live MOS sensor will offer 25% higher resolution than the predecessor model, and the absence of a low-pass filter further enhances image quality. A higher dynamic range6 will improve the reproduction of highlight and shadow detail, and an anti-reflective coating on both sides of the sealing glass over the sensor will further enhance contrast performance.
Improved image quality at high ISO settings
The newly-developed TruePic VIII Image Processor will dramatically improve image quality when shooting at high ISO settings, making it possible to capture images with minimal noise. The normal sensitivity ISO (ISO AUTO) range will be expanded to ISO 6400 for greater flexibility in a variety of shooting scenarios and Fine Detail Processing II will ensure that no detail will be lost due to over-sharpening.
ISO 64 equivalent ISO LOW setting
The ISO LOW setting will be equivalent to ISO 64, providing greater flexibility to shoot at wider apertures even in brightly-lit situations, making it possible to achieve beautiful shallow depths-of-field.
50 Megapixel High Res Shot Mode
A High Res Shot Mode will utilize the Voice Coil Motor (VCM) system of the 5-Axis Image Stabilization System to precisely shift the sensor in half pixel increments while capturing a total of eight shots. The camera will then automatically composite the shots into a single 50-megapixel equivalent ultra-high resolution image7. This unique Olympus technology is a necessity for any still life photographer or anyone that requires ultra-fine detail reproduction. The new TruePic VIII Image Processor will effectively suppress blur due to subject movement, making it possible to utilize High Res Shot Mode in a wide variety of shooting conditions, such as gently-blowing grass, tree leaves, or ocean waves. In addition to 80 megapixel RAW and 50-megapixel equivalent JPEG images, it will be possible to select a smaller 25 megapixel equivalent file size.
In-body 5-Axis Image Stabilization
The Olympus OM-D E-M1 Mark II will be equipped with the latest in-body 5-Axis Image Stabilization that compensates for all types of camera shake. An optimized correction algorithm will boast outstanding compensation performance with approximately 5.5 shutter speed steps of compensation*1. Also, when combined with Olympus lenses equipped with in-lens image stabilization, 5-Axis Sync IS will provide the world’s most powerful 6.5 shutter speed steps of compensation*8 for blur-free handheld shooting of stills and video.
Stunning UHD Video Capture
Digital Cinema Standard 4K videos
The OM-D E-M1 Mark II will support Digital Cinema Standard 4K (4096 x 2060 pixels) video capture*9 at a 24P frame rate and a bit rate of up to 237 Mbps for authentic movie production. The 20.4 megapixel Live MOS sensor will provide a read speed three times faster than that of the predecessor model for effective suppression of movement distortion, resulting in sharp, clear image quality. The video-specific picture mode “Flat” will be ideal for color grading and finishing the footage exactly as envisioned by the videographer.
5-Axis Image Stabilization combined with electronic stabilization for video
With four times the resolution of Full HD, 4K videos are easily affected by camera movement and typically require a tripod, mini jib, crane, and other specialized accessories for movie recording. The OM-D E-M1 Mark II will pair its advanced 5-Axis Image Stabilization with electronic stabilization specialized for movies (M-IS)*10 to effectively reduce camera shake, making handheld 4K video capture possible. This outstanding image stabilization system will allow videographers to easily shoot movies with virtually no visible camera shake. The camera’s rear vari-angle LCD monitor will be adjustable to the user’s preferred angle for shooting convenience.
HDMI monitor connection and recording synchronization
The HDMI monitor connection will provide the ability to view live video output live on a larger display while shooting. Users will be able to select from Monitor Mode for an external monitor and Recording Mode to capture uncompressed video directly from the HDMI port. The OM-D E-M1 Mark II will be equipped with a synchronization signal so that video recording to an external device may be started or stopped from the camera. A 4:2:2 external output will be provided to meet a wider color correction range. An audio synchronization function will make it easy to synchronize audio recording when using Olympus’ Linear PCM Recorder LS-100 while recording video, and a Slate Tone function will facilitate the syncing of recorded audio and video.
Advanced Shooting Functions
Silent Mode
Silent Mode will utilize a silent electronic shutter to eliminate all mechanical noises while shooting. Silent Mode will be especially useful for shooting in situations where noise of any kind is not appropriate, including stage performances, concerts, and even sleeping children. Also, it will be possible to deactivate the AF Illuminator, autofocus confirmation beep, and flash for practically silent operation.
Focus Stacking / Focus Bracketing Modes
Depth-of-field is especially shallow when taking macro photos, making it difficult to capture an image that is completely in focus from the foreground to background, even at smaller apertures. Focus Stacking Mode will capture eight shots at different focal positions and composite them to form a single shot that is entirely in focus. The depth-of-field provided by Focus Stacking will be far deeper than even the smallest aperture at close distances. Focus Stacking Mode will be compatible with seven Olympus M.ZUIKO lenses for a variety of shooting scenes*11.
Focus Bracketing Mode will capture up to 999 shots at different focal distances with a single shutter button press, allowing users to choose shots with the optimal focus point or use commercially-available software to composite all images into one picture with stunning depth-of-field.
Live Composite / Live Bulb Modes
Live Composite Mode will be available for shooting fireworks and cityscapes against starry backgrounds. While using Live Composite, the exposure of dark areas remains constant, while areas of light that change during the exposure are updated, creating trails of light from stars or fireworks. Live Bulb and Live Composite Modes will allow users to easily check the image on the LCD monitor in real time, instead of relying on intuition.
Keystone Compensation
The camera will be equipped with Keystone Compensation for photographing architecture. Keystone Compensation digitally provides tilt and shift functions with all M.ZUIKO lenses, and because trapezoidal compensation may be applied simultaneously to both vertical and horizontal directions, it is possible to shoot various subjects in a wide range of situations.
Tethered shooting with Olympus Capture
Olympus Capture is now available in Version 1.2 and will support tethered shooting with the Olympus OM-D E-M1 Mark II. High-speed data processing and transfer via the USB 3.0 Type C port will be four times faster than with Olympus Capture Version 1.1. A cable clip will be bundled for securing and stabilizing the cable to a strap when the camera and computer are connected.
Additional features
- Customizable C-AF tracking sensitivity will allow users to choose the best setting for their subject to optimize C-AF tracking performance.
- AF Scan will allow users to adjust the lens scan operation settings in low-contrast environments to prevent unnecessary hunting.
- Preset MF will let users quickly set a preferred focus distance when using manual focus.
- AF Home Settings will be assignable to a customizable function button. Users will be able to program their most frequently used AF target position, AF Target Mode, and AF Mode as an AF Home setting.
- Lowest Shutter Speed Setting on the camera will allow users to predefine a minimum shutter speed so that the ISO sensitivity will increase in low-light situations rather than slowing down the shutter speed. This is convenient for handheld shooting in low-light environments.
- Users will be able to back up customized camera settings on a computer so that they can be re-applied to the camera whenever necessary, especially useful for using the same settings on multiple cameras or maintaining settings after a firmware update.
- Specify Folder function will let users select a folder as a recording destination and create new folders to make image editing and management easier.
- Grid settings will allow users to set a highly visible grid color for display as a guide when shooting in dark locations such as theaters.
- The “Date/Time/Second” display will let users organize images by a second unit. This is an effective feature for high-speed sequential shooting.
Optional Accessories
HLD-9 Power Battery Holder
This dustproof, splashproof and freezeproof power battery holder will be specifically designed for the OM-D E-M1 Mark II. With the HLD-9, users will have the power of one BLH-1 lithium-ion rechargeable battery in the camera body and a second one in the HLD-9. The rear of the HLD-9 power battery holder will be equipped with the same directional pad, two control dials, two function buttons, and shutter release as on the camera body for identical controls whether the camera is held in a vertical or horizontal position. An optional AC-5 AC adapter may be used for studio photography or other situations when using the camera for long periods of time.
FL-900R Weatherproof High-Intensity Flash
This is a high-intensity flash boasting a maximum guide number of GN.58m. This accessory on-camera flash has the highest sequential shooting tracking performance in its class at 10 fps12. It features a lightweight weatherproof design with a wireless RC mode for simultaneous control of multiple flash units, and supports Multi Flash, High Res Shot, Focus Stacking and Focus Bracketing Modes. The FL-900R is also equipped with a built-in LED light for recording videos. For additional details, please see the FL-900R press release.
STF-8 Weatherproof Macro Flash
The STF-8 will be the world’s first macro flash built with dustproof, splashproof and freezeproof construction13. The flash heads and controller will feature a lightweight compact design. When combined with the Olympus OM-D E-M1 Mark II, Focus Stacking and Focus Bracketing modes will be supported for flash photography, useful for capturing flowers, insects, and commercial photos in the studio. The bundled adapter ring will be compatible with the M.ZUIKO Digital ED 30mm f3.5 Macro, M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 12-40mm f2.8 PRO. When using both flash heads the GN will be 8.5m. In addition to a TTL Auto Sync Mode for precision control, users will be able to set the flash in 1/3 step increments on the camera when in Manual Mode and in one step increments with the flash dial. The main flash will also be able to be used as a commander to control multiple flash units. The flash head angle will be adjustable within a range of -60 to 40 degrees.
RM-CB2 Release Cable
This release cable with a pin jack terminal (2.5mm diameter) will feature a bulb lock function convenient for long exposures. The connector terminal will feature an L-shaped design ensuring a compact form when connected to the camera.
PT-EP14 Underwater Case
This compact underwater housing will provide water depth resistance up to 60 meters. It will provide a clear field of view to each corner of the screen, designed to be easy to hold to frame and zoom your shot easily. In addition, the PPO-EP03 Macro Lens Port will provide compatibility with the M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 30mm f3.5 Macro14.
CBG-12 Large-Capacity Backpack
This large-capacity backpack will easily fit multiple Olympus cameras and several interchangeable lenses, including the M.ZUIKO Digital ED 300mm f4.0 IS PRO. This backpack will feature a padded back and straps that reduce strain, side openings for quickly removing necessary items and water-repellent materials for superb functionality. The CBG-12 will feature a genuine Micro Four Thirds mount emblem in the center of the backpack.
