Canon 70D Bundle deals – From $649.99 [Limited Time Only]
Canon 70D Bundle deals at Adorama (Expire on: Sunday, 07/19)
Bundle includes:
- Canon EOS 70D 20MP Digital SLR Camera Body
- Canon PIXMA PRO-100 Professional Photo Inkjet Printer
- Canon SG-201 Photo Paper Plus Semi-Gloss, 13×19″, 50 Sheets
- Lowepro Nova Sport 17L AW Shoulder Bag, Slate Gray
Price is $649.99 after $350 Canon Mail-in Rebate.
$999.99 – $350 Rebate = $649.99
Canon EOS 70D with EF-S 18-55mm F3.5-5.6 IS STM Lens Bundle
Bundle includes:
- Canon EOS 70D Digital SLR Camera with EF-S 18-55mm F3.5-5.6 IS STM Lens
- Canon PIXMA PRO-100 Professional Photo Inkjet Printer
- Canon SG-201 Photo Paper Plus Semi-Gloss, 13×19″, 50 Sheets
- Lowepro Nova Sport 17L AW Shoulder Bag, Slate Gray
Price is $749.99 after $350 Canon Mail in Rebate.
$1,099.99 – $350 Rebate = $749.99
Canon EOS 70D with EF-S 18-135mm F3.5-5.6 IS STM Lens Bundle
Bundle includes:
- Canon EOS 70D Digital SLR Camera with EF-S 18-135mm F3.5-5.6 IS STM Lens
- Canon PIXMA PRO-100 Professional Photo Inkjet Printer
- Canon SG-201 Photo Paper Plus Semi-Gloss, 13×19″, 50 Sheets
- Lowepro Nova Sport 17L AW Shoulder Bag, Slate Gray
Price is $949.99 after $350 Canon Mail in Rebate.
$1,299.99 – $350 Rebate = $949.99
Rebate From click here
Sigma 24-35mm F2 DG HSM Art lens Release date, Pricing & Availability Announced!
Sigma today announced that the new Sigma 24-35mm F2 DG HSM Art lens will become available in late July for the street price of $999.
Key Features
-
The 24-35mm F2 DG HSM Art lens is the market’s first full-frame zoom that allows photographers to carry one fast aperture lens that can do the work of three popular fixed focal length lenses – the 24mm, 28mm and 35mm. It includes an optimized autofocus (AF) algorithm for smooth, fast, and accurate focusing, a manual focus (MF) override functionality, and is made of Thermally Stable Composite (TSC) reducing its size and weight.
- Large-diameter, aspherical lens elements, which require advanced technologies to produce, one “F” Low Dispersion (FLD) glass, and seven Special Low Dispersion (SLD) glass elements with two aspherical lenses. The advanced optics and optimized lens power distribution minimizes spherical aberration, axial chromatic aberration and field curvature, resulting in outstanding optical performance
- A video-friendly, inner focusing system that eliminates front-lens rotation, enhancing the lens’ stability and allowing use of circular polarizing filters
- A Hyper Sonic Motor (HSM) that ensures a silent, high-speed AF function. Smoother AF is achieved when the this AF algorithm is optimized
- Full-time MF by rotating the focus ring of the lens while auto focusing
- A nine-blade, rounded diaphragm creates an attractive blur to the out-of-focus areas of the image
- Specifications: Lens construction containing 18 elements in 13 groups; a weight of 33.2 ounces; a diameter and length of 3.4 inches by 4.8 inches, respectively; a minimum aperture of F16; and angle of view (35mm) of 84.1° to 63.4°; minimum focusing distance of 11 inches; and a maximum magnification ratio of 1:4.4
Purchase options at
Panasonic Lumix DMC-GX8 Mirrorless Camera with 20MP
Product Summary
- Release Date: July 16, 2015
- Focus Type: Autofocus / Manual
- Format: Micro Four Thirds
- Color: Black | Silver
- Availability: Mid-August 2015
- Price: $1199.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 20 MP sensor
- New dual IS (image stabilization)
- Unprecedentedly High Picture Quality in the History of LUMIX
- Tiltable 2.36 million dots organic EL EVF
- Dust and splash proof
- Magnesium alloy body
- 4K video
- Tiltable 1.04 million dots organic EL screen
- Wi-Fi , NFC, QR code connection (just like the Leica Q)
- Continuous shooting: 8 fps with AF tracking
- Focus Peaking
- Silent Mode
- Time Lapse Shot / Stop Motion Animation
Features
The Dual I.S. (Image Stabilizer)
The LUMIX GX8 integrates Dual I.S. (Image Stabilizer)3 for the first time in LUMIX G series allowing for more powerful vibration correction. Conventional image stabilization in the camera (Body I.S.) and the interchangeable lens (Lens I.S.) can be switched. However, with the new Dual I.S., both Body I.S. and Lens I.S. work at the same time to take advantage of both stabilizers not only in wide angle shooting but also in telephoto. With max.3.5x (wide) / 1.5x (tele)4 wider correction angle, you can get clear handheld images even in low-lit situations where the shutter speed tends to be slower. Panasonic LUMIX G DSLM (Digital Single Lens Mirrorless) Cameras offer a wide variety of digital interchangeable lenses and most of them are able to conform with Dual I.S.
For video recording, 5-Axis HYBRID O.I.S.+ (Optical Image Stabilizer Plus)5 which has been available in Panasonic’s professional video camera development, corrects complex movement for more stable imagery.
Unprecedentedly High Picture Quality in the History of LUMIX Cameras
The LUMIX GX8 integrates the newly developed Digital Live MOS Sensor that helps achieve the highest image quality of LUMIX G digital cameras. By increasing the resolution from 16.0-megapixel (GX7) to 20.3-megapixel, higher descriptiveness is achieved and the faster digital signal readout enables higher speed burst shooting. Moreover the LUMIX GX8 features 1/3 stop wider dynamic range than the LUMIX GX7 which suppresses washout even in high contrast situations. The combination of the Digital Live MOS Sensor and the Venus Engine achieves clear image rendering with minimum noise even in low-lit situations and stunning picture quality in a natural way.
The Venus Engine image processor with quad-core CPU enables high speed signal processing. Optimizing the combination design of the sensor, the imaging engine and the low-pass filter enhances the resolution by approx. 15% in comparison with the LUMIX GX7. The aperture filter is capable of controlling a wider frequency range. It adjusts the amount of sharpness according to the frequency level, resulting in faithful stereoscopic effect. The advanced Multi-process NR (Noise Reduction) applies effective noise reduction and detail processing according to each component frequency. Plus, the newly added Random Filter granulates chromatic noise to be blended into the image more naturally. As a result, the max. ISO 25,600 is achieved. The Venus Engine also improves color reproduction with accurate evaluation of each color even if it is similar not only in color phase but also in saturation and luminosity. In addition, the Venus Engine in the GX8 excels in diffraction compensation to make the resulting image crisp and clear even when photographed with a small aperture.
4K Capability Bringing the Evolution in Videography/Photography – 4K Video and 4K Photo
All LUMIX G cameras, especially the LUMIX GH4, are renowned for their capability of high quality video recording. The LUMIX GX8 records stunningly smooth, high-resolution QFHD 4K video in 3840×2160 at 30p (60Hz) or 24p in MP4 unlimited in addition to the full-HD 1,920 x 1,080 60p (60 Hz) videos in AVCHD Progressive or MP4 (MPEG-4 / H.264) format with practical full-time AF.
Taking advantage of 4K video recording performance, users can enjoy “4K Photo” with the LUMIX GX8. With 4K Photo, users can capture fleeting photo opportunities at 30 fps in 8-megapixel equivalent resolution by grabbing a frame out of the 4K burst file to save as a photo. Three exclusive functions are integrated to make the 4K photography even easier; 4K Burst Shooting, 4K Burst S/S (Start/Stop) and 4K Pre-burst. The 4K Burst Shooting allows almost unlimited shooting at 30 fps, which can be used just like regular photo burst shooting. The 4K Burst S/S (Start/Stop) mode starts consecutive shooting with a single press of a shutter button and stops it with the second press, which is more suitable for the shooting opportunities that require a longer waiting time. The 4K Pre-burst automatically records a total of 60 images right before/after the shutter release.
All these functions in 4K Photo allow users to save images in 8-megapixel equivalent high resolution; 3840×2160 (16:9), 3328×2496 (4:3), 3504×2336 (3:2), 2880×2880 (1:1) without missing the shot. Notably photos shot with 4K Photo mode have EXIF information and can be handled just as the images shot normally.
- MP4 Motion pictures with their file size set to [FHD], [HD] or [VGA]: Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds or the file size exceeds 4GB.
- – Since the file size becomes larger with [FHD], recording with [FHD]will stop before 29 minutes 59 seconds.
- MP4 Motion pictures with their file size set to [4K]: Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds.
- – You can continue recording without interruption even if the file exceeds 4GB, but the motion picture will be recorded/played back separately.
Panasonic LUMIX GX8 4K Video Sample
Stunning Mobility Supported by Mechanical Advancements
The LUMIX GX8 boasts a large, tiltable LVF that boasts highest ever magnification ratio of approx.1.54x / 0.77x (35mm camera equiv.) in the history of LUMIX G digital cameras. It also features 2,360K-dot high resolution and 100% field of view. High-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays for LVF (Live View Finder) and rear monitor. It also features an eye point of approximately 21 mm, offering high visibility and comfort for users wearing glasses. The tiltable LVF offers extraordinary angle of view with unique shooting style – looking down into the viewfinder to level the camera straight on the subject. Thanks to the newly designed large eyecup, the visibility of LVF is dramatically improved. Adoption of OLED for the LVF and rear monitor achieves high speed response with a minimum time lag of less than 0.01 sec as well as 10,000:1 high contrast which allows users to check white washout or black shadows more precisely.
Adopting a static-type touch control system, the free-angle 3-inch rear monitor with 1040K-dot high resolution features approx.100% field of view. It rotates approx.180-degree and tilts up by approx.250-degree, making it easy to shoot from a high or low angle even in vertical composition.
To be tough enough to withstand even heavy field use, the LUMIX GX8 adopted a rugged design with the main structure composed of magnesium alloy full die cast front/rear frame. It also features splash / dustproof construction thanks to the sealing on every joint, dial, and button.
To further enhance the controllability, the LUMIX GX8 comes with an exposure compensation dial in addition to the front/rear dials, which lets users set -5EV to +5EV. Users can change settings such as aperture and shutter speed with the front/rear dials and can also customize the assignment of functions even on Fn buttons. Furthermore, it is also possible to make a temporary shift of dial functions with Dial Operation Switch. For example, users can adjust white balance with a front dial and set ISO with a rear dial while choosing the shutter speed or seeing the noise effect, which is helpful in the complex lighting situations. Either AFS/AFC/MF can be switched with the dedicated focus lever.
The Top Level of AF Performance among Conventional DSLRs and Mirrorless Cameras
The Contrast AF in the LUMIX GX8 achieves higher speed and precision focusing with digital signal communication at max. 240 fps. Furthermore, the DFD (Depth Defocus) technology6 calculates the distance to the subject by evaluating 2 images with different sharpness level while consulting the data of optical characteristics of the current lens. As a result, the LUMIX GX8 achieves ultra-high speed AF of approx.0.07 sec7. This improvement will be noticed more as focal length increases. The speed of burst shooting is dramatically faster than the predecessor LUMIX GX7, boasting high speed burst shooting at 8 fps (AFS) / 6 fps (AFC) to capture fast moving subject perfectly in-focus. The Low Light AF makes it possible to set focus on the subject more precisely even without AF assist lamp in extremely low-lit situations to -4EV, which is as dark as a moonlit night. Plus, the LUMIX GX8 integrates Starlight AF which allows users to shoot a star in the sky at night with auto focus. This can be achieved with accurate calculation of contrast values in a smaller AF zone. The focus detect area is increased from 23 (LUMIX GX7) to 49 points for more flexible composition and together with Custom Multi AF mode users can freely select the blocks to focus out of the 49 in the focusing area. In addition to conventional Face Recognition AF, the LUMIX GX8 newly incorporates Face / Eye Detection AF which automatically sets focus right on the eye of human face. With the Pinpoint AF, users can even magnify the target area to set precise focus. With the new algorithm of AF Tracking, not only the color but also the size and motion vector of the target are recognized, enabling the camera to lock on the subject even more securely. The result is the AF tracking performance of approx.200% or greater which refrains the camera from losing the subject8.
Other Features
Max.1/8,000 Sec High Shutter Speed (Mechanical Shutter)
The LUMIX GX8 offers highest mechanical shutter speed at max. 1/8,000 sec not only to capture spur-of-the-moment action and fast moving subjects but also to allow users to use high-speed lens with an open aperture in outdoors to give impressive defocus.
Max.1/16,000 sec High Shutter Speed (Electronic Shutter)
The LUMIX GX8 offers highest electronic shutter speed at max. 1/16,000 sec (electronic) not only to capture spur-of-the-moment activity and fast moving subjects but also to use high-speed lens with open aperture even in the outdoors, to give impressive defocus.
Easy Wireless Connectivity via Wi-Fi® with Smartphones ADVANCED
The LUMIX GX8 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology to offer a more flexible shooting experience and easy instant image sharing. Once the camera and smartphone/tablet are connected by installing Panasonic’s dedicated application software Panasonic Image App for iOS / Android, users can shoot, browse and share images remotely.
RAW data development in Camera
The LUMIX GX8 is capable of processing the RAW image in camera. In addition to the color space setting (sRGB / AdobeRGB), the parameter of white balance, exposure compensation, contrast, highlight/shadow, saturation, noise reduction or sharpness can be flexibly adjusted while LUMIX’s Photo Style, Intelligent D-range Control, Intelligent Resolution can also be applied.
Creative Control in P/A/S/M Mode
The LUMIX GX8 integrates a variety of artistic functions that adds fun to digital photography. The popular Creative Control mode features a total of 22 filter options. Effect parameter of each mode is also adjustable. Now it is possible to apply one of these filters even in P/A/S/M mode. Users can combine favorable settings and filter to make very creative images. Also, LUMIX GX8 is capable of taking pictures “with” and “without” filter effect simultaneously, so that users can compare them to choose later.
Creative Panorama (ultra wide) ADVANCED
The Panorama Shot function allows shooting horizontal/vertical ultra-wide panoramic image by shooting sequential pictures easily. Combining with the Creative Control, users can get a dynamic, artistic image.
Optional Accessories
The LUMIX GX8 offers a variety of optional accessories to expand the shooting experience. The Eye Cup DMW-EC3 is available making it even more comfortable to see the LVF. The External Flash DMW-FL360L (GN36), DMW-FL580L(GN58) are sold separately which can also be used as LED light in video recording. The external flash can be synchronized with max.1/250 second shutter speed.
Product Photos
Specifications
| TYPE | Type | Digital Single Lens Mirrorless camera | |||
| Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card/(Compatible with UHS-I UHS Speed Class 3 standard SDHC / SDXC Memory Cards) | ||||
| Image sensor size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||||
| Lens mount | Micro Four Thirds mount | ||||
| IMAGE SENSOR | Type | Live MOS Sensor | |||
| Total pixels | 21.77 Megapixels | ||||
| Camera effective pixels | 20.30 Megapixels | ||||
| Color filter | Primary color filter | ||||
| Dust reduction system | Supersonic wave filter | ||||
| RECORDING SYSTEM | Still image | JPEG (DCF, Exif 2.3), RAW, MPO (When attaching 3D lens in Micro Four Thirds system standard) | |||
| Motion picture | AVCHD (Audio format: Dolby Digital 2ch), MP4 (Audio format: AAC 2ch) | ||||
| Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||||
| Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard/MPO+Fine / MPO+Standard (with 3D lens in Micro Four Thirds system standard) | ||||
| Color Space | sRGB, AdobeRGB | ||||
| Still Image | [4:3] 5184×3888(L) / 3712×2784(M) / 2624×1968(S) / 1824×1368 (When attaching 3D lens in Micro Four Third system standard)/[3:2] 5184×3456(L) / 3712×2480(M) / 2624×1752(S) / 1824×1216 (When attaching 3D lens in Micro Four Third system standard)/[16:9] 5184×2920(L) / 3840×2160(M) / 1920×1080(S) / 1824×1024 (When attaching 3D lens in Micro Four Third system standard)/[1:1] 3888×3888(L) / 2784×2784(M) / 1968×1968(S) / 1712×1712 (When attaching 3D lens in Micro Four Third system standard) | ||||
| MP4*:PAL area | [4K] 3840×2160: 4K/25p 100Mbps, 4K/24p 100Mbps/[Full HD] 1920×1080: FHD/50p 28Mbps, FHD/25p 20Mbps/[HD] 1280×720: HD/25p 10Mbps/[VGA] 640×480: VGA/25p 4Mbps | ||||
| AVCHD*:PAL area | [Full HD] 1920×1080: FHD/50p: 28Mbps, 50p recording/[Full HD] 1920×1080: FHD/50i: 17Mbps, 50i recording/[Full HD] 1920×1080: FHD/25p: 24Mbps, 50i recording (sensor output is 25fps)/[Full HD] 1920×1080: FHD/24p: 24Mbps | ||||
| Continuous recordable time (Motion picture) | AVCHD [FHD/50i]: Approx. 120 min (rear monitor), 120 min (LVF) with H-HS12035/AVCHD [FHD/50i]: Approx. 120 min (rear monitor), 120 min (LVF) with H-FS1442A/AVCHD [FHD/50i]: Approx. 120 min (rear monitor), 120 min (LVF) with H-FS14140/MP4 [4K/25p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-HS12035/MP4 [4K/25p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-FS1442A/MP4 [4K/25p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-FS14140 | ||||
| Actual recordable time (Motion picture) | AVCHD [FHD/50i]: Approx. 60 min (rear monitor), 60 min (LVF) with H-HS12035/AVCHD [FHD/50i]: Approx. 65 min (rear monitor), 70 min (LVF) with H-FS1442A/AVCHD [FHD/50i]: Approx. 60 min (rear monitor), 60 min (LVF) with H-FS14140/MP4 [4K/25p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-HS12035/MP4 [4K/25p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-FS1442A/MP4 [4K/25p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-FS14140 | ||||
| Image Stabilization System | Image Sensor Shift Type | ||||
| WiFi FUNCTION | WiFi | IEEE 802.11b/g/n, 2412 MHz – 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode | |||
| NFC | ISO/IEC 18092, NFC-F (Passive Mode) | ||||
| QR Code Connection | Yes | ||||
| Password-less connection | Yes (ON / OFF selectable) | ||||
| FOCUS | Type | Contrast AF system | |||
| Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||||
| AF mode | Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint/(Full area touch is available) | ||||
| AF detective range | EV -4 – 18 (ISO100 equivalent) | ||||
| AF assist lamp | Yes | ||||
| AF lock | Yes (AF/AE LOCK button) | ||||
| Others | One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter | ||||
| DFD technology | Yes | ||||
| Starlight AF | Yes | ||||
| VIEWFINDER | Tilting | Yes | |||
| Type | OLED Live View Finder (2,360k dots) | ||||
| Field of view | Approx. 100% | ||||
| Magnification | Approx. 1.54x / 0.77x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 | ||||
| Eye point | Approx. 21 mm from eyepiece lens | ||||
| Diopter adjustment | -4.0 – +3.0 (dpt) | ||||
| Eye sensor | Yes | ||||
| Eye sensor adjustment | High / Low | ||||
| EXPOSURE CONTROL | Light metering system | 1728-zone multi-pattern sensing system | |||
| Light metering mode | Multiple / Center Weighted / Spot | ||||
| Metering range | EV 0 – 18 (F2.0 lens, ISO100 equivalent) | ||||
| Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual, | ||||
| ISO sensitivity (Standard Output Sensitivity) | Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)/(Up to ISO6400 in motion picture recording) (ISO Auto in M mode) | ||||
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | ||||
| AE lock | Yes (AF/AE LOCK button) | ||||
| AE bracket | 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst | ||||
| WHITE BALANCE | White balance | Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting | |||
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||||
| Color temperature setting | 2500-10000K in 100K | ||||
| White balance bracket | 3 exposures in blue/amber axis or in magenta/green axis | ||||
| SHUTTER | Type | Focal-plane shutter | |||
| Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 – 60/Motion picture: 1/16,000 – 1/25/Electronic shutter: 1/16,000 – 1 | ||||
| Self timer | 10sec, 3 images / 2sec / 10sec | ||||
| Remote control | Remote control with Bulb function by DMW-RSL1 (Optional) | ||||
| PANORAMA SHOT | Panorama shot | Yes (Standard / Wide) | |||
| BURST SHOOTING | Burst speed | Mechanical shutter/AFS: H: 8 frames/sec, M: 5.5 frames/sec (with Live View), L: 2 frames/sec (with Live View)/AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/Electronic shutter/AFS: H: 10 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) | |||
| Number of recordable images | More than 30 images (when there are RAW files with the particular speed)/More than (TBD) images (when there are no RAW files)/(depending on memory card type, aspect, picture size and compression) | ||||
| FLASH | Flash type | TTL External Flash (Optional) | |||
| Flash Mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. | ||||
| Synchronization speed | Less than 1/250 second | ||||
| Flash output adjustment | 1/3EV step ±3EV | ||||
| Flash synchronization | 1st. Curtain Sync, 2nd Curtain Sync. | ||||
| Synchronization for flash dimming and exposure compensation | Yes | ||||
| REAR MONITOR | Type | OLED monitor with static touch control | |||
| Monitor size | Free-angle 3.0-inch / 3:2 aspect / Wide viewing angle | ||||
| Pixels | Approx. 1,040k dots | ||||
| Filed of view | Approx. 100% | ||||
| Monitor adjustment | Brightness, Contrast, Saturation, Red Tint, Blue Tint | ||||
| 4K PHOTO MODE | Loop rec function | Yes (in 4K Burst (S/S) mode) | |||
| 4K Photo mode* | 4K Burst: 30 frames/sec, max. 29 minutes 59 seconds/4K Burst (S/S): 30 frames/sec, max. 29 minutes 59 seconds/4K Pre-Burst: 30 frames/sec, approx. 2 seconds/(depending on memory card size and battery power) | ||||
| Exif information | Yes | ||||
| Selectable aspect ratio | Yes (4:3 / 3:2 / 16:9 / 1:1 are selectable) | ||||
| Exposure mode | Program AE/ Aperture-Priority / Sutter-Priority / Manual Exposure | ||||
| Marking function | Yes (in 4K Burst (S/S) mode) | ||||
| LIVE VIEW | Digital zoom | 2x, 4x | |||
| Extra Tele Conversion | Still image: Max. 2x/Motion picture: 2.7x (FHD), 4.0x (HD), 5.4x (VGA) | ||||
| Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture) | ||||
| TIME LAPSE SHOT | Yes | ||||
| STOP MOTION ANIMATION | Yes | ||||
| Direction Detection Function | Yes | ||||
| FUNCTION BUTTON | Fn1, Fn2, Fn3, Fn4, Fn5, Fn6, Fn7, Fn8, Fn9, Fn10, Fn11, Fn12, Fn13 | Wi-Fi / Q.MENU / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / Cursor Button Lock / Dial Operation Switch / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / Metering Mode / 4K PHOTO / Highlight Shadow / i. Dynamic / i. Resolution / HDR / Electronic Shutter / Flash Mode / Flash Adjust. / Ex. Tele Conv. / Digital Zoom / Stabilizer / Snap Movie / Motion Pic. Set / Picture Mode / Silent Mode / AFS/AFF / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Rec Area / Step Zoom / Zoom Speed / Touch Screen / Sensitivity / White Balance / AF Mode/MF / Drive Mode / Restore to Default | |||
| PHOTO STYLE | Standard / Vivid / Natural / Monochrome / Scenery / Portrait / Custom / Cinelike D* / Cinelike V* *When Creative Video Mode is selected. | ||||
| SILENT MODE | Yes | ||||
| CREATIVE CONTROL | Still image | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome / Silky Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus / Fantasy / Star Filter / One Point Color / Sunshine | |||
| Motion picture | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Fantasy / One Point Color | ||||
| MOTION PICTURE FUNCTION | Flicker reduction | [1/50] / [1/60] / [1/100] / [1/120] / OFF | |||
| Cinelike gamma | Cinelike D / Cinelike V | ||||
| PLAYBACK | Playback function | 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only / 4K PHOTO / 3D / Category Selection / Favorite, duration & effect is selectable), Playback Mode (Normal / Picture / Video / 4K PHOTO / 3D Play / Category / Favorite), Location Logging, RAW Processing, Clear Retouch, Title Edit, Text Stamp, Video Divide, Time Lapse Video, Stop Motion Video, Resize, Cropping, Rotate, Rotation Display, Favorite, DPOF Print Set, Protect, Face Recognition Edit, Picture Sort, Creating Still Pictures from a Motion Picture | |||
| IMAGE PROTECTION / ERASE | Protection | Single / Multi | |||
| Erase | Single / Multi / All / Except Favorite | ||||
| Direct Print | PictBridge compatible | ||||
| INTERFACE | USB | USB 2.0 High Speed Multi | |||
| HDMI** | microHDMI TypeD / VIERA Link/Video: Auto / 4K / 1080p / 1080i / 720p / 576p/Audio: Stereo | ||||
| Audio video output | Monaural Type, NTSC/PAL/*Check the website of the Panasonic sales company in your country or region for details on the products that are available in your market. | ||||
| Microphone | Stereo, Wind-cut: OFF / Standard / High | ||||
| Speaker | Monaural | ||||
| Remote input | φ2.5mm for remote | ||||
| External microphone input | φ2.5mm for external microphone/Stereo/Monaural is selectable when attaching DMW-MS1 (optional). | ||||
| LANGUAGE | OSD language | Japanese, English, German, French, Italian, Spanish | |||
| POWER | Battery | Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included)/Battery Charger | |||
| Battery life (CIPA standard) | Approx. 330 images (rear monitor), 310 images (LVF) with H-HS12035/Approx. 340 images (rear monitor), 320 images (LVF) with H-FS1442A/Approx. 330 images (rear monitor), 310 images (LVF) with H-FS14140 | ||||
| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 133.2 x 77.9 x 63.1 mm / 5.24 x 3.07 x 2.48 inch (excluding protrusions) | |||
| Weight | Approx. 487g / 1.07 lb (SD card, Battery, Body)/Approx. 435g / 0.96 lb (Body only)/Approx. 597g / 1.32 lb (SD card, Battery, H-FS1442A lens included)/Approx. 752g / 1.66 lb (SD card, Battery, H-FS14140 lens included)/Approx. 790g / 1.75 lb (SD card, Battery, H-HS12035 lens included) | ||||
| OPERATING ENVIRONMENT | Operating temperature | 0℃ to 40℃ (32°F to 104°F) | |||
| Operating humidity | 10%RH to 80％RH | ||||
| STANDARD ACCESSORIES | Software | PHOTOfunSTUDIO 9.7 PE/(Windows Vista / Windows 7 / Windows 8 / Windows 8.1)/SILKYPIX® Developer Studio 4.3 SE/(Windows Vista / Windows 7 / Windows 8 / Windows 8.1, Mac OS X v10.5 – v10.10）/LoiLoScope (Trial version)/(Windows Vista / Windows 7 / Windows 8 / Windows 8.1) | |||
| Standard accessories | DMC-GX8A Kit/Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD, AC Cable*, Lens Hood, Lens Cap, Lens Rear Cap/* Depends on the country or region. | ||||
| CREATIVE VIDEO MODE | Exposure mode | Program AE / Aperture-Priority / Sutter-Priority / Manual Exposure | |||
| Lens Name | LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. | ||||
| Lens Construction | 14 elements in 9 groups (4 aspherical lenses , 1 UED lens, 1 UHR lens) | ||||
| Nano Surface Coating | Yes | ||||
| Mount | Micro Four Thirds mount | ||||
| Optical Image Stabilizer | Yes (POWER O.I.S.) | ||||
| Focal Length | f=12-35mm (35mm camera equivalent 24-70mm) | ||||
| Aperture Type | 7 diaphragm blades / Circular aperture diaphragm | ||||
| Maximum Aperture | F2.8 | ||||
| Minimum Aperture | F22 | ||||
| Closest Focusing Distance | 0.25m / 0.82ft | ||||
| Maximum magnification | Approx. 0.17x / 0.34x (35mm camera equivalent) | ||||
| Diagonal Angle of View | 84°(Wide) to 34°(TELE) | ||||
| Filter Size | φ58mm / 2.3in | ||||
| Max. Diameter | φ67.6mm / 2.7in | ||||
| Overall Length | Approx. 73.8mm / 2.9in (from the tip of the lens to the base side of the lens mount) | ||||
| Weight [g] | Approx. 305g (excluding lens cap and lens rear cap) | ||||
| Weight [oz] | Approx. 10.8oz (excluding lens cap and lens rear cap) | ||||
Panasonic LUMIX GX8 Shooting Impression
Purchase options
Panasonic Lumix DMC-FZ300 (FZ330) – With 24X Zoom
Product Summary
- Release Date: July 16, 2015
- Focus Type: Autofocus / Manual
- Sensor : MOS Sensor
- Zoom: 24X (25~600mm 35 mm Equivalent)
- Color: Black
- Availability: Mid- October 2015
- Price: $599.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 12.1MP MOS sensor
- New Venus processing engine
- 25-600mm with 24x zoom
- 1cm macro mode
- 4k video (30p), full HD 60p
- Highest sensitivity: ISO 6400
- EVF organic EL. 1.44 million dots, magnification 0.7 times
- 3″ 1.04 million dot LCD touch screen
- In camera RAW development
- Adopt a new type of linear motor in AF motor
- Ultra high-speed AF: 3.5 times faster AF speed than the FZ200
- DFD correspondence
- 5-axis Hybrid OIS +
- Wi-Fi built-in. Possible connection to the smartphone/tablet with QR code
- Dimensions: 131.6 x 91.5 x 117.1mm
- Weight 691 gFeatures
Features
Stunning Image Quality from 25mm Ultra Wide Angle to 600mm.
The LUMIX FZ300 inherits a high-quality LEICA DC VARIO-ELMARIT 25mm ultra wide-angle lens with a 24x optical zoom (35mm camera equivalent: 25-600mm) that achieves full range at F2.8. Comprised of 14 elements in 11 groups, including 3 ED lenses and 5 aspherical lenses with 9 aspherical surfaces, this advanced lens unit has a compact body that delivers exceptional optical performance suppressing distortion at the wide end and color bleeding at the tele end. To achieve full range F2.8 with shallow depth of field, high precision correction performance against distortion is essential.
With Nano Surface Coating technology, light reflection is dramatically minimized by an entire visual light range (380nm-780nm) by applying the extra-low refractive index coating with nano-sized structure on the surface of the lens. It results in super clear images with a dramatic reduction of ghost and flare.
The O.I.S. (Optical Image Stabilizer) effectively suppresses vibration enabling clear, sharp images from wide angle to telephoto. The combination of a 12.1-megapixel High Sensitivity MOS sensor and the new Venus Engine achieves even higher picture quality. The advanced Multi-process NR (Noise Reduction) feature applies effective noise reduction and detail processing according to each component frequency. Plus, the newly added Random Filter granulates chromatic noise to be blended into the image even more naturally. As a result, ISO 6400 has been achieved. The aperture filter is capable of controlling over a wider frequency range, and adjusts the amount of sharpness according to the frequency level, resulting in faithful stereoscopic effect. The Venus Engine in the LUMIX FZ300 excels in diffraction compensation to make the resulting image crisp and clear even when shot with a small aperture. In addition, the Venus Engine also improves color reproduction with accurate evaluation of each color even if it is similar not only in color phase but also in saturation and luminosity. The combination of the Digital Live MOS Sensor and the Venus Engine achieves stunning picture quality in its natural way – exactly what LUMIX aspires for.
4K Capability Bringing the Evolution in Videography/Photography – 4K Video and 4K Photo
The LUMIX FZ300 records stunningly smooth, high-resolution QFHD 4K video in 3840×2160 at 30p (60Hz) or 24p in MP4 in addition to the full-HD 1,920 x 1,080 60p (60 Hz) videos in AVCHD Progressive or MP4 (MPEG-4 / H.264) format with practical full-time AF.
With the LUMIX FZ300 you can take advantage of 4K video recording performance with “4K Photo mode.” Users can capture photo opportunities at 30 frames per second in 8-megapixel equivalent resolution by grabbing and saving the best frame out of the 4K burst file as a photo. Three exclusive functions are integrated to make the 4K photography even easier; 4K Burst Shooting, 4K Burst (Start/Stop) and 4K Pre-burst. The 4K Burst Shooting1 allows consecutive shooting at 30 fps, which can be used just like a photo burst shooting. The 4K Burst (Start/Stop) mode starts consecutive shooting with a single press of a shutter button and stops it with the second press, which is suitable for longer shooting opportunities. The 4K Pre-burst automatically records a total of 60 images right before/after the shutter release. All these functions in 4K Photo mode enable saving pictures in 8-megapixel equivalent high resolution; 3584×2684(4:3), 3800×2534(3:2), 4000×2248(16:9), 2928×2928(1:1) without missing that special moment.
The powerful 24x optical zoom with smooth 2-step zoom and 5-Axis HYBRID O.I.S.+(Optical Image Stabilizer Plus)2 are available in video recording, too. The 5-Axis correction compensates for the vibration occurring in virtually any direction.
High Speed Video enables recording subject with fast motion at 120 fps (NTSC / HD) or 240 fps (VGA), while Time Lapse /Stop Motion Animation are also available.
- Motion pictures with their file size set to [FHD], [HD] or [VGA] in [MP4]: Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds or the file size exceeds 4GB.
- – Since the file size becomes larger with [FHD], recording with [FHD] will stop before 29 minutes 59 seconds.
- Motion pictures with their file size set to [4K] in [MP4]:
- Recording stops when the continuous recording time exceeds 29 minutes and 59 seconds.
- – You can continue recording without interruption even if the file exceeds 4GB, but the motion picture will be recorded and played back in separate files.
Rugged Design and Better Control
To be tough enough to withstand even heavy field use, the LUMIX FZ300 adopts splash / dustproof rugged design passing the stringent test quality standard of DSLM (Digital Single Lens Mirrorless) flagship cameras despite its structure with a range of moving parts.
The LUMIX FZ300 integrates a large, bright 1,440K-dot OLED (Organic Light-Emitting Diode) LVF (Live View Finder) with approx.100% field of view in 4:3 aspect. It boasts 0.7x magnification and astonishingly high contrast at 10,000:1. Suppressing both blown highlights and blocked shadows, the LVF in the LUMIX FZ300 assures outstanding viewability under any circumstances. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF.
Adopting a static-type touch control system, the 3-inch free-angle rear monitor features approx.100% field of view. The touch-control system immediately lets users set focus on the subject simply by touching the screen and releasing the shutter. It is free and easy to enlarge the target point with fingertips to set precise focus. Thanks to the increased resolution up to approx.1040K-dot and improved color reproduction, the LUMIX FZ300 secures higher visibility even in sunny conditions. To further enhance the controllability, the LUMIX FZ300 has a side dial in addition to the rear dial. Users can change settings such as aperture, shutter speed with the side /rear dials and can also customize the assignment of functions as well on the Fn buttons. Furthermore, it is also possible to make a temporary shift of dial functions with Dial Operation Switch.
High Speed Response and Stunning AF Performance
For even faster response and higher mobility, the LUMIX FZ300 integrates a dedicated linear motor into the focusing system to achieve ultra-high-speed AF. In addition, the Light Speed AF is further enhanced with an adoption of DFD (Depth From Defocus) technology3 which shortens the time to set focus. It calculates the distance to the subject by evaluating 2 images with different sharpness level at 240 fps high signal exchange speed. As a result, the LUMIX FZ300 achieves ultra high speed AF of approx. 0.09 sec4, which is approx. 350% faster than LUMIX FZ200. This improvement is more beneficial as focal length increases. The LUMIX FZ300 boasts high speed burst shooting at 12 fps (AFS) / 6 fps (AFC) to capture a fast moving subject just in-focus. The LUMIX FZ300 is capable of releasing the mechanical shutter at max.1/4,000 sec (at 25mm wide end) and 1/3,200 sec (at 600mm tele end) and even at 1/16,000 with electronic shutter, which reduces washouts even under strong sunlight.
Together with the quick start-up of approx. 0.88 sec, the LUMIX FZ300 never lets photographers miss shooting opportunities.
The LUMIX FZ300 also comes with new focusing options. The Full Area AF allows setting focus on any part of the approx.100% field of view. The Pinpoint AF helps focusing on tiny area by magnifying the part that can be watched with a frame-in-frame window. With the Low Light AF, AF works in -3EV low-lit situations which is as dark as the moonlight sky with no other light source. For more practical control over focusing, the LUMIX FZ300 incorporates Focus Peaking function that shows the focus position in MF and AF+MF mode. Users can see the peaking of focus while monitoring the subject in live view. In addition to the conventional Face Recognition AF, the LUMIX FZ300 incorporates Eye Detection AF which automatically sets focus right on the eye of human face. The Eye Sensor AF starts focusing by just looking into the LVF. Tracking AF is also advanced in the point of tracking accuracy by estimating the subject’s movement.
Other Features
Easy Wireless Connectivity via Wi-Fi® with Smartphones ADVANCED
The DMC-FZ300 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) to offer more flexible shooting experience and instant image sharing with easy operation. Pairing the camera and the smartphone/tablet is quick and easy by skipping the password input or by reading the QR code. Once connecting the camera and smartphone/tablet installing Panasonic’s dedicated application software Panasonic Image App for iOS / Android, users can shoot / browse / share images remotely.
RAW data development in Camera
The DMC-FZ300 is capable of shooting images in RAW and processes them in camera.
Highlight/Shadow Control
The Live View function is also advanced digitally making it possible to adjust highlight / shadow separately with the rear dial. 3 patterns of settings can be customized in addition to 3 patterns of preset.
Creative Panorama
The Panorama Shot function allows shooting horizontal/vertical wide panoramic image by shooting sequent pictures easily. Either “Standard (minimum distortion)” or “Wide (maximum angle of view)” can be selectable. Combining with the Creative Control, users can get a dynamic, artistic image.
Other
- 1cm Macro
- Silent Mode
- Level Gauge
- WB (White Balance) Bracket
- Creative Control with 22 Filters
- iA+ (Intelligent Auto) Mode for Photo and Video
- Multiple Exposure
Expandability with Optional Accessories
The DMC-FZ300 complies with a variety of accessories sold separately. Connecting with the 3.5mm microphone socket, a Stereo/Shotgun Microphone DMW-MS2 enables higher quality sound recording. Users can attach a Close-up Lens DMW-LC55 or a Tele Conversion Lens DMW-LT55 which extends the zoom ratio by 1.7x, equivalent to 1020mm (equivalent to 35mm camera). The External Flash such as DMW-FL580L (GN58) can be mounted, which also works as LED light for video recording.
Product Photos
Specifications
| Metrics | Dimensions (W x H x D) | 131.6 x 91.5 x 117.1 mm (5.18 x 3.60 x 4.61 inch) |
| Weight | Approx. 691 g without Battery and SD Memory Card (1.52 lb)/Approx. 640 g with Battery and SD Memory Card (1.41 lb) | |
| Pixels | Camera Effective Pixels | 12.1 Megapixels |
| Sensor | Sensor Size / Total Pixels / Filter | 1/2.3-type High Sensitivity MOS Sensor / 12.8 Total Megapixels / Primary Color Filter |
| Lens | Aperture | F2.8 / Multistage Iris Diaphragm (Still Image: F2.8 – 8.0, Motion Picture: F2.8 – 11.0) |
| Optical Zoom | 24x | |
| Focal Length | f = 4.5 – 108mm/(25 – 600mm in 35mm equiv. in 4:3)/(26 – 624mm in 35mm equiv. in 3:2)/(27 – 648mm in 35mm equiv. in 16:9)/(30 – 720mm in 35mm equiv. in 1:1)/(28 – 672mm in 35mm equiv. in 4:3 4K Photo recording)/(27 – 648mm in 35mm equiv. in 3:2 4K Photo recording)/(27 – 648mm in 35mm equiv. in 16:9 4K Photo recording)/(30 – 720mm in 35mm equiv. in 1:1 4K Photo recording)/(27 – 648mm in 35mm equiv. in 16:9 video recording / O.I.S. Off / Level Shot function Off)/(30 – 720mm in 35mm equiv. in 16:9 video recording / O.I.S. On / Level Shot function Off)/(30 – 720mm in 35mm equiv. in 16:9 video recording / O.I.S. On / Level Shot function On)/(27 – 648mm in 35mm equiv. in 4K video recording) | |
| Extra Optical Zoom (EZ) | 29.4x (4:3 / 8M (M)), 46.9x (4:3 / 3M (S)) | |
| Intelligent Zoom | 48x | |
| Changing of Zoom Speed | 2-Speed Zoom | |
| Lens | LEICA DC VARIO-ELMARIT/14 elements in 11 groups/(5 Aspherical Lenses / 9 Aspherical surfaces / 3 ED Lenses / 1 Nano Surface Coating Lens) | |
| Optical Image Stabilizer/Five Axis Correction | HYBRID O.I.S. +* / Yes*/* Except for the high-speed video recording. | |
| Digital Zoom | Max. 4x (When Digital Zoom is used simultaneously with Intelligent Zoom, you can only increase the zoom ratio up to 2x.) | |
| Conversion Lens Compatibility | Yes | |
| Focus | Focusing Area | Normal: Wide 30 cm – infinity / Tele 200 cm – infinity/AF Macro / MF / Intelligent Auto / Motion Picture: Wide 1 cm – infinity / Tele 100 cm – infinity |
| AF Assist Lamp | Yes (On / Off) | |
| Focus | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF/Normal / AF Macro / Macro Zoom, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, Touch AF/AE Function, Touch Shutter, Touch Pad AF, MF Assist, Touch MF Assist,/AF+MF, Focus Peaking, One Shot AF (Set the Fn button in custom menu to AF-ON), Low Light AF, Starlight AF, AF/AE Lock Button | |
| AF Metering | Face/Eye Detection / Tracking / 49-area / Custom Multi / 1-area / Pinpoint (Full area touch is available) | |
| Shutter | Shutter Speed | Still Image:/Approx. 60 – 1/4,000 sec (Mechanical Shutter)/Approx. 1 – 1/16,000 sec (Electronic Shutter)/Bulb (Approx. 60 sec)/Motion Picture:/Approx. 1/25 – 1/16,000 sec (in 24p recording)/Approx. 1/2 – 1/16,000 sec (Creative Video M Mode / MF Mode) |
| Finder | Viewfinder | 0.39″ OLED LVF (Live View Finder) (1440k dots), Field of View: Approx. 100%,/Magnification: Approx. 3.88x / 0.7x (35mm equiv.), Eye Sensor |
| File | File Format | Still Image: JPEG (DCF/Exif2.3) / RAW, DPOF/Motion Picture: AVCHD, MP4 |
| Recording Modes | Still Image Scene Guide | Clear Portrait, Silky Skin, Backlit Softness, Clear in Backlight, Relaxing Tone, Sweet Child’s Face, Distinct Scenery, Bright Blue Sky, Romantic Sunset Glow, Vivid Sunset Glow, Glistening Water, Clear Nightscape, Cool Night Sky, Warm Glowing Nightscape, Artistic Nightscape, Glittering Illuminations, Handheld Night Shot, Clear Night Portrait, Soft Image of a Flower, Appetizing Food, Cute Dessert, Freeze Animal Motion, Clear Sports Shot, Monochrome |
| Mode Dial / Mode Button | Intelligent Auto, P, A, S, M, Creative Video, C (Custom), Panotama Shot, Scene Guide, Creative Control | |
| Creative Control mode | Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, Sunshine (22 filters) | |
| Continuous Shooting Mode (Approx.) | [AFS] SH: 60 frames/sec*, H: 12 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/[AFC] H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)/* Electronic shutter only. | |
| 4K Photo Mode (*2) | 4K Burst: 30 frames/sec, max. 29 min 59 sec/4K Burst (S/S): 30 frames/sec, max. 29 min 59 sec/4K Pre-Burst: 30 frames/sec, approx. 2 sec/(Depending on memory card size and battery power)/Exif Information: Yes/Selectable Aspect Ratio: Yes (4:3 / 3:2 / 16:9 / 1:1 are selectable)/Exposure Mode: Program AE / Aperture Priority AE / Shutter Priority AE / Manual/Marking Function: Yes (in 4K Burst (S/S) mode) | |
| Motion Picture Recording (*2) | 4K Video | 3840 x 2160 pixels, 30p (4K: 100Mbps / MP4) (Sensor Output is 30fps) (AAC)/3840 x 2160 pixels, 24p (4K: 100Mbps / MP4) (Sensor Output is 24fps) (AAC) |
| HD Video | 1920 x 1080 pixels, 50p (FHD: 28Mbps / AVCHD) (Sensor Output is 50fps) (Dolby)/1920 x 1080 pixels, 24p (FHD: 24Mbps / AVCHD) (Sensor Output is 24fps) (Dolby)/1920 x 1080 pixels, 50i (FHD: 24Mbps / AVCHD) (Sensor Output is 25fps) (Dolby)/1920 x 1080 pixels, 50i (FHD: 17Mbps / AVCHD) (Sensor Output is 50fps) (Dolby)/1920 x 1080 pixels, 50p (FHD: 28Mbps / MP4) (Sensor Output is 50fps) (AAC)/1920 x 1080 pixels, 25p (FHD: 20Mbps / MP4) (Sensor Output is 25fps) (AAC)/1280 x 720 pixels, 25p (HD: 10Mbps / MP4) (Sensor Output is 25fps) (AAC) | |
| STD Video | 640 x 480, 25p (VGA: 4Mbps / MP4) (Sensor Output is 25fps) (AAC) | |
| High Speed Video | 1280 x 720 pixels, 25p (HD: MP4) (Sensor Output is 100fps)/640 x 480 pixels, 25p (VGA: MP4) (Sensor Output is 200fps) | |
| Continuous recordable time (motion pictures) | AVCHD | FHD/50p: Approx. 170 min (rear monitor), 165 min (LVF)/FHD/50i: Approx. 175 min (rear monitor), 170 min (LVF) |
| MP4 | 4K/25p: Approx. 135 min (rear monitor), 130 min (LVF)/FHD/50p: Approx. 170 min (rear monitor), 165 min (LVF) | |
| Actual recordable time (motion pictures) | AVCHD | FHD/50p: Approx. 85 min (rear monitor), 80 min (LVF)/FHD/50i: Approx. 85 min (rear monitor), 85 min (LVF) |
| MP4 | 4K/25p: Approx. 65 min (rear monitor), 65 min (LVF)/FHD/50p: Approx. 85 min (rear monitor), 80 min (LVF) | |
| Exposure Parameters | Exposure | Program AE, Aperture Priority AE, Shutter Priority AE, Manual |
| Exposure Compensation | 1/3 EV step, +/-3 EV | |
| Auto (AE) Bracketing | 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. +/-3 EV | |
| Light Metering | Intelligent Multiple / Center Weighted / Spot | |
| ISO Sensitivity | Auto / i.ISO / 100 / 200 / 400 / 800 / 1600 / 3200/ 6400/(Changeable to 1/3 EV step) | |
| Picture Quality | Still Picture Recording | [4:3] 4000×3000 (12M) (L) / 3264×2448 (8M) (M) / 2048×1536 (3M) (S)/[3:2] 4000×2672 (10.5M) (L) / 3264×2176 (7M) (M) / 2048×1360 (2.5M) (S)/[16:9]4000×2248 (9M) (L) / 3840×2160 (8M) (M) / 1920×1080 (2M) (S)/[1:1] 2992×2992 (9M) (L) / 2448×2448 (6M) (M) / 1920×1920 (3.5M) (S) |
| Image Quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard | |
| Photo Style | Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D*, Cinelike V* * When Creative Video mode is selected. | |
| White Balance | Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set1 / White Set2 / White Set3 / White Set4 / Color Temperature/(2-axis Adjustable) | |
| Picture Adjustment | Contrast, Sharpness, Noise Reduction, Saturation*, Color Tone**, Filter Effect**/* Except for Monochrome mode. ** For Monochrome mode only. | |
| Aspect Bracketing | – | |
| Other | Digital Red Eye Correction (Red-Eye Removal) | Yes (On / Off) |
| GPS | – | |
| Wi-FI | IEEE 802.11b/g/n/2412 MHz – 2462 MHz (1-11 ch)/WPA / WPA2/Infrastracture Mode / WPS | |
| NFC | – | |
| Zoom in Motion Picture | Yes | |
| Self Timer | 2 sec / 10 sec / 10 sec (3 images) | |
| Self Shot Mode | No | |
| Display | Playback Mode | All, Slideshow, Filtering Play (Picture Only, Video Only, 4K PHOTO, Category Selection, Favorite), Calendar |
| Thumbnails / Zoomed Playback | 12,30-thumbnails / Yes | |
| Show Histogram/ Show Highlights | Yes / Yes | |
| Set Favorites / Rotate Image | Yes / Yes | |
| DPOF Print Setting / Set Protection | Yes / Yes | |
| Edit | RAW Processing | Yes |
| Resize/ Cropping | Yes / Yes | |
| Retouch | No | |
| Copy / Title Edit / Text Stamp | No / Yes / Yes | |
| Creating Still Pictures from a Motion Picture | Yes | |
| Video Divide | Yes | |
| PictBridge Support | Single / Multi / All / DPOF / Favorites | |
| Setup | OSD language | Japanese, English, German, French, Italian, Spanish |
| Monitor | LCD Monitor | 7.5cm (3.0″) Free-Angle TFT Screen LCD Display (1040k dots), AR Coating/Field of View: Approx. 100%, Wide Viewing-angle |
| Flash | Built- in- Flash | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ mode only./Flash Synchro: 1st / 2nd Slow Sync./Synchronization for flash dimming and exposure compensation/0.3 – 8.8m (Wide / ISO Auto), 1.0 – 8.8m (Tele / ISO Auto) |
| Media | Recording Media | SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I standard) |
| Built- in- Memory | – | |
| Audio | Microphone / Speaker | Stereo / Mono |
| Interface | Remote Input | φ2.5mm for Remote |
| External Microphone Input | φ3.5mm for External Microphone | |
| Interface | microHDMI (*3), AV Output (PAL / NTSC), USB (AV/USB Multi) | |
| Power | Power | Li-ion Battery Pack (7.2V, 1200mAh, 8.7 Wh) (Included)/AC Adaptor (Input: 110 – 240V AC) |
| Battery life (approx.) | 380 pictures (CIPA Standard) (*1) | |
| Standard Package | Included Software | PHOTOfunSTUDIO 9.7PE/SILKYPIX Developer Studio 4.3SE/LoiLoScope (trial version)/Adobe Reader |
| Standard Accessories | Battery Charger, Battery Pack, AC Cable, USB Cable, Lens Hood, Lens Cap, Lens Cap String, Shoulder Strap, DVD |
Purchase options
Panasonic LUMIX G 25 mm f/1.7 Lens – Under Development
New LUMIX G 25 mm/F1.7 Single Focal Length Lens Under Development
Product Summary
- Announcement Date: 16 July 2014
- Release Date: TBA
- Focus Type: Autofocus / Manual
- Format : Micro Four Third
- Mounts: Panasonic
- Color: Black
- Availability: TBA
- Price: TBA
- Purchase options: TBA
Panasonic is developing a LUMIX G 25 mm/F1.7 single focal length lens Along with the LEICA DG 100-400mm F/4.0-6.3 lens. Both lenses will have a technological function called “Post Focus.”
Post Focus will enable users to select an “in-focus” area after shooting with a simple interface. This function has been developed as a further evolution of 4K Photo technology to prevent out-of-focus errors and offer additional creative freedom. By combining high-speed, high-precision DFD (Depth From Defocus) auto focus technology and the 4K Photo burst images in 4K resolution are shot at 30 fps while shifting the lens to set focus on approx.50 areas (*TBC).
With the Post Focus function, the best image can be selected from the 4K burst images shot with different focus areas. Once the composition is fixed, you are free from the job of serious focusing. In addition, this function can be used for creative photography such as landscapes or portraits. Users can pull different impressions out of one picture by changing the subject to enhance it with focus. The operation of the Post Focus function is quite easy – just touch the point where you want to set focus while playing back the image, no matter where the original focus area is, and the image with different in-focus area will be produced as a separate photo. Panasonic will introduce this Post Focus function via a firmware update for LUMIX GX8, LUMIX FZ300 and some other models in late 2015 and 2016 will study to integrate it into upcoming LUMIX digital cameras as well.
This lens is a 50mm (35 mm camera equivalent) single focal length lens with a large diameter. The 50mm focus distance offers almost the same viewing angle and sense of perspective of human eyes which means users can enjoy shooting a portrait or scenery as they see.
The new lens also supports high speed digital signal exchange at 240 fps to comply with the high-speed, high-precision AF (Auto Focus) with DFD (Depth From Defocus) technology on the LUMIX G cameras.
Panasonic will continue to further advance its product development to meet the diverse needs of customers in the expanding digital mirrorless camera market.
* Details of the product specifications, the date of release and the price are not yet finalized.
• The photos of the product may differ from its final appearance.
Panasonic LEICA DG 100-400mm f/4.0-6.3 telephoto zoom lens – Under Development
New LEICA DG 200-800mm (35mm Equiv.) Zoom Lens Under Development
Product Summary
- Announcement Date: 16 July 2015
- Release Date: TBA
- Focus Type: Autofocus / Manual
- Format : Micro Four Thirds system / DSLM
- Mounts: Panasonic
- Color: Black
- Availability: TBA
- Price: TBA
- Purchase options: TBA
Panasonic is developing the first LEICA DG 100-400mm / F4.0-6.3 telephoto zoom lens (35mm camera equivalent: 200-800mm) for the Micro Four Thirds system standard to expand the lineup of DSLM (Digital Single Lens Mirrorless) digital interchangeable lenses. The lens will have technological function called “Post Focus.” Another lens that will also have the same technology is the LUMIX G 25 mm/F1.7 Lens
Post Focus will enable users to select an “in-focus” area after shooting with a simple interface. This function has been developed as a further evolution of 4K Photo technology to prevent out-of-focus errors and offer additional creative freedom. By combining high-speed, high-precision DFD (Depth From Defocus) auto focus technology and the 4K Photo burst images in 4K resolution are shot at 30 fps while shifting the lens to set focus on approx.50 areas (*TBC).
With the Post Focus function, the best image can be selected from the 4K burst images shot with different focus areas. Once the composition is fixed, you are free from the job of serious focusing. In addition, this function can be used for creative photography such as landscapes or portraits. Users can pull different impressions out of one picture by changing the subject to enhance it with focus. The operation of the Post Focus function is quite easy – just touch the point where you want to set focus while playing back the image, no matter where the original focus area is, and the image with different in-focus area will be produced as a separate photo. Panasonic will introduce this Post Focus function via a firmware update for LUMIX GX8, LUMIX FZ300 and some other models in late 2015 and 2016 will study to integrate it into upcoming LUMIX digital cameras as well.
The LEICA DG lenses are designed and developed under the stringent quality standard certified by Leica that boast excellent optical performance. Four single focal length LEICA DG lenses have already introduced to the market and have been highly acclaimed by users worldwide.
The new telephoto zoom achieves exceptional imaging performance over the entire zoom range. It also features high speed digital signal exchange at 240 fps to comply with the high-speed, high-precision AF (Auto Focus) with DFD (Depth From Defocus) technology on LUMIX G cameras. Together with the POWER O.I.S.(Optical Image Stabilizer), it lets users to focus on the target quickly to capture crisp, clear images. In addition, the new lens is both light and small and is splash/dust-proof to withstand heavy field use. As the new telephoto zoom lens excels in size and weight, it enables handheld 800mm (35mm camera equivalent) telephoto shooting without using a tripod.
•The photos show images of the product which may differ from its final appearance.
•Leica is a registered trademark of Leica Microsystems IR GmbH.
•SUMMILUX, ELMARIT and NOCTICRON are all registered trademarks of Leica Camera.
Kenko Teleplus HD DGX 1.4x Telephoto Converter – Updated for Canon EOS EF & EF-S Lenses
Kenko Teleplus HD DGX 1.4x
Kenko has launhed updated versions of its Teleplus teleconverters for lenses for Canon EOS EF and EF-S fits with new circuit to allows EXIF data from the lens in use to be recorded by the body. In the EXIF exposure data (meta-data recorded with a digital picture) TELEPLUS HD DGX converters record the equivalent aperture and focal length of the lens setting plus teleconverter. Optically and mechanically they are identical to the prior high-quality TELEPLUS HD DGX converters
Key features
- Magnification: 1.4x
- Depth of Field: 1/1.4 of prime lens
- Minimum Focus Distance: Same as prime lens
- Optical Construction: 3 elements in 2 groups
- Diaphragm Coupling: Fully automatic
- Exposure Adjustment: 1 Stop
- Barrel Length: 25mm
- Weight: 110g
- Camera/Lens Mount: Canon EF and EF/S
- Price: £219.99 inc VAT
Specifications
Kenko Teleplus HD DGX 2.0x Telephoto Converter – Updated for Canon EF & EF-S Lenses
Kenko Teleplus 2.0x HD DGX
Kenko has launhed updated versions of its Teleplus teleconverters for lenses for Canon EOS EF and EF-S fits with new circuit to allows EXIF data from the lens in use to be recorded by the body. In the EXIF exposure data (meta-data recorded with a digital picture) TELEPLUS HD DGX converters record the equivalent aperture and focal length of the lens setting plus teleconverter. Optically and mechanically they are identical to the prior high-quality TELEPLUS HD DGX converters
Key features
- Magnification: 2.0x
- Depth of Field: 1/2 of prime lens
- Minimum Focus Distance: Same as prime lens
- Optical Construction: 5 elements in 3 groups
- Diaphragm Coupling: Fully automatic
- Exposure Adjustment: 2 Stops
- Barrel Length: 35.8mm
- Weight: 157g
- Camera/Lens Mount: Canon EF and EF/S
- Price £279.99 inc VAT
Specifications
Today is Amazon Prime Day – More Deals Than Black Friday!
Today is the Amazon Prime Day . According to amazon “More Deals than Black Friday”. However, only Amazon Prime customers are eligible for the deals. If you’re not already a prime member, it’s worth taking a look at as there is a free trial period.
Benefits
- Free 2-Day Shipping
- Prime Photos
- Prime Instant Video
- Prime Music
- Kindle Owners Lending Library
Find out the deals here
Fujifilm To Increase Price On Films and Discontinue Some Products
Fujifilm published a notice regarding their photographic film price increase – below listed products will get around 20% price increase in October, 2015:
|
Size |
Price increases target type |
|
|
Color negative film |
135 |
Fujicolor 100 |
|
135 |
Fujicolor SUPERIA PREMIUM 400 |
|
|
135 |
Fujicolor SUPERIA X-TRA 400 |
|
|
135 |
Fujicolor SUPERIA Venus 800 |
|
|
135 |
Fujicolor NATURA 1600 |
|
|
Lens with film |
135 |
QuickSnap simple ace |
|
135 |
UTSURUNDESU New Water Proof |
|
|
Color for professional negative film |
120 / CUT |
Fujicolor PRO 160 NS |
|
135/120 |
Fujicolor PRO 400 H |
|
|
Reversal film |
135/120 / CUT |
FUJICHROME Velvia50 |
|
135/120 / CUT |
FUJICHROME Velvia100 |
|
|
135/120 / CUT |
FUJICHROME PROVIA100F |
|
|
Black-and-white film |
135/120 / CUT |
Neopan 100 ACROS |
The following Fujifilm film products will be discontinued:
|
Size |
Product Name |
Prospects for shipment end time |
Future of your recommended products |
|
|
Color for professional negative film |
220 |
Fujicolor PRO160NS 24 sheets Taking Picture five pack |
December 2016 |
120 size Fujicolor PRO160NS 12 sheets Taking Picture five pack |
|
Reversal film |
135 |
FUJICHROME PROVIA400X 36 sheets Taking Picture separately |
December 2015 |
None |
|
FUJICHROME PROVIA400X 36 sheets Taking Picture five pack |
||||
|
120 |
FUJICHROME PROVIA400X 12 sheets Taking Picture five pack |
December 2015 |
None |
|
|
220 |
FUJICHROME Velva50 24 sheets Taking Picture five pack |
April 2016 |
120 size FUJICHROME Velvia50 12 sheets Taking Picture five pack |
|
|
FUJICHROME Velvia100 24 sheets Taking Picture five pack |
March 2017 |
120 size FUJICHROME Velvia100 12 sheets Taking Picture five pack |
||
|
FUJICHROME PROVIA100F 24 sheets Taking Picture five pack |
August 2016 |
120 size FUJICHROME PROVIA100F 12 sheets Taking Picture five pack |
||
|
CUT |
FUJICHROME Velvia100F 4 × 5 (20 pieces) |
March 2017 |
FUJICHROME Velvia100 4 × 5 (20 pieces) |
|
|
FUJICHROME Velvia100F 8 × 10 (20 pieces) |
FUJICHROME Velvia100 8 × 10 (20 pieces)
|
Source: Fujifilm
SanDisk Connect Wireless Stick
Product Summary
- Release Date: July 14, 2015
- Capacity: 16GB, 32GB, 64GB and 128GB
- Availability: July 14, 2015
- Price: $29.99-$99.99
- Purchase options: Amazon
Features
SanDisk has expanded its mobile storage portfolio with a new wireless mobile flash drive, the SanDisk Connect Wireless Stick. This new drive enables easy sharing, transferring and accessing of photos and videos between mobile devices and computers. Building on its award-winning SanDisk Connect Wireless family, the SanDisk Connect Wireless Stick features a higher capacity, up to 128GB, a new app and cool, compact design – all at a great price. With more capacity and improved user experience, the new SanDisk Connect Wireless Stick gives consumers even greater flexibility to share and access photos and videos between their favorite devices
The SanDisk Connect Wireless Stick now gives consumers even more freedom to save and access photos, videos and other files from their favorite Wi-Fi-enabled devices. As consumers continue to embrace premium mobile features such as high-quality photo capture and Full HD video, SanDisk’s new wireless storage device is designed to meet their quickly growing storage needs, at an affordable price. The availability of up to 128GB of capacity allows users to effectively double their mobile storage for greater flexibility on the go.
Share Wirelessly With Multiple Devices
The SanDisk Connect Wireless Stick works with smartphones, tablets and computers1. Whether in a briefcase or in a pocket, the new drive allows users to wirelessly access media or transfer large files; save and share photos and videos; or stream HD videos and music to and from mobile devices – up to three at a time. The SanDisk Connect Wireless Stick is capable of supporting a single stream for up to 4.5 hours on a single charge. With its USB connector, users can also connect directly to a computer to save and transfer files instantly. The SanDisk Connect Wireless Stick delivers access that empowers users to take control of their content anytime, anywhere.
Seamless App Experience
The SanDisk Connect Wireless Stick features an intuitive app, the SanDisk Connect app, which enables nearly effortless management of content between people’s favorite devices including, iOS and Android devices; Fire tablets; and Macs and PCs – all via password-protected Wi-Fi connectivity. Available for download through the App Store, Google Play Store and Amazon Appstore for Android, the new app also enables other cool features like auto-back up of photos and videos from the camera roll to the drive.
Purchase options
The SanDisk Connect Wireless now available in capacities of 16GB, 32GB, 64GB and 128GB at ranging from $29.99-$99.99 at Amazon
Nikon Refurbished Deals – Nikon D800 Body Now $1,699.00
Nikon D800 Body (Refurbished) – $1,699.00 (Free Shipping)
Nikon D5300 with AF-S DX 18-55mm f/3.5-5.6G VR II Lens (Refurbished) – $489.00 (Free Expedited Shipping)
Nikon D610 Body (Refurbished) – $1.099.95 (Free Expedited Shipping)
Apple Digital Camera RAW 6.05 Released
Apple Releases Digital Camera RAW 6.05 with Canon EOS M3 Support
This update adds RAW image compatibility for the following cameras to OS X Yosemite:
- Canon EOS M3
- Fujifilm X-T10
- Fujifilm XQ1
- Fujifilm XQ2
- Leica M Monochrom (Typ 246)
- Nikon 1 J5
- Nikon D810A
- Olympus STYLUS SH-2
- Olympus STYLUS TG-4 Tough
- Panasonic LUMIX DMC-G7
For more information on supported RAW formats, see here
Download: Apple Digital Camera RAW 6.05
How to Photograph Silhouettes – Tips, Settings and Ideas
How to Photograph Silhouettes
Silhouettes are black shapes or opaque outlines of people, animals or objects that are created due to the main source of light being behind them. While photographing architecture, people or anything else, we have inadvertently clicked silhouettes and have often rued about a lost photography opportunity. Come to think of it silhouettes, if done properly, can offer you some excellent pictures because they tend to imply a lot more than what is visible in plain light.
Metering
When creating silhouettes, always meter for the background which in this case is always going to be brighter than the foreground. Resultantly, the subjects (whose silhouettes you’re going to capture) are going to be darker than the background and will be more prominently in black. The easiest way to do this is by focusing on the brighter part of the frame and then half-pressing the shutter release. Notice how the viewfinder lights up with the Exposure Value details. Note them down and switch to manual mode. Now, set the Exposure Value manually and then refocus on the subject with the metering absolutely what you want. Depending on the subject, whether it is stationary or mobile you might have to change the Exposure Value to ensure a blur-free image.
Don’t fire the flash
Never ever fire the flash when you’re intending to capture a silhouette. In such cases lighting up the subject is the last thing that you want.
Positioning of the light source
The best place to position the subject is between you and the dominating / main light source. Ideally the position should be devoid of any ambient light too as it can partially illuminate the subject and reduce the chances of getting a perfectly black silhouette.
Cut down on the angle
Move closer to the subject and cut down on the visible frame. This is going to help you to eliminate much of the background and any direct light falling on the camera. Also doing so you will have a better chance of filling the frame with the subject’s silhouette.
Focusing
We discussed about manually setting the Exposure Value in the first step above. Apart from manually setting the Exposure Value you will also need to ensure that you get the subject precisely in focus. However, this is easier said then done, as you will be pushing the auto-focus system of your camera to the brink of its capability; and yet it would fail miserably to lock focus on the subject with the available light. The solution is to use good old manual focusing. Simply switch to manual focusing mode and lock focus on the subject keeping the Exposure Value as discussed in the first tip. Now you’re ready to press the shutter release.
Aperture settings & other bits
Start with a big f-stop (smaller aperture). This will ensure that much of your frame is in sharp focus. ideally you want the complete frame from corner to corner to be in focus as this is the only way you can add something to your pictures already devoid of colors. If you have a more than one subjects to capture (may be a group of people), have them stand at a reasonable distance from each other so that their shapes can be easily identified. Similarly, if you choose to photograph a person against an architecture, have her stand well clear of it so that both the shapes can be easily identified.
Mobile Guide to Canon Speedlite (Flash) System – Canon DLC
Mobile Guide to EOS Speedlite Custom and Personal Functions by Canon DLC
The Canon Digital Learning Center has just published a Quick Mobile Reference Guide for for EOS Speedlite Flash Custom and Personal Functions. This is an excellent resource that you can download to your phone and thereby have it with you when you need it most. Download Here
Shop at Canon USA Refurbished Store – DSLR | Lenses & Speedlites | PowerShot
Leica M 240 firmware update 2.0.2.5 now available for download
Leica M 240 firmware update 2.0.2.5 now available for download
Here is the change log:
- New Menu item “Flash exposure compensation” to adjust flash exposure with the Leica SF 26 flash unit (only active when SF 26 is attached). This new function requires Firmware 1.1 on the SF 26 Flash.
- Several firmware bugs that caused occasional camera hang up when using Live View or Video function have been fixed.
Download Here