Canon 1D X Latest Firmware Update v. 2.0.8 Download
Canon has released a firmware update for the EOS-1D X Digital SLR Camera (Adorama | Amazon | B&H)
New Changes
Firmware Version 2.0.8 incorporates the following functional improvements and fixes:
- Fixes a phenomenon which occurs when the “Shutter button half-press” menu item, configured in “C.Fn5: Operation”>”Custom Controls Menu”, is set to metering start only; depending on when the shutter button is half-pressed, it may initiate AutoFocus.
Firmware Version 2.0.8 is for cameras with Firmware Version 2.0.7 or earlier. If your camera’s firmware is already Version 2.0.8, it is not necessary to update the firmware. The firmware update takes approximately seven minutes.
Notes:
- Once the EOS-1D X camera is updated to Version 2.0.7, it cannot be restored to a previous firmware version (Versions 1.0.2 through 2.0.3).
- Once the EOS-1D X camera is updated to firmware Version 2.0.7 from previous firmware version (Versions 1.0.2 through 1.2.4 and 2.0.3), it is recommended that the latest application software*1 be used. Certain previous versions of this application software do not support functions which are added by the new firmware. You can download the latest application software from our Web site.
- The instruction manual has been revised to accommodate the improvements and fixes provided as of firmware Version 2.0.3 or later.
- Please download the most recent firmware and instruction manual from our website.
- As a result of this fix, cameras with Firmware Version 2.0.7 (or later) will not be able to read the “camera settings file” created with cameras running Firmware Version 2.0.3 (or earlier). If you require the “camera settings file”, please create it after updating to firmware version 2.0.7 (or later).
*1: EOS Utility version 2.14.10a or later (Supported OSes: Windows 8/ 7 / 7 SP1/ VistaSP2 / XP SP3, Mac OS X v10.9 / 10.8 / 10.7 / 10.6)
*1: Digital Photo Professional version 3.14.46 or later (Supported OSes: Windows 8/ 7 / 7 SP1 / Vista SP2 / XP SP3, Mac OS X v10.6 / 10.7/ 10.8/ 10.9)
Support
- Download Firmware Version 2.0.8 for the EOS 1DX.
- Download the latest instruction manual from our Website.
- Download the latest application software from our Website.
This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
Canon EOS 1DX Available at Adorama | Amazon | B&H
Panasonic Lumix DMC-FZ300 (FZ330) Instruction Manual or User’s Guide Download [PDF]
Panasonic Lumix DMC-FZ300 (FZ330) Instruction or User Manual Available for Download in PDF
Download Links
Purchase options
Nikon D5200 – New Firmware Version C-1.03
Nikon D5200 Firmware Update, Version 1.03
Change log
• Reduced noise (horizontal lines) in movies shot with 1280×720; 60p or 1280×720; 50p selected for Frame size/frame rate.
• Fixed an issue with the camera freezing when the Clean image sensor option was used.
Download Firmware Update
Nikon D5200 Available at Adorama | B&H | Amazon
Nikon D7100 – New Firmware Version C-1.03
Nikon D7100 Firmware Update, Version C-1.03
Change log
• Reduced noise (horizontal lines) in movies shot with 1280×720; 60p or 1280×720; 50p selected for Frame size/frame rate.
• Fixed an issue that sometimes caused the display to darken when images were viewed by pressing the (playback) button.
• Fixed an issue with the menus for some languages where continued scrolling would cause the camera to freeze.
• Fixed issues with the virtual horizon displayed using the Viewfinder virtual horizon option.
• Fixed an issue with the camera freezing when the Clean image sensor option was used.
Download Firmware Update
Nikon D7100 Available at Adorama | B&H | Amazon
Sony Alpha a7S II – Out of darkness cometh light!
Product Summary
- Release Date: 11 September 2015
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Sony
- Availability: November 2015
- Price: $2,999.00
- Purchase options: Adorama | B&H
Key features
- Combination of 35mm full-frame 12.2 MP image sensor and BIONZ X image processing engine
- Fast Intelligent AF to -4 EV
- Ultra-high sensitivity up to ISO 50-409600 with low noise across the whole range
- Wide dynamic range across entire ISO range delivering smooth tonal gradation from dark to bright conditions
- 0.5″ 2.36m-Dot XGA OLED Tru-Finder EVF
- In-camera 5-axis optical image stabilisation for expanded shooting possibilities
- Internal 4K movie recording featuring full pixel readout without pixel binning in full-frame format
- Wide range of professional movie functionality including S-Gamut3.Cine/S-Log3, new Gamma Assist Display, enhanced Zebra Function, Full HD 120fps recording and 4x/5x slow motion recording and full pixel readout without pixel binning in full-frame format
- High-speed AF with enhanced accuracy in wide ranging scenes and advanced shooting functions
Features (press)
Sony α7S II offers ultra-high sensitivity and wide dynamic range across the entire ISO range (50-409600), the α7S II delivers stunning image quality for photographers who shoot in the most challenging light conditions. Be it the brightest of mornings or darkest of nights, the α7S II enables new levels of photographic expression at whatever shutter speed you wish to deploy. The α7SII also incorporates a host of pro-style movie functions including the ability to shoot 4K video with full pixel readout and no pixel binning in full-frame format, making it an extremely appealing proposition for photographers and videographers alike.
The α7S II delivers an awe-inspiring sensitivity range of ISO 50-409600, thanks to the combination of its 35mm full-frame 12.2 megapixel image sensor and BIONZ X image processing engine. The sensor optimises the dynamic range across the entire ISO range and broadens the range of tonal gradation in bright environments and minimises noise in dark scenes meaning that it delivers impressive results even in the most extreme conditions. The upgraded image processing algorithm of BIONZ X maximises the sensor’s capabilities and improves depiction throughout the full sensitivity range with particular emphasis on the mid-to-high range. This means that the resulting stills and movies demonstrate extra-fine detail with minimal noise.
Video Master
The α7S II can record 4K movies internally in the XAVC S format meaning that content is wonderfully detailed. Because information from all pixels is utilised without line skipping or pixel binning, the camera can maximise the expanded power of the full-frame image sensor and produce 4K movies with higher image clarity and negligible moiré. Full pixel readout without pixel binning is also employed when shooting Full HD movies which means that it collects information from approximately five times as many pixels that are required to generate Full HD and condenses the information to produce extremely high quality movies.
In a first for the α7 series, the α7S IIcan record 120fps at 100Mbps with full pixel readout without pixel binning in full frame format which can be edited into wonderful 4x/5x slow motion footage in Full HD. The α7S II also has the ability to shoot 4x/5x slow motion footage internally which can be immediately reviewed on the camera screen.
Video functionality has been further enhanced with new profiles; S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3. These new profiles deliver wide dynamic range and colour correction is easier to perform. The α7S ll even offers impressive 14-stop latitude in the S-Log3 gamma setting. The camera also supports S-Gamut/S-Log2 which is very popular among cinematographers and videographers. Gamma Display Assist is a new function that allows users to monitor images or check focus when recording S-Log movies and the Zebra function has been improved for even greater control.
5-Axis Image Stabilisation
The new α7S II is equipped with the innovative 5-axis image stabilisation system that is proving extremely popular in the α7 II and α7R II cameras. The system corrects camera shake along five axes during shooting, including angular shake (pitch and yaw) which has the greatest impact on image quality and tends to occur with a telephoto lens, shift shake (X and Y axes) which becomes noticeable as magnification increases, and rotational shake (roll) that often affects night shooting or video recording.
Autofocus accuracy
The autofocus system on the α7S II has been upgraded and now offers 169 AF points for fast, precise focusing with greater accuracy. The power of the image sensor means that the absence of noise in images generated, enables the Fast Intelligent AF to detect contrast more easily and react speedily even in low-light situations (as low as EV-4), when it’s even tough to check with the naked eye. When shooting video, the AF performance is twice as fast as the predecessor model.
Electronic Viewfinder
The XGA OLED Tru-Finder in the α7S II has been upgraded and offers the world’s highest viewfinder magnification of 0.78x (roughly 38.5 degrees in diagonal field of view) and shows clear images across the entire display area. The use of ZEISS T* Coating ensures sharp reduction of reflections on the viewfinder and unlike an optical viewfinder, the OLED Tru-Finder can be used to instantly show how exposure compensation, white balance and other selected settings are affecting the displayed image.
User upgrades
A number of enhancements have been made to the look and feel of the α7S II to make it more user friendly, reliable and intuitive. Its magnesium-alloy body is both light and highly robust and the grip and shutter buttons have been re-designed so that the camera feels more natural in the hand. For situations when you just want to blend into the background, silent shooting mode can be activated for 5fps continuous shooting and reliability has been enhanced with reduced-vibration shutter movement.The lens mount has been further reinforced to ensure greater resilience, particularly when attaching third party lenses and users can now charge the camera via a USB power supply whilst the camera is in operation, thus extending battery life. For greater comfort and safety, Sony is also launching the LCS-EBF; a new premium leather body case for the α7S II which is also compatible with the α7R II and α7 II.
Others
The α7S II is also Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile application available for Android™ and iOS™ platforms, as well as Sony’s growing range of PlayMemories Camera Apps, which add a range of fun creative capabilities to the camera.
Product Photos
Sample 4k Movie
Sample Images
Specifications
| Camera type | Interchangeable-lens digital camera |
| Lens mount | E-mount |
| Type | 35 mm full frame (35.6 x 23.8 mm), Exmor CMOS sensor |
| Number of pixels (effective) | Approx. 12.2 megapixels |
| Number of pixels (total) | Approx. 12.4 megapixels |
| Image sensor aspect ratio | 3:2 |
| Anti-dust system | Charge protection coating on optical filter and image sensor shift mechanism |
| Recording format | JPEG (DCF Ver. 2.0, Exif Ver. 2.3, MPF baseline compliant), RAW (Sony ARW 2.3 format) |
| Image size (pixels) | [3:2 aspect ratio] 35 mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M) APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M) |
| [16:9 aspect ratio] 35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M) APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M) |
|
| [Sweep Panorama] Wide: Horizontal 12416 x 1856 (23M), vertical 5536 x 2160 (12M), Standard: Horizontal 8192 x 1856 (15M), vertical 3872 x 2160 (8.4M) | |
| Image quality modes | RAW, RAW & JPEG, JPEG Extra fine, JPEG Fine, JPEG Standard |
| RAW output | 14 bit |
| Picture Effect | 13 modes: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, Illustration |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps) (Style Box 1-6 also provided) |
| Dynamic range functions | Off, Dynamic Range Optimizer (Auto/Level (1–5)), Auto High Dynamic Range: Auto Exposure Difference, Exposure Difference Level (1.0-6.0 EV, 1.0 EV step) |
| Color space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS™ Color |
| Recording format | XAVC S / AVCHD format Ver. 2.0 compliant / MP4 |
| Video compression | XAVC S: MPEG-4 AVC/H.264 AVCHD: MPEG-4 AVC/H.264 MP4: MPEG-4 AVC/H.264 |
| Audio recording format | XAVC S: LPCM, 2ch AVCHD: Dolby Digital (AC-3), 2ch, Dolby Digital Stereo Creator MP4: MPEG-4 AAC-LC, 2ch |
| Image size (pixels) | [NTSC] XAVC S 4K: 3840 x 2160 (30p/100Mbps, 30p/60Mbps, 24p/100Mbps, 24p/60Mbps) XAVC S HD: 1920 x 1080 (60p/50Mbps, 30p/50Mbps, 24p/50Mbps, 120p/100Mbps, 120p/60Mbps) AVCHD: 1920 x 1080 (60p/28Mbps/PS, 60i/24Mbps/FX, 60i/17Mbps/FH, 24p/24Mbps/FX, 24p/17Mbps/FH) MP4: 1920 x 1080 (60p/28Mbps, 30p/16Mbps), 1280 x 720 (30p/6Mbps) |
| [PAL] XAVC S 4K: 3840 x 2160 (25p/100Mbps, 25p/60Mbps) XAVC S HD: 1920 x 1080 (50p/50Mbps, 25p/50Mbps, 100p/100Mbps, 100p/60Mbps) AVCHD: 1920 x 1080 (50p/28Mbps/PS, 50i/24Mbps/FX, 50i/17Mbps/FH, 25p/24Mbps/FX, 25p/17Mbps/FH) MP4: 1920 x 1080 (50p/28Mbps, 25p/16Mbps), 1280 x 720 (25p/6Mbps) |
|
| High Frame Rate Recording | [NTSC] 1920 x 1080 (24p/12Mbps, 30p/16Mbps) |
| [PAL] 1920 x 1080 (25p/16Mbps) | |
| Picture Profile | Yes (Off / PP1-PP9) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White&Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
| Movie functions | Audio Level Display, Audio Rec Level, Auto Slow Shutter, HDMI info. Display (On/Off selectable), Time Code/User Bit, Picture Profile, Creative Style, Picture Effect, Rec Control, Dual Video Rec, Marker Setting, PAL/NTSC Selector, Gamma Display Assist |
| Color space | xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS™ Color |
| [NTSC] 3840 x 2160 (30p/24p) / 1920 x 1080 (60p/24p) / 1920 x 1080 (60i), YCbCr 4:2:2 8bit/ RGB 8bit | |
| [PAL] 3840 x 2160 (25p) / 1920 x 1080 (50p) / 1920 x 1080 (50i), YCbCr 4:2:2 8bit/ RGB 8bit | |
| Media | Memory Stick PRO Duo,Memory Stick PRO-HG Duo,Memory Stick Micro (M2),SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card |
| Slot | Multi slot for Memory Stick Duo/ SD memory card |
| Noise reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off selectable |
| Multi Frame NR | Auto/ISO 100 to 409600 |
| Modes | Auto WB/Daylight/Shade/Cloudy/Incandescent/Fluorescent (Warm White/Cool White/Day White/Daylight)/Flash/Color Temperature (2500 to 9900K) & Color Filter (G7 to M7: 57 steps, A7 to B7: 29 steps)/Custom/Underwater |
| AWB micro adjustment | G7 to M7 (57 steps), A7 to B7 (29 steps) |
| Bracketing | 3 frames, H/L selectable |
| Type | Contrast-detection AF |
| Focus point | 169 points (contrast-detection AF) |
| Sensitivity range | EV -4 to EV 20 (at ISO 100 equivalent with F2.0 lens attached) |
| AF modes | Single-shot AF (AF-S), Continuous AF (AF-C), Direct Manual Focus (DMF), Manual Focus |
| Focus area | Wide (169 points for contrast-detection AF) / Center / Flexible Spot (S/M/L) / Zone / Expand Flexible Spot / Lock-on AF (Wide / Zone / Center / Flexible Spot (S/M/L) / Expand Flexible Spot) |
| Other features | Lock-on AF, Eye AF, Focus lock; Eye-Start AF and AF micro adjustment (both only available with optional LA-EA2 or LA-EA4 attached), AF illuminator (built-in, LED type, range: Approx. 0.30-3m), AF ON |
| Metering type | 1200-zone evaluative metering |
| Metering sensor | Exmor CMOS sensor |
| Metering sensitivity | EV -3 to EV 20 (at ISO 100 equivalent with F2.0 lens attached) |
| Metering modes | Multi-segment, Center-weighted, Spot |
| Exposure modes | AUTO (iAUTO, Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Scene Selection, Sweep Panorama, Movie / High Frame Rate (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ) |
| Scene Selection | Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, Anti Motion Blur |
| Exposure compensation | +/-5.0 EV (in 1/3 EV or 1/2 EV steps), with exposure compensation dial: +/-3.0 EV (in 1/3 EV steps) |
| AE bracketing | Bracket: Single/Bracket: Cont., 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0 or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3 or 1.0 EV increments. |
| AE lock | Available with AE lock button. Locked when shutter button is pressed halfway. Can be disabled from the Menu. |
| ISO sensitivity (Recommended Exposure Index) | Still images: ISO 100-102400 (expandable to ISO 50-409600), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-102400 equivalent (expandable to ISO 100-409600), AUTO (ISO 100-12800 equivalent, selectable lower limit and upper limit) |
| Type | XGA OLED, 1.3 cm (0.5 type) electronic viewfinder (color) |
| Total number of dots | 2,359,296 dots |
| Brightness control | Auto/Manual (5 steps between -2 and +2) |
| Color temperature control | Manual (5 steps) |
| Field coverage | 100% |
| Magnification | Approx. 0.78x (with 50 mm lens at infinity, -1 m-1) |
| Diopter adjustment | -4.0 to +3.0 m-1 |
| Eye point | Approx. 23mm from the eyepiece lens, 18.5mm from the eyepiece frame at -1m-1(CIPA standard) |
| Display | Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge |
| Real-time image-adjustment display | On/Off |
| Type | 7.5 cm (3.0 type) TFT drive |
| Total number of dots | 1,228,800 dots |
| Brightness control | Manual (5 steps between -2 and +2), Sunny Weather mode |
| Adjustable Angle | Up approx. 107 degrees, down approx. 41 degrees |
| Display selector (Finder/LCD) | Auto/Manual |
| Display | Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge / Shooting information for viewfinder mode |
| Real-time image-adjustment display | On/Off |
| Focus magnifier | 35 mm full frame: 4.2x, 8.3x, APS-C: 2.7x, 5.4x |
| Zebra | Yes (selectable level + range or lower limit as custom setting) |
| Peaking MF | Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow) |
| Face detection | On / On (Regist. Faces) / Off, Face registration, Face selection (Max. number of detectable faces: 8) |
| Auto Object Framing | Yes |
| Clear Image Zoom | [Still Image/Movie] Approx. 2x |
| Digital zoom | Smart zoom (still images) M: Approx. 1.5x, S: Approx. 2.0x Digital zoom (still images) Approx. 4x Digital zoom (movies) Approx. 4x |
| PlayMemories Camera Apps | Yes |
| Lens compensation | Peripheral shading, chromatic aberration, distortion |
| Zoom Ring Rotate | Yes |
| Type | Electronically controlled, vertical-traverse, focal-plane type |
| Shutter speed | Still images: 1/8000 to 30 sec., Bulb Movies: 1/8000 to 1/4 (1/3 step) NTSC: Up to 1/60 in AUTO mode (up to 1/30 in Auto Slow Shutter mode) PAL: Up to 1/50 in AUTO mode (up to 1/25 in Auto Slow Shutter mode) |
| Flash sync. speed | 1/250 sec. |
| Electronic front curtain shutter | Yes, On/Off |
| Silent Shooting | Yes, On/Off |
| Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
| Compensation effect | 4.5 steps (Based on CIPA standard. Pitch/Yaw shake only. With Sonnar T* FE 55 mm F1.8 ZA lens mounted. Long exposure NR off) |
| Control | Pre-flash TTL |
| Flash compensation | +/-3.0 EV (switchable between 1/3 and 1/2 EV stops) |
| Flash bracketing | 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments. |
| Flash modes | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync*1, Wireless*1 |
| External flash | Sony α System Flash compatible with Multi Interface Shoe. Attach the shoe adaptor for flash compatible with Auto-lock Accessory Shoe. |
| FE level lock | Yes |
| Drive modes | Single shooting, Continuous shooting, Speed Priority Continuous shooting, Self-timer, Self-timer (Cont.), Bracketing (Cont., Single, White Balance, DRO) |
| Self-timer | 10 sec. delay/5 sec. delay/2 sec. delay/Continuous self-timer (3 frames after 10 sec. delay/5 frames after 10 sec. delay/3 frames after 5 sec. delay/5 frames after 5 sec. delay/3 frames after 2 sec. delay/5 frames after 2 sec. delay)/Bracketing self-timer (Off/2 sec. delay/5 sec. delay/10 sec. delay) |
| Speed (approx., max.)*2 | Speed Priority Continuous shooting: Max. 5fps, Continuous shooting: Max. 2.5fps |
| No. of recordable frames*2(approx.) | Speed Priority Continuous shooting: 64 frames (JPEG Extra Fine L), 200 frames (JPEG Fine L), 200 frames (JPEG Standard L), 31 frames (RAW), 26 frames (RAW & JPEG) Continuous shooting: 100 frames (JPEG Extra Fine L), 200 frames (JPEG Fine L), 200 frames (JPEG Standard L), 59 frames (RAW), 34 frames (RAW & JPEG) |
| Modes | Single (with or without shooting information, Y RGB histogram & highlight/shadow warning), 9/25-frame index view, Enlarged display mode (Maximum magnification L: 13.3x, M: 8.7x, S: 6.7x), Auto Review (10/5/2 sec, off), Image orientation (Auto/Manual/Off selectable), Slideshow, Panorama scrolling, Folder selection (Still / Date / MP4 / AVCHD / XAVC S HD / XAVC S 4K), Forward/Rewind (Movie), Delete, Protect |
| PC interface | Mass-storage, MTP, PC remote |
| Multi/Micro USB Terminal | Yes*3 |
| Wireless LAN (built-in) | Wi-Fi Compatible, IEEE802.11b/g/n (2.4GHz band)*4 Playback of still images and movies on smartphones, PCs and TVs |
| NFC™ | Yes (NFC Forum Type 3 Tag compatible, One-touch remote, One-touch sharing) |
| HD output | HDMI micro connector (Type-D), BRAVIA Sync (link menu), PhotoTV HD, 4K movie output, 4K still image playback |
| Multi Interface Shoe | Yes |
| Others | Auto-lock Accessory Shoe compatible with supplied shoe adaptor, Microphone terminal (3.5 mm Stereo minijack), Headphone terminal (3.5 mm Stereo minijack), Vertical Grip Connector |
| Microphone | Built-in stereo microphone or ECM-XYST1M / XLR-K2M (sold separately) |
| Speaker | Built-in, monaural |
| Compatible standards | Exif Print, Print Image Matching III, DPOF setting |
| Type | Custom key settings, Programmable setting |
| Memory function | Yes (2 sets) |
| Battery | Rechargeable battery pack NP-FW50 |
| Still images | Approx. 310 shots (viewfinder) / Approx. 370 shots (LCD screen) (CIPA standard) |
| Movies | Actual*5*6: Approx. 55 min. (viewfinder) / Approx. 60 min. (LCD screen) (CIPA standard) Continuous*5*7: Approx. 95 min. (viewfinder) / Approx. 95 min. (LCD screen) (CIPA standard) |
| External power | AC Adaptor AC-PW20 (optional) |
| Range | 32–104°F/0–40°C |
Purchase options
Panasonic GH4 firmware update 2.3 & 2.4
Panasonic released firmware update 2.3 for the GH4 MFT camera that will allow you to add/activate the V-Log profile when it becomes available later this month.
Log:
- “Activation function” is added in the menu which enables the camera to comply with “V-Log L” function by using Upgrade Software Key “DMW-SFU1”.
- Recording can be paused or stopped with a press of Fn1 button in [Time Lapse Shot] despite the length of shooting interval.
Firmware V2.4 Upgrade
Panasonic released a new firmware v2.4 for the GH4 that will stop free V-LOG upgrade. How some owners got the V-LOG for free can be found here and here. New firmware V2.4 will be available starting Sept 17th. Use of the V-Log L workaround associated with firmware Version 2.3 runs the risk of the Zebra Function not working and the Histogram reading improperly.
From panasonic
“Many thanks to those who have recently purchased the LUMIX GH4 V-Log L upgrade. We are aware of an oversight in our Panasonic Image App which allows enabling of V-Log L as a “custom” setting without purchase. This was not our intent, and our apologies for the oversight.
We appreciate the many messages of support for the continuing development of innovative new products and features, and Panasonic intends to stand behind your investment in V-Log L and the LUMIX GH4. Therefore, it’s important to know that future LUMIX GH4 firmware upgrades, including mobile app upgrade pushes, will disable unlicensed activations of V-Log L. In addition, it’s Panasonic’s service policy to upgrade firmware during warranty claims, thereby eliminating unlicensed features. Thank you again for your continued support of Panasonic and the LUMIX G camera system and innovations yet to come.
A new firmware V2.4 will be available starting Sept 17th. Use of the V-Log L workaround associated with firmware Version 2.3 runs the risk of the Zebra Function not working and the Histogram reading improperly.”
ZEISS Milvus Series Lenses Availability & Pricing (Nikon and Canon)
ZEISS Milvus Series Lenses for Nikon and Canon available in October 2015. Preorder at B&H and Adorama
Purchase options (Canon)
- Zeiss Milvus 21mm f/2.8 ZE: B&H | Adorama ($1,843.00)
- Zeiss Milvus 35mm f/2 ZE: B&H | Adorama ($1,117.00)
- Zeiss Milvus 50mm f/1.4 ZE: B&H | Adorama ($1,199.00)
- Zeiss Milvus 50mm f/2 ZE: B&H | Adorama ($1,283.00)
- Zeiss Milvus 85mm f/1.4 ZE: B&H | Adorama ($1,799.00)
- Zeiss Milvus 100mm f/2 ZE: B&H | Adorama ($1,843.00)
Purchase options (Nikon)
- Zeiss Milvus 21mm f/2.8 ZE: B&H | Adorama ($1,843.00)
- Zeiss Milvus 35mm f/2 ZE: B&H | Adorama ($1,117.00)
- Zeiss Milvus 50mm f/1.4 ZE: B&H | Adorama ($1,199.00)
- Zeiss Milvus 50mm f/2 ZE: B&H | Adorama ($1,283.00)
- Zeiss Milvus 85mm f/1.4 ZE: B&H | Adorama ($1,799.00)
- Zeiss Milvus 100mm f/2 ZE: B&H | Adorama ($1,843.00)
Think Tank Photo Retrospective Leather Shoulder Bags
Think Tank Photo released new leather versions of their Retrospective Leather 5, Leather 7, and Leather 30
Features
- “Sound Silencers” eliminate the noise of front flap hook and loop
- High quality YKK zippers, metal hardware, leather accents, premium build
- Adjustable cushioned nonslip shoulder strap for all day comfort
- High quality YKK zippers, metal hardware, leather accents, premium build
- Easily accessible front organizer with key tether
- Stiffened , padded removable dividers
- Inner zippered pocket for important documents
- Removable carrying handle for grab and go convenience
- Business card slot under the front flap for identification
- Webbing attachment points to accommodate modular pouches or a carabineer
- Seam-sealed rain cover included
What Fits
Retrospective Leather 5
- 1 standard size DSLR with 1-3 lenses and accessories
- A complete mirrorless camera system with 3-6 lenses and accessories
- 8″ tablet fits in rear zippered pocket
- Examples: 5DMIII with 50mm f/1.8 attached, 24-70mm f.2.8, iPad Mini Sony a7MII with 24-70mm f/4
- attached, 16-35mm f/4, 55mm f/1.8, iPad Mini
Retrospective Leather 7
- 1 standard-size DSLR with 2-3 lenses and accessories
- 10″ tablet /11″ laptop fits in rear zippered pocket
- Examples: Accommodates a Nikon D700 w/ 24-70 f/2.8 attached, 70-200 f/2.8 detached + SB-900 Speedlight 5D MIII, 24-70 attached, 70-200 unattached, flash, iPad or 11″ MacBook Air
Retrospective Leather 30
- 1 gripped DSLR with standard zoom lens attached and 1-3 additional lenses, including a 70-200mm f/2.8
- 2 gripped DSLRs (bodies only) in front pockets and 2-4 lenses in main compartment, including a 70-200mm f/2.8
- 10″ tablet /11″ laptop fits in rear zippered pocket
- Examples: 2 Canon 1DXs, 70-200mm f/2.8 unattached, 24-70mm f/2.8 attached, 16-35mm f/2.8 or wide angle, iPad, 2 Nikon D4s, 70-200mm f/2.8 unattached, 24-70mm f/2.8 attached, 14-24mm f/2.8 or wide angle, 11″ MacBook Air
ZEISS Announces Milvus Series Lenses for Nikon and Canon
Release Date : 10 September 2015
Availability : October 2015
The new ZEISS Milvus SLR lens family contains six focal lengths with ZE or ZF.2 mounts for DSLR cameras from Canon and Nikon. The ZEISS Milvus lens family with precise manual focus offers high and consistent image performance across all focal lengths. The new lenses are the ZEISS answer to the current trend toward sensors with increasingly high resolution which, in turn, require higher and higher image quality. They are therefore ideal for current DSLR cameras and also for mirrorless system cameras of the Sony α7 series via an adapter solution and offer the customer excellent value for the money for professional applications. An equally important benefit: their high contrast rendition and low level of stray light ensure that the lenses meet the latest video standards such as HDR (High Dynamic Range) and resolutions of 6K and more. For the user, they open up the field of professional video and cine applications. The ZEISS Milvus lenses will be delivered to dealers in October 2015.
Diversity of focal lengths for wide spectrum of applications
With its diversity of focal lengths, the ZEISS Milvus lens family covers many of the photographer’s important fields of application where the benefits of manual focus lenses can be optimally utilized. “We want to provide users with the freedom to use the focus position as an artistic tool because it is one of the most important creative possibilities available to photographers,” Christophe Casenave, Product Manager for ZEISS Camera Lenses, emphasizes. The ZEISS Milvus lenses are therefore targeted at all owners of a high-resolution DSLR camera, offering them considerable added value. They are also suitable for photographers who have specialized in applications which the six focal lengths optimally support, e.g. portrait, landscape and macro photography.
The ZEISS Milvus lens family will initially consist of the following six focal lengths: ZEISS Milvus 2.8/21, ZEISS Milvus 2/35, ZEISS Milvus 1.4/50, ZEISS Milvus 1.4/85 as well as the two macro lenses ZEISS Milvus 2/50M and ZEISS Milvus 2/100M. Further focal lengths will be added to the ZEISS Milvus lens family over the next few years. “With this diversity of extremely high-quality SLR lenses, we are underscoring that, with our Milvus lenses, we can supply the right focal length for almost any application or personal preference,” Casenave says.
Modern product design
The ZEISS Milvus lenses continue the award-winning ZEISS product design already featured in the ZEISS Otus lenses. The advanced design ensures excellent image performance and outstanding ergonomic convenience. The easy-grip focus ring enables precise manual focusing for highly precise photography. The robust all-metal barrel of the ZEISS Milvus lenses guarantees many years of reliable use. They are protected against dust and spray water. The robust metal lens shade is an integral part of the overall product design and is a standard feature of all ZEISS Milvus lenses on delivery.
Fully compatible with DSLR cameras
The ZEISS Milvus lenses support all important operating modes of DSLR cameras (e.g. aperture priority, shutter priority and program modes, as well as manual time and exposure settings) The ZEISS Milvus lenses feature an interface that transmits the lens data to the camera (e.g. focal length, set aperture etc.). This information is saved to the photo’s EXIF data.
Features for demanding users
“The excellent image performance of the ZEISS Milvus lenses, also in difficult light conditions, is sharply focused on the requirements of current and future high-performance digital cameras,” says Casenave. The lenses offer a harmonious bokeh and excellent reflection reduction thanks to T*® anti-reflective coating from ZEISS. The further optimization of the lens coating reduces ghosting, flare and shading effects in critical light situations. All ZEISS Milvus lenses have a Floating Elements Design which compensates for aberrations at different distance settings. This is achieved by varying the axial distance between individual lens elements or groups. The adjustment of the distance between elements is coupled to the distance setting so that this always results in the right correction.
ZEISS Milvus lenses for video
The new ZEISS Milvus lenses enable high-quality film recordings with soft and cinematic bokeh. “With their extremely high contrast rendition, the lenses meet the latest 6K video standards and display uniform color characteristics,” Casenave continues. All six ZEISS Milvus lenses have an exceptionally long rotation angles of the focus ring for precise focusing. The practical, rubber-covered focus ring features outstanding grip properties for optimal focusing. The ‘de-click’ function in the ZF.2 mount lenses allows filmmakers to adjust the aperture freely and smoothly, enabling professional results even in changing light conditions.
Recommended retail price
| Mount | USD excl. sales tax | |
| ZEISS Milvus 2.8/21 | ZE or ZF.2 | $ 1,843 |
| ZEISS Milvus 2/35 | ZE or ZF.2 | $ 1,177 |
| ZEISS Milvus 1.4/50 | ZE or ZF.2 | $ 1,199 |
| ZEISS Milvus 1.4/85 | ZE or ZF.2 | $ 1,799 |
| ZEISS Milvus 2/50M | ZE or ZF.2 | $ 1,283 |
| ZEISS Milvus 2/100M | ZE or ZF.2 | $ 1,843 |
Canon EOS 7D Mark II – New Firmware Ver 1.0.5
Canon EOS 7D Mark II Firmware Update, Version 1.0.5
Change log
1. Improves AF accuracy when used in combination with the EF 16-35mm f/2.8L USM lens or EF-S 17-55mm f/2.8 IS USM lens.
2. Fixes a phenomenon in which, in very rare cases, the “Peripheral illumination correction” is applied inconsistently.
3. Fixes a phenomenon, in which, while performing an EF lens firmware update, the progress bar displayed on the LCD monitor may freeze at 100% even though the update has been completed.
4. Fixes a processing error in relation to the leap second for the “Geotag information appended to image” and “Log data” GPS functions.
5. Fixes a phenomenon, where at the time of shooting in very rare cases “Err 70” occurs, or the shutter does not release.
Please note:
After updating the firmware, you should reconfirm any AF Microadjustments you may have set for your
EF 16-35mm f/2.8L USM or EF-S 17-55mm f/2.8 IS USM lens.
Download Firmware Update
Canon EOS 7D Mark II Available at Adorama | B&H | Amazon
Apple revamps iPhoneography with iPhone 6s – Live Photo, 4K video & 12 MP Camera
Release Date : 9 September 2015
Pre-order : 12 September 2015
Availability : 25 September 2015
Primary features
Apple the leader of innovative technology has reignited the mobile photography with their latest iPhone 6s & iPhone 6s Plus. They have introduced a whole new way to capture image called the – Live Photo. Moreover the new mobile devices can capture 4K videos.
iPhone 6s has a new 12MP camera with incredible image quality. Apple resisted to jump into the megapixel war for last 4 years. This time they have done it but in a different manner. Gathering too many megapixel in a small sensor can never generate good image quality, Its like putting large number of people in a small room. The new camera is a balance between high resolution & image quality. Its backside illumination sensor uses focus pixels for faster autofocus with local tone mapping for high quality image. It can now capture 63 Megapixel panorama shoot with ease.
They also bumped up the front facing camera to 5 Megapixel. And there is Retina flash. Apple used the backlight system of touch screen to act a true tone flash, which is something only Apple can think off.
Live photo is a new way to capture your world and share it with your friends and family. It’s a combination of still image and an video clip that brings moments to life – never seen before. With live photo enabled the camera not only capture the image but also records the moments just before and after it was taken with movement and sound. You can bring the moment to life by pressing the the photo.
Now iPhone 6 has the ability to record 4K (3840 x 2160) video at 30 fps and HD at 60 fps. It can also capture 8 Megapixel stills while recording 4K video. The New A9 processor is powerful enough to edit the recorded clips in iMovie software right within the mobile device.
Sample Photo & Video – Here
Product Photo
Specification
- iSight Camera
New 12-megapixel iSight camera with 1.22µ pixels
Live Photos
Autofocus with Focus Pixels
Optical image stabilization (iPhone 6s Plus only)
True Tone flash
Panorama (up to 63 megapixels)
Auto HDR for photos
Exposure control
Burst mode
Timer mode
ƒ/2.2 aperture
Five-element lens
Hybrid IR filter
Backside illumination sensor
Sapphire crystal lens cover
Auto image stabilization
Improved local tone mapping
Improved noise reduction
Face detection
Photo geotagging
- Video Recording
4K video recording (3840 by 2160) at 30 fps
1080p HD video recording at 30 fps or 60 fps
720p HD video recording at 30 fps
Optical image stabilization for video (iPhone 6s Plus only)
True Tone flash
Slo-mo video support for 1080p at 120 fps and 720p at 240 fps
Time-lapse video with stabilization
Cinematic video stabilization (1080p and 720p)
Continuous autofocus video
Improved noise reduction
Take 8MP still photos while recording 4K video
Playback zoom
3x zoom
Face detection
Video geotagging
- FaceTime HD Camera
5-megapixel photos
720p HD video recording
Retina Flash
ƒ/2.2 aperture
Auto HDR for photos and videos
Backside illumination sensor
Exposure control
Burst mode
Timer mode
Face detection
Press Release
SAN FRANCISCO — September 9, 2015 — Apple® today announced iPhone® 6s and iPhone 6s Plus, the most advanced iPhones ever, adding a powerful new dimension to iPhone’s revolutionary Multi-Touch™ interface. The new iPhones introduce 3D Touch, which senses force to enable intuitive new ways to access features and interact with content. iPhone 6s and iPhone 6s Plus feature Retina® HD displays made from the strongest glass on any smartphone and 7000 series aluminum, the same alloy used in the aerospace industry, in gorgeous metallic finishes that now include rose gold.
iPhone 6s and iPhone 6s Plus also introduce a transformative new approach to photography called Live Photos, bringing still images to life by capturing a moment in motion. Live Photos, 3D Touch and other advancements in the new iPhones are powered by the Apple-designed A9 chip, the most advanced chip ever in a smartphone, delivering faster performance and great battery life.
“The only thing that has changed with iPhone 6s and iPhone 6s Plus is everything — 3D Touch lets users interact with iPhone in entirely new and fun ways, and the innovative Live Photos brings your pictures to life,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “These are the most advanced iPhones ever, with 7000 series aluminum, ion-strengthened glass, the new 64-bit A9 chip, 12-megapixel iSight and 5-megapixel FaceTime HD cameras, faster Touch ID, LTE and Wi-Fi. Customers are going to love them.”
3D Touch
iPhone 6s and iPhone 6s Plus introduce new ways to navigate and experience iPhone by sensing pressure to enable new gestures — Peek and Pop™ — so you can dip in and out of content without losing your place. Press lightly to Peek at a photo, email, web page or other content, and press a little deeper to Pop into the content itself. With Quick Actions, 3D Touch provides shortcuts to the things you do most, so you can send a message or take a selfie with just a simple press from the Home screen.
Camera Innovations
The world’s most popular camera is even better in the new iPhones with new ways to capture and relive unforgettable moments. iPhone 6s and iPhone 6s Plus introduce Live Photos, which go beyond snapshots to capture moments in motion. Live Photos are beautiful 12-megapixel photos that, with just a press, reveal the moments immediately before and after the shot was taken, so you can enjoy a living memory rather than an instant frozen in time.
High-definition video improves with support for 4K — with a resolution of 3840 x 2160, delivering over 8 million pixels — and the expansion of optical image stabilization to video on iPhone 6s Plus, for taking beautiful videos in lower light. After capturing 4K video, you can edit on your Mac®, PC, iPad® and with the latest version of iMovie® on iPhone, you can even edit two simultaneous streams.
Additional camera advancements include:
a new state-of-the-art 12-megapixel sensor with advanced pixel technology and Apple-designed image signal processor, for truer colors and sharper, more detailed photos; and
a new 5-megapixel FaceTime® HD camera and Retina Flash, which momentarily makes the display three times brighter with True Tone® lighting, for wonderfully bright selfies in low light.
Advanced Technology
A9, Apple’s third-generation 64-bit chip powers these innovations with 70 percent faster CPU and 90 percent faster GPU performance than the A8, all with gains in energy efficiency for great battery life. The A9 chip and iOS 9 are architected together for optimal performance where it matters most, in real world usage. M9, Apple’s next-generation motion coprocessor, is embedded into A9, allowing more features to run all the time at lower power, including “Hey Siri,” without iPhone needing to be plugged in.
With advanced wireless technologies including faster Wi-Fi and LTE Advanced, iPhone 6s and iPhone 6s Plus users can browse, download and stream content even faster.¹ The new iPhones also support up to 23 LTE bands — the most in any smartphone — for better worldwide roaming.
iOS 9, the world’s most advanced mobile operating system, brings more intelligence to iPhone with proactive assistance, powerful search and improved Siri® features, all while protecting users’ privacy. Built-in apps become more powerful with a redesigned Notes app, detailed transit information in Maps, and an all-new News app for the best news reading experience on any mobile device.² The foundation of iOS is even stronger with software updates that require less space to install and advanced security features
to further protect your devices.
Canon Cinema EOS System 8K camera & 120MP DSLR under development
Note: Product images are for illustrative purposes only
Canon Inc. is developing a Cinema EOS System 8K camera and professional-use 8K reference display that will support the production of next-generation 8K video content, along with a still-image single-lens reflex camera equipped with a CMOS sensor featuring approximately 120 million effective pixels. Through the Company’s proprietary imaging technologies, Canon provides still and video input and output devices that will contribute to the development of imaging culture.
Canon, as a leading company in the field of imaging technology, conducts research and development into devices designed to support cinema and video production with the aim of expanding the boundaries of visual expression. Through the further enhancement of the Cinema EOS System 8K camera and professional-use 8K reference display under development, Canon aims to contribute to smooth production workflows, facilitating not only the input and output of 8K video content, but also such processes as 8K to 4K down-conversion and 4K cropping.
The Cinema EOS System 8K camera being developed will be equipped with a Canon Super 35 mm-equivalent CMOS sensor that makes possible high-resolution 8,192 x 4,320 pixel (approximately 35.39 million effective pixels) imaging performance even at a frame rate of 60 frames per second with 13 stops¹ of dynamic range and a richly expressive wide colour gamut. Additionally, featuring a body size that realises outstanding mobility and a design that delivers high levels of operability, along with an EF mount that offers compatibility with Canon’s extensive interchangeable EF lens lineup², the camera will support diverse shooting styles and means of visual expression.
Incorporating Canon image-processing technology, the ultra-high-resolution 8K reference display currently under development will achieve high brightness, high contrast (high dynamic range) and a wide colour gamut. Additionally, with a pixel density exceeding 300 pixels per inch, a level approaching the limit of human visibility, the display will make possible ultra-realistic imaging that enables the reproduction of subtle changes in light that were previously not possible. Furthermore, when used in combination with the Cinema EOS System 8K camera, the display will be capable of conveying truly impressive levels of visual expression.
Featuring a resolution of approximately 120 effective megapixels, the SLR camera now being developed will incorporate a Canon-developed high-pixel-density CMOS sensor within the current EOS-series platform, which will realise compatibility with the Company’s diverse interchangeable EF lens lineup³. The high-resolution images that the camera will be capable of producing will recreate the three-dimensional texture, feel and presence of subjects, making them appear as if they are really before one’s eyes. The camera will facilitate a level of resolution that is more than sufficient for enlarged poster-sized printout while also enabling images to be cropped and trimmed without sacrificing image resolution and clarity.
¹ A stop is a unit of measurement used to express dynamic range, which refers to the difference between the brightest and darkest areas of an image that can be simultaneously captured.
² Out of the 96 lenses that make up the EF lens lineup, 78 models (60 EF lenses and 18 EF Cinema Lenses) will be compatible with the 8K camera under development.
³ Out of the 96 lenses that make up the EF lens lineup, 60 models will be compatible with the SLR camera under development.
Olympus temporarily suspends OM-D E-M10 Mark II sale
Olympus Japan said that it has temporarily suspended the sale of recently announced OM-D E-M10 Mark II. There is a manufacturing issue related to its lens plastic mount on the camera body and they are considering an improvement. The availability will be declared at the end of September.
Canon develops 250 Megapixels APS-H CMOS sensor
Canon, a leader in imaging solutions, today announces that its parent company, Canon Inc., is developing an APS-H-size (approx. 29.2 x 20.2 mm) CMOS sensor incorporating approximately 250 million pixels (19,580 x 12,600 pixels), the world’s highest number of pixels for a CMOS sensor smaller than the size of a 35 mm full-frame sensor.
When installed in a camera, the newly developed sensor was able to capture images enabling the distinguishing of lettering on the side of an airplane flying at a distance of approximately 18 km from the shooting location².
With CMOS sensors, increases in pixel counts result in increased signal volume, which can cause such problems as signal delays and slight discrepancies in timing. The new Canon-developed CMOS sensor, however, despite its exceptionally high pixel count, achieves an ultra-high signal readout speed of 1.25 billion pixels per second, made possible through such advancements as circuit miniaturisation and enhanced signal-processing technology. Accordingly, the sensor enables the capture of ultra-high-pixel-count video at a speed of five frames per second. Additionally, despite the exceptionally high pixel count, Canon applied its sensor technologies cultivated over many years to realise an architecture adapted for miniaturised pixels that delivers high-sensitivity, low-noise imaging performance.
Video footage captured by the camera outfitted with the approximately 250-megapixel CMOS sensor achieved a level of resolution that was approximately 125 times that of Full HD (1,920 x 1,080 pixels) video and approximately 30 times that of 4K (3,840 x 2,160 pixels) video. The exceptionally high definition made possible by the sensor lets users crop and magnify video images without sacrificing image resolution and clarity.
Canon is considering the application of this technology in specialised surveillance and crime prevention tools, ultra-high-resolution measuring instruments and other industrial equipment, and the field of visual expression.
¹ As of September 7, 2015, based on a Canon survey.
² Image capture employed a combination of optical and digital zooming while distinguishing of image content was realised through the magnification of an approximately 1/40,000th-sized area of the captured image.
Lee SW150 Mark II filter system for Canon EF 11-24mm f/4L lens
Lee Filters introduced new adaptor ring for SW150 Mark II filter system
The SW150 Mark II system can be used with the following lenses:
Instax – Paid Photography Apps Become Free – for iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
Instax – Instant Camera Postcard and Poster Maker 35mm SLR Photo Editor
Normal Price : $ 1.99
Download Now
Poster is the new best Photo Editor iPhone App it’s realistic Sweet Poster Design • Enjoy amazing Instant light bokeh effect , analog film and real vintage Photo filter with cool enhance tool and amazing light leak effect•
◉ Instant Camera FEATURES
• Take Poster picture with a real-time Poster effect
• Apply effects to existing Poster photo
• adjust real-time filter Poster filter
• Switch between Front Camera and Rear Camera
• Switch Flashlight to ON/OFF/Auto/Torch mode
• Edit the photo again after shooting
• Tap to focus and adjust exposure
• Save your work to camera roll in high resolution
◉ Instant Camera Effect
• Circle Bokeh Effect
• Star Bokeh Effect
• Music Bokeh Effect
• Circle Bokeh EffectTriangle
• Heart Bokeh Effect
• Lomo Effect
• Retro sepia Effect
• B & W Effect
• Analog Film Effect
• Light Leak Effect
◉ Instant Camera Filter
• Breezy Filter
• Warm Filter
• Cold Filter
• Lucid Filter
• Dark Filter
◉ Instant Camera Sticker
• Summer Sticker
• Hipster Sticker
• Love Sticker
• Vintage Label Sticker
• Inspire Sticker
• Quote Sticker
• Love Sticker
• Party Sticker
• Flower Sticker
• Animal Sticker
• Feather Sticker
• Indy Sticker
• People Sticker
• Dream Sticker
• Peace Sticker
◉ Instant Camera SHARE
• Share your Instant Camera Photo via Facebook, Twitter, or email. You can also save your Poster Photo picture directly to your iPhone photo library full hd resolution, copy Instant Camera Photo Poster to your clipboard, or open in other apps.
◉Poster INTENSITY
• Adjust the intensity of each Instant Camera in real time.
◉Poster Inspiration
• Vintage Camera
• Old Camera
• Diana Camera
• Fisheye Camera
• Analog Film Camera
• Bw Camera
Tamrac Releases New Anvil Backpack
Key features
- Large main opening for pro-sized DSLRs
- Comfortable airflow harness system
- Lightweight design
- Protective Laptop Compartment
- Quick release tripod attachment system
- Protective rain-cover
Tamrac has released New Anvil series backpacks for the professional photographers. The Tamrac Anvil can carry all your photographic equipment easily. Anvil series has been designed from the scratch to keep the balance of comfort, utility and protection. These are tough backpacks created from lightweight yet strong materials. Depending on the size you can carry from very basic gears to full scale professional setup in these bags. Anvil Series has six types of size variation, which can carry pro DSLR bodies with full range of lenses, flashes and other accessories.
Product Photo Anvil -23
Specification
