Olympus M.ZUIKO DIGITAL ED 12 mm F2 Lens
Release Date : 30 June 2011
Price : $ 799.00
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Key features
- Versatile wide‑angle fixed focal lens
- Equivalent to 24mm on a 35mm camera
- High‑specification design with metal housing
- Ideal for capturing quality landscapes
- Superior image quality performance
- New advanced multi coating
- High‑speed AF with MSC technology
- Snapshot focus mechanism
The Olympus M.ZUIKO DIGITAL ED 12 mm is literally a very light weight lens given its fast F2 aperture. The minimal size makes this lens comfortable to carry round anywhere. The 24mm (35mm equivalent) wide angle lens is perfect for street photography. Moreover its wide enough to take descent landscape as well. The Manual Focus clutch enables quick focusing when needed. To maintain optimum performance and flare free image Olympus has incorporated ZERO coating in this lens. The high quality built makes it a premium purchase.
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Specification
| Lens type | Prime lens |
| Max Format size | Four Thirds |
| Focal length | 12 mm |
| Image stabilisation | No |
| Lens mount | Micro Four Thirds |
| Aperture | |
| Maximum aperture | F2.0 |
| Minimum aperture | F22.0 |
| Aperture ring | No |
| Number of diaphragm blades | 7 |
| Aperture notes | Circular aperture diaphragm |
| Optics | |
| Elements | 11 |
| Groups | 8 |
| Special elements / coatings | ZERO (ZUIKO Extra-low Reflection Optical) coating |
| Focus | |
| Minimum focus | 0.20 m (7.87″) |
| Maximum magnification | 0.08× |
| Autofocus | Yes |
| Motor type | Micro motor |
| Full time manual | Yes |
| Focus method | Internal |
| Distance scale | Yes |
| DoF scale | Yes |
| Physical | |
| Weight | 130 g (0.29 lb) |
| Diameter | 56 mm (2.2″) |
| Length | 43 mm (1.69″) |
| Materials | Metal barrel, metal mount |
| Sealing | No |
| Colour | Silver |
| Filter thread | 46 mm |
| Hood supplied | No |
Olympus M.ZUIKO DIGITAL ED 12-50mm F3.5 – 6.3 EZ Lens
Release Date : 14 December 2011
Price : $ 499.00
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Key features
- Equivalent to 24-100mm in 35mm Format
- Special AF-lock button (L-Fn)
- Close focusing distance of 20 cm
- Dust and splash proof
The Olympus M.ZUIKO DIGITAL ED 12-50mm F3.5 – 6.3 EZ Lens is little different from other regular lenses. Olympus has introduced power zoom technology into it. As a result it can smoothly zoom in at a constant pace while recording video. You can even control the zooming speed depending on your need. It also allows to switch to manual zooming.
This silent lens covers the most of the focal length any photographer needs. The Macro button allows the user to get as close as 20 cm for macro photography. Like many other M.ZUIKO lens the optical elements are multi-coated for high quality image output.
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Specification
| Lens type | Zoom lens |
| Focal length | 12–50 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F3.5 – F6.3 |
| Min aperture | F22.0 |
| Min focus | 0.20 m (7.87″) |
| Max magnification | 0.36× |
| Weight | 211 g (0.47 lb) |
| Length | 83 mm (3.27″) |
Olympus M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO Lens
Release Date : 10 September 2013
Price : $ 999.00
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Key features
- Equivalent to 24‑80mm on a 35mm camera
- Pro image quality in all conditions
- Autofocusing with high speed
This M.ZUIKO lens is ergonomically designed and specifically targeted to fulfill the need of Pro Photographers. With all through F/2.8 aperture gives ultimate control on depth even in critical lighting condition. It matches the 24 to 80mm focal length in 35mm format. The minimum focusing distance of 20 cm gives an extra advantage for doing close up work. A weather proof construction with MSC focusing system as well as Manual Focus Clutch ensures superb performance in all environment. This all around lens is a perfect companion for highly enthusiastic hobbyist and professionals.
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Specification
| Lens type | Zoom lens |
| Focal length | 12–40 mm |
| Image stabilisation | No |
| Lens mount | Micro Four Thirds |
| Aperture | |
| Maximum aperture | F2.8 |
| Minimum aperture | F22.0 |
| Number of diaphragm blades | 7 |
| Aperture notes | Circular diaphragm |
| Optics | |
| Elements | 14 |
| Groups | 9 |
| Special elements / coatings | 1 aspherical element, 1 dual-sided aspherical element, 2 ED glass elements, 2 HR glass elements, 1 EDA glass element, 1 HD glass element |
| Focus | |
| Minimum focus | 0.20 m (7.87″) |
| Maximum magnification | 0.3× |
| Autofocus | Yes |
| Motor type | Stepper motor |
| Full time manual | Yes |
| Focus method | Internal |
| Focus notes | Manual Focus Clutch mechanism |
| Distance scale | Yes |
| DoF scale | No |
| Physical | |
| Weight | 382 g (0.84 lb) |
| Diameter | 70 mm (2.75″) |
| Length | 84 mm (3.31″) |
| Sealing | Yes |
| Zoom method | Rotary (extending) |
| Filter thread | 62 mm |
| Filter notes | Does not rotate on focusing |
| Hood supplied | Yes |
| Hood product code | LH66 |
Olympus M.ZUIKO DIGITAL ED 9-18mm F4 – 5.6 Lens
Release Date : 3 February 2010
Price : $ 699.00
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Key features
- Ultra wide angle zoom
- Extremely fast high‑speed contrast AF
- Optimised for movie shooting with low focusing noise
- Ultra compact with a length of only 49.5mm
- Multi‑coating on all lens elements
- Circular aperture diaphragm
Olympus M.ZUIKO DIGITAL ED 9-18mm F4 – 5.6 Lens is a stylish ultra compact lens for taking landscape pictures. To make it a super performer Olympus introduced twin Dual Super Aspherical element in this lens. On the focusing side Movie Still Compatible technology gives the user ultra quite focusing in video & still photography.
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Specification
| Lens type | Zoom lens |
| Focal length | 9–18 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F4.0 – F5.6 |
| Min aperture | F22.0 |
| Min focus | 0.25 m (9.84″) |
| Max magnification | 0.1× |
| Weight | 155 g (0.34 lb) |
| Length | 50 mm (1.95″) |
Olympus M.ZUIKO DIGITAL 45mm F1.8 Lens
Release Date : 30 June 2011
Price : $ 399.99
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Key features
- Equivalent to 90mm on a 35mm format
- Large aperture for a nice depth of field effect
- Ideal for portrait photography
- Superb price‑performance ratio
- Sleek metal‑like exterior design
- Interchangeable decoration rings
- High‑speed AF with MSC technology
The M. Zuiko Digital ED 45mm f/1.8 Lens is ideal for portrait photography. The effective focal length in terms of 35mm is 90mm. The lens with its fast f1.8 aperture allow you to obtain a shallow depth of field and still keep the entire subject in focus. Olympus incorporated the latest in optical technology including Zero coating and Movie & Still compatible (MSC) system. All these ensures constant high quality performance from the lens.
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Specification
| Lens type | Prime lens |
| Focal length | 45 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F1.8 |
| Min aperture | F22.0 |
| Min focus | 0.50 m (19.69″) |
| Max magnification | 0.11× |
| Weight | 116 g (0.26 lb) |
| Length | 46 mm (1.81″) |
Olympus M.ZUIKO DIGITAL 25mm F1.8 Lens
Release Date : 29 January 2014
Price : $ 399.99
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Key features
- 50mm (35mm Equivalent)
- Clear, sharp image quality with minimal aberrations
- It can be used for various scenes such as portraits and still life shots
- Closest shooting distance of 25cm
- The fast, quiet AF lets you capture your shot at the right moment
The Olympus M.Zuiko Digital 25mm f/1.8 Lens is an extremely fast fixed lens with 50mm effective focal length ( 35mm equivalent). The F/1.8 aperture can add extra dimension to your creative edge, a master in low light environment. Its equipped with Movie & Stills Compatible (MSC) autofocus system that helps fast and silent focus. With 7 blade circular diaphragm and two Aspherical element the lens shines in terms of optical performance.
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Specification
| Lens type | Prime lens |
| Focal length | 25 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F1.8 |
| Min aperture | F22.0 |
| Min focus | 0.24 m (9.45″) |
| Max magnification | 0.12× |
| Weight | 136 g (0.30 lb) |
| Length | 41 mm (1.61″) |
Olympus M.ZUIKO DIGITAL 17mm F2.8 Lens
Release Date : 16 June 2009
Price : $ 299.00
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Key features
- For Olympus PEN Cameras
- 34 mm equivalent to 35mm format
- Compact Just 0.87″ Long
- Close Focusing Down to 7.87″
- Superior Performance
- Good for Portraits, Landscapes, Close-ups
- Fast f/2.8 Maximum Aperture
M.Zuiko 17mm f2.8 is a fast 34mm ( 35mm equivalent) lens optimized for Olympus PEN camera. This low profile lens with 7.87 inch closest focusing distance can be a real companion for any street photographer. As a prime lens its also great for landscape and low light photography. The high quality optics can generate superb images every time you make a click.
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Specification
| Lens type | Prime lens |
| Focal length | 17 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F2.8 |
| Min aperture | F22.0 |
| Min focus | 0.20 m (7.87″) |
| Max magnification | 0.11× |
| Weight | 71 g (0.16 lb) |
| Length | 22 mm (0.87″) |
Olympus M.ZUIKO DIGITAL 17mm F1.8 Lens
Release Date : 15 November 2012
Price : $ 499.00
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Key features
- Equivalent to 34mm in the 35mm format
- Superb image quality for brilliant photos
- Snapshot focus mechanism
- High‑speed AF with MSC technology
- ZERO (Zuiko Extra‑low Reflection Optical) coating for low‑reflectivity
- Image stabilisation mechanism with Olympus Micro Four Thirds cameras
- Excellent low‑light capabilities and stunning bokeh
M.ZUIKO Digital 17mm f/1.8 is an extremely fast lens ideal for street photography. With 34mm (35mm equivalent) its very good for environmental portrait. The fast f/1.8 aperture is perfect for low light condition. Besides it can generate a shallow depth of field. With 9.8 inch minimum focusing distance you can take intimate picture of your subject. The lens includes a MSC autofocus (Movie & Still Compatible) system that helps to achieve fast quiet and smooth focus for video. The ZERO lens coating ensures flare free high quality image.
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Specification
| Lens type | Prime lens |
| Focal length | 17 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F1.8 |
| Min aperture | F22.0 |
| Min focus | 0.25 m (9.84″) |
| Max magnification | 0.08× |
| Weight | 120 g (0.26 lb) |
| Length | 36 mm (1.4″) |
Olympus M.ZUIKO DIGITAL 14-42mm F3.5-5.6 II R Lens
Release Date : 30 June 2011
Price : $ 299.00
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Key features
- Equivalent to 28-84mm in 35mm Format
- Designed for Olympus Micro 4/3 Cameras
- Three Aspherical Lens Elements
- Nearly Silent MSC Lens Drive
M.Zuiko Digital ED 14-42mm f/3.5-5.6 II R is a stylish lens from Olympus. It’s lightweight construction is helpful to carry around all day long. With 28-84mm in 35mm equivalent zoom range it meets the demand of regular photography.
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Specification
| Lens type | Zoom lens |
| Focal length | 14–42 mm |
| Image stab. | No |
| Lens mount | Micro Four Thirds |
| Max aperture | F3.5 – F5.6 |
| Min aperture | F22.0 |
| Min focus | 0.25 m (9.84″) |
| Max magnification | 0.19× |
| Weight | 112 g (0.25 lb) |
| Length | 50 mm (1.97″) |
LEICA M MONOCHROM (Type 246)
Release Date : 30 April 2015
Price : £5750 / $ 7450
Availability : May 2015
Pre-order : B&H | Adorama
Key Features
- Black and white rangefinder camera
- 24 megapixel full-frame black-and-white CMOS sensor
- ISO range of 320 – 25000
- Leica Maestro image processor
- 2Gb buffer
- Live View function with focus peaking
- 1080p HD video recording
The next level
Photographers who consciously employ the unique aesthetics of black-and-white photography to express their creativity can rely on the Leica M Monochrome as a modern tool. As the successor to the world’s first digital black-and-white camera, it offers the latest technologies to support creative visualisation in its archetypal form. For pictures of unequalled quality. For pictures with previously unimaginable sharpness, depth and clarity. A pioneer in every respect. A true Leica.
Instantaneous response
Black-and-white photography with unrivalled speed: with the Leica Maestro, the Leica M Monochrom not only features the same high-performance processor as its counterpart with colour vision, the Leica M, but also offers the extra speed reserves of a 2 GB buffer memory. This enables sequential shooting at three times the speed of the previous model – with pictures in the exceptional M quality photographers expect. The pictures are instantaneously available for display in review mode and written as JPEG files and/or RAW data in DNG format to the memory card.
See more
Leica M Monochrom – the sharpest way to see things in black and white: thanks to a high-resolution 24-megapixel sensor that captures images in 35 mm full-frame format – with three times the speed of its predecessor. As the sensor records only luminance values, this leads to 100% sharper pictures with an exceptional depth, clarity and resolution of details that by far exceed those of colour exposures – even when shooting with the highest ISO sensitivity settings. Pictures that already satisfy professional demands in JPEG format.
A discreet delight
Discreet and solidly built, the Leica M Monochrom brings all the essentials anyone could ever need for unobtrusive photography – to last a lifetime, if you wish. Its endurance is guaranteed by the superior quality and solidity of the materials that go into its construction – top deck and baseplate are machined from solid brass and the camera body is engineered from high-strength magnesium alloy. Equally hard-wearing is the extremely scratch-resistant and almost unbreakable sapphire glass cover plate for its LCD monitor. This reduction to the essentials is what makes it a true Leica.
As if painted with light
The omission of colour filters in front of the sensor allows more light to reach its surface. More light for aesthetic, pin-sharp and finely resolved exposures at sensitivities up to ISO 25000. Pictures that possess a finely grained noise signature at the highest ISO values that are reminiscent of the look of analogue photos. Thanks to the combination of low susceptibility to noise, a bright viewfinder/rangefinder, a low-vibration shutter release and fast lenses, the Leica M Monochrom opens up entirely new dimensions for available-light photography.
Creative contrasts
By modifying the conversion of colours to grey scale values, yellow, green and orange lens filters – calculated especially for use with the Leica M Monochrom – offer new opportunities for the exploration of creative effects with light and contrast. This means that the colour of the filter in the original scene becomes brighter and its complementary colour darker. This is effective for creating unusual moods in landscapes, portraits and other genres of photography. At the same time, multilayer coating reduces reflections and ensures high transmission without vignetting.
Full visual control with Live View
In Live View mode, the high-resolution 3″ monitor with a resolution of 921,600 pixels enables complete control of composition, framing, exposure, focusing and depth of field. Live View also offers two additional focusing methods: Live View Zoom for tenfold magnification of the scene or subject, and Focus Peaking, which automatically marks the edges of objects in colour when they are sharply focused. All leading to the same destination: pictures with exceptional sharpness.
Moving pictures in M quality
Video at the press of a button: the Leica M Monochrom has a separate release button for activating video recording in 1080p full-HD format. Thanks to a dedicated adapter, the legendary R-series lenses can also be used for recording video with all available functions. Perfect sound is ensured by an optional Leica microphone adapter set, comprising an adapter and a stereo microphone.
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Specification
Tokina AT-X 11-20mm F/2.8 PRO DX
Product Summary
- Model name: Tokina AT-X 11-20mm F/2.8 PRO DX
- Release Date : 2 February 2015
- Price : $ 599.00
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Key features
- 16.5-30mm (35mm Equivalent)
- Aperture Range: f/2.8 to f/22
- P-MO & Glass-Molded Aspherical Elements
- Three SD Ultra-Low Dispersion Elements
- Multi-Layer Lens Coatings
- Internal Focus; One-Touch Focus Clutch
- Nine-Blade Diaphragm
The Tokina AT-X 11-20mm F/2.8 PRO DX ultra-wide angle lens features an expanded telephoto zoom range and improved optical performance. The lens is designed for use with Canon and Nikon DSLR cameras with APS-C (DX) sensors.
Tokina adds to its family of fast-aperture wide-angle zooms focused on providing photographers professional quality optics and construction at an affordable price. The fast F/2.8 aperture lens offers an equivalent 16.5-30mm* zoom range.
The new proprietary optical design uses three aspherical lens elements (2 all-glass molded and 1 P-MO hybrid) to achieve superior contrast, sharpness, and correct for spherical aberrations. Additionally, Tokina uses three SD (super-low Dispersion, “FK01” and FK03”) glass elements to control chromatic aberrations.
This compact ultra wide-angle zoom lens has a bright, constant F/2.8 aperture making viewing and auto focus possible in low light situations but still maintaining portable size and weight.
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.
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Specification
| Focal Length | 11-20mm |
| Maximum Aperture | 2.8 |
| Minimum Aperture | 22 |
| Construction E/G | 11E / 12G |
| Coatings | Advanced Multi-layer |
| Angle of View | 104.34 – 72.42° |
| Minimum Focus Distance | 0.9 ft (0.28 m) |
| Macro Ratio | 1:8.62 |
| Focusing Mode | AF |
| Zooming System | Rotating |
| Aperture Blades | 9 |
| SD Glass | 3 elements |
| Filter Size | 82mm |
| Filter Thread | 0.5 |
| Maximum Outer Diameter | 3.5 in (89mm) |
| Lens Width | 3.5 in (89mm) |
| Lens Length | 3.6 in (92mm) |
| Weight | 1.2 lbs (560g) |
| Accessories | Hood |
| Lens Hood | BH-821 |
| Mounts | Canon, Nikon |
| Warranty | 3 Year USA Limited Warranty |
Tokina AT-X 12-28mm f/4.0 PRO DX
Product Summary
- Model name: Tokina AT-X 12-28mm f/4.0 PRO DX
- Release Date : 13 June 2013
- Price : $ 449.00
- Order Now :
Key features
Wide Zoom Range
The new Tokina AT-X 12-28mm F/4 lens has a super-wide to standard zoom range while maintaining a constant fast f/4.0 aperture. This makes ita very versatile lens for different photo applications such as scenery, street scenes photography and event coverage. The lens is designed for DSLR cameras with APS-C (DX) sized sensors.
New Optical Design
A new optical design using aspherical elements and super-low dispersion glass matches even the highest mega-pixel DX sensors cameras available today.
One aspherical lens element is positioned in the front group. This together with another precision molded glass aspherical lens element placed in the rear group ideally focuses marginal light rays andmaintains sharpness at the edgeswhile also correcting distortion. The use of two different SD(Super-low Dispersion) glass elements, type FK01 and FK03, corrects chromatic aberration. The combination of all these specialized elements in the optical design yield excellent sharpness and color.
New auto focus mechanism
The new AF “GMR magnetic precision” control sensor is capable offastauto-focus. Tokina placed the new sensor closerto the drive unit in the lens for faster communication between the controller and AF motor. This combined with the motor’s high-precision focus control yields faster, more accurate auto-focus.
Additionally, a brand new “SD-M” (Silent Drive-Module) has greatly lowered the sounds emitted by the auto focusdrive system allowing for much quieter AF. Both Canon and Nikon mounts have a built-in AF motor to make them auto-focus compatible with all current camera bodies.
Compact body design
The Tokin AT-X 12-28mmF/4 compact designmakes the lens easy to carry and handle. Manual focus is achieved through Tokina’s one-touch focus clutch AF/MF mechanism. Simply slide the manual focus ring forward for auto-focus or back for manual focus operation. The lens focus ringis damped in the manual mode for smooth and precise focusing.
In addition thelens has a 77mm filter size allowing filters such as the Hoya HD low-profilecircular polarizer or UV to be used.
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Specification
| Focal Length | 12-28mm |
| Maximum Aperture | F/4 |
| Minimum Aperture | F/22 |
| Construction E/G | 14 Elements / 12 Groups |
| Coatings | Multi-layer |
| Angle of View | 99.37 to 54.73° |
| Minimum Focus Distance | 0.8 ft (0.25 m) |
| Macro Ratio | 1:4.94 |
| Zooming System | Rotary Type |
| Aperture Blades | 9 |
| Filter Size | 77mm |
| Maximum Outer Diameter | 3.3 in (84mm) |
| Lens Length | 3.6 in (90.2mm) |
| Weight | 1.2 lbs (530g) |
| Lens Hood | BH-77A |
| Mounts | Canon APS-C, Nikon APS-C |
| Warranty | 3 Year USA Limited Warranty |
Tamron 16-300MM F/3.5-6.3 Di II VC PZD Macro
Release Date : 11 April 2014
Price : $ 629.00
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Key features
- For Cameras with APS-C Sensors
- 24-450mm (35mm Equivalent)
- Aperture Range: f/3.5-6.3 to f/22-40
- Magnification Ratio of 1:2.9
- One UXR & Four Aspherical Elements
- One XR & Two Low Dispersion Elements
- Vibration Compensation
- Piezo Drive Autofocus System
A further expansion of the imaging range with a minimum focal length of 16mm (35mm film equivalent: 24.8mm) at the wide-angle end of the zoom range, and a maximum focal length of 300mm (35mm film equivalent: 465mm), this remarkable new lens provides the world’s first zoom ratio of approximately 18.8X.
Responding to requests from consumers who wanted to be able to photograph subjects with a wider viewing angle than is possible with conventional high-power zoom lenses, Tamron has developed a unique lens with a minimum focal length of 16mm. At the telephoto end, the maximum focal length has been increased to an impressive 300mm. Users of this new lens can enjoy unprecedented framing flexibility by easily adjusting the angle of view using the convenient zoom ring.
Superior, reliable image quality.
The lens construction features 16 elements in 12 groups. This includes three Molded-Glass Aspherical elements, one Hybrid Aspherical element, two LD (Low Dispersion) elements, one XR (Extra Refractive index) glass element, and one element of UXR (Ultra-Extra Refractive Index) glass, which has a greater refractive index than XR. The full use of specialized glass elements in the design contributes to thorough compensation of optical aberrations. In addition, the use of the latest coating technology for suppressing reflections on lens element surfaces minimizes unwanted flare and ghosting and assures sharp, crisp, high-contrast images.
Using a new design approach to create an ultra-compact lens.
The latest optical technology has been used to provide an expanded zoom range (compared to the B008) at both the wide-angle and telephoto ends, without necessitating the use of an oversized lens body. By employing UXR glass (which helps to reduce the size of the front lens diameter), an optimized layout of the Molded-Glass Aspherical elements, and adopting a 5-lens-group zoom system approach to provide enhanced design flexibility, the new lens embodies the fusion of state-of-the-art optical design, sophisticated mechanical design, and high-precision lens manufacturing technology, thereby attaining a compact size, an unprecedented zoom range, and superior image quality.
A minimum focusing distance of just 15.3 inches supports an extensive range of macro photography capabilities.
The new lens provides a minimum focus distance of 15.3 inches over the entire zoom range, with a maximum magnification ratio of 1:2.9. This makes it possible to get right up close to the subject of the photo to enjoy easy, stress-free macro photography.
PZD (Piezo Drive) delivers faster, quieter autofocus action.
The PZD (Piezo Drive) advanced standing-wave ultrasonic motor system delivers faster, quieter, more precise AF action when the autofocus is engaged. There is enhanced support for contrast-detection AF capabilities, and focusing when in live-view mode has been made smoother. The new lens also features full-time manual focus, a function that was not provided on the B008, making manual focusing more convenient.
Sharper images with VC (Vibration Compensation)
Tamron’s acclaimed VC mechanism is incorporated into the new lens. VC reduces image blur caused by camera shake to deliver significantly sharper images even when shooting handheld at long telephoto settings.
Moisture-resistant construction for worry-free outdoor shooting.
Upgraded cosmetic design.
Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning DSLR users. Employing a sophisticated linear pattern rubber grip on the zoom and focus rings, and an elegant tungsten-silver name-brand ring, etc., this newly designed model accentuates its visceral presence with understated elegance and class.
Recommended for APS-C photographers who…
– Desire remarkable image quality with the flexibility an all-in-one one zoom offers.
– Need the most range an all-in-one zoom lens can deliver from 16mm wideangle to 300mm telephoto to expand imaging opportunities.
– Demand the latest in mechanical technologies such as image stabilization and fast PZD autofocus motor.
– Want fewer lens changes, reducing instances of exposing the DSLR sensor to image-degrading dust, or missing the shot.
– Want image quality far exceeding typical kit lens capabilities.
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Specification
| Model | B016 |
|---|---|
| Focal Length | 16-300mm |
| Maximum Aperture | F/3.5-6.3 |
| Angle of View (diagonal) | 82゜12′ – 5゜20′ |
| Lens Construction | 16 elements in 12 groups |
| Minimum Focus Distance | 0.39m (15.3 in) |
| Max. Magnification Ratio | 1:2.9 (at f=300mm: MFD 0.39m) |
| Filter Size | Φ67mm |
| Length*1 | 99.5mm (3.9 in)* |
| Maximum Diameter | Φ75mm |
| Weight | 540g (19 oz)* |
| Diaphragm Blade Number | 7 (circular diaphragm)*2 |
| Minimum Aperture | F/22-40 |
| Standard Accessory | Flower-shaped lens hood |
| Compatible Mounts | Canon, Nikon, Sony*3 |
Specifications, appearance, functionality, etc. may be changed without prior notice.
*Length and weight are based on figures for the Nikon-mount lens.
*1. Length is the distance between the front tip of the lens and the mount face.
*2. This circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
*3. The Sony mount does not include VC since Sony digital SLR bodies include built-in image stabilization functionality.
Fujifilm XQ2
Release Date : 15 January 2015
Price : $ 399.95
Color : Black | White | Silver
Order Now : Adorama | B&H | Amazon
Key features
- X Pocketable Premium Compact
- New Film Simulation “CLASSIC CHROME”
- Evolved Autofocus
The world’s fastest* 0.06 seconds AF performance - Fast aperture of F1.8, versatile 4x optical zoom, and macro shots from as close as 3cm
- X-Trans™** CMOS II & EXR Processor II
The XQ2 is a deceptively powerful camera offering advanced X Series image quality and functionality in a very small package. Suited to both amateurs and enthusiasts, the XQ2 is compact enough to carry with you at all times, captures superb shots and offers plenty of creative effects.
- The pocket-sized XQ2 features a versatile F1.8 4x zoom lens alongside many features seen on the recently-launched and highly regarded FUJIFILM X30, including the same 2/3-inch X-Trans™* CMOS II sensor, EXR Processor II, highly-evolved AF and new “Classic Chrome” Film Simulation mode.
- At 2/3-inch, the XQ2’s sensor is approximately double** the size of those found in ordinary compact digital cameras and also able to deliver the world’s fastest*** AF speed at just 0.06 seconds.
- At an ultra-slim 100×58.5×33.3mm (WxHxD) it’s also one of the most pocketable advanced cameras around, but there’s no compromise on performance or image quality. What’s more, the XQ2’s elegant design and classy finish really makes it stand out. Available in luxurious black, silver or white finishes, it is the perfect premium compact for discerning photographers.
Unique sensor design and X Series image quality
The XQ2’s 2/3-inch X-Trans™ CMOS II sensor has a unique, random pixel array which controls moiré and false colors without the need for an optical low-pass filter. This enables light from the lens to pass straight to the sensor delivering excellent resolution and low noise.
Bright F1.8 lens
The ultra-bright lens on the XQ2 has a wide-angle maximum aperture of F1.8, and a 4x zoom (25-100mm*4) and constructed with four aspherical and three extra-low dispersion elements, with all lens surfaces covered in Fujinon’s unique HT-EBC coating to reduce flare and ghosting. The bright F1.8 aperture allows a natural bokeh effect in the background, creating a beautiful contrast with the main subject, and the lens’s 3.0 stop*5 optical image stabilization keeps pictures sharper when using the camera in low-light conditions.
In addition, Fujifilm’s unique “Lens Modulation Optimizer” image processing technology maximizes lens performance by correcting optical effects like diffraction, based on the unique light-gathering performance and characteristics of each lens setting.
Speedy and responsive shooting
With its instinctive focusing and quick start-up time, the XQ2 won’t let you down when you need to capture a fleeting moment. It boasts the world’s fastest AF of just 0.06 seconds and a shooting interval of 0.3 seconds until the next shot can be taken, while shutter lag is an almost unnoticeable 0.015 seconds.
Using an evolved algorithm to boost performance, the AF system examines each subject and scene, and automatically switches between Contrast AF mode, which is accurate even in low light, and Phase Detection AF mode, which is faster for shooting moving subjects. This ensures speedy and accurate autofocus for any type of scene or subject. The new Multi AF automatically selects up to nine focus areas for accurate focusing across the frame and the ability to detect human faces enhances AF accuracy even further.
Easy operation and great handling
The premium finish of the camera body and its ease of operation give the XQ2 a truly sophisticated feel. From its Advanced Filters to manual focusing, or setting the aperture and shutter speed, a variety of functions can be set by turning the control ring, textured and machined aluminum, fitted around the lens. This tactile control avoids the need to go into the menu and speeds up operation, plus it’s easy to access your own preferred functions, using the extended function (E-Fn) button on the back of the camera.
Transfer images wirelessly
Wireless image transfer is simple from the XQ2 to a smartphone or tablet once the free FUJIFILM Camera Application has been installed. There are no troublesome ID and password settings; just press the Wi-Fi®*6 button on the camera and instantly add the images to your blog or share them with friends via social networking sites. Users can also set the XQ2 to read its location from smartphones and tablets, enabling them to keep a record of where they took their shots. Wi-Fi transfer also enables wireless backup of photos and movies onto your computer*7 and printing is easy, too – just send images to an Instax SHARE Smartphone Printer SP-1 for Instax instant film prints.
Focus and review in comfort
The XQ2’s 3.0-inch 920K-dot LCD makes viewing easy, even in bright conditions thanks to its high-contrast, anti-reflective glass and 85° vertical and horizontal viewing angles. The LCD also helps users achieve critically sharp shots when using manual focus, thanks to its Focus Peak Highlight mode, where in-focus areas of the subject can be instantly recognized by a high-contrast outline.
Perfect colors and creative options
Fujifilm’s unprecedented image quality has been cultivated through the development of photographic films over the past 80 years, reproducing warm skin tones, bright blue skies and rich greens in trees and grass, just as photographers remember the scene. Building on this extensive expertise, the XQ2 features the new, “Classic Chrome” Film Simulation mode, which delivers muted tones and deep color reproduction. Classic Chrome is just one of nine different modes that simulate the effects of traditional Fujifilm films, including color reversal film effects (Velvia / PROVIA / ASTIA), monochrome filters (MONOCHROME, Ye filter, R filter and G filter) and SEPIA.
A separate Multiple Exposure function offers users the chance to combine two separate subjects into one photo. For further creative control, the camera’s aspect ratio can be switched between 4:3, 3:2, 16:9, and 1:1 (square) to accommodate a wide range of photographic styles. The XQ2 also features an ADVANCED SR AUTO mode, which recognizes faces and scene types, letting users shoot everything from portraits to landscapes and even moving subjects while the XQ2 optimizes the focus, exposure, ISO and other settings.
Intelligent flash
The built-in Super Intelligent Flash accurately controls the flash power required for any shooting situation, so natural-looking indoor portraits, macro subjects, or food images can all be taken while over-exposure is carefully controlled. The same function means that strongly backlit subjects, like portraits, will also be beautifully and naturally illuminated bringing out all the detail you want from shadow areas.
Process RAWs on the move
Through the in-camera RAW development function, a RAW image can be converted to JPEG without the need for additional software and a computer.
Shoot HD Movies
Movies can be filmed in Full HD at 60fps and the dedicated image stabilization function helps keep videos smooth when shooting handheld. If you want to explore the movie director in you, then try out the Film Simulation Modes to give your videos a distinctive and creative look.
Product Photo
Sample Photo
Detail Specification
| Model Name | FUJIFILM XQ2 |
| Number of effective pixels | 12.0 million pixels |
| Image sensor | 2/3-inch X-Trans CMOS II with primary color filter Total number of pixels : 14.5 million pixels |
| Storage media |
|
| File format | still imageJPEG (Exif Ver 2.3)*2, RAW (RAF format), RAW + JPEG (Design rule for Camera File system compliant / DPOF-compatible)movieMovie File Format : MOV Movie Video Compression : H.264 Audio : Linear PCM Stereo |
| Number of recorded pixels | L : (4:3) 4000 x 3000 / (3:2) 4000 x 2664 / (16:9) 4000 x 2248 / (1:1) 2992 x 2992 M : (4:3) 2816 x 2112 / (3:2) 2816 x 1864 / (16:9) 2816 x 1584 / (1:1) 2112 x 2112 S : (4:3) 2048 x 1536 / (3:2) 2048 x 1360 / (16:9) 1920 x 1080 / (1:1) 1536 x 1536<Motion Panorama> 360° Vertical 1624 x 11520 Horizontal 11520 x 1080 180° Vertical 1624 x 5760 Horizontal 5760 x 1080 120° Vertical 1624 x 3840 Horizontal 3840 x 1080 |
| Lens | nameFujinon 4x optical zoom lensfocal lengthf=6.4 – 25.6mm, equivalent to 25 – 100mm on a 35mm format.
full-aperture F1.8 (Wide) – F4.9 (Telephoto) constitution 7 lenses in 6 groups (4 aspherical glass molded lenses included) |
| Digital zoom | Intelligent digital zoom approx. 4x (up to 16x when combined with optical zoom) |
| Aperture | F1.8 – F11(Wide) F4.9 – F11(Telephoto) 1/3EV step (controlled 6-blade aperture diaphragm) |
| Focus distance (from lens surface) |
NormalWide : approx. 50cm / 1.6 ft. to infinity Telephoto : approx. 80cm / 2.6 ft. to infinityMacroWide : approx. 3cm – 3.0m / 1.1 in. – 9.8 ft. Telephoto : approx. 50cm – 3.0m / 1.6 ft. – 9.8 ft. |
| Sensitivity | AUTO (Control available up to ISO3200), Equivalent to ISO 100 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 12800 (Standard Output Sensitivity) |
| Exposure control | TTL 256-zone metering, Multi, Spot, Average |
| Exposure mode | Programmed AE / Aperture Priority AE / Shutter Speed Priority AE / Manual exposure |
| Shooting modes | ADVANCED SR AUTO, AUTO, Filter (Advanced Filter), P, S, A, M, C, SP, Adv.(Advanced mode)SP : Portrait, Portrait Enhancer, Landscape, Sport, Night, Night (Tripod), Fireworks, Sunset, Snow, Beach, Party, Flower, Text, UnderwaterFilter : Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) Adv. : Motion panorama360 / Pro focus / Pro low light / Multiple exposure |
| Image stabilizer | Lens shift type |
| Face detection | Yes |
| Exporsure compensation | -3.0EV – +3.0EV 1/3EV step Movie mode : -2.0EV – +2.0EV |
| Shutter speed | (Auto mode) 1/4 sec. to 1/3000 sec., (All other modes) 30 sec. to 1/4000 sec. * up to 1/4000 sec. at small aperture, up to 1/1000 sec. at full aperture |
| Continuous shooting | TOPSuper High : approx. 12.0 fps (max. approx. 9 frames) High : approx. 9.0 fps (max. approx. 11 frames) Middle : approx. 6.0 fps (max. approx. 14 frames) Low : approx. 3.0 fps (max. approx. 200 frames) * Use a card with SD Speed Class with or higher. * Max. number of frames can be shot in JPEG settingBest Frame captureSuper High : approx. 12.0 fps (max. 8 frames) High : approx. 9.0 fps (max. 8 frames) Middle : approx. 6.0 fps (max. 8 frames) Low : approx. 3.0 fps (max. 8 frames) * Max. number of frames can be shot in JPEG setting |
| Auto bracketing | AE Bracketing : ±1/3EV, ±2/3EV, ±1EV Film Simulation Bracketing : (Any 3 types of Film Simulation selectable) Dynamic Range Bracketing : 100%·200%·400% ISO Sensitivity Bracketing : ±1/3EV, ±2/3EV, ±1EV |
| Focus | modeSingle AF / Continuous AF / MFtypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF), AF assist illuminator available
AF frame selection Multi(Multi Target), Area, Tracking |
| White balance | Automatic scene recognition Preset : Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light, Underwater, Custom, Color temperature selection |
| Self-timer | 10 sec. / 2 sec. delay |
| Flash | Auto flash (Super Intelligent Flash) Effective range : (ISO AUTO) Wide : approx. 50cm – 7.4m / 1.6 ft. – 24.2 ft. Telephoto : approx. 80cm – 2.7m / 2.6 ft. – 8.8 ft. |
| Flash modes | Red-eye removal OFFAuto, Forced Flash, Suppressed Flash, Slow Synchro.Red-eye removal ONRed-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.
|
| Hot shoe | – |
| Viewfinder | – |
| LCD monitor | 3.0-inch, approx. 920K-dot, TFT color LCD monitor, approx. 100% coverage |
| Movie recording | Full HD 1920 x 1080 60p / 30p Continuous recording : up to approx. 14 min. HD 1280 x 720 60p / 30p Continuous recording : up to approx. 27 min. 640 x 480 30p Continuous recording : up to approx. 115 min. with stereo sound Optical zoom can be used. * Use a card with SD Speed Class with or higher. |
| Photography functions | Movie Scene Recognition, High Speed Movie (80/150/250 fps.), Face Detection, Auto Red-eye Removal, Color, Sharpness, Highlight Tone, Shadow Tone, Noise Reduction, Dynamic Range, Electronic level, Histogram display, Framing guideline, Frame No. memory, Advanced Anti Blur, Pre-AF, Control ring setting, Focus check, Focus Peak Highlight, Date Stamp, E-Fn (extended function) Button Custom Setting |
| Film simulation | PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA |
| Playback functions | Face Detection, Auto Red-eye Removal, Multi-frame playback (with micro thumbnail), Protect, Crop, Resize, Slide show, Image rotate, Histogram display, Exposure warning, Photobook assist, Image search, Favorites, Mark for upload, Panorama, Erase Selected Frames, RAW Conversion |
| Wireless transmitter | StandardIEEE 802.11b / g / n (standard wireless protocol)Access modeInfrastructure |
| Wireless function | Geotagging / Wireless communication (Image transfer) / View & Obtain Images / PC Auto Save / instax Printer Print |
| Other functions | PictBridge, Exif Print, 35 Languages, Time difference, Silent mode |
| Terminal | Video output-Digital interfaceUSB 2.0 High-Speed
HDMI output HDMI Micro connector |
| Power supply | NP-48 Li-ion battery (included) |
| Dimensions | 100.0mm (W) x 58.5mm (H) x 33.3mm (D) / 3.9 in. (W) x 2.3 in. (H) x 1.3 in. (D) (Minimum depth : 23.3mm / 0.9 in.) |
| Weight | Approx. 206g / 7.3 oz. (including battery and memory card) Approx. 187g / 6.6 oz. (excluding battery and memory card) |
| Operating Temperature | 0°C – 40°C |
| Operating Humidity | 10% – 80% (no condensation) |
| Battery life for still images*3 | Approx. 240 frames |
| Accessories included | Li-ion battery NP-48 AC power adapter AC-5VT Plug adapter Hand strap USB cable CD-ROM*4 Owner’s manual |
Fujifilm EF-X20 TTL Flash
Price : $ 179.00
Order Now : Adorama | B&H | Amazon
Key features
- Compatible with Fujifilm TTL
- Guide Number: 66′ at ISO 100 and 28mm
- Coverage: 28mm & 20mm (Full Frame)
- Wireless Slave Functionality
- Manual Power: 1/1 to 1/64
- Exposure Compensation: -1 to +1 EV
- Recycle Time: 5-6 Seconds
- Runs on 2 AAA Batteries
Fujifilm EF-X20 TTL Flash is Compact and lightweight, yet offers a strong light. With the FUJIFILM’s unique flash control technology “i Flash technology”, it can automatically optimize the amount of light suitable to every shooting condition. Crafted from premium metal materials to compliment the design of the X-Series cameras. Ergonomic design for responsive dial control.Built-in wide diffuser can be selected by using lever on the side of the flash.
Compatibility
FUJIFILM X-Pro1 / X-T1 / X-E2 / X-E1 / X-M1 / X-A2 / X-A1 / X100T / X100S / X100 / X30 / X20 / X10 / X-S1
FinePix HS50EXR / HS30EXR / HS33EXR / HS25EXR / HS28EXR / HS20EXR / HS22EXR / S1 / SL300 / SL305 / SL280 / SL260 / SL240
Product Photo
Specification
| Mount | Shoe |
| Guide No. | 65.62′ (20 m) ISO100 at 28 mm position |
| Exposure Control | Manual/TTL |
| Vari-Power | 1/1 – 1/64 |
| TTL Dedication | Yes |
| Bounce Head | None |
| Swivel Head | None |
| Coverage | 20 mm – 28 mm (Full frame) |
| Zoom Head | None |
| Recycle Time | Approximately 5 – 6 seconds |
| Flash-ready Indicator | Yes |
| Compensation | -1 EV to +1 EV (in 1/3 EV steps) |
| Slave Timing Modes | Instant Sync Skip Preflash |
| Power Source | 2x AAA Alkaline, Rechargeable Ni-MH Batteries |
| Dimensions (WxHxD) | 2.3 x 1.4 x 2.0″ / 59.5 x 36.0 x 50.0 mm |
| Weight | 3.53 oz / 100 g without batteries |
Fujifilm EF-42 TTL Flash
Price : $ 169.00
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Key features
- Compatible with Fujifilm TTL
- Guide Number: 138′ at ISO 100 and 105mm
- Zoom Range: 24-105mm (20mm with Panel)
- Tilts Upward 90°
- Rotates 120° Right & 180° Left
- Manual Power: 1/1 to 1/64
- Exposure Compensation: -1.5 to +1.5 EV
- AF Assist Light
- Recycle Time: 3-3.5 Seconds
- Runs on 4 AA Batteries
Powerful and versatile, the Fujifilm EF-42 flashgun matches up with the FinePix HS20EXR and X100/ X10 cameras to provide complete TTL performance.
For precise lighting, the flash can be moved 90° upward, 180° to the left and 120° to the right, flexibly supporting bounce shooting and other operations. Allowing reference by different values, the focal length display can be switched between the digital display (APS-C) and the 35-mm film size converted display on the LCD while the wide range of functions and user-friendly controls make the EF-42 easy to use.
The guide number of 24 to 42 changes automatically to the lens focal length while the flash will also zoom automatically between 24mm and 105mm (up to 20mm with the wide panel).
Allowing full manual control, the EV can be adjusted in 7 steps (-1.5, -1, -0.5, 0, +0.5, +1, +1.5) while the power ratio can be adjusted in 7 steps (FULL,1/2,1/4,1/8,1/16,1/32,1/64).
When shooting in the dark or dimly lit places, the near infrared assist light is automatically illuminated to enable automatic focusing.
Full TTL Compatibility
HS50EXR / HS30EXR / HS33EXR / HS25EXR / HS28EXR / HS22EXR / HS20EXR / SL240 / SL260 / SL280 / SL300 / SL1000 / FUJIFILM X100 / FUJIFILM X20 / FUJIFILM X10 / FUJIFILM X-S1 / FUJIFILM X-Pro1 / FUJIFILM X-E1 / FUJIFILM X-M1 / FUJIFILM X-A1
Manual Only Compatibility
HS10
Product Photo
Specification
| Mount | Shoe |
| Guide No. | 137.8′ (42 m) ISO100 at 50 mm position |
| Exposure Control | TTL |
| Vari-Power | Manual: 1/1 – 1/64 |
| TTL Dedication | Yes |
| Bounce Head | 0° to +90° |
| Swivel Head | 300° |
| Coverage | 20 mm – 105 mm (Full frame) |
| Distance Range | 39.37 to 68.90′ (12 to 21 m) at f/2 |
| Zoom Head | Full frame: 24 mm – 105 mm |
| Off Camera Terminal | None |
| Recycle Time | Approximately 3 – 3.5 seconds |
| Flash-ready Indicator | Yes |
| Compensation | -1.5 EV to +1.5 EV (in 1/2 EV steps) |
| Power Source | 4x AA Alkaline, Rechargeable Ni-MH Batteries |
| Dimensions (WxHxD) | 2.5 x 4.6 x 4.0″ / 64.0 x 116.0 x 102.0 mm |
| Weight | 9.17 oz / 260 g without batteries |
Fujifilm EF-20 TTL Flash
Price : $ 99.00
Order Now : Adorama | B&H | Amazon
Features
- Compatible with Fujifilm TTL
- Guide Number: 66′ at ISO 100 and 23mm
- Coverage: 23mm & 17mm (APS-C Format)
- Tilts Upward 90°
- Exposure Compensation Options
- Recycle Time: 4-5 Seconds
- Runs on 2 AA Batteries
An extremely compact unit, the EF-20 Flash from Fujifilm is compatible with Fuji cameras featuring TTL flash exposure control and offers a guide number of 66′ at ISO 100 and 23mm. This unit has standard coverage of 23mm with APS-C format cameras which can be adjusted to 17mm with the use of the built-in wide-angle panel. Also, the EF-20 can be tilted upwards 90° for bounce capabilities. On the rear of the unit are controls for adjusting exposure compensation when necessary between -1 and +1 in 1/2 EV steps. Additionally, it runs on 2 AA batteries and has a recycle time of 4-5 seconds.
Compatibility
FUJIFILM X-Pro1 / X-T1 / X-E2 / X-E1 / X-M1 / X-A2 / X-A1 / X100T / X100S / X100 / X30 / X20 / X10 / X-S1
FinePix HS50EXR / HS30EXR / HS33EXR / HS25EXR / HS28EXR / HS20EXR / HS22EXR / S1 / SL300 / SL305 / SL280 / SL260 / SL240
Product Photo
Specification
| Mount | Shoe Mounted |
| Guide No. | 65.62′ (20 m) ISO100 at 23 mm position |
| Exposure Control | TTL |
| TTL Dedication | Yes |
| Bounce Head | 0° to +90° |
| Swivel Head | None |
| Coverage | 17 mm – 23 mm (APS-C format) |
| Off Camera Terminal | None |
| Recycle Time | Approximately 4 – 5 seconds |
| Flash Duration | 1/800 sec @ Full Power |
| Flash-ready Indicator | Yes |
| Compensation | -1 EV to +1 EV (in 1/2 EV steps) |
| Power Source | 2x AA Alkaline, Rechargeable Ni-MH Batteries |
| Dimensions (WxHxD) | 2.4 x 1.7 x 3.5″ / 61.0 x 43.0 x 88.0 mm |
| Weight | 3.52 oz / 100 g without batteries |
FUJIFILM Macro Extension Tubes MCEX-11 & MCEX-16 for X-Mount
Release Date : 20 November 2014
MCEX-11 : $ 84.63
Adorama | B&H | Amazon
MCEX-16 : $ 99.00
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Key features
Macro extension tubes are inserted between the lens and the camera body and increase the distance between the lens elements and the sensor enabling users to focus on subjects much closer to the camera.
Two extension tubes (11mm, 16mm)
This offers users a choice of tube depending on the level of magnification required.
Electronic contacts allow you to shoot with AF and AE using the tube
Electronic connections automatically pass information between Fujinon X-Mount lenses and Fujifilm X-series camera bodies so you can still use autofocus and control the aperture while using the tubes.
Designed exclusively for the XF lenses and X-series cameras
The mount rings of both tubes are made from high-grade solid metal and are precision manufactured to suit the XF lenses and the X-series interchangeable cameras perfectly.
Maximum Magnification of the Macro Extension Tube
This table details the Working Distance (distance from the top of the lens barrel to the subject) and the Shortest Shooting Distance (distance from the image sensor to the subject) of each of the current Fujinon X Mount lenses with and without the tubes attached. Some tubes do not work with some lenses. These are indicated by the grey boxes.
The shooting distance and shooting magnification change according to the position of the focusing lens group. The table shows reference values for when the focusing lens group is in the position to shoot the closest object.
