Leica Announces M-D (Typ 262) with No Rear LCD Screen
Product Summary
- Model name: Leica M-D (Typ 262)
- Release Date: 28th April 2016
- Focus Type: Manual
- Format : Full Frame
- Mounts: Leica M
- Availability: May 2016
- Price: $5,995
- Purchase options: Adorama | B&H | Amazon
Key features
- 24 MP still CMOS sensor
- Fast Leica Maestro image processor
- Manual Rangefinder camera
- ISO up to 6400
- No back display
- Quieter shutter mechanism
With the Leica M-D (Typ 262), Leica Camera AG adds a further model to the Leica rangefinder system. Together with the Leica M and M-P (Typ 240), the Leica M (Typ 262) and the Leica M Monochrom (Typ 246), this increases the number of digital M-Generation cameras to five.
The Leica M-D is the first serial production model of the digital M family to be made without a monitor screen. The usual location of the screen on the back of the camera is now taken by the ISO sensitivity setting dial – one of the few, but essential, features of the camera. Although the Leica M-D embodies the entire range of technical advantages perfected over decades in the Leica rangefinder system, it intentionally omits all but the most essential technical features. Radically reduced to the most important parameters required for photography – shutter speed, aperture, distance and ISO sensitivity – it promotes its users’ concentration on what is essential: the picture.
To a large extent, the technical features of the Leica M-D are based on those of the Leica M (Typ 262). Just like all other digital M-Cameras, the Leica M-D (Typ 262) features a high-resolution CMOS full-frame sensor, albeit one that is dedicated exclusively to rangefinder photography, and supports neither video recording nor Live View. Its 24-megapixel resolution ensures exceptional imaging quality and extreme sensitivity to light. At the same time, the camera’s Maestro processor guarantees fast processing of captured image data. Exposures are saved exclusively as RAW data in DNG format. This enables photographers to apply all typical adjustments for digital photographs that may be desired in post-processing software.
Exploring Porto with the Leica M-D from Leica Camera on Vimeo.
The tight focus on ‘Das Wesentliche’ is immediately recognisable in the design of the camera. The Leica M-D expresses purely functional, formal clarity and features design characteristics such as a top plate in brass with a step at the end citing the design of the Leica M9. The Leica red dot logo has been omitted from the front of the camera in favour of its unobtrusive appearance.
In addition to its purist looks, the hardly audible shutter of the Leica M-D also guarantees maximum inconspicuousness when shooting. An invaluable advantage in photographic situations where discretion is essential. As an aid to this, the camera features a shutter cocking system that is particularly quiet in single exposure and enables a shutter release frequency of up to two frames per second. In continuous mode, the M-D has the same sequential shooting speed as its sister model and shoots up to three frames per second.
The Leica M-D is now on sale. The camera package also includes a real-leather carrying strap in full-grain cowhide.
Product Photo
Sample Image
Specification
| Camera type | Compact digital rangefinder system still camera |
| Lens mount | Leica M bayonet with additional sensor for 6-bit coding |
| Lens system | Leica M lenses |
| Top Cover | Brass top cover with integrated thumb rest |
| Material | All-metal magnesium/aluminum body, leather covering, brass top panel and base, black lacquered finish. |
| Image Sensor | LEICA MAX 24 MP-Still CMOS Sensor |
| Number of effective Pixels | 24 Million Pixels |
| Sensitivity range | ISO 200 – ISO 6400 |
| Imaging Platform | Integrated imaging circuit with Leica Maestro® Image processor |
| Electronic Viewfinder | Not compatible |
| LCD Monitor | None |
| Shutter | Focal plane shutter for classic image exposure |
| Shutter Speed | 1/4000s – 60s (in Bulb), 1/180s flash synchronization |
| Burst rate | 3fps thanks to 1GB buffer size |
| Self timer | 12s |
| Storage Media | SD / SDHC / SDXC Memory Cards |
| Image File Format | DNG™ (RAW data lossless compressed) |
| File Size | DNG approx. 20 Mbyte – 48.2 MByte (compressed) |
| Exposure Metering | In classic viewfinder mode: Through the Lens (TTL) metering, center weighted with variable aperture. |
| Exposure setting | Manual shutter speed setting with direct dial, A-Mode with direct dial, ISO setting with direct dial |
| Exposure Modes | Automatic shutter speed (A-Mode), Manual Exposure (M-Mode) |
| Compensation | -3 EV to +3 EV, 1/3 f-stops |
| White Balance | Automatic white balance |
| Flash exposure metering | Control with center-weighted TTL pre-flash metering (with SCA-3501/3502 adapter, or SCA-3000 standard flash unit such as Leica SF24D/Leica SF 58). |
| Hot shoe | SCA-3502 compatible hot shoe, with center contact |
| Flash Sync time | 1/180s |
| Focusing Methods | Manual focus with optical rangefinder |
| Optical Viewfinder | Large, light bright-line rangefinder with automatic parallax compensation, LED illuminated frame lines. |
| Optical Viewfinder frame lines | Framelines size matches image sensor size at 2m focusing distance |
| Optical Viewfinder correction | Eyepiece adjusted to -0,5 dpt. Corrective lenses from -3 to +3 dpt. available (optional) |
| Magnification | 0.68x |
| Optical Viewfinder Displays | In the viewfinder LED symbol for flash status (at bottom). Four-digit seven-segment LED digital display, brightness adapted to ambient conditions, for: Warning in case of exposure correction; display of automatic shutter speed in automatic mode; advisory indicating use of metering memory lock LED exposure monitor with two triangular and one central circular LED with manual exposure setting |
| Rangefinder | Split or superimposed image range finder shown as a bright field in the center of the viewfinder image |
| Rangefinder effective metering Basis | 47.1 mm (mechanical metering basis 69.25 mm x viewfinder magnification 0.68 times) |
| Start up time | <1s |
| Power Supply | Li-ion battery (included), 7.4V, 1800 mAh |
| User Profiles | 4 Profiles, exportable |
| Tripod Thread | A 1/4 (1/4″) DIN made of stainless steel in base plate |
| Dimensions | approx. 139 x 42 x 80 mm (5.5 x 1.7 x 3.1 in.) |
| Weight | 690 g |
| Operating Temperature | 0°C – 40°C |
| Accessories Included | Battery, Charger with power cables for EU and USA (different in some export markets), 12V charging cable, Carrying strap, Accessory port cover, Body cap |
| Software licenses | Adobe® Lightroom® |
| New optional accessories | Multifunctional Handgrip M, Handgrip M, SCA Adapter Set for Multi-functional Handgrip M, Power Adapter for Multi-functional Handgrip M, Finger loop for Multi-functional Handgrip M, Size S / M / L, Ever-Ready Case M, Li-ion Battery BP-SCL2, Battery charger BC-SCL2 |
Adobe Lightroom CC 2015.5.1 / 6.5.1 Update Download
Lightroom CC 2015.5.1 and Lightroom 6.5.1 are now available. Our focus with this release was to add support for new cameras and lenses, and also fix many bugs that existed in previous versions of Lightroom.
Bugs Fixed in Lightroom CC 2015.5.1 / 6.5.1
- Droplets not working as export actions
- Issues with incorrect folder permissions.
- EXIF lens name not visible for some camera models.
- Focus lost in the keyword panel when navigating to the next image
- Error when merging to HDR or Panorama from a collapsed stack
- Removed dependencies on QuickTime for some video codecs on Windows. Please see https://helpx.adobe.com/x-productkb/multi/quicktime-uninstallation-impact.html for more information
New Camera Support in Lightroom CC 2015.5.1 / 6.5.1
- Pentax K-1
- Sony DSC-RX10M3
More Info
Adobe Camera Raw 9.5.1 Update Download
Camera Raw 9.5.1 is now available through the update mechanism in Photoshop CC and the Creative Cloud application.
Please note that this is the final version of Camera Raw that will work using Mac OSX 10.7 and OSX 10.8. Upcoming releases, starting with Camera Raw 9.6, will require the use of OSX 10.9 or later.
Bugs Fixed in Camera Raw 9.5.1
- EXIF lens name not visible for some camera models.
- Camera Raw would not launch under Mac OSX 10.7 and 10.8.
- Errors when using Camera Raw to tone HDR images from Photoshop. This occurred when converting 32-bit files to 16 or 8-bit files.
New Camera Support in Camera Raw 9.5.1
- Pentax K-1
- Sony DSC-RX10M3
Camera Raw 9.5.1 for Photoshop CC/2014/2015
Camera Raw – Mac
Camera Raw – Windows
Adobe DNG 9.5.1
Adobe DNG Converter – Windows
Adobe DNG Converter – Mac
Nikon Capture NX-D – New Version 1.4.0a ( Windows )
Nikon Capture NX-D Update, Version 1.4.0a
Change log
- Added support for the D5 and D500.
- Added an Auto 0 white balance option (available with the D5 and D500 only).
- Added an Auto Retouch Brush Tool to the toolbar.
- The effects of noise reduction are now visible at all zoom ratios.
- Added an Include areas where there is no image data option to the Camera and Lens Corrections > Fisheye tool in the edit list.
- The default image quality for files converted to JPEG using Convert Files has been changed from 60 to 85.
- Added the following preferences:
– Sizes Medium/Small for NEF (RAW) Images
– D1X RAW Default
– Color Space for Color Reproduction - Fixed the following issues:
– The software would sometimes not install correctly.
– The Open with button and menu option were not available with images created in Capture NX 2.
– Floppy disk drives (FDD) would sometimes be accessed during batch processing.
– The application would sometimes quit unexpectedly if a folder containing images created with non-Nikon cameras was selected.
– The clarity value for Custom Picture Controls would sometimes not be reflected.
– NEF (RAW) photos shot with Df or D4 cameras at low ISO sensitivities (Lo 0.3–Lo 1) would brighten if saved using the Convert File option after white balance was adjusted using the gray point sample tool.
– Some security software would interfere with batch processing. - The 64-bit edition of Camera Control Pro 2 can now be accessed using the Open with Camera Control Pro 2 option in the File menu.
Download
Nikon D7200 Firmware Update Fixes Multiple issues
Nikon D7200 Firmware “C” – 1.01
Change log:
- Fixed the following issues:
– Selecting Firmware version in the SETUP MENU would not display “C X.XX L X.XXX”.
– About 4 seconds of static could be heard on audio recorded with external HDMI recorders during movie live view.
– Exposure compensation would fail to produce the desired results if a negative value was selected when NEF (RAW) images were processed using the NEF (RAW) processing option in the RETOUCH MENU.
– February 29th would sometimes not display correctly in leap years.
Download
Nikon D500 Instruction or User’s Manual Available for Download [PDF]
Nikon D500 Instruction or User’s Manual Available for Download in PDF.
Download Links
- User’s Manual : Americas | Europe | Asia
- Menu Guide
- Technical Guide (Useful Features)
- Setting Guide(Sports AF Edition)
- Setting Guide(Movie Edition)
Purchase options : Adorama | B&H | Amazon
New 18mm ZEISS Super Wide-Angle Autofocus Lens for Sony
Product Summary
- Model name: ZEISS Batis 18mm f2.8
- Release Date: 14th April 2016
- Focus Type: Autofocus / Manual
- Format : Full Frame / APS-C
- Mounts: Sony E-mount
- Availability: May 2016
- Price: $1499
- Purchase options: Adorama | B&H
Key features
- 18mm super wide-angle autofocus lens
- Full-frame compatibility
- ZEISS Distagon optical design
- OLED display
- Dust and weather seals
The ZEISS Batis 2.8/18 expands the Batis range of lenses with a super wide-angle lens. For the Sony1) á system with E-mount the new lens, which features a diagonal angular field of 99 degrees, is currently the shortest full-frame fixed focal length with autofocus. The new ZEISS Batis 2.8/18 with innovative OLED display to show focus distance and depth of field is also impressive thanks to its high image quality across the entire image field. The lens will be available from May 2016.
“The ZEISS Batis 2.8/18 follows on from the highly successful first two focal lengths the ZEISS Batis 2/25 and the ZEISS Batis 1.8/85. In spite of the extremely wide angle, we have succeeded in adapting the image quality of the ZEISS Batis 2.8/18 perfectly to the two different lens types,” says Dr. Michael Pollmann, Product Manager of ZEISS Camera Lenses. “With the expansion of the ZEISS Batis range of lenses, we are offering creative and discerning photographers yet another professional tool,” says Pollmann. With the ZEISS Batis 2.8/18 customers can now enjoy the super wide-angle full-frame lens they’ve been waiting for.
A vast range of applications
The new ZEISS Batis 2.8/18 is impressive on account of its high image quality across the entire image field. “By virtue of the large diagonal angular field of 99 degrees, this lens is ideal for capturing unique images in landscape, architectural and astro photography and for impressive interior shots of small spaces,” continues Pollmann.
Features for discerning users
The super wide-angle camera lens has 11 lens elements in ten groups and draws on the ZEISS Distagon optical design. Four of the lens elements are aspheric on both sides and seven are made from special types of glass. The Floating Elements design permits constantly high image performance in the focal plane – from the minimum object distance to infinity.
The new ZEISS Batis 2.8/18 also features an innovative OLED display to show focus distance and depth of field depending on the camera sensor used. “The electronic display is easy to read even in low light,” explains Pollmann. The fast, quiet AF drive with linear motors keeps the subject sharply in focus. In addition to the autofocus, a handy, rubberized focus ring supports precise manual focusing – meaning the photographer has full creative freedom when it comes to image composition. ZEISS Batis lenses are also equipped with dust and weather seals, allowing them to be used in even the harshest weather conditions. All ZEISS Batis lenses support all the operating modes and functions of the current range of E-mount cameras.
The origins of the name Batis
Since 2013, new ZEISS lenses in one series have been given the same family name that conveys a common identity. These family names have been derived from the Latin names for birds. The name Batis is derived from a small bird that is found in the forests and scrub of Africa. These birds are characterized by great speed, excellent reflexes and boast a plumage rich in contrasts. Metaphorically speaking, this also applies to the ZEISS Batis lenses, whose fast autofocus enables photographers to capture stunning shots rich in contrasts.
In addition to the ZEISS Batis range of lenses, there are two further ZEISS ranges for Sony E-mount cameras: the ZEISS Touit and the ZEISS Loxia.
Product Photo
Specification
| Focal length | 18 mm |
| Aperture range | f/2.8 – f/22 |
| Lens elements / groups | 11/10 |
| Focusing range | 0.25 m (9.8 “) – infinity |
| Free Working distance | 0.17 m (6.7 “) – infinity |
| Angular field 3) (diag. / horiz. / vert.) | 99° / 90° / 67° |
| Diameter of image field | 43.3 mm (1.7 “) |
| Coverage at close range (MOD) 3) | 227 x 340 mm (8.9 x 13.4 “) |
| Image ratio at MOD | 1:9.5 |
| Rotation angle of focus ring (inf – MOD) | Focusing not mechanically coupled. Rotation angle depending on rotation speed. |
| Filter thread | M77 x 0.75 |
| Max. diameter (with lens shade) | 100 mm (3.9 “) |
| Diameter of the focus ring | 78 mm (3.1 “) |
| Length (without lens caps) | 80 mm (3.1 “) |
| Length (with lens caps) | 95 mm (3.7 “) |
| Weight (without lens caps) | 330 g (0.74 lbs) |
| Camera mounts | E-mount |
Nikon SnapBridge App is Now Available for Android
Nikon has released the Android™ version of the SnapBridge app, which enables constant connection of a compatible Nikon digital camera to a smart device*(1) using Bluetooth® low energy technology.
SnapBridge is an app that offers users a number of convenient services by utilizing Bluetooth® low energy technology to enable seamless connection of a Nikon digital camera to a smart device, all while consuming very little power.
SnapBridge can be downloaded free of charge from Google Play™.
The iOS version of the app is scheduled to be available from the App Store later this summer.
High-quality photos taken with Nikon camera can be shared via e-mail or social media just as you would photos taken with your smart device.
Principal Features
– Once the camera is paired with your smart device, new photos can be downloaded automatically.
– Photos can be uploaded automatically to NIKON IMAGE SPACE (see Note 1 below).
– Control the camera remotely and take, view, and download photos.
– View downloaded photos or share them via e-mail or social media.
– Add photo info or text to uploaded photos.
– Download location data to the camera or set the camera clock to the time reported by the smart device.
– Receive notifications of firmware updates for paired cameras.
Notes
– Note 1: Uploading photos to NIKON IMAGE SPACE requires a Nikon ID.
– Users can register for a Nikon ID using this app.
– Enable Bluetooth and Wi-Fi when using this app.
– Remote movie recording is not supported.
– Movies can be downloaded by switching to Wi-Fi and selecting the files manually. Download is not available with AVI files.
– The app can connect to only one camera at a time.
– Enable NFC on the smart device before attempting to launch the app or connect via NFC.
– The app may not perform as expected depending on your environment and network conditions.
– When run on devices that have not been tested and approved for use, the app may become unstable or some features may not function as expected.
– A smart device with a display resolution of WVGA (960 × 540 pixels) or better is required.
– The app cannot be used to view movies. Use a movie-viewing app.
– The app requires a 100 MB or more of free memory on the smart device.
Supported Cameras as of April 2016
D500
System Requirements
Android 5.0 or later or 6.0.1 or later
A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Low Energy) is required.
Smart Devices That Have Been Tested and Approved for Use as of April 2016
Samsung
Galaxy S5(v.5.0.0)
Galaxy S4(v.5.0.1)
Galaxy S6 Edge(v.5.0.2)
Nexus 7 2013 Wi-Fi(v.5.1.1)
Nexus 6(v.6.0.1)
Nexus 5(v.6.0.1)
Nexus 4(v.5.1.1)
Nexus 5X(v.6.0.1)
Nexus 6P(v.6.0.1)
SONY
Xperia Z4(v.5.0.2)
Xperia Z5(v.5.1.1)
Canon Introduces Multi-Purpose Video & Still Camera ME200S-SH & 18-80mm T4.4 Cinema Lens
Product Summary
- Model name: Canon ME200S-SH
- Release Date: 13 April 2016
- Focus Type: Autofocus / Manual
- Format : Super 35mm CMOS Sensor
- Mounts: Canon EF
- Price: $4,999.00
- Purchase options: Adorama | B&H
Key features
- High quality Full HD output
- Great low light performance
- Advanced autofocus and image controls
- Easy remote setup and installation
- Flexible configuration
Canon today introduces the ME200S-SH, a compact professional multi purpose video camera featuring Canon’s renowned Dual Pixel CMOS Autofocus system. Ideal for use across a wide range of applications from broadcast and cinematic productions, to scientific research and wildlife documentaries, the ME200S-SH is capable of capturing professional, high quality Full HD images even in low or difficult lighting conditions. The latest edition to Canon’s professional camera lineup combines some of the best features from the company’s famous Cinema EOS range, with the form factor, flexibility and operational characteristics of the extremely popular ME20F-SH.
Endless imaging possibilities
Featuring a Super 35mm CMOS sensor with 8.29 megapixels, the ME200S-SH replicates the outstanding image quality seen in the Cinema EOS range, delivering consistently impressive results. Thanks to Canon’s sensor oversampling technology, users including scientific researchers, or those shooting films and documentaries, can capture exceptionally clear, sharp, Full HD images. The ability to record Full HD images up to 50p/59.94p also extends the camera’s use for sports and wildlife, as well as surveillance.
The ME200S-SH supports Canon Log, which enables the camera to capture up to 12-stops of dynamic range and ensure that detail is retained in the brightest areas through to shadows. Canon Log provides an additional benefit to those currently using cameras such as the EOS C100 Mark II or EOS C300 Mark II, making it easy to match footage in post-production. As with Canon’s Cinema EOS cameras, the ME200S-SH also features Wide DR mode, enabling footage to be used directly from the camera with little or no grading, further speeding up the post production workflow.
The camera is equipped with the Canon EF with Cinema Lock mount, providing use with a large range of compatible Canon EF, EF-S and cine-servo lenses. Launched today, the CN-E18-80mm T4.4 L IS KAS S cine-servo lens is the perfect partner for the ME200S-SH thanks to its compact size, light weight and ability to control the zoom and focus via Canon’s RC-V100 remote controller.
Ultimate control
Providing smooth, fast, high-performance continuous autofocus, the ME200S-SH features Dual Pixel CMOS Autofocus (DAF), a highly efficient AF system developed by Canon, which allows users to easily capture moving subjects such as those found in sports and wildlife environments. Additionally, the Custom Picture Setting allows users to preset and store preferred settings, ensuring shooting can start in a preferred style, as soon as the camera is switched on.
Excellent image capture from daylight to near-darkness
Offering an equivalent ISO range of 320 – 204,800, the ME200S-SH is a versatile tool for difficult or low light shooting scenarios such as in sports arenas or when capturing nocturnal wildlife. Retracting the built-in infrared cut filter further extends the camera’s capability when shooting in the lowest of light or when natural daylight disappears, allowing capture of the scene in infrared.
Compact and flexible for the most confined spaces
The ME200S-SH uses the design architecture of the ME20F-SH, packing advanced imaging functionality into a compact body. Opening up a world of new shooting opportunities, the camera’s size means it can easily be placed high in sports stadiums, inside vehicles, on robotic heads, or even attached to drones. The flexibility makes it the perfect camera for restricted spaces, fixed locations and in unusual or discreet positions. The option to operate the ME200S-SH remotely provides even greater levels of creative freedom – particularly for wildlife and natural history filmmakers who don’t want to disturb their subjects.
Connectivity options for individual workflows
With options to record to a range of third party devices, the ME200S-SH has the ability to fit directly into existing workflows. The HDMI out and 3G/HD-SDI out terminals, for example, allow easy connection to monitors and recording devices. There are also multiple remote control terminals and the camera is compatible with Canon’s RC-V100 for full remote operation over the camera.
Canon also introduced Compact-Servo 18-80mm T4.4 EF Lens
Price : $5,225
Purchase options : Adorama | B&H
More info on 18-80mm T4.4 EF Lens
Product Photo
Specification
| ME200S-SH | ||||
| IMAGE SENSOR | ||||
| Sensor | Super 35mm CMOS Sensor | |||
| Filter | RGB Primary Colour Filter (Bayer array) | |||
| Effective pixels per sensor | Approx. 8.29MP (3840 x 2160) | |||
| Minimum illumination | 59.94 Hz mode: 0.015 lux. 50Hz mode: 0.013 lux | |||
| ND filter | Yes, 2 Glass ND filters (1/8, 3 stops or 1/64 , 6 stops) Manually selected electronic control | |||
| Horizontal Resolution | Depends on the lens used | |||
| LENS | ||||
| Lens Mount | Canon EF mount with Cinema Lock | |||
| Focus control | Manual Focus using lens or via RC-V100 Remote Control; One Shot AF via assignable button, Dual Pixel CMOS AF with compatible EF, EF-L and EF-S Lenses | |||
| Iris control | Manual; 1/2, 1/3 stop increments or Fine (approx 1/8 stop). Push Auto Iris via assignable button. Auto (combined function combining Iris, Gain, Shutter and ND filter operation) | |||
| Aperture range | Depending on selected lens | |||
| Image stabilization | Depending on selected lens | |||
| Digital Tele Converter | Yes : X2/ X4/X8 magnification | |||
| IMAGE PROCESSOR | ||||
| Type | DIGIC DV 4 | |||
| Sampling accuracy | YbCbCr 422 via 3G/HD-SDI; RGB 444, YCbCr 444, YCbCr 422 via HDMI | |||
| Bit depth | 10bit, 8bit effective | |||
| RECORDING | ||||
| Video storage media | External Recording Device | |||
| Recording file format | Depending on External Device | |||
| Recording frame rate | 3G/HD-SDI Output: 1920×1080: 59.94P/59.94i/50P/50i/29.97P/25P/23.98P
1280×720: 59.94P/50P/29.97P/25P/23.98P HDMI Output: 1920x 1080: 59.94P/59.94i/50P/50i/29.97PsF/25PsF 1280×720: 59.94P/50P 640×480: 59.94P 768×576: 50P |
|||
| Slow/Fast motion | No | |||
| Interval Record | No | |||
| Frame Record | No | |||
| Pre Record (cache record) | No | |||
| Scan Reverse | No | |||
| Custom Picture Options | CP1 – CP6, EOS Standard, Wide DR, Canon Log. Normal 1 – Normal 4, EOS Standard, Wide DR, Canon Log available as Gamma Profiles | |||
| HD->SD conversion | No | |||
| Audio Recoring | 48kHz, 16-bit 2 Channel Linear PCM | |||
| SYSTEM | ||||
| INPUTS/OUTPUTS | ||||
| Audio in | 3.5mm stereo mini jack, plug-in power mic supported | |||
| Headphone output | No | |||
| HDMI | Yes. Output only | |||
| USB | No | |||
| 3G/HD-SDI output | Yes, X2; Output 1 OSD compatible, Output 2 Clean output only | |||
| Time code | No | |||
| Genlock | Yes, input only, BNC | |||
| Component out | No | |||
| AV terminal | No | |||
| DC input | Yes x2, 4-Pin XLR, 2-Pin connection. Input 11 – 17V | |||
| Lens Terminal | Yes, 12-pin connector | |||
| Remote Control Terminal | Yes, x2: Remote A: 2.5mm mini jack/Remote B: Circular 8-pin . Both utilise Canon Unique Protocol | |||
| Memory Card connector | Yes, microSD card (for firmware update only, no recording capability) | |||
| Colour Bars | Yes, SMPTE, EBU and ARIB depending on system frequency | |||
| MISC | ||||
| Tally lamp | No | |||
| Custom key | No | |||
| User Assigned Functions | Yes, 3 buttons. 4 functions available if using RC-V100 accessory
Assignable items:One-Shot AF / Push Auto Iris / ABB /AE Shift + / AE Shift – / Bar / Set WB /Tele-converter / Infrared / External Rec / Custom Picture / Camera Mode A/M. These items work with the RC-V100 remote controller |
|||
| Custom Dial | No | |||
| SHOTTING FUNCTIONS | ||||
| EXPOSURE | ||||
| Exposure metering | Backlight, Standard, Spotlight | |||
| Exposure compensation | Yes: ±2.0, ±1.75, ±1.50, ±1.25, ±1.0,±0.75, ±0.50, ±0.25 or ±0 | |||
| Exposure Lock | No | |||
| Auto Gain Control setting | Yes , OFF (56dB) or value from 30dB to 54 dB (in 3 dB increments) | |||
| Dynamic Range | Canon Log/Wide DR mode: 800%/12 stops at 9.0dB (Approx. ISO 900) | |||
| Gain setting | 0dB to 56dB in 3dB intervals | |||
| Equivelent ISO Range (Approx.) | 320 – 204800 | |||
| SHUTTER SPEED | ||||
| Control Modes | Manual 1/4 stop increments, Auto (combined function combining Iris, Gain, Shutter and ND filter operation) | |||
| Shutter speed | 1/3 sec – 1/2000 sec depending on recording mode and system frequency | |||
| Shutter Angle | No | |||
| Slow Shutter (SLS) | No | |||
| Scan Reverse | Yes | |||
| Clear Scan | No | |||
| INFRARED | ||||
| Infrared shooting mode | Yes: IR Cut-out filter, electrically operated | |||
| Built-in IR lamp | No | |||
| WHITE BALANCE | ||||
| Auto | YES | |||
| Preset | Daylight/Tungsten | |||
| Shockless WB | Yes, via Custom Function Menu | |||
| Manual setting | Set A, Set B (Default 5,500K)Kelvin ( 2000K – 15000K) | |||
| Auto Black Balance | Yes | |||
| TIME CODE | ||||
| Countup system | No | |||
| Start value setting | No | |||
| AUDIO | ||||
| Recording | Linear PCM 48 kHz 16-bit digital conversion, 2 channels | |||
| ACCESSORIES | ||||
| Supplied | 2-pin power adapter | |||
| Optional | RC-V100 remote Control Unit, 8-pin remote cable RR10, RR100 | |||
| POWER INPUT | ||||
| Operating Voltage | DC: 11 – 17V via 4-pin XLR or 2pin connector | |||
| Power Consumption | 11W (Approx.) | |||
| MISCELLANEOUS | ||||
| Dimensions | 102mm x 116mm x 113mm (W xH x D) 4.0 x 4.6 x 4.4 inches | |||
| Weight (camera only) | Approx. 1.0 kg (2.2 lbs) body only | |||
|
Operating Temperature range |
Approx. 0°C to 40°C, (85% (relative humidity), Approx. -5 to 45°C 60% relative
humidity) |
|||
| Disclaimers | ||||
| All specifications are subject to change without notice | ||||
Lensbaby Announces Twist 60 for Twisty, Swirly bokeh
Product Summary
- Model name: Twist 60 lens
- Release Date: April 12th, 2016
- Focus Type: Manual
- Mounts: Canon EF | Nikon F | Sony E
- Availability: Pre-order April 12, 2016 (shipping May 5th, 2016)
- Price: $279.95
- Purchase options: B&H | Amazon
Key features
- 12 blade f/2.5-‐22 aperture
- 60mm focal length
- Twisty, swirly blur
- Recommended for use on full frame cameras
- Available in Canon EF, Nikon F, and Sony E mounts
- 4 elements in 3 groups
- Filter threads: 46mm
- Black anodized body with gold anodized aperture ring
- Minimum focus distance -‐ 18”
Lensbaby, makers of award winning creative effects lenses, optics and accessories, today announced the availability of the Twist 60 lens. Twist 60 helps creative photographers find their visual voice by seeing the world differently.
This metal bodied 60mm f/2.5 lens with gold anodized accents creates powerful portraits, spotlighting subjects by freeing them from their background and surrounding them with swirly blur and enhanced vignette. The brighter the aperture, the greater the swirl and the greater the vignette.
“Twist 60 embodies our love of old lenses and their unique ways of helping photographers discover creative possibilities,” said Craig Strong, Lensbaby Co-‐Founder & Chief Creative Officer. “True to an 1840 design by Joseph Petzval, this lens reveals striking separation between subjects and their background, a quality that modern lens designs lack.”
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Hasselblad Introduces H6D-100c 100MP Camera with 4K Recording
Product Summary
- Model name: Hasselblad H6D-50c / H6D-100c
- Release Date: 7th April 2016
- Format : Medium
- Mounts: Hasselblad H system
- Price: H6D-100c – $ 25,995 | H6D-50c – $32,995
- Purchase options:
H6D-100c – Adorama | B&H
H6D-50c – Adorama | B&H
Key features
- Hasselblad H6D-50c (50 MP) & H6D-100c (50 MP) CMOS Sensor
- 15 stops Dynamic range (H6D-100c)
- Higher ISO Sensitivity 64-12800
- H6D-100c can record 4K video
- Dual card slots ( CFast & SD )
- Built-in Wi-Fi & USB 3.0
75 years at the forefront of imagery, Hasselblad continues to innovate
Hasselblad began its journey when founder, Victor Hasselblad, refused to simply copy an aerial surveillance camera at the request of the Swedish government who asked him if he had the skills to produce a camera identical to one that had been captured. He famously said: ‘No, but I can make a better one’. The camera maker has once again, followed Victor’s philosophy and applied it to the award winning H medium format camera – launching the all new H6D.
Rather than an improvement on the existing medium format H Cameras, the H6D range has been completely rebuilt with new technical components and an all new electronic platform. The pioneering range retains the modularity appreciated by medium format enthusiasts along with iconic design elements and Swedish handmade quality for which Hasselblad is renowned.
The H6D range introduces the H6D-100c with CMOS sensor, a 100MP option and the H6D-50c with a 50MP CMOS sensor.
A wider range of shutter speeds from 60 minutes to 1/2000th of a second, increased ISO range and a faster shooting rate along with USB 3.0 Type-C connector that delivers exceptionally fast file transfer. The H lens range is fully compatible and, with the choice of a faster shutter speed, can be further leveraged than with previous ranges.
The H6D-100c brings 4K video capability to medium format. The high-definition rear touchscreen LCD delivers a pin sharp live view experience and Wi-Fi as standard, a HDMI connector, for external monitor connectivity, completes the tool set.
Built-in dual card slots allow enhanced media capability; a CFast slot allows for high-speed capture and an SD card slot enables maximum compatibility. The all new platform is capable of handling the largest file throughput with speed and ease using optimised algorithms for matchless quality les.
Hasselblad’s image processing software, Phocus, has been enhanced with the new 3.0 version delivering additional features that allow you to apply local adjustments in the image and a new graphical interface that improves work flow and user experience.
Commenting on the launch Perry Oosting, Hasselblad CEO noted:
“The launch of the H6D range is the beginning of a year of celebration for Hasselblad. It’s fitting that we have returned to our pinnacle medium format camera to showcase the innovation and passion that have been present in every one of our first 75 years. Our obsessive approach to optical quality and precision hand building in Sweden is at the heart of this camera.
We have retained the best and introduced the most relevant – delivering a medium format camera which we believe the Hasselblad user will fall in love with all over again.”
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Specification
| H6D-50c | H6D-100c | |
| Sensor type | CMOS, 50 megapixels (8272 × 6200 pixels, 5.3 × 5.3 µm) | CMOS, 100 megapixels (11600 × 8700 pixels, 4.6 × 4.6 µm) |
| Sensor dimensions | 43.8 × 32.9mm | 53.4 × 40.0mm |
|
Image size |
Stills: RAW 3FR capture 65MB on average. TIFF 8 bit: 154MB; Video: HD (1920 x 1080p) | Stills: RAW 3FR capture 120MB on average. TIFF 8 bit: 289MB; Video: HD (1920 x 1080p), UHD (3840 x 2160p) |
| File format | Stills: Lossless compressed Hasselblad 3FR, 1/4 size JPEG Video: H.264 Compressed (30 fps), Hasselblad RAW | Stills: Lossless compressed Hasselblad 3FR Video: H.264 Compressed (30 fps) (HD only), Hasselblad RAW (HD & UHD) |
| Shooting mode | Single shot stills, Video | Single shot stills, Video |
| Colour defin ition | 16 bit; Dynamic range approx. 14 stops | 16 bit; Dynamic range 15 stops |
| ISO speed range | ISO 100, 200, 400, 800, 1600, 3200, 6400 | ISO 64, 100, 200, 400, 800, 1600, 3200, 6400, 12800 |
| Storage options | CFast card, SD card or tethered to Mac or PC | CFast card, SD card or tethered to Mac or PC |
| Colour management | Hasselblad Natural Colour Solution | Hasselblad Natural Colour Solution |
| Storage capacity | 16GB card holds 240 images on average | 16GB card holds 120 images on average |
| Capture rate | 1.7-2.3 capture rate per second | TBD |
| Display | 3 inch TFT type, 24 bit colour, 920K pixels; Touch functionality: Yes, full support
Live View: On camera, host and iOS device with high frame rate (30 fps) |
3 inch TFT type, 24 bit colour, 920K pixels; Touch functionality: Yes, full support
Live View: On camera, host and iOS device with high frame rate (30 fps) |
| Histogram feedback | Yes (on rear display and on camera grip display) | Yes (on rear display and on camera grip display) |
| IR filter | Mounted in front of sensor | Mounted in front of sensor |
| Acoustic feedback | Yes | Yes |
| Software | Phocus for Mac and Windows | Phocus for Mac and Windows |
|
Platform support |
Macintosh: OSX version 10.9; PC: XP/Vista/Windows 7 (32 and 64 bit)/ 8 / 10 | Macintosh: OSX version 10.9; PC: XP/Vista/Windows 7 (32 and 64 bit)/ 8 / 10 |
| Host connection type | USB 3.0 (5 Gbit/s) Type-C connector, Mini HDMI, Audio In/Out | USB 3.0 (5 Gbit/s) Type-C connector, Mini HDMI, Audio In/Out |
| Additional connections | Mini HDMI, Audio In/Out, Flash sync In/Out, Power In | Mini HDMI, Audio In/Out, Flash sync In/Out, Power In |
| View camera compatibility | Yes, Mechanical shutters controlled via flash sync. Electronic shutters can be controlled from Phocus | Yes, Mechanical shutters controlled via flash sync. Electronic shutters can be controlled from Phocus |
| Operating temperature | – 10 ˚C to + 45 ˚C / 14 – 113 ˚F | – 10 ˚C to + 45 ˚C / 14 – 113 ˚F |
| Wi-Fi | 802.11 a, b, g, n (depending on region) | 802.11 a, b, g, n (depending on region) |
| Dimensions | Complete camera w/ HC80 lens: 153 x 131 x 205mm [W x H x D] | Complete camera w/ HC80 lens: 153 x 131 x 205mm [W x H x D] |
| Weight | 2115g (Complete camera w/ HC80 lens, Li-Ion battery and card) | 2130g (Complete camera w/ HC80 lens, Li-Ion battery and card) |
| Camera type | Large sensor medium format DSLR | Large sensor medium format DSLR |
| Lenses | Hasselblad H system lens line with integral central lens shutter | Hasselblad H system lens line with integral central lens shutter |
| Shutter speed range | 60 minutes to 1/2000 sec (depending on lens type used) | 60 minutes to 1/2000 sec (depending on lens type used) |
| Flash sync speed | Flash can be used at all shutter speeds | Flash can be used at all shutter speeds |
|
Viewfinder options |
HVD 90x: 90° eye-level viewfinder w. dioptre adjustment (-5 to +3.5D). Image magnification 3.1x. Integral fill-flash (GN. 12 @ ISO100). Hot shoe for SCA3002-system flashes from Metz™
HV 90x II: 90° eye-level viewfinder w. dioptre adjustment (-4 to +2.5D). Image magnification 2.7x. Integral fill-flash (GN. 12 @ ISO100). Hot shoe for SCA3002-system flashes from Metz™ HVM: Waist-level viewfinder. Image magnification 3.2x |
HVD 90x: 90° eye-level viewfinder w. dioptre adjustment (-5 to +3.5D). Image magnification 3.1x. Integral fill-flash (GN. 12 @ ISO100). Hot shoe for SCA3002-system flashes from Metz™
HV 90x II: 90° eye-level viewfinder w. dioptre adjustment (-4 to +2.5D). Image magnification 2.7x. Integral fill-flash (GN. 12 @ ISO100). Hot shoe for SCA3002-system flashes from Metz™ HVM: Waist-level viewfinder. Image magnification 3.2x |
|
Focusing |
Autofocus metering with passive central cross-type sensor. Ultra focus digital feedback. Instant manual focus override. Metering range EV 1 to 19 at ISO 100 | Autofocus metering with passive central cross-type sensor. Ultra focus digital feedback. Instant manual focus override. Metering range EV 1 to 19 at ISO 100 |
|
Flash control |
Automatic TTL centre weighted system. Uses built-in flash or flashes compatible with SCA3002 (Metz™).
Output can be adjusted from -3 to +3EV. For manual flashes a built-in metering system is available |
Automatic TTL centre weighted system. Uses built-in flash or flashes compatible with SCA3002 (Metz™).
Output can be adjusted from -3 to +3EV. For manual flashes a built-in metering system is available |
|
Exposure metering |
Spot, Centre Weighted and CentreSpot
Metering range Spot: EV2 to 21, Centre Weighted: EV1 to 21, CentreSpot: EV1 to 21 |
Spot, Centre Weighted and CentreSpot
Metering range Spot: EV2 to 21, Centre Weighted: EV1 to 21, CentreSpot: EV1 to 21 |
|
Power supply |
Rechargeable Li-ion battery (7.2 VDC/3200 mAh); Socket for external power | Rechargeable Li-ion battery (7.2 VDC/3200 mAh); Socket for external power |
| Film compatibility | Yes | Yes |
Deal – Vello ShutterBoss II Timer Remote Switch Now Only 29.95
Vello ShutterBoss II Timer Remote Switch – B&H
Regular Price – $49.95
Now – $29.95
The Deal Ends Apr 07, 11:59PM EST.
The ShutterBoss II Timer Remote Switch for Canon with 3-Pin Connection from Vello is a remote shutter release that provides photographers with enhanced levels of exposure control. Featuring specialized functionality such as continuous shooting, self-timer, long time exposures, and interval shooting, the ShutterBoss II is a huge asset to keep in your camera bag.
Fujifilm Updates Firmware of X-Pro, X-A, X-E, X-M & Interchangeable lens
The updated Fujifilm firmware enhances compatibility of X-A1, X-A2, X-E1, X-M1 & X-Pro1 camera bodies with XF100-400mmF4.5-5.6 R LM OIS WR lens. Besides X-Pro2 gets improvement in image quality.
Firmware for Interchangeable Lens Camera Body
| Model Name | Version | Description | Link | Updated |
| X-A1 | Ver.1.40 | Supports focus limiter function for XF100-400mmF4.5-5.6 R LM OIS WR. | Download | Mar 31 2016 |
| X-A2 | Ver.1.20 | Supports focus limiter function for XF100-400mmF4.5-5.6 R LM OIS WR. | Download
|
Mar 31 2016 |
| X-E1 | Ver.2.60 | Supports focus limiter function for XF100-400mmF4.5-5.6 R LM OIS WR. | Download
|
Mar 31 2016 |
| X-M1 | Ver.1.40 | Supports focus limiter function for XF100-400mmF4.5-5.6 R LM OIS WR. | Download | Mar 31 2016 |
| X-Pro1 | Ver.3.60 | Supports focus limiter function for XF100-400mmF4.5-5.6 R LM OIS WR. | Download
|
Mar 31 2016 |
| X-Pro2 | Ver.1.01 | Fix of auto reset to the factory default setting.
Improvement of image quality of the long exposure mode. |
Download | Mar 24 2016 |
Firmware for Interchangeable Lens
| Model Name | Version | Description | Link | Updated |
| XF50-140mmF2.8 R LM OIS WR | Ver.1.11 | Improvement of AF function used with X-Pro1 and X-E1 | Download | Mar 31 2016 |
| XF100-400mmF4.5-5.6 R LM OIS WR | Ver.1.01 | Improvement of AF function used with X-Pro1 and X-E1 | Download
|
Mar 31 2016 |
16MP Panasonic Lumix DMC-GX85 Announced
Product Summary
- Model name: Lumix DMC-GX85 (DMC-GX80 / DMC-GX7 Mark II)
- Release Date: 5th April 2016
- Focus Type: Autofocus
- Mounts: Micro Four Thirds
- Color: Black | Silver
- Availability: Late May 2016
- Price: $799.99 (with 12-32 kit lens)
- Purchase options: Adorama | B&H | Amazon
Key features
- 16MP Live MOS Sensor
- New 5-axis Dual Image Stabilization
- No Low Pass Filter
- ISO 25600 and 10 fps Shooting with AF-S
- DFD AF system, 4K photo modes
- Improved Visibility with 2764K-dot Live View Finder
- Touch Enabled Tilting Display
- Built-In Wi-Fi Connectivity
Panasonic is proud to introduce a new Mirrorless Interchangeable Lens Camera, the LUMIX DMC-GX85 (GX80) for camera enthusiasts or anyone looking for an alternative to bulky DSLRs, that delivers lighter, more intelligent, uncompromising results. Nearly half the size of most DSLRs, the GX85 delivers impressive large sensor performance in the most compact camera system ever designed by Panasonic LUMIX. Thanks to the elimination of the low pass filter, its fine detail resolving power is boosted nearly 10% over previous 16-Megapixel sensors.
The LUMIX GX85 incorporates a new 5-axis Dual I.S. (Image Stabilizer) for more effective suppression of blur. Combining an O.I.S.(Optical Image Stabilizer, 2-axis) and a B.I.S.(Body Image Stabilizer, 5-axis), the 5-axis Dual I.S. compensates for a larger range of movement than ever before. Users can enjoy blur-free photo/video shooting from wide to tele, even in low light situations.
The 16.0-megapixel Digital Live MOS Sensor without a Low Pass filter and the new Venus Engine combine to achieve crisp, high resolution images in detail with high contrast, impressive color reproduction. The LUMIX GX85 adopts a new electromagnetic drive in the shutter unit. The shock caused by the movement of shutter diaphragm is dramatically reduced and the shutter sound is also minimized. The Contrast AF System features DFD (Depth From Defocus) technology and excels in both speed and accuracy by exchanging the digital signal between the camera and the lens at max. 240 fps, resulting in ultra-fast auto focusing of approx. 0.07 sec*. A variety of extensive AF functions including Face/Eye Detection AF, Pinpoint AF, One-shot AF and advanced Low Light AF enhance usability to comply with wide-ranging shooting situations.
The GX85 integrates a LVF (Live View Finder) with 2764K-dot equivalent high resolution and approx.100% color reproduction*. This 16:9 Wide Screen LVF boasts approx.1.39x / 0.7x (35mm camera equiv.) magnification and 100% field of view. The new 3.0-inch large, approx.1040K-dot high resolution static-type touch monitor with approx. 100% of field of view tilts up by 80-degrees and down by 45-degrees which enables shooting at either high or low angle even easier.
For even more creative photography, the LUMIX GX85 integrates the new L.Monochrome mode in Photo Style that offers impressive monochrome capture with rich gradation comparable to that of B/W film. Focus Bracket and Aperture Bracket are also new additions to conventional Exposure Bracket and WB Brackets that allow users to choose the best shot later. Thanks to its Wi-Fi® connectivity, users can connect the camera to their smartphone / tablet to expand the flexibility in shooting/storing/sharing images.
1. 4K capability bringing the evolution in videography/photography – 4K video and 4K PHOTO
Taking advantage of the high speed signal readout capability of the sensor and high speed signal processing, the LUMIX GX85 is capable of recording 4K video. Despite its high performance, it boasts superior energy efficiency and the size is kept compact for high mobility. The LUMIX GX85 records stunningly smooth, high-resolution 4K video in 3840 x 2160 at 30p or 24p in addition to the full-HD 1,920 x 1,080 60p (60 Hz) videos with practical full-time AF.
Thanks to this 4K technology, users can enjoy 4K PHOTO which users can capture the fleeting photo opportunities at 30 fps by extracting the most appealing frame. Three exclusive modes are available to choose from depending on the situation; 4K Burst, 4K Burst (Start/Stop) and 4K Pre-burst. All these function in 4K PHOTO enable saving pictures in 8-megapixel equivalent high resolution.
The LUMIX GX85 comes with the Post Focus function that enables users to select an in-focus area even after shooting. You can get multiple shots with different focus points with a single shutter release to choose from. It is helpful in situations such as macro shooting where severe focusing is required or for changing expressions by changing focused subject. This function has been developed by combining the DFD (Depth From Defocus) auto focus technology that enables measuring the distance to the subject and the 4K technology. Operation is quite simple and easy – just shoot an image in a Post Focus mode and touch on the point where you want to set focus while playing it back.
In addition, the LUMIX GX85 incorporates the Light Composition function as a new option of 4K PHOTO mode. The camera synthesizes the images by choosing and saving a brighter pixel. This makes it possible to produce a more luxurious, dramatic image of situations such as fireworks or night scenery in camera with ease.
The LUMIX GX85 also enables 4K Live Cropping in video that yields stable panning or zooming while video recording. In panning shots, you can just set the viewing angle to start and end to get smooth panning imagery without using special equipment such as a slider. When zooming, you can set the after-zoomed viewing angle first, so that the subject can fit perfectly in the frame. Thanks to the digital operation, the imagery of zooming is smooth because it does not physically move the zoom lens.
* About motion picture recording / 4K Photo recording
– Use a card with SD Speed Class with “Class 4” or higher when recording motion pictures.
– Use a card with SD Speed Class with “UHS-I UHS Speed Class 3 (U3)” when recording motion pictures with [MP4] in [4K] or [4K PHOTO].
(SD speed class is the speed standard regarding continuous writing.)
– Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds or the file size exceeds 4GB with [MP4] in [FHD] [HD] [VGA].
– MP4 motion pictures with [MP4] in [4K]:
– When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately.
– When using an SDXC memory card: You can record a motion picture in a single file.
– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down.
** For [4K] video output, use an HDMI cable that has the HDMI logo on it, and that is described as”4K compatible”.
2. New 5-Axis Dual I.S. (Image Stabilizer) to be free of blur
The LUMIX GX85 incorporates the new 5-axis Dual I.S.(Image Stabilizer) for more effective suppression of blur. Combining an O.I.S. (Optical Image Stabilizer, 2-axis) and a B.I.S.(Body Image Stabilizer, 5-axis), the 5-axis Dual I.S. compensates for larger movement which was conventionally uncontrollable, making it possible to use 4-step slower shutter speed*1. By making the most of both O.I.S and B.I.S., it is highly beneficial not only in wide angle but also in telephoto and in the adverse situations such as at nighttime or with one-hand shooting.
The 5-axis Dual I.S. works in both photo and motion picture recording including 4K video. Panasonic LUMIX G DSLM (Digital Single Lens Mirrorless) Cameras offer a wide variety of digital interchangeable lenses and most of them will comply with this 5-axis dual I.S. in LUMIX GX85*2 and the B.I.S. compensates for the camera movement even when a lens without O.I.S. is used.
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=32mm (35mm film camera equivalent f=64mm), when H-FS12032 is used.]
*2 Firmware update is required for some lenses.
3. The high image quality with real-to-life detail and impressive color reproduction
The LUMIX GX85 lets users shoot vibrant, true-to-life high quality images with excellent resolution, high contrast and impressive color reproduction. Removing the Low Pass Filter, the limiting resolution is improved by approx.10%* while detecting high frequency components to suppress generation of moiré by the Venus Engine, is designed for the GX85.The Venus Engine reproduces vibrant, impressive color such as clear sky by dividing hue, saturation, and luminosity, and finely adjusts them separately. Taking advantage of this fine tuning capability, LUMIX GX85 enables users to choose a preset of contrast, sharpness, saturation and noise reduction as they choose according to the shooting subject in Photo Style. Notably, L Monochrome is a new option added to the Photo Style, making it possible to shoot impressive monochrome photo with deep black and rich gradation like that of B/W film.
The combination of the Digital Live MOS Sensor and the Venus Engine achieves clear image rendering with minimum noise even in low-lit situations and at max. ISO 25,600.
The LUMIX GX85 adopts an electromagnetic drive in the shutter unit. The shock caused by the movement of shutter diaphragm is dramatically reduced by approx.90% in comparison with a conventional spring-powered shutter units.
4. High speed response and practical AF/MF options
The Contrast AF in the GX85 achieves even higher speed and higher precision focusing with digital signal communication at max. 240 fps. Furthermore, the DFD (Depth From Defocus) technology*1 calculates the distance to the subject by evaluating 2 images with different sharpness level while consulting the data of optical characteristics of the current lens. As a result, the GX85 achieves ultra-high speed AF of approx.0.07 sec*2 and high speed burst shooting at 8 fps (AFS) / 6 fps (AFC) to capture fast moving subject in-focus.
The Low Light AF makes it possible to set focus on the subject more precisely even without AF assist lamp in extremely low-lit situations to -4EV, which is as dark as moonlight. Plus, the GX85 integrates Starlight AF which allows users to shoot a star in the sky at night with auto focus. This can be achieved by accurate calculation of contrast value in a smaller AF zone.
A total of 49 focus detection areas offers more flexible composition together with Custom Multi AF mode in which users can freely select the blocks to focus out of the 49 in the focusing area. In addition to the conventional Face Recognition AF, the GX85 incorporates Face / Eye Detection AF which automatically sets focus right on the eye of human face. With the Pinpoint AF, users can magnify the target area to set precise focus.
*1 Contrast AF with DFD Technology works only with Panasonic Micro Four Thirds lenses.
*2 In AFS, at wide-end with H-FS14140 (CIPA).
5. Intuitive control for operational comfort
The GX85 integrates a LVF (Live View Finder) with 2764K-dot equivalent high resolution and approx.100% color reproduction*. This 16:9 Wide Screen LVF boasts approx.1.39x / 0.7x (35mm camera equiv.) magnification and 100% field of view. It comes with the Eye Sensor and the Eye Sensor AF and starts auto focusing by just looking into the LVF not to miss the shooting opportunity.
The 3.0-inch large, approx.1040K-dot high resolution static-type touch monitor has approx. 100% of field of view. It tilts up by 80-degrees and down by 45-degrees which enables shooting in either high or low angle even easier.
To further enhance the controllability, the GX85 comes with thick, solid grip for stable holding even in one hand. The front/rear dual dial system enables direct setting – for example, users can adjust white balance with a front dial and set ISO with a rear dial while choosing the shutter speed or seeing the noise effect, which is helpful in complex lighting situations.
6. Other Features
- Exposure / WB / Focus / Aperture Bracket NEW
In the LUMIX GX85, Focus Bracket and Aperture Bracket are new additions to conventional Exposure Bracket and WB Brackets for users to choose the best shot later. In Focus Bracket, max.999 images can be shot with different focus points. The Aperture Bracket lets users have multiple shots with a different depth of field. - Creative Control in P/A/S/M Mode
The GX85 integrates a variety of artistic functions that adds fun to digital photography. The popular Creative Control mode features a total of 22 filter options. The effect parameter of each mode is also adjustable. Now it is possible to apply one of these filters even in P/A/S/M mode. Users can combine a favorable setting and filter to make specific effect.. Also the GX85 is capable of taking pictures “with” and “without” filter effect simultaneously, so that users can compare them and choose later. - Easy Wireless Connectivity via Wi-Fi® with Smartphones
The LUMIX GX85 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) to offer more flexible shooting experience and instant image sharing with easy operation. Once connecting the camera and smartphone/tablet installing Panasonic’s dedicated application software Panasonic Image App for iOS / Android, users can shoot / browse / share images remotely. - RAW data development in Camera
- AC/USB Power Charging
- Silent Mode
- Multiple Exposure
- Time Lapse Shot / Stop Motion Animation
Optional Accessories
The new compact, lightweight External Flash DMW-FL200L (GN20) is available. The DMW-FL200L offers 90-degree vertical bounce lighting and it can also be used as LED light when video recording. It also features wireless shooting capability.
Product Photo
Specification
| TYPE | Type | Digital Single Lens Mirrorless camera | |
| Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card/(Compatible with UHS-I UHS Speed Class 3 standard SDHC / SDXC Memory Cards) | ||
| Image sensor size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||
| Lens mount | Micro Four Thirds mount | ||
| IMAGE SENSOR | Type | Live MOS Sensor | |
| Total pixels | 16.84 Megapixels | ||
| Camera effective pixels | 16.00 Megapixels | ||
| Color filter | Primary color filter | ||
| Dust reduction system | Supersonic wave filter | ||
| Image Stabilization System | Image Sensor Shift Type (5-axis) | ||
| RECORDING SYSTEM | Recording file format | Still image | JPEG (DCF, Exif 2.3), RAW, MPO (When attaching 3D lens in Micro Four Thirds system standard) |
| Motion picture | AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format: AAC 2ch) | ||
| Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||
| Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard/MPO+Fine / MPO+Standard (with 3D lens in Micro Four Thirds system standard) | ||
| Color Space | sRGB, AdobeRGB | ||
| File size(Pixels) | Still Image | [4:3] 4592×3448(L) / 3232×2424(M) / 2272×1704(S) / 1824×1368 (When attaching 3D lens in Micro Four Third system standard)/[3:2] 4592×3064(L) / 3232×2160(M) / 2272×1520(S) / 1824×1216 (When attaching 3D lens in Micro Four Third system standard)/[16:9] 4592×2584(L) / 3840×2160(M) / 1920×1080(S) / 1824×1024 (When attaching 3D lens in Micro Four Third system standard)/[1:1] 3424×3424(L) / 2416×2416(M) / 1712×1712(S) / 1712×1712 (When attaching 3D lens in Micro Four Third system standard) | |
| Motion picture* | MP4 | [4K] 3840×2160: 4K/25p 100Mbps, 4K/24p 100Mbps/[Full HD] 1920×1080: FHD/50p 28Mbps, FHD/25p 20Mbps/[HD] 1280×720: HD/25p 10Mbps/[VGA] 640×480: VGA/25p 4Mbps | |
| AVCHD | [Full HD] 1920×1080 FHD/50p: 28Mbps, 50p recording/[Full HD] 1920×1080 FHD/50i: 17Mbps, 50i recording/[Full HD] 1920×1080 FHD/25p: 24Mbps, 50i recording (sensor output is 25fps)/[Full HD] 1920×1080 FHD/24p: 24Mbps, 24p recording | ||
| Continuous recordable time (Motion picture) | AVCHD [FHD/50i]: Approx. 100 min (rear monitor), 90 min (LVF) with H-FS12032 / H-H020A / H-FS14140/AVCHD [FHD/50i]: Approx. 100 min (rear monitor), 100 min (LVF) with H-FS35100/MP4 [4K/25p]: Approx. 80 min (rear monitor), 70 min (LVF) with H-FS12032 / H-H020A / H-FS14140/MP4 [4K/25p]: Approx. 80 min (rear monitor), 70 min (LVF) with H-FS35100 | ||
| Actual recordable time (Motion picture) | AVCHD [FHD/50i]: Approx. 50 min (rear monitor), 45 min (LVF) with H-FS12032 / H-H020A / H-FS14140/AVCHD [FHD/50i]: Approx. 50 min (rear monitor), 50 min (LVF) with H-FS35100/MP4 [4K/25p]: Approx. 40 min (rear monitor), 35 min (LVF) with H-FS12032 / H-H020A / H-FS14140/MP4 [4K/25p]: Approx. 40 min (rear monitor), 35 min (LVF) with H-FS35100 | ||
| WiFi FUNCTION | WiFi | IEEE 802.11b/g/n, 2412 MHz – 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode | |
| NFC | No | ||
| QR Code Connection | Yes | ||
| Password-less connection | Yes (ON / OFF selectable) | ||
| VIEWFINDER | Type | LCD Live View Finder (2,764,800 dots equivalent) | |
| Field of view | Approx. 100% | ||
| Magnification | Approx. 1.39x / 0.7x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 | ||
| Eye point | Approx. 17.5 mm from eyepiece lens | ||
| Diopter adjustment | -4.0 – +3.0 (dpt) | ||
| Eye sensor | Yes | ||
| Eye sensor adjustment | High / Low | ||
| FOCUS | DFD technology | Yes | |
| Post Focus | Yes | ||
| Type | Contrast AF system | ||
| Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||
| AF mode | Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint/(Full area touch is available) | ||
| AF detective range | EV -4 – 18 (ISO100 equivalent) | ||
| AF assist lamp | Yes | ||
| AF lock | Yes (AF/AE LOCK button) | ||
| Others | One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter | ||
| Starlight AF | Yes | ||
| EXPOSURE CONTROL | Light metering system | 1728-zone multi-pattern sensing system | |
| Light metering mode | Multiple / Center Weighted / Spot | ||
| Metering range | EV 0 – 18 (F2.0 lens, ISO100 equivalent) | ||
| Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual | ||
| ISO sensitivity (Standard Output Sensitivity) | Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)/(Up to ISO6400 in motion picture recording) (ISO Auto in M mode) | ||
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | ||
| AE lock | Yes (AF/AE LOCK button) | ||
| WHITE BALANCE | White balance | Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting | |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||
| Color temperature setting | 2500-10000K in 100K | ||
| SHUTTER | Type | Focal-plane shutter | |
| Shutter speed | Still image: Still image: Time (Max. 2 minutes), 1/4,000 – 60/Motion picture: 1/16,000 – 1/25/Electronic shutter: 1/16,000 – 1 | ||
| Self timer | 10sec, 3 images / 2sec / 10sec | ||
| PANORAMA SHOT | Panorama shot | Yes (Standard / Wide) | |
| BURST SHOOTING | Burst speed | [Mechanical shutter] AFS: H: 8 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[Mechanical shutter] AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[Electronic shutter] SH: 40 frames/sec/[Electronic shutter] AFS: H: 10 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[Electronic shutter] AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) | |
| Number of recordable images | More than 13 images (when there are RAW files with the particular speed)/More than 100 images (when there are no RAW files)/(depending on memory card type, aspect, picture size and compression) | ||
| BRACKET | AE bracket | 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst | |
| Aperture Bracket | 3, 5 or all positions in 1 EV step | ||
| Focus Bracket | 1 to 999 frames, focus steps can be set in 5 levels | ||
| White balance bracket | 3 exposures in blue/amber axis or in magenta/green axis | ||
| TIME LAPSE SHOT | Yes | ||
| STOP MOTION ANIMATION | Yes | ||
| FLASH | Flash type | TTL Built-in-Flash, GN6.0 equivalent (ISO200 ・m) / GN4.2 equivalent (ISO100 ・m), Built-in Pop-up (Reference） | |
| Flash Mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. | ||
| Synchronization speed | Less than 1/160 second | ||
| Flash output adjustment | 1/3EV step ±3EV | ||
| Flash synchronization | 1st. Curtain Sync, 2nd Curtain Sync. | ||
| Synchronization for flash dimming and exposure compensation | Yes | ||
| 4K PHOTO MODE | 4K Photo mode* | 4K Burst: 30 frames/sec/4K Burst (S/S): 30 frames/sec/4K Pre-Burst: 30 frames/sec, approx. 2 seconds/(depending on memory card size and battery power) | |
| Exif information | Yes | ||
| Selectable aspect ratio | Yes (4:3 / 3:2 / 16:9 / 1:1 are selectable) | ||
| Exposure mode | Program AE/ Aperture-Priority / Sutter-Priority / Manual Exposure | ||
| Marking function | Yes (in 4K Burst (S/S) mode) | ||
| Loop rec function | Yes (in 4K Burst (S/S) mode) | ||
| SILENT MODE | Yes | ||
| REAR MONITOR | Type | TFT LCD monitor with static touch control | |
| Monitor size | Tilt 7.5cm(3.0-inch) / 3:2 aspect / Wide viewing angle | ||
| Pixels | Approx. 1,040k dots | ||
| Filed of view | Approx. 100% | ||
| Monitor adjustment | Brightness, Contrast, Saturation, Red-Green, Blue-Yellow | ||
| LIVE VIEW | Digital zoom | 2x, 4x | |
| Extra Tele Conversion | Still image: Max. 2x/Motion picture: 2.4x (FHD), 3.6x (HD), 4.8x (VGA) | ||
| Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture) | ||
| DIRECTION DETECTION FUNCTION | Direction Detection Function | Yes | |
| FUNCTION BUTTON | Fn1, Fn2, Fn3, Fn4, Fn5, Fn6, Fn7, Fn8, Fn9 | 4K Photo Mode / Wi-Fi / Q.MENU / LVF/Monitor Switch / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / Cursor Button Lock / Dial Operation Switch / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / Metering Mode / Bracket / Focus Mode / Highlight Shadow / i. Dynamic / i. Resolution / Post Focus / HDR / Shutter Type / Flash Mode / Flash Adjust. / Ex. Tele Conv. / Digital Zoom / Stabilizer / Snap Movie / Motion Pic. Set / Picture Mode / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Rec Area / Step Zoom / Zoom Speed / Touch Screen / Sensitivity / White Balance / AF Mode/MF / Drive Mode / Restore to Default | |
| PHOTO STYLE | Still image and motion picture | Standard / Vivid / Natural / Monochrome / L. Monochrome / Scenery / Portrait / Custom | |
| CREATIVE CONTROL | Still image | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome / Silky Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus / Fantasy / Star Filter / One Point Color / Sunshine | |
| Motion picture | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Fantasy / One Point Color | ||
| MOTION PICTURE FUNCTION | Flicker reduction | [1/50] / [1/60] / [1/100] / [1/120] / OFF | |
| PLAYBACK | Playback function | 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only / 4K PHOTO / Post Focus / 3D / Category Selection / Favorite, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only / 4K PHOTO / Post Focus / 3D Play / Category / Favorite), Location Logging, RAW Processing, Light Composition, Clear Retouch, Title Edit, Text Stamp, Video Divide, Time Lapse Video, Stop Motion Video, Resize, Cropping, Rotate, Rotation Display, Favorite, DPOF Print Set, Protect, Face Recognition Edit, Picture Sort, Creating Still Pictures from a Motion Picture | |
| IMAGE PROTECTION / ERASE | Protection | Single / Multi | |
| Erase | Single / Multi / All / Except Favorite | ||
| Direct Print | PictBridge compatible | ||
| INTERFACE | USB | USB 2.0 High Speed Multi | |
| HDMI | microHDMI TypeD / VIERA Link/Video: Auto / 4K / 1080p / 1080i / 720p / 576p/Audio: Stereo | ||
| Audio video output | No | ||
| Microphone | Stereo, Wind-cut: OFF / Standard / High | ||
| Speaker | Monaural | ||
| LANGUAGE | OSD language | Japanese, English, German, French, Italian, Spanish | |
| CREATIVE VIDEO MODE | Exposure mode | Program AE / Aperture-Priority / Sutter-Priority / Manual Exposure | |
| POWER | Battery | Li-ion Battery Pack (7.2V, 1025mAh, 7.4Wh) (Included)/AC Adaptor (Input: 110 – 240V AC) (Included, connect with USB cable) | |
| Battery life (CIPA standard) | Approx. 290 images (rear monitor), 270 images (LVF) with H-FS12032 / H-FS35100/Approx. 280 images (rear monitor), 260 images (LVF) with H-H020A / H-FS14140 | ||
| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 122 x 70.6 x 43.9 mm / 4.80 x 2.78 x 1.73 inch (excluding protrusions) | |
| Weight | Approx. 426g / 0.94 lb (SD card, Battery, Body)/Approx. 383g / 0.84 lb (Body only)/Approx. 493g / 1.09 lb (SD card, Battery, H-FS12032 lens included)/Approx. 561g / 1.24 lb (SD card, Battery, H-FS35100 lens included)/Approx. 628g / 1.39 lb (SD card, Battery, H-FS12032 + H-FS35100 lenses included)/Approx. 513g / 1.13 lb (SD card, Battery, H-H020A lens included)/Approx. 691g / 1.52 lb (SD card, Battery, H-FS14140 lens included) | ||
Nikon D810 & D810A – New Firmware Released
The New Firmware fixes issues related to WR‑R10 wireless remote controller running firmware version 3.00.
Nikon D810 Firmware “C” – 1.11
Change log:
- Fixed an issue that sometimes caused the camera to stop responding when attached to a WR‑R10 wireless remote controller running firmware version 3.00.
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Nikon D810A Firmware “C” – 1.01
Change log:
- Fixed an issue that sometimes caused the camera to stop responding when attached to a WR‑R10 wireless remote controller running firmware version 3.00.
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Defocus – Paid Photography Apps Become Free – for iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
Defocus
Normal Price : $ 2.99
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Defocus is an incredible soft focus tool. Use the dynamic paint and blur slider to add beautiful soft focus effects to any photo. Whether you want to create a light focus blur like in 35mm film or a full on dream photo, Defocus will do it. You can also create amazing tilt-shift like photos just by bluring around your subject.
Features
– Dynamic Blur Tool
– Blur Paint Tool
– Supports Any Size Photo
– Upload from Camera Roll
– Open Sharing and Export
– Share directly to Tumblr
– Easy, No-Nonsense Navigation
– Ad Free, Always
Sony Cyber-shot RX10 III
Product Summary
- Model Name: Sony Cyber-shot RX10 III
- Release Date: Mar. 29, 2016
- Focus Type: Autofocus / Manual
- Format : Crop Sensor
- Mounts: Sony
- Color: Black
- Availability: May 2016
- Price: $1499
- Purchase options: TBA
Features
RX10 III Features a newly-developed 25x super-telephoto zoom lens with an extensive focal range of 24-600mm1, the new RX10 III camera is able to produce high-quality content at a variety of focal lengths and camera settings that would require three or more large, heavy and expensive lenses for an interchangeable lens camera user. It’s an outstanding choice for a shooting anything from landscapes to distant wildlife and everything in between.
The RX10 III high zoom camera is equipped with a 1.0 type stacked 20.1 MP Exmor RS™ CMOS sensor with DRAM chip and advanced signal processing, along with a powerful BIONZ X™ image processor. These components work together to ensure the highest possible image quality throughout the entire zoom range of the 24-600mm lens. Additionally, they are responsible for a variety of standout professional-caliber features including 40x super slow motion video capture at up to 960 fps, an ultra-fast Anti-Distortion Shutter with a maximum speed of 1/32000 second, high resolution 4K movie shooting and more.
“By pairing the convenience of an ultra-telephoto lens with our innovative stacked CMOS image sensor design, we’ve created a whole new image experience unlike anything else in market today,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “The new RX10 III offers a true ‘all in one’ package that will appeal to a wide range of amateur, hobbyist and professional photographers and videographers.”
New ZEISS® Vario-Sonnar T* 24-600mm F2.4 – F4 Lens
The impressive 24-600mm ZEISS® Vario-Sonnar T* lens on the Cyber-shot RX10 III camera features a large maximum aperture of F2.4 – F4.0, helping it achieve outstanding image quality throughout the entire zoom range, all the way up to ultra-telephoto. This differentiates it from many other high-zoom lenses that often struggle with light-gathering at longer focal lengths. The aperture unit itself has nine blades that are designed to create a near perfect circle in the F2.4 – F11 range, enabling shooters to create content with beautiful bokeh, where the subject stands out against a softly defocused background.
In total, the extended zoom lens features eight ED glass elements including one super ED glass element, five ED glass elements and two ED aspherical lenses, which all work together to minimize chromatic aberration and deliver high-contrast, ultra-sharp image quality. It also has ZEISS® T* Coating for minimizing flare and ghosting and delivering accurate, faithful color reproduction.
The new lens has built-in Optical SteadyShot™ image stabilization that helps to reduce camera shake and image blur, in particular when shooting at longer focal lengths. When active, the OSS is equivalent to shooting at a shutter speed approximately 4.5 stops3 faster than the current setting of the camera.
Additionally, with a minimum focusing distance of 72 cm (2.36 ft) and 0.49x maximum magnification at a fully extended 600mm, the new lens is capable of producing amazingly detailed tele-macro images.
High Quality Image Detail
The RX10 III features a back-illuminated 20.1 MP 1.0-type stacked CMOS sensor and BIONZ X image processing engine that allow the camera to achieves a wide sensitivity range of ISO 644 – ISO 12800 and produce images with exceptionally low noise, even at higher sensitivity settings.
Additionally, the rear of the sensor has a DRAM chip that allows it to read and process large volumes of data exceptionally fast, enabling the camera to shoot super slow motion video at up to 960 fps. The powerful DRAM chip also allows the RX10 III to shoot continuously at up to 14fps with minimal blackout.
With shutter speeds as fast as 1/32000 second, the electronic shutter on the RX10 III minimizes image distortion at faster shutter speeds. It also offers silent shooting at all settings and speeds, ensuring all content can be captured quietly without disrupting the subject, a powerful feature when combined with the wide-ranging zoom lens.
High Quality 4K Movie Recording
The new RX10III model becomes the latest and most versatile Cyber-shot RX camera to offer the advantages of 4K (QFHD 3840×2160) movie recording thanks to its far-reaching 24-600mm lens, which gives videographers the luxury of shooting high quality 4K video from extreme distances.
In 4K video mode, the RX10 III camera utilizes full pixel readout without pixel binning, capturing approximately 1.7x more information than is required for 4K movie output to enhance image detail and minimize moiré and jaggies. It achieves these high-quality results through use of the XAVC S codec, which records video at a high data rate of up to100 Mbps during 4K recording and up to 50 Mbps during full HD recording5.
The new camera also has a variety of other professional caliber video features including Picture Profile, S-Log2/S-Gamut, Gamma Display Assist, Time Code and more, as well as input for external microphone and output for headphone monitoring.
Super Slow Motion Video Recording
The new RX10 III also possesses the ability to record super slow-motion video at up to 40x slower than the standard rate, allowing users to capture and replay fleeting moments of action with incredible detail, resolution and clarity.
In “HFR” (high frame rate) setting, it offers the option to choose among 960fps, 480fps and 240 fps frame rates and among 60p, 30p and 24p playback formats4,5 with the option to use the movie record button as a ‘start trigger’ to begin recording once button is pressed or ‘end trigger’ to record footage up until the button is pressed.
High Speed Autofocus
The new RX10III camera is equipped with an impressive autofocus system with spatial object detection, allowing the camera to detect and predict motion of a subject before the shutter button is pressed, This helps the camera achieve an incredibly fast and efficient AF response when the shutter is halfway pressed, enabling it to lock on to a subject in as little as 0.09 seconds 8. This is a yet another compelling technology, especially when paired with a versatile, highly capable 25x zoom lens with a range up to 600mm.
Ergonomics and Design
Aesthetically, the new RX10 III features a number of upgrades compared to existing RX10 models including triple lens rings for focus, zoom and aperture for direct, precise control. The hand grip shape has also been optimized for the new high-magnification, large-aperture lens to enhance stability when holding the camera at eye level. There is a new focus hold button on the lens barrel as well, allowing the focus to be easily locked on a subject while the shooter reframes the image.
The new model features a high-contrast XGA OLED Tru-Finder™ with approximately 2.35 million dots of resolution, ensuring true-to-life image preview and playback functionality. The camera is also dust and moisture resistant and both Wi-Fi® and NFC™ compatible, with the ability and can access Sony’s growing range of PlayMemories Camera Applications.
Product Photos
Popular Photoshop Plug-in Nik Collection Becomes Free
Google makes Popular photography filter software “NIK Collection” free. The collection was originally priced at $500, but after Google acquired Nik, the price was dropped to $150. On March 24, 2016, Google announced that they will make the entire Nik Collection free for download.
“Photo enthusiasts all over the world use the Nik Collection to get the best out of their images every day. As we continue to focus our long-term investments in building incredible photo editing tools for mobile, including Google Photos and Snapseed, we’ve decided to make the Nik Collection desktop suite available for free, so that now anyone can use it.
The Nik Collection is comprised of seven desktop plug-ins that provide a powerful range of photo editing capabilities — from filter applications that improve color correction, to retouching and creative effects, to image sharpening that brings out all the hidden details, to the ability to make adjustments to the color and tonality of images.
Starting March 24, 2016, the latest Nik Collection will be freely available to download: Analog Efex Pro, Color Efex Pro, Silver Efex Pro, Viveza, HDR Efex Pro, Sharpener Pro and Dfine. If you purchased the Nik Collection in 2016, you will receive a full refund, which we’ll automatically issue back to you in the coming days.
We’re excited to bring the powerful photo editing tools once only used by professionals to even more people now. “
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