Full-frame Pentax DSLR For K-mount Coming soon
Ricoh announces development of long-awaited full-frame Pentax DSLR. So far nothing much revealed by the the company. However they said that, it will be compatible with DA lenses via a crop function and that it will be available by the end of 2015. For the time being enjoy a concept model (pictured above) shown at CP+ in Japan.
[DPl Recommends [Mobile]]
Digital Workflow – Photo Backup
(Western Digital 4 TB My Cloud)
I often say that Computer Hard disks are like Time bomb. They will go off at any moment, but we don’t know exactly when. But it certainly will. And once its gone it will go down with all your precious memory and valuable documents.
It’s absolutely necessary to make backup copies of all your Photos at regular interval. Professional Photographers use high-end server to meet their demand. I use a scale down version to serve my need.
( Transcend 1TB Portable HDD )
All my photos are stored inside the PC in a 1-Terabyte hard drive. At regular interval I make backup copy to a Transcend 1 TB USB-3 portable hard disk which is shock proof. I use Carbon Copy Cloner software to synchronize the folders between the internal hard disk of computer and the portable hard disk.
( fig – Carbon Copy Cloner interface)
Besides copying the photos to portable HDD I also make a duplicate copy to a network based Hard disk (NAS). A NAS drive acts like an independent PC, when connected to Internet you can access all your documents inside the NAS from anywhere around the world. I use 4 TB My Cloud drive from Western Digital. In this manner I always have two backup copies of my entire Photo collection.
( Inside Seagate Baracuda hard disk. © 2012 Junaed )
With these sort of backup setup if accidentally one of your hard disk fails you can restore the whole Photo library from backup. Don’t wait for the mishap to take place & there after you will backup – Do it now. It’s a hard earned lesson.
- Don’t keep data in hard disk where operating system (e.g. Windows 7) is installed.They are prone to crash when the operating system fails or become virus infected.
- Use USB-3 portable hard disks because they are very fast for copying data.
- You can also keep a copy to DVD if possible.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a very good Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Related Article:
1. Digital Workflow – Picture Renaming
2. Digital Workflow – Picture Folder Organization
Digital Workflow – Photo Folder Organization
After coming from an event most of us usually keep photos in desktop forever until low disk space force us to move it to another location. But if we keep them in an organized way, things will remain tidy.
Over the years I have learned how to create a folder structure for photos that fulfil my need. It helps to keep photos organized, including scanned image from film days to mobile phone photos of digital era.
Usually I download all new photos in a folder named ” New “. Then I sort the images & rename them, Move them to respective folder e.g. Images form DSLR goes to folder ” 01 Digital ” .
The image explains which folder keeps what –
(you can create your own way that make sense to you)
It keeps your Photos organized without the need of any additional software.
It will be easy to locate Photos or browse through them.
If you have read Renaming Picture then you can see how nicely the renaming & folder structure matches together. And how easy to find photos at a later date without moving here and there.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a very good Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Related Article :
Canon EOS Rebel T6s and T6i (EOS 760D and EOS 750D) (Kiss X8i)- Announced Officially!
Product summary
- Model name: Canon EOS Rebel T6s and T6i (760D and 750D) (EOS Kiss X8i)
- Release date: February 5, 2015
- Availability: April 2015
- Price: $849.99 (Body Only)
- Purchase options: Adorama | B&H | Amazon
Key Feature
- 24.2 Megapixel CMOS (APS-C) sensor, ISO 100-12800 (expandable to H: 25600) for shooting from bright to dim light and high performance DIGIC 6 Image Processor for outstanding image quality and speed.
- Built-in Wi-Fi® allows you to wirelessly transfer your images and videos with ease to social networking sites with the free download of the Camera Connect app*, while built-in NFC (Near Field Communication) allows quick and simple pairing to a compatible Android™ device** and the Canon Connect Station CS100 device.
- EOS Full HD Movie mode helps capture brilliant results in MP4 format for high quality shooting and easy movie sharing on social networking services.
- Hybrid CMOS AF III allows for high levels of speed and accuracy when capturing moving subjects during Live View shooting or movie shooting.
- Vari-angle Touch Screen 3.0-inch ClearView II LCD monitor (approximately 1,040,000 dots) enables flexible positioning and clear viewing even when outdoors.
- High-speed continuous shooting up to 5.0 fps allows you to capture all the action.
- New EOS scene analysis system helps you capture great images in a wider range of situations by detecting near-infrared light and flickering light sources.
- 19-point all cross-type AF system allows superb autofocus performance when shooting with the viewfinder as well as focusing area selection modes.
- Creative filters are available as presets for photos and movies and can be displayed in real time during Live View shooting.
Video Promo
Hybrid CMOS AF III Tutorial
EOS 760D – Product Review with Smaracuja
EOS Kiss X8i Image MOVIE
Press Release
CANON U.S.A. ANNOUNCES NEW EOS REBEL DSLR CAMERAS FEATURING 24.2 MEGAPIXELS AND WIRELESS FUNCTIONALITY
The new EOS Rebel T6s and EOS Rebel T6i DSLR cameras combine affordability with workhorse imaging features and functionality
MELVILLE, N.Y., February 5, 2015 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of two new DSLR cameras to its popular EOS Rebel lineup: the EOS Rebel T6s Digital SLR camera, and the EOS Rebel T6i Digital SLR camera. Featuring a newly developed 24.2 megapixel Canon CMOS imaging sensor, both cameras deliver the highest resolution available amongst EOS models with an APS-C format sensor. Additionally, the cameras feature built-in Wi-Fi® and NFC™ capabilities – a first for the Canon EOS Rebel system – making snapping and sharing high-quality, treasured images seamless.
“The Canon EOS Rebel series is one of the most popular lines of DSLR cameras on the market, and we are proud to continue to innovate and upgrade this line with features such as wireless connectivity and improved image capture capabilities,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “As the popularity of this line grows with consumers, we’re excited to launch the EOS Rebel T6s as our new flagship camera in the Rebel line, as well as have another budget-conscious offering in the line with the Rebel T6i.”
With multiple features most commonly found in advanced amateur cameras, the EOS Rebel T6s is designed for photography enthusiasts, or those who are already experienced with entry-level cameras who want to take high-quality photos and videos, and look for more advanced features and functions. For more casual photography needs, or for users looking to purchase their first DSLR camera, the EOS Rebel T6i camera prioritizes affordability, without sacrificing basic SLR performance attributes like quick shutter response, and compatibility with Canon’s impressive line of interchangeable lenses and accessories.
Outstanding Image Capture Features
The new EOS Rebel cameras have an extensive ISO range of 100-12800 (expandable to 25600) to accommodate shooting situations ranging from bright sunny days at the beach to dimly lit indoor dance recitals. The high-performance DIGIC 6 image processor helps provide outstanding image quality and speed, so pictures are clear and sharp.
Building on the image capture functionality of their predecessors, the EOS Rebel T6s and EOS Rebel T6i cameras feature Canon’s new Hybrid CMOS AF III image sensor-embedded autofocus system, which allows for high levels of speed and accuracy when capturing Full HD video or high-resolution photos in Live View. This is particularly useful when capturing children playing sports, or animals in the wild, when it’s imperative to get the shot at the exact moment action is happening. Helping photographers capture those special moments, the cameras have high-speed continuous shooting up to five frames-per-second (fps). For photographers who prefer to compose their images through a viewfinder, the new EOS Rebel T6s and EOS Rebel T6i cameras have a 19-point all cross-type AF system that allows for superb autofocus, as well as focus area selection modes.
Brand-new to the EOS Rebel line, the cameras feature built-in wireless capabilities, which allow users to wirelessly transfer images and videos with ease to compatible smartphones and tablets through Canon’s newly updated and free Camera Connect app.2 Images and videos can also be shared wirelessly to a wide range of popular social networking sites through Canon iMAGE GATEWAY.3 The camera’s built-in NFC (Near Field Communication)4 allows quick and simple pairing to a compatible Android device, or devices that support NFC like the new Canon Connect Station CS100 photo and video storage and sharing device. The built-in Wi-Fi functionality also allows users to wirelessly print their images to any compatible printer, like the PIXMA MG7520 or PIXMA iP8720.
With an intuitive design that allows for an optimal photographic experience, the new EOS Rebel cameras have a three-inch Vari-Angle Touch Screen Clear View LCD monitor with approximately 1,040,000 dots. This design enables flexible positioning for high or low framed shots, as well as clear viewing even when outdoors in the sunlight. Additionally, the cameras feature the latest version of Canon’s EOS scene analysis system, which helps photographers capture beautiful images in a wider range of situations by detecting near-infrared light and flickering light sources. Also new to the entire EOS system, both models feature color tone detection, which helps ensure individuals in photographs are properly focused and/or exposed by adjusting both autofocus and exposure metering.
Full HD Video Capture
The EOS Rebel T6s and EOS Rebel T6i cameras feature EOS Movie mode which captures Full HD 1080p resolution video up to 30 fps in MP4 format for high quality shooting and easy movie sharing on select social networking sites. Manual exposure control, digital zoom and an external stereo microphone jack are provided for advanced users using the EOS Rebel T6s.
Expanded Creative Functionality
Allowing for full creative control, the new EOS Rebel cameras offer creative filters available as presets for photos and movies. These filters can be displayed in real time during Live View shooting, providing an easy way for users to enhance their creative work. Users can further expand their artistic abilities right from the camera with Creative Filters such as Fisheye Effect, Toy Camera Effect and Monochrome mode. Fisheye Effect gives images a panoramic look and feel, Toy Camera Effect adds a grainy look to soften photos, illustrating a vintage appearance and with Monochrome mode, photos can either have black-and-white, blue or sepia tones, to display a more classic appearance.
Advanced Features & Capabilities
For photographers who desire more advanced features, the EOS Rebel T6s is the first EOS Rebel class DSLR camera to feature a top LCD panel, Quick Control Dial, Horizontal Level and built-in HDR movie capabilities. The new camera is also the first model in the EOS Rebel series to feature Servo AF in Live View, allowing continuous tracking of moving subjects during burst mode shooting sequences.
Pricing & Availability
The EOS Rebel T6s Digital SLR camera and EOS Rebel T6i Digital SLR camera are scheduled to be available at the end of April 2015. The estimated retail price of the EOS Rebel T6s is $849.99 for the body only, and $1,199.00 bundled with an EF-S 18-135 STM lens. The EOS Rebel T6i has an estimated retail price of $749.99 for the body only, $899.99 bundled with an EF-S 18-55 STM lens, and $1,099.00 bundled with an EF-S 18-135 STM lens.
Sample Images on flickr
Product Images
Canon EOS Rebel T6s (EOS 760D)
Canon EOS Rebel T6i (EOS 750D)
Purchase Options
Canon EOS M3 – The power of EOS in a smaller Body
Product Summary
- Model name: EOS M3
- Release Date: 6 February 2015
- Focus Type: Autofocus / Manual
- Format : APS-C
- Mounts: Canon EF M
- Color: Black | White
- Availability: April 2015 (world) | October 2015 (US)
- Price: $ 679.99
- Purchase options: Amazon | Adorama
Whats New:
- 24.2 megapixel APS-C CMOS sensor
- Fast, responsive focusing with advanced 49-point AF system and CMOS AF III technology
- Incredible still image quality and full HD movies
- Touch AF in movies lets you create smooth, cinematic pull-focus effects, and Manual Focus Peaking shows sharp areas of the scene
- EOS design DNA in an ergonomic portable body that fits comfortably in your hand and gives you easy access to a range of controls
- Remote camera control and image sharing via Wi-Fi
Overview
Canon Today announces EOS M3 – The power of EOS in a smaller Body. However will only available in Europe & Asian Market. EOS M3 will not available in USA market.
Press release
United Kingdom, Republic of Ireland, 6 February 2015 – Canon today reveals the EOS M3 – a powerful Compact System Camera created for enthusiast photographers who demand premium performance. Fusing Canon’s unrivaled image quality and DSLR-levels of control in a compact body, the EOS M3 offers the ability to capture the world around you in exceptional detail. At the heart of the EOS M3 is Canon’s first 24.2 megapixel APS-C CMOS sensor and its most advanced image processor, DIGIC 6, delivering premium quality stills and Full HD Movies. Combined with super-fast AF performance, thanks to a new Hybrid CMOS AF III and 49-point AF System, this camera gives you the freedom to capture the beauty of movement. As an advanced photographer you’ll find everything you need at your fingertips, with intuitive DSLR-like dials and control, as well as the flexibility to change your lens, all shrunk down into a compact, ergonomic body to take with you wherever you go.
Beauty and power in the palm of your hand
From city skylines and enchanting landscapes, to urban art and eye-catching portraits, the EOS M3 delivers clarity, rich colour and distinctive detail, with every image, using the 24.2 MP sensor. As light starts to fade and dusk descends, the EOS M3 excels, with the sensor’s vast 100-12,800 ISO range providing vivid, realistic and low-noise shots in even the most challenging of light situations.
Constructed for speed, whether you’re shooting an elusive animal on safari, or street performers on a city break, the subject of your shot will be in focus, with the EOS M3’s 49-point AF system and innovative new Hybrid CMOS AF III technology delivering lightning fast performance; focusing up to 6.1x faster than the original EOS M.
Putting you in control – iconic EOS design and controls
The EOS M3 incorporates the quintessential EOS design DNA and is instantly comfortable in the palm of your hand thanks to the fluid design grip. Direct access to a range of controls, including an exposure compensation dial, main control dial and customisable buttons, let you adjust the camera’s settings to suit your shooting style.
For complete framing versatility, the large 7.5cm (3.0”) LCD touchscreen tilts up 180 degrees and down 45 degrees, to help you shoot from all angles, while also making multi-touch gestures a finger tap away. The screen also gives you access to Canon’s intuitive touch menu system found on EOS DSLRs.
The EOS M3 is a camera to make your own, with customisable controls, a hot shoe for Canon’s Speedlite flashes and optional tilt-type electronic viewfinder. Compatibility with EF-M lenses, including a choice of pancake and zoom lenses, means you can shoot any situation. Plus, with Creative Assist, the EOS M3 can be controlled from the touch screen interface, and the effects previewed in real time as you shoot. Settings such as brightness, background blur, vividness of colour, contrast, warmth and filter effects can be altered, and combinations can be saved to be called upon again when you need them, helping you shoot like a pro every time.
Movies worth remembering
Budding movie makers can shoot precious moments in Full HD quality, with a choice of 24p, 25p and 30p frame rates, and MP4, for easy sharing. You can be sure that your favourite people and places will always be in focus, with advanced Hybrid CMOS AF III providing continuous AF. For more experienced shooters, Touch AF gives you the flexibility to select AF points on the LCD even with moving subjects, and create professional-looking pull focus effects. For full control, Manual Movie puts you in the director’s seat, with complete aperture, shutter and ISO control, for stunningly creative results.
Power to control and share
With the power to capture beautiful stills, comes the flexibility to remotely control the camera and transfer images, using integrated Wi-Fi and NFC connectivity. Ideal for shooting in unusual situations and positions for unique perspectives, remote shooting via the new Camera Connect app lets you control the camera’s key functions. Dynamic NFC enables single touch image transfers to smart devices while the auto-sync functionality means you can upload all your images to Canon’s cloud storage service, irista, for instant back-up and peace of mind.
EOS M3 key benefits:
- Performance and creativity, in an EOS you can take everywhere
- Be spontaneous. Enjoy fast, responsive focusing
- Take control of your photography and watch your creativity grow
- Be as imaginative with movies as you are with photos
- Remote camera control and image sharing via Wi-Fi
Sample Images
EOS M3 – Product Review
EOS M First look
Canon EOS M3 – Canon System Integration
Product Photos
Purchase options
Digital Workflow – Photo Renaming
With the ever growing number of digital camera, photos taken by each of us becoming staggering. So after a few years there will be so many photos that it will be difficult to find out a specific photo. So every file should have a unique name. Since photos from mobile camera or DSLR devices create images of same name after certain number of pictures are taken there is every possibility that a new image will have the same name like an old one. And it might cause you lose some valuable memories.
Professionals have specific ways to prevent this mishap.
I follow a scaled down version of professional workflow suitable for my need.
Renaming Folder & File
I usually shoot photos in jpeg format.
Download all images to desktop.
- Create folder according to date e.g. 2013-01-10
- Keep all the photos of the same day in this folder
- Delete all the unnecessary photos
- Batch rename all photos according to –
YEAR–MONTH–DAY_Hour–Minute_Original file name
20130110_1145_JUN_3538
(For Batch naming you can use ACDsee or Adobe bridge software)
- If you take RAW photos, create a new folder eg. 2013-01-10-RAW inside the original folder 2013-01-10
Benefits
* It keeps the folders organized
* It creates unique file name, so there will be no duplicate file name in future
* Using different cameras at the same time has little chance to create same name
* It’s also easy to browse through photos
* It will be easy to find out any photo
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a very good Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Related Article :
Canon EF 11-24mm f/4L USM – Extreme Wide Angle Lens
Product summary
- Model Name: Canon EF 11-24mm f/4L USM
- Release Date: February 5, 2015
- Availability: Late February 2015
- Price: $2,999.00
- Purchase options: Adorama | B&H | Amazon
Key features
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length, delivering high-quality, expressive images.
- New optical design and the use of one Super UD element and one UD lens element helps significantly reduce chromatic aberration.
- Four aspheric lens elements help minimize distortion from the center of the image to the periphery and across the entire zoom range.
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- Highly resistant to dust and water for amazing durability enabling shooting even in harsh conditions.
- Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds.
- Minimum focusing distance of 11 in./0.28m (at 24mm) is ideal for shooting in tight spaces.
- Full-time manual focus allows manual focus adjustment while in AF Mode.
- Fluorine coating on front and rear lens surfaces helps reduce smears and fingerprints.
Sample images
Press release
MELVILLE, N.Y., February 5, 2015 – Canon U.S.A., a leader in digital imaging solutions, is proud to introduce the superb new Canon EF 11-24mm f/4L USM ultra wide-angle zoom lens designed to deliver high quality, minimally distorted images throughout the entire zoom range. Featuring the widest angle of view (126º05’ diagonal) ever achieved for a rectilinear full-frame Digital SLR lens*, and a minimum focusing distance of 11 inches (at 24mm), this new lens is ideal for professionals who want the ultimate in creative image expression with sharp, crisp detail whether shooting entire buildings from a close position, entire stadium shots from a high-vantage point, large group photos at a scenic wedding or even astrophotography. Cinematographers will be equally as impressed with the lens’ ability to retain straight lines.
Fully compatible with all EOS cameras, but particularly effective with full-frame cameras such as the new Canon EOS 5DS and EOS 5DS R Digital SLR cameras also announced today, this new L-series lens features newly developed optics comprised of 16 elements in 11 groups with a three group zoom system and rear focus. The new optical design utilizes four aspherical lens elements to help minimize distortion from the center of the image to the periphery, across the entire zoom range. This new optical array provides straight lines with minimal curve throughout the zoom range, ideal for architectural, event, and forensic photography. The lens also features one Super UD element and one UD lens element to help significantly reduce chromatic aberration and deliver sharp images with high resolution. Canon’s advanced lens coating technologies are also liberally employed to help minimize ghosting and flare, while simultaneously enhancing accurate color balance and maximum light transmission efficiency.
“Canon is very proud of its optical heritage. The creation of this new lens continues our tradition of providing photographers with unique image-making solutions that are not only thoughtfully designed but precisely engineered and manufactured,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “The new Canon EF 11-24mm f/4L USM ultra wide-angle zoom lens features newly developed optics and an unprecedented combination of Canon optical technologies. We are very eager to see the beautiful images that photographers will create using this new lens with Canon EOS DSLR and Cinema EOS cameras.”
The new Canon EF 11-24mm f/4L USM lens’ impressive 11mm starting focal length and 9-blade circular aperture help deliver beautiful, high-quality, detailed images. The new lens accurately reproduces straight lines in the subject with minimal distortion, ideal for architectural and landscape photographers looking to create images with tremendous depth and strong perspective.
Wide-angle lenses are especially prone to flare and ghosting. To help reduce these effects, the new Canon EF 11-24mm f/4L USM lens features Canon’s proprietary Sub-Wavelength Structure Coating (SWC) and Air Sphere Coating (ASC). SWC is applied to the rear surface of the first and second aspheric lens elements, while ASC is used on the front of the fourth element. The SWC coatings are particularly effective for combatting flare and ghosting caused by light rays entering the lens at a large angle of incidence, while the ASC coating helps mitigate the same problems for light rays entering the center of the lens. The new lens also employs Canon’s Super Spectra Coating (SSC) to enhance light transmission while at the same time optimizing color reproduction accuracy.
The Canon EF 11-24mm f/4L USM lens features a meticulously designed inner focusing system and zoom ring, as well as a built-in petal type lens hood with light-shielding grooves. Along with a high-speed CPU and optimized AF algorithms, this lens enables fast and accurate autofocusing, while its full-time manual focus feature allows manual focus adjustment even in AF mode. As with all L-series lenses, this durable new lens is highly resistant to dust and water — ideal for outdoor photography even when conditions are harsh. In addition, a fluorine coating on the front and rear surfaces of the lens helps reduce smears and fingerprints and makes the lens easier to clean.
The Canon EF 11-24mm f/4L USM is scheduled to be available in late February 2015 for an estimated retail price of $2,999.00
Specifications
| Angle of view (horzntl, vertl, diagnl) | 117º 10′- 74º,95º 10′ – 53º,126º 05′ – 84º |
| Lens construction (elements/groups) | 16/11 |
| No. of diaphragm blades | 9 |
| Minimum aperture | 22 |
| Closest focussing distance (m) | 0.28 (at 24 mm) |
| Maximum magnification (x) | 0.16 (at 24 mm) |
| Distance Information | Yes |
| Image stabilizer | – |
| AF actuator | Ring USM¹ |
| Dust/moisture resistance* | Yes |
| Filter diameter (mm) | Filter Holder |
| Max. diameter x length (mm) | 108 x 132 |
| Weight (g) | 1180 |
| Lens cap | Lens Cap 11-24 |
| Lens hood | Built-in |
| Lens case/pouch | LP1424 |
| Rear cap | Lens Dust Cap E |
| Magnification w/ Extension Tube EF12 II | 0.73-0.53¹ |
| Magnification w/ Extension Tube EF25 II | Not Compatible |
| Extender Compatiblity | Not Compatible |
Purchase Options
The Canon EF 11-24mm f/4L USM is available at Adorama | B&H | Amazon
How Do They Make Camera Lens
We always use lenses of various kind but ever wondered how a lens is being made. I had an opportunity to go through the manufacturing process of a lens company. Who makes lenses for some renowned brands.
The process begins with cut pieces of raw ground glass of different sizes as per demand.
They are polished at different stages and checked repeatedly for quality control. Then coating is applied.
This machine runs round the clock and polishes lens.
Checking the lens for imperfection.
Lens gathered in batches for quality control.
Checking lens specification.
Different type of polishing devices used as per requirement.
Once polishing finished lenses are cleaned in acidic bath.
A polished lens is as clear as water.
A multicoated lens gives superior image quality. This machines puts the coat on a lens. Lenses arranged in a dome and ready for coating.
Lens coating chamber.
Coated lenses in dome.
Once coating is finished lens gives the multicolour glow.
Rechecking glasses.
Two lens element are joined by optically clear glue.
The bonding is made permanent by laser ray.
To reduce unwanted reflection dark color coating is applied at the rim of lens.
Final quality control.
At last the lenses are ready for shipment. These products grouped together in final assembly line for making the camera lens that we use in camera.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a very good Photographer. He also appears as guest lecturer in various Photographic clubs & institutes.
Canon EOS 5DS and 5DS R – 50.6 Megapixel Full-frame CMOS Sensor
Product Summary
- Model Name: Canon EOS 5DS and 5DS R
- Release Date: February 5, 2015
- Focus Type: Auto / Manual
- Format : Full Frame
- Mounts: Canon EF
- Color: Black
- Availability: June 2015
- Price: EOS 5Ds $3699, EOS 5Ds R $3899
- Purchase options:
Key Features
- Newly designed 50.6 Megapixel full-frame CMOS helps deliver ultra-high resolution images for large-scale printing and extensive, creative cropping, while Dual DIGIC 6 Image Processors enable spectacular image quality and processing speed.
- EOS Scene Detection System features a 150,000-pixel RGB+IR Metering Sensor for excellent precision.
- 61-Point High Density Reticular AF including up to 41 cross-type AF points and EOS iTR allows for high precision autofocus.
- Advanced mirror control mechanism and new user-selectable shutter release time lag helps suppress camera vibration for reducing image shake.
- Anti-flicker helps compensate for flickering light sources and provides consistent exposure and color during continuous shooting.
- Built-in intervalometer and bulb timer helps deliver expanded creativity.
- 1.3x and 1.6x crop shooting adds superb flexibility, while still delivering high resolution images required for demanding applications.
- Intelligent Viewfinder II with approximately 100% viewfinder coverage.
- Full HD 30p movie capability and Time Lapse Movie function, which takes still photographs at set intervals and combines them into a Full HD movie file.
- High-speed continuous shooting up to 5.0 fps allows you to capture fast action.
- 3.2-inch ClearView II LCD monitor, 170° viewing angle, 1,040,000-dot VGA, reflection resistance with multi coating and high-transparency materials for bright and clear viewing.
- Customizable Quick Control Screen allows you to quickly change frequently used camera settings and functions.
- Support for USB 3.0
Features
Canon revolutionises resolution with the EOS 5DS and EOS 5DS R
Breaking the boundaries of 35mm sensors,the new cameras offer the highest megapixels ever seen in a full frame sensor, an astonishing 50.6MP. Delivering unparalleled quality, the cameras provide an exceptional combination of resolution, responsiveness and durability, whether shooting landscapes, architecture, high fashion or portraiture, either personally or professionally. When nothing but the sharpest image is expected, the EOS 5DS R also features a low pass cancellation filter to maximise the sensor’s resolution and visible image quality.Alongside the new DSLRs, Canon also introduces the EF 11-24mm f/4L USM, the world’s widest-angle rectilinear zoom lens(1), the perfect companion for landscape and architecture photographers.
Built to Maximize Sharpness
In addition to the 50.6 megapixel full-frame image sensor and Dual DIGIC 6 Image Processors, both cameras include a 61-Point High Density Reticular AF array including up to 41 cross-type AF points and EOS iTR AF for high precision autofocus. They also include the EOS Scene Detection system featuring a 150,000-pixel RGB+IR 252-zone metering sensor that provides enhanced precision and performance.
In support of such a high-resolution imaging sensor, the EOS 5DS and EOS 5DS R cameras were designed to minimize camera shake and significantly improve stability via a reinforced chassis, baseplate and tripod lug to improve rigidity. Canon also re-designed the mirror vibration control system to help reduce mirror bounce and camera shake. To help maximize stability and minimize vibrations, Canon added a new Arbitrary Release Time Lag Setting in Mirror Lock mode in both models. In addition to the standard setting (press the shutter button once to lock the mirror, then again to release the shutter), the EOS 5DS and EOS 5DS R cameras offer new setting intervals of 1/8, 1/4, 1/2, one and two seconds, releasing the shutter after the selected preset delay, allowing potential camera vibration to dissipate before shutter release.
A new Picture Style called “Fine Detail” has been added to enhance the sharpness of JPEGs and EOS Movies with three new settings: Strength, Fineness and Threshold. With such abundant resolution on each sensor, both models also provide two cropped shooting modes, while still delivering high-resolution images 30.5 megapixels for the 1.3x mode and 19.6 megapixels for the 1.6x mode. The available crop options are visible as a mask or an outline in the viewfinder; so shooters can know exactly where to frame their subject.
Establishing new standards for full-frame DSLRs
Setting a new benchmark for full-frame cameras, the EOS 5DS and EOS 5DS R combine fast, instinctive DSLR handling with the newly-developed 50.6MP CMOS sensor, providing the flexibility to shoot a wide range of scenes and subjects, making it ideal for large format mediums, such as advertising billboards and magazine covers, where every pixel matters. The sensor’s advanced architecture provides
ISO 100-6400 sensitivity, further expandable to 50-12800, ensuring high quality images with low noise, accurate colours and wide dynamic range. For added flexibility, the cameras’ resolution enables three new in-camera crop shooting modes–1.3x, 1.6x and 1:1. Visible through the viewfinder, the crop modes deliver outstanding results, with stills at 19 MP even when cropped to 1.6x. Built to withstand the most demanding shoots, the EOS 5DS and EOS 5DS R’s dual DIGIC 6 processors provide the rapid performance and responsiveness required to deliver first-class images with exceptional colour reproduction. Both processors are designed to comfortably manage huge levels of image data from the 50.6MP sensor, whilst simultaneously reducing image noise and providing the freedom to shoot at five frames per second.
Automatically exceptional
Created to ensure every detail of your exquisite landscape or high-fashion studio shoot is in focus, the EOS 5DS and EOS 5DS Rfeature an advanced 61-point AF system, with 41 cross-type points, delivering incredible levels of image sharpness and accuracy across the frame. Both cameras comfortably maintain focus with moving subjects, using EOS Intelligent Tracking and Recognition AF (iTR) to track both faces and colour. To reduce image blur, Canon’s Mirror Vibration Control System uses cams to drive the cameras’ mirror up and down in a highly controlled fashion, avoiding all sudden stops and softening the shutter-release sound. Additionally, the EOS 5DS and EOS 5DS R’s 150k pixel RGB+IR metering sensor with Flicker Detection ensures images can be captured with consistent and accurate exposures under varying lighting scenarios, including florescent.
Incredible detail and unrestricted creativity
Putting unrivalled image quality at your fingertips, the EOS 5DS and EOS 5DS R include a number of customisable modes and settings to ensure stunning results every time. A new Fine Detail Picture Style maximises the level of detail that can be achieved from the sensor, enabling advanced sharpness adjustment without the need for edit ing software. Popular creative modes, including Multiple Exposure and HDR, provide instant, in-camera creativity, while a built-in timer allows you to shoot over long periods and create stunning time lapse videos, without being tied to the camera or needing advanced software and excessive kit.
First-class professional construction, customisable features
The EOS 5DS and EOS 5DS R have been expertly constructed to allow you to operate quickly, regardless of the environment you’re shooting in. The 100% viewfinder with electronic overlay makes framing vital shots easy and can be customised to your preferred style. The large, 8.11cm (3.2”) Clear View II LCD screen, with an anti-reflective structure, minimises reflection or glare when reviewing shots and also acts as a visual and accessible dashboard of the most commonly used settings. The cameras’ new Custom Quick Control screen means that the type, size and position of icons are also easily customisable to the user or shooting scenario. Both cameras utilise Canon’s iconic design DNA–a highly durable body constructed from high-grade magnesium alloy to provide weather resilient shooting – ideal for landscape photographers who are dedicated to getting the perfect shot, whatever the weather.
EOS 5DS R: Engineered for the ultimate in DSLR image quality
When nothing but the absolute maximum level of detail possible will do, the EOS 5DS R features a low pass cancellation filter to ensure the sharpest possible results. Great for landscape photographers, where patterns are very often organic, the camera’s low pass cancellation filter produces the stunning level of detail required to turn agreat shot into an incredible shot.
Time Lapse & Video Features
Photographers and cinematographers will appreciate improved custom controls including a built-in intervalometer and bulb timer to enable the capture of time-lapse images and long-exposure images. These features are ideal for recording fireworks, star trails, sunrises and more.. A creative Time Lapse Movie function, a first for EOS cameras, takes a continuous series of still photographs and automatically combines them in camera into a Full HD movie file. Interval adjustments can be set from one second to 99 hours, 59 minutes and 59 seconds. The number of shots possible range from 2 to 3,600 with a maximum of two minutes and 30 seconds of playback time. In addition, high-speed continuous shooting up to five-frames-per-second (fps) at full 50 megapixel resolution allows users to capture fast action.
Others
The EOS 5DS and EOS 5DS R cameras feature dual card slots for CF and SD memory cards, including Ultra High Speed (UHS-1) SD cards. Built to last, the cameras also feature a shutter durability rating up to 150,000 cycles, the same as the EOS 5D Mark III.
What Canon Says
Mike Owen, European Professional Imaging Communications Manager, Canon Europe, talks about the new ultra high resolution full frame DSLRs from Canon – the EOS 5DS and EOS 5DS R
EOS 5DS and 5DS R Promo Video
Review by Canon Professional Network
The Freedom of High Resolution with the Canon EOS 5DS and EOS 5DS R DSLR Cameras
Canon: Making a New Standard in High-resolution DSLR Photography
The Impossible Brief: Georges Antoni tests the new Canon EOS 5DsR – 50.6 megapixel DSLR camera
Eberhard Schuy, Canon Explorer, specialises in advertising and industrial photography and shares his experience of working with the new Canon EOS 5DS – an ultra high resolution full frame DSLR.
Product Images
EOS 5DS and 5DS R Sample Images & Videos
Canon Japan has posted sample images videos
- Canon EOS 5Ds Sample Images and Movies
- Canon EOS 5Ds R Sample Images
- Canon EOS 5DS and 5DS R Users/Instruction Manual Download
A Day in Tokyo – Time Lapse Movie with the Canon EOS 5DS/5DSR DSLR
Purchase options
Revisiting Film Days – Feet of Hope
Since Photography took the mainstream it’s the film that people used until the digital revolution overtook it. However the essence of pure photography remains the same like any other art form. We use ART to express our EARTH the way we see & feel.
All these images were taken with –
Camera – Nikon F100
Lens – AF Nikkor 18-35mm/3.5-4.5D
Film – Fuji 200, Fuji Provia 100F
Centre for the Rehabilitation of the Paralyzed (CRP) is a comprehensive treatment and rehabilitation centre located in Savar Bangladesh. Founded by British physiotherapist Valerie Taylor in 1979. I have visited CRP as a volunteer of our surgical team. We operated on number of cases suffering from bed sore. These photographs provide a glimpse of regular lifestyle in CRP. Valerie is a remarkable lady. Her hospitality and generosity is something the keeps CRP running.
This person at the front desk is a freedom fighter. He look very normal isn’t it !
However as you change the angle – you will notice something different. He works at the desk lying on his bed.
As patients are paralyzed, they need to change position every two hours. Otherwise there will be bed sore at various bony points where body touches the bed.
Patients with cervical spinal injury are given tong traction. Lying upside down, they look at their surroundings through a mirror.
Strong mental strength as well as care by the family members and health care staffs help their life going.
During lunch hour patients who are on wheel chair or bed move to the dinning area.
Its Friday, and this patient is going for congregational prayer at noon.
For amusement of the patients there is TV, playground etc.
However, this is a place no one wants to stay long. They are always looking forward to go back home to their love ones.
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a very good Photographer. He also appears as guest lecturer in various Photographic clubs & institutes.
HD Pentax-D FA 150-450mm F4.5-5.6ED DC AW
HD Pentax-D FA 150-450mm F4.5-5.6ED DC AW – Adorama | B&H
Key Features
- Image circle covering Full-frame sensor
- 3X ratio supertelephoto zoom (eq to 230-690 for APS-C)
- Dependable weather-resistant construction against humidity and dust (21 protection joins)
- Smooth, quiet autofocus operation driven by a built-in DC motor
- HD Coating to optimize light transmittance and minimize reflection
- ED lens elements for brilliant sharpness and saturated colours
- Focus Range Limiter (Full, 2-6m, 6m-∞)
- Round shaped diaphragm to produce beautiful bokeh
- Super Protect coating of the front lens element for effective protection
Press
The HD PENTAX-D FA 150-450mm F4.5-5.6ED DC AW covers focal lengths from 150mm to 450mm — a focal-length range demanded by higher end PENTAX-camera users. Also incorporated are three ED (Extra-low Dispersion) glass elements and a super-low dispersion glass element to effectively compensate chromatic aberration. The highly desirable weather-resistance body protects the inside of the body from both dust and moisture, making it an extremely dependable and durable DSLR accessory in demanding outdoor conditions.
weather sealing
Specifications
| Focal Length | 150-450mm |
| Equivalent to 35mm format | 230-690mm |
| Maximum aperture | F4.5-5.6 |
| Minimum aperture | F22-27 |
| Number of Diaphragm Blades | 9Rounded aperture （150mm: F4.5-8, 450mm: F5.6-8）Diaphragm Control: Fully automatic |
| Angle of View | 10.7-3.6° (when attached to PENTAX digital SLR cameras)16.5-5.5° (when attached to PENTAX 35mm SLR cameras) |
| Construction | 18 elements in 14 groups |
| Smallest object distance | 2m (6.6 ft.) |
| Magnification | 0.22x |
| Filter size | Diameter: 86mm |
| Mount | KAF3 |
| Weight | Approx. 2000g /70.5 ozWith hood Approx. 2130g /75.1 ozWith hood and tripod mount Approx. 2325g /82.0 oz |
| Dimensions (Length x Diameter) | Approx. 95mm x 241.5mm (3.7 in. x 9.5 in.) |
| Kit Content | Hood, Lens cap, Mount cap, Lens Case, Tripod Mount |
| Special Features | HD Coating SP (Super Protect) Coating All Weather Resistant DC Motor Quick-shift Focus System AF Button Focus Preset Mode Focus Range Limiter |
| Optional Accessories | Lens Hood: PH-RBA86 Lens Cap: O-LC86 Lens Case: HS120-270 |
| Tripod Mount | O-TM80 |
HD PENTAX-D FA 70-200mm F2.8ED DC AW
PENTAX-D FA 70-200mm F2.8ED DC AW – Adorama | B&H
Key Features
- Image circle covering Full-frame sensor
- 3X ratio telezoom (eq. to 107-307mm for APS-C)
- Wide constant aperture F2.8
- PENTAX* high performance lens with high resolution power : (1) achieves sharp depiction and natural bokeh, (2) suitable for shooting portraits from the distance
- Dependable weather-resistant construction against humidity and dust (13 protection joins)
- Smooth, quiet autofocus operation driven by a built-in DC motor
- New Aero Bright Coating and HD Coating to optimize light transmittance and minimize refl ection
- ED lens elements for brilliant sharpness and saturated colours
Press
The HD PENTAX-D FA * 70-200mm F2.8ED DC AW has a brand new optical design in the PENTAX Star (*) series, which boasts the highest image quality of all PENTAX interchangeable lenses. In addition to the HD coating, this lens features Aero Bright Coating II, assuring exceptionally low reflectance. Thanks to its large- constant aperture design, the lens provides an accelerated maximum aperture of F2.8 at all focal lengths from 70mm to 200mm. In addition to four super-low dispersion glass elements and two ED (Extra-low Dispersion) glass elements, its optics includes a pair of new Super ED glass elements to effectively compensate chromatic aberration over the entire zoom range and deliver crisp, high-resolution images with edge-to-edge sharpness. Its dustproof, weather-resistant body also makes it extremely dependable and durable in demanding outdoor conditions. This new lens boasts fast yet quiet internal focusing, zoom versatility, and an AF limiter switch which improves autofocus response time.
weather sealing
Specification
| Focal Length | 70-200mm |
| Equivalent to 35mm format | 107-307mm |
| Maximum aperture | F2.8 |
| Minimum aperture | F22 |
| Number of Diaphragm Blades | 9Rounded aperture (F2.8-F5.6)Diaphragm Control: Fully automatic |
| Angle of View | 23-8.1° (when attached to PENTAX digital SLR cameras)34.5-12.5° (when attached to PENTAX 35mm SLR cameras) |
| Construction | 19 elements in 16 groups |
| Smallest object distance | 1.2m (3.9 ft.) |
| Magnification | 0.13x |
| Filter size | Diameter: 77mm |
| Mount | KAF3 |
| Weight | Approx. 1755g /61.9 oz.With hood Approx. 1835g /64.7 oz.With hood and tripod mount Approx. 2030g /71.6 oz. |
| Dimensions (Length x Diameter) | Approx. 203mm x 91.5mm (8 in. x 3.6 in.) |
| Kit Content | Hood, Lens cap, Mount cap, Lens Case, Tripod Mount |
| Special Features | HD Coating, AB Coating SP (Super Protect) Coating All Weather Resistant DC Motor Quick-shift Focus System Focus Range Limiter |
| Optional Accessories | Lens Hood: PH-RBM77 Lens Cap: O-LC77 Lens Case: HS110-230 |
| Tripod Mount | O-TM80 |
Pricing and Availability
Both the HD PENTAX-D FA * 70-200mm F2.8ED DC AW will be available in March 2015 at both www.ricohimaging.com and retail outlets nationwide with the following suggested retail prices $2299.95 (Adorama | B&H)
Manfrotto launches Off Road Backpacks
Manfrotto Sets Sights on Outdoor Photographers with New Off Road Collection
New Collection Includes Range of Hiking Backpacks, Versatile Walking Sticks and Tripod
Upper Saddle River, N.J. (January 15, 2015) – Manfrotto, a leading global innovator and manufacturer of premium photo, video and lighting support products and accessories, has announced the launch of its new Off Road Collection, uniquely crafted and designed to meet the needs of outdoor photographers who are looking for compact and lightweight accessories to help capture their adventure and support their imaging missions. The Off Road collection includes a pair of quality, Italian-made walking sticks with camera attachment converting it to a monopod, a lightweight tripod and a collection of new hiker backpacks for photographic gear, all available in a variety of colors to match hiking gear.
“We’re finding that more and more professional and enthusiast photographers are honing their skills in the great outdoors, and with that in mind, Manfrotto saw an opportunity to develop and market camera supports and accessories designed specifically for their needs,” said Paul Zakrzewski, Director of Marketing for Manfrotto Distribution, Inc. “We’re confident that the Off Road collection will be well received amongst these users and are excited to apply our expertise in developing versatile, high-quality, protective photographic gear, to this market.”
Manfrotto has partnered with Italian company Fizan, a global leader within the ski and trekking pole market with a strong heritage in the outdoor world. Utilizing Fizan’s cutting-edge lightweight tubes technology, the walking sticks and tripod have been engineered to be extremely lightweight, with the walking sticks weighing less than one pound for the pair and the tripod weighing just 1.43 lbs., making it the lightest in the Manfrotto range. The walking sticks and tripods are made of lightweight aluminum tubes and close telescopically into three sections and four sections, respectively, with a simple twist-to-lock mechanism.
The Off Road photographic walking sticks now make outdoor photography much simpler, as they are designed to answer the needs of passionate hikers who are sensitive to weight and desire ease of use. The poles feature a comfortable handgrip, a wrist strap and spiked-base feet with rubber covers, offering maximum stability on a variety of grounds. With an integrated camera mount and quick wheel attachment at the top of one pole, users can easily transform the stick into a monopod to conveniently capture the beautiful sights of wherever their adventure takes them. With a maximum payload of 5.5 lbs., users can simply remove the protective cap and screw the pole into the camera to attach it. Off Road walking sticks are available now for $99.00 in green, red or blue color options.
Designed to meet hikers’ needs, the Off Road tripods are easy and quick to set up, and are extremely compact with a diameter of just 5 cm, making it portable in any situation. The universal ¼ inch camera attachment and the new quick wheel make it possible to attach and detach your camera in seconds, and the aluminum built-in ball head and single adjustment knob are perfect for quick positioning of the camera and for easily locking all movements. The head also features an integrated leveling bubble, ensuring the correct shooting position. The feet of the tripod also have spiked bases for maximum stability. With a maximum payload of 5.5 lbs., the tripod is ideal for a wide range of cameras. The Off Road tripod is available now for $149.99 in green, red or blue.
To complete the new Off Road collection, Manfrotto is also introducing a line of backpacks, serving as the ideal carrying solution to comfortably store, transport and access gear while hiking in the outdoors. Manfrotto’s Off Road backpacks make it easier than ever to capture all of your special moments while hiking, with conveniently located pockets and dedicated straps to carry both the walking sticks and tripod. The backpacks are strategically designed to allow users to carry ample amount of personal belongings as well as camera gear such as an HDSLR with lenses and accessories thanks to the removable protective camera compartment and Camera Protection System. By unzipping the internal divider and removing the camera compartment, users can convert the backpack into a regular outdoor backpack for hiking. The backpacks also feature an innovative solution for carrying camera equipment on your chest to avoid strain on your neck and keep it close to your body. They also contain a padded waist belt and chest straps for added support and stability, and a breathable back system to minimize sweat and ensure comfort. Off Road backpacks will be available in January for $199.99. The 30L model comes in four colors options, including green, red, blue and gray.
[DPl Recommends [Mobile]]
Leica Noctilux-M 50mm f0.95 Lens
Price
Black : $ 9,675.00 : Adorama | B&H | Amazon
Silver : $ 9,988.00 : Adorama | B&H | Amazon
Key features
- Leica M Mount Lens
- Aperture Range: f/0.95 to f/16
- Five Partial Dispersion Glass Lenses
- Three High Refraction Glass Lenses
- 6-Bit Lens Coding
- Minimum Focus Distance: 3.3′
- Extendable Built-In Lens Hood
The Leica Noctilux-M 50mm f0.95 Lens exceeds the perception of the human eye. The ultra fast F0.95 is one of its kind. And the shallow depth created by this unique lens is simply outstanding. It has a 8 elements in 5 groups construction with three HR (high refraction) glass. The new design changes make it perform better than its predecessor in terms of vignetting and distortion.
Product Photo
Specification
| Lens Mount | Leica M |
| Focal Length | 52.3 mm |
| Aperture | Maximum: f/0.95; Minimum: f/16 |
| Format Compatibility | Full frame 35 mm film and digital image sensors |
| Minimum Focus Distance | 3.3′ (1 m) |
| Reproduction Ratio | 1:17 |
| Optical Construction | 8 elements / 5 groups |
| Coding System | 6-bit |
| Filter Thread | 60 mm |
| Dimensions (Diam. x L) | 2.9 x 3.0″ (73.0 x 75.1 mm) |
| Weight | 1.5 lb (700 g) |
Leica M-P (Typ 240)
Release Date : September 2014
Price : $ 6,996.00
Order Now : Adorama | B&H | Amazon
Key features
- 24MP Leica MAX Full-Frame CMOS Sensor
- Leica Maestro Image Processor
- Rangefinder with Image Field Selector
- 0.68x Optical Viewfinder Magnification
- 3.0″ 920k-Dot LCD with Sapphire Glass
- Full HD 1080p Video Recording
- ISO 6400, 3 fps Shooting for 24 Frames
- Compatible with M-Mount Lenses
The Leica M-P is a full frame digital rangefinder camera. Leica M series is renowned for their unobtrusive appearance since their birth. Many Magnum Photographers as well as those practicing traditional street photography are in favor of Leica M series. To match the digital era Leica has replaced the film unit with 24MP CMOS sensor. Powered by a Maestro Processor and large 2GB buffer this camera is monster in disguise. It can shoot up to 24 images continuously without break. With a fast Leica lens and high ISO of 6400 you can shoot images with this machine which was a dream couple of years back.
To keep the camera inconspicuous Leica even removed their long traditional red Leica badge. The Leica M-P is also capable of recording high definition video at 25 frame per second which is an extra benefit.
The back of the camera has a 3 inch LCD panel made of Sapphire Glass. Thus the Leica M-P is an attractive new addition to already rich Leica M line up.
Product Photo
Sample Image
Specification
| Lens Mount | Leica M |
| Camera Format | Full-Frame |
| Pixels | 24 Megapixel |
| Max Resolution | 24 MP: 5976 x 3992 |
| Aspect Ratio | 3:2 |
| Sensor Type / Size | CMOS, 36 x 24 mm |
| File Formats | Still Images: DNG, JPEGMovies: MJPEG, MOV |
| Dust Reduction System | Yes |
| Memory Card Type | SDSDHC
SDXC |
| Video Recording | Yes, NTSC/PAL |
| Resolution | 1920 x 1080: 25 fps, 24 fps1280 x 720: 25 fps, 24 fps
640 x 480: 30 fps, 25 fps, 24 fps |
| Video Format | High DefinitionMOV
1920 x 1080p / 25 fps 1920 x 1080p / 24 fps High Definition MOV 1280 x 720p / 25 fps 1280 x 720p / 24 fps Standard Definition MOV 640 x 480p / 30 fps 640 x 480p / 25 fps 640 x 480p / 24 fps |
| Aspect Ratio | 4:3, 16:9 |
| Audio Recording | Built-in Mic: With Video, MonoOptional External Mic: With Video, Stereo |
| Focus Type | Manual |
| Focus Mode | Manual Focus (M) |
| Viewfinder Type | Optical |
| Viewfinder Magnification | Approx. 0.68x |
| Diopter Adjustment | – 3 to +3 m |
| Display Screen | 3″ Rear Screen LCD (920,000) |
| Screen Coverage | 100% |
| ISO Sensitivity | Auto, 200-6400 (Extended Mode: 100-6400) |
| Shutter | Type: Electronic & MechanicalSpeed: 60 – 1/4000 seconds, Bulb Mode |
| Metering Method | Center-weighted average metering, Multi-zone metering, Spot metering |
| Exposure Modes | Modes: Aperture Priority, ManualCompensation: -3 EV to +3 EV (in 1/3 EV steps) |
| White Balance Modes | Auto, Cloudy, Daylight, Flash, Fluorescent (Natural White), Fluorescent (White), Kelvin, Manual, Shade, Tungsten |
| Burst Rate | Up to 3 fps at 24 MP |
| Built-in Flash | No |
| Max Sync Speed | 1 / 180 seconds |
| External Flash Connection | Hot Shoe |
| Start-up Time | 0.7 seconds |
| Continuous Shooting | Up to 3 fps |
| Self Timer | 2 seconds, 12 seconds |
| Battery | 1x Rechargeable Lithium-ion Battery Pack, 7.4 VDC, 1800 mAh |
| Operating/Storage Temperature | Operating32 to 104°F (0 to 40°C) |
| Dimensions (WxHxD) | 5.5 x 3.1 x 1.7″ / 139.0 x 80.0 x 42.0 mm |
| Weight | 1.5 lb / 680 g |
Leica Tri-Elmar-M 16-18-21mm f4 ASPH Lens
Price : $ 4,796.00
Order Now : Adorama | B&H | Amazon
Key features
- Select-able focal length
- 6-bit code for Digital
- 2 Aspherical lens elements
The Leica Tri-Elmar-M 16-18-21mm f4 ASPH is not a regular zoom lens. It has three individual focal length which can select by the user as per need. The lens is designed to capture almost distortion free images for architecture photography. The internal focusing mechanism with floating element principle yield outstanding image quality. Moreover the incorporated marking helps in hyperfocal photography.
Product Photo
Specification
| Filter Size | Requires filter holder (67mm) |
| f/Stop Range | 4-22 |
| Minimum Focus Distance | 1.6′ (0.5 m) |
| Magnification | 1:38 @ 16mm
1:35 @ 18mm 1:30 @ 21mm |
| Zoom/Focus Control | Two-touch (twist, click stops for 16, 18 or 21mm) |
| Angle of View | [diagonal; 35mm format]
107° @ 16mm 100° @ 18mm 92° @ 21mm |
| Groups/Elements | 7/10 |
| Length | 2.4″ (62mm) |
| Maximum Diameter | 2.1″ (54mm) |
| Weight | 11.8 oz (335 g) |
Samsung NX1 Firmware Update v1.2 Now Available For Download
Samsung has announced a major firmware update for the NX1. The latest, firmware v1.2 bring additional features, increased customization and several menu refinements.
Changes in firmware v1.2
Movie mode:
- Audio levels adjustable during movie capture
- ISO adjustable during movie capture
- 23.98p and 24p frame rates for 4K UHD and 1080 video
- ‘Pro’ movie quality setting added for 1080 capture
- Wider range of display options, including gridline, center, aspect ratio and action-safe area markers
- Output time code over HDMI (for use with external recorders)
- C Gamma and D Gamma curves added for movie shooting
- Master black level
- Luminance level limiting [0-255], [16-235], [16-255]
- AF speed control for smoother refocusing (3 settings)
- AF responsiveness control (dictates camera’s readiness to change AF subject)
- Added tools for selecting and grabbing frames from video
Physical interface changes:
- Autofocus lock option in movie mode (if set to AEL button)
- AF/MF toggling in movie mode (AF ON button option)
- Wi-Fi and [REC] buttons’ functions can be swapped
- AF On and AEL buttons’ functions can be swapped
- Command dials’ direction of operation can be reversed
- Add ISO or Exposure Comp. to command dial (customizable per PASM mode)
- DoF Preview and Delete buttons customizable
- Auto ISO options (ISO, ISO Customizing, Minimum Shutter Speed) arranged together in menus
Wireless features:
- Smartphone App can operate as remote release using Bluetooth
- ‘Quick Transfer’ to automatically send thumbnails to a smartphone as they’re shot
- Pair with multiple smart devices
- Check for firmware updates over Wi-Fi
Other additions:
- Trap Shot feature – fires shutter when a subject crosses a specified guideline
- Samsung Remote Studio for thethered shooting from Windows PC
- Samsung to release SDK for Windows to allow independent remote control software creation
Samsung NX1 Firmware Update v1.2 Download Link
Samsung NX1 available at Amazon
Canon EOS 5D Mark III Latest Firmware Version 1.3.3 Now Available For Download
Canon EOS 5D Mark III Firmware Update Version 1.3.3 incorporates the following improvements and fixes.
New Changes:
- Improves the AF controllability when shooting in Live View mode with a wide-angle lens (fixed focal length or zoom).
- Corrects some incorrect indications on the “English” and “Russian” menu screens.
Firmware Version 1.3.3 is for cameras with Firmware Version 1.2.3 or earlier. If your camera’s firmware is already Version 1.3.3, it is not necessary to update the firmware.
When updating the firmware of your camera, please first review the instructions thoroughly before downloading.
Note:
Once the EOS 5D Mark III camera is updated to Version 1.3.3, it cannot be restored to a previous firmware version (Versions 1.0.7 through 1.2.3).
When updating the firmware of your camera, please first review the instructions thoroughly before you download the firmware.
Download:
Canon EOS 5D Mark III Firmware Version 1.3.3
This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.