LEICA D-LUX (Typ 109) – Solid Gray
Product Summary
- Model Name: LEICA D-LUX (Typ 109)
- Release Date: November 10, 2015
- Focus Type: Autofocus / Manual
- Format : Four-Thirds
- Color: Solid Gray
- Availability: November 2015
- Price: $1,095
- Purchase options: TBA
Key features
- Large four-thirds sensor
- Leica DC Vario-Summilux 10.9–34 mm f/1.7–2.8 ASPH (24 to 75 mm in 35 mm format)
- 4K video capability
- Integrated Wi-Fi module for remote camera control
Press Release
Leica presents a newly styled, two-toned alternative to the standard Leica D-Lux model
November 10, 2015 – Leica Camera announces the Leica D-Lux (Typ 109) Solid Gray, a sleek and stylish new version of the popular Leica D-Lux compact camera. The Leica D-Lux Solid Gray is a two-toned model featuring a gray enamelled body with silver lens and control dials, giving the camera a sleek and modern look. The new version will shoot photos of the same impressive quality as the traditional Leica D-Lux (Typ 109), while also serving as an elegant and sophisticated accessory.
The trendy new camera will include a Leica CF D flash in silver and a custom-made camera carrying strap that’s color-matched to the new model, making it a convenient and elegant companion for capturing unique moments in day-to-day life. The handcrafted leather carrying strap features custom Leica embossing, and its broad form and non-slip lining make carrying the camera extra comfortable.
The technical specifications are identical to those of the standard model and uphold the same extensive range of features, versatile functions and intuitive handling that Leica is known for. Among the outstanding highlights of the camera are a fast, Leica DC Vario-Summilux 10.9–34 mm f/1.7–2.8 ASPH lens that is ideally matched to its large four-thirds sensor, delivering exceptional imaging performance. The zoom lens, which is equivalent to 24 to 75 mm in 35 mm format, gives it an extremely practical range of focal lengths, making it ideal for almost all genres of photography – from portraits to landscapes, architecture to macro, and the classic mainstay of Leica cameras, reportage photography.
Its 4K video capability and integrated Wi-Fi module for remote camera control give photographers further creative options, with the ability to share still and moving pictures to a smartphone or tablet. The Leica Image Shuttle app required for this function can be downloaded free of charge and installed on iOS or Android devices.
The Leica D-Lux Solid Gray, priced at $1,095 will be available at the end of November 2015 at your local Leica Store, Leica Boutique or Leica dealer.
Product Photos
Nikon COOLPIX S9900 – New Firmware Version 1.1
Nikon COOLPIX S9900 Firmware Update, Version 1.1
Change log
• Fixed an issue that resulted in Points of Interest (POI) for Hong Kong, Macao, and Taiwan not displaying correctly.
Download Firmware Update
Sony a68 SLT
Precision Photography: Sony introduces α68 A-mount camera with 4D FOCUS
Uncompromising features and performance for demanding amateur photographers
- 4D FOCUS for fast, accurate tracking autofocus with world’s highest[i] number of 79 AF points
- Translucent Mirror Technology™ delivers constant AF tracking at up to 8fps[ii] continuous shooting
- 24MP[iii] APS-C Exmor™ CMOS image sensor delivers wide ISO 100-25600[iv] sensitivity range
- BIONZ X™ image processing engine enables the capture of high-quality images
- Precise OLED Tru-Finder™, tiltable LCD monitor, top display panel and custom controls
- SteadyShot™ INSIDE works with all 34 A-mount lenses
- Full HD video with high bit-rate 50Mbps XAVC S[v] format
The new α68 (ILCA-68) camera from Sony lets enthusiastic photographers discover even more creative opportunities with their precious collection of A-mount lenses.
Inheriting many pro-style features from the acclaimed α77 II, the α68 features Sony’s unique 4D FOCUS system that delivers extraordinary AF performance under any shooting conditions – even in lighting as low as EV-2 where other cameras struggle.
This phase detection system uses no less than 79 autofocus detection points including 15 cross points, plus a dedicated F2.8 AF sensor point for dimly-lit scenes. It all adds up to fast, wide area AF with predictive tracking that locks faithfully onto fast-moving subjects. And thanks to Sony’s unique Translucent Mirror Technology, the α68 delivers constant AF tracking at up to 8fps[ii] continuous shooting.
Whether you’re shooting stills or movies, peerless image quality is assured by the 24MP[iii] APS-C Exmor CMOS image sensor with wide ISO 100-25600[iv] sensitivity range. It’s teamed with Sony’s speedy BIONZ X image processor that uses Detail Reproduction and Diffraction-reducing Technologies plus Area-specific Noise Reduction for pristine, finely detailed shots every time.
Full HD movies use the efficient XAVC S[v] format for high bit rate recordings at up to 50 Mbps with outstanding detail and low noise. And thanks to Sony’s unique Translucent Mirror Technology, you can enjoy non-stop continuous autofocus that effortlessly tracks moving subjects for crisp, professional looking footage, whichever format you choose to record in.
With a powerful array of creative features to explore, the α68 has plenty to offer experienced amateurs as well as step-up photographers and newcomers to interchangeable lens cameras.
Framing stills and movies is a pleasure through the clear, bright OLED Tru-Finder. 100% frame coverage ensures you see exactly what you’re shooting, with high contrast and faithful colour reproduction helping you focus manually with absolute confidence.
Complementing the Tru-Finder, the 2.7-type LCD monitor tilts up to 135 degrees upwards or 55 degrees downwards for comfortable composition from a wide variety of shooting angles. Serious photo enthusiasts will also value the backlit top display that allows quick confirmation of camera settings, whether you’re shooting handheld or on a tripod.
As found on the critically praised α7 series, there’s a control wheel on the camera’s rear that allows quick fingertip adjustment of camera settings. In addition, 10 customisable buttons[vi] can be assigned for instant access to frequently-used functions. There is a front control dial for quick adjustments of settings and a sturdy grip to ensure that you are balanced, even when using heavyweight prime or telephoto lenses.
SteadyShot INSIDE reduces the effects of camera shake for blur-free handheld shooting – at all focal lengths and with any compatible lens.
The inclusion of a Multi Interface Shoe and Multi Terminal lets you expand creative options further with a wide range of optional accessories, including flashes, lights, microphones and remote commanders.
The new α68 A-mount interchangeable lens camera from Sony will be from March 2016 for approximately €600 body only or €700 with DT18-55mm F3.5-5.6 SAM II lens.
[i]Among interchangeable-lens digital cameras with a dedicated phase-detection AF sensor (as of November, 2015).
[ii]In Tele-Zoom Continuous Advance Priority AE
[iii]Approximate effective megapixels
[iv] Still Images: ISO 100 – 25600, Movies: ISO100 – 12800 equivalent
[v]A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format
[vi] Total 10 customisable buttons including two dedicated custom buttons + 8 assignable buttons
[vii]NTSC / PAL
Additional Images
Phase One Releases Feature Update #1 for XF Camera System
The firmware of the Phase One XF camera system enhances the core functionality of the XF camera system. The firmware keeps the XF camera system moving forward by implementing new and clever feedback from the market, and it utilizing the camera system hardware with the latest advances to deliver improved stability and performance
The XF Feature Update #1 delivers the latest XF camera system functionality, including:
1. Focus confirmation with the Waist Level Finder shown on the XF OneTouch UI
2. Seismographic monitoring in Low Vibration mode: capture is delayed until zero
vibration is recorded within the set maximum delay.
3. BullsEye Level tool on the XF OneTouch UI. This provides easy leveling of the camera
in horizontal position.
4. Histogram on XF OneTouch UI.
5. New setup and calibration of the Hyperfocal point.
6. XF Live View focus step from Capture One.
7. IQ language localization of the user interface to cover:
a. Chinese (simplified)
b. English
c. French
d. German
e. Italian
f. Japanese
g. Korean
h. Russian
i. Spanish
j. Swedish
8. IQ Digital Back input of copyright information for RAW file metadata
9. General stability and bug fixing.
Download Firmware Update
The Great Photo App – Paid Photography Apps Become Free – for iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
The Great Photo App
Normal Price : $ 2.99
Download Now
Photo academy in your pocket! The basics of photography for beginners and useful tools for professionals.
Even though everyone has a camera these days, taking a truly good picture still requires knowledge and mastery.
With Great Photo App, you will start learning photography by practicing: with the help of interactive lessons, you will gradually gain understanding of the foundations of the art of photography.
We will take you on the road to knowledge through the varied aspects of photo making with the help of easy to understand exercises. Just like a real friend, the app will point out your mistakes and praise your successes.
You will learn:
– What exposure is, how to select the right exposure, and what influences this.
– Aperture. Its full importance and all of its effects for your pictures.
– Shutter speed. You decide whether to freeze time or slow it down. We are giving you the key to understanding this process.
– ISO. Demonstration of how ISO affects exposure and image noise.
– Depth of field. Visual presentation of everyone’s favorite blurred background.
– Camera lenses. Study the difference between focal lengths by taking pictures of a beautiful model using a variety of lenses;
– White Balance; what is White Balance and color temperature and how to use it;
– Basics of studio light; what is the difference between rim light and fill light? How to correctly set up your first lighting scheme;
– Lighting setups for studio portraits; 10 core lighting setups for studio photograpy with datailed light source diagrams;
– Studio light: professional tool for choosing studio lighting setups;
– Studio portrait+: 18 more studio portrait lighting setups.
Location light
The comprehensive lighting manual will give you the opportunity to find yourself at the shooting location complete with an obedient model and lighting equipment.
Experience for yourself what it means to shoot in artificial light.
You will have access to more than 1,000 lighting setups for your quests, studies, and demonstrations.
Easy interface, friendly environment, and our personal team of models.
Start your photographic adventure with The Great Photo App and get on the road to the best picture.
Tenba Introduces Cooper bags with Quiet Velcro
NORTH WHITE PLAINS, NY OCTOBER 29, 2015
Refined Bags with Uncompromising Pro Performance
Tenba has introduced a new collection of luxury canvas and leather bags that combine Tenba’s hallmark professional performance with a classic messenger silhouette. Made from soft cotton canvas with full grain leather trim, Cooper bags exude timeless elegance on the outside, while the inside meets the critical demands of today’s imagemakers.
Quiet Velcro
Photographers and filmmakers are often called upon to work as silently as possible in quiet environments, so the Cooper bags have been outfitted with Tenba’s exclusive Quiet Velcro. By pulling down on the flap before pulling away from the bag, the velcro will disengage without noise, allowing access to the interior without drawing attention.
Exquisite Materials
From the full grain leather to the hand-riveted zipper pulls, Cooper materials have been carefully selected for their balance of style, strength and light weight. The peach-wax cotton canvas exterior has been specially coated to provide excellent water repellency, and it has been backed with an ultra light silicone-coated ripstop nylon liner. The full-grain leather base and trim has also been treated for waterproofness, just as with any outdoor apparel, so it is ready for every shooting condition.
“The photographers and filmmakers we work with will tear through anything that’s built to be precious and cute,” says Peter Waisnor, Vice President of Tenba. “We wanted to build a luxury bag that you can drag through the mud and shoot with in the rain.”
Professional Features
These bags include all the accessibility, durability and weather resistance that Tenba bags are known for, including Tenba’s signature Quick Access™ top zipper, silver/black reversible rain cover, rear laptop/tablet pocket, removable padded camera insert and smart interior organization. In addition, discrete slim side pockets can be used in their low-profile mode, or they can be expanded to hold a water bottle or professional zoom lens (up to 24-70mm 2.8 on Cooper 13 DSLR and Cooper 15).
A Size for All Needs
Cooper bags come in four sizes to fit everything from mirrorless/csc/rangefinder cameras with an iPad mini, up to large DSLRs with a 15-inch laptop. The Cooper 13 Slim is a unique configuration, built to protect a pro mirrorless camera system and still allow space for video accessories like microphones and a sound recorder.
Shipping and Prices
Cooper bags are shipping on November 1st, with retail prices of $169.95 for the Cooper 8, $229.95 for the Cooper 13 Slim, $249.95 for the Cooper 13 DSLR and $299.95 for the Cooper 15.
Product Photo
Nikon D810 – New “C” Firmware Version 1.10
Nikon D810 Firmware “C” Version 1.10
Change log
• An External recording control option has been added to the HDMI item in the SETUP MENU. If the camera is connected via HDMI to a third-party recorder that supports the Atomos Open Protocol (the Atomos SHOGUN, NINJA2, or NINJA BLADE), selecting On allows camera controls to be used to start and stop recording. More information is available in a supplementary manual.
Note: Choose an option other than 576p (progressive) or 480p (progressive) for HDMI > Output resolution in the SETUP MENU.
• Fixed the following issues:
– Incorrect distances were shown in the camera playback info display for photographs taken with an optional flash unit in distance-priority manual (GN) mode.
– The brightness of the live view photography display would not change when a command dial was rotated to adjust exposure compensation with On (Auto reset) selected for b Metering/exposure > b4 Easy exposure compensation > Easy exposure compensation in the CUSTOM SETTING MENU.
– Although the preview button would stop the lens down to maximum aperture when assigned the Preview role, the maximum aperture indicator would not appear in the monitor.
– In rare cases, the shutter would not be released when the user attempted to take photographs in movie live view.
– About 4 seconds of static could be heard on audio recorded with external HDMI recorders during movie live view.
– The shutter speed, aperture, and ISO sensitivity displayed in the monitor during movie live view would differ from values in the final movie file.
– Volume could sometimes not be adjusted if movies were played with indicators hidden during full-frame playback (None (image only)).
– Exposure compensation would fail to produce the desired results if a negative value was selected when NEF (RAW) images were processed using the NEF (RAW) processing option in the RETOUCH MENU.
– Images would in rare cases fail to record correctly with HDR (high dynamic range) selected in the SHOOTING MENU.
– If On was selected for Exposure smoothing during interval timer photography, every frame after the first would be overexposed.
– File numbers were not assigned in the proper sequence.
– In some languages, characters or parts of characters would be missing from the SETUP MENU > Location data > Position display.
– In some languages, characters or parts of characters would be missing from the SETUP MENU > AF fine-tune > List saved values display.
• Some help text has been changed.
Download Firmware Update
Nikon COOLPIX L32 – New Firmware Version 1.1
Nikon COOLPIX L32 Firmware Update, Version 1.1
Change log
• Fixed an issue in which the power lamp would light when the power switch was pressed but the lens would not extend, nor would the camera start up normally.
Download Firmware Update
Nikon COOLPIX L30 – New Firmware Version 1.2
Nikon COOLPIX L30 Firmware Update, Version 1.2
Change log
• Fixed an issue in which the power lamp would light when the power switch was pressed but the lens would not extend, nor would the camera start up normally.
Download Firmware Update
Sony α7S II Instruction Manual or User Manual Available for Download [PDF]
Sony Alpha α7S II Instruction Manual or User Manual Available for Download in PDF
Download Links
- Instruction Manual (10.61 MB)
- Help Guide
- Help Guide (Online)
Purchase options
A Comparison between AF-S Nikkor 300mm F4E PF ED VR & AF-S Nikkor 300mm F4D IF-ED Lens
AF-S Nikkor 300mm F4E PF ED VR is the latest 300mm F4 lens from Nikon with all sorts technological advancement. While a standard 70-300mm zoom lens meets the need of most users these prime lenses are targeted for photographers who want optimum image quality and performance for specific purpose. Unlike a consumer zoom lens prime lenses can serve for decades before they are updated. The AF-S Nikkor 300mm f/4D IF-ED lens was released back in 2000.
The new 300mm F4E PF ED VR lens is a lot lighter than the old 300mm f/4D IF-ED. It is perfect for handheld use for long hours and Vibration Reduction shows superb performance. Optical quality is very good as well. You can read my full review here. Now the question comes – should I purchase this New $2000 lens or the old one which is still available at $1300. After using both lenses I optioned for the old model which I have been using for quite a long time. I made the decision by comparing the optical performance of both lenses in different lighting condition (both day & night). Since I always carry a tripod I don’t mind the weight. I will go through some key points that I found out to be important. Consider your nature of photography – what type of pictures you take, what is the lighting condition you mainly encounter, which aperture settings you frequently use etc. Since its a long term investment keep the headache of budget out of your mind when comparing the key points.
Size, Weight & Compatibility
Nikon 300mm F4E PF ED VR lens weighs a mere 755gm while the 300mm f/4D IF-ED is more than 1.5kg. The PF model is remarkably compact compared to the old one. The use of Phase Fresnel lens element helped Nikon keep the lens compact & light weight. The AF-S Nikkor 300mm F4D IF-ED comes with a built in tripod collar and has all metal body. It can be used with any old Nikon camera bodies but 300mm F4E PF ED VR lens has limited compatibility (it can be used with D4-series, D3-series, Df, D810, D800-series, D750, D700, D610, D600, D300-series, D7100, D7000, D5500, D5300, D5200, D5100, D5000, D3300, D3200, and D3100 cameras.).
Auto Focus Performance & Vibration Reduction
The auto focus performance of the new AF-S Nikkor 300mm F4E PF ED VR lens is no better than the old AF-S Nikkor 300mm f/4D IF-ED lens. You can watch their performance in the blind test below. I have not found any improvement while using the lens in the field.
The AF-S Nikkor 300mm f/4E PF ED VR has a 4.5 stop Vibration reduction which performs extremely well. Combined with its lightweight body and VR in action – makes this lens an excellent choice for bird photography.
Flare & Ghosting
Long telephoto lenses are prone to flare and ghosting. The new PF lens shows good performance when it comes to ghosting & chromatic aberration. However PF (Phase Fresnel) lens element has its drawback. According to Nikon “Due to the characteristics of a PF (Phase Fresnel) lens that utilizes the photo diffraction phenomenon, when there is a strong light source within the frame or when light enters the lens from outside of the frame, ring-shaped colored flare may occur according to shooting conditions.” To find out this issue I tested the lens in different lighting condition at night. As you can see the even lighting condition of moon is not a problem for this lens.
However if you are going to shoot street light or building at night the issue becomes very clear. The image below shows how flare will appear if you are going to use a PF lens. The colorful disc around the light source is quite disturbing. In the same lighting condition the old 300mm f/4D IF-ED shows no flare. I used different aperture to see if it helps, but its of no use. To fix the issue Nikon added a feature called “PF Flare Control” in their Capture NX-D software. But to my experience it is of little help. See the examples below…
Optical Performance
After the initial test I was very impressed with the optical performance of AF-S Nikkor 300mm f/4E PF ED VR lens. At open aperture (F4) it managed to bring out very good contrast and smooth color compared to the old version. And difference was quite clear at 100% zoom. I shoot all the images in RAW, processed in Capture NX-D and no sharpening was done. The first batch of images are taken in available indoor light.
From the first set of images it can be noticed that the difference between AF-S Nikkor 300mm F4E PF ED VR & AF-S Nikkor 300mm F4D IF-ED lens starts to fade away around aperture F8. So, I took a more extensive performance test in outdoor with and without Nikon AF-S Teleconverter TC-14E II.
With out Nikon AF-S Teleconverter TC-14E II
At wide open aperture the PF lens shows really good contrast and color. And the images are sharper than AF-S Nikkor 300mm F4D IF-ED lens at aperture F4. The new lens also has less distortion at the edges. As I was reviewing the images at 100% zoom it became clear that their differences in sharpness and overall image quality become minimum at F5.6 and F8. Stopping down the aperture even further at F11 and F16 the AF-S Nikkor 300mm F4D IF-ED lens starts to show better performance. At F22 AF-S Nikkor 300mm F4E PF ED VR lens produced softer images, which get worse at F32. We know at higher aperture images start to become soft due to diffraction. However it affected more the new AF-S Nikkor 300mm F4E PF ED VR lens. All images below are at 100% crop.
PF : AF-S Nikkor 300mm F4E PF ED VR
D : AF-S Nikkor 300mm F4D IF-ED
With Nikon AF-S Teleconverter TC-14E II
Most of the time when shooting bird we keep the 1.4X teleconverter attached with the 300mm F4 lens full time. It increases the focal length to 420mm at F5.6. With Teleconverter on I found out the new AF-S Nikkor 300mm f/4E PF ED VR lens softer in the center at F5.6, this is something I was not expecting. Stopping down to F8 the overall performance of PF model improved with less edge distortion. At F11, F16 and F22 both lens performed equally well without any major difference. At F32 the PF model again showed softer images while the old AF-S Nikkor 300mm f/4D IF-ED had clearly better image.
Conclusion
If I consider the image quality between these two lenses none of them has a clear advantage over the other. The old AF-S Nikkor 300mm F4D IF-ED lens has no Flare or halo issue at all. And it shows overall better image quality at F8 and above with or with-out Teleconverter. The new AF-S Nikkor 300mm f/4E PF ED VR lens on the other hand yield sharper image with good contrast at open aperture.
In auto focus performance both of them are same. Vibration Reduction of PF model is a major advantage over the old non-VR lens.
The AF-S Nikkor 300mm f/4E PF ED VR is an ultra compact feather light lens compared to the old AF-S Nikkor 300mm f/4D IF-ED lens.
So keeping optical performance at the top of the list, if I have to chose a lens which has overall better image quality at wide range of aperture and lighting condition, I will go for old AF-S Nikkor 300mm f/4D IF-ED lens. Here I have to sacrifice the charm of VR and take the burden of extra weight.
The AF-S Nikkor 300mm f/4E PF ED VR lens is perfect if you mostly shoot images at F8 or below and don’t encounter high contrast scene which will create halo in image. And as a bonus you will enjoy the compactness and excellent VR feature of this lens.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Lensbaby Composer Pro II With Edge 50 Optic
Product Summary
- Model Name: Lensbaby Composer Pro II With Edge 50 Optic
- Release Date: 21 October 2015
- Focus Type: Manual
- Format : Full Frame / APS-C
- Mounts: Canon EF, Nikon F, Sony Alpha A, Pentax K, Fuji X, Sony Alpha E, Micro 4/3rds, and Samsung NX
- Availability: October 2015
- Price: $424.95
- Purchase options: TBA
Key features
- Focal Length: 50mm
- Aperture range: f/3.2 through f/22
- 9-blade internal aperture
- Flat field optic (creates a slice of sharp focus)
- Minimum focusing distance: 8” from the front of the lens
- Maximum focusing distance: Infinity
- Focus Type: Manual
- Size/Weight: 3.25” (8.25 cm) high x 2.5” (6.35cm) wide / 10 oz (283.49 g)
- Tilt: up to 15 degrees
- Compatible with the Lensbaby Optic Swap System
- 8 multi-coated glass elements in 6 groups
- 46mm filter threads
Press Release
Portland, OR and New York, New York (PhotoPlus Expo 2015)—October 21, 2015- Lensbaby, providing creative effects lenses to photographers that ignite their creativity and expand their unique visions of the world, today announced the new Composer Pro II with Edge 50 Optic, adding another powerful and creative tool to their Optic Swap System. The product will make its public debut during PhotoPlus Expo 2015, being held October 21-24 at the Javits Convention Center, New York City. Composer Pro II with Edge 50 Optic is designed for shooters ranging from avid enthusiasts and serious hobbyists to semiprofessional DSLR and mirrorless photographers.
Composer Pro II with Edge 50 Optic is a high-quality, 50mm f/3.2 upgraded metal-bodied tilt lens that lets you control depth of field in-camera for an authentic, immersive shooting experience. Photographers can use the lens to create images with a sharp slice of focus bordered by silky, smooth blur. The lens body swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Using selective focus, shooters can lead the viewers’ eyes on a unique journey through landscapes, close-ups, miniature effects, street photography and food photos.
“Since the beginning, Lensbaby’s products have inspired new levels of creativity where the limits of traditional lenses have been reached,” said Craig Strong, Lensbaby Co-founder & Chief Creative Officer. “Composer Pro II with Edge 50 builds on the history and success of the original Composer Pro with a look and feel equal to the industrial design of Velvet 56, our high-end classic portrait lens. Lensbaby provides the most unique and creative camera lenses anywhere.”
Composer Pro II with Edge 50 Optic provides a gateway to an endless supply of creativity tools. Compatible with the Lensbaby Optic Swap System, it provides limitless options for photographers to swap optics in an out of the Composer Pro II lens body to change effect and focal length.
Visitors to PhotoPlus Expo 2015 can view a demo of the Composer Pro II with Edge 50 Optic at the exhibit hall, booth #372.
Product Photos
Sample Images
More here
Specifications
Purchase options
TBA
Nikon COOLPIX AW130 – New Firmware Version 1.1
Nikon COOLPIX AW130 Firmware Update, Version 1.1
Change log
• Fixed an issue that resulted in Points of Interest (POI) for Hong Kong, Macao, and Taiwan not displaying correctly.
Download Firmware Update
Fuji XF1.4X TC WR – Teleconverter
Product Summary
- Model Name: FUJINON XF1.4X TC WR
- Release Date: 21 October 2015
- Focus Type: Autofocus / Manual
- Mounts: Fuji
- Color: Black
- Availability: Mid- November 2015
- Price: $449.95/ £329
- Purchase options: B&H
Key features
- Multiplies focal length of FUJINON XF50-140mmF2.8 R LM OIS WR by 1.4x
- Weather-resistant design for weather- and dust-resistance and operation as low as 14°F
- 7 elements in 3 groups
- AF speed equivalent to XF lens by itself is still achieved with the teleconverter
- Camera displays and records information reflecting the change in aperture and focal length when the teleconverter is mounted.
Features
The new FUJINON XF1.4X TC WR, a teleconverter extending the range of FUJINON XF50-140mmF2.8 R LM OIS WR, will be added to the X-Series mirrorless camera lens line-up in November 2015. The XF1.4X TC WR will be compatible with select future lenses, including the FUJINON XF100-400mm lens, which is currently on the XF lens road map.
The FUJINON XF1.4X TC WR is a high-performance teleconverter capable of multiplying thi e focal length of the FUJINON XF50-140mmF2.8 R LM OIS WR by 1.4x, (70-200mm equivalent). Although the aperture becomes one f-stop higher when mounted, the teleconverter features an excellent optical design with a construction of 7 elements in 3 groups to maintain the optical performance of the original lens. Also, thanks to the unified design, the teleconverter is weather and dust-resistant and operates at temperatures as low as 14°F. This makes it possible to be used with confidence outdoors when used with the weather and dust-resistant X-T1 camera body.
New Firmware
Fujifilm will release a new firmware update that is required for all Fujifilm X-Series camera bodies in order to provide full compatibility with the new lens and teleconverter. The firmware will be available on October 29, 2015
Product Photos
Sample Images
Specifications
| Lens configuration | 7 elements 3 groups |
| Focal length | 1.4x that of original lens |
| Max. aperture | 1 additional stop |
| Min. aperture | 1 additional stop |
| Focus range | Approx. same as that of original lens |
| Max. magnification | 1.4x that of original lens |
| External dimensions: Diameter x Length (distance from camera lens mount flange) |
Approx. φ58mm x 15mm |
| Weight (excluding lens caps ) |
Approx.130g |
Purchase options
Available at B&H
Fujinon XF 35mm f/2 R WR
Product Summary
- Model: FUJINON XF 35mm f/2 R WR
- Release Date: 21 October 2015
- Focus Type: Autofocus / Manual
- Format : Full Frame / APS-C / Crop Sensor
- Mounts: Fuji XF
- Color: Black | Silver
- Availability: Mid- November 2015
- Price: $399.95 | £299.00
- Purchase options: B&H
Key features
- FUJIFILM X-Mount is compatible with all FUJIFILM X-Series interchangeable system cameras
- Weather-resistant design with 8 sealing points for weather- and dust-resistance and operation as low as 14°F
- Internal focusing system with 0.08 seconds autofocus speed and nearly silent operation
- 9 elements in 6 groups, including 2 ED glass lens elements to reduce lateral and axial chromatic aberration
- Nano-GI coating reduces ghosting and flare
- 9 blade aperture creates smooth and circular bokeh
- 1/3 EV steps
- Minimum working distance of approximately 13 inches.
Features (Press)
The new FUJINON XF35mmF2 R WR will be added to the premium X-Series mirrorless camera lens line-up in November 2015. The XF35mmF2 R WR (53mm in 35mm format equivalent) offers a focal length with the angle of view similar to that of the human eye, and a maximum aperture of F2.0.
The FUJINON XF35mmF2 R WR gives users a superior prime lens that delivers sharp images with rich bokeh. The XF35mmF2 R WR has 9 lens elements in 6 groups (including two aspherical elements) and achieves the perfect balance of high image quality, compact size and autofocus speed as fast as 0.08 seconds. The exterior of the lens is weather and dust-resistant and can work in temperatures down to 14°F. The lens uses eight seals on the barrel to protect it from rain, dust and splashes of water when shooting outdoors. The XF35mmF2 R WR also uses an internal focus system that is combined with a stepping motor to produce quiet, accurate and fast autofocus – a must for all photographers that need to capture a spontaneous moment.
1. Sharp, rich image quality
Lens construction of 9 elements in 6 groups delivers sharp, high-quality images, even at the widest aperture of f/2.0.
2. Compact and discrete
Two aspherical lenses are used to ensure a small and compact exterior. At just 45.9mm in length and with a diameter of 60mm, the slim and stylish design allows comfortable operation and draws minimum attention to the photographer, making it the perfect lens for portrait, street or reportage photography.
3. Fastest autofocus speed of 0.08 sec
An inner focusing system, which moves the small and lightweight lens elements, is combined with a stepping motor to produce quiet, accurate and fast autofocus – a must for all snap shooters that need to capture a spontaneous moment.
4. All metal exterior, weather and dust-resistant and -10°C low-temperature operation
The all-metal construction of the lens exterior ensures it is durable enough for a wide variety of shooting situations. The fine texture of the metal parts further enhance the shooting experience and ensure it can be operated easily and accurately with wet or gloved hands. The lens features a weather- and dust-resistant structure with eight seals on the lens barrel keeping the lens protected from rain, dust and splashes of water when shooting outdoors. It can also work in temperatures as low as -10℃.
5. Two types of lens hood
Lens hoods block unnecessary light from entering the lens to maximise optical performance. There are two types of lens hood available for the XF35mmF2 R WR. A lightweight and compact circular lens hood is included with it and a classical and stylish metal hood LH-XF35-2 is available for purchase as an optional accessory. Both lens hoods allow the front lens cap to be used while attached.
New Firmware
Fujifilm will release a new firmware update that is required for all Fujifilm X-Series camera bodies in order to provide full compatibility with the new lens and teleconverter. The firmware will be available on October 29, 2015
Product Photos
Sample Images
Specifications
| Lens configuration | 9 elements 6 groups | |
| (includes two aspherical elements) | ||
| Focal length | f=35mm (35mm format equivalent：53mm) | |
| Angle of view | 44.2° | |
| Max. aperture | F2 | |
| Min. aperture | F16 | |
| Aperture control | Number of blades | 9(rounded diaphragm opening) |
| Step size | 1/3step (19 steps) | |
| Focus range | 35cm – ∞ | |
| Maximum magnification | 0.135x | |
| External dimensions: Diameter x Length (approx.) | φ60.0mm x 45.9mm | |
| (distance from camera lens mount flange) | ||
| Weight (approx.) (excluding caps and hoods) | 170g | |
| Filter size | φ43mm | |
| Accessories included | Lens cap FLCP-43 Lens rear cap RLCP-001 Lens hood Wrapping cloth |
|
Purchase options
Leica SL (Typ 601)
Product Summary
- Model name: Leica SL (Typ 601)
- Release Date: October 20, 2015
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Leica SL
- Color: Black
- Availability: November 2015
- Price: $7,450
- Purchase options: Adorama | B&H
Key features
- Largest, fastest & highest resolution EVF (4.4 MP@60FPS / X 0.8 magnification)
- Fastest burst rate: 11 fps@ 24 MP, 1080p@120 fps, 4 k (UHD) @ 30 fps & Cine4K @ 24 fps
- Fastest AF in full frame system cameras
- 24-MP CMOS sensor: ISO 50-50,000 for highest performance under every lighting condition
- Best in class image quality with all supported Leica lenses (SL, S, R, M, T & Cine)
- Fastest SD standard (UHS2) with a secondary (UHS1) back up SD card slot
- Best video quality: 4k at 30 fps (Super 35), 1080HD@120fps (FF) (10 bit via HDMI out)
- Weather sealed to protect from spray water and dust
- Shutter speed from 30 min (bulb) – 1/8,000s (mechanical)
- Ultrasonic sensor cleaning
- Latest generation of Leica Professional user interface with hybrid touch operation
- Integrated WiFi and GPS module
- State of the art connectivity: Remote control, Viewer & Sharing App for iOS & Android
- Made in Germany & milled from solid blocks of aluminum
Features (Press)
UNPARALLELED ADVANCES IN SPEED
Utilizing 2 GB of buffer memory, the processor makes it possible to capture 24-megapixel exposures at rates of up to 11 frames per second, 4K video at 24 or 30 frames per second, and Full-HD video up to 120 frames per second. Pictures can be quickly saved to one or both of the SD memory card slots, in JPEG and RAW DNG formats simultaneously. The primary card slot utilizes the UHS II standard to ensure the main card attains the highest speeds currently possible. The combination of outstanding imaging performance, superior resolution, and the fastest autofocus makes working with the Leica SL the ideal experience for the demands of professional photographers.
STRIKING CMOS SENSOR
The Leica SL’s 24-megapixel CMOS full-frame sensor guarantees impressive dynamic range, excellent contrast rendition, exceptional sharpness, the highest resolution, and noise-free images in almost all lighting conditions, with shutter speeds from 30 minutes to 1/8000 second. The sensor reveals its full potential in combination with Leica SL lenses, especially in available-light situations, creating superior-quality atmospheric exposures at sensitivities of up to 50,000 ISO. What also sets this sensor apart is that it is optimized for use with all Leica M-Lenses; in addition to supporting all their functions, it delivers the excellent picture quality synonymous with Leica for more than a century.
UNRIVALED VERSATILITY AND ADAPTABILITY
The Leica SL system’s new lenses will boast the superior optical and mechanical precision that users have come to expect from Leica. The ideal standard zoom lens in the portfolio, the Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH, encompasses wide-angle to moderate telephoto perspectives at fast apertures. The speedy Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 will follow in early 2016, and the portfolio will be rounded out by the Leica Summilux-SL 50 mm f/1.4 ASPH, the new benchmark lens for this focal length, in late 2016.
The exceptional compatibility of the Leica SL system also allows access to almost every Leica lens ever made, giving photographers the ability to use all of the quality Leica lenses they have invested in over time. All lenses for the Leica T camera can be used without an adapter on the Leica SL. In addition, adapters allow Leica S, M and R system lenses, as well as lenses from other manufacturers, to be mounted on the Leica SL. Additional Leica SL Lenses are set to be released in 2016.
ADVANCED VIEWFINDER AND TOUCHSCREEN DISPLAY
Developed especially for the Leica SL, the electronic viewfinder is the first of its kind to feature Leica EyeRes technology. With a refresh rate so high the view is always smooth and consistent, an impressive resolution of 4.4 megapixels for amazing detail, and a magnification reminiscent of a medium format camera, this electronic viewfinder reveals an entirely new visual experience. By offering a preview of how the settings will apply with just a partial press of the shutter release, the viewfinder provides optimum control over the final picture in any situation. The EyeRes viewfinder is activated simply by looking through it. In addition, the Leica SL also features a 2.95-inch rear display with a viewing angle of up to 170 degrees that enables reliable viewing of pictures and intuitive touchscreen menu navigation.
PROFESSIONAL VIDEO IN CINEMATIC RESOLUTION
Much more than a still-picture camera with video-recording capability, the Leica SL fulfils the most stringent demands of professional cinematographers, enabling the production of professional videos in 4K resolution. Videos can be recorded in Ultra-HD at up to 30 frames per second, or in Cine4K at 24 frames per second. In Full-HD, the Leica SL can record video up to 120 frames per second, using the entire sensor area, for beautiful and smooth slow-motion effects.
The Leica SL’s logical and intuitive handling allows seamless switchover from stills to motion-picture recording. As soon as the camera is in video mode, the display shows only relevant information for video, such as safe area, aspect ratio, zebra function and the recording level of the microphone. An optional audio adapter allows users to connect an external microphone; the audio-recording level can be set without accessing the menu. Videos can be output in 4:2:2 10-bit format in 4K resolution over HDMI 1.4, allowing cinematographers to get the highest color and video quality and control needed from the camera.
BUILT FOR DURABILITY
The “Made in Germany” seal of quality for the Leica SL system guarantees that only the finest materials and craftsmanship are used in its construction. The SL’s solid-aluminium body components, and precisely engineered weather-resistant seals around controls and in the lenses, provide optimum protection against dust, moisture and splashes. Meanwhile integrated ultrasonic sensor cleaning removes dust and dirt, preventing them from showing up in images. The glass covering the back panel display is extremely scratch-resistant and features an anti-glare coating. All these properties make the camera an ideal tool for use in the unpredictable conditions professional photographers face.
Product Photos
Sample Images
Specifications
Purchase options
Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH zoom lens
Product Summary
- Model: Leica APO-Vario-Elmarit-SL 1:2, 8-4/90-280mm ASPH
- Release Date: 16 June 2014
- Focus Type: Autofocus / Manual
- Format : Full Frame / APS-C / Crop Sensor
- Mounts: Leica SL
- Color: Black
- Availability: November 2015
- Price: $4,950
- Purchase options: Adorama | B&H | Amazon
Key features
- L Mount Lens/Full-Frame Format
- Aperture Range: f/2.8 to f/22
- Four Aspherical Elements
- 11 Anomalous Partial Dispersion Elements
- AquaDura Coating on Outer Elements
- Stepping AF Motor and Linear Positioning
- Optical Image Stabilization
- Internal Focus, Non-Rotating Filter Ring
- Dust and Moisture-Resistant Design
Overview
Offering a versatile wide-angle to portrait-length range, the Vario-Elmarit-SL 24-90mm f/2.8-4 ASPH. is a fast standard zoom from Leica designed for full-frame L mount mirrorless cameras. The 18 elements in 15 groups lens construction incorporates four aspherical elements and 11 anomalous partial dispersion elements, which help to reduce chromatic aberrations and distortions throughout the zoom range for notable image sharpness and clarity. The f/2.8-4 maximum aperture benefits working in a variety of lighting conditions and also offers greater control over focus position for working with shallow depth of field techniques. Designed for consistent performance at all focal lengths and focusing distances, the versatility this lens affords is well-suited to nearly any photographic application.
Complementing the imaging performance is an apt 3.5-stop effective Optical Image Stabilization system that minimizes the appearance of camera shake for sharper handheld shooting in difficult lighting conditions. A silent and precise autofocus motor also benefits both stills and video capture, and utilizes an internal focusing mechanism to quicken overall performance. This focusing design also prevents the front 82mm filter ring from rotating during use to better enable the use of circular polarizing or graduated filters. Additionally, this lens features Leica’s AquaDura hydrophobic coating on the front and rear elements, to guard against moisture and smudging, and a fully dust and water-sealed design to protect the lens during use in inclement environments.
Product Photos
Sample Images
Specifications
Purchase options
Nikon AF-S Nikkor 300mm f/4E PF ED VR Lens Review
Nikon announced the AF-S Nikkor 300mm f/4E PF ED VR lens in early 2015. An update of AF-S Nikkor 300mm f/4D IF-ED lens after a long time which was released back in 2000. The old master was renowned for its optical performance and still a highly regarded lens. So all of us anxiously waiting to see how the new kid out perform the old one and by what margin.
After the initial release some users pointed out the lens has issues with Vibration Reduction performance. In March 2015 Nikon acknowledged the issue and released a service advisory stating that they will fix the affected models and lens with serial number of 205101 or later has already been updated.
The key feature AF-S Nikkor 300mm f/4E PF ED VR lens has is its compact size & weight. Besides the incorporation of 4.5 stop VR is something Nikon users were cravings for a long time.
I have been using the old AF-S Nikkor 300mm f/4D IF-ED lens for quite sometime. As a result I know what are areas Nikon needed to update. Optically the old lens is very good, but it weighs 1.5 kg and has no VR. Using the lens handheld for long hours and in early morning is very difficult. Nikon fulfilled both the issues in a way beyond my expectation.
Construction
I really loved the compact size of the new PF lens. The plastic body is sturdy enough to give a solid feel. Its made in China like an iPhone. The shape of the lens is good for hand holding. Focusing ring and lens control switches are well placed. White lens mounting mark is prominent, which is easy to find out. The lens mount has rubber gasket for weather sealing. As an “E” series lens it has no aperture control lever in rear end.
Left : AF-S Nikkor 300mm f/4E PF ED VR | Right : AF-S Nikkor 16-35mm f/4G ED VR
The plastic lens hood HB-73 has a bayonet mount. Front end of the lens has a protective soft rubber ring. The 77mm filter thread is buried inside which makes it little difficult to screw in the UV filter. You can clearly see the difference in filter thread placement in following images.
Filter Attachment thread : AF-S Nikkor 300mm f/4D IF-ED
Filter Attachment thread : AF-S Nikkor 300mm f/4E PF ED VR
Nikon kept the Tripod collar ring RT-1 as an optional purchase. While using the lens I never felt the need of a tripod collar. My camera body with vertical grip weighs more than a kilo which counter balance the lens easily. Most standard professional lenses that weighs less than a kilo don’t need a tripod collar. The tripod collar ring may be a helpful for light weight body like Nikon D5500 or D3300.
The major improvement Nikon did with this lens is the addition of Phase Fresnel (PF) lens elements. According to Nikon –
“The PF lens element is based upon the Phase Fresnel lens, which appears to have a series of concentric circles engraved onto it.”
The Phase Fresnel element is not normally visible. But you can see this glass element from certain angle relative to direction of light source. It helped Nikon to reduce the number of glass elements used in the lens resulting in a lightweight and compact lens.
Auto Focus Performance
Now a days auto focus is something that is available even in the cheap mobile phones. But for a prime lens like this we need something more than ordinary. In a sunny environment any lens can lock on to its subject easily. The real test is when situation gets tricky. For example I shoot a lot time in sub tropical forest. Shooting birds in the shade of big trees and sun peeping through the leaves makes focusing a lot difficult. The image below shows a condition where the black crested bulbul came for a few seconds before it fly away. I didn’t get the chance to fix the exposure to match the lighting condition and sun was shinning right behind the bird.
Otherwise I was shooting in a dark environment like below.
I felt the auto focus performance of this lens has not improved. The focusing speed is equal to that of old AF-S Nikkor 300mm f/4D IF-ED lens. Which is not quick enough for a modern lens. The lens can focus easily in good lighting condition but in the forest it was fumbling. I had to manually override the lens a lot of time to lock on to subject. Good thing is the focusing ring is well dampened, so its easy to focus manually. Here is test that shows focusing speed compared to the older model with and without Nikon AF-S Teleconverter TC-14E II. I used Nikon D700 body and lens cap was on.
Vibration Reduction
In bird photography we set out in early morning when light is low. It may be a boat ride through canal or a walk in the forest. Even with ISO 1600 or 3200 shutter is not high enough to shoot handheld with a 300mm lens or 420mm (with 1.4X Tele-converter). The addition of 4.5 stop Vibration Reduction to this lens feels like a charm. I found it to be extremely useful. I compared the VR functionality with AF-S Nikkor 70-200mm f/2.8G ED VR II, and the AF-S Nikkor 300mm f/4E PF ED VR delighted me. For test purpose I shoot with a shutter speed as low as 1/10 sec and took 7 consecutive images. With lighter 300 F4 PF I got four images sharp enough to meet my demand while the 200mm F2.8 missed a lot which weighs more than 1.5 Kg & has 3.5 stop VR.
AF-S Nikkor 300mm f/4E PF ED VR VS AF-S Nikkor 300mm f/4D IF-ED – VR Comparison
Optical Performance
Nikon decorated this lens with all sorts of degrees AF-S, E, ED, N, PF, VR, SIC, IF etc. All the marketing hype fades away if the lens doesn’t perform up to the mark. In regular use I found the optical quality of this lens is very impressive. The images are sharp and crispy even in wide open aperture of F4. The chromatic aberration and ghosting is indeed well controlled. Nikon attributes this improvement is due to the use of Phase Fresnel element. One know issue of the PF element is that in certain high contrast situation it may generate ring-shaped colored flare. I’m not worried about that as I’m not facing this issue in my nature of photography.
The lens exhibited less distortion than previous model. In open aperture it is clearly better than the AF-S Nikkor 300mm f/4D IF-ED lens in terms of sharpness and contrast. However as I stopped down further the differences gradually fades away. In higher aperture value (above F8) in my opinion the old lens shows overall better performance even with teleconverter. At aperture 22 and 32 images become noticeably softer may be due to diffraction.
Use of Protective UV filter
Prime lenses like 300mm f4 may show degradation in image quality when UV filter is attached. But the degree of degradation varies depending on the filter used. I tested four different 77mm UV filter from B+W, Nikon, Hoya and Marumi. B+W XS-Pro with nano coating performed the best with excellent result. Nikon NC filter shows very little degradation while Hoya HMC performed the worst. Marumi UV haze is better than Hoya.
Conclusion
Its an extremely handy 300mm prime lens. You can carry it all day long without any neck-ache, tripod, mono-pod and still get better images. The light weight and excellent VR feature makes it an ideal option for birds and sports photography. It can generate very sharp images with pleasant color and contrast even in open aperture. I wish Nikon had improved the auto-focus speed like rest of technological improvement.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.