Nikon AF-S NIKKOR 300mm f/4E PF ED VR Lens Wins The Best Multi-Functions Lens Award
Nikon’s AF-S NIKKOR 300mm f/4E PF ED VR Lens and the SB-500 AF Speedlight Win in Their Respective Categories
MELVILLE, NY – Professional Photographer Magazine has selected the Nikon AF-S NIKKOR 300mm f/4E PF ED VR lens and SB-500 Speedlight as the pros’ top choice in the Multi-Functions Lens and Speedlight/Hot Shoe Flash categories, respectively for the 2015 Hot One Awards.
The annual Hot One Awards honor the hottest products for professional photographers. From hundreds of entries, a panel of judges—who are all professional photographers—name their top choice among dozens of photography products and services. The awards are highlighted in the August issue of Professional Photographer.
This year, judges for the 16th annual Hot One Awards chose the compact and lightweight AF-S NIKKOR 300mm f/4E PF ED VR lens as the top Multi-Purpose Lens. The judges also chose the versatile SB-500 AF Speedlight as the top Speedlight/Hot Shoe Flash in the industry.
“Nikon seeks to give professional photographers the best equipment for the job, and it is an honor to be recognized once again by Professional Photographer Magazine with these awards,” said Masahiro Horie, Director of Marketing and Planning.
“The winners of the 2015 Hot One Awards represent the pros’ choice of the year’s photographic products,” says Professional Photographer Senior Editor Joan Sherwood. “The Hot Ones recognize excellence in professional products as judged by the pros who use them. As talented as photographers can be, they still have to rely on their gear, software, professional services, and the products they sell. Their choices for the Hot Ones give our readers a list of worthy winners to consider for themselves.”
The Hot One Awards have provided Professional Photographer readers with a resource of the newest, most innovative products available in a variety of price ranges. Readers are treated to a resource compiled by independent, practicing professional photographers, selected for their expertise and knowledge. This year’s independent panel of 35 judges voted on products that ranged from cameras and lenses to albums and displays. They made their selections based on overall quality, innovation, design, performance, and value for the price.
For more than 100 years, Professional Photographer, the official magazine of Professional Photographers of America, has helped readers advance careers in the photographic industry. No other magazine offers a more influential presentation of the people, trends, products, and photographs defining the portrait, wedding, and commercial photography landscapes.
Purchase options
Nikon 300mm f/4E PF ED VR available at Amazon | Adorama | B&H
Tamron 14-150mm F/3.5-5.8 Di III Firmware Update for Improved Auto focus
TAMRON 14-150mm F/3.5-5.8 Di III [Model C001] Firmware
Release Date : 3/8/2015
Tamron has released firmware update for the Micro Four Thirds lens Tamron 14-150mm F/3.5-5.8 Di III (Model C001).
Change log
1.2
This update improved AF performance during movie recording when using Tamron lens with Panasonic cameras.
(*If the version is “1.0” on your lens, you need to update to “1.1” first in order to have version “1.2”.)
Canon Refurbished Store Sale – Canon EF-S 55-250mm STM IS Only $129.99
Canon Refurbished Store Sale – Canon EF-S 55-250mm STM IS Only $129.99 (regular $299.00 new)
Canon USA Refurbished Store is having a sale on refurbished cameras, lenses and flashes. These refurbished gears are like-new and a good value at reduced price. So have alook & select your deals at – DSLR | Lenses & Speedlites | PowerShots
Canon EOS 1DX Camera Only $4,599

Canon EOS 1DX
Regular Price : $5,299.00
Now : $4,599.00 after $700.00 Instant Rebate + Free Expedited Shipping
FX Photo Studio Pro – Paid Photography Apps Become Free – for iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
FX Photo Studio – Pro Picture Editor
Normal Price : $ 2.99
Download Now
FX Photo Studio is the biggest collection of photo filter effects available on iPhone, with stickers, borders, fonts, textures and frame effects to help you snap the perfect photo.
Whether you’re looking to take the perfect selfie or create professional-quality pics with filter effects, FX Photo Studio from Macphun is the only mobile editor you’ll ever need.
Dive into the most amazing collection of filters and effects available on for your phone! Easily turn your pics into vintage shots, apply stickers and textures with a touch, and crop and edit photos in seconds. Achieve unique styles by combining different filters and effects. Personalize your favorite memories with text in a variety of fonts. With over 200 premium photo filter effects available, you’ll always take the perfect photo.
FX Photo Studio can be as flexible as you want. Edit pictures like a pro with a color edit and any unique camera filter or snap a selfie for friends. With stickers, textures and text built-in, it’s also the perfect selfie editor.
Create unique masterpieces and by editing your favorite memories with FX Photo Studio!
FX Photo Studio Features:
Over 200 Premium Photo Filter Effects
– Vintage
– Unique 3D effects
– Groovy Lo-Fi
– Color Lenses
– Hollywood FX
– And many more
Edit Pictures to Make the Perfect Photo
– Crop pics
– Add borders on pictures for extra style
– Unique textures for a variety of looks
– Adjust brightness and contrast
– Bring color pictures to life with Saturation and Hue
– Edit pics with text in many fonts
Make Your Selfie Shine
– Never take a bad selfie again
– Distorted mirror effects
– Blur and tilt-shifts
– Vignettes
– Painting and pencil effects
– Stickers
Make Pics Pop With 3D Effects
– Unleash your creativity with 5 brand-new 3D editing options
– B&W 3D
– CMYK 3D
– Red and Green 3D
– Bokeh
– 3D Glitches
Endless Flexibility
– Adjust the intensity of filters
– Combine filters and effects for unlimited creativity
– Adjust filters mask
– Create your own presets
– Download presets from other users
Other photo editing apps can’t compare to the flexibility and power of FX Photo Studio. Discover your inner artist with premium camera filter fx, add text on photo images and use the powerful color editor to make your snaps look like they came from a pro.
Create your own unique masterpieces with as many filters, effects and other options to help you express yourself and whatever you’re trying to capture. Download FX Photo Studio and unleash your creativity today!
Rokinon 8mm F3.5 HD Fisheye Lens $199 Only
Rokinon 8mm f/3.5 HD UMC Fisheye CS II Lens with Removable Hood for Sony E-Mount DSLR
$199.00 (Reg. $329.00) with Free Expedited Shipping
Expires 8/10
Rokinon 8mm f/3.5 HD Fisheye, Manual Focus Lens with Removable Hood for Nikon
$214.00 (Reg. $399.00) with Free Expedited Shipping
Expires 11:59pm EST Friday 7/31.
Save up to 75% on Lowepro Shoulder Bag
Lowepro Nova Sport 7L AW Shoulder Bag for DSLR (Pepper Red)
$9.99 (Reg. $39.95) with Free shipping.
Expires 8/10
Lowepro Passport Sling II Camera Bag (Black/Red)
$17.95 (Reg. $69.99) with Free Shipping.
Expires 8/5
Adobe Releases Lightroom CC 2015.1.1 update
Adobe has released Lightroom CC 2015.1.1 and 6.1.1 update. It is available through the Creative Cloud application. This update fixes number of bugs and adds new camera and lens profile.
New Camera Support in Lightroom 6.1.1
- Canon PowerShot G3 X
- Casio EX-100F
- Casio EX-ZR3000
- Leica Q (Typ 116)
- Olympus AIR-A01
- Panasonic Lumix DMC-GX8
- Panasonic Lumix DMC-FZ300
- Panasonic Lumix DMC-FZ330
- Pentax K-3 II
- Phase One IQ3 50MP
- Phase One IQ3 60MP
- Phase One IQ3 80MP
- Ricoh GR II
- Sony A7R II (ILCE-7RM2)
- Sony DSC-RX10M2
- Sony DSC-RX100M4
New Lens Profile Support in Lightroom 6.1.1
Mount | Name |
Canon | Lensbaby Velvet 56mm f/1.6 |
Fujifilm | Lensbaby Velvet 56mm f/1.6 |
Nikon | Lensbaby Velvet 56mm f/1.6 |
Nikon | SIGMA 24mm F1.4 DG HSM A015 |
Nikon | SIGMA 150-600mm F5-6.3 DG OS HSM C015 |
Olympus | Lensbaby Velvet 56mm f/1.6 |
Panasonic | Lensbaby Velvet 56mm f/1.6 |
Pentax | Lensbaby Velvet 56mm f/1.6 |
Samsung | Lensbaby Velvet 56mm f/1.6 |
SIGMA | SIGMA dp0 Quattro |
SIGMA | SIGMA 150-600mm F5-6.3 DG OS HSM C015 |
Sony A | Lensbaby Velvet 56mm f/1.6 |
Sony E | ZY Optics Mitakon 35mm f/0.95 |
Sony FE | Lensbaby Velvet 56mm f/1.6 |
Sony FE | Zeiss Batis 25mm f/2 |
Sony FE | Zeiss Batis 85mm f/1.8 |
Bug Fixes:
- Unable to merge files to HDR. Please note that this only occurred with DNG files taken with a Leica Monochrom camera.
- Enterprise customers were unable to access functionality only available in the Creative Cloud version of Lightroom, such as Dehaze.
- People keywords export when they shouldn’t if “Write Keywords as Lightroom Hierarchy” is selected.
- Preview generation and export was slower in LrCC/Lr6 than Lr5.
- Customers reported that they could not exit full screen after invoking it while spot heal tool is selected.
- D810 NEF Files could not select Adobe Standard Profile.
- Size adjustment bar moving when clicked but the value listed was not updating accordingly.
- Metadata Export setting not working for Track, Square and Grid galleries in the Web Module.
- Collection name changes were not properly reflected in other Lightroom clients (such as mobile or web). This only impacted collections enabled for sync.
- Incorrect metadata timestamp in a Panorama created in Lr.
- Some files in exported batch are Blank with Watermark only.
- Lr was not properly exporting all photos. Please note that this typically only occurred when the customer was running Bridge at the same time as the export.
- Customers reported seeing a “Waiting for connection” message inside Lightroom when Internet is available.
Installation Instructions
Please use the Help to Check for Updates menu item or the Creative Cloud application to install this update.
Alternatively you can download from following links.
Canon ME20F-SH Camera Can Shoot At ISO 4,000,000 (4 Million)
Product Summary
- Release Date: July 30, 2015
- Focus Type: Autofocus
- Format : Full Frame / APS-C / Crop Sensor
- Mounts: Canon EF
- Color: Black
- Availability: December 2015
- Price: $ 30,000
Key features
- High sensitivity to capture Full HD video with a minimum subject illumination of less than 0.0005 lux1 (at maximum 75 dB gain setting, equivalent to an ISO sensitivity of over 4,000,000).
- Canon’s new multi-purpose camera employs an enhanced version of the 35mm full-frame CMOS sensor for Full HD video use that was originally developed by the Company in 2013.
- Its compact, modular body design allows easy custom configurations for diverse usage scenarios. While capturing video in extreme low-light conditions often requires the use of infrared illumination (a technique that only yields video in black and white),
- The ME20F-SH camera achieves impressive high-sensitivity performance enabling the capture of color Full HD video with reduced noise in low-light conditions without the need for infrared illumination.
Features
Canon has introduced the Company’s first multi-purpose camera, the new ME20F-SH. Suitable for Nighttime surveillance and security, cinematic production, reality television, and nature/wildlife documentaries are just some of the ME20F-SH’s many possible usage applications. With the ability to capture color video in extreme low-light conditions and its simplistic and versatile design, the ME-20F-SH Multi-purpose Camera can be easily incorporated into existing infrastructures and systems to provide high-quality video capture even where subjects might not be seen with the naked eye
The ME20F-SH camera’s CMOS sensor has pixels measuring 19 μm square3, which is more than 5.5 times the surface area of the pixels on the CMOS sensor featured in select top-of-the-line interchangeable lens cameras4. Furthermore, the sensor’s pixels and readout circuitry make use of Canon proprietary technologies to achieve both reduced noise and exceptionally high sensitivity on subjects with a minimum illumination of less than 0.0005 lux. This multi-purpose camera allows users to discern subjects under even some of the dimmest lighting conditions, such as environments lit by artificial illumination or under a moonless night sky. Furthermore, similar to Canon’s Cinema EOS System of professional digital cinematography cameras, the ME20F-SH camera includes Canon Log and Wide DR, which make possible a wide dynamic range, delivering high-image-quality video results across a range of illumination environments, from low- to brightly lit conditions.
The new ME20F-SH employs the same EF mount (Cinema Lock type) as Canon’s SLR cameras and Cinema EOS System-series of professional digital cameras, allowing users to make use of the Company’s extensive lineup of interchangeable EF lenses5. By letting users select the ideal lens based on their shooting or application requirements, taking into consideration such factors as angle of view and level of brightness, this multi-purpose camera facilitates a wide spectrum of imaging possibilities.
Employing output-only 3G/HD-SDI and HDMI terminals, Canon’s ME20F-SH camera enables users working on location to output video via a single cable to a variety of peripheral equipment, including external recorders and monitors. Equipped with a φ2.5mm stereo mini-jack and a round 8-pin jack for RS-422, the multipurpose camera is capable of connecting with Canon’s RC-V100 Remote Controller (released in June 2014; sold separately)6. By allowing users to operate the camera or change settings from a remote location, the camera facilitates video capture from inaccessible locations as well as fixed-point surveillance. Furthermore, a φ3.5mm stereo mini-jack allows the camera to connect with an external microphone, enabling users working on location to output audio and video signals to connected peripheral equipment.
Prioduct Images
Technical specifications:
Product name |
ME20F-SH Multi-purpose Camera |
|
Image sensor |
35mm full-frame CMOS sensor (single), effective pixel count: approx. 2.26 million pixels |
|
Minimum subject illumination |
Less than 0.0005 lux (at maximum 75 dB gain setting, equivalent to an ISO sensitivity of over four million) |
|
Pixel Pitch |
19 Microns |
|
Lens mount |
Canon EF mount (Cinema Lock type) |
|
Optical filters |
ND filter with two density levels (motorized manual / auto) IR cut filter (motorized manual) |
|
Frame rates |
59.94P / 59.94i / 50.00P / 50.00i / 29.97P / 25.00P / 23.98P |
|
Gamma |
Canon Log, Wide DR, etc. |
|
Video output terminals |
3G / HD-SDI |
BNC jack (output only) Terminal count: 21080P / 1080i / 720P |
HDMI |
HDMI connector (output only) |
|
Genlock terminal |
BNC jack (input only) |
|
Remote terminal |
φ2.5mm stereo mini-mini-jack (Canon-proprietary protocol)Round 8-pin jack (for RS-422, Canon-proprietary protocol) |
|
Microphone terminal |
φ3.5mm stereo mini-jack |
|
AF |
One-shot AF |
|
Auto-exposure |
Combined interlocking (iris / gain / ND / shutter) |
|
White balance |
AWB, color-temperature setting (setting range: 2000 to 15000 degrees Kelvin), natural light, light bulb, Setting A, Setting B |
|
Digital teleconverter |
2x, 4x |
|
Power input |
4-pin XLR DC11-17VTerminal block 2-pin jack DC11-17V |
|
Operating temperature |
32 degrees F (0 degrees C) to 104 degrees F (40 degrees C) |
|
Body dimensions |
Approx. 4 inches (102mm) (w) x 4.5 inches (116mm) (h) x 4.4 inches (113mm) (d) (excluding protrusions) |
|
Weight |
Approx. 2.4 lbs (1.1 kg) (body only) |
Nikon AF-S NIKKOR 24mm f/1.8G ED, 24-70mm f/2.8E ED VR & 200-500mm f/5.6E ED VR lens Images, Specs & Release Date Leaked
Nikon AF-S NIKKOR 24mm f/1.8G ED, Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR, and Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens Images, Specs & Release Date Leaked
Nikon AF-S NIKKOR 24mm f/1.8G ED lens
- Nano Crystal Coat
- ED lens, non-spherical lens
- Estimated retail price in Japan 90,000 yen (including tax)
- Release date: September 17
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR lens
- ED aspherical element
- VR
- Estimated retail price in Japan: 280,000 yen (including tax)
- Release date in Japan: August 27
Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR lens
- ED element
- VR mode (SPORT adoption)
- Estimated retail price in Japan: 170,000 yen (including tax)
- Release date in Japan: September 17
Source Digicame-info
Nikon D810 Review
In early 2012 Nikon released the Nikon D800. It surprised the DSLR world with 36MP sensor with high dynamic range. I was expecting to get one. However soon it became clear that the unit has some major flaw, no all but a significant number of D800 & D800E had critical focusing issue. To tell the truth I checked quite a number of Nikon D800 & D800E copies, none passed the focus test. So it refrained me from getting the camera I desired. Due to high megapixel it required GOOD photographic skill & very precise focusing to get proper image. Blinded by the high megapixel very few were cable of defining the error. Had the D800 been flawless Nikon never needed a D810. So Nikon D810 confirms the major issues they had in D800/D800E.
When I got my hand on Nikon D810, it give me the sense of confidence I had with D700. Nikon D810 is just how the D800 should have been in the first place. The autofocus system, the accuracy of color and the newly incorporated small details really pleased me.
Look & Feel
As I picked up the camera it felt beefy than my trusty D700. I have average hand size, so if you have a big grip you will find it easy to operate. Unlike entry level DSLR the D810 has a strong built though it came out of the Nikon’s Thailand factory. D800 was from Japan. But I don’t mind China or Thailand as long as it servers my purpose the way it should be. It shares the same soft rubbery grip which all Nikon Pro bodies have. The material keeps the camera stick to your hand. The memory card door now has a textured finish like rest of the grip which is a good move. The rated shutter life is 200,000. It sounds a lot so long you are only taking still photographs. But as soon as you enter into the world of timelapse photography, you will notice how fast the shutter life is going away. I wish Nikon would have doubled the shutter life for this type of pro camera.
The Nikon D810 body has a pot belly shape in contrast to the other Nikon Pro cameras. Despite this odd appearance it feels well balanced in hand with most Nikkor lenses. A vertical grip is much appreciated but Nikon charges too high for the MB-D12.
Physical Changes
Most of buttons & dials are placed just like Nikon D800 with few changes. On the front side both Preview & function button now has a rounded look just like the old D700 and well spaced.
Newly added Bracketing button on left side close to flash control button. In D800 the bracketing button was on top left dial. The front also has a stereo microphone on either side of pop-up flash.
On the back side of the camera there is a new i-button for quick access of various items. Nikon has moved the Metering selector dial from the back of the camera to the top left dial. This is something I really disliked. With old Metering selector dial around the AF-L/AE-L I could change the metering mode very quickly with right thumb, but now I have to push the top button with left hand and rotate the command dial with right hand to switch metering mode. An ugly decision by Nikon.
The top panel remains almost the same. Little shifting of the shutter release button and a newly added ridge leads to the recording button. The release mode dial now has new Qc (Quite Continuous) option.
Shutter Sound
Shutter sound and vibration generated by shutter mechanism are two section where the D810 has improved significantly. The loud shutter sound is very disturbing in wild life photography as well as in many formal events. D810 gives a very pleasant experience in this regard. I’m really impressed with the soundness of the shutter. On the other hand internal vibration generated by the shutter in long exposure is a major issue camera manufacturers have to tackle in these high megapixel cameras. That’s why Canon incorporated a shutter damping system in their newly released Canon 5Ds cameras. The Nikon D810 also address the same with improved components of mirror and shutter.
Viewfinder
Anyone using a Crop / DX camera body for a long time will certainly notice the big jump when looking through the viewfinder of a full frame camera. Compared to my old D700 the Nikon D810 viewfinder looks more natural to me. Most of the Canon camera viewfinder has a bluish cast which I noticed even in film days, while Nikon’s tend to be on the Yellow side. Look through the viewfinder of D810 and it feel almost same as you see in naked eye.
Flash
The whole Nikon DSLR line-up has pop-up flash except the D4s. Its such a handy tool. Instead of illuminating the subject with built-in flash, I use it as a commander to control my Nikon SB-800 & SB-900 flash units. With D810 it remains the same regarding the flash.
Connectivity
The connectivity panel on the left side of camera has HDMI, Full size USB-3 port and 3.5 audio jacks. The rubber flap covering these ports now has a hinge which is nice.
Battery Life
Nikon D810 uses EN-EL15 battery, which is a 7v 1900 mAh power source. Its the same battery found in Nikon D7200, D750 and D610. While charging I found it takes more than 2 hour to fully charge the battery – a little surprise for me (too long). If I’m not shooting birds in flight or dolphin in the sea, its really difficult to shoot couple of hundred images in one day (Thoughtful shooting). Nikon says a fully charged battery can take 1200 Normal large jpeg images in single shutter mode & 3860 in continuous mode and 40 minutes of HD video. I have used the camera all day long taking around 400 shot (uncompressed 14bit Raw + Jpeg) and 7 small HD video clips without trouble. The need of extra battery become very much apparent to me when I started In-camera timelapse photography. At 5 second interval the camera operated for 3 hr 30 min (approx.). So if you are shooting timelapse or doing videography for long duration couple of extra battery is a must.
Auto-Focus Performance & buffer
All autofocus issues have been fixed in Nikon D810. It works like a charm. The focus locks on quickly and accurately on the subject even in low light. Out of 51 autofocus point 11 has the ability to focus upto F/8 aperture. The newly added Group area auto-focus has been praised by many. In my regular use it felt just as reliable as the D700 if not better. The continuous shooting buffer has been improved a lot. I used a Lexar 1000x 32GB Compact Flash card which has a write speed 145MB/sec. Normally I shoot uncompressed 14bit RAW + Large fine Jpeg mode, this costs around 100MB per image. A lot of data when shooting birds in flight in continuous high mode, but camera performed decently without any hiccup. Behind these improvement works the Advanced Multi-CAM 3500FX autofocus sensor module, new EXPEED 4 image-processing engine and doubled buffer memory. However with the increasing number of pixel I feel Nikon needs to improved a lot in focusing module. One important reason is to remember these are high definition camera and a single focusing point still covers a lot of area. So if your subject is small its quite likely that the camera picks up the wrong point and you get an overall sharp image with your main subject out of focus. That’s why you may have heard the upcoming Nikon D5 will have 173 autofocus points.
I have added 100% crop version of most sample image.
Image Quality
In the field when shooting with any DSLR and review image in 3” LCD, we always become delighted looking at the well-lit image. However back home and watching in large monitor takes that delight away. The small 3″ LCD most of the time fools us regarding exposure & sharpness. Then we spend a lot of time fixing those issues. With Nikon D810 your mistakes will be more apparent as you watch them in large monitor zooming at 100%. This is a camera that picks up every single mistake you made in the field. In my part of the world now its monsoon. The days are mostly rainy as well as windy. So getting good result has been a real challenge. When reviewed the images in full resolution a lot things become quite clear to me. In short the image you get from the camera is really amazing. It can capture very fine detail. See the compound eye of the dragonfly at 100% magnification or the house in the cock’s eye.
ISO Performance
The ISO range extends from 32 to 51200. I liked the ISO 64 most. And my highest limit will be 6400. At 64 ISO the transition from one color to another is buttery smooth. It reminds me of Fuji Velvia 50 film back in film days. The color is rich. Shooting at night at ISO 64 yield excellent result. The chromatic noise and noise in general is greatly reduced if you take the jpeg output from RAW file. The difference between In-camera jpeg and that produced by Capture NX-D is obvious. So I prefer to shoot in RAW.
- See all ISO test sample – Nikon D810 ISO Performance Test
Exposure Tolerance
One thing Nikon has been doing pretty well since they launched the Nikon D3 is the dynamic range. The Nikon D810 is no different. I deliberately overexposed and underexposed the image to see what the camera can do. In underexposed image the in-camera jpeg was totally dark, then I tried to recover the image from RAW file and was really amazed. See the results below to know how far you can recover data. However recovering data from an overexposed image wasn’t that much pleasant, but still works to some extent.
Timelapse Photography
Nikon has made the timelapse photography very easy for avarage users. There are two options to do it.
First – Timelapse photography. Here you need to set interval between shots and total time duration of shooting. Then click the start button. After the given amount of time you will get a complete movie file in .mov format.
Second – Interval timer shooting. Its like old interval timer of previous Nikon models. You set the interval between shots, total number of shots and number of image taken at each interval. In this case after the shooting session you can edit all the images in desktop and make your timelapse photography clip through your desired application.
In both type now you have the option to turn on the exposure smoothing. It works just fine. There is hardly any flickering. The transition during sunrise & sunset is very smooth. A single EN-EL15 battery can take timelapse photos for more than 3 hour with an interval of 5 second between shots.
- More on Nikon D810 Timelapse Photography
Videography
The D810 is capable of shooting HD video at 60p. I’m not a video expert. But after exploring its video features it became pretty clear that you can do a lot with this camera if you really want to.
Other Features
Electronic Front Curtain Shutter
Its a very good feature but can only be used in mirror lock up. I turned it on during long exposure ISO 64 night photography shots.
DX crop Mode
In this mode you will get 15.36 MP image (4800 x 3200). This is handy in bird photography and other long shot images where you will eventually crop out in post processing.
Split Screen Display
In live view mode Nikon D810 has the option to activate split screen view. It helps to see the relative position of the horizon or building in two farthest part of an image.
Miniature Effect
Nikon D810 has couple of retouching feature we hardly use. I found the miniature effect somewhat interesting. And its fun too.
Conclusion
A high definition camera like Nikon D810 require very meticulous handling. We don’t need this much pixel for casual shooting. It has been built for studio, landscape and fine art photography in mind. For regular press photography or street photography a more fast 12 to 16 MP is good enough. Besides a low MP camera is more forgiving when it comes to shooting error like camera shake. And average PC’s can handle those small files more easily than the 75MB RAW files from D810. Overall its an excellent camera from my point of view. Its flawless performance really delighted me. The RAW output can yield very high resolution files that I need for landscape and macro photography. Due to its ultra fine 64 ISO, high dynamic range and color depth you can generate images of outstanding quality. And it even beats the newly released 56MP Canon 5Ds or 5Ds R in terms of dynamic range.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Nikon D810 Time-lapse Photography Tutorial
Nikon has made the time-lapse photography very easy for average users. In most of the previous Nikon’s we had to use Interval timer to shot image on location and later post process them in video editing software. To do timelapse properly you need to set some of the camera setting right before you start shooting.
Lens Focus – Set to Manual
Vibration reduction – Off
Picture Control – Standard or Neutral
White balance – Manually set it ( disable auto white balance)
Active D-lighting – Off
High ISO / Long exposure NR – Off
Exposure mode – Aperture priority (preferable)
Even after setting all these things right due to change in lighting condition exposure used to be variable from one image to another. People used extra third party device to fix this exposure variation. Thanks to Nikon for adding Exposure smoothing and auto ISO for Time-lapse & Interval timer photography. As a result now we can create smooth video clip even in variable lighting condition. The camera automatically calculates the proper exposure in subsequent shots to prevent flickering. If you turn on Auto ISO keep the higher ISO value as low as possible (e.g. ISO range 200 to 800) or you will get a noisy clip. Below is a timelapse photography clip created with Nikon D700 with out exposure smoothing. You can see there are some flickering as the lighting condition changes which was not intended. Nikon D810 fixes all these issues.
Nikon D810 has two option for Time-lapse photography. In both cases you can activate the Exposure smoothing. It works just fine. There is hardly any flickering. The transition during sunrise & sunset is very smooth.
A. Time-lapse photography
In shooting menu select the Time-lapse photography. Here you need to set interval between shots and total time duration of shooting. Then click the start button. After completion of shooting the camera will automatically generate a movie clip. Camera don’t keep any jpeg or RAW file for post processing. The video quality, frame size (eg. 1920 X 1080) and frame rate ( 60/50/30) will depend on your Movie setting.
B. Interval Timer Shooting
Its like old interval timer of previous Nikon models. You set the interval between shots, total number of shots and number of images taken at each interval. In this case after the shooting session you can edit all the images in desktop and make your timelapse photography clip through your desired application. With this setup you have more control on your output movie compared to the previous mode.
For beginners I would prefer the first method because its fun and easy.
Other than the camera you need to have a very stable tripod. Slight movement or shift in focus can ruin your entire effort. Also keep in mind to check the battery status before you hit the start button, otherwise you will find the camera stopped halfway through the session.
Here is my camera setup which I used to shoot the starting video of this article. It was windy so I used tape to prevent filter movement and wrapped the camera strap around tripod.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Nikon D810 ISO Performance Test
The Nikon D810 is a high end DSLR. It’s a camera that competes with entry level Medium format digital cameras with the flexibility of 35mm. At full resolution ( 7360 X 4912 ) it can generate a 24.5 X 16.4 inch print @ 300 dpi, which is excellent. Even at 1.5X crop mode (4800 X 3200 = 15.36MP) printable size is 16 X 10 inch @ 300 dpi. The camera was targeted for use in the field of studio photography or landscape photography. As a result it performs best at lower ISO spectrum unlike Nikon D4s which is the opposite.
Base ISO of Nikon D810 ranges from 64 to 12800. Beyond that its possible to set the ISO at 50 & 32 in the lower end and 25600 & 51200 on the higher side. User can activate the Auto ISO Sensitivity from the menu or command dial. This feature is particularly helpful when you are shooting with long lens or doing timelapse photography where there is extreme change in exposure. For example a timelapse that extends 2 hour before sunset to 2 hour after sunset. The Auto ISO feature can be independently set for still photography and videography.
The useable ISO range for me was 64 to 6400. If I have to do landscape or long exposure I will certainly go for ISO 64. Obviously I will be using a tripod in most of these situations. And the results are spectacular. My use of 6400 ISO is reserved for salvation purpose e.g. in a cloudy environment if you go after a Jungle bird the lighting become very tricky.
The jpeg images created in-camera has more noise compared to RAW images. To get the best result I processed RAW images in latest version of Nikon Capture NX-D. Below is a wide range of test images of full ISO range. All these are 100% crop. To get proper impression view them at full resolution by clicking images.
Lowest ISO 32 is shown in PC image properties as 31 – I don’t know why.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Related Article : Nikon D810 Review
Metabones Speed Booster ULTRA For Canon EF & Nikon F/G to Micro Four Thirds Mirrorless Cameras
Product Summary
- Release Date: 24 July 2015
- Format : Micro Four Thirds
- Mounts: Canon EF to Micro Four Thirds
- Color: Black
- Availability: July 2015
- Price: $649 (Canon EF) & $479 (Nikon F/G)
- Purchase options: Metabones Website and Dealers
Key Specs
- Model Code: MB_SPEF – m43 – B T 4 (Canon EF mount) , MB_SPNFG – m43 – BM3 (Nikon F/G mount)
- Color: Black Satin exterior; Black Matte interior
- Magnification: 0.71x
- Crop Factor for Full Micro Four Thirds format: 1.42x
- Crop Factor with GH4 in Cinema 4k (4096 x 2160) Video Mode: 1.66x
- Maximum Output Aperture: f/0.90 (with f/1.2 lens attached)
- Rectilinear Distortion: < 0.7%
- Lens Elements/G roups: 5/4
- Length Reduction: 5.5 mm
- Camera Mount: Micro Four Thirds
- Compatibility: All Micro Four Thirds cameras are supported
- Image Format: 17.3 mm x 13.0 mm (full Micro Four Thirds format)
- Lens Mounts: Canon EF and Nikon F/G at release; other mount s to follow in the near future
- Lens Compatibility: Any full – frame (36 mm x 24 mm format) SLR lens with the appropriate mount can be used. DX format lenses can be mounted but may result in vignetting when the full Micro Four Thirds format is used, depending on the lens. DX lenses are fully supported when used on the Panasonic GH4 in Cinema 4k mode, and will function without abnormal vignetting. Canon EF – S lenses are not supported, but third – party EF – mount APS – C lenses can be mounted and will have full electronic functionality
- Robust removable type with Arca Swiss compatibile Tripod Mount
Features
Metabones has announce a new Speed Booster ULTRA focal reducing adapters designed for Micro Four Thirds mirrorless cameras. Like the ULTRA series for Sony E-mount, the new Speed Booster ULTRA m43 uses an advanced 5-element 4-group optical design incorporating ULTRA-high index tantalum-based optical glass. However, the new design is specifically optimized for the Micro Four Thirds sensor and filter stack, and as a result achieves an astonishing level of performance that sets a new standard for focal reducers.
Like the revolutionary original Metabones Speed Booster® announced in January 2013, the Speed Booster ULTRA m43 has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless Micro Four Thirds mount cameras from 2.0x to 1.4x. However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is almost perfectly corrected for use with all fullframe SLR lenses regardless of aperture. The Speed Booster ULTRA m43 will also work extremely well with many DX and APS-C format lenses provided the image circle of the lens is large enough. Optical performance of the new Speed Boosters is so good that the MTF of any lens attached to it will be improved. Even the latest generation of ULTRA-high performance SLR lenses such as the Zeiss Otus series can be improved by adding a Speed Booster ULTRA m43.
Above Figures show MTF at 10, 20, and 40 lp/mm as a function of image height for output apertures of f/0.9, f/1.0, and f/2.0, respectively1. At the maximum aperture of f/0.90 (i.e., with an f/1.2 master lens) the sharpness and contrast are extraordinary across the entire image circle. At just one third stop down to f/1.0 the performance is equal to or better than the best photographic lenses used at their optimum apertures. An additional stop down to f/2.0 yields performance that is rarely encountered in photographic optics. In practice, what all of this means is that the new Speed Boosters will always enhance and never degrade the performance of the attached master lens. And other aspects of optical performance haven’t been sacrificed in order to obtain high MTF, either.
Above Figure shows that there is less than 1 stop of corner illumination falloff even wide-open at f/0.9. There is no vignetting at all after the output aperture reaches f/2.82 . Figure 6 shows that rectilinear distortion added by the Speed Booster ULTRA m43 is negligible at less than 0.7%. The charts shown in Figures 2 through 6 below show the optical performance of the Speed Booster ULTRA m43 when mounted behind an ideal “perfect” lens.
Like all Metabones Speed Boosters, the Speed Booster ULTRA m43 is optimized to correctly account for the camera’s filter stack located near the sensor surface3. This is especially critical at the extremely large apertures made possible by Speed Booster technology. As a result of this careful optimization, an enormous range of full-frame optics, ranging from vintage film lenses to the latest digital designs, will function flawlessly when adapted to Micro Four Thirds camera bodies.
Autofocus with an Optimum Balance of Accuracy, Speed, Consistency and Reliability
New in Speed Booster ULTRA for Canon EF Mount to Micro Four Thirds is autofocus on Panasonic camera bodies, subject to certain limitations (see specifications for details). We are pleased to report that Panasonic Micro Four Thirds camera bodies are capable of autofocusing accurately even if the maximum aperture of the Speed Booster and the lens combined is in the sub-f/1.0 range. Although our first and foremost priority is accuracy, we are able to make great strides in autofocus speed as well, which is significantly faster than a DSLR Four Thirds lens on a Panasonic Micro Four Thirds camera (with adapter), or our E-mount offerings on Sony cameras prior to Alpha 7R II. For existing Metabones patrons with any previously released Canon EF to Micro Four Thirds mount Speed Boosters and Smart Adapters, a firmware update (Windows/Mac) to add autofocus is available for download on Metabones’ web site.
Measured MTF Using a 55mm Zeiss Otus as the Master Lens:
The MTF curve in Figure 3 indicates that the Speed Booster ULTRA m43 has truly phenomenal performance at f/1.0, which is the output aperture you will get when the master lens is set to f/1.4. Extremely low levels of aberration in the Speed Booster ULTRA m43 combined with the aberration-reducing tendency inherent in focal reducers means that even extremely high performing lenses such as the renowned Zeiss Otus series can actually be improved! This is illustrated in the pair of measured MTF graphs below in Figure 7.
The 55mm f/1.4 Zeiss Otus is widely recognized as perhaps the finest large aperture photographic lens ever produced, and yet the Speed Booster ULTRA m43 transforms it into a 39mm f/1.0 lens with even higher MTF. In fact, the resulting combination is likely the highest-performing f/1.0-class photographic lens available to the public.
Autofocus supported for Canon EF version subject to the following known limitations:
- Contrast – detect autofocus support on Panasonic cameras only.
- AFC (continuous AF) and AFF (flexible AF) modes are not supported.
- Video AF may hunt more than a native lens.
- Autofocus is not supported with previous generation Tamron VC lenses and Contax N lenses modified to EF mount by Conurus Canada. (Newer Tamron lenses such as the 24 – 70/2.8 VC A007 and 70 – 200/2.8 VC A009 work fine.)
- Switching from manual focus or full – time manual focus (FTM) to autofocus may occasionally result in focus failing to lock or inaccurate focus. Activating autofocus for a second time will resolve this issue.
- AF accuracy is lens – dependent .
Accurate |
Inaccurate |
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Special Features:
Long – throw clickless aperture ring on Nikon F/G version; IS lens support, IBIS camera support, auto-exposure and in-camera aperture selection with Canon EF version.
Availability & Pricing
The Speed Booster ULTRA for Micro Four Thirds will be available starting in July 2015 from the Metabones website and its worldwide dealer network for US $649 (Canon EF mount) and US $479 (Nikon F/G mount), plus shipping and applicable taxes and duties. Additional lens mounts are being developed and will be released in the near future.
Lightroom Mobile Android 1.2 Now Available for Download
Lightroom for mobile Android 1.2 now available
Tonight we’re announcing the immediate availability of Lightroom version 1.2 for Android phones and tablets.
- Edit images faster by copying image adjustments and pasting them onto another photo
- Crop the perfect photo with a re-designed experience on your Android device that enables you to quickly adjust, align and auto-straighten.
- Easily find your favorite images! The new Segmented view in Collections give you a different way to view and engage with your photos.
- Raw file support for the Panasonic Lumix CM1 Communication Camera
Version 1.2 also includes fixes for bugs and other issues identified by customers, including:
- Screen occasionally went blank after changing the orientation from landscape to portrait.
- Lightroom could crash when customers tap the sign-in button.
- Fixed issue that could cause crashes when scrolling through a large collection and changing the device orientation from portrait to landscape (or vice versa).
- Hardware back button was not closing any contextual menus.
- Slow performance when swiping from image to image.
- Copying or moving an image into a different collection was not working correctly. Please note that this issue only occurred on certain Samsung tablets.
- Lightroom sometimes caused automated logouts.
- Edits not visible when sharing photos to certain 3rd party apps and services.
- Crash occurred when occasionally navigating from grid view to collections view.
Visit the Google Play store and download Lightroom mobile.
E1 Camera – An Open Platform & 4K Capable Camera From “Z”
E1
“Z” a China-based photography company announces E1 Camera, World’s Smallest Interchangeable Lens Ultra-High Definition 4K Camera. Based on micro four-thirds sensor, the E1 Camera by Z captures incredible high-quality footage, whether mounted on a drone or operated manually
Product Summary
- Announcement Date: 20 July 2015
- Focus Type: Autofocus / Manual
- Format : Micro four-thirds Sensor
- Mount: MFT lenses
- Color: Black
- Availability: TBA
- Price: $699
- Purchase options: TBA
Features
The E1 camera features a unique interchangeable, Micro Four-Thirds lens mount, adaptable with the widest range of auto-focus (AF) lenses available from Olympus, Panasonic Lumix, Leica and Sigma, as well as a variety of existing manual-focus (MF) lenses. In lieu of bulky DSLRs, this camera will allow users to travel with their arsenal of lenses to capture the highest-quality footage possible, revolutionizing the quality of content consumers can produce and easily share.
The E1 is Wi-Fi 802.11N, Bluetooth Low Energy (BLE), and Ambarella A9 image processor equipped. Easily capture cinema-quality 4K (4096×2160) video at 24 frames per second or ultra-high definition video (3840×2160) at 30 frames per second with H.264 compression. Advanced 3D noise filters using motion compensated temporal filtering (MCTF) technology reduces noise and jitter. This allows for incredible low-light performance with the camera’s ability to shoot at up to 102,400 ISO while maintaining high image quality, up to 6400 ISO.
Connect & Control – Z’s E1 is equipped with proprietary applications for iOS and Android, already available in the Apple App Store and Google Play. These apps provide the ability to control, live stream and manage content via their Wi-Fi or Bluetooth 4.0-enabled devices. Users can leave the camera in standby mode and remotely power the E1, whether it’s powered on or off, a feature not available with most other camera models. Once powered on, users can control and trigger the camera without physical contact. Additionally, this allows for easy download of photos or videos and sharing content, direct from a mobile device.
These features allow the camera to be an ideal solution for use during documentaries or live events. A videographer can mount the E1 from the ceiling prior to the event using a standard tripod mount accessory, provide a direct AC power source into the camera and avoid the need to physically access the camera in order to power it on. This is also a perfect solution for drone use so a drone pilot can remotely power the camera on only when needed without having to land the drone in order to set it up.
Software Development Kit – Advanced users can customize the functionality of the E1 through the open platform, I/O port and available software development kit (SDK), available in two levels in order to add or customize functionality.
Pricing & Availability
“Z” is looking to raise $42,000 over the course of the company’s active 30-day Kickstarter campaign. However, the company is utilizing the crowdfunding platform more as a way to take pre-orders and introduce both the brand and the product to consumers, as well as gain valuable market insight concerning this form-factor and future features.
Once the Kickstarter campaign has been completed, the E1 (body only) will retail for $699 as well as in a kit with a 14mm (f/2.5) lens for $999, however the company will be offering perks for Kickstarter backers up to 40 percent off retail pricing (in limited quantities).