Create Magical Macro with Lensbaby 46mm Macro Filter Kit
Product Summary
- Model name: Lensbaby 46mm Macro Filter Kit
- Release Date: January, 2018
- Availability: 2018
- Price: $ 49.95
- Purchase options: Adorama | B&H | Amazon
Key features
- Screw on close-up filter
- Kit includes +1, +2, and +4 strength lens
Create magical macro scenes; capture minute details with creative flare; and get close-up shots of flowers, bugs, food, and more with the 46mm Macro Filter Kit. Take your favorite Lensbaby to the next level with this set of +1, +2, and +4 screw on close-up filters. These close-up filters screw onto the front of your 46mm-threaded Lensbaby Optic and can be used separately or together to get you even closer to your subject.
The 46mm Macro Filter Kit is compatible with the Sweet 35, Sweet 50, Sweet 80, Edge 50, Edge 80, Twist 60, and Creative Bokeh Optics.
The 46mm Macro Filter Kit can also be used in conjunction with the Lensbaby Macro Converters with the Sweet 35, Sweet 50, Sweet 80, Edge 50, Edge 80, Twist 60, and Creative Bokeh Optics to get even closer.
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Sample Image
Specification
Lens Filters : +1 Macro, +2 Macro, +4 Macro
Filter Threads : 46mm
Weight : 3.8oz
Sony Adds High Quality 18-135mm F3.5-5.6 APS-C Zoom to E-mount Lens Line-up
Product Summary
- Model name: Sony E 18-135mm F3.5-5.6 OSS (SEL18135)
- Release Date: January 5, 2018
- Focus Type: Autofocus
- Format : APS-C
- Mount: Sony E
- Availability: February, 2018
- Price: €650 / $599.99
- Purchase options: Adorama | B&H | Amazon
Key features
- E-mount APS-C format Lens
- 27-202.5mm (35mm Equivalent)
- Fast, precise & quiet autofocus
- Two ED Elements & One Aspherical Element
- 7.5x high-magnification APS-C zoom lens
- Minimum focusing distance of 0.45 m / 1.45 ft
- Built-in optical image stabilization
Sony, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, today announced its 46th E-mount lens. This new APS-C lens features a versatile 18-135mm focal length, aperture range of F3.5-F5.6 And Optical SteadyShot™ stabilisation.
The new lens (model SEL18135) features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography.
The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting.
Additionally, the 18-135mm F3.5-5.6 Zoom lens offers fast, precise, quiet AF performance thanks to a linear motor, making it a perfect complement to the high speed shooting and impressive video capabilities of many of Sony’s mirrorless cameras.
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Sample Image
Specification
| name | E 18-135 mm F3.5-5.6 OSS |
| Model | SEL18135 |
| Lens Mount | Sony E mount |
| Corresponding imaging screen size | ● APS-C format only |
| Focal length (mm) | 18-135 |
| Focal length of the image (Mm) * 1 | 27-202.5 |
| Lens configuration (group – sheets) | 12-16 |
| APS-C) | 76°-12° |
| Open aperture (F value) | 3.5-5.6 |
| Minimum aperture (F value) | 22-36 |
| Aperture blades (sheets) | 7 |
| Iris circular | ○ |
| Movies summarized shortest distance (m) | 0.45 |
| Maximum magnification (times) | 0.29 |
| Filter diameter (mm) | 55 |
| Camera shake correction | Lens in the camera shake correction system |
| Teleconverter (1.4x) | incompatible |
| Teleconverter (2.0x) | incompatible |
| Food type | Flower-shaped bayonet |
| Dimensions shape maximum diameter x length Connecticut (mm) | 67.2 x 88 |
| About mass (g) | 325 |
| Food (model) | ALC-SH153 |
| Lens front cap | ALC-F55S |
| Lens rear cap | ALC-R1EM |
| Case | – |
| Other accessories | – |
Sony α9 ( ILCE-9) – New Firmware Version 2.00 Enhances Autofocus & Other Functions
Sony α9 ( ILCE-9) – 2.00
Change log
Enhancements for Continuous AF performance:
- Enhanced performance of continuous auto focus on moving subjects
- Enhanced stability of the AF-C when zooming
Added functions for professionals engaged in sports/news media:
- Adds the function to assign Protecting images to custom Key
- Adds the function to transfer (FTP) protected files at once
Note: Only for images protected using version 2.00 or higher.
- Displays wired LAN MAC address
- Inputs IPTC metadata to files
Note: IPTC information must be created beforehand using the IPTC Metadata Preset software.
- Inputs camera serial number to metadata
Other Improvements:
- Improves operational stability
- Improves accuracy of the overheating warning function
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Panasonic Unveils Flagship LUMIX GH5s C4K Mirrorless Camera
Product Summary
- Model name: LUMIX GH5S
- Release Date: January 8,2018
- Focus Type: Autofocus
- Format : Micro Four Thirds
- Mounts: Micro Four Thirds mount
- Availability: Late January 2018
- Price: $2,499.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 10.2MP high-sensitivity MOS sensor
- 3,680k-dot, Large OLED LVF
- Ultrahigh-speed Focusing
- Dual SD Card slots (UHS-II U3 Compatible)
- C4K/4K 4:2:2 10-bit Internal Recording
- Unlimited in-camera recording of C4K
- 4K HDR hybrid log gamma support
- Full HD 240 fps video recording
- Bluetooth 4.2 and Wi-Fi 5GHz connectivity
Panasonic is proud to introduce the new hybrid LUMIX GH5S with expanded video recording capability and enhanced image quality. Designed and developed for professional filmmakers, the LUMIX GH5S achieves our highest-ever sensitivity and video image quality in the history of LUMIX cameras.Packed with big features to delight videographers and photographers alike
The new 10.2-megapixel Digital Live MOS Sensor and Venus Engine reproduce the darkest areas of the image with increased clarity thanks to the maximum ISO 51200. When shooting in dark environments, videographers can now focus on capturing the perfect shot without worrying about background noise thanks to the newly applied Dual Native ISO Technology.
The LUMIX GH5S is compatible with Timecode IN/OUT which is easy to set using the flash sync terminal and bundled coaxial cable for a BNC terminal. The camera can be used as a Timecode generator for other GH5S models and professional camcorders and the functionality makes multi-camera productions pain-free by instantly synchronizing recordings to other cameras or audio devices.
Both videographers and photographers can now enjoy the same diagonal field of view across all aspect ratios with the True “Multi-Aspect Ratio” function. The newly developed multi-aspect sensor provides sufficient margin to get the same angle of view in 4:3, 17:9, 16:9 and 3:2 aspect ratios.
This feature means you can easily switch between different aspect ratios making the process easier while producing and editing in post-production. The GH5S now also provides the photographer with 14-bit RAW recording, providing greater flexibility within professional RAW development workflows.
The LUMIX GH5 was the world’s first mirrorless camera to achieve 4K 60p / 50p video recording and the new LUMIX GH5S again establishes a milestone by realising the world’s first 4K 60p / 50p video recording in Cinema 4K (4096×2160). The GH5S is capable of internal 4:2:2 10-bit recording for even stronger colour reproduction, while V-Log comes pre-installed on the camera.
There is no time limit for both Full-HD and 4K video recording and the LUMIX GH5S complies with 4K HDR video with Hybrid Log Gamma (HLG) mode in Photo Style. A low-bit-rate recording mode 4K HEVC for HLG is available, which enables playback on AV equipment compatible with the HEVC compression format, such as Panasonic 4K HDR TVs.
The LUMIX GH5S also records 4:2:2 10-bit 400-Mbps All-Intra in 4K 30p/25p/24p and C4K 24p and 200-Mbps All-Intra in Full-HD. The VFR lets users record overcranked / undercranked video in C4K/4K (60 fps, maximum 2.5x slower in 24p) and FHD (240 fps, maximum 10x slower).
DFD (Depth From Defocus) technology and ultra-high-speed digital signal processing achieve fast auto focusing of approximately 0.07 sec and 12 (AFS) / 8 (AFC) fps in 12-bit RAW and 11 (AFS) / 7 (AFC) fps in 14-bit RAW high-speed burst shooting. The 4K PHOTO mode enables 60 fps high-speed capture in approximately 8-megapixel equivalent resolution.
Comfortable operation especially in low light
As a camera that excels at shooting in low light, the LUMIX GH5S boasts -5EV luminance detection performance with Low Light AF thanks to the increased sensitivity and optimised tuning of the sensor. Live View Boost is another practical feature that makes it possible to check the composition – even in total darkness – by boosting the sensitivity just for Live View. The magnification ratio in MF assist is increased from conventional 10x to 20x, which is convenient for astronomical photography.
For night mode the red interface provides mild backlighting, letting users see the subject comfortably in dark surroundings.
In order to make the GH5S tough enough to withstand even heavy field use, it is composed of a magnesium alloy full die-cast front/rear frame and is not only splashproof and dustproof but also freezeproof down to -10 degrees. The GH5S is equipped with a dual SD memory card slot, compatible with the high-speed, high-capacity UHS-II and Video Speed Class 60. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording. The HDMI Type A terminal is provided.
Exceptional image capture without concern
The GH5S has a large LVF (Live View Finder) with a stunningly high magnification ratio of approximately 1.52x/0.76x (35mm camera equivalent) providing smooth display at 120 fps. A high-precision, high-speed OLED display features 3,680K-dot resolution and 100% field of view. In addition to dual dials, an omni-directional joystick enables more intuitive and flexible operation.
The model includes Bluetooth and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. For Wi-Fi, 5 GHz (IEEE802.11ac) can be selected in addition to the conventional 2.4 GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.
Panasonic will be partnering with VICE UK in 2018 on the development of a new creative platform to support the next generation of young UK filmmakers through the lens of the Lumix GH5 and the new Lumix GH5S. Further details of the partnership will be announced early 2018.
The Panasonic LUMIX GH5S will be available from end of January 2018 and will retail for £2199 / €2549.99 (body only).
Product Photo
Specification
| TYPE | Type | Digital Single Lens Mirrorless camera | |
| Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card/(Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 60 standard SDXC Memory Cards) | ||
| Image sensor size | 17.3 x 13.0 mm (in 4:3 aspect ratio) | ||
| Lens mount | Micro Four Thirds mount | ||
| IMAGE SENSOR | Type | Live MOS Sensor | |
| Total pixels | 11.93 Megapixels | ||
| Camera effective pixels | 10.28 Megapixels | ||
| Color filter | Primary color filter | ||
| Dust reduction system | Supersonic wave filter | ||
| IMAGE STABILIZATION SYSTEM | – | ||
| RECORDING SYSTEM | Recording file format | Still image | JPEG (DCF, Exif 2.31), RAW (14-bit / 12-bit) |
| 4K PHOTO | MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) | ||
| Motion picture | MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately)./MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch))/AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch) | ||
| System frequency | 59.94Hz, 50.00Hz, 24.00Hz | ||
| Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||
| Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard *RAW bit size is selectable from 14-bit or 12-bit. | ||
| Color Space | sRGB, AdobeRGB | ||
| File size(Pixels) -Still Image | 4:3 | 3680×2760(L) / 2592×1944(M) / 1824×1368(S) / 3328×2496(4K PHOTO) | |
| 3:2 | 3840×2560(L) / 2736×1824(M) / 1920×1280(S) / 3504×2336(4K PHOTO) | ||
| 16:9 | 4016×2256(L) / 2816×1584(M) / 1920×1080(S) / 3840×2160(4K PHOTO) | ||
| 1:1 | 2752×2752(L) / 1936×1936(M) / 1360×1360(S) / 2880×2880(4K PHOTO) | ||
| File size (Pixels) -Motion picture | MOV** / *****-59.94Hz | <[C4K]4096×2160>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[C4K]4096×2160>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[C4K]4096×2160>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[C4K]4096×2160>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[4K] 3840×2160>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[4K] 3840×2160>29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[4K] 3840×2160>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[4K] 3840×2160>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[4K] 3840×2160>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | |
| MOV** / *****-50.00Hz | <[C4K] 4096×2160>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[C4K] 4096×2160>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[4K] 3840×2160>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[4K] 3840×2160>25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[4K] 3840×2160>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV** / *****-24.00Hz | <[C4K] 4096×2160>24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[C4K] 4096×2160>24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[4K] 3840×2160>24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[4K] 3840×2160>24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<[Full HD] 1920×1080>24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MP4** 59.94Hz | <[C4K] 4096×2160>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[C4K] 4096×2160>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[C4K] 4096×2160>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[C4K] 4096×2160>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[4K] 3840×2160>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[4K] 3840×2160>29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[4K] 3840×2160>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)/<[4K] 3840×2160>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[4K] 3840×2160>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)/<[4K] 3840×2160>29.97p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording)/<[4K] 3840×2160>23.98p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording)/<[Full HD] 1920×1080>59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[Full HD] 1920×1080>59.94p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[Full HD] 1920×1080>29.97p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[Full HD] 1920×1080>23.98p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)/<[Full HD] 1920×1080>29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC)/<[Full HD] 1920×1080>23.98p, 24Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4** 50.00Hz | <[C4K] 4096×2160>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[C4K] 4096×2160>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[4K] 3840×2160>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[4K] 3840×2160>25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[4K] 3840×2160>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (AAC)/<[4K] 3840×2160>25.00p, 72Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording)/<[Full HD] 1920×1080>50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[Full HD] 1920×1080>50.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[Full HD] 1920×1080>25.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>50.00p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)/<[Full HD] 1920×1080>25.00p, 20Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| MP4** 24.00Hz | <[C4K] 4096×2160>24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[C4K] 4096×2160>24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[4K] 3840×2160>24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[4K] 3840×2160>24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<[Full HD] 1920×1080>24.00p, 100Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<[Full HD] 1920×1080>24.00p, 24Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
| AVCHD Progressive**AVCHD** 59.94Hz | <[Full HD] 1920×1080>59.94p, 28Mbps (LongGOP) (Dolby)/<[Full HD] 1920×1080>59.94i, 24Mbps (LongGOP) (Dolby) (Sensor output is 29.97fps)/<[Full HD] 1920×1080>59.94i, 17Mbps (LongGOP) (Dolby) (Sensor output is 59.94fps)/<[Full HD] 1920×1080>23.98p, 24Mbps (LongGOP) (Dolby) | ||
| AVCHD Progressive**AVCHD** 50.00Hz | <[Full HD] 1920×1080>50.00p, 28Mbps (LongGOP) (Dolby)/<[Full HD] 1920×1080>50.00i, 24Mbps (LongGOP) (Dolby) (Sensor output is 25.00fps)/<[Full HD] 1920×1080>50.00i, 17Mbps (LongGOP) (Dolby) (Sensor output is 50.00fps) | ||
| Continuous recordable time (Motion picture)** | AVCHD [FHD/60p]: Approx. 130 min (rear monitor), 130 min (LVF) with H-FS12060/AVCHD [FHD/60i]: Approx. 130 min (rear monitor), 130 min (LVF) with H-FS12060/MP4 [4K/60p]: Approx. 120 min (rear monitor), 120 min (LVF) with H-FS12060/MP4 [4K/30p]: Approx. 120 min (rear monitor), 110 min (LVF) with H-FS12060 | ||
| Actual recordable time (Motion picture)** | AVCHD [FHD/60p]: Approx. 65 min (rear monitor), 65 min (LVF) with H-FS12060/AVCHD [FHD/60i]: Approx. 65 min (rear monitor), 65 min (LVF) with H-FS12060/MP4 [4K/60p]: Approx. 60 min (rear monitor), 60 min (LVF) with H-FS12060/MP4 [4K/30p]: Approx. 60 min (rear monitor), 55 min (LVF) with H-FS12060 | ||
| WIRELESS | WiFi | Wi-Fi2.4GHz (STA/AP) (IEEE802.11b/g/n)/Wi-Fi5GHz (STA) (IEEE 802.11a/n/ac)*5GHz Wi-Fi is not available in some countries./1-13, 36, 40, 44, 48, 52, 56, 60, 64, 100, 104, 108, 112, 116, 120, 124, 128, 132, 136, 140 ch | |
| Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) | ||
| QR code connection / Password-less connection | Yes / Yes (ON / OFF selectable) | ||
| VIEWFINDER | Type | OLED Live View Finder (3,680k dots) | |
| Field of view | Approx. 100% | ||
| Magnification | Approx. 1.52x / 0.76x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 | ||
| Eye point | Approx. 21 mm from eyepiece lens | ||
| Diopter adjustment | -4.0 – +3.0 (dpt) | ||
| Eye sensor | Yes | ||
| Display speed | 120fps / 60fps | ||
| FOCUS | Type | Contrast AF system | |
| DFD technology | Yes | ||
| Post Focus | Yes | ||
| Focus Stacking | Yes | ||
| Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||
| AF mode | Face/Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint/(Full area touch is available) (Scalable AF frame size and flexible AF position) | ||
| AF detective range | EV -5 – 18 (ISO100 equivalent) | ||
| AF assist lamp | Yes | ||
| AF lock | Yes (AF/AE LOCK button) | ||
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | ||
| Others | One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter | ||
| EXPOSURE CONTROL | Light metering system | 1,728-zone multi-pattern sensing system | |
| Light metering mode | Multiple / Center Weighted / Spot | ||
| Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) | ||
| Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual | ||
| ISO sensitivity (Standard Output Sensitivity) | Still image: Auto / Intelligent ISO / 80* / 100* / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO/Creative Video Mode: Auto / 80* / 100* / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO | ||
| Dual Native ISO | [Normal] | Native ISO: 400, 2500/Auto: Auto / 80* / 100* / 160-51200 / 102400* / 204800* (VFR: Auto / 80* / 100* / 160-51200 / 102400* / 204800*) *Extended ISO/Low: Auto / 80* / 100* / 160-800 (VFR: Auto / 80* / 100* / 160-1250) *Extended ISO/High: Auto / 800-51200 / 102400* / 204800* (VFR: Auto / 1250-51200 / 102400* / 204800*) *Extended ISO | |
| [V-LogL] | Native ISO: 800, 5000/Auto: Auto / 320-25600 (VFR: Auto / 320-25600)/Low: Auto / 320-1600 (VFR: Auto / 320-2500)/High: Auto / 1600-25600 (VFR: Auto / 2500-25600) | ||
| [HLG] | Native ISO: 800, 5000/Auto: Auto / 320-51200 / 102400* / 204800* *Extended ISO/Low: Auto / 320-1600/High: Auto / 1600-51200 / 102400* / 204800* *Extended ISO | ||
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | ||
| AE lock | Yes (AF/AE LOCK button) | ||
| WHITE BALANCE | White balance | AWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||
| Color temperature setting | 2500-10000K in 100K | ||
| SHUTTER | Type | Focal-plane shutter | |
| Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 – 60/Electronic shutter: 1/16,000 – 1/Motion picture: 59.94Hz: 1/16,000 – 1/30, 50.00Hz: 1/16,000 – 1/25, 23.98Hz: 1/16,000 – 1/24 (When using Synchro Scan) | ||
| Shutter life | Approx. 200,000 images | ||
| Self timer | 10sec, 3 images / 2sec / 10sec | ||
| Remote control | Remote control with Bulb function by DMW-RSL1 (sold separately) | ||
| BRACKET | AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
| Aperture Bracket | 3, 5 or all positions in 1 EV step | ||
| Focus Bracket | 1 to 999 images, focus steps can be set in 10 levels | ||
| White balance bracket | 3 exposures in blue/amber axis or in magenta/green axis, color temperature setting | ||
| BURST SHOOTING | Burst speed | [14-bit]/AFS/MF: H: 11 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used./AFF/AFC: H: 7 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used./[12-bit]/AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used./AFF/AFC: H: 8 frames/sec (with Live View), M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-ES12060 is used. | |
| Number of recordable images | More than approx. 80 images (when there are RAW files with the particular speed.)/More than approx. 600 images (when there are no RAW files and using a card with SD Speed Class with “UHS-II UHS Speed Class 3 (U3)”.)/(depending on memory card size, battery power, picture size, and compression) | ||
| 4K PHOTO** | Burst speed | 60 frames/sec, 30 frames/sec | |
| Exif information | Yes (Each JPEG image cropped out of the 4K burst file complies with EXIF.) | ||
| Marking function | Yes (in 4K Burst (S/S) mode) | ||
| Loop rec function | Yes (in 4K Burst (S/S) mode) | ||
| FLASH | Flash type | TTL External Flash (sold separately) | |
| Flash Mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only. | ||
| Synchronization speed | Less than 1/250 second | ||
| Flash output adjustment | 1/3EV step ±3EV | ||
| Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. | ||
| Synchronization for flash dimming and exposure compensation | Yes | ||
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch | ||
| Flash sync socket | Yes | ||
| REAR MONITOR | Type | TFT LCD monitor with static touch control | |
| Monitor size | Free-angle 3.2-inch (8.0cm) / 3:2 aspect | ||
| Pixels | Approx. 1,620k dots | ||
| Filed of view | Approx. 100% | ||
| Monitor adjustment | Brightness, Contrast, Saturation, Red-Green, Blue-Yellow | ||
| Anamorphic 4K mode (4:3) | MP4** 59.94Hz | <3328×2496>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)/<3328×2496>29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<3328×2496>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM)/<3328×2496>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<3328×2496>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | |
| MP4** 50.00Hz | <3328×2496>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)/<3328×2496>25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<3328×2496>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MP4** 24.00Hz | <3328×2496>24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM)/<3328×2496>24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
| MOV** / *****-59.94Hz | <3328×2496>59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<3328×2496>29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<3328×2496>29.97p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<3328×2496>23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<3328×2496>23.98p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV** / *****-50.00Hz | <3328×2496>50.00p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio)/<3328×2496>25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<3328×2496>25.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| MOV** / *****-24.00Hz | <3328×2496>24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio)/<3328×2496>24.00p, 150Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
| LIVE VIEW | Digital zoom | 2x, 4x | |
| Extra Tele Conversion | Still image: Max. 2x/Motion picture: 2.1x (FHD) | ||
| Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Video Guide Line, Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture) | ||
| DIRECTION DETECTION FUNCTION | Direction Detection Function | Yes | |
| FUNCTION BUTTON | REC | Wi-Fi / Q.MENU / Video Record / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / 1 Shot 4K PHOTO / Operation Lock / Dial Operation Switch / Destination Slot / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / RAW Bit Size / AFS/AFF / Metering Mode / Burst Rate / 4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / Min. Shtr Speed / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / 4K Live Cropping / Motion Pic. Rec Format / Motion Pic. Rec Quality / Variable Frame Rate / Picture Mode in Rec. / Synchro Scan / Time Code Display / Sound Rec Level Adj. / Mic. Directivity Adjust / HLG View Assist (HDMI) / Color Bars / WFM/Vector Scope / Anamorphic Desqueeze Display / HLG View Assist / LUT Monitor Display / LUT HDMI Display / Focus Transition / Silent Mode / Peaking / Histogram / Guide Line / Video Guide Line / Zebra Pattern / Monochrome Live View / Constant Preview / Live View Boost / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Night Mode / Exposure Comp. / Sensitivity / White Balance / ON/OFF of each item in White Balance / ON/OFF of each item in Photo Style / AF Mode/MF / Rec/Playback Switch / Off / Restore to Default | |
| PLAY | Wi-Fi / LVF/Monitor Switch / Rec/Playback Switch / Slot Change / 4K PHOTO Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / RAW Processing / 4K PHOTO Bulk Saving / Copy / Anamorphic Desqueeze Display / HLG View Assist / HLG View Assist (HDMI) / LUT Monitor Display / LUT HDMI Display / Night Mode / Off / Restore to Default | ||
| PHOTO STYLE | Photo Style | Standard / Vivid / Natural / Monochrome / L. Monochrome / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709 / Hybrid Log Gamma* / V-LogL/*When Creative Video Mode is selected. | |
| CREATIVE CONTROL | Creative Control | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*/*For photos only. **Not available in 4:2:2 10-bit video or C4K/4K video recording. | |
| VARIABLE FRAME RATE | 59.94Hz | MOV/MP4(LPCM)/FHD/59.94p/2, 30, 56, 58, 60, 62, 64, 90, 120, 150, 180, 210, 240 fps/MOV/MP4(LPCM)/4K/29.97p, MOV/MP4(LPCM)/C4K/29.97p, AVCHD/FHD/29.97p/2, 15, 26, 28, 30, 32, 34, 45, 60 fps/MOV/MP4(LPCM)/FHD/29.97p/2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, 105, 120, 135, 150, 165, 180, 195, 210, 225, 240 fps/MOV/MP4(LPCM)/4K/23.98p, MOV/MP4(LPCM)/C4K/23.98p, AVCHD/FHD/23.98p/2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps/MOV/MP4(LPCM)/FHD/23.98p/2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180, 192, 204, 216, 228, 240 fps | |
| 50.00Hz | MOV/MP4(LPCM)/FHD/50.00p/2, 25, 46, 48, 50, 52, 54, 75, 100, 125, 150, 200, 240 fps/MOV/MP4(LPCM)/4K/25.00p, MOV/MP4(LPCM)/C4K/25.00p, AVCHD/FHD/25.00p/2, 12, 21, 23, 25, 27, 30, 37, 60 fps/MOV/MP4(LPCM)/FHD/25.00p/2, 12, 21, 23, 25, 27, 30, 37, 50, 62, 75, 87, 100, 112, 125, 137, 150, 175, 200, 225, 240 fps | ||
| 24.00Hz | MOV/MP4(LPCM)/C4K/24.00p, MOV/MP4(LPCM)/4K/24.00p/2, 12, 20, 22, 24, 26, 28, 36, 48, 60 fps/MOV/MP4(LPCM)/FHD/24.00p/2, 12, 20, 22, 24, 26, 28, 36, 48, 60, 72, 84, 96, 108, 120, 132, 144, 156, 168, 180, 192, 204, 216, 228, 240 fps | ||
| MOTION PICTURE FUNCTION | Master pedestal level | 31 steps | |
| Luminance level | 8-bit: 0-255 / 16-235 / 16-255/10-bit: 0‒1023 / 64‒940 / 64‒1023 | ||
| Wave form monitor / Vectorscope | Selectable | ||
| LUT display | LUT Monitor Display / LUT HDMI Display | ||
| Synchro scan | Yes | ||
| Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When system frequency [59.94Hz] is selected.) | ||
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | ||
| Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes | ||
| Knee control | Yes (in Like709 mode) | ||
| PLAYBACK | Playback mode | 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (All / Picture Only / Video Only, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only), Protect, Rating, Title Edit, Face Recognition Edit, RAW Processing, 4K PHOTO Bulk Saving, 4K PHOTO Noise Reduction, Light Composition, Clear Retouch, Text Stamp, Copy, Resize, Cropping, Rotate, Video Divide, Time Lapse Video, Stop Motion Video, Rotation Display, Anamorphic Desqueeze Display, HLG View Assist, LUT Monitor Display, Picture Sort, Delete Confirmation, Creating Still Pictures from a Motion Picture | |
| IMAGE PROTECTION / DELETE | Protection | Single / Multi or Cancel | |
| Delete | Single / Multi / All / Except Rating | ||
| PictBridge compatible | |||
| INTERFACE | USB | USB Type-C, SuperSpeed USB 3.1 Gen1 | |
| HDMI*** | Monitor-through | 4:2:2 10-bit (When [Rec Quality] is set to [4:2:2 10bit] or when [Rec Quality] is set to [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:2 10bit]. When [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] mode is selected in [Rec Quality], it is not possible to record motion picture or still picture on the SD memory card in the camera unit.)/4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit], except for [C4K/60p]/[C4K/50p]/[4K 60p]/[4K/50p])/4:2:0 8bit (When [Rec Quality] is set to [C4K/60p]/[C4K/50p]/[4K/60p]/[4K/50p] and [4K/60p Bit Mode]/[4K/50p Bit Mode] is set to [4:2:0 8bit].)/Auto / 4K/30p/25p / 1080p / 1080i / OFF/Information display ON/OFF (selectable)/HLG View Assist (HDMI) AUTO / MODE1 / MODE2 / OFF (selectable)/Automatic down-conversion | |
| Playback | HDMI TypeA / VIERA Link, Audio: Stereo/59.94Hz: Auto / C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p/50.00Hz: Auto / C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p/24.00Hz: Auto / C4K/24p / 4K/24p / 1080p | ||
| Audio video output | No | ||
| Remote input | φ2.5mm for remote | ||
| External microphone / external audio device input | φ3.5mm for external microphone / external audio device/MIC (Plug-in Power) / MIC / LINE is selectable./Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). | ||
| Headphone output | φ3.5mm for headphone | ||
| Microphone | Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). | ||
| High-res audio recording | Yes with DMW-XLR1 (sold separately) | ||
| Speaker | Monaural | ||
| SD card slot | Slot 1, Slot 2 | ||
| TC IN/OUT | Yes with BNC Converter Cable (bundled) | ||
| LANGUAGE | OSD language | Japanese, English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Romanian, Netherlandic, Turkish, Portuguese, Finnish, Danish, Swedish, Greek | |
| POWER | Battery | Li-ion Battery Pack (7.2V, 1860mAh, 14Wh) (bundled) | |
| Battery life (CIPA standard) | Approx. 440 images (rear monitor), 410 images (LVF), 1,300 images (Power Save LVF mode*) with H-FS12060/*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec | ||
| Battery grip | DMW-BGGH5 (sold separately) | ||
| DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions) | |
| Weight | Approx. 660g / 1.46 lb (SD card x 1, Battery, Body)/Approx. 580g / 1.28 lb (Body only) | ||
| OPERATING ENVIRONMENT | Operating temperature**** | -10oC to 40oC (14oF to 104oF) | |
| Operating humidity | 10%RH to 80％RH | ||
| STANDARD ACCESSORIES | Software | Recording | LUMIX Tether/・ This software is used to control a Panasonic digital camera from a PC. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software./http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac) |
| Playback / Editing | ・ The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet./http://panasonic.jp/support/global/cs/soft/download/d_pfs99pe.html (For Windows)/・ The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory’s website using computer connected to the Internet./http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) | ||
| Standard accessories | Battery Charger (AC Adaptor), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Shoulder Strap, Cable Holder, BNC Converter Cable/・ The DC-GH5S Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet. | ||
| NOTE | ** About motion picture recording / 4K PHOTO recording | ||
| NOTE | – Use a card with SD Speed Class with “Class 4” or higher when recording motion pictures in [AVCHD] or [MP4(under 28Mbps)]. | ||
| NOTE | – Use a card with SD Speed Class with “UHS-I / UHS-II UHS Speed Class 3 (U3)” when recording motion pictures with [MP4] in [C4K] [4K], [MOV] or [4K PHOTO]. | ||
| NOTE | (SD speed class is the speed standard regarding continuous writing.) | ||
| NOTE | – Video Speed Class 60 or higher is required for ALL-Intra 400Mbps recording. Use of SD Memory Card with Video Speed Class 60 or higher is recommended for C4K/4K ALL-Intra video recording. | ||
| NOTE | – MP4 motion pictures with [MP4] in [C4K] [4K]: | ||
| NOTE | – When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | – When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | – MP4 motion pictures with [MP4] in [FHD]: | ||
| NOTE | – You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
| NOTE | – 4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC. | ||
| NOTE | The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player. | ||
| NOTE | It may cause problems such as freezing when played on these devices. | ||
| NOTE | *** For [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as”4K compatible”. | ||
| NOTE | **** The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees. | ||
| NOTE | ***** High-res audio is selectable only when using the DMW-XLR1 (sold separately). | ||
Samyang Launches AF 14mm F2.8 EF Lens for Canon
Product Summary
- Model name: Samyang AF 14mm F2.8 EF
- Release Date: January 8, 2018
- Focus Type: Autofocus / Manual
- Format : Full Frame
- Mounts: Canon
- Availability: February 2018
- Price: EUR 699
- Purchase options: Adorama | B&H | Amazon
Key features
- Quiet, fast and accurate autofocus system
- Minimised weight for portability
- Ultra wide angle in 116.6°
- Weather-sealing
- Starburst effects made with 7 blades
- High resolution, crystal clear resolution
Global optics brand, Samyang Optics is pleased to unveil its first autofocus lens for Canon full frame DSLR cameras: AF 14mm F2.8EF. This light weight wide angle lens inherits the renowned image quality of Samyang’s wide angle series and delivers a quiet, fast and accurate autofocus system.
World Class Wide Angle Lens, Samyang 14mm
This first EF mount autofocus lens from Samyang encapsulates the brand’s universally respected optical technology, especially in the wide angle lens category. vFrom a total of 15 lenses in 10 groups, 7 special optic lenses have been chosen in the production of this lens, to maximise the image quality. The use of 2 aspherical lenses, 4 high-refractive lenses, and 1 extra-low dispersion lens minimises distortion and various aberrations while producing crystal clear resolution. The remarkably even image quality from centre to corner of the wide 116.6 degree angle of view appears distinctly on its MTF chart.
Ideal Autofocus Lens with High Usability
Importantly, the minimised weight and movement of the focusing lens group enables quiet and pleasant autofocusing with high accuracy. This compact Samyang AF 14mm F2.8 EF weighs only 485g without lens caps and hood and is the best travel partner to capture unforgettable moments on your journey. Weather-sealing and a built-in AF/MF switch increase usability.
Available from February 2018
This world-wide Samyang AF 14mm F2.8 EF inherits the renowned image quality of Samyang’s wide angle series from the manual focus 14mm F2.8, the premium XP 14mm F2.4, the AF 14mm F2.8 FE autofocus lens for Sony full-frame mirrorless cameras and professional cinema lenses, and the XEEN 14mm, 16mm and 20mm. The lens will be available globally from February and a suggested retail price is EUR 699.
Product Photo
Sample Image
Specification
HASSELBLAD MASTERS 2018 Winners Announced
HASSELBLAD ANNOUNCES WINNERS OF MASTERS AWARDS 2018
Hasselblad Masters is widely acclaimed as one of the world’s most prestigious professional photography competitions. The winners are chosen through a combination of a public vote and a professional Masters Jury – comprised internationally renowned photographers and imaging experts.
Every Hasselblad Masters award winner will hold the title of ‘Hasselblad Master’ and be a brand ambassador for two years. In addition, they will receive a brand new Hasselblad medium format camera and be invited to shoot for a collaborative project with Hasselblad. This project will be printed and released in the bi-annual Hasselblad Masters book.
Winners will receive their awards, medium format cameras, and trophies at a special Photokina 2018 ceremony in Cologne, Germany this September.
Bronius Rudnickas, Hasselblad Marketing Manager: “Over 30 000 images were submitted to this year’s competition and that was a record, we are glad to see the competition is growing every year.”
Masters Jury member and professional photographer Tom Oldham said: “It really struck me how progressive many of the entries were this year and how far the entrants were willing to push the brief. These were the photographers who caught my eye – the ballsy, out-there risk-takers who make compelling pictures that refuse to be ignored. I’m proud to have helped to get this great kit into their hands – their images deserve it.”
The Hasselblad Masters Awards 2018 winners are:
Aerial – Jorge de la Torriente – Miami, USA
Architecture – Kamilla Hanapova – St. Petersburg, Russia
Art – Maria Svarbova – Bratislava, Slovakia
Beauty & Fashion – Michal Baran – Trim, Ireland
Landscape – Benjamin Everett – Lopez Island, USA
Portrait – Tina Signesdottir Hult – Torvastad, Norway
Product – Marcin Gizycki – Warszawa, Poland
Project//21 – Nabil Rosman – Kota Bharu, Malaysia
Street / Urban – Ben Thomas – Kyneton, Australia
Wedding – Victor Hamke – Leipzig, Germany
Wildlife – Karim Iliya – Haiku, USA
The Hasselblad Masters Awards 2018 jury are:
Tom Oldham – Photographer
Ali Rajabi – Past Master
Martin Hausler – Photographer
Katerina Belkina – Past Master
Swee Oh – Past Master
Lars van de Goor – Past Master
Tim Flach – Photographer
Kevin Then – Photographer
Bara Prasilova – Past Master
Damien Demolder – Journalist
Blair Bunting – Photographer
Hans van Ommeren – Past Master
Mads Nissen – Photographer
Kevin Raber – Journalist
Some Winning Photos
Benjamin Everett – Lopez Island, USA
Karim Iliya – Haiku, USA
Benjamin Everett – Lopez Island, USA
Benjamin Everett – Lopez Island, USA
Jorge de la Torriente – Miami, USA
Karim Iliya – Haiku, USA
Karim Iliya – Haiku, USA
Jorge de la Torriente – Miami, USA
For more information and images:
https://www.hasselblad.com/masters
All New DJI Osmo Mobile 2 – Now Only $129
Product Summary
- Model name: DJI Osmo Mobile 2
- Release Date: January 7, 2018
- Color: Grey
- Availability: January 23, 2018
- Price: $ 129
- Purchase options: Adorama | B&H | Amazon
Key features
- Capture stabilized handheld footage
- Supports up to 3.3″ wide smartphones
- Built-in battery run-time 15 hour
- Tracking technology built into app
- On the move time-lapse feature
- Weighs 485g
- Built-in /4”-20 tripod mount at the bottom
Osmo Mobile 2 is a smartphone camera stabilizer that captures smooth videos and high-definition panoramas with cinematic movement and incredible ease. DJI’s industry-leading three-axis gimbal technology cancels out movement in three directions so your video stays steady even if your hands shake or wobble, while DJI’s built in SmoothTrack technology detects and compensates for your movement of the camera to ensure a smooth cinematic shot every time.
Designed to be lightweight and portable, Osmo Mobile 2 is made from high-strength modified nylon and features a folding design that makes it perfect for all-day use. The two-way mobile clamp lets you easily pivot between landscape and portrait orientation so that you can chose the most engaging full-screen format for your audience. In addition, a 1/4” universal screw mount ensures compatibility with your favorite photography accessories, making Osmo Mobile 2 more versatile than ever.
Simpler controls let you use your phone’s camera like a professional camera with integrated settings for ISO, shutter speed and more. A new zoom slider lets you completely operate your smartphone camera from the handle and you can even produce dolly zoom, a visual effect usually created only on professional film sets.
A more powerful built-in battery system lets you film for up to 15 hours, over three times longer than the original Osmo Mobile’s battery. The new USB port enables phone charging during use and serves as a power bank for charging other electronics while on the go.
Smart software in the DJI GO mobile app unlocks intelligent photo and video features that help you create professional-looking content automatically. Videographers can use modes including ActiveTrack to automatically follow of subjects in motion, Motion Timelapse with up to five different camera positions, Hyperlapse to create dramatic time-lapse videos with the camera in motion, or stream live to popular social platforms like Facebook and YouTube. Photographers can expand their creativity with options such as Panorama, Long Exposure and LightTrail modes.
Price and Availability
Osmo Mobile 2 retails for $129 USD and will be available exclusively for pre-order at Apple.com on January 23, 2018. Starting in early February, it will also be available at store.dji.com, DJI Flagship Stores, and DJI Authorized Retailers, with additional availability later in February at Apple Stores in select regions worldwide. For more information on all the new features and capabilities of Osmo Mobile 2, please visit www.dji.com/osmo-mobile-2.
Product Photo
Specification
GENERAL
| Dimensions | 295×113×72 mm |
| Weight | 485g |
| Model | OM170 |
GIMBAL
| Consumption | 1.2 W |
| * Under ideal conditions with the gimbal fully balanced. | |
| Controllable Range | Pan： ±160° |
| Tilt：±155° (landscape orientation) | |
| Mechanical Range | Pan：±170° |
| Roll：-90° to +70° | |
| Tilt：±170° | |
| Max Controllable Speed | 120°/s |
| Width of Compatible Phones | 58.6 – 85 mm |
INTELLIGENT BATTERY
| Model | 2ICR19/66 |
| Type | 18650 LiPo |
| Capacity | 2600 mAh |
| Energy | 18 Wh |
| Voltage | 7.2 V |
| Charging Temperature | 5 – 40°C |
| Operating Temperature | 0 – 40°C |
| Operating Time | 15 hrs |
| * Under ideal conditions with the gimbal fully balanced. | |
| Charging Time | 2 hrs |
WIRELESS
| Model | Bluetooth Low Energy 4.0 |
New Nikon AF-S Nikkor 180-400mm f/4E TC1.4 FL ED VR Lens with Built-in 1.4x Teleconverter
Product Summary
- Model name: AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR
- Release Date: January 8, 2018
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Nikon F Mount
- Availability: March 2018
- Price: $ 12,399.95
- Purchase options: Adorama | B&H | Amazon
Key features
- Fixed f/4 Maximum Aperture
- Blazing fast focus acquisition, locked-on tracking
- Built-in 1.4x teleconverter
- Electromagnetic Diaphragm
Nikon Inc. announced the new AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR super-telephoto zoom lens, which is ideally suited for photographing sports and wildlife with astounding speed and clarity. This professional level FX-format lens is more versatile than ever, and has been updated with the newest NIKKOR lens technologies including Nikon’s first ever built-in teleconverter and an advanced optical formula to enhance performance and minimize weight.
“This lens is a great example of how Nikon continues to push the boundaries of innovation and what’s possible with pro-level optics and high-end imaging equipment,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.
Popular Pro-Level Lens Gets Even More Versatile
This new NIKKOR lens is a professional super-telephoto zoom lens, which is even more versatile with an extended wide range of 180-400mm, and a constant f/4 aperture to easily isolate a subject from the sidelines, even in challenging light. This is also the first NIKKOR lens to include a built-in 1.4X teleconverter, allowing photographers to seamlessly swap to a 252-560mm1 (FX-format) focal range. The teleconverter is engaged at the flick of a switch, and is easily operated with a single finger while looking through the viewfinder. When used on the Nikon D500 and other DX-format DSLRs, the focal length is the equivalent of 270-600mm (378-840mm with teleconverter engaged).
Whether capturing fast-moving winter sports on the slopes or elusive wildlife at a distance, photographers can shoot with confidence from this high performance NIKKOR lens. The new 180-400mm f/4 is optimized for high-speed capture, and features an electromagnetic diaphragm, helping to create smooth and consistent exposures while shooting high-speed bursts of images. What’s more, the AF tracking algorithm controlling the motor drive has been enhanced to increase tracking performance of fast moving subjects. When using cameras equipped with Nikon’s advanced 153-point AF system (D5, D500, D850), the outer row of AF points are activated as cross-type sensors to significantly enhance the AF coverage throughout the frame.
Enhanced Performance with the Addition of New Technology
The lens now uses a fluorite element, which contributes to improved balance while minimizing weight. To further enhance handling and agility, the lens has adopted a new ball-bearing tripod collar ring to create a seamless transition from shooting horizontal to vertical composition. The VR mechanism offers a normal and sports mode, with up to four stops3 of compensation to help create sharp images, even when handheld.
The lens construction includes the use of durable magnesium alloy for weight reduction, while the lens is also sealed against dust and moisture. A fluorine coating is also used to help repel water droplets and dirt.
The optical formula of the lens uses eight Extra Low Dispersion (ED) elements, doubling the amount of ED elements used by its predecessor, the NIKKOR 200-400mm. These help to provide extremely sharp and detailed images and 4K UHD / 1080p video, and is ideally mated to high resolution Nikon DSLR cameras. Nikon’s exclusive Nano Crystal Coat is used to effectively suppress instances of ghosting and flare.
Product Photo
Sample Image
Specification
| Focal length | · Without built-in teleconverter: 180-400 mm
· With built-in teleconverter: 252-560 mm |
| Maximum aperture | · Without built-in teleconverter: f/4
· With built-in teleconverter: f/5.6 |
| Minimum aperture | · Without built-in teleconverter: f/32
· With built-in teleconverter: f/45 |
| Lens construction | 27 elements in 19 groups (including 8 ED glass elements, 1 fluorite lens element, and lens elements with Nano Crystal Coat) and 1 protective glass element (with fluorine coat); built-in teleconverter has 8 elements in 5 groups |
| Angle of view | · Nikon FX-format D-SLR cameras, without built-in teleconverter: 13°40′ – 6°10′
· Nikon FX-format D-SLR cameras, with built-in teleconverter: 9°50′ – 4°30′ · Nikon DX-format D-SLR cameras, without built-in teleconverter: 9° – 4° · Nikon DX-format D-SLR cameras, with built-in teleconverter: 6°20′ – 2°50′ |
| Minimum focus distance | 2.0 m/6.6 ft from focal plane at all zoom positions |
| Maximum reproduction ratio | · Without built-in teleconverter: 0.25x (at 400 mm)
· With built-in teleconverter: 0.36x (at 560 mm) |
| Diaphragm blades | 9 (rounded diaphragm opening) |
| Filter-attachment size | 40.5 mm |
| Dimensions | Approximately 128.0 mm maximum diameter x 362.5 mm (distance from camera lens mount flange) |
| Weight | Approximately 3,500 g/7 lb 11.4 oz |
| Supplied accessories | LC-K103 slip-on Front Lens Cap, LF-4 Rear Lens Cap, HK-41 Lens Hood, dedicated slip-in Filter Holder, 40.5 mm screw-on Neutral Color (NC) filter, LN-2 Strap, CL-L2 Lens Case |
Nikon SnapBridge – New Version 2.0.1
SnapBridge – 2.0.1
Change log
- We have made the pairing process easier to understand.
- Camera settings can now be adjusted remotely, allowing a wider variety of photos to be taken by remote control.
- The app can now pair the device with up to five cameras.
- Images on the camera now display faster when viewed on the smart device before download.
- We added a power-saving mode that reduces the amount of data exchanged between the camera and the smart device, letting you use the app without worrying about the battery level.
- Thank you for your support! We look forward to making still more improvements based on your feedback.
Download : iOS | Android
Panasonic Instant Rebate 2017
Current Panasonic Instant Rebates!
Save up to $600 on select Panasonic Cameras, Lenses & Camcorders. Starting 11/12 Expires 11/27 All Prices include Free Shipping
Panasonic Lumix DMC-GH4 Mirrorless Camera Body, Black – $898 after $600 Instant Rebate + 4% Adorama Rewards
Panasonic Lumix DMC-G7 Mirrorless Camera with Lumix G Vario 14-42mm Lens, – $498 after $300 Instant Rebate + 4% Adorama Rewards – Black | Silver
Panasonic Lumix DMC-G85 Mirrorless Camera with 12-60mm f/3.5-5.6 Lumix G Power OIS Lens, Black – $998 + Free 45-200 Lens
Panasonic Lumix G Vario 45-150mm f/4.0-5.6 ASPH Lens for G Series Cameras, Matte Black – $148 after $100 Instant Rebate + 4% Adorama Rewards
Panasonic Lumix DC-FZ80 Digital Point & Shoot Camera – $348 after $50 Instant Rebate
Panasonic Lumix DMC-ZS100 Digital Point & Shoot Camera, – $598 after $100 Instant Rebate Black | Silver
Panasonic Lumix DMC-FZ2500 Digital Point & Shoot Camera – $998 after $200 Instant Rebate
Panasonic HC-V770 Full HD Camcorder – Includes 16gb SanDisk card + case and cleaning kit – $448 After $150 Instant Rebate
Panasonic HC-VX981K 4K UHD Camcorder with 4K Photo – includes Lexar 32 GB card, Shoulder Bag, Filter Kit – $598 after $300 Instant Rebate
Panasonic HC-V180K Full HD Camcorder with 50x Stabilized Optical Zoom and Touch-Enabled LCD, Black – $198 after $30 Instant Rebate
Olympus Instant Rebates 2017
Save Big on Olympus Lenses & Cameras
Olympus Camera Rebates: All SKUS include 4% Adorama Rewards and Free Shipping:
Olympus OM-D E-M1 Mark II Mirrorless Camera Body, Black – $1,799.00 after $200 IR
Olympus PEN-F Mirrorless Camera Body, Black – $999.00 after $200 IR
Olympus PEN-F Mirrorless Camera Body, Silver – $999.00 after $200 IR
Olympus PEN E-PL8 Mirrorless Camera Body, Black – $449.00 after $100 IR
Olympus PEN E-PL8 Mirrorless Camera with Silver M.Zuiko Digital ED 14-42mm f/3.5-5.6 II Lens, White – $549.00 after $100 IR
Olympus PEN E-PL8 Mirrorless Body Black With M.Zuiko EZ 12mm-50mm f/3.5-6.3 Lens – $648.00 after $400 IR
Olympus OM-D E-M5 Mark II Mirrorless Camera Body, Black – $799.00 after $300 IR
Nikon Instant Rebate 2017
Latest rebates
Nikon Instant rebates 2017
Nikon 10-24mm f/3.5-4.5G ED-IF AF-S DX NIKKOR Lens – $796.95 after $100 IR
Nikon 16-35mm F/4G AF-S NIKKOR ED (VR-II) Vibration Reduction Zoom Lens – $996.95 after $100 IR
Nikon 24mm f/1.4G AF-S ED NIKKOR Lens – $1,796.95 after $200 IR
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Lens – $2,196.95 after $200 IR
Nikon 35mm f/1.8G AF-S DX NIKKOR Lens – $166.95 after $30 IR
Nikon 35mm f/1.8G AF-S DX NIKKOR Lens – $396.95 after $50 IR
Nikon 35mm f/1.8G AF-S DX NIKKOR Lens – $596.95 after $100 IR
Nikon 14-24mm f/2.8G ED-IF AF-S NIKKOR Lens – $1,696.95 after $200 IR
List Older Rebates
Expired: July 2, 2016
Prime Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| NIKKOR 20mm f/1.8G | $50 | Amazon | Adorama | B&H |
| NIKKOR 24mm f/1.8G | $50 | Amazon | Adorama | B&H |
| NIKKOR 28mm f/1.8G | $100 | Amazon | Adorama | B&H |
| NIKKOR 35mm f/1.8G | $30 | Amazon | Adorama | B&H |
| NIKKOR 50mm f/1.4G | $50 | Amazon | Adorama | B&H |
Zoom Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| NIKKOR 14-24mm f/2.8G ED | $200 | Amazon | Adorama | B&H |
| NIKKOR 16-35mm f/4G ED VR | $100 | Amazon | Adorama | B&H |
| NIKKOR 24-70mm f/2.8G ED VR | $200 | Amazon | Adorama | B&H |
| NIKKOR 70-200mm f/2.8G ED VR II | $200 | Amazon | Adorama | B&H |
| NIKKOR 80-400mm f/4.5-5.6 G ED VR | $200 | Amazon | Adorama | B&H |
DX Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| DX NIKKOR 10-24mm f/3.5-4.5G ED | $100 | Amazon | Adorama | B&H |
For List of all current lenses click here B&H | Adorama
Expired on August 29, 2015
| Model | Rebates | Purchase options |
|---|---|---|
| NIKKOR 50mm f/1.4G | $50 | Amazon | Adorama | B&H |
| NIKKOR 85mm f/1.8G | $50 | Amazon | Adorama | B&H |
| Micro-NIKKOR 105mm f/2.8G VR | $135 | Amazon | Adorama | B&H |
| NIKKOR 14-24mm f/2.8G ED | $150 | Amazon | Adorama | B&H |
| NIKKOR 16-35mm f/4G ED VR | $110 | Amazon | Adorama | B&H |
| NIKKOR 24-70mm f/2.8G ED | $140 | Amazon | Adorama | B&H |
| NIKKOR 70-200mm f/2.8G ED VR II | $220 | Amazon | Adorama | B&H |
| NIKKOR 80-400mm f/4.5-5.6G ED VR | $440 | Amazon | Adorama | B&H |
Expired on August 1, 2015
- Nikon Buy Together & Save Deals at B&H
- Nikon D750 Only Camera – Now $1,996.95 after $300 Instant Rebate
- Nikon D750 with AF-S NIKKOR 24-120mm f/4G ED VR Lens – Now $2,696.95 after $900 Instant Rebate
Expired on 02/28/2015
Nikon Instant rebate programs 2015 announced. Offer expire on 02/28/2015. So act now if you want to take advantage of these great deals and save upto $400 on lenses. Check out at Adorama | B&H | Amazon
Cameras
| Model | Rebates | Purchase options |
|---|---|---|
| Nikon D4S | $500 | Amazon | Adorama | B&H |
| Nikon D810 | $300 | Amazon | Adorama | B&H |
| Nikon D5500 | $200 | Amazon | Adorama | B&H |
Prime Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| NIKKOR 28mm f/1.8G | $100 | Amazon | Adorama | B&H |
| NIKKOR 35mm f/1.8G | $100 | Amazon | Adorama | B&H |
| NIKKOR 50mm f/1.8G | $20 | Amazon | Adorama | B&H |
| NIKKOR 50mm f/1.4G | $85 | Amazon | Adorama | B&H |
| NIKKOR 85mm f/1.8G | $50 | Amazon | Adorama | B&H |
| NIKKOR 85mm f/1.4G | $200 | Amazon | Adorama | B&H |
Zoom Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| NIKKOR 14-24mm f/2.8G ED | $200 | Amazon | Adorama | B&H |
| NIKKOR 16-35mm f/4G ED VR | $260 | Amazon | Adorama | B&H |
| NIKKOR 24-70mm f/2.8G ED | $200 | Amazon | Adorama | B&H |
| NIKKOR 70-200mm f/4G ED VR | $200 | Amazon | Adorama | B&H |
| NIKKOR 70-200mm f/2.8G ED VR II | $300 | Amazon | Adorama | B&H |
| NIKKOR 80-400mm f/4.5-5.6G ED VR | $400 | Amazon | Adorama | B&H |
Macro Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| DX Micro NIKKOR 40mm f/2.8G | $30 | Amazon | Adorama | B&H |
| Micro-NIKKOR 105mm f/2.8G IF-ED VR | $185 | Amazon | Adorama | B&H |
DX Lenses
| Model | Rebate | Purchase options |
|---|---|---|
| DX NIKKOR 18-200mm f/3.5-5.6G VR II | $250 | Amazon | Adorama | B&H |
| DX NIKKOR 16-85mm f/3.5-5.6G ED VR | $100 | Amazon | Adorama | B&H |
| DX NIKKOR 18-300mm f/3.5-5.6G ED VR | $100 | Amazon | Adorama | B&H |
| DX NIKKOR 10-24mm f/3.5-4.5G ED | $150 | Amazon | Adorama | B&H |
| NIKKOR 35mm f/1.8G | $20 | Amazon | Adorama | B&H |
Canon PowerShot G1 X Mark III – The Next Generation G-Series Camera
Product Summary
- Model name: Canon PowerShot G1 X Mark III
- Release Date: 16 October 2017
- Focus Type: Autofocus
- Format : APS-C
- Availability: November 2017
- Price: $1299
- Purchase options: Adorama | B&H | Amazon
Key features
- 24.2MP APS-C CMOS Sensor
- 3x Zoom Lens, 24-72mm (35mm Equivalent)
- DIGIC 7 Image Processor
- Dual Pixel CMOS AF system
- 1080p Full HD video is recorded at 60 fps
- 7 frames per second (fps)
Canon U.S.A., Inc., a leader in digital imaging solutions, today announced a new flagship addition to its acclaimed G-series of premium compact cameras, the Canon PowerShot G1 X Mark III. Lightweight and portable without sacrificing the very best in Canon digital imaging technologies, the new G-series flagship features a 24.3- megapixel* APS-C CMOS sensor and Canon’s revolutionary Dual Pixel CMOS AF (Auto-Focus) technology, both firsts for a Canon point-and shoot compact camera offering.
“As we continue to evolve the popular Canon PowerShot G-series line, we remain committed to incorporating both our latest innovations and the features photographers are looking for in an advanced, compact camera,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “With the new PowerShot G1 X Mark III, users will appreciate the quality and overall performance made possible using a APS-C sensor, alongside upgraded capabilities that can enable the capture of amazing photo and video, even in lowlight conditions.”
Ultimate in Compact Image Quality
The new Canon PowerShot G1 X Mark III offers dramatic improvements from the series’ previous flagship, the PowerShot G1X Mark II, headlined by a larger, 24.3-megapixel APS-C CMOS sensor, resulting in fantastic image quality in both stills and video. This dramatic sensor upgrade pairs with a wide-angle 24-72mm** (3x zoom) lens with Optical Image Stabilization featuring a wide f/2.8-5.6 aperture to allow for maximum brightness and increased sharpness in images and an ISO range of 100-25,600. This provides users with the versatility to shoot in low-light scenarios like a dimly lit restaurant which can frame subjects with beautiful background blur.
Technology commonly found in Canon DSLRs and advanced cameras has now arrived for the first time in the PowerShot G-series, as the G1X Mark III will feature Canon’s acclaimed Dual Pixel CMOS AF system. This feature, popular amongst enthusiast and professional users, provides extremely fast and smooth autofocus capabilities across nearly the entire focal plane, allowing for more creative compositions when framing a subject away from the center of a shot.
Versatile and Intuitive Operation
Dust and water resistant, the Canon PowerShot G1 X Mark III is a compact and powerful imaging companion ready for a variety of challenging shooting scenarios. Designed for enthusiast and professional users, it offers a host of useful features to help inspire creativity and improve operability. These include:
- 2.36 million dot Organic LED Electronic Viewfinder provides customization options to match nearly any shooting style or scene
- Touch & Drag AF allows for intuitive operation linking the Electronic Viewfinder and touch panel monitor to quickly adjust focus targeting without looking away from the viewfinder, or using Smooth Zone AF to effortlessly track subjects with the touch of a finger.
- 3.0 inch Vari-angle Touch LCD Monitor helps capture the perfect shot from a variety of challenging angles, including overhead or low-angle shooting.
- The G1 X Mark III is capable of fast continuous shooting up to approximately 7 frames per second (fps), or up to 9fps with AF fixed – working easily with Dual Pixel CMOS AF to track even the most fleeting of subjects with ease.
- A New Shutter Release function offers a sophisticated sense of operation, similar to high-end EOS models, providing a comfortable hold during continuous shooting
Canon Technologies Worthy of a Flagship
With technology ranging from HD video capabilities to the latest in connectivity features, the G1 X Mark III is versatile enough to achieve high-level performance on the go. Additional features include:
- Instantly connect to a smart device* via built-in Wi-Fi***, NFC^ or Bluetooth^^ to facilitate easy sharing with friends and family or utilize the Camera Connect app to shoot remotely.
- Panoramic Shot Mode functionality allows users to easily capture panoramic photos, simply be swinging the camera while shooting either vertically or horizontally.
- Capture Full HD 1080/60p Video with high ISO speed shooting and smooth accurate focus when used alongside Canon’s Dual Pixel AF technology, while 5-axis movie IS helps reduce the effect of camera shake when shooting handheld
- Easily capture picturesque Time-Lapse Movies with intuitive settings that help determine intervals and exposure
The Canon PowerShot G1 X Mark III is scheduled to be available in November 2017 for an estimated retail price of $1299.00¹. In addition the Canon Lens Hood LH-DC110, Waterproof Case WP-DC56 and Deluxe Leather Case PSC-6300 for the PowerShot G1 X Mark III will be available for an estimated retail price of $59.99, $499.99 and $99.99 respectively ¹. For more information please visit usa.canon.com.
Product Photo
Sample Image
Specification
| Pixels | Actual: 25.8 Megapixel Effective: 24.2 Megapixel |
| Sensor | APS-C (22.3 x 14.9 mm) CMOS |
| Bit Depth | 14-Bit |
| File Formats | Still Images: JPEG, RAW Movies: MP4, MPEG-4 AVC/H.264 Audio: AAC LC |
| Aspect Ratio | 3:2 |
| Image Stabilization | Optical |
| Lens | EFL: 15-45mm (35 mm equivalent: 24-72mm) Aperture: f/2.8 (W) – 5.6 (T) |
| Zoom | Optical: 3x Digital: 4x |
| ISO Sensitivity | Auto, 100-25600 |
| Shutter | 30 – 1/2000 Second 1 – 1/2000 Second in Auto Mode 30 – 1 Second in Bulb Mode 1/8 – 1/8 Second in Movie Mode |
| Exposure Metering | Center-Weighted, Evaluative, Spot |
| Exposure Modes | Modes: Aperture Priority, Manual, Program, Shutter Priority Compensation: -3 EV to +3 EV (in 1/3 EV Steps) |
| Shooting Modes | Panorama |
| White Balance Modes | Auto, Cloudy, Color Temperature, Daylight, Flash, Fluorescent, Shade, Tungsten, Underwater |
| Buffer/Continuous Shooting | Up to 9 fps at 24.2 MP Up to 7 fps at 24.2 MP |
| Self-Timer | 2, 10 Seconds |
| Flash Modes | Auto Flash On Off Slow Sync |
| Built-In Flash | Yes |
| Maximum Effective Flash Range | Wide: 1.64 – 29.53′ (0.5 – 9 m) Telephoto: 1.64 – 14.76′ (0.5 – 4.5 m) |
| External Flash Connection | Hot Shoe |
| Memory Card Type | SD SDHC SDXC |
| Video Recording | Yes, NTSC |
| Resolution | 1920 x 1080p: 60 fps |
| Video Clip Length | Up to 29 Min 59 Sec |
| Audio Recording | Built-In Mic: With Video (Stereo) |
| Viewfinder Type | Electronic |
| Screen | 3.0″ LCD Rear Touch Screen Swivel (1,040,000 pixels) |
| Screen Coverage | 100% |
| Connectivity | HDMI D (Micro), Micro-USB, USB 2.0 |
| Wi-Fi | Yes, 802.11b/g/n built-in |
| Operating/Storage Temperature | 32 to 104°F (0 to 40°C) Humidity: 10 – 90% |
| Battery | 1 x NB-13L Rechargeable Lithium-Ion Battery Pack, 3.6 VDC, 1250 mAh |
| AC Power Adapter | ACK-DC100 (Optional) |
| Dimensions (W x H x D) | 4.5 x 3.1 x 2.0″ / 115.0 x 77.9 x 51.4 mm |
| Weight | 14.07 oz / 399 g |
DJI Reveals Zenmuse X7 a Super 35 Camera for Aerial Cinematography
Product Summary
- Model name: Zenmuse X7
- Release Date: 11 October 2017
- Focus Type: Autofocus
- Format : Super 35
- Mounts: DJI DL
- Availability: November 2017
- Price: $2,699
- Purchase options: B&H
Features
DJI, the world’s leader in civilian drones and aerial imaging technology, today introduced the Zenmuse X7, the world’s first Super 35 digital film camera optimized for professional aerial cinematography. Designed to work seamlessly with the DJI Inspire 2 drone, the Zenmuse X7 delivers superior image quality, interchangeable lenses, and a new DJI Cinema Color System for post-production to give film and video professionals more creative freedom.
“The Zenmuse X7 offers everything professional content creators need to make their aerial footage as stunning and vivid as they demand,” said Paul Pan, Senior Product Manager at DJI. “From the large Super 35 sensor to a new mount, lenses, and color system, the Zenmuse X7 gives cinematographers and professional photographers an unmatched set of tools that work seamlessly with the DJI Inspire 2 drone to capture high-quality footage that is easily integrated into projects shot with industry-leading handheld cameras.”
Greater Expressive Freedom
The Zenmuse X7 is equipped with a Super 35 video sensor featuring 14 stops of dynamic range for more detail in low-light conditions. Its low-noise image capture enhances grading flexibility by preserving details in both highlight and dark areas while enabling a shallow cinematic depth of field.
To meet the rigorous requirements of filmmakers and television production professionals, the Zenmuse X7 captures the highest image resolutions ever for an integrated drone camera. It is capable of shooting 6K CinemaDNG RAW or 5.2K Apple ProRes at up to 30 FPS, as well as 3.9K CinemaDNG RAW or 2.7K ProRes at up to 59.94 FPS to integrate seamlessly into industry-standard post-production workflows.
Enhanced Imaging Potential
The Zenmuse X7 uses a dedicated aerial mount system, the DJI DL-Mount, featuring an ultra-short flange focal distance to carry prime lenses optimally. Available with focal lengths of 16 mm, 24 mm, 35 mm, and 50 mm, each lens has a maximum aperture of F/2.8 and is crafted out of carbon fiber, making them durable and lightweight for high-performance aerial cinematography with the DJI Inspire 2 drone.
To allow for advanced setting adjustment and fine-tuning, the 16mm lens is equipped with a built-in ND 4 filter, and the 24 mm, 35 mm, and 50 mm lenses feature a mechanical shutter.
Higher Flexibility in Post-Production
DJI has also introduced a new DJI Cinema Color System (DCCS) making the Zenmuse X7 an asset on every film set for movies, TV series, commercials, documentaries, and more.
“For the Zenmuse X7, we took our color science to the next level,” continued Pan. “We consulted the world leading authorities in color science, Technicolor. With their guidance, our engineers developed an optimized gamma curve for the X7 allowing more latitude without sacrificing image quality.”
DCCS features a new D-Log Curve and D-Gamut RGB color space to give more flexibility and color options during the post-production process. The D-Log further extends the dynamic range, while the D-Gamut RGB color space preserves more color information to support the most demanding filmmaking scenarios, providing accurate color for quick and easy post-processing.
The new EI Mode mimics the way a film camera works to help cinematographers capture as much information as possible in every scene while balancing the dynamic range and noise with different log curves for more flexibility during the post-production process.
The Zenmuse X7 gimbal system weighs just 631 grams with the 16 mm lens. The DJI Inspire 2 has a flight time of up to 23 minutes with the Zenmuse X7. For more info about the Zenmuse X7, visit www.dji.com/zenmuse-x7.
Price and Availability
The Zenmuse X7 camera is priced at $2,699 USD. The 16 mm, 24 mm and 35 mm lenses will be available for $1,299 each, and the 50 mm for $1,199. Customers can purchase the Zenmuse X7 prime lens combo including all 4 lenses for $4,299. The Zenmuse X7 will start shipping in early November 2017 from store.dji.com, in DJI Flagship Stores and through DJI Authorized Dealers worldwide.
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Specification
General
| Product Name | Zenmuse X7 |
| Dimensions | 151 × 108 × 132 mm |
| Weight (Lens Excluded) | 449 g |
Camera
| Sensor | Sensor Size (Still): 23.5×15.7 mm Sensor Size (Max video recording area): 23.5×12.5 mm Effective Pixels: 24 MP |
| Supported Lenses | DJI DL-S 16mm F2.8 ND ASPH (with lens hood and balancing ring/filter) DJI DL 24mm F2.8 LS ASPH (with lens hood and balancing ring/filter) DJI DL 35mm F2.8 LS ASPH (with lens hood and balancing ring/filter) DJI DL 50mm F2.8 LS ASPH (with lens hood and balancing ring/filter |
| Supported Micro SD/SSD Cards | MicroSD: Class 10 or UHS-1 rating with a writing speed of 15 MB/s required; Max capacity: 64 GB SSD: DJI CINESSD |
| Photo Sizes | 3:2, 4:3, 16:9 |
| Photo Formats | DJI CINESSD: DNG Micro SD: DNG, JPEG, DNG+JPEG |
| Operation Modes | Capture, Record, Playback |
| Still Photography Modes | Micro SD: Single Shot, Burst Shooting (3/5/7/10 shots), Auto Exposure Bracketing (3/5 bracketed shots at 0.7 EV bias), Interval SSD: RAW Burst (3/5/7/10/14/∞ frames), up to 20 fps when using RAW Burst (exact quantity is determined by storage card capacity and battery power level) |
| Shutter Speed | Electronic Shutter Speed: 1/8000 – 8s Mechanical Shutter Speed: 1/1000 – 8s (DJI DL-S 16mm F2.8 ND ASPH not supported) |
| ISO Range | Photo: 100 – 25600 Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off) |
Video
| Video Formats | CINESSD: CinemaDNG, ProRes Micro SD: MOV, MP4 |
| Video Resolution | Aspect Ratio 17:9
CinemaDNG 6K: 6016×3200, 23.976/24/25/29.97/30p, 12-bit, full FOV
ProRes
H.264
H.265
CinemaDNG 6K: 5760×3240, 23.976/24/25/29.97/30p, 12-bit, full FOV
ProRes 4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 10-bit, HQ/XQ, full FOV
H.264
H.265
Aspect Ratio 2.44:1
ProRes
H.264/H.265
Refer to the User Manual for more information. |
Temperature
| Operating Temperature Range | -4 to 104° F (-20 to 40° C) |
| Storage Temperature Range | -4 to 140° F (-20 to 60° C) |
Samyang Announces AF 35mm F1.4 FE for Sony
Product Summary
- Model name: Samyang AF 35mm F1.4 FE
- Release Date: 10th October 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Sony E mount
- Availability: November 2017
- Price: EUR 649
- Purchase options: Adorama | B&H | Amazon
Key features
- 35mm Full frame lens
- Bright F1.4 aperture
- 11 elements in 9 groups
- Circular aperture with 9 blades
Samyang Optics is pleased to announce the release of their fourth autofocus lens: AF 35mm F1.4 FE. The bright F1.4 aperture and absolute resolution turn every moment into artwork. This lens now expands Samyang’s autofocus lens line-up to four which includes three existing autofocus lenses, AF 14mm F2.8 FE, AF 35mm F2.8 FE and AF 50mm F1.4 FE.
Aim High, Create Artwork
This new AF 35mm F1.4 FE works in harmony with full frame mirrorless cameras in Sony E mount such as Sony α7 or α9 series. It is designed to appeal to enthusiasts and professionals who are ready to take the next step up in photography. It is the excellent companion to create artworks from everyday moments, while the tiny AF 35mm F2.8 FE released in June of this year is the perfect partner for everyday photographers.
High Performance beyond Expectation
Absolute resolution across the entire image field is the key feature of Samyang AF 35mm F1.4 FE. The lens includes 11 elements in 9 groups and features 2 aspherical lenses and 2 high-refractive lenses, plus Ultra Multi Coating. The optical design minimises various aberrations and unnecessary light dispersion to deliver outstanding resolution. Fast, precise and quiet autofocus performance meets Samyang’s exceptional optical technology to capture any moments clearly. The bright F1.4 secures fast shutter speed and creates shallow depth of focus images in wide-standard angle of view. The new 35mm F1.4 lens is ideal for professional photography including low-light events, landscapes and portraits with expressive characteristics.
Available from November 2017
Samyang AF 35mm F1.4 FE, a lens for photographers aiming high in photography, will be available globally from November and will carry a suggested retail price of EUR 649.
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Specification
Manfrotto Introduces Two New Element Carbon Fibre Tripods
The New Manfrotto Element Carbon
Fast Setup. Perfect shot.
- Smart traveller tripods for photographers who want to learn, experiment and travel free
- Lightweight on your shoulders, stable on the ground.
- Essential design ensures instant set up for an enjoyable shooting experience
Manfrotto, world leader in the photography, imaging equipment and accessories industry, presents Manfrotto Element Carbon. The Manfrotto Element Carbon tripods are the perfect fit for travel photographers who are just starting out and enthusiasts.
The two new Element Carbon traveller tripods are reliable, lightweight and easy to carry. Both feature a compact and sturdy carbon fibre construction that makes them strong but still very portable. The three leg-angle positions mean they are highly versatile so they are perfect for experimenting with all kinds of creative shots. The twist lock mechanism enables photographers to get into the right position fast, in a few, easy moves, while the aluminum ball head is designed to deliver the fast movement when framing and a firm lock for setting equipment up exactly as you need it. The ball head mounts an Arca-type quick release plate with a 1/4″-20 camera screw on top that ensures equipment is balanced even when using zoom lenses.
In addition, the Element Traveller Carbon Big Tripod features a detachable leg that, when removed and attached to the centre column, becomes a full size lightweight monopod.
The Element Carbon Tripods have a payload of 4kg on the small tripod, and 8kg on the big tripod and feature a branded Manfrotto bag, an additional set of spike feet (big tripod only) and an Allen key to fix and tighten your gear.
The Element Carbon Tripods are available from £174.95.
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Adobe Introduces Photoshop Elements 2018 & Premiere Elements 2018
Adobe has just announced the newest release of its consumer photo and video editing applications, Photoshop Elements and Premiere Elements 2018, for Mac and Windows. In the professional editing industry, Adobe has been one of the few top names for many years. Adobe Photoshop, Premiere Pro, and After Effects are found in virtually every studio. The Elements versions are for those editors who want to make creative and polished photos and videos, but quicker and easier than possible in the pro versions, and they’re designed with the weight and sophistication of Adobe’s resources and experience.
The Elements versions provide a more automated process backed by advanced Adobe algorithms. Click a button or two, and Elements will analyze your photo or video intelligently, and determine the best solution in each case. You can also make further adjustments based on personal preference, but even this process is designed to be quicker and simpler.
In as little as just minutes or even less, you can have beautiful photos and videos (including batches of photos) ready to be shared on social media, printed, or burned to DVD. They’ll be complete with all the right parts highlighted, issues that need fixing fixed, titles, music, menus, and more. Advanced one-click features, like Whiten Teeth and Open Closed Eyes, will ensure that your subjects come out looking impressive. There are also special side features for creating calendars and greeting cards that you can print at home or send to a professional printer, scrapbooks, and photo and video collages.
Photoshop Elements and Premiere Elements are powerful and comprehensive solutions for moments we capture during family vacations, kids’ school recitals, and similar adventures and events. They’re also great for YouTube videos and vlogs, sales presentations, and the like, as well as for beginner enthusiasts. Both support high-resolution files and popular file formats, so you can work with your high-megapixel and 4K smartphone, DSLR, action cam, or any other camera.
Adobe Photoshop Elements 2018
- Automated Photo Editing & Organization
- One-Click Effects & Corrections
- 49 Step-by-Step Guided Editing Features
- Create and Print Calendars, Cards & More
- Photos Curated by Quality, Faces & More
- Add Frames and Textures, Move Objects
- Open Closed Eyes/Change Frowns to Smiles
- Artistic Overlays, Watercolors, Paint
- Replace Background, Double Exposures
- Mac & Windows Compatible
A major feature is that the two programs integrate well for those who like to shoot still photos and videos. They have a similar user interface and similar workflow, and share the same file manager, an exceptional stand-alone tool called the Organizer. Not many editing applications have such a self-contained file manager. Normally, you’re limited to importing files and selecting them as needed, but the Organizer kind of has a mind of its own. It takes all the hundreds of photos and videos on your computer, automatically arranges them in one place by criteria such as dates, people, places, and faces, and gives you a visual view of them all. It additionally allows you to tag them as you like, including by tagging faces using your Facebook friends list.
Adobe Premiere Elements 2018
- Easy-to-Use & Automated Video Editing
- Make Creative, Polished Movies Quickly
- 18 Step-by-Step Guided Editing Features
- Effects, Transitions, Text, Cartoon Look
- Graphics, Motion Menus, Credits
- 50+ Musical Scores, 250+ Sound Effects
- Instant Themed Templates
- Touch-Enabled Quick Edits
- Supports up to Ultra HD 4K Resolution
- Mac & Windows Compatible
The same Organizer appears in both applications, so one can jump between the two programs and have access to the same media in both. There are also other features that are found in both applications, such as Slideshow, and the Organizer allows these features to work cross-platform. For example, click a few buttons, and Slideshow will dig into the Organizer and produce a fancy, animated slideshow of your best photos and short video clips, along with a theme. Once it’s done, you can make manual adjustments, adding/removing photos and videos as you like.
Both applications also have many Guided Edit features, which lead you step by step through applying a specific effect or function. Photoshop Elements offers 49 Guided Edits, such as Replace Background. This Guided Edit will walk you through placing a more interesting background behind the subject of a photo. Although the Guided Edit process works step by step, it takes only seconds. Premiere Elements has 19 Guide Edits, like Fix Action Cam Footage, which guides you through quickly making trims, correcting color, and fixing lens distortion in your action camera videos.
The overall workflow in both applications is largely based on one-click tools that are also highly automated, like the Guided Edits. In Photoshop Elements, one-click tools allow you to add effects, looks, border frames, and textures, turn photos into illustrations, paint on effects, add photo text, make panoramas, and much more. You can also let Photoshop Elements analyze a photo and suggest five effects that it thinks would be ideal for your photo. And you can make many different corrections to perfect your photos, such as turn frowns into smiles, open closed eyes, whiten teeth, remove “pet eye” discolorations, remove camera shake in selfies, and remove haze in landscapes. A lot of this can also be done to batches of photos at a time.
You may wonder, how can closed eyes be open? Photoshop Elements will search through your photos in the Organizer, find a photo of the subject with open eyes, and blend it into the photo of the subject with closed eyes. Open Closed Eyes is a new feature in Photoshop Elements 2018. Other new features include multiple new Guided Edits, Auto Curate, major enhancements to the Organizer, and a redesigned and upgraded Slideshow.
Using one-click tools in Premiere Elements 2018, you can add graphics, text, effects that move with the subject, standard graphics, cartoon looks, transitions, animated titles, slow-motion, fast-motion, motion menus, fancy credits, and much more, as well as choose from more than 50 musical scores and 250 sound effects and easily remix music to match up to the length of your movie. You can even go as far as select to make instant-themed movies. When shooting video, one is prone to camera shake and other issues need correcting. Premiere Elements 2018 lets one auto-fix shaky footage, adjust color with sliders, auto-balance audio elements, fix audio problems easily, combine elements from different videos, and much more.
New features in Premiere Elements 2018 include several new Guide Edits, a Candid Moments feature that allows you to extract photos from raw-footage videos (in a special way as opposed to just pulling freeze frames), and Smart Trim, which automatically trims the bad, keeps the good, and brings together the best scenes of your video based on the style of your video. Premiere Elements is designed to have you in mind all the way through. It makes automatic export recommendations based on involved criteria so you know what formats to export in depending on what your destination is, whether YouTube, a DVD or otherwise.
Adobe Photoshop Elements & Premiere Elements 2018
- Easy and Automated Photo & Video Editing
- Centralized Photo/Video Media Organizer
- Auto-Curated Photos & Tagged Videos
- Combined Photo & Video Slideshows
- Dynamic Photo Collages
- One-Click Effects & Corrections
- Step-by-Step Guided Editing Features
- 50+ Musical Scores, 250+ Sound Effects
- Up to UHD 4K Resolution Video Support
- Mac & Windows Compatible
Both Photoshop and Premiere Elements 2018 allows one to share creations with friends and family on social media right from the interface. Also, even with all the automated and easy-to-use features, you can still get help right within the interface via eLive. And that’s Photoshop Elements 2018 and Premiere Elements 2018 in a nutshell. They’re offered individually, as well as combined in one package for those who want both. Create beautiful photos and videos in seconds.
Nikon Camera Control Pro 2.26 – Available for Download
Nikon Camera Control Pro 2 Version 2.26.0
Change log
- Added support for the D850.
- The principal features added with the D850 are as follows:
- With the exception of some features, the controls on the D850 can now be used during live view.
- When recording movies to HDMI devices, users can now start and end recording via the Control HDMI External Recordingoption in the Camera menu.
- Custom Setting g2 (Highlight brightness) in the D850 Custom Settings menu can also now be accessed via the Custom Settings option in the Camera menu.
- The direction of the shading in the live view highlight display can now be changed using the Highlight display option.
- Added a Live View item to Preferences.
Notices
- This software is for current owners of Camera Control Pro 2. For new users, it functions as a trial version that, once installed, can be used for up to 30 days before purchase is required.
- This software is distributed as a file named “S-CCPRO_-022600MF-ALLIN-64BIT_.dmg”. Download and run the file to perform the update.
- When performing the update, you may be required to enter the product key to confirm ownership.
- Before beginning installation, exit Camera Control Pro 2 and all other applications, including any anti-virus software.
- When performing the update, you will be prompted for the administrator password.
- The interface after the update will be in the same language as the current software and cannot be changed.
- If you are using D5 “C” firmware version 1.20 or later, update Camera Control Pro 2 to the current version, as versions 2.25.0 or earlier will not function as expected.
- This update may result in Wireless Transmitter Utility versions 1.5.6 or earlier being unable to detect the camera in some versions of OS X. Users of the Wireless Transmitter Utility should install version 1.6.0 or later.
- Read the information below before proceeding.