Weather Resistant Pentax K-70 Unveiled with Pixel Shift Resolution
Product Summary
- Model name: PENTAX K-70
- Release Date: 9th June 2016
- Focus Type: Autofocus
- Format : APS-C
- Mounts: PENTAX KAF2
- Color: Black | Silver
- Availability: July 2016
- Price: $646.95
- Purchase options: Adorama | B&H | Amazon
Key features
- 24 Megapixel APS-C AA Filter-less CMOS Sensor
- Pixel Shift Resolution with motion correction
- PENTAX SR In-body shake reduction
- Night vision red light LCD display
- 6 Frames per second continuous shooting
The PENTAX K-70 is designed to be an all-weather camera, thanks to its outstanding dustproof, weather-resistant construction and dependable cold-proof performance down to temperatures as low as -10°C. It incorporates a newly developed accelerator unit, which performs high-level noise processing in collaboration with the PRIME MII imaging engine and allows super-high-sensitivity photography at a top sensitivity of ISO 102400. It also features a new Hybrid AF system, which harmonizes the advantages of both the image-plane phase-matching AF system and the contrast detection AF system, in order to assure the maximum speed and accuracy of AF operations during Live View shooting. It even provides a range of advanced, upper-class-equivalent features, including the PENTAX-developed Pixel Shift Resolution System; an innovative AA (anti-aliasing) filter simulator with the same moiré reduction effect as an optical AA filter; an optical viewfinder with nearly 100 percent field of view; and an in-body shake reduction mechanism with a shake reduction effect equivalent to approximately 4.5 shutter steps. For remote shooting operation and easy transfer of captured images to smartphones and tablet computers, it also features a built-in wireless LAN (Wi-Fi) module.
The PENTAX K-70’s exterior is designed with comfortable outdoor operations in mind. It provides such user-friendly features as a newly designed grip providing firm hold of the camera body even with a gloved hand, and redesigned mode dial and control buttons on the camera’s top and back panels to assure exceptional operability. It also comes equipped with an outdoor-friendly LCD monitor whose brightness level can be instantly adjusted to the lighting level of a shooting location.
1. Super-high-resolution images captured with approximately 24.24 effective megapixels and at ISO 102400
The PENTAX K-70 features a state-of-the-art CMOS image sensor with approximately 24.24 effective megapixels to assure high-speed 14-bit image data readout. Combined with an AA-filter-free optical design, this image sensor delivers super-high-resolution images. Also, by coupling a newly developed accelerator unit with the high-speed PRIME MII imaging engine, the PENTAX K-70 effectively minimizes noise at all sensitivity levels, and captures rich-gradation, fine-detailed images even in super-high-sensitivity shooting at a top sensitivity of ISO 102400.
2. Hybrid AF system for high-speed AF operation during Live View shooting
The PENTAX K-70 employs PENTAX’s first Hybrid AF system during Live View autofocus operation. By positioning a contrast-detection AF sensor with superior focusing accuracy and a phase-matching AF sensor on the image sensor’s surface, this innovative hybrid system optimizes the benefits of both AF systems to assure high-speed, pinpoint AF focusing on the subject.
3. Dustproof, weather-resistant body perfect for rugged outdoor photography
The PENTAX K-70 is a dependable performer even in such demanding settings as in the rain or at locations prone to dust and freezing temperatures, because it combines a compact, easy-to-carry body with a dustproof, weather-resistant construction and outstanding cold-proof performance at temperatures down to -10°C. It has also been designed for active outdoor shooting — such as mountain climbing, camping and sporting events. This was accomplished by improving its operability, with a new grip design that provides firm hold of the camera body even with a gloved hand, and through a complete design review of the mode dial and control buttons. In addition to its outdoor-friendly LCD monitor, whose brightness level can be instantly adjusted to the lighting level of a shooting location, it also features a red-lighted monitor display function, which works friendly to the photographer’s eye when it has become accustomed to a dark location during astronomical photography.
4. High-precision autofocus system with the SAFOX X module
The PENTAX K-70 features the high-precision SAFOX X AF sensor module, which assures responsive, dependable autofocus operation. With its 11 sensors including nine cross-type sensors in the middle, this AF module assures pinpoint focus on the subject at a minimum brightness level as low as -3 EV. By revising the timing of the AF sensor’s start-up action, the speed of autofocus response has been improved, especially at low-illumination levels. Also, by improving the algorithm for moving objects, the focusing accuracy in the AF-C mode has been enhanced. The PENTAX K-70 even assures outstanding AF tracking performance with subjects on the move, thanks to such advanced features as the Select-area Expansion function, which automatically refocuses on a moving subject after it moves away from the initial point, with the help of the neighboring points; and an AF Hold function that maintains the initial in-focus point even when the module loses sight of the subject.
5. PENTAX-original shake-reduction system featuring the Pixel Shift Resolution System
(1) In-body SR mechanism
Thanks to the built-in PENTAX-original SR (Shake Reduction) mechanism, the PENTAX K-70 effectively minimizes camera shake and delivers sharp, blur-free images, even in camera-shake-prone conditions such as when using a telephoto lens, shooting low-light scenes with incident light only, or photographing sunset scenes. Using a high-accuracy gyro sensor, it provides a compensation effect of 4.5 shutter steps, a level close to that of upper-class models. When taking a panning shot, this mechanism automatically detects the direction of the camera’s movement, and efficiently controls the SR unit to produce the best image possible without requiring any mode switching operation.
(2) Pixel Shift Resolution System with motion correction function
The PENTAX K-70 features the latest super-resolution technology called Pixel Shift Resolution System,* which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color data unit, this innovative system obtains all color data in each pixel to deliver super-high-resolution images with far more truthful colors and much finer details than those produced by conventional APS-C-size image sensors. This system even provides a motion correction function,** which automatically detects a moving object during continuous shooting and minimizes negative effects during the synthesizing process, in order to accommodate a wider range of scenes and subjects.
(3) Innovative AA filter simulator to minimize moiré
By applying microscopic vibrations to the image sensor unit at the sub-pixel level during image exposure, the PENTAX K-70’s AA (anti-aliasing) filter simulator*** provides the same level of moiré reduction as an optical AA filter. Unlike an optical AA filter, which always creates the identical result, this innovative simulator lets the user switch the AA filter effect on and off, and adjust the level of the effect. This means that the ideal effect can be set for a particular scene or subject based on the current photographic conditions.
(4) Supportive shooting functions
Since the PENTAX K-70’s SR unit has a flexible design that tilts the image sensor unit in all directions, it provides a host of handy shooting functions, including ASTRO TRACER, which simplifies advanced astronomical photography in combination with an optional O-GPS1 GPS Unit.
* When using this system, the user is advised to stabilize the camera firmly on a tripod. When a moving subject is captured in the camera’s image field, its image may not be reproduced clearly, either in part or as a whole.
** The movement may not be sufficiently corrected when the object is moving in a certain direction and/or pattern. This function does not guarantee that the movement is properly corrected with all subjects.
*** This function works most effectively with a shutter speed of 1/1000 second or slower. This function may not be combined with some shooting modes, including the Pixel Shift Resolution system.
6. Optical viewfinder with nearly 100-percent field of view
Within its compact body, the PENTAX K-70 incorporates a glass prism finder featuring the same optics and coatings as those used in higher-level models. With a nearly 100-percent field of view and a magnification of approximately 0.95 times, it provides a wide, bright image field for easy focusing and framing.
7. High-speed shutter to capture fast-moving subjects in crisp focus
With a top shutter speed of 1/6000 second, the PENTAX K-70 captures sharply focused images, even with fast-moving subjects. Coupled with its high-speed continuous shooting function with a top speed of approximately six images per second, it lets the photographer preserve once-in-a-lifetime shutter opportunities in beautifully focused images.
8. Upgraded Full HD movie recording
The PENTAX K-70 captures high-resolution, flawless Full HD movie clips (1920 x 1080 pixels; 60i/30p frame rate) in the H.264 recording format, and records lively stereo sound using a built-in stereo microphone. In combination with compatible lenses, it allows the user to use the Continuous AF (AF-C) mode* to keep accurate focus on a moving subject, or take advantage of a new aperture control function** to automatically assure a proper exposure level even in fluctuating lighting conditions during movie recording. It also provides a host of distinctive visual effects for movie production, including the 4K Interval Movie mode that connects a series of 4K-resolution still images at a fixed interval to create a single movie file, and a Star Stream mode to fade in and out the traces of stars to recorded movies.
* During movie recording, the Continuous AF (AF-C) mode can be used in combination with the HD PENTAX-DA 55-300mm F4.5-6.3ED PLM WR RE or smc PENTAX-DA 18-135mm F3.5-5.6ED AL[IF] DC WR lens. Access the RICOH IMAING official website for details.
** During movie recording, the aperture control function is available only in combination with the HD PENTAX-DA 55-300mm F4.5-6.3ED PLM WR RE lens.
9. Vari-angle LCD monitor for easy image viewing from all angles
Since the PENTAX K-70’s vari-angle LCD monitor allows for the positioning of the monitor at any desired angle, it makes it easier to compose the image in a wide variety of applications, such as high-angle shooting using stretched arms or low-angle shots taken from ground level. It also features a unique air-gapless construction, in which the air space between LCD layers is eliminated to effectively reduce the reflection and dispersion of light for improved visibility during outdoor shooting.
10. An array of functional customization options
The PENTAX K-70 allows a choice of menu items and the order of their listing displayed on the control panel, so that the user can confirm or change the listed functions and their current settings at a glance. The user can also assign one of the seven functions to each of two Fx (Function) buttons. The PENTAX K-70 also provides three USER modes, to which the user can assign desired camera settings depending on subject types or creative intentions. Three settings (CLEAR TONE, HDR LANDSCAPE and ASTROPHOTO) are preprogrammed in the camera as default.
11. Wireless LAN connection to support smartphone operation
The PENTAX K-70 provides a host of wireless LAN (Wi-Fi) functions to support operations using smartphones and tablet computers. By installing the dedicated Image Sync application in a mobile device, the user can remotely check the Live View image, capture still images, and adjust such camera settings as aperture, shutter speed and ISO sensitivity to the desired level through the mobile device. It is even possible to download captured images onto the mobile device, then upload them on social networking service websites.
12. Other features
- 77-segment multi-pattern metering system for high-precision light metering
- DR (Dust Removal) mechanism to shake dust off from the surface of the CMOS image sensor
- Timer exposure mode– a new shooting feature incorporated for the first time in a PENTAX digital SLR camera — which allows the user to expend an exposure time to as long as 20 minutes in Bulb mode, and automatically closes the shutter when the user-selected exposure time expires
- A pair of e-dials for efficient control of the PENTAX-invented hyper operating system
- Self-timer function, which even works in the Continuous AF (AF-C) mode
- Clarity control and Skin Tone correction functions — a pair of the latest image processing technologies developed by RICOH Central Laboratory
- A selection of imaging tools, such as Custom Images, Digital Filters and Scene Modes
Product Photo
Sample Image
Specification
| Type | TTL autofocus, auto-exposure SLR digital-still camera with built-in retractable P-TTL flash |
| Lens Mount | PENTAX KAF2 bayonet mount (AF coupler, lens information contacts, K-mount with power contacts) |
| Compatible Lens | KAF4, KAF3, KAF2 (power zoom not compatible), KAF, KA mount lens |
Image capture unit
| Image Sensor | Primary color filter, CMOS. Size: 23.5 x 15.6 (mm) |
| Effective Pixels | Approx. 24.24 megapixels |
| Total Pixels | Approx. 24.78 megapixels |
| Dust Removal | SP coating and CMOS sensor operations |
| Sensitivity | ISO AUTO/100 to 102400 (EV steps can be set to 1EV, 1/2EV or 1/3EV) |
| Image Stabilizer | Sensor-shift Shake Reduction |
| AA Filter Simulator | Moiré reduction using SR unit. OFF/Type1/Type2/Bracket (3 frames) |
| File formats | |
| File format | RAW (PEF/DNG), JPEG (Exif 2.3), DCF2.0 compliant |
| Recorded Pixels | JPEG: L(24M:6000×4000), M(14M:4608×3072), S(6M:3072×2048), XS(2M:1920×1280)
RAW: (24M:6000×4000) |
| Quality Level | RAW (14bit): PEF, DNG
JPEG: ★★★ (Best), ★★ (Better), ★ (Good), RAW + JPEG simultaneous capturing available |
| Color Space | sRGB, AdobeRGB |
| Storage Medium | SD, SDHC and SDXC Memory Card (Conforms to USH-I standards) |
| Storage Folder | Folder Name: Date (100_1018,101_1019…) or User assigned folder name (Default “PENTX”) |
| Recording File | File Name: “IMGP****” or User assigned file name
File name numbering: Sequential, Reset |
Viewfinder
| Type | Pentaprism Finder |
| Coverage (FOV) | Approx. 100% |
| Magnification | Approx. 0.95x (50mmF1.4 at infinity) |
| Eye-Relief Length | Approx. 20.5mm (from the view window), Approx. 22.3mm (from the center of lens) |
| Diopter adjustment | Approx. -2.5m to + 1.5m-1 |
| Focusing Screen | Interchangeable Natural-Bright-Matte III focusing screen |
Live view
| Type | TTL method using image sensor |
| Autofocus | Hybrid AF (Image plane phase-matching and Contrast detection)
AF area: Face detection, Tracking, Multiple AF points, Select, Spot Focus Peaking: ON/OFF |
| Display | Field of View approx. 100%, Magnified view (up to 16x), Grid Display (4×4 Grid, Golden Section, Scale display, Square 1, Square 2, Grid Color: Black/White ), Histogram, Bright area warning |
LCD monitor
| Type | Vari-angle TFT color LCD monitor featuring an air-gapless structure, tempered-glass front panel |
| Size | 3.0 inch (aspect ratio 3:2) |
| Dots | Approx. 921K dots |
| Adjustment | Brightness, Saturation and Colors adjustable |
| Outdoor View Setting | Adjustable ±2 step |
| Night Vision LCD Display | ON/OFF |
White Balance
| Type | TTL method using image sensor |
| White Balance | AUTO WB, Multi Auto WB, Daylight, Shade, Cloudy, Fluorescent Light (D:Daylight Color, N:Daylight White, W:Cool White, L:Warm White), Tungsten Light, CTE, Manual WB (up to 3 settings), Color Temperature Configuration (up to 3 settings), Copying the white balance setting of a captured image |
| Fine Adjustment | Adjustable ±7 steps on A-B axis or G-M axis |
Autofocus System
| Type | TTL: Phase-matching autofocus |
| Focus Sensor | SAFOX X, 11 points (9 cross type focus points in the center) |
| Brightness Range | EV-3 to 18 (ISO 100 / at normal temperature) |
| AF mode | Single AF (AF.S), Continuous AF (AF.C), Auto select AF (AF.A) |
| AF Point Selection | Auto:11 points, Auto:5 points, Select, Expanded Area Select, Spot |
| AF Assist Light | Dedicated LED AF assist light |
Metering
| Type | TTL open aperture, 77 segmented metering, center-weighted and spot metering |
| Metering Range | EV0 to 22 (ISO100 at 50mm F1.4) |
| Exposure Mode | Auto Picture mode (Standard, Portrait, Landscape, Macro, Moving Object, Night Scene Portrait, Sunset, Blue Sky, Forest), Scene Mode (Portrait, Landscape, Macro, Moving Object, Night Scene Portrait, Sunset, Blue Sky, Forest, Night Scene, Night Scene HDR, Night Snap, Food, Pet, Kids, Surf & Snow, Backlight Silhouette, Candlelight, Stage Lighting, Museum), Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Shutter & Aperture Priority, Manual, Bulb |
| EV Compensation | ±5EV (1/2EV steps or 1/3EV steps can be selected) |
| AE Lock | Can be assigned to the AF/AE-L button |
Shutter
| Type | Electronically controlled vertical-run focal plane shutter
* Electronic shutter when using Pixel Shift Resolution |
| Shutter Speed | Auto:1/6000 to 30 sec., Manual: 1/6000 to 30 sec. (1/3EV steps or 1/2EV steps), Bulb (Timed exposure setting possible from 10 sec. to 20min.) |
Drive modes
| Mode Selection | [Still Image]
Single Frame, Continuous (H, L), Self-timer (12s, 2s, Continuous), Remote Control (0s., 3s., Continuous), Bracketing (2, 3 or 5 frames), Mirror-up, Multi-Exposure, Interval Shooting, Interval Composite, Interval Movie Record, Star Stream [Movie] Remote Control * Bracketing, Interval Shooting, Interval Composite, Interval Movie Record and Star Stream are possible to use with Self-timer/Remote Control * Mirror-up is possible to use with Self-timer * Multi-Exposure is possible to use with Continuous Shooting, Self-timer or Remote Control |
| Continuous Shooting | Max. approx. 6.0 fps, JPEG ( L: ★★★ at Continuous H): up to approx. 40 frames, RAW: up to approx. 10 frames, RAW+: up to approx. 8 frames
Max. approx. 3.0 fps, JPEG L: ★★★ at Continuous L): up to approx. 100 frames, RAW: up to approx. 16 frames, RAW+: up to approx. 11 frames * ISO100 |
| Multi-Exposure | Composite Mode(Additive/Average/Bright)
Number of Shots(2 to 2000 times) |
| Interval Shooting | [Interval Shooting] Interval: 2s. to 24h./ Standby Interval: Min.･1s. to 24h., Number of shots: 2 to 2000 times, Start Interval: Now/Self-timer/Remote Control/Set Time
[Interval Composite] Interval: 2s. to 24h./ Standby Interval: Min.･1s. to 24h., Number of shots: 2 to 2000 times, Start Interval: Now/Self-timer/Remote Control/Set Time, Composite Mode: Additive/Average/Bright, Save Process: ON/OFF [Interval Movie] Recorded Pixels: 4K/FullHD/HD, File Format: Motion JPEG (AVI), Interval:2s. to 24h./ Standby Interval: Min･1s. to 24h., Number of shots: 8 to 2000 times (8 to 500 times at 4K), Start Interval:Now/Self-timer/Remote Control/Set Time [Star Stream] Recorded Pixels: 4K/FullHD/HD, File Format: Motion JPEG (AVI), Interval:2s. to 24h./ Standby Interval: Min･1s. to 24h., Number of shots: 8 to 2000 times (8 to 500 times at 4K), Start Interval: Now/Self-timer/Remote Control/Set Time, Fade-out: OFF/Low/Medium/High |
Flash
| Built-in Flash | Built-in retractable P-TTL flash, GN: approx. 12 (ISO100/m), Angle of view of 28mm lens (35mm format equivalent) |
| Flash Modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction (Auto Picture, Scene) Flash On, Flash On+ Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, Manual Flash Discharge (Full-1/128) |
| Sync Speed | 1/180sec. |
| Flash Exposure
Compensation |
-2.0～+1.0EV |
| External Flash | P-TTL, Leading Curtain Sync, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
* Contrast-control-sync and High-speed sync requires two or more dedicated external flash |
Capture Settings
| Custom Image | Auto Select, Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Flat, Bleach Bypass, Reversal Film, Monochrome, Cross Processing |
| Cross Process | Random, Preset 1-3, Favorite 1-3 |
| Digital Filter | Extract Color, Replace Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome |
| Clarity | Adjustable ±4 step |
| Skin Tone | Type1, Type2, OFF |
| HDR | Auto, HDR1, HDR2, HDR3, Advanced HDR, OFF, Exposure bracket value adjustable, Automatic composition correction function |
| Pixel Shift Resolution | Motion Correction ON, Motion Correction OFF, OFF |
| Lens Correction | Distortion Correction, Peripheral Illumin. Correction, Lateral Chromatic Aberration Correction, Diffraction Correction |
| D-RANGE Compensation | Highlight Correction, Shadow Correction |
| Noise Reduction | Slow Shutter Speed NR, High-ISO NR |
| Horizon Correction | SR On: correction up to 1 degrees, SR Off: correction up to 1.5 degrees |
| Electronic Level | Displayed in viewfinder : Horizontal direction only, Displayed on LCD monitor: Horizontal and vertical direction |
Movie
| File Format | MPEG-4 AVC/H.264（MOV） |
| Recorded Pixels | Full HD(1920×1080, 60i/50i/30p/25p/24p）
HD (1280×720, 60p/50p) |
| Auto Focus | Hybrid AF (Image plane phase-matching and Contrast detection)
AF mode: Single AF (AF.S), Continuous AF (AF.C) * Continuous AF (AF.C) is available with the dedicated lens. AF area: Multiple AF points, Select, Spot Focus Peaking: ON/OFF |
| Sound | Built-in stereo microphone, external microphone (Stereo recording compatible) Recording Sound Level adjustable |
| Recording Time | Up to 25 minutes or 4GB ; automatically stops recording if the internal temperature of the camera becomes high. |
| Custom Images | Auto Select, Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Flat, Bleach Bypass, Reversal Film, Monochrome, Cross Processing |
| Cross Processing | Random, Preset 1-3, Favorite 1-3. |
| Digital Filter | Extract Color, Replace Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome |
Playback
| Playback View | Single frame, Multi-image display (6,12, 20, 35, 80 segmentation), Display magnification (up to 16x, Quick Zoom view available), Grid display (4×4 Grid, Golden Section, Scale display, Square 1, Square 2, Grid Color: Black/White ), Rotating, Histogram (Y histogram, RGB histogram), Bright area warning, Auto Image Rotation, Detailed information, Copyright Information (Photographer, Copyright holder), GPS information (latitude, longitude, altitude, Coordinated Universal Time) , Orientation, Folder Display, Calendar Filmstrip Display, Slide Show, |
| Delete | Delete single image, delete all, select & delete, delete folder, delete instant review image |
| Digital Filter | Base Parameter Adj, Extract Color, Replace Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome, Tone Expansion, Sketch, Water Color, Pastel, Posterization, Miniature, Soft, Starburst, Fish-eye, Slim, Monochrome |
| RAW Development | RAW file select：
Select Single Image, Select Multiple Images, Select a folder RAW Development Parameter: White Balance, Custom Image, Sensitivity, Clarity, Skin Tone, Digital filter, HDR, Pixel Shift Resolution, Shadow Correction, High-ISO NR, Distortion Correction, Peripheral Illumin. Corr., Lateral Chromatic Aberration Correction, Diffraction Correction, Color Fringe Correction, File Format (JPEG/TIFF), Aspect Ratio, JPEG Recorded Pixels, JPEG Quality, Color Space |
| Edit | Image Rotation, Color Moiré Correction, Resize, Cropping (Aspect ratio and Slant adjustment available), Movie Edit (Divide or delete selected frames), Capturing a JPEG still picture from a movie, Saving RAW data in buffer memory, Image Copy |
Customization
| USER Modes | Up to 3 settings can be saved |
| Custom Functions | 24 items |
| Mode Memory | 16 items |
| Button Customization | Fx1 Button, Fx2 Button (One Push File Format, Wi-Fi, Outdoor View Setting, Night Vision LCD Display, Preview, Red, Electronic Level, Change AF Area)
AF/AE-L button (AF1, AF2, Cancel AF, AE Lock) Various settings for the action of the e-dials in each exposure mode can also be saved. |
| AF Customization | AF.S: Focus-priority/ Release-priority
1st Frame Action in AF.C: Release-priority/Auto/Focus-priority Action in AF.C Continuous: Focus-priority, Auto, FPS-priority Hold AF Status: OFF, Low, Medium, High AF in Interval Shooting: Locks focus at 1st exposure, Adjusts focus for each shot AF with Remote Control: Off/On |
| World Time | World Time settings for 75 cities (28 time zones) |
| Language | English, French, Germany, Spanish, Portuguese, Italian, Dutch, Danish, Swedish, Finnish, Polish, Czech, Hungarian, Turkish, Greek, Russian, Korean, Traditional Chinese, Simplified Chinese, Japanese |
| AF Fine Adjustment | ±10 step, Uniform adjustment, Individual adjustment (up to 20 can be saved) |
| Indicator Lamps | Other indicator lamps (OFF/1/2), Self-timer (ON/OFF), Remote Control (ON/OFF), GPS (ON/OFF) |
| Copyright Information | Names of “Photographer” and “Copyright Holder” are embedded to the image file.
Revision history can be checked using the provided software. |
Power supply
| Battery Type | Rechargeable Lithium-ion Battery D-LI109 |
| AC Adapter | AC Adapter Kit K-AC168 (Optional) |
| Battery Life | Number of recordable images:
(with 50% flash usage): approx. 410 images, (without flash usage): approx.: 480 images Playback time: Approx. 270 minutes * With a fully-charged Rechargeable Lithium-ion Battery under the temperature at 23°C. Tested in compliance with CIPA standard. Actual results may vary depending on the shooting condition. |
Interfaces
| Connection Port | USB2.0 (micro B), HDMI output terminal (Type D) , Stereo microphone input / Cable switch input ( ø3.5mm connector) |
| USB Connection | MSC/PTP |
Wireless LAN
| Standards | IEEE 802.11b/g/n (Standard wireless LAN protocol) |
| Frequency (Center Frequency) | 2412MHz to 2462MHz (channels: Ch.1 to Ch.11) |
| Security | Authentication: WPA2, Encryption: AES |
Dimensions and Weight
| Dimensions | Approx. 125.5mm (W) x93.0mm (H) x 74.0mm (D) (excluding protrusions) |
| Weight | Approx. 688g (Including dedicated battery and SD Memory Card),
Approx. 628g (body only) |
Accessories
| Included | Strap O-ST132, Rechargeable Lithium-ion Battery D-LI109, Battery Charger D-BC109,Software (CD-ROM) S-SW168 ‹Mounted on the camera› Eye-cup FR, Hot shoe cover FK , Body Mount Cover |
| Software | Digital Camera Utility 5 |
Nikon D4s Firmware Update
Nikon D4s Firmware “C” – 1.31
Change log:
- Fixed an issue that occurred with WR-R10 wireless remote controller firmware version 3.00. In rare cases, the camera would fail to display the number of exposures remaining or would take about a minute to power down when the WR-R10 was connected.
Download
Nikon D500 Firmware Update
Nikon D500 Firmware “C” – 1.01
Change log:
- Fixed an issue that sometimes resulted in the options for SETUP MENU > Language not displaying correctly.
Download
Fujifilm announces the FUJINON XF2X TC WR Teleconverter
Product Summary
- Model name: FUJINON TELECONVERTER XF2X TC WR
- Release Date: 19 May 2016
- Focus Type: Autofocus
- Mounts: Fuji X Mount
- Availability: June 2016
- Price: $ 449
- Purchase options: Adorama | B&H | Amazon
Key features
- FUJINON X Mount Teleconverter
- 2x Magnification Factor
- Maintains optical image stabilization
The “FUJINON TELECONVERTER XF2X TC WR” is a high-performance teleconverter capable of multiplying the focal length of mounted lenses* by two. It features excellent optical design with a construction of 9 elements in 5 groups to maintain the optical performance of the original lens. Also, thanks to the unified design when mounted to a compatible lens, the teleconverter is weather and dust-resistant and operates at temperatures as low as -10℃. This makes it possible to be used with confidence outdoors when used with the weather and dust-resistant X-T1 and X-Pro2 camera bodies, and the XF50-140mmF2.8 R LM OIS WR and XF100-400mmF4.5-5.6 R LM OIS WR lenses.
* Compatible lens (As of May 19, 2016)
XF50-140mmF2.8 R LM OIS WR ⇒ 100-280mmF5.6 with teleconverter mounted (Equivalent to 152-427mm on a 35mm format)
XF100-400mmF4.5-5.6 R LM OIS WR ⇒ 200-800mmF9-11 with teleconverter mounted (Equivalent to 305-1,219mm on a 35mm format)
High image quality design which maintains the optical performance of the original lens
- Construction of 9 elements in 5 groups maintains the optical performance of the original lens.
- By using the optimal image quality parameters for the overall characteristics of the original lens and 2x teleconverter, excellent imaging performance with great aberration suppression is still achieved.
- The aperture becomes two f-stops higher when the teleconverter is mounted, and the camera displays and records information reflecting the change in aperture and focal length.
Autofocus performance
- Phase detection AF is still available when using the XF50-140mmF2.8 R LM OIS WR with the 2x teleconverter mounted.
- Contrast Detection AF is still available when using the XF100-400mmF4.5-5.6 R LM OIS WR with the 2x teleconverter mounted. Accurate focusing at super-telephoto focal lengths with shallow depth of field is possible thanks to the AF performed by the image sensor thanks to mirrorless cameras’ “Live View”.
The optical image stabilization performance
- The camera’s optical image stabilization performance** is unaffected by the addition of the teleconverter.
** CIPA guidelines, at telephoto end.
Weather and dust-resistant and -10℃ low-temperature operation
- Using the teleconverter with a weather-resistant camera and lens, such as the FUJIFILM X-T1 or X-Pro2 mirrorless digital camera and the FUJINON XF50-140mmF2.8 R LM OIS WR or XF100-400mmF4.5-5.6 R LM OIS WR lens, does not affect the weather resistance of the system.
High-grade subtle appearance
- The teleconverter’s high grade metal exterior has been designed with the X system in mind. When attached to a compatible FUJINON lens, the two products appear as one single lens.
Support Information
A firmware update is required for the “XF50-140mm F2.8 R LM OIS WR” and “XF100-400mm F4.5-5.6 R LM OIS WR” lenses in order to provide full compatibility. This firmware is planned to be available at the beginning of June 2016. Please note that when updating firmware, make sure to update the latest camera firmware before updating the lens.
Please refer to the following website for information on how to confirm your firmware version and its update methods.
http://www.fujifilm.com/support/digital_cameras/software/fw_table.html
Please be sure to check the following website as we will continue to update it with information regarding mountable lenses.
http://fujifilm.com/products/digital_cameras/x/fujinon_lens_xf2x_tc_wr/
Product Photo
Sample Image
Specification
| Type | FUJINON LENS XF2X TC WR |
| Lens construction | 9 elements 5 groups |
| Focal length | 2x that of original lens |
| Max. aperture | 2 additional stop |
| Min. aperture | 2 additional stop |
| Focus range | Approx. same as that of original lens |
| Max. magnification | 2x that of original lens |
| External dimensions: Diameter x Length | Approx. Φ58mm x 30.2mm |
| Weight | Approx.170g |
Sneak Peek : Content-aware Crop in Photoshop CC
Adobe has show an upcoming feature of their highly regarded software Photoshop CC 2015. With Content-Aware Crop, Photoshop uses Content-Aware technology to intelligently fill in the gaps when you use the Crop tool to rotate an image or expand your canvas beyond the image’s original size. Watch the video to see this feature in action.
Olympus Tough TG-Tracker Extreme Action Camera
Product Summary
- Model name: Olympus Stylus Tough TG-Tracker
- Release Date: 24th May 2016
- Focus Type: Autofocus
- Color: Green | Black
- Availability: June 2016
- Price: $349.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 8 Mega-pixel Super-rugged action camera for capturing high-quality stills and 4K video
- Waterproof, crushproof, shockproof, freezeproof, dustproof
- Sensors log altitude/depth, air/water temperature, acceleration, orientation, latitude and longitude
- Acceleration sensor flags sudden changes in G force
- Built-in spotlight (up to 60 Lumen) for shooting in dark settings
- Underwater detector automatically switches to optimal settings
Olympus expands the outdoor video experience with the latest member of the Tough product family, the new Olympus Stylus Tough TG-Tracker. The Stylus Tough TG-Tracker is the first rugged experiential camera that combines Olympus’s Tough rugged capabilities with an advanced Field Sensor System, a 204° ultra-wide-angle F2.0 high-speed lens and Ultra HD 4K 30p video capture to record brilliant action video with corresponding activity data. The Stylus Tough TG-Tracker’s built-in Field Sensors include GPS, a barometric-pressure sensor, a temperature sensor, an e.Compass and an accelerometer. Data logs can be displayed simultaneously with recorded images using the Olympus Image Track app, enhancing the excitement of reliving outdoor action with an immersive, data-rich viewing experience.
Like all other cameras in the Olympus Tough™ series, the Stylus Tough TG-Tracker is optimized for the most extreme shooting environments, with five rugged capabilities: waterproof to depths of 100 feet, dustproof, shockproof from 7 feet, freezeproof to 14°F, and crushproof up to 220 pounds of force, — no protective case required. The Stylus Tough TG-Tracker represents a new category of rugged cameras with its Field Sensor System that’s capable of capturing location, altitude and depth, g-force and air and water temperature while users record videos and still images of their outdoor adventures.
A high-intensity LED headlight is integrated into the camera body for shooting support in low-light conditions. The bundled SG-T01 Steady Grip helps with stable framing during hand-held shooting. The Olympus Stylus Tough TG-Tracker’s compact body and tilt-out LCD monitor provide for quick and easy video capture, including low- and high-angle shooting.
Field Sensor System for capturing all the action of outdoor adventures
The wearable-device market has expanded in recent years, offering ways to automatically record location information, steps walked, calories burned and other life-logging data. In the same spirit, the new Olympus Stylus Tough TG-Tracker is equipped with the Field Sensor System, which includes GPS, a barometric-pressure sensor, a temperature sensor, an e.Compass and an accelerometer. Users can select from three different display options on the LCD monitor, including a compass display, level display, and log display, to show the data captured via these sensors. Log Mode records data without video for extended time periods.
1) GPS
The camera uses GPS (with GLONASS and QZSS functionality) to precisely calculate the user’s latitude and longitude from satellite signals. Additionally, Assist GPS can significantly increase the speed of the system’s positioning calculations by downloading satellite information ahead of time using the Olympus A-GPS Utility computer app or the Olympus Image Track smart-device app.
2) Barometric-pressure sensor
Altitude and water depth are calculated based on air- and water-pressure information. When the camera is submerged below a depth of half a meter, the Underwater Detector will automatically switch the camera to the optimal mode for shooting underwater so you can focus on getting the best shot without worrying about complicated controls. The monitor log display will also automatically switch from altitude to water-depth information.
3) Temperature sensor
This sensor records ambient temperature with a high degree of precision. The Stylus Tough TG-Tracker captures water temperature in both Video and Log Mode, and air temperature in Log Mode only.
4) e.Compass
This sensor tracks the direction in which the camera lens is being pointed. It provides an easy way to confirm direction when shooting outdoors.
5) Accelerometer
This sensor measures acceleration (g-force) on three axes to record the photographer’s movements. When a preset acceleration level is detected while a video is being recorded, the Chapter Function automatically identifies and bookmarks the moment. This feature supports editing and playback of exciting scenes, like when jumping and landing in intense sports such as snowboarding and motocross. Users may choose from two levels of acceleration or may turn this feature off.
Rugged capabilities: waterproof, dustproof, shockproof, freezeproof and crushproof
With its sealed construction, the Stylus Tough TG-Tracker is waterproof to depths of 100 feet (30 meters). The waterproof seal also makes the camera dustproof, so users don’t have to worry when operating the Stylus Tough TG-Tracker in dusty areas. The dual-layer chassis makes for superb shockproof performance, allowing the camera to clear drop tests from heights of up to 7 feet (2.1 meters). Operation is guaranteed in temperatures as low as 14°F (-10°C), so you can shoot in cold-weather environments where other digital devices fear to tread. The Stylus Tough TG-Tracker also boasts a rigid construction that can withstand loads of up to 220 pounds of force (100 kilograms of force).
High-quality images captured with an ultra-wide-angle lens
1) 204° ultra-wide-angle F2.0 high-speed lens
The Stylus Tough TG-Tracker’s ultra-wide-angle lens was developed using advanced optical technology. Its 204° angle of view is wider than that which can be captured by the human eye, allowing it to record action videos with a dramatic perspective, especially useful for ultra-wide views of outdoor sports scenes.
2) TruePicTM VII for 4K Image Processor and backlit CMOS sensor
The Stylus Tough TG-Tracker is equipped with the TruePicTM VII for 4K Image Processor, the latest iteration of the TruePicTM image processors used in the Olympus OM-D and PEN compact system cameras, now with 4K video capability. It quickly processes data from the high-sensitivity, low-noise backlit CMOS sensor to produce high-quality images.
Versatile shooting style and superb controls
The compact body provides for quick and easy video capture no matter your shooting style, allowing low- and high-angle camerawork. An SG-T01 Steady Grip is bundled with the camera to help with stable framing during hand-held shooting. The MC-T01 Mount Coupling comes with a small mirror on the front to assist in capturing wide-angle group selfies. The high-intensity LED Headlight is built into the camera body for shooting support in low-light conditions. Its quick-action operation lets you swiftly illuminate subjects for high-quality imaging. Even when the camera is turned off, users can press and hold the Info button to activate the headlight for standalone use.
Compatibility with the Olympus Image Track smart-device app
The Stylus Tough TG-Tracker is equipped with built-in Wi-Fi. Using the exclusive Olympus Image Track app, users can easily transfer videos recorded on the camera, along with field data, to a smart device. Users can also display the log data and view images simultaneously, enjoying the experience of the shooting environment during playback. Within the app, the data display can be switched between geographical information and altitude/depth information to best match the scene, and data is saved so that users can conveniently check the information at any time.
Other Features
- Time Lapse Movie mode for fixed-point observation of movement such as crowds of people, clouds crossing the sky or flowers opening.
- Loop Recording function for easier video-data handling.
- Bundled with the UP-T01 Underwater Lens Protector for underwater shooting.
- Graphical user interface (GUI) for intuitive control.
- Electronic 5-Axis Image Stabilization for compensation of every kind of camera motion.
- 4K Video playback via HDMI connection.
- Remote control and image transfer with the Olympus Image Share app.
Product Photo
Specification
| Number of pixels | ||
| The camera unit effective pixels | 8 million pixels | |
| form | 1 / 2.3-inch CMOS sensor | |
| Constitution | Seven group 7 (aspherical lens: five) | |
| Focal length (35mm camera equivalent) | 1.58mm (13.9mm) | |
| F-measure | F2.0 | |
| Shooting range (from the front of the lens) | 0.2m～∞ | |
| Digital zoom | Wide / water | |
| Still image recording | ||
| Recording method | JPEG（DCF）、Exif2.3、PRINT Image Matching Ⅲ | |
| aspect | 16：9 | |
| Record number of pixels | 8M / 2.1m / 0.9m / 0.4m | |
| Interval Shooting | 0.5 seconds / 1 seconds / 2 seconds / 5 seconds / 10 seconds / 30 seconds / 60 seconds | |
| Video recording | ||
| Recording method | MOV / H.264 | |
| Record number of pixels | 4K（30p）
1080（60p / 30p） 720（240p / 120p / 60p / 30p） 480（240p / 120p / 60p / 30p） |
|
| Video and audio recording system | Linear PCM | |
| Recording time | About 29 minutes (or, until the file size 4GB) | |
| Recording medium | ||
| Corresponding recording media | microSD / microSDHC / microSDXC card (UHS-I speed class corresponding) | |
| Lcd monitor | ||
| Size and type | 1.5-inch TFT color LCD | |
| Number of dots | 115200 dot | |
| aspect ratio | 4：3 | |
| Brightness | 2 stage (light / standard) | |
| Sensitivity | ||
| AUTO | ISO 100～1600 | |
| Image stabilization | ||
| form | Digital 5-axis image stabilization mechanism | |
| shutter speed | Auto：1/2～1/24000 | |
| Metering | Digital ESP metering | |
| Exposure compensation | ± 2.0EV, step: 1 / 3EV | |
| White balance | ||
| White balance mode | Auto, cloudy, sunny, water | |
| Self timer | ||
| self timer | 2 seconds, 12 seconds | |
| Tough performance | ||
| waterproof | 30m: JIS / IEC protection class 8 (IPX8) considerable | |
| dust-proof | JIS / IEC protection class 6 (IP6X) quite | |
| Low temperature | -10℃ | |
| Withstand load | 100kgf | |
| Resistance IMPACT | 2.1m | |
| Field sensor system | ||
| built-in sensor | GPS (GLONASS, QZSS), orientation sensors, pressure sensors, temperature sensors, acceleration sensor | |
| Headlight | ||
| Built-in headlight | 20 lumens (29 minutes), 60 lumens (60 seconds) | |
| interface | ||
| Wifi | IEEE 802.11b / g / n | |
| USB | Windows Vista (SP2) / 7 (SP1) / 8 / 8.1 / 10 / Mac OS OS X v10.8 ～ v10.11 | |
| tv set | HDMI micro connector (type D) corresponding | |
| Power supply | ||
| AC adapter | USB-AC adapter F-3AC (sold separately) | |
| battery | Rechargeable lithium-ion battery LI-92B | |
| The number of possible shots | ||
| The number of possible shots | About 480 sheets | |
| Size / mass | ||
| Size (CIPA compliant) | 35.0mm × 56.5mm × 93.2mm | |
| Quality (CIPA) | 180g Battery, including card | |
Nikon ViewNX-i – New Version 1.2.1
Nikon ViewNX-i Update, Version 1.2.1
Change log
- Added support for the COOLPIX B500 and A300.
- Added support for MP4 movies.
- Added ranges to the sliders in the Adjustments/Metadata palette.
- The sliders in the Adjustments/Metadata palette can now be reset by clicking the mark that indicates the default position.
Download
Nikon Capture NX-D – New Version 1.4.1
Nikon Capture NX-D Update, Version 1.4.1
Change log
- Added support for the COOLPIX B500 and A300.
- Added a View menu to Preferences for a custom grid display.
- Added perspective control to the Straighten tool.
- Sliders now show increments at all times.
- Fixed an issue that caused blurring when Noise Reduction > Better Quality 2013 was applied to NEF (RAW) photos taken with the D610.
Download
Nikon 1 V3 Firmware Update Fixes Battery issue
Nikon 1 V3 Firmware “C” – 1.11
Change log:
- Fixed an issue that caused increased drain on the camera battery when the camera was off or in sleep mode with a GP-N100 GPS unit attached.
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Canon’s New PowerShot SX620 comes with 25x Optical zoom
Product Summary
- Model name: Canon PowerShot SX620 HS
- Release Date: 11 May 2016
- Focus Type: Autofocus
- Format : Crop Sensor
- Color: Black | Red | Silver
- Availability: Late June 2016
- Price: $279.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 20MP Tiny camera with 25x optical zoom
- Easily connect, share and shoot remotely with Wi-Fi & NFC
- Create stunning Full HD movies at the touch of a button
Canon introduced the PowerShot SX620 HS, a compact superzoom camera designed to get you closer to the action, thanks to a new 25x optical zoom. This stylish camera is perfect for capturing precious moments, when a smartphone snap simply won’t cut it, thanks to the 20.2 Megapixel CMOS sensor and DIGIC 4+ processor. With intuitive handling and a unique range of creative effects, the PowerShot SX620 HS helps you unlock your creative side, and has effortless connectivity capabilities.
Quality in your pocket, zoom in your palm
The PowerShot SX620 HS is designed to make an impact thanks to its new ultra-wide-angle lens and 25x optical zoom, which can extend a further 50x thanks to ZoomPlus technology. When you are shooting on the go, the eight mode Intelligent Image Stabilizer adapts to virtually any scenario, ensuring subjects stay detailed and crisp.
Movie making in an instant
The PowerShot SX620 HS gives you the freedom to shoot Full HD movies, so you can watch and relive occasions forever. Dynamic IS offers visual stability in every frame, keeping your footage steady, even at high zoom or when shooting handheld. Story Highlights stitches your photos and clips together, to create memory filled snapshots of your holiday or family moments.
Creativity captured and connected
For an artistic twist, Creative Shot adds stylistic effects and filters – such as Fish-eye Effect and Miniature Effect – to your photos, producing five distinct versions of the same image alongside the original, building a library of interesting shots to hold on to.
Whether you’re on holiday or exploring a city, for easy sharing, quickly connect to smart devices using Dynamic NFC and transfer your photos via the Camera Connect app – or you can store them directly to cloud services, including irista from Canon, using Wi-Fi. For direct uploads and new ways of sharing, the PowerShot SX620 HS is also compatible with the Canon Connect Station CS100.
Product Photo
Sample Image
Specification
| Effective / Total Pixels | Approx. 21.1M | |
| Colour Filter Type | Primary Colour | |
| IMAGE PROCESSOR | ||
| Type | DIGIC 4+ with iSAPS technology | |
| LENS | ||
| Focal Length | 4.5 – 112.5 mm (35 mm equivalent: 25 – 625 mm) | |
| Zoom | Optical 25x ZoomPlus 50x
Digital approx. 4.0x (with Digital Tele-Converter approx. 1.6x or 2.0x). Combined approx. 100x 1 |
|
| Maximum f/number | f/3.2 – f/6.6 | |
| Construction | 13 elements in 10 groups (1 Hi-UD lens, 2 UD lenses, 1 double-sided aspherical UA lens, 1 double-sided aspherical lenses, 1 single-sided aspherical lens) | |
| Image Stabilisation | Yes (lens shift-type), Approx. 2.5-stop13. Intelligent IS plus 4-axis Enhanced Dynamic IS | |
| FOCUSING | ||
| Type | TTL | |
| AF System/ Points | AiAF (Face Detection / 9-point), 1-point AF (fixed to centre) | |
| AF Modes | Single, Continuous, Servo AF/AE6, Tracking AF | |
| AF Point Selection | Size (Normal, Small) | |
| AF Assist Beam | Yes | |
| Closest Focusing Distance | 1 cm (W) from front of lens in Macro | |
| EXPOSURE CONTROL | ||
| Metering modes | Evaluative (linked to Face Detection AF frame), Centre-weighted average, Spot (Centre) | |
| Exposure Compensation | +/- 2 EV in 1/3 stop increments.
Enhanced i-Contrast for automatic dynamic range correction |
|
| ISO sensitivity | AUTO, 80, 100, 200, 400, 800, 1600, 3200 | |
| SHUTTER | ||
| Speed | 1 – 1/2000 s (factory default)
15 – 1/2000 s (total range – varies by shooting mode) |
|
| WHITE BALANCE | ||
| Type | TTL | |
| Settings | Auto (including Face Detection WB), Daylight, Cloudy, Tungsten, Fluorescent, Fluorescent H, Custom. | |
| LCD MONITOR | ||
| Monitor | 7.5 cm (3.0”) LCD (TFT), approx. 922,000 dots, sRGB colour reproduction | |
| Coverage | Approx. 100% | |
| Brightness | Adjustable to one of five levels. Quick-bright LCD | |
| FLASH | ||
| Modes | Auto, Manual Flash On / Off, Slow Synchro | |
| Slow Sync Speed | Fastest speed 1/2000 s | |
| Red-Eye Reduction | Yes | |
| Flash Exposure Compensation | Face Detection FE, Smart Flash Exposure | |
| Built-in Flash Range | 50 cm – 4.0 m (W) / 1.0 m – 2.0 m (T) | |
| External Flash | Canon High Power Flash HF-DC2 | |
| SHOOTING | ||
| Modes | Hybrid Auto, Creative Shot, SCN (Smart Auto (32 scenes detected), P, Portrait, Smart Shutter (Smile, Wink Self-Timer, FaceSelf-Timer), High-speed Burst (5.0 MP), Handheld Night Scene, Low Light (5.0 MP), Fish-eye Effect, Miniature Effect, Toy Camera Effect, Monochrome, Super Vivid, Poster Effect, Fireworks, Long Shutter) | |
| Photo Effects | My Colors (My Colors Off, Vivid, Neutral, Sepia, Black & White, Positive Film, Lighter Skin Tone, Darker Skin Tone, Vivid Blue, Vivid Green, Vivid Red, Custom Color) | |
| Drive modes | Single, Continuous, Self-Timer | |
| Continuous Shooting | Approx. 2.5 shots/s
High-speed Burst (5.0 MP): Approx. 7.1 shots/s (all speeds are until memory card becomes full)3,4 |
|
| RECORDING PIXELS / COMPRESSION | ||
| Image Size | 4:3 – (L) 5184 x 3888, (M1) 3648 x 2736, (M2) 2048 x 1536, (M) 2592 x 1944, (S) 640 x 4806
16:9 – (L) 5184 x 2912, (M1) 3648 x 2048, (M2) 1920 x 1080, (S) 640 x 360 3:2 – (L) 5184 x 3456, (M1) 3648 x 2432, (M2) 2048 x 1368, (S) 640 x 424 1:1 – (L) 3888 x 3888, (M1) 2736 x 2736, (M2) 1536 x 1536, (S) 480 x 480
Resize option available in playback |
|
| Compression | Superfine, Fine | |
| Movies | (Full HD) 1920 x 1080, 29.97 fps, (HD) 1280 x 720, 29.97 fps, (L) 640 x 480, 29.97 fps | |
| Movie Length | (Full HD & HD) Up to 4 GB or 29 min 59 s 7
(L) Up to 4 GB or 1 hour 4 |
|
| FILE TYPES | ||
| Still Image Type | JPEG compression, (Exif 2.3 [Exif Print] compliant) / Design rule for Camera File system, Digital Print Order Format [DPOF] Version 1.1 compliant | |
| Movies | MP4 [Video: MPEG4-AVC / H.264, Audio: MPEG4 AAC-LC (monaural)] | |
| DIRECT PRINT | ||
| Canon Printers | Canon SELPHY Compact Photo Printers and Canon Inkjet Printers supporting PictBridge | |
| OTHER FEATURES | ||
| GPS | GPS via Mobile (via Canon Camera Connect app with compatible smart devices) | |
| Red-Eye Correction | Yes, during shooting and playback | |
| Intelligent Orientation Sensor | Yes, with Auto Rotate | |
| Histogram | Yes, during playback | |
| Playback zoom | Approx. 2x – 10x | |
| Self Timer | Approx. 2, 10 s or Custom | |
| Menu Languages | English, German, French, Dutch, Danish, Finnish, Italian, Greek, Norwegian, Portuguese, Russian, Swedish, Spanish, Ukrainian, Polish, Czech, Hungarian, Turkish, Simplified Chinese, Chinese (traditional), Japanese, Korean, Thai, Arabic, Romanian, Farsi, Hindi, Malay, Indonesian, Vietnamese, Hebrew | |
| INTERFACE | ||
| Computer | Hi-Speed USB dedicated connector (Micro-B compatible) | |
| Other | HDMI Micro (Type-D) Connector | |
| Computer/Other | Wi-Fi (IEEE802.11b/g/n), (2.4 GHz only), with Dynamic NFC support11 | |
| MEMORY CARD | ||
| Type | SD, SDHC, SDXC | |
| POWER SOURCE | ||
| Batteries | Rechargeable Li-ion Battery NB-13L (battery and charger supplied) | |
| Battery life | Approx. 295 shots
Eco Mode: Approx. 405 shots Playback Mode: Approx. 360 min |
|
| ACCESSORIES | ||
| Cases / Straps | Soft Case DCC-1500 Travel Case DCC-2400 Travel Case DCC-2500
PowerShot Accessory Organizer |
|
| Flash | High Power Flash HF-DC2 | |
| Power Supply & Battery Chargers | Battery Charger CB-2LHE Rechargeable Li-ion Battery NB-13L | |
| Other | Interface cable IFC-600PCU | |
| PHYSICAL SPECIFICATIONS | ||
| Operating Environment | 0 – 40 °C, 10 – 90% humidity | |
| Dimensions (WxHxD) | 96.9 x 56.9 x 27.9 mm | |
| Weight | Approx. 182 g (including battery and memory card) | |
Canon Releases Fast & Powerful Speedlite 600EX II-RT
Product Summary
- Model name: Canon Speedlite 600EX II-RT
- Release Date: 11 May 2016
- Availability: June 2016
- Price: $579.99
- Purchase options: Adorama | B&H
Key features
- Shoot faster and for longer
- Reliable performance on and off-camera
- Creative off-camera lighting from any direction using radio wireless control
- Powerful performance, with guide number 60 (m, ISO100)
- Easy to use, with intuitive controls and an information display
The Speedlite 600EX II-RT delivers uncompromised performance, making it the perfect companion for the flagship EOS-1D X Mark II. Firing up to 50 per cent more flashes continuously compared with its predecessor, and a 100 per cent increase when used with the new CP-E4N, it ensures you capture even more of the action. The new and improved heat measure technology prevents overheating and allows longer bursts of flashes.
A guide number of 60m at ISO 100 allows you to creatively light your subject over a wide range of distances and large areas, ideal for capturing the whole congregation at a wedding. Thanks to a wide lens coverage, from 20mm to 200mm, or to 14mm via the built-in adapter, photographers can easily control how light is spread across a subject.
For creative illumination, the flash features a wireless slave function, enabling photographers to make the most of off-camera lighting. The radio control function, pioneered by Canon, provides further creative freedom, allowing photographers to build mood and atmosphere into a scene at up to 30m away by simulating multi-directional light. Up to 15 Speedlites² can be used together off-camera for dramatic multi-flash photography – great when shooting interiors.
For portraiture specialists, the new and included bounce adapter SBA-E3 provides more freedom to bounce light from walls and ceilings for a softer, more natural result, whilst the rotating bounce flash eliminates unwanted shadows. The new clip-on hard coloured filters further helps when balancing flash with ambient light.
Product Photo
Specification
| POWER | |
| Guide No. (ISO100).meters | 60 (200mm) |
| ZOOM | |
| Zoom head | Yes |
| focal length coverage | 20-200mm |
| Coverage with wide panel | 14mm |
| Auto zoom for sensor size | Yes |
| FLASH MODES | |
| Auto exposure control | E-TTLII/E-TTL/TTL |
| High speed sync (FP) | Yes |
| Manual / output settings | Yes – 1/1-1/128 |
| Manual steps | 1/3 step |
| Strobe / output settings | Yes – 1/4-1/128 |
| Frequency | 1-500Hz (199Hz using optical slave function) |
| FLASH-RELATED FUNCTION | |
| FE lock | Yes |
| Flash exposure compensation | Yes |
| Flash Exposure bracketing | Yes |
| Second-curtain flash sync | Yes |
| Modelling flash | Yes |
| Colour temperature info communication | Yes |
| WIRELESS FLASH | |
| Transmitter | Yes |
| Transmission type | Optical / Radio |
| Transmitter Max range approx | Indoors: 0.7-15m / 30m Outdoors: 0.7-10m / 30m |
| Slave | Yes |
| No of groups | 3 / 5 |
| No of channels | 4 / 15 |
| Remote Shutter Release | Yes |
| FLASH HEAD MOVEMENT | |
| Up | 45, 60, 75 and 90 ° |
| Down | 7 ° |
| Left | 60, 75, 90, 120, 150 and 180 ° |
| Right | 60, 75, 90, 120, 150 and 180° |
| AF ASSIST | |
| AF-assist beam | Yes |
| Number of AF points supported | 1 – 65 |
| AF-assist beam type | Infra-red |
| POWER SOURCE | |
| Battery | 4 x AA batteries |
| Minimum recycling time *1 | Approx. 3.3 sec |
| External power supply | Yes – CP-E4 / CP-E4N |
| CONSTRUCTION | |
| Dust and water resistance | Yes |
| Mounting foot material | Metal |
| MISC. | |
| Custom function | 15 (6 personal functions) |
| Flash settings from camera menus *2 | Yes |
| External flash exposure sensor | Yes |
| PC terminal | Yes |
| Compatible Accessories | Compact Battery Pack CP-E4N / CP-E4 Speedlite Transmitter ST-E3-RT
EX Series Speedlite with Slave function Off-camera shoe cord OC-E3 Bounce Adapter SBA-E3 Color Filter SCF-E3OR1 Color Filter SCF-E3OR2 |
| Dedicated flash bracket | SB-E2 |
| DIMENSIONS & WEIGHT | |
| Size (W x H x D), mm *3 | 78.7 x 143.2 x 122.7 |
| Weight (Excluding batteries), grams | 435g |
Canon EF-M 28mm f/3.5 Macro Lens with Built-in Macro Lite
Product Summary
- Model name: EF-M 28mm f/3.5 Macro IS STM
- Release Date: 11 May 2016
- Focus Type: Autofocus
- Format : APS-C
- Mounts: Canon EF-M
- Availability: June 2016
- Price: $299.99
- Purchase options: Adorama | B&H | Amazon
Key features
- Built-in Dedicated Macro Lite
- Life-size 1.0x magnification & 1.2x in Super Macro mode
- Angle of view similar to a 45mm lens (35mm equivalent)
- Outstanding image quality at all distance
- Hybrid IS just like Canon EF 100mm f/2.8L Macro IS USM Lens
- Stepping motor for quiet focusing
Canon today unveils the EF-M 28mm f/3.5 Macro IS STM, a new macro lens for EOS M series cameras. Compact and lightweight, the lens offers unprecedented macro capabilities and includes the world’s first built in Macro Lite, removing shadow and darkness. With class leading magnification, the ability to focus on subjects as close as 13mm, and a body weighing just 130g, the EF-M 28mm f/3.5 Macro IS STM is also the world lightest macro lens for mirrorless interchangeable lens cameras. Whether you’re shooting your favourite food to share on Instagram™, or the beautiful detail of a flower in spring, it is perfect for capturing intricate detail and colour.
The dedicated Macro Lite allows you to bring the lens as close as you need without compromising on light. Used to illuminate small objects up close, it can be controlled by a switch, letting you change the lighting intensity and direction on one or both sides of the Macro Lite, allowing you to create dramatic lighting, while the design reduces shadows cast by both the camera and lens. For photos that show the sparkle of jewellery or the intricate texture of fabric for a fashion blog post, or even close-up portraiture, the lens helps you capture photos worthy of sharing.
Magnify every detail
For one-of-a-kind shots, the lens offers both life-size 1.0x magnification and 1.2x in Super Macro mode. Bringing you closer to subjects and helping you capture intricacy and magnifying minute detail, it can focus up to 13mm. Giving you the flexibility to shoot handheld without camera shake, Canon’s optical Image Stabilizer – which delivers sharp, blur free shots – when combined with Hybrid IS technology, also corrects angular camera shake, usually seen when shooting macro.
The EF-M 28mm f/3.5 Macro IS STM is the world’s first autofocus lens which is capable of focusing at both infinity and at 1.2x magnification⁴. As well as exceptional macro performance, the EF-M 28mm f/3.5 Macro IS STM includes a seven blade circular aperture for smooth background blur, as well as a 45mm focal length (35mm equivalent), for the versatility to capture portrait and wider shots on the go, without having to change your lens. For beautiful, smooth movies, near silent focusing from the lens’s STM removes the worry of noise interruption as you shift focus and move through scenes.
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Specification
| OPTICAL FEATURES/SPECIFICATIONS | |
| Image size | APS-C |
| 35mm film equivalent focal length (mm) | Approx. 44.8 |
| Angle of view (horizontal, vertical, diagonal) | 44°10′, 30°10′, 51°55′ |
| Lens construction (elements/groups) | 11/10 |
| No. of diaphragm blades | 7 (Circular) |
| Minimum aperture | 22 |
| Closest focussing distance (m) | 0.097 (Normal), 0.093 (Super Macro mode) |
| Maximum magnification (x) | 1 (Normal), 1.2 (Super Macro mode) |
| Distance Information | Yes |
| Image stabilizer | Hybrid IS, upto 3.5 stops correction |
| AF actuator | STM |
| PHYSICAL SPECIFICATIONS | |
| Filter diameter (mm) | 43 (attaches to ES-22 Lens Hood) |
| Max. diameter x length (mm) | 60.9 x 45.5 1 |
| Weight (g) | 130 |
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Samyang Announces 14mm & 50mm Lenses for Sony Mirrorless Cameras
Product Summary
- Model name: 14mm F2.8 ED AS IF UMC & 50mm F1.4 AS IF UMC
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Sony E – Mount
- Availability: July 2016
- Price: TBA
Press Release
The global optics brand, Samyang Optics (http://www.samyanglensglobal.com) today announced the long-awaited launch of two autofocus lenses: 14mm F2.8 and 50mm F1.4 lenses for Sony E mount Mirrorless cameras with full frame sensor size. The new 14mm and 50mm are the widest and brightest lenses in their classand offer superb quality images to photographers. This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses.
Optimised Optical Design as Full Frame Mirrorless Camera Lens
Both 14mm F2.8 ED AS IF UMC and 50mm F1.4 AS IF UMC are specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. Along with portability of mirrorless lenses, the 14mm F2.8 and 50mm F1.4 are compatible with full frame sensors to deliver the wideness and sharpness of image to photographers.
The 67mm filter diameter brings the maximum amount of light into the lens to create the best work of light in photography. The 14mm F2.8 is the widest angle available in the market and the F1.4 of 50mm and F2.8 of 14mm apertures are by far the brightest of full frame mirrorless lenses, offering a beautiful bokeh effect and the best quality images under various exposure conditions.
Based on Samyang Optics’ exceptional optical technology, aspherical lenses have been included in both lenses to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.
AF Performance and Ergonomic Design Based on Class-Leading Technology
These new products will be the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies.Samyang has captured the essence of world leading image technology with their manual focus lenses and reinterpreted it into autofocus lenses. Photographers now can enjoy the prime manual lens image quality and autofocus lens. These new 14mm F2.8 and 50mm F1.4 are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.
The 67mm filter diameter is also the result of years of R&D for best handling, by adding stability to the photo-taking experience. Also the minimal and sleek design and metal-housing solidify the build quality with the internal focus system.
These two new autofocus lenses from Samyang Optics will be exhibited at the Photo & Imaging 2016 Show in Seoul, South Korea. The lenses will be globally available from July 2016. Further details, pricing and availability will follow.