Up to 50% off on Select Refurbished Zoom Lenses at the Canon Store

Posted by Digital Photography Live Date March 2, 2014

Save 50% on Select Refurbished Zoom Lenses at the Canon Store

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Model	Reg Price	Sale Price
EF 70-300mm f/4-5.6 IS USM	$519.99	$259.99
EF 75-300mm f/4-5.6 III	$159.99	$79.99
EF-S 55-250mm f/4-5.6 IS II	$239.99	$203.99

Some other lenses also available depending on availability. check the full list here

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Nikon addresses ‘dust’ issue of D600 & offers shutter replacement

Posted by Digital Photography Live Date February 28, 2014

Technical Service Advisory for Users of the Nikon D600 Digital SLR Camera

Thank you for choosing Nikon for your imaging needs.

Affected Products: Nikon D600 Digital SLR Cameras

Some users of Nikon’s D600 D-SLR camera have reported the appearance of tiny spots on certain of their images. Not all users have experienced this issue. Nikon has thoroughly evaluated these reports and has determined that these spots are caused by dust particles which may become visible when the camera is used in certain circumstances and/or with certain settings. It is a well-known fact that the presence of dust particles cannot be completely avoided when using a D-SLR camera even after normal sensor cleaning procedures, because of a number of factors including components moving at high speeds when images are taken, the use of interchangeable lenses, and the different environments in which a D-SLR camera may be used. As part of its customer-service commitment, Nikon is providing a customer-service measure to reduce the potential impact of dust particles on images taken by its D600 D- SLR cameras.

The solution: Nikon is making available to all owners of D600 cameras (even if Nikon’s product warranty has expired) this customer-service measure, which includes the inspection, cleaning and replacement of the shutter assembly and related parts of your camera, FREE OF CHARGE as well as the cost of shipping D600 cameras to Nikon and their return to customers. Once again, please understand that regardless of this service, your D600 camera as is the case with all D-SLR cameras, will continue to require normal periodic sensor cleanings.

To have your D600 camera serviced free of charge please follow the steps below:

1) Click on the Schedule Free Service link [above].

2) On the following pages, you will need to provide the serial number of your D600 camera and your contact information.

3) Then, you will be prompted to create and print your pre-paid UPS return label and packing slip.

4) In shipping, please secure the D600 camera in a plastic bag inside the shipping box with several inches of quality packing material on all sides of the D600 camera. Please send your D600 camera and packing slip only. Do not include any lenses, batteries, memory cards or other accessories. Please do not ship in the original display box (It will not be returned).

5) Drop the shipping box off at any UPS facility. (Visit https://www.ups.com/dropoff for hours and locations.) You may also arrange to have your shipment collected by a UPS driver. Nikon will notify you by email when your D600 has been received at Nikon’s repair center. Nikon will notify you by email when the service is complete and ship your D600 camera back to you free of charge via UPS Ground.

We sincerely apologize for any inconvenience this issue may have caused. Nikon remains committed to providing only the highest quality cameras and components, and we hope that you will continue to choose Nikon for your photography needs.

Contact

If you have any questions, please contact Nikon Customer Relations by phone at 1-800-Nikon US (1-800-645-6687), 9AM–8PM EST, Monday to Friday (closed certain holidays) or online here.

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DNikon D4s vs Nikon D4: Difference

Posted by Digital Photography Live Date February 25, 2014

Nikon D4s vs Nikon D4

Features	Nikon D4s	NikoknD4
Sensor and Resolution
Sensor	36.0 x 23.9mm CMOS	36.0 x 23.9mm CMOS
Effective Pixels	Approx. 16.2	Approx. 16.2
Resolution	16.2MP FX-format CMOS sensor	16.2MP FX-format CMOS sensor
Image Quality
Image Processing Engine	EXPEED 4 30% faster Increased number of shots Higher video quality at high ISO Supports 1080 60p More shots per charge	EXPEED 3
ISO Sensitivity Range	100 to 25,600 Lo1 (ISO 50) to Hi4 (ISO 409,600)	100-12,800 Lo1 (ISO 50) to Hi4 (ISO 204,800)
File Format	12-bit and 14-bit NEF (RAW) File support JPEG- fine (approx. 1: 4), normal (approx. 1: 8), basic (approx. 1: 16) TIFF (RGB)	12-bit and 14-bit NEF (RAW) File support JPEG- fine (approx. 1: 4), normal (approx. 1: 8), basic (approx. 1: 16) TIFF (RGB)
RAW SIZE S	12-bit uncompressed	No
Metering System
91k RGB Sensor	Yes	Yes
Advanced Scene Recognition System	Yes – Group Area AF added	Yes
Face Priority analysis for viewfinder shooting	On/Off possible with custom setting	Always On
White Balance
Spot White Balance when using Live View	Yes	No
Preset White Balance	1-6 possible	1-3 is possible
Auto Focus
AF Sensor	Advanced Multi-CAM 3500FX	Advanced Multi-CAM 3500FX
Frame Advance Rate	11 fps with AF/AE	10 fps with AF/AE
Group Area AF	Yes Five AF sensors used as a Group Optimized for subjects located within an area covered by the “Group”	No
Dynamic AF Modes	9/21/51/51 points w/3D Tracking/Auto Area AF	9/21/51/51 points w/3D Tracking/Auto Area AF
Video
Frame Size and Frame rate	1920 x 1080 60/50/30/25/24p	1920 x 1080 30/25/24p
Multi-area mode Full HD D-Movie with three image area options	Selectable during live view: FX, DX, 2.7X Crop	Not selectable during live view: FX, DX, 2.7X Crop
ISO Auto Control for Manual Exposure	Yes	No
Simultaneous recording to memory card and external recorder	Yes	No
View simultaneous live view output and record uncompressed video via HDMI	Yes	Yes
Selectable audio frequency range	Yes Wide/Voice	No
Audio adjusted during video recording	Yes	No
Wired and Wireless Communication System
Wired LAN	1000 Base T Support	100 Base T Support
Wireless Transmission	Via WT-5A	Via WT-5A
Camera Handling
Ergonomics	Shape of a grip and details at backside (body form and controls) have been re-designed	Improved over D3 sereies
Dual memory card slots	CF card compatible with UDMA 7 XQD memory card (based on a 32-GB QD-S32E) enables continuous shooting for up to approx. 200 shots (JPEG fine L), approx. 133 shots (12-bit, lossless compressed RAW), approx. 176 shots (12-bit, compressed RAW), or approx. 104 shots (14-bit, compressed RAW)	CF card compatible with UDMA 7 XQD XQD memory card (based on a 32-GB S32E) enables continuous shooting for up to approx. 170 shots (JPEG fine L), approx. 92 shots (12-bit, lossless compressed RAW), approx. 92 shots (12- bit, compressed RAW), or approx. 76 shots (14-bit, compressed RAW)
Playback Magnification	Can be selected from multi-selector 50%, 100% or 200%	Can be selected from multi-selector
Change Focus point size in Live View Movie	Yes Normal-area	No
Fine tune LCD color	Yes	No
Full aperture metering during Live View for stills	Yes	No
Live View – Image Area	Can be selected while in Live View for stills and movies	No
Interval timer / Time lapse movie	Yes Increased number of exposures (up to 9999), setting until one week later is possible. Exposure smoothing has been added	Yes Up to 999 possible
Battery	One EN-EL18a Rechargeable Li-Ion Approx. 3,020 shots (in Single-frame mode, based on CIPA Standards)	One EN-EL18 Rechargeable Li-Ion Approx. 2,600 shots (in Single-frame mode, based on CIPA Standards)
Time-lapse Interval Timers Exposure Smoothening	Yes	No

Nikon D4s now available at Amazon | Adorama | B&H

Nikon D4S – Nikon’s New Flagship

Posted by Digital Photography Live Date February 25, 2014

Product Summary

Model name: Nikon D4S
Release Date: Feb 25, 2014
Focus Type: Autofocus
Format : Full Frame
Mounts: Nikon
Availability: March, 2014
Price: $$6499.95.
Purchase options: Amazon | Adorama | B&H

Key Features

16.2MP FX-Format CMOS Sensor
EXPEED 4 Image Processor
3.2″ LCD Monitor
Full HD 1080p Video Recording at 60 fps
Multi-CAM 3500FX 51-Point AF Sensor
Native ISO 25600, Extended to ISO 409600
11 fps Shooting for 200 Shots with AE/AF
91k-Pixel RGB Sensor and Group Area AF
14-Bit RAW Files and 12-Bit RAW S Format
1000 Base-T Gigabit Wired LAN Support

Overview

Nikon has dropped their new flagship D4s pro DSLR. It is the improved version of existing D4. Find Nikon D4s vs Nikon D4 comparison here. Nikon D4s is geared with more processing power, a refined autofocus system, faster shooting speed, and added video features. Nikon claims a noticeable improvement in battery life compared to the D4.

Features

Extreme Speed and Accuracy Give the Edge in the Field

Whether shooting extreme action sports or elusive wildlife, the Nikon D4S has been engineered to be the ultimate combination of speed and accuracy, giving photographers the power to capture even the fastest moving, unpredictable subjects with confidence and control. The proven Multi-CAM 3500 FX AF sensor module’s thoroughly recalibrated AF algorithms quickly zero in on its intended target— no matter how near, far, or abruptly a subject appears in the frame. Additionally, the D4S includes a new innovative Group AF mode. When selected, this mode utilizes five AF points to provide increased stability while tracking subjects, and enhanced accuracy by reducing instances of background focus. In situations where the background is bright with strong contrasting colors, photographers can now feel more confident, knowing that small, distant and fast-moving objects can be rendered sharper, faster and more frequently. Nikon’s AF Lock-on technology is also upgraded, shortening time in reverting from focus interruptions, such as a referee running into the frame.

Hundredths of a second can make the difference when capturing the decisive shot that graces the front page, the double-truck spread, or the client’s mantel. With this in mind, the Nikon D4S also improves tracking on high-speed continuous shooting at a blazing fast 11 fps, with continuous AF/AE. Because missing the shot is just not an option, Nikon’s EXPEED 4 plays an integral role in the D4S’ seemingly instantaneous response and swift performance, while enhancing energy efficiency. The camera now features a processing time that is a full 30% faster, in addition to a 200-shot buffer (JPEG) at full resolution at the maximum continuous mode.

As a proven flagship for the world’s most demanding photographers, the D4S retains the features that made its predecessor the professional’s choice in the first place. The Nikon D4S HD-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and a teleconverter with a combined aperture value up to f/8, a great advantage to those photographing sports and wildlife from extreme distances.

The Advantage of Superior Image Quality

At the core of the Nikon D4S is a newly developed 16.2-megapixel FX-format CMOS Sensor (36 x 23.9mm), engineered to deliver an immersive dynamic range, with exceptionally low noise. This newly developed image sensor works in tandem with the latest generation of Nikon’s powerful image processing engine, dubbed EXPEED 4, to bolster image quality, color and sharpness in both stills and video. The benefits of EXPEED 4 go well beyond high-speed image processing to provide evolved real time noise reduction, along with depth and clarity gradation rendering. The resulting images exhibit a wide tonal range, with true and faithful colors.

Thanks in part to the new EXPEED 4 processing engine, the Nikon D4S now shatters the perception of what’s possible with available light photography, giving users a native ISO range from 100-25,600 expandable from 50 ISO (Lo-1) to a staggering 409,600 ISO (Hi-4). This amazing ISO range rewrites the rulebook for available-light shooting, and is especially useful for professional sports shooters, photojournalists, as well as military and law enforcement agencies. The powerful EXPEED 4 image-processing engine incorporates an entirely new algorithm for even higher ISO noise reduction and color fidelity, resulting in an enhanced overall sharpness and clarity without sacrificing subtle textures and luminous details. The enhanced ISO is also a major advantage for other professionals including wedding and portrait photographers, who can now confidently capture the darkest reception, a candlelit ceremony, or create crisp studio portraits with flawless fidelity.

Other advanced Nikon technologies also contribute to the superior image quality of the Nikon D4S, including a new enhanced standard Picture Control tone curve that gives greater depth and clearer color rendition, especially on skin tones. For additional versatility, users have the ability to toggle Face Detect AF on or off while shooting through the viewfinder, and white balance calculation has been further refined for accuracy, while spot white balance is employed for easier presetting with more options.

Nikon’s exclusive 91,000-pixel RGB 3D Color Matrix Metering III system returns on the D4S to help capture true-to-life colors while solving the most challenging exposures, from sun-lit snow to stadium lighting. The system works by meticulously analyzing the variables within each scene and recognizing factors such as color and brightness values with unprecedented exactness. This data is then interpreted and compared against the camera’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure.

Faster Workflow During and After Capture

While shooting speed and response matter in the moment, workflow speed has become increasingly important in a more competitive landscape. The D4S delivers upon the need for that speed with features that are engineered for today’s professional:

New RAW SIZE S files:In addition to shooting JPEG, full size RAW (NEF) and TIFF files, the Nikon D4S also has a new file setting to enhance workflow, RAW SIZE S. This setting allows for shooting 12-bit uncompressed Nikon NEF files that are approximately half the size (2464 x 1640) of standard uncompressed RAW files and are more easily manageable—speeding up the entire workflow process.
Faster transfer rate: When connected via LAN, users can now transmit files using Gigabit Ethernet (1000 Base-T LAN). This significant decrease in transfer times means more time to shoot, and less time transmitting files.
Improved battery life: Despite its processing power, the D4S is remarkably power-efficient. With the addition of a new EN-EL18a Lithium-Ion battery, the D4S can easily outlast the action with up 3,020 (CIPA rating) shots in single mode and 5,960 shots (Nikon testing) in continuous mode.
Dual card slots: The D4S uses both CF cards as well as the super-fast XQD card format to achieve the fastest possible transfer and write times.

Video Features Fit for the Modern Production Environment
With an increase in potent processing power, the D4S ups the ante when it comes to multimedia workflow and content capture. A versatile tool on location or on set, the D4S offers enhanced video quality and video-friendly features, in a compact and lightweight HD-SLR form factor. In addition to the innovative video attributes from the D4, the D4S offers the following new features:

Full HD video in variable frame rates: Users have the choice of various resolutions and frame rates, including a new 1080/60p option for increased flexibility in post. Users can also shoot at 1080 30p or a cinematic 24p, as well as various other NTSC and PAL frame rates and resolutions. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip.
Selectable image area: Users now have the ability to select an image area in Live View mode to match the glass or shooting style. To best suit the scene, FX, DX (1.5x) and 2.7x cropping is available.
Expanded ISO range for video and auto ISO control: D4S’ FX-format image sensor and EXPEED 4 work hand-in-hand to render a natural transition between bright and dark scenes, all while delivering rich tones, sharp edges and minimized noise, even at high ISOs. The D-Movie mode has a wide standard ISO range — from 200 to 25,600 to shoot in nearly any lighting. Furthermore, the ISO can be pushed up to an ISO 409,600 (Hi-4) equivalent. Additionally, D4S lets you maintain manual exposure for controlled shutter speeds and aperture settings while the camera automatically dictates the ISO maximum sensitivity from 400 to Hi-4. For assignments with dramatic shifts in lighting, this can be a remarkably useful tool.
Uncompressed 1080 60p: For the purest video quality, the D4S allows direct output of uncompressed files via HDMI. Output can be recorded to an optional outboard digital video recorder, making for an efficient editing workflow.
Manual control: Like the D4 HD-SLR, D4S offers full manual control when shooting video for maximum creative versatility.
Simultaneous recording: When recording to an external digital recorder via HDMI, the D4S can now simultaneously write to the CF or XQD card. This function is ideal for creating backups and recording while live-streaming content.
Improved sound: The range of audio frequency is now selectable, with options such as Wide Range and Voice Range. Wind noise reduction and audio levels can be changed during recording.
Smoother exposure transition during time-lapse and interval-time shooting: Creating breathtaking time-lapse movies is even easier with the D4S. The camera renders exposure transitions with unprecedented smoothness. Such scenes have been difficult to capture in manual or auto exposure mode, but now users can apply an auto exposure to achieve professional-grade time-lapse and interval-time shooting.
NIKKOR lens compatibility: The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 80 years. Nikon has a vast NIKKOR lens system, with more than 80 lenses including 65 FX-format lenses with a variety of focal lengths and features, including VR vibration reduction.

Pro Grade Construction and Controls
As a flagship camera for professionals, the D4S is engineered to excel in the world’s toughest environments, while giving pros the features needed to get the shot. The shutter has been tested to 400,000 cycles, and the camera chassis is constructed of lightweight and durable magnesium alloy. Additionally, the camera is sealed and gasketed from moisture, dust and electromagnetic interference to resist the elements.

While shooting, users will appreciate a slightly modified control layout and ergonomics for faster and more comfortable shooting. Subtle changes increase grip and comfort, making the camera easier to hold for a wider range of hand sizes and more comfortable during prolonged use. Photographers will also benefit from composing through a bright viewfinder with 100% coverage. The D4S also features a newly designed mirror-moving mechanism, which uniformly and effectively absorbs mirror slap to minimize viewfinder blackout time. Even at 11 fps, this innovation makes it easier to track a fast subject through the optical viewfinder.

The wide and bright high-resolution 921k dot, 3.2-inch LCD screen of the Nikon D4S lets users easily change menu settings, compose and review images. Photographers have the ability to customize the color of the LCD monitor to better match studio monitors or personal preference. Additionally, the LCD monitor retains its auto-brightness function that automatically adjusts the brightness of the monitor to increase visibility and conserve battery life.

Product Images

Nikon D4 Specifications

Image sensor	36.0 x 23.9 mm CMOS sensor (Nikon FX format)
Total pixels	16.6 million
Dust-reduction system	Image sensor cleaning, Image Dust Off reference data (requires optional Capture NX 2 software)
Effective pixels	16.2 million
Lens mount	Nikon F mount (with AF coupling and AF contacts)
Image size (pixels) 1	FX format (36×24): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S] 1.2x (30×20): 4,096 x 2,720 [L], 3,072 x 2,040 [M], 2,048 x 1,360 [S] DX format (24×16): 3,200 x 2,128 [L], 2,400 x 1,592 (M), 1,600 x 1,064 (S) 5:4 (30×24): 4,096 x 3,280 [L], 3,072 x 2,456 [M], 2,048 x 1,640 [S] FX-format photographs taken in movie live view (16:9): 4,928 x 2,768 [L], 3,696 x 2,072 [M], 2,464 x 1,384 [S]
Image size (pixels) 2	DX-format photographs taken in movie live view (16:9): 3,200 x 1,792 [L], 2,400 x 1,344 [M], 1,600 x 896 [S] FX-format photographs taken in movie live view (3:2): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S] DX-format photographs taken in movie live view (3:2): 3,200 x 2,128 [L], 2,400 x 1,592 [M], 1,600 x 1,064 [S] A DX-based format is used for photographs taken using the DX (24×16) 1.5x image area; an FX-based format is used for all other photographs
Storage File format	NEF (RAW): 12 or 14 bit, lossless compressed, compressed or uncompressed TIFF (RGB) JPEG: JPEG-Baseline compliant with fine (approx. 1:4), normal (approx. 1:8) or basic (approx. 1:16) compression (Size priority); Optimal quality compression available NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
Picture Control System	Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls
Media	XQD and Type I CompactFlash memory cards (UDMA compliant)
Dual card slots	Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards
File system	DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge
Viewfinder	Eye-level pentaprism single-lens reflex viewfinder
Frame coverage	FX (36×24): Approx. 100% horizontal and 100% vertical 1.2x (30×20): Approx. 97% horizontal and 97% vertical DX (24×16): Approx. 97% horizontal and 97% vertical 5:4 (30×24): Approx. 97% horizontal and 100% vertical
Magnification	Approx. 0.7x (50 mm f/1.4 lens at infinity, -1.0 m-1)
Eyepoint	18 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)
Diopter adjustment	-3 to +1 m-1
Focusing screen	Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid
Reflex mirror	Quick return
Depth-of-field preview	When Pv button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes)
Lens aperture	Instant return, electronically controlled
Compatible lenses	Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC-NIKKOR lenses), DX lenses [using DX (24×16) image area], AI-P NIKKOR lenses and non-CPU AI lenses (exposure modes A and M only); IX-NIKKOR lenses, lenses for the F3AF and non-AI lenses cannot be used
Shutter Type	Electronically-controlled vertical-travel focal-plane shutter
Speed	1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, bulb, X250
Flash sync speed	X=1/250 s; synchronizes with shutter at 1/250 s or slower
Release modes	S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), (self-timer), MUP (mirror up)
Frame advance rate	Up to approx. 10 fps (CL) or approx. 10 to 11 fps (CH)
Self-timer	2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2 or 3 s
Exposure Metering	TTL exposure metering using RGB sensor with approx. 91K (91,000) pixels
Metering method 1	Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data Center-weighted: Weight of 75% given to 12-mm circle in center of frame; diameter of circle can be changed to 8, 15 or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame)
Metering method 2	Spot: Meters 4-mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)
Range (ISO 100, f/1.4 lens, 20deg.C)	Matrix or center-weighted metering: -1 to 20 EV Spot metering: 2 to 20 EV
Exposure meter coupling	Combined CPU and AI
Exposure modes	Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M)
Exposure compensation	-5 to +5 EV in increments of 1/3, 1/2 or 1 EV
Exposure bracketing	2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV
Exposure lock	Luminosity locked at detected value with the center of the sub-selector
Exposure: ISO sensitivity	ISO 100 to 12800 in steps of 1/3, 1/2 or 1 EV; can also be set to approx. 0.3, 0.5, 0.7 or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.5, 0.7, 1, 2, 3 or 4 EV (ISO 204800 equivalent) above ISO 12800; auto ISO sensitivity control available
Active D-Lighting	Can be selected from auto, extra high +2/+1, high, normal, low or off
ADL bracketing	2 frames using selected value for one frame or 3 to 5 frames using preset values for all frames
Autofocus	Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors; f/8 supported by 11 sensors)
Detection range	-2 to +19 EV (ISO 100, 20deg.C/68deg.F)
Focus: Lens servo	Autofocus (AF): Single-servo autofocus (AF-S); continuous-servo autofocus (AF-C); predictive focus tracking automatically activated according to subject status Manual focus (M): Electronic rangefinder can be used
Focus point	Can be selected from 51 or 11 focus points
Focus: AF-area modes	Single-point AF, 9-, 21- or 51-point dynamic-area AF, 3D-tracking, auto-area AF
Focus lock	Focus can be locked by pressing shutter-release button halfway (single-servo autofocus) or by pressing the center of the sub-selector
Flash control	TTL: i-TTL flash control using RGB sensor with approx. 91K (91,000) pixels is available with SB-910, SB-900, SB-800, SB-700, SB-600 or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering
Flash modes	Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; auto FP high-speed sync supported
Flash compensation	-3 to +1 EV in increments of 1/3, 1/2 or 1 EV
Flash bracketing	2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV
Flash-ready indicator	Lights when optional flash unit is fully charged; flashes after flash is fired at full output
Accessory shoe	ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS)	Advanced Wireless Lighting supported with SB-910, SB-900, SB-800 or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; auto FP high-speed sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units
Sync terminal	ISO 519 sync terminal with locking thread
White balance	Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2,500 K to 10,000 K); all with fine-tuning
White balance bracketing	2 to 9 frames in steps of 1, 2 or 3
Live View Modes	Live view photography (quiet or silent), movie live view
Live View: Lens servo	Autofocus (AF): Single-servo autofocus (AF-S); full-time servo autofocus (AF-F) Manual focus (M)
Live View: AF-area modes	Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF
Live View: Autofocus	Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)
Movie Metering	TTL exposure metering using main image sensor
Frame size (pixels) and frame rate	1,920 x 1,080; 30p (progressive), 25p, 24p 1,920 x 1,080 crop; 30p, 25p, 24p 1,280 x 720; 60p, 50p, 30p, 25p 640 x 424; 30p, 25p Actual frame rates for 60p, 50p, 30p, 25p and 24p are 59.94, 50, 29.97, 25 and 23.976 fps respectively; all options support both high and normal image quality
Movie: File format	MOV
Video compression	H.264/MPEG-4 Advanced Video Coding
Audio recording format	Linear PCM
Audio recording device	Built-in monaural or external stereo microphone; sensitivity adjustable
Movie: ISO sensitivity	Automatically adjusted in the range ISO 200 to 12800 or ISO 200 to Hi 4
Maximum length	Approx. 29 min. 59 s (20 min. depending on frame size/rate and movie quality settings)
Monitor	8-cm (3.2-in.), approx. 921k-dot (VGA) TFT LCD with 170deg.viewing angle, approx. 100% frame coverage and automatic monitor brightness control using ambient brightness sensor
Playback	Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, GPS data display, auto image rotation, voice memo input and playback and IPTC information embedding and display
USB	Hi-Speed USB
HDMI output	Type C mini-pin HDMI connector; can be used simultaneously with camera monitor
Audio input	Stereo mini-pin jack (3.5-mm diameter; plug-in power supported)
Audio output	Stereo mini-pin jack (3.5-mm diameter)
10-pin remote terminal	Can be used to connect optional remote control, GPS Unit GP-1 or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional GPS Adapter Cord MC-35 and cable with D-sub 9-pin connector)
Ethernet	RJ-45 connector
Peripheral connector	For Wireless Transmitter WT-5A/B/C/D
Supported languages	Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian
Battery	One Rechargeable Li-ion Battery EN-EL18
AC adapter	AC Adapter EH-6b; requires Power Connector EP-6 (available separately)
Tripod socket	1/4 in. (ISO 1222)
Operating Temperature	0 to 40deg.C/32 to 104deg.F
Operating humidity	Less than 85% (no condensation)
Dimensions (W x H x D)	Approx. 160 x 156.5 x 90.5 mm/6.3 x 6.2 x 3.6 in.
Weight	Approx. 1,340 g/2 lb 15.3 oz with battery and XQD memory card but without body cap and accessory shoe cover; approx. 1,180 g/2 lb 9.6 oz (camera body only)

Sample Images

Purchase options

Available at Amazon | Adorama | B&H

Tamron SP 70-200MM F/2.8 Di VC USD Lens – $1,189.00 (Reg $1,499.00)

Posted by Digital Photography Live Date February 24, 2014

For the limited time only, DigitalRev has the Tamron SP 70-200MM F/2.8 Di VC USD Lens for Canon/Nikon available for $1,189.00. Compare at $1,499.00.

Canon PowerShot G1 X Mark II Sample Images

Posted by Digital Photography Live Date February 23, 2014

Sample images of Canon PowerShot G1 X Mark II now available for your review. They are posted in both Canon UK & Canon Japan. Canon Europe’s selection includes full resolution images taken at ISO 800 – 1600 and some can be examined at full resolution here. Have a look, its a promising compact to satisfy many.

PowerShot G1 X Mark II now available at Amazon | Adorama | B&H

Lowepro Compuday Photo 250 Review

Posted by Digital Photography Live Date February 23, 2014

It is difficult to find a person, who is completely satisfies with his camera bag. I am not saying such a person doesn’t exist, I just have not met one yet, including me! Moreover such a bag doesn’t exist. I prefer to buy used camera bags than new ones. Because you buy then cheap, then sell them without losing much. All these years I owned numbers of camera bags. None of them satisfied me completely. Having bought and used so many bags, my honest opinion is, “one bag fits all” doesn’t exist. Life will be a lot easier if you look for a bag that serves you most in your usual shooting style. The quest for the perfect bag is one of the biggest challenge for a photographer. Often we end up buying multiple bags, managing those bags is a big time headache.

It has been a while I added this Lowepro CompuDay Photo 250 bag to my inventory. This is a member of Lowepro’s backpack line. It will be continuous review and I will try to add more from my day to day experience. Honestly speaking I am in love with this bag. It replaces my other bags including non photographic bags. Just for $75, this bag is really comfy and light enough to carry with you all day long. Cleverly designed and doesn’t look like a typical camera bag. Makes it easy to avoid unnecessary attentions.

This is a great travel bag with a comfortable easy-grip top handle and wide shoulder straps. CompuDay Photo 250 easily fits in Airline overhead compartments and it has a trolley sleeve to slide it over the handle of a rolling suitcase. For quick access it has a side mesh pocket and a front zipper pocket. It has a dedicated side pocket for camera, you can easily fit a Canon EOS 5D Mark II or similar fitted with 16-35mm L, 24-70 L similar sized lenses or a Canon 70-200 mm f/4L attached to 5D II with a little extra effort or a 70-200 f/2.8 alone. Middle compartment is good enough to carry 2-3 extra lenses along with other accessories. I will suggest to use lens pouches for extra protection due to lack of dedicated padded lens compartments. But there are also many smaller compartments that allow you to organize everything else, including hard drives, small electronics, keys, pens etc.

Photos

I took it to Sea World and Universal Studio in two separate whole day trip. I carried my Canon 5D Mark III fitted with Canon EF 16-35mm f/2.8L II USM (II) lens in the side pocket and canon 70-200 f/4L IS in the main compartment (inside a lens pouch) together with a hat, shorts and a small towel. A Samsung Galaxy Tab 10.1 in the dedicated laptop compartment and a water bottle in the dedicated side pocket. Other accessories like cell phone, cable release, filters, batteries etc. in front pockets. What else you need to carry for a trip like this? They all fitted nicely and easily.

Pros

Light
Comfortable
Intelligent design
Doesn’t look like a typical camera bag
Side compartment
Laptop compartment
Space for tablets
Casual look

Cons

Less Padding
Lacks dedicated SD card compartment
No rain Cover

From my experience, this bag needs some improvements as well. Firstly they need to improve its padding. They can make it a little bit bigger and add an all-weather rain cover. Other than that this is really a cool and comfy little camera bag for everyday use. I hope Lowepro will bring those improvements in next version.

Technical Details:

Capacity:

Compact DSLR with kit lens attached; up to a 15.6” widescreen laptop; accessories; personal items. Note that the interior dimensions are taken while the camera compartment is collapsed. With camera compartment expanded the interior shrinks to 5.9 W 4.7 D 15.4 H in (15.0 W 12.0 D 39.0 H cm).

Size(Interior): 11.4W X 4.7D X 15.4H in./ 29 X 12 X 39 cm	Size(Exterior): 12.6W X 7.9D X 17.1H in./ 32 X 20 X 43.5 cm	Camera Compartment Inner Dimensions: 6.7W X 4.5D X 11H in./ 17 X 11.5 X 28 cm
Notebook Compartment Inner Dimensions: 10.6W X 1.4D X 15.7H in./ 27 X 3.5 X 40 cm	Front Compartment Inner Dimensions: 8.7W X .6D X 12.6H in./ 21 X .5 X 32 cm	Outer fabric: 600D Polyester 420 Nylon nailhead 840D/50t Nylon 1680 Ballistic Nylon Polyester stretch mesh
Interior Fabric: 210 D nylon Polyester stretch mesh Brushed tricot polyester

Sony a6000 – World’s fastest AF At 11 fps Tracking Speed

Posted by Digital Photography Live Date February 12, 2014

Press Release:

Sony Electronics Introduces the Versatile α6000 Interchangeable Lens Camera with World’s Fastest Autofocus System¹

New Mirrorless Camera Features Impressive AF, 24 MP APS-C Sensor, BIONZ® X Processor, OLED Tru-Finder™ and more

SAN DIEGO, Feb. 11, 2014 – Sony Electronics’ new α6000 camera pushes the limits of mirrorless camera innovation, boasting the world’s fastest AF performance1 at just 0.06 seconds.

The speedy new camera (model ILCE-6000) is also equipped with a high-resolution 24.3 MP image sensor and powerful BIONZ X processor. This powerful combination of features ensures that still images, full HD videos and all fleeting moments are captured in sharp focus and incredible detail.

“With the world’s fastest autofocus system1, the ability to capture a blazing 11 frames per second and a 24.3 MP sensor, the new α6000 rivals even the best DSLRs in the market today in terms of performance, and does this in half of the size and weight at an extremely attractive price point,” said Neal Manowitz, director of the alpha interchangeable lens camera division at Sony. “It’s an ideal choice for photo enthusiasts eager to ‘go light’ and take their photography to the next level.”
Mike Fasulo, President and COO of Sony Electronics, added “The new α6000 camera is simply the latest in a recent line of awe-inspiring product introductions from our digital imaging group – one of the key pillars of our core electronics business. As a leader in the imaging industry, we’re continuing to push the limits of innovation, offering products and experiences that only Sony can deliver.”

New ultra-fast AF system
Even quicker than most professional DSLRs, the phenomenal autofocus speed of the α6000 camera is powered by Sony’s advanced Hybrid AF system. The new model features a focal plane phase-detection AF sensor with an extremely wide autofocus coverage area – 179 focal points– that is teamed with high-precision contrast-detection AF. This potent combination allows the camera to accurately track and respond to a subject moving through nearly the entire frame, and to shoot at an eye-popping speed of up to 11 frames per second with continuous autofocus. It’s an unprecedented combination of speed and frame coverage in today’s market.

Design and Controls
The new camera’s clear, bright OLED Tru-Finder lets you see a live preview of all setting adjustments before the shot is taken, so what you see is exactly what you get. Conveniently placed mode and control dials on top of the camera give easy access to commonly used settings. Additionally, a ‘Function’ button and two additional customizable buttons give quick access to any one of 47 assignable functions. There’s also a built-in flash for extra flexibility in any shooting situation.

Wi-Fi® and PlayMemories™
The α6000 camera has built-in Wi-Fi, giving consumers one-touch connection with Xperia® or NFC-compatible Android™ smartphones or tablets for instant image transfer and sharing2. A single touch also activates Smart Remote Control, linking the camera with a smartphone or tablet for a live image preview, to fire the shutter from a distance and to review shots instantly.

For devices without NFC one-touch capabilities, users can wirelessly transfer images and videos and activate Smart Remote Control through Sony’s free PlayMemories Mobile™ application, available for the iOS and Android platforms.
The camera is also compatible with downloadable Sony PlayMemories Camera Apps, adding a range of exciting and creative capabilities. Currently there are a total of 10 different applications available with several others to be released this spring.

Learn more at www.sony.net/pmca .

Pricing and Availability
The Sony α6000 compact interchangeable lens camera will be available in April 2014 in black and silver in a kit with a compact, versatile 16-50mm motorized zoom lens (model SELP1650) for about $800. It will also be offered separately as a body for about $650.

Sony has also announced the price of its previously announced full frame E-mount 70-200mm F4 G OSS telephoto zoom lens (model SEL70200G). This lens will be available in March for about $1500.

The new camera and all compatible lenses and accessories will be available at Sony retail stores (www.store.sony.com) and other authorized dealers nationwide.

Sony α Lenses Assortment
The α6000 camera is compatible with Sony’s ever-growing assortment of E-mount interchangeable lenses, and uses the same Sony E-mount as the α3000, α5000 and acclaimed α7 and α7R models, as well as all the previous α ‘NEX’ cameras. All Sony ‘FE’ and ‘E’ lenses are compatible with all E-mount cameras.

Outlined below, the E-mount family now includes 20 different models with several premium models from Carl Zeiss® and G Series Lenses:

E 16mm F2.8
E 20mm F2.8
E 35mm F1.8 OSS
E 50mm F1.8 OSS
E 30mm F3.5 Macro
E 24mm F1.8 ZEISS
E 10-18mm F4 OSS
E PZ 16-50mm F3.5 – F5.6 OSS
E 18-55mm F3.5 – F5.6 OSS
E 18-200mm F3.5 – F6.3 OSS
E 18-200mm F3.5 – F6.3 OSS LE
E PZ 18-200mm F3.5 – F5.6 OSS
E 55-210mm F4.5 – F6.3 OSS
E PZ 18-105mm F4 G OSS
E 16-70mm F4 ZEISS OSS
FE 28-70mm F3.5 – 5.6 OSS
FE 35mm F2.8 ZEISS
FE 55mm F1.8 ZEISS
FE 24-70mm F4 ZEISS OSS
FE 70-200mm F4 G OSS

1. Amongst interchangeable-lens digital cameras equipped with an APS-C image sensor as of February 12, 2014. Determined with internal measurement method with E PZ 16-50mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use.

Additional Images

Pricing & Availability

Available at Amazon | B&H

Canon EOS Rebel T5 or EOS 1200D

Posted by Digital Photography Live Date February 12, 2014

Ideal for Entry-level Digital SLR Users, the New EOS Rebel T5 Digital SLR Camera Helps Users Confidently Capture Outstanding Still and Video Images

MELVILLE, N.Y., February 11, 2014– Canon U.S.A., Inc., a leader in digital imaging solutions, today introduced the EOS Rebel T5 Digital SLR Camera – the latest model in the company’s popular EOS Rebel lineup. The new camera provides entry-level photographers with an affordable way to take their imaging skills to the next level. Incorporating an 18.0 megapixel CMOS (APS-C) image sensor and a high-performance DIGIC 4 image processor, the EOS Rebel T5 camera delivers improved functionality with the speed and high quality needed to create impressive images – even in low light.

The new EOS Rebel T5 Digital SLR camera offers users an extensive ISO range of 100-6400 (expandable to 12800) to accommodate shooting situations from bright, natural outdoor lighting to dimly lit indoor settings. The camera can also automatically lock-in on moving subjects with ease using the EOS Rebel T5 camera’s nine-point AF system (including one center cross-type AF point). With help from the AI Servo AF, users can benefit from the camera’s outstanding autofocus capabilities. The new EOS Rebel T5 camera also offers a continuous shooting mode of up-to three frames per second (fps) to help photographers capture the action at children’s activities, sporting events and more. Images can then be easily viewed on the camera’s large three-inch LCD monitor.

“The EOS Rebel T5 camera is designed for entry-level DSLR photographers looking to expand their creative options and advance their photography skills,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “The improved functionality of this new EOS Rebel camera will help them do just that as it intelligently guides users on how to pinpoint their perfect shot and capture high-quality images and videos worth sharing.”

Detailed, High-Quality Images

Photo enthusiasts can capture high-quality images that are true-to-life in color, sharpness and contrast with the EOS Rebel T5 camera’s 18.0 megapixel CMOS (APS-C) image sensor and DIGIC 4 image processor. Shooting is also made easy thanks to the EOS Rebel T5 camera’s Intelligent Auto mode that helps deliver expertly optimized photos and offers improved scene detection, especially useful for shooting at night.

The Canon Rebel EOS Rebel T5 camera is also compatible with the full line of Canon EF and EF-S lenses as well as other accessories like the new Macro Ring Lite MR-14EX II. Ideal for close-up photography with EF Macro lenses, the Macro Ring Lite MR-14EX II supports E-TTL wireless autoflash in conjunction with one or more Canon Speedlite 600EX-RT flash units.

Full HD Video Capture

The camera’s Full HD Movie mode helps make shooting high-quality 1080p movies simple. Capable of shooting in a number of recording sizes and frame rates, the EOS Rebel T5 enables easy manual control of exposure, focus and Live View features, as well as in-camera editing.

Intuitive Design and Full Creative Control

The new EOS Rebel T5 camera offers a full creative feature set – providing a variety of effects and settings to enhance photographs and video. Whether adding contrast for a more dramatic effect or boosting exposure for additional brightness, Canon’s EOS Rebel T5 camera will guide users on how to hone their photo editing skills and view their original photographs from a new visual perspective. The camera features fun, creative filters including Toy Camera, Fisheye and Miniature Effect enabling photographers to expand their creativity.

The EOS lineup is known for its easy-to-operate, intuitive camera models that deliver high-quality images. Canon’s latest DSLR camera offers advanced imaging features such as Basic+ and Creative Auto to direct entry-level photo enthusiasts through making camera setting adjustments. The camera’s built-in Feature Guide offers short descriptions of shooting modes, setting and effects for easy operation no matter what the shooting situation. This function is designed to guide and educate first-time users on the EOS camera settings, and will also intelligently provide recommendations while shooting in certain settings.

Availability
The Canon EOS Rebel T5 Digital SLR Camera bundled with an EF-S 18-55mm f/3.5-5.6 IS II lens is scheduled to be available in March for an estimated retail price of $549.99. (Available at Amazon | Adorama | B&H)

Additional Images

Available for preorder at Amazon | Adorama | B&H

Canon PowerShot G1 X Mark II

Posted by Digital Photography Live Date February 12, 2014

Canon PowerShot G1 X Mark II

Key Features

Canon 1.5-inch, 12.8 Megapixel High-Sensitivity CMOS sensor combined with the DIGIC 6 Image Processor creates the Canon HS SYSTEM, which helps provide excellent low-light performance.
5x Optical Zoom plus a new f/2.0 f/3.9, 24mm Wide-Angle lens with Optical Image Stabilizer helps ensure outstanding optical performance and versatility.
Built-in Wi-Fi allows wireless transferring of images and video to compatible mobile devices, select social networking sites and your Wi-Fi enabled computer, and lets you remotely shoot using your smartphone or tablet.
For easier Wi-Fi connectivity, built-in NFC (Near Field Communication) allows quick and simple pairing to a compatible Android device.
Capture stunning 1080p Full HD video with a dedicated movie button.
Bright, capacitive 3.0-inch tilt-type touch panel LCD helps provide flexibility.
Newly developed lens with Dual Control Rings provides customized functions with operation similar to SLR lenses and allows full-time manual focus. A 9-blade aperture provides beautiful, blurred backgrounds even at full range zoom.
High Speed AF greatly improves focus speed. Paired with continuous shooting speeds of up to 5.2 fps and the removal of buffer time, you can get your best shot in full resolution.
ull range of shooting and recording modes including 14-bit RAW + JPEG, as found in Canon DSLR cameras, for outstanding creative control.
Shoot breathtaking images and video of the stars with new Star Shooting modes designed to better capture the brilliance and wonder of the night sky.

Press release

Canon’s Latest G-series Digital Camera Features a New Type of 1.5-Inch CMOS Sensor, 5x Zoom Lens, Wi-Fi and NFC Capabilities, Full HD and A Three-Inch Touch Tilt LCD Screen

MELVILLE, N.Y., February 11, 2014 – Building upon the success of the PowerShot G1 X digital camera, Canon U.S.A. Inc., a leader in digital imaging solutions, today unveiled its new flagship PowerShot G1 X Mark II, a digital camera designed to meet the evolving needs of today’s professional and advanced amateur photographers.

Boasting a sensor that is 4.5x larger than a 1/1.7″ sensor found in professional level point-and-shoot cameras, the PowerShot G1 X Mark II camera can produce high-quality images with a wide dynamic range. It features a new type of 1.5-inch, 12.8 megapixel High-Sensitivity CMOS sensor, made by Canon, allowing for optimum performance with an ISO range of 100-12800. This sensor, combined with the DIGIC 6 Image Processor, comprises the Canon HS SYSTEM resulting in faster autofocusing speeds over the PowerShot G1 X camera, allowing photographers to capture detailed, vivid images even in low-light conditions.

Featuring a newly-developed f/2.0 – f/3.9, 5x optical zoom lens (equivalent 24-120mm zoom range) with Dual Control Rings, this new camera provides customized zooming and focus-functionality similar to a DSLR camera. With this wide of an aperture, photographers have the ability to isolate their subjects by separating them from a background that is blurred. This gives more control and creative possibilities when using a PowerShot camera. The Dual Control Rings include a Step Ring to adjust various customizable settings and a Continuous Ring to make focusing adjustments during manual focus, as well as additional customizable settings for manual shooting. The new lens also features a nine-blade aperture to provide beautiful, blurred backgrounds even at full-zoom range.

“The new high-end PowerShot G1 X Mark II camera delivers incredible, professional-level shooting capabilities in a compact camera body making it the ideal second camera for DSLR shooters,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “In addition, with the introduction of advanced wireless capabilities such as NFC and enhanced low-light shooting and autofocusing, the G1 X Mark II is a well-rounded professional-level camera that allows photographers to get creative.”

Improved Operation and Performance

The PowerShot G1 X Mark II camera is equipped with a new type of Canon-made, 1.5-inch CMOS sensor to help achieve optimal performance from low to high ISO speeds. It has a default aspect ratio of 3:2 which is the same ratio the advanced user has come to expect when shooting with a DSLR camera. If the photographer wants to switch to a 4:3 ratio, it can be done without impacting the field of view.

The new PowerShot G1 X Mark II camera uses 31 Auto Focus (AF) points, compared to the PowerShot G1 X camera that uses nine AF points, resulting in improved autofocus capabilities allowing the user to easily compose the image and focus on a specific subject in the frame. Utilizing the bright, capacitive touch, three-inch tilt LCD on the PowerShot G1 X Mark II camera helps provide flexibility in shooting by tilting 180 degrees up and 45 degrees down.

The PowerShot G1 X Mark II camera is also compatible with Canon’s new optional electronic viewfinder that mounts to the hot shoe. A new optional grip* will also be available for the PowerShot G1 X Mark II camera. These accessories are ideal for photographers looking for the feel of a DSLR camera with the portability of a point-and-shoot camera.

Seamless Connectivity

The PowerShot G1 X Mark II camera is equipped with built-in Wi-Fi technology, so users can share still images and videos online quickly and easily using compatible mobile devices.1 Using the Mobile Device Connect button, users can connect to a smartphone, a tablet or a Wi-Fi enabled computer. Connection to the computer is easily done using Canon iMAGE GATEWAY 2 through the cloud. For even easier connectivity, the PowerShot G1 X Mark II camera introduces Near Field Communication (NFC)** – a first for Canon’s G-series cameras – so transferring photos to a compatible Android device can be simple and intuitive. This digital camera’s new remote shooting feature also allows the user to sync the G1 X Mark II with a smartphone or tablet and utilize the shutter, optical zoom and self-timer features from that device.

Extensive Shooting Modes

Ideal for portrait photography, the camera’s Background Defocus mode softens the background behind a subject to help users create professional-looking portraits. In addition, simply pressing the camera’s dedicated movie button allows photographers to capture 1080p Full HD video with ease. And, as commonly found in most DSLR cameras, the PowerShot G1 X Mark II camera has a full range of shooting and recording modes, including 14-bit RAW + JPEG, for outstanding creative control.

Unique to Canon PowerShot Digital Cameras, the PowerShot G1 X Mark II camera features Advanced Star Mode with four options to capture images of starry night skies with impeccable quality. The “Star Portrait” and “Star Nightscape” modes help capture the radiance of stars while still allowing you to capture the subject. The “Star Trails” mode captures video trails of stars to turn trails into a luminous still image, while the “Star Time Lapse Movie” mode will shoot images of star movement and then combine the images to make a film that shows the movement of the stars, creating a truly stunning video.

Availability

The PowerShot G1 X Mark II digital camera will be available starting in April for a retail price of $799.99.

Purchase options

Available at Amazon | Adorama | B&H

SIGMA dp2 Quattro – Sigma’s Quattro version of Foveon X3

Posted by Digital Photography Live Date February 10, 2014

Press release

Reinvention of camera, reinvention of dp

SIGMA dp Quattro

The Sigma Corporation is pleased to announce the new generation of high image quality compact cameras “SIGMA dp” that incorporates a newly developed Foveon X3 direct image sensor (generation name: “Quattro”).

Unique and without peer among image sensors, the Foveon direct image sensor is similar to traditional color film in that its multiple layers capture all of the information that visible light transmits. Along with Sigma’s proprietary image processing technology, this sensor produces incredible resolution, precise gradation, gorgeous color, breathtaking realism with a 3D feel. In other words, full-bodied image quality.

For the new dp series, we rethought and redesigned every aspect of the camera, including the sensor, engine, lens, and body. While retaining its famous textural expression, which seems to give form to the air itself, the updated Foveon direct image sensor produces images that are more colorful, rich, deep, and faithful than ever before.

To a radical degree, the new-generation dp series embodies Sigma’s philosophy of creating cameras that produce works of art. Featuring the highest level of fundamental performance, this series unites artistic expression and daily experience as no other cameras can.

Special Features

With every element optimized for image quality, this camera is ready to produce works of art

Thanks to its optimized design featuring a fixed focal length lens and integrated body, the dp series offers both sensor and lens performance at the highest level. The result is full-bodied image quality.

In addition to superior holding performance, the camera body offers a balanced shape, layout, and weight distribution. With all of its elements designed for image quality, the dp offers highly intuitive operation. Its complete and robust specification allows the photographer to concentrate fully on photography itself and leverage the camera’s potential to produce outstanding images.

In everyday life, the dp series lets photographers find unexpected opportunities for experiencing emotion and enjoy photography and personal expression in exciting new ways. It is an outwardly simple yet extremely powerful embodiment of Sigma’s philosophy of photography.

Wide-angle, standard, and medium telephoto options

All of the fundamental photographic approaches in one lineup of three cameras

The dp series comprises three fixed focal length cameras, each of which features a different basic focal length for a different fundamental photographic approach: the wide-angle dp1 Quattro at 19mm, the standard dp2 Quattro at 30mm, and the medium telephoto dp3 Quattro at 50mm (respectively equivalent to 28mm, 45mm, and 75mm on a 35mm lens). Moreover, the three models share an exciting new camera body that brings out the best performance from the lens and image sensor.

It’s a simple but powerful lineup that delivers medium format-level image quality anywhere, anytime. Take all three with you and select as needed for the perfect shot. Only the dp series puts so much luxurious photographic potential in your hands.

The world’s only image capture system to use vertical color separation technology

Starting with our very first digital camera, we have featured the Foveon direct image sensor, which offers radically better image quality than any other sensor available. Leveraging the light absorption characteristics of silicon, the sensor comprises three layers of photodiodes, each at a different depth within the silicon and each corresponding to a different RGB color. Since it is the only sensor to use this superior vertical color separation technology, it is also the world’s only direct image sensor.

Almost all other image sensors are mosaic sensors, which use an array of RGB color filters in a single horizontal plane to capture color information. Each pixel is assigned only one of the three colors and cannot capture all three colors at once. In contrast, the Foveon direct image sensor captures color vertically, recording hue, value, and chroma accurately and completely for each pixel.

In the Foveon direct image sensor, there are no color filters, which cause a loss of information transmitted by light. Moreover, there is no low-pass filter needed to correct the interference caused by a color filter array. Finally, unlike the data from other sensors, which requires artificial interpolation to “fill in” missing colors, the data from the Foveon direct image sensor is complete for every single pixel and requires no interpolation. The unique technological principle of this sensor produces consistently outstanding image quality.

Newly developed Foveon X3 Quattro direct image sensor
Now featuring 39 megapixel-equivalent ultrahigh resolution

Capturing the information transmitted by light vertically instead of horizontally, the full-color image capture system of the Foveon direct image sensor is the only one of its kind in the world. This system makes possible the sensor’s full-bodied image quality, which is characterized by rich tone and gradation and texture that one can almost touch.

The newly developed Foveon X3 Quattro is the latest generation of this unique sensor. While retaining the distinctive characteristics of its predecessors, it offers an even higher level of image quality. In addition to 30% higher resolution, the volume of image data has become lighter, and it enables much faster image processing and lower current consumption.

At the same time, Able to maintain the same exacting standard of image quality while increasing megapixels and enhancing noise characteristics, this 1:1:4 solution was the inspiration for the name of the current generation of Foveon sensor: “Quattro.”

Newly developed TRUE III image processing engine
Optimized for processing Foveon X3 Quattro direct image sensor data

The new dp series cameras feature the newly developed TRUE (Three-layer Responsive Ultimate Engine) III. This image processing engine has evolved in pace with our Foveon direct image sensor and incorporates all of the image processing expertise we have developed over the years. Thanks to new refinements, it is the ideal engine for processing the rich and complex image data produced by the new-generation Foveon X3 Quattro direct image sensor. Our proprietary algorithm makes possible ultrafast processing of an immense volume of image data without any deterioration of the final images. The result is high-definition, 3D-like photographs with outstandingly rich color detail.

Panasonic Lumix DMC GH4 – World’s First DSLM with 4K Video Recording

Posted by Digital Photography Live Date February 7, 2014

Press Release:

The Panasonic LUMIX GH4 DSLM (Digital Single Lens Mirrorless) Camera is the World’s First* DSLM with 4K Video Recording Capability

Designed To Meet Professional Needs for Both Still and Video Capture

Panasonic is proud to introduce the ultimate still/video Digital Single Lens Mirrorless (DSLM) camera for both photographers and cinematographers alike. The Panasonic LUMIX DMC-GH4 (GH4) is the world’s first DSLM with 4K cinematic recording capability. The image quality for both still and video is dramatically improved by Panasonic’s cutting-edge technologies.

The newly developed 16.05-megapixel Digital Live MOS Sensor for the GH4 excels both in sensitivity and response and suppresses rolling shutter effect even when using the electronic shutter. The Venus Engine image processor has been newly developed dramatically boosting its performance with a new quad-core CPU that allows high speed signal processing that is required for rich 4K video recording. Integrating superior noise reduction systems, the GH4 enables shooting at maximum ISO 25,600. Sensitivity, gradation performance, resolution and color reproduction are dramatically improved to achieve even higher picture quality. The GH4 boasts high speed burst shooting at 12 frames per second (AFS) up to approx.40 (including RAW) / approx.100 (excluding RAW) and 7.0 fps(AFC) to capture fast moving subjects.

The new GH4 has evolved into a professional video camera. One of the most prominent advances is unlimited 4K video recording (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) in MOV/MP4*2. The GH4 is also capable of recording Full- HD video with ultra high bit rate at 200 Mbps (ALL-Intra) or 100 Mbps (IPB) without recording time limit*2. Users can freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD at a variety of frame rates according to the usage. For professionals working globally, the system frequency can be easily selected between 59.94Hz (23.98Hz) / 50.00Hz / 24.00Hz. The GH4 is also capable of real-time image output to an external monitor via an optional micro HDMI cable simultaneously while recording video. For more unique video expression, VFR(Variable Frame Rate) or Time Lapse/Stop Motion Animation can be produced with GH4 without postproduction processing. In addition, a variety of practical functions required for professional video recording are newly integrated.

The high-precision Contrast AF system in the GH4 is further enhanced by Panasonic’s integration of DFD (Depth from Defocus) technology which shortens the time to focus to achieve ultra high speed AF of approx.0.07 sec*3. Not only speed but also the operability is enhanced thanks to the addition of Face / Eye Detection AF or 49-point AF with Custom Multi AF mode.

The GH4 boasts newly developed high-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays of 2,359K-dot LVF (Live View Finder) and 1,036K-dot rear monitor. Both the LVF and rear monitor adopt an OLED to achieve high speed response with minimum time lag while enhancing the resolution. Notably, the OLED for the LVF in GH4 boasts 10,000:1 high contrast for superior color reproduction.

To be tough enough to withstand heavy field use, the main structure of the GH4 is composed of a magnesium alloy full die cast front/rear frame. It also features splash / dustproof construction by sealing every joint, dial, and button. The shutter unit allows a max. 1/8000 shutter release and is also redesigned to be even more durable for approx. 200,000 actuations.*4

1. The World’s First Digital Single Lens Mirrorless (DSLM) Camera Recording High Quality Video in 4K – To Meet Professional Quality and Standards

One of the most prominent advances is unlimited*1 4K video recording (Cinema 4K: 4096×2160 / 24 fps and QFHD 4K: 3840×2160 / up to 30 fps) in MOV/MP4*2. The GH4 is also capable of Full- HD video with ultra high bit rate at 200 Mbps (ALL-Intra) or 100 Mbps (IPB), which does not have limit of recording time. Users can freely choose the format from MOV, MP4, AVCHD Progressive and AVCHD at a variety of frame rates according to the usage. In MP4 / MOV, high quality sound in LPCM (Linear Pulse Code Modulation) is recordable.

The GH4 is also capable of real-time image output to an external monitor in 4:2:2 / 8-bit*5 via an optional micro HDMI cable simultaneously while recording video. Even 4:2:2 / 10-bit is available which is suitable for the professional requiring serious monitoring of the footage. Users can choose to output only the recording content or the content with the menus individually depending on a display.

Plus, the VFR (Variable Frame Rate) enables recording video with slow/fast motion such as 96 fps, 4x, all in Full-HD*6. Time Lapse / Stop Motion Animation video can be produced in camera, too.

For more precise control over video image quality, the GH4 integrates Zebra Pattern to prevent white wash-out and Focus Peaking to aid with manual focusing. The GH4 even offers a Master Pedestal Adjustment with 15 steps. Gamma presets exclusively for video recording are now available in Creative Video mode – “CINELIKE D” and “CINELIKE V” for rich video expression. Synchro Scan mode is also newly available to reduce and suppress flicker. It is possible to display a Center Marker while recording.

The GH4 is equipped with functions that meet global standard for synchronous video recording. A 1KHz Test Tone and Color Bars (SMPTE / EBU / ARIB Standard) are available on the GH4. The camera also embeds SMPTE-compliant Time Code either in Rec Run or Free Run count-up methods, which makes it easy to synchronize the multiple video footage or sound source in the post production workflow. Time Code Value can be started at any point of [Reset], [Manual Input] and [Current Time]. Drop frame or Non Drop Frame time code is selectable*7. When recording the video in MOV, AVCHD Progressive, AVCHD or MP4 (LPCM), the GH4 automatically generates multiple seamless files for continuous recording. During playback, the AVCHD Progressive / AVCHD files are reproduced with seamless, interruption-free continuity.

A total of 22 LUMIX G digital interchangeable lenses offer any creative perspective according to the scene, including HD lenses allowing silent, high performance AF control suitable for video recording.

2. The Newly Developed 16.05-Megapixel Digital Live MOS Sensor and Venus Engine Achieving High Speed, High Sensitivity Image Recording

Panasonic developed a new 16.05-megapixel Digital Live MOS Sensor for the GH4 that achieves high quality, high sensitivity image recording with quick response. Approx. 50% higher speed signal readout suppresses rolling shutter effect even when using an electronic shutter or recording video. Taking full advantage of the Live MOS Sensor, dynamic range is expanded by max.1/3 stop at low ISO sensitivity.

The Venus Engine image processor is newly developed boosting its performance with a quad-core CPU that lets high speed signal processing required for rich video recording such as 4K. The advanced Multi-process NR (Noise Reduction) applies effective noise reduction and edge processing according to each component frequency. Plus, a newly added Random Filter granulates chromatic noise to be blended into the image even more naturally. As a result, a max. ISO 25,600 has been achieved. On the other hand, optimizing the combination design of new sensor, new imaging engine and low pass filter enhances the limit resolution by more than 5% while suppressing moire. A newly adopted aperture filter is capable of controlling over a wider frequency range. It adjusts the amount of sharpness according to the frequency level, resulting in faithful stereoscopic effect. The Venus Engine also improves color reproduction with accurate evaluation of each color even if it is similar not only in color phase but also in saturation and luminosity.

3.　High Speed Response Required for Professionals and Practical AF Options

All LUMIX G cameras use the Contrast AF for its focusing system. Compared with the Phase difference system AF, the Contrast AF boasts higher accuracy especially in shooting with a bright lens with a small F value. With a LUMIX G digital interchangeable lens capable of digital signal exchange at max. 240 fps, the focusing is stunningly quick and smooth. The Contrast AF system in the GH4 is further enhanced by Panasonic’s integration of DFD (Depth from Defocus) technology which even shortens the time to set focus. It calculates the distance to the subject by evaluating 2 images with different sharpness level while consulting the data of optical characteristics of the current lens. As a result, the GH4 achieves ultra high speed AF of approx.0.07 sec*8. This improvement benefits more as focusing distance increases. The burst speed of shooting is dramatically faster than its predecessor, the DMC-GH3, boasting high speed burst shooting at 12 fps (AFS) up to approx.40 (including RAW) / approx.100 (excluding RAW) and 7.0 fps (AFC) to capture fast moving subjects in-focus.

In addition, the stability of continuous focusing is improved by minimizing wobbling in both still and video recording. Together with the quick start-up and short release time lag, the GH4 never lets photographers miss fleeting shooting opportunities.

The GH4 incorporates Eye Detection AF which automatically sets focus right on the eye of human face. Focus point is increased from 23 (GH3) to 49 points for more flexible composition together with Custom Multi mode in which users can freely select the blocks needed to focus out of the 49 points. Now the 1-area AF area can be seamlessly magnified not only in manual but also in auto focus mode. Tracking AF is also advanced in the point of tracking accuracy by estimating the subject’s movement. Focus point can be set on any part of the 100% field of view. The time to show magnified image can be selectable in Pin-point AF. Focus point can be magnified either with the MF ring or with cursor key in MF Assist mode. In the Touch Pad AF, the position can be set either on absolute/relative coordinate. Together with the Eye Sensor AF which starts focusing by just looking into the viewfinder, the AF/AE lock button works for AF for quick auto focusing even when using the LVF.

4. Stunning Mobility Supported by Mechanical Advancements

The GH4 boasts newly developed high-precision, high-speed dual OLED (Organic Light-Emitting Diode) displays for LVF (Live View Finder) and rear monitor. Increasing the resolution of display area to 2,359K-dot, the new 16:9 Wide Screen LVF boasts approx.1.34x / 0.67x (35mm camera equiv.) magnification and 100% field of view and eye point of approximately 21 mm. Thanks to the newly designed large eyecup, the visibility of LVF is dramatically improved. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF, which features options of sensitivity – high, low and off – to reduce false operation during touching on the rear monitor. The 3.0-inch 1,036K-dot free-angle OLED rear monitor (3:2 aspect) with wide-viewing angle rotates 180° to the side and tilts 270° up and down offers approx. 100% of field of view. This rear monitor adopts static touch control for more smooth operation either in shooting or in playback. Both LVF and rear monitor adopted OLED to achieve high speed response with a minimum time lag while enhancing the resolution. Notably, the OLED for the LVF in GH4 boasts 10,000:1 high contrast for superior color reproduction. Now the excellent visibility comes closer to OVF. On the other hand, live view image can also be displayed in monochrome through the LVF enabling concentrating on contrast.

Even a moment’s waste matters in professional shooting, but it is possible to make target setting intuitively with the GH4. Three dials are equipped on the top and back of the camera and the main dial is now comes with a lock structure. A dedicated button allows direct reach to exposure compensation, white balance adjustment or ISO setting and max.5 settings can be assigned to the Fn button. All these external components are designed to be operated easily without taking eyes off the viewfinder.

Both built-in/external flash can be synchronized with max.1/250 second shutter speed.

5. Expandability for A Variety of Workflows

Easy Wireless Connectivity via Wi-Fi® / NFC with Smartphones
The GH4 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) with NFC (Near Field Communication) technology camera to offer a more flexible shooting experience and instant image sharing with easy operation. With the Panasonic “Image App”, remote shooting of both photo and video is available by using the smartphone/tablet as a remote shutter with a monitor. Not only releasing the shutter, but zooming, focusing and settings of shutter speed, aperture, exposure compensation are all controllable with a smartphone / tablet. All these flexible shooting / browsing / sharing styles are made possible with the GH4 and the Panasonic’s dedicated application software, the Panasonic Image App for iOS / Android smartphones / tablets. It is also easy to embed geotags in the image after shooting. For the smartphone/tablet without NFC, the camera can display a dedicated QR code on its monitor to complete pairing easily by reading the code.

Output/Input Terminals
The GH4 comes with a variety of connection terminals for more flexible shooting options. The 3.5mm microphone jack is for high quality audio recording using an external microphone and the 3.5mm headphone jack which enables monitoring the audio while shooting video real-time. It is also capable of real-time image output on an external monitor via an optional HDMI micro cable simultaneously while recording video. In addition to these, the GH4 complies with AV outputs (Audio 2ch, Composite), flash sync terminal and 2.5mm jack for remote controller.
For reliable recording of rich video, the GH4 complies with UHS Speed Class 3 (U3) which is the new speed class standard of SD memory card. The UHS Speed Class 3 (U3) guarantees a constant minimum write speed of 30MB/s to respond to market needs for 4K video.

Optional Accessories
A GN58 is a powerful External Flash (DMW-FL580L) and is newly added to the LUMIX G optional accessories which allows high speed charging of approx.1.7 sec. Not only with wireless control but also LED video light function are available. The Stereo / Shotgun Microphone (DMW-MS2) which enables stereo/shotgun switch even allows more precise sound recording with selectable Super Shotgun / Lens Auto / Manual option on GH4.

6. Other Features

Luminance Level Adjustment
Just as the concept of “the ultimate hybrid DSLM camera” identifies, the GH4 supports smooth postproduction for photographers migrating to videography. In addition to the standard luminance level of 16-235*9 and 16-255*9, GH4 offers 0-255*9 which is equivalent to photo standard.

Focus Peaking
For more practical control over focusing, the GH4 incorporates Focus Peaking function that shows the peak of focus in MF and AF+MF mode. Users can see the peaking of focus while monitoring the subject in live view. It can be set to HIGH / LOW / OFF and the color can also be changed to blue, white or orange according to the color of the shooting scene during live view. Users can take advantage of this function when controlling the camera with a smartphone / tablet via Wi-Fi in both photo / video recording.

Silent Mode
This mode switches shutter from mechanical to electronic and turns all sound (AF, operation) off while suppressing the emission of the AF assist lamp and flash with just a single setting for special shooting occasions.

Highlight/Shadow Control
The Live View function is also advanced digitally making it possible to adjust highlight / shadow separately with the front/rear dial. Three patterns of settings can be customized in addition to the three presets.

RAW data development in Camera
The GH4 is capable of developing RAW images in camera. In addition to the color space setting ( sRGB / Adobe RGB ), the parameter of white balance, exposure compensation, contrast, highlight/shadow, saturation, noise reduction, sharpness or hue can be flexibly adjusted while LUMIX’s Photo Style, Intelligent D-range Control, Intelligent Resolution can also be applied.

Interface Unit (DMW-YAGH)
Panasonic offers an new optional Interface Unit (DMW-YAGH) exclusively for professional/industrial workflow with GH4 that enables more powerful video transmission. It complies with Full HD (4:2:2 / 10-bit) offering four parallel outputs and these can be used for 4K (4:2:2 / 10-bit) output – both with time code*10. The XLR input terminals (2ch) are also equipped to connect line or condenser microphone. When connecting with microphone, volume can be controlled for L and R separately, which can be monitored LED audio level display on the back of the unit. The 12V DC IN is highly compliant with large-capacity industrial battery and continuously supplies the GH4 with power*11.

Additional Images

Nikon Coolpix P600, P530 & S9700

Posted by Digital Photography Live Date February 7, 2014

Press Release:

AMAZING OPTICS AND STELLAR PERFORMANCE ARE AT THE HEART OF NIKON’S NEWEST COOLPIX CAMERAS

From Super Zoom to Super Slim, the New COOLPIX P600, COOLPIX P530, COOLPIX S9700 and COOLPIX P340 Offer New Ways for Users to Express Their Creativity

MELVILLE, NY (February 6, 2014 at 11:01 P.M. EST) – Today, Nikon Inc. announced the latest additions to its impressive lineup of COOLPIX cameras that offer incredible optics and great performance. With a myriad of easy-to-use, creative features, the 60x zoom COOLPIX P600 and 42x zoom COOLPIX P530 provide super-long zoom lenses and the versatility needed to capture images and Full HD videos both near and far. Additionally, the ultra-slim, 30x zoom COOLPIX S9700 and the powerful COOLPIX P340 provide exceptional image quality while fitting comfortably in any pocket.

“Incorporating legendary NIKKOR optics, these new COOLPIX cameras provide users with incredible zoom capability and low-light performance that helps produce unrivaled sharpness and detail in their photos and HD videos,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “Users will enjoy capturing amazing photos and Full HD videos from a distance, along with the ability to share unforgettable moments with family and friends instantly.”

New High Power Zooms Allow Users to Get Closer Than Ever Before

COOLPIX P600: Pushing NIKKOR optics to great lengths, the new COOLPIX P600 boasts an impressive 60x optical zoom from a wide-angle 24mm to an unbelievable 1440mm (35mm equivalent) range with the capability to reach even further using 120x Dynamic Fine Zoom*. Lens Shift Vibration Reduction (VR) image stabilization is also incorporated to help reduce the effects of camera shake, allowing users to capture clear photos from incredible distances. With built-in Wi-FiⓇ connectivity1, users can show off these amazing photos with family and friends immediately by transferring images to a compatible smart device and uploading them to their social networks.

In addition to photographing from a distance, the P600 also lets the user compose the ideal photo or video from any angle with help from a high resolution (921k-dot) 3.0-inch (7.5cm) Vari-angle LCD display. Users can shoot above a crowd at a sold-out concert or get low to capture a baby’s first steps. With a 16.1-megapixel backside illuminated (BSI) CMOS sensor, the COOLPIX P600 is capable of capturing detailed photos and Full HD 1080/60i video, even in challenging lighting conditions. The P600 also sports advanced features that appeal to serious photographers including full manual controls (P, S, A, M), an electronic viewfinder and an improved battery life that allows up to approximately 330 shots per charge. What’s more, the new Moon and Bird Watching Scene modes make it easier than ever to enjoy the extreme zoom range.

COOLPIX P530: The new COOLPIX P530 also demonstrates the capabilities of NIKKOR optics through an astounding 42x optical zoom with a 24-1000mm range (35mm equivalent) and 84x Dynamic Fine Zoom* that gets the user even closer. This long-zoom offering affords the ability to capture subjects at otherwise unreachable distances in clear detail thanks to Lens Shift VR image stabilization, which helps minimize camera shake. At the core of the P530 is a 16.1-megapixel BSI CMOS sensor that delivers beautiful photos and Full HD 1080/60i videos. Whether a user is looking to grow their photography skills or wanting more control over every shot, the P530 includes full manual controls (P, S, A, M). To help frame stunning photos and HD videos, the COOLPIX P530 sports a 3.0-inch (7.5cm) LCD monitor and a built-in electronic viewfinder, while users can also share their creations with friends and family when connected to the optional WU-1a Wireless Mobile Adapter.

COOLPIX S9700: With a 30x optical zoom (25-750mm, 35mm equivalent) and 60x Dynamic Fine Zoom* packed into a compact body, the new COOLPIX S9700 is putting the power of NIKKOR optics into the hands of users who demand high quality images from a camera small enough to keep up with their active lifestyle. To help eliminate camera shake when utilizing this impressive zoom range, the S9700 incorporates Lens Shift VR image stabilization for share-worthy portraits or action shots. Sharing can happen immediately with the camera’s built-in Wi-Fi1 capability by transferring images to a compatible smart device and uploading them to social networks. Further enhancing the sharing of memories on an exciting trip, the COOLPIX S9700 also includes built-in GPS technology that lets the user see the exact longitude and latitude of where an image or video was captured.

A 16-megapixel BSI CMOS sensor contributes to the amazing image quality by producing breathtaking photos and Full HD 1080/60i videos. The COOLPIX S9700 also implements Hybrid VR image stabilization for stable video recording, even while handheld. From composing the perfect shot to viewing the photo in crisp detail, the COOLPIX S9700’s high resolution (921K-dot) 3.0-inch (7.5cm) bright OLED monitor helps the user do it all accurately.

Powerful Performance in a Compact Camera

COOLPIX P340: With a versatile 5x (24-120mm, 35mm equivalent) wide-angle to telephoto zoom range plus 10x Dynamic Fine Zoom*, and a super-fast f/1.8 maximum aperture lens with Lens Shift VR image stabilization, the COOLPIX P340 utilizes the strength of NIKKOR optics to capture super-sharp photos and Full HD 1080/60i videos with low noise and amazing color. The wide and bright f/1.8 lens gives users the ability to control depth of field and shoot in a wide variety of lighting conditions. This powerful compact camera also incorporates a large 1/1.7-inch, 12.2-megapixel BSI CMOS sensor for superior image quality, and a host of advanced features including full manual controls (P, S, A, M) and RAW (NRW) image capture.

Composing and capturing photos, when inspiration strikes, is simple with the P340’s high resolution (921K-dot) 3.0-inch (7.5cm) LCD monitor and sleek, portable design that fits comfortably in any handbag or shirt pocket. Sharing that inspirational image can also happen on the fly with the built-in Wi-Fi connectivity1 where users can transfer images to a compatible smart device and upload them to their social networks. Proving that great things can come in small packages, the new COOLPIX P340 is a sophisticated camera option for demanding photo enthusiasts who seek more power and versatility in a compact camera.

Price and Availability
The COOLPIX P600 will be available in February 2014 in Black and Red for a suggested retail price (SRP) of $499.95**, while the COOLPIX P530 will be available in February 2014 in Black for a SRP of $449.95**. Additionally, the COOLPIX S9700 will be available in February 2014 in Black and Red for a SRP of $349.95**. Lastly, the COOLPIX P340 will be available in March 2014 in Black for a SRP of $379.95**.

In order to give consumers a more effective way to understand the benefits of each COOLPIX camera and to help users determine the best camera to fit their lifestyle, Nikon has segmented the COOLPIX series into five categories: Advanced Performance, Fun & Innovative, Ultra-Slim Zoom, Comfort Long Zoom and Budget Friendly. For more information about these and other COOLPIX cameras, please visit www.nikonusa.com.

*Dynamic Fine Zoom magnification is calculated from the full-wide end of optical zoom.

1Cameras having Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The application can be downloaded free of charge from Google Play™ or the Apple App Store.

For use with Android or iOS mobile devices, please refer to mobile device compatibility and available features at https://play.google.com/store/apps/details?id=com.nikon.wu.wmau&hl=en (Android) or https://itunes.apple.com/en/app/wireless-mobile-adapter-utility/id554157010 (iOS).

Android and Google Play are trademarks of Google, Inc.
iPhone, iPad and iTunes are trademarks of Apple Inc., registered in the U.S. and other countries.
Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. APP Store is a service mark of Apple Inc.
Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

All Nikon trademarks are trademarks of Nikon Corporation.

Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

[DPl Recommends [Mobile]]

According to Canon 75 % of professional photographers covering Super Bowl Game Used Canon!

Posted by Digital Photography Live Date February 6, 2014

Canon Congratulates the Team of Imaging Professionals Who Captured the Iconic Moments of the Big Game

MELVILLE, N.Y., February 6, 2014 – On February 2nd imaging professionals from across the country gathered in New Jersey to cover the big game between teams from Seattle and Denver. Prepared to battle the potential elements, these professionals provided football fans with images documenting monumental moments and plays that can be watched, enjoyed and relived for years to come.

“We are honored to have seen so many photographers using our equipment to capture images of the big game this past weekend. Canon is committed to ensuring our products and support live up to the needs and expectations of our customers, and it is always humbling to see Canon equipment being used in such high profile events,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

Canon U.S.A., Inc. was on site in New Jersey with its Canon Professional Services (CPS) team to provide these professionals with convenient access to support personnel, equipment maintenance, and product loans. “I have personally been impressed with Canon’s proactive, prompt and thoughtful support for professionals,” said Tom Hauck, freelance sports photographer who photographed the game and has shot over 350 professional football games in his career. “Before the game, I sent all my gear to Canon’s Irvine service facility to be cleaned and checked and I got everything back in about two days. And at the game, Canon’s CPS staff was on site providing information on how to better understand and get the most from my equipment as well as peace of mind.”

The sidelines of the big game were lined with photographers using Canon EOS Digital SLR cameras and iconic white lenses. Canon is honored that more than 75 percent* of professional photographers covering the game utilized Canon DSLR cameras and EF lenses to capture and share the memorable moments of the gridiron matchup. Canon broadcast lenses were also used extensively to deliver the game to more than 111 million television viewers.

Currently, CPS is on-site in Sochi, Russia providing support to photographers and broadcasters throughout the month of February.

*Based on Canon U.S.A., Inc. survey and data, as of February 4, 2014

[DPl Recommends [Mobile]]

Tamrac Launches Apache Photo Messenger Bags

Posted by Digital Photography Live Date February 5, 2014

Press Release:

Apache Photo Messenger Bags

Combines the rugged look of the old west with modern styling, materials and features

Tamrac’s new Apache Series are discreet, comfortable, lightweight photo messenger bags that offer superior organisation and equipment protection. The outer material is tough, durable sailcloth that is lightweight, waterproof and has a soft, supple feel. The designs are comfortable to carry and provide fast access to camera gear and accessories. Tough Hypatex bases provide maximum resistance to abrasion and moisture. The roomy zippered front pockets feature numerous internal organizer pockets to hold hard drives, cables, memory cards, batteries and other personal items.

The series consists of 3 models:

The Apache 2 Photo Messenger holds and protects a compact DSLR camera with 18-55mm lens attached, an extra lens (such as 55-200mm), a small flashgun, accessories and personal items. It is also perfect for mirrorless camera systems.
The Apache 4 Photo Messenger holds a DSLR with lens attached (up to 11.5cm long), 1 or 2 extra lenses, a 10” tablet, accessories and personal items.
The Apache 6 Photo Messenger protects a DSLR with lens attached (up to 15cm), 2 or 3 extra lenses, flashgun, tablet or 12x 9.5” laptop and accessories.

The Apache 4 and 6 have internal foam-padded pockets to hold a small laptop or tablet, expanding side pockets to hold a water bottle or accessories, a silent closure system that allows the front flap to be quiet, and Tamrac’s Piggy-Back Pocket™ which allows them to be slipped over the handle of rolling luggage.

Guide retail prices as follows:

Apache 2 – £59.99
Apache 4 – £79.99
Apache 6 – £99.99

The Apache series is available immediately.

[DPL Recommends (Shorcodes)]

Fujifilm X-E1 Body Only $599.00 Shipped at Adorama (Reg: $799.00)

Posted by Digital Photography Live Date February 3, 2014

Adoram has the Fujifilm X-E1 Digital Camera Body, (Black | Silver) 16.3 MP APS-C X-Trans CMOS Sensor, Compact Magnesium Body, Built-In Flash. Reg: $799.00 Sale price: $599.00 with Free shipping and 4% Adorama reward

More deals

Fujifilm X-E1 Digital Camera with XF 18-55mm F2.8-4 R LM OIS Zoom Lens (Black | Silver) – Reg: $1,199.00 Sale price: $999.00
Fujifilm X-PRO1 Digital Camera Body – Reg: $1,199.95 Sale price: $999.00

ZEISS Touit 2.8/50M – For Sony E and FujiFilm X mount

Posted by Digital Photography Live Date January 31, 2014

Product Summary

Model name: ZEISS Touit 2.8/50M
Release Date: January 30, 2014
Focus Type: Manual
Format : Full Frame
Mounts: E & X
Color: Black
Availability: March 2014
Price: $99
Purchase options: B&H | DigitalRev

Press release

Touit 2.8/50M – A New all-around lens broadens the Touit family. The macro lens ZEISS Touit 2.8/50M for compact system cameras also shows its strengths in portraiture

OBERKOCHEN/Germany, 30.01.2014 – More and more photographers are taking advantage of the growing possibilities afforded by compact system cameras with APS-C sensors. With the Touit 2.8/12 and Touit 1.8/32, ZEISS already offers two lenses with E- and X-mount that suffice in meeting the demands of ambitious photographers. Now, the new ZEISS Touit 2.8/50M expands the Touit family to include longer focal lengths as well as close-up coverage.

The Touit 2.8/50M offers a magnification power of 1:1. As a result, the photographed object appears on the camera sensor in its original size. Details that cannot be seen with the naked eye become impressively visible at short shooting distances. This new Touit is therefore following in very large footsteps: ZEISS macro lenses with a magnification power of 1:2, such as the Makro-Planar T* 2/100 and Makro-Planar T* 2/50, have already established themselves as top macro lenses among SLR lenses.

Thanks to its moderate telephoto focal length, the Touit 2.8/50M is also perfect as a portrait lens. When allowing for a crop factor of 1.5, the angular field corresponds to a full-frame-equivalent focal length of 75 mm. Here, too, the lens’s enormous versatility pays off. The lens covers distances from infinity to a magnification power of 1:1. The Touit 2.8/50M is a versatile lens that harmonizes very well with the flexible application of compact APS-C system cameras. Its imaging power makes it an ideal choice for close-ups and portraits.

The Touit 2.8/50M also employs the floating elements design from ZEISS. This enables the lens to achieve a consistently high imaging performance, including up to the minimum object distance (MOD). The exceptional image quality remains consistent, independent of the focus setting. Two aspheres – lens elements number three and four – deliver an important contribution to the high image quality. Two additional lens elements with low dispersion – lens elements number two and nine – help ensure that the lateral and longitudinal chromatic aberrations are kept to a minimum.

A round iris with a total of nine blades gives areas of the motif outside the focus a soft and very natural-looking character. Focused objects before a blurry background are clearly accentuated, creating a harmonious and balanced bokeh. Excellent sharpness along all f-stops rounds off the performance spectrum of the Touit 2.8/50M.

“The new Touit 2.8/50M is for photographers who already use our other two Touit lenses; it’s the ideal complement to their portfolio. Owners of APS-C system cameras with Sony E- or Fujifilm X-mounts who are looking for a new high-end lens will also want to use the Touit 2.8/50M. Whether a photographer has an eye for the smallest details or likes sharp portraits and pleasing bokeh, our new all-around Touit will definitely be at the top of their wish list,” says Dr. Michael Pollmann, Product and Program Manager from ZEISS Camera Lenses.

The Touit 2.8/50M with E and X mount will be available worldwide in March 2014. The recommended sales price will be about EUR 755 (excl. VAT.)* or US$ 999 (excl. VAT)*.

Sample images

Purchase options

Available at B&H DigitalRev

Fujifilm X-T1- Features Weather-resistant Body

Posted by Digital Photography Live Date January 28, 2014

Product summary

Model name: FUJIFILM X-T1
Release date: January 27, 2014
Price: $1,299.95
Color: Black | Graphic Silver
Available at Amazon | Adorama | B&H

Key features:

16.3 million Megapixels APS-C X-Trans CMOS II Sensor
Dust and water-resistant body with more than 75 points of weather sealing. Freeze resistance to -14°F
EXR Processor II
o World’s fastest AF of 0.08 seconds
o Startup time of 0.5 seconds
o Shutter time lag of 0.05 seconds
o Shooting interval of 0.5 seconds
o Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second
High-precision 2.36 million dot OLED viewfinder
o Highest viewfinder magnification for digital cameras of 0.77x
o Wide viewing angle (diagonal 38° and horizontal 31°)
o Ultra-fast Real Time Viewfinder with a lag-time of 0.005sec (less than 1/10 of existing models)
Four different display modes: Full, Normal, Dual and Vertical.
o Full mode: Displays shooting information at the top and bottom of the screen to avoid obstruction of the view
o Dual mode: Adds a small second screen for checking focus point with Focus Peak Highlight or Digital Split Image
o Normal mode: Lets you concentrate on framing the shot in Auto Focus mode while keeping you aware of how the shooting conditions are changing, making it the perfect setting for sports and action photography
o Portrait mode: When in Full or Normal modes, it rotates the shooting information interface when the camera is turned vertically
Tempered glass 1.04 million dot high-precision 3” tilting LCD monitor
Digital Split Image and Focus Highlight Peaking
World’s first compatibility with Ultra High Speed UHS-II SD memory cards
Vertical battery grip VG-XT1 and three new zoom lenses offer the same weather resistance to secure the entire system
Redesigned circuit board design enables high ISO 51200 setting*9
ISO200 – 6400, extended ISO 100, 12800, 25600, Auto(maximum ISO setting from ISO 400 – ISO6400 available)
Lens Modulation Optimizer technology maximizes each lens’ performance
In-camera RAW converter
Die-cast magnesium body provides a sturdy and durable, while compact and lightweight design
Body and grip designed for correct balance when attaching telephoto and large-diameter lenses
Two command dials and six Function buttons for instant control and customization
Interval timer shooting for Time Lapse photography is available with intervals of 1 second to 24 hours and up to 999 frames

Press Release

FUJIFILM X-SERIES REACHES A NEW PEAK WITH WEATHER RESISTANT X-T1

X-T1 features a huge, real-time OLED viewfinder, extreme AF speed, and premium craftsmanship for photographic freedom anywhere

Valhalla, N.Y., January 27, 2014 – As a leader in advanced digital camera technology and outstanding image resolution, FUJIFILM North America Corporation today announced the new FUJIFILM X-T1, a weather-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF) that delivers a near-instant image preview, the latest generation 16.3 Megapixel APS-C X-Trans CMOS II sensor and the segment’s fastest autofocus of 0.08 seconds*1 for a truly remarkable photographic experience anywhere.

The FUJIFILM X-T1 now gives professional and enthusiast photographers the award-winning imaging power of the X-Series in a water, dust and temperature resistant body that braves outdoor challenges like never before.

OLED viewfinder perfection
The FUJIFILM X-T1 combines a unique wide-angle 2.36m dot resolution OLED view with the world’s highest magnification (0.77x) for a digital camera *2 and shortest display lag-time of just 0.005sec*3 to react as quickly as you need in any environment.

The OLED viewfinder also includes cutting-edge technology to bring users even closer to their subjects. The X-T1’s viewfinder uses a newly designed Graphic User Interface that provides an exciting shooting experience with clear details and a comfortable at-a-glance view of your settings.

The X-T1 has four OLED EVF Display Modes:

“FULL” mode takes full advantage of the high magnification ratio of the X-T1’s viewfinder to give an unrivalled view of the scene
“NORMAL” provides an optimum view, including shooting settings
“DUAL” is specially designed for manual focusing with a clever split view. The regular view and manual focus area can be simultaneously checked (with Digital Split ImageTM or Focus Peak Highlight)*4
“PORTRAIT” view in “NORMAL” and “FULL” modes automatically rotates the displayed information when the camera is held vertically

Award-winning 16.3 Megapixel APS-C X-Trans CMOS II sensor and EXR Processor II
The FUJIFILM X-T1 uses the award-wining EXR Processor II and X-Trans™ CMOS II sensor with built in phase detection that delivers an astonishing response time of just 0.08 seconds and a super-fast 0.5 second start-up time*5, along with a 0.05 second shutter time lag and a 0.5 second shooting interval*6.

The X-T1 can also shoot up to 8 frames per second*7 with tracking AF and is the first-ever CSC*8 to be compatible with SDXC UHS-II format memory cards for data writing speed (in Continuous Mode) that is approximately twice that of a conventional SD card.

Tough, weather-resistant design
The FUJIFILM X-T1 is the first weather-resistant X-Series CSC (when used with a weather-resistant lens) that performs in a wide range of challenging environments. The X-T1 uses more than 75 points of weather sealing, and the camera body is dust-resistant and water-resistant. The X-T1 is also freezeproof to -14°F for full-fledged field photography work, while the premium clear 3” LCD screen with 1.04 million dot resolution is made of tempered glass for additional outdoor protection.

Traditional handling, modern response
With five mechanical dials on the top-plate, two command dials; one on the front and one on the rear, and six fully customizable function buttons, the FUJIFILM X-T1 feels and functions like a proper photographic tool in the hand. The top-plate includes two machined-aluminum double-deck dials for the shutter speed and metering, and the ISO sensitivity and drive modes, and each is designed to turn with a reassuring click, while their textured surfaces gives a firm confirmation when setting up a shot.

With their exposure values clearly marked, the X-T1’s settings can be checked at a glance without using the rear LCD and the dials are perfectly arranged so that functions can be changed without removing your eye from the viewfinder. The six customizable function buttons and two command-dials arranged on the front and rear complete the picture, ensuring instant setting satisfaction.

WiFi and remote camera operation
The X-T1 one-touch WiFi connectivity lets you easily share images to your smartphone or tablet – pictures that these devices cannot capture – and remote shooting via smartphone or tablet using the Fujifilm Camera Remote app for unique capture opportunities.

Additional grip and weather resistant lenses
The optional vertical battery grip (VG-XT1) has the same hardy structure as the X-T1, so when added to the body, it is completely secured against the elements.

Fujifilm is launching three weather-resistant zoom lenses to complement the X-T1 camera in 2014, including the XF18-135mmF3.5-5.6 R OIS WR, XF16-55mmF2.8 R OIS WR and the XF50-140mmF2.8 R OIS WR.

FUJIFILM X-T1 accessories:

Dedicated all-leather case BLC-XT1 New
Vertical battery grip VG-XT1 New
Hand Grip MHG-XT New
Four dedicated flash models to choose from depending on requirements (EF-X8 New, EF-X20, EF-20, EF-42)
Protector filters (PRF-39, PRF-52, PRF-58, PRF-62 and PRF-72 (For XF10-24mmF4 R OIS) New)
DC coupler CP-W126 NEW
AC adapter AC-9V NEW
M Mount Adapter for additional lens compatibility
Remote release RR-90
Stereo Microphone MIC-ST1

The FUJIFILM X-T1 (body only) will be available for $1,299.95, and the X-T1 with the XF18mm-55mm (27-84mm) F2.8-4 lens (kit) will be available for $1699.95, both in February 2014.

The FUJIFILM X-T1 uses the same FUJIFILM X-Mount as the X-Pro1, X-E2, X-E1, X-M1 and X-A1, and all FUJIFILM XF and XC lenses work with all X-Series interchangeable lens cameras.

Specs

Model Name	FUJIFILM X-T1
Number of effective pixels	16.3 million pixels
Image sensor	23.6mm x 15.6mm (APS-C) X-Trans CMOS II with primary color filter Total number of pixels: 16.7 million pixels Sensor Cleaning system Ultra Sonic Vibration
Storage media	SD memory card / SDHC memory card / SDXC (UHS-II) memory card*1
File format	Still image JPEG (Exif Ver 2.3)*2, RAW (RAF format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible) Movie Movie File Format: MOV Movie Video Compression: H.264 Audio: Linear PCM Stereo
Number of recorded pixels	L: (3:2) 4896 x 3264 / (16:9) 4896 x 2760 / (1:1) 3264 x 3264 M: (3:2) 3456 x 2304 / (16:9) 3456 x 1944 / (1:1) 2304 x 2304 S: (3:2) 2496 x 1664 / (16:9) 2496 x 1408 / (1:1) 1664 x 1664<Motion Panorama> L: Vertical: 2160 x 9600 / Horizontal: 9600 x 1440 M: Vertical: 2160 x 6400 / Horizontal: 6400 x 1440
Lens mount	FUJIFILM X mount
Sensitivity	AUTO (Control available up to ISO 6400) Equivalent to ISO 200 – 6400 (Standard Output Sensitivity) Extended output sensitivity : Equivalent ISO 100, 12800, 25600 and 51200
Exposure control	TTL 256-zone metering, Multi / Spot / Average
Exposure mode	Programmed AE / Shutter Speed priority AE / Aperture priority AE / Manual exposure
Exposure compensation	-3.0EV – +3.0EV, 1/3EV step (movie recording : -2.0EV – +2.0EV)
Image Stabilizer	Supported with OIS type lenses
Face Detection	Yes
Shutter type	Focal Plane Shutter
Shutter speed	(P mode) 1/4 sec. to 1/4000 sec., (All other modes) 30 sec. to 1/4000 sec. Bulb (max. 60 min.) Time 1/2 to 30 sec. Synchronized shutter speed for flash : 1/180 sec. or slower
Continuous shooting	Approx. 8.0 fps (JPEG : max. approx. 47 frames) Approx. 3.0 fps (JPEG : up to the capacity of the card) * Recordable frame number may vary depending on the type of memory card used. * The frame rate varies with shooting condition and the number of images recorded.
Auto bracketing	AE Bracketing (±1/3EV, ±2/3EV, ±1EV) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100% · 200% · 400%) ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3)
Focus	mode Single AF / Continuous AF / MF Distance Indicator type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF), AF assist illuminator available AF frame selection Area (EVF / LCD : 49 areas with 7 x 7) / Multi * Changeable size of AF frame among 5 types
White balance	Automatic scene recognition Custom / Color temperature selection (K) Preset : Fine / Shade / Fluorescent light (Daylight) / Fluorescent light (Warm White) / Fluorescent light (Cool White) / Incandescent light / Underwater
Self-timer	10 sec. / 2 sec. Delay
Interval timer shooting	Yes (Setting : Interval, Number of shots, Startinng time)
Flash	External flash EF-X8 (included) (Super Intelligent Flash) Guide number : approx. 8 (ISO100 · m) / approx. 11 (ISO200 · m)
Flash modes	Activated when external flash is connected Red-eye removal OFF Auto / Forced Flash / Slow Synchro / Suppressed Flash / Rear-curtain Synchro / Commander Red-eye removal ON Red-eye Reduction Auto / Red-eye Reduction & Forced Flash / Red-eye Reduction & Slow Synchro / Suppressed Flash / Red-eye Reduction & Rear-curtain Synchro / Commander * Red-eye removal is active when Face Detection is set to ON.
Hot shoe	Yes (Dedicated TTL Flash compatible)
Viewfinder	0.5-in., approx. 2.360K-dot OLED color viewfinder Coverage of viewing area vs. capturing area : approx. 100% Eye point : approx. 23mm (from the rear end of the camera’s eyepiece) Diopter adjustment : -4m-1 to +2m-1 Magnification : 0.77x with 50mm lens (35mm format equivalent) at infinity and diopter set to – 1.0m-1 Diagonal angle of view : approx. 38° (Horizontal angle of view : approx. 31°) Built-in eye sensor
LCD monitor	3.0-inch, aspect ratio 3:2, approx. 1,040K-dot, Tilt type color LCD monitor (approx. 100% coverage)
Movie recording	Full HD 1920 x 1080 60p / 30p, Continuous recording : up to approx. 14 min. HD 1280 x 720 60p / 30p, Continuous recording : up to approx. 27 min. * Use a card with SD Speed Class with or higher
Film Simulation mode	10 type (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA)
Dynamic range setting	AUTO (100-400%), 100%, 200%, 400%
Advanced filter	Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Other photography functions	Auto Red-eye Removal, Setting (Color, Sharpness, D-range, Gradation), Select custom setting, Motion panorama, Color space, Framing guideline, Frame No. memory, Histogram display, Preview depth of focus, Lens Modulatioon Optimizer, Pre-AF, Focus check, Focus Peak Highlight, Digital Split Image™*3, Electronic level, Multiple exposure, Release priority / Focus priority selection, Fn button setting (RAW, Movie, etc.), ISO AUTO control, Instant AF setting (AF-S / AF-C)
Playback functions	RAW conversion, Image rotate, Red-eye reduction, Photobook assist, Erase selected frames, Image search, Multi-frame playback (with micro thumbnail), Slide show, Mark for upload, Protect, Crop, Resize, Panorama, Favorites
Wireless transmitter	Standard IEEE 802.11b / g / n (standard wireless protocol) Access mode Infrastructure
Wireless function	Geotagging, Wireless communication (Image transfer), View & Obtain Images, Remote camera shooting, PC Autosave
Other functions	PictBridge, Exif Print, Language selection, Time difference, High Performance mode, Silent mode
Terminal	Video output – Digital interface USB 2.0 High-Speed / micro USB terminal * connectable with Remote Release RR-90 (sold separately) HDMI output HDMI mini connector (Type C) Others Microphone / shutter release input: ø2.5mm, stereo mini connector
Power supply	NP-W126 Li-ion battery (included)
Dimensions	129.0mm (W) x 89.8mm (H) x 46.7mm (D) / 5.0 in. (W) x 3.5 in. (H) x 1.8 in. (D) (Minimum depth: 33.4mm / 1.3 in.)
Weight	Approx. 440g / 15.4 oz. (including battery and memory card) Approx. 390g / 13.7 oz. (excluding accessories, battery and memory card)
Operating Temperature	-10°C – +40°C
Operating Humidity	10 – 80% (no condensation)
Battery life for still images*4	Approx. 350 frames (When XF35mmF1.4 R is set, LCD monitor / viewfinder on, and supplied flash EF-X8 not attached)
Battery life for movies*4	Consecutive movie recording : approx. 103 min. (Face detection is set to OFF) * Individual movies cannot exceed approx. 14 min. on Full HD mode, and approx. 27 min. on HD mode in length.
Starting up period	Approx. 0.5 sec., when High Performance mode set to ON Approx. 1.0 sec., when High Performance mode set to OFF * Fujifilm research
Accessories included	Li-ion battery NP-W126 Battery charger BC-W126 Shoe-mounted flash unit EF-X8 Shoulder strap Body cap Metal strap clip Protective cover Clip attaching tool Hot shoe cover Tall-orientation battery grip connector cover Sync terminal cover CD-ROM (Viewer software, RAW File Converter etc.*5) Owner’s manual