Canon EOS 6D Mark II Instruction or User’s Manual Available for Download [PDF]
Canon EOS 6D Mark II Instruction or User’s Manual Available for Download in PDF
Download Links
- Canon EOS 6D Mark II : Instruction Manual
- Canon EOS 6D Mark II : Basic Instruction Manual
- Canon EOS 6D Mark II : Wi-Fi (Wireless Communication) Function Instruction Manual
- Brochure : PDF
Sigma 14mm F1.8 DG HSM Art Gets Rear Filter Holder
By attaching the rear filter holder to the rear of the SIGMA 14mm F1.8 DG HSM| Art, it is possible to use a filter sheet with the lens. This will allow more freedom of the expression when photographing starry skies.
As more details of this rear filter holder become available, a further announcement will be made.
Leica M10 – New Firmware Version 1.7.4.0
Leica M10 – Firmware Version 1.7.4.0
Installing the firmware 1.7.4.0 on your Leica M10 will improve the camera’s compatibility with SD-cards.
Improvements of SD card compatibility
- Effective immediately a larger choice of SD cards is compatible with the Leica M10.With the last Firmware, certain SD cards were not recognized, or the complete write speed could not be used with the camera.
The Leica M10 supports SDHC/SDXC cards from 1GB up to 512 GB. We recommend to use cards with write speed 80 MB/s or higher in order not to restrict the cameras performance. In single cases it can occur that the speed, stated by the cards manufacturers, differs from the effective read or write speed in the Leica M10.
Use UHS I cards instead of UHS II. The M10 is compatible with UHS II cards, but does not use the full UHS II speed.
Leica performs ongoing compatibility tests of the latest cards available in the market. We ask for your understanding that due to potential changes in production batches and software of SD cards as they are manufactured and brought to market, Leica cannot guarantee a 100% compatibility of the recommended cards.
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Micron Discontinuing Lexar Removable Storage Retail Business
Micron Technology today announced that it is discontinuing its Lexar® retail removable media storage business. The decision was made as part of the company’s ongoing efforts to focus on its increasing opportunities in higher value markets and channels.
The Lexar portfolio includes memory cards, USB flash drives, readers, and storage drives for retail and OEM customers.
Micron is exploring opportunities to sell all or part of the Lexar business.
The company will continue to provide support to existing customers through this transition period. Customers should contact their Lexar sales representative to discuss specific requirements.
I’d like to thank our team members and partners for their contributions to the Lexar business. As difficult as this decision is, the company is making this adjustment in its business to ensure it continues to be well-positioned for the future.
Tamron Introduces Versatile High-Speed 24-70 mm F2.8 Zoom Lens
Product Summary
- Model name: Tamron SP 24-70mm F/2.8 Di VC USD G2 (Model A032)
- Release Date: June 30, 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Canon | Nikon
- Availability: Nikon – August 2017 | Canon – September 2017
- Price: $1199
- Purchase options: Adorama | B&H | Amazon
Key features
- 24-70mm High-speed zoom lens full-frame DSLR
- 2 XR, 3 LD , 3 GM and one hybrid aspherical lens element
- Electromagnetic diaphragm system for Nikon-mount lenses
- New Dual MPU to provide rapid autofocus
- eBAND Coating reduces ghosting and flare
- Fluorine Coating & Moisture-Resistant Construction
1. Sophisticated design delivers superb performance and ultra-high image quality
The use of specialized, high quality glass materials assures accurate color reproduction and superior sharpness, perfect for today’s high-pixel-density cameras. The optical construction (17 elements in 12 groups) uses 2 XR (Extra Refractive Index) elements, 3 LD (Low Dispersion) elements, 3 GM (Glass-Molded aspherical) and one hybrid aspherical lens element. Together they minimize axial chromatic aberrations, transverse chromatic aberrations, spherical aberrations and distortion, and allow a compact design that achieves superior image quality.
2. eBAND Coating provides superior anti-reflection properties and reduces ghosting and flare
The new A032 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology combining a nano-structured layer that has an extremely low refractive index with conventional multiple-layer coatings to provide superior anti-reflection performance. The optimal application of this eBAND Coating in combination with Tamron’s BBAR (Broad-Band Anti-Reflection) Coating successfully and substantially curbs the ghosting and flare that can occur when photographing backlit subjects.
3. New Dual MPU (Micro-Processing Unit) control system[3] provides faster and more precise autofocus and improved Vibration Compensation
This innovative control system uses a Dual MPU design with enhanced computing capacity. The MPUs have powerful, built-in DSP (Digital Signal Processor) blocks that achieve quicker and more precise AF performance, and more consistently powerful Vibration Compensation. The features combine to provide outstanding performance at night and in low light.
High performance MPU for AF dramatically improves autofocusing accuracy and speed
The A032 is equipped with its own MPU (micro-processor unit), with embedded DSP (Digital Signal Processor) blocks that enable high-speed digital signal processing, achieving both excellent responsiveness to signals from the camera and high-precision AF performance.
Dedicated MPU delivers the highest vibration compensation ability in class (CIPA level of 5 stops).
The new A032 is equipped with Tamron’s proprietary VC (Vibration Compensation) system. Adding an MPU dedicated to VC processing unleashes a new-generation algorithm, ensuring the highest vibration compensation ability in the class (CIPA level of 5 stops). Even in low light or with slow shutter speeds, photographers can enjoy shake-free handheld shooting with ease and comfort.
[3] A new control system using two high-performance MPUs (micro-processor units)
4. Fluorine Coating and Moisture-Resistant Construction
The Fluorine Coating applied on the front element surface is water-and oil-repellant and allows safe and easy removal of fingerprints, dirt and smudges. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years. In addition, seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops to provide Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.
5. Lens hood equipped with a new, convenient locking mechanism
The lens hood is equipped with a locking mechanism that prevents detachment due to unintentional contact during use.
6. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory
The new A032 is compatible with the optional TAMRON TAP-in ConsoleTM, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features including fine adjustments to the AF and VC.
7. Electromagnetic diaphragm system now used also for Nikon-mount lenses
An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount[4] lenses . More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a built-in motor through electronic pulse signals.
[4] Available only with cameras compatible with the electromagnetic diaphragm: (D5,D4s,D4,D3X,Df,D810,D810A,D800,D800E,D750,D600,D610,D300S,D500,D7200,D7100,D7000,D5600, D5500,D5300,D5200,D5100,D5000,D3400,D3300,D3200,D3100). (As of May, 2017; Tamron)
8. Manufacturing innovation with thorough attention to details based on the rigorous quality standards worthy of the SP series
Tamron has enhanced the SP series lenses to fulfill high-level photographic requirements and provide the pleasure of ownership. While introducing a new exterior design, Tamron reviewed the SP series standards. The new SP series has been developed by setting rigorous standards for design, manufacturing and quality that apply to the optical design and mechanical design as well as such wide-ranging areas as the product’s robustness and improvements in a variety of individual functions. For this model, Tamron has introduced a unique MTF (Modulation Transfer Function) tester, which was developed exclusively for Model A032, and reviewed the management method. This has helped to achieve a more consistently superb optical performance, making it a lens that fulfills the demand for higher image quality that is compatible with the latest high-pixel cameras. To maximize the optical performance of the SP series, Tamron will continue to enhance the accuracy of the component parts of each lens element unit and improve the mechanical precision of the entire lens, thereby achieving a high overall performance.
Product Photo
Sample Image
Specification
| Focal Length | 24-70mm |
| Maximum Aperture | F/2.8 |
| Angle of View (diagonal) | 84°04′-34°21′ (for full-frame format) 60°20′ -22°33′ (for APS-C format) |
| Optical Construction | 17elements in 12 groups |
| Minimum Object Distance* | 15 in (0.38m) |
| Maximum Magnification Ratio | 1:5 |
| Filter Size | Ø82mm |
| Maximum Diameter | Ø88.4mm |
| Length* | for Canon 4.4 in (111mm) for Nikon 4.3 in (108.5mm) |
| Weight | for Canon 31.9oz (905g) for Nikon 31.7 oz (900g) |
| Aperture Blades | 9 (circular diaphragm) |
| Minimum Aperture | F/22 |
| Image Stabilization Performance | 5 stops (CIPA Standards Compliant) |
| Standard Accessories | Lens hood, Lens caps, Lens pouch |
| Compatible Mounts | Canon, Nikon |
Canon EOS 6D Mark II vs Canon EOS 6D – Comparison
- Model name: Canon EOS 6D Mark II
- Released date: June 29, 2017
- Purchase options: Adorama | B&H | Amazon
| CMOS Sensor | 26.2 Megapixel Full-frame CMOS | 20.2 Megapixel Full-frame CMOS | |
| Image Processor | DIGIC 7 | DIGIC 5+ | |
|
ISO Range* |
Still | ISO 100–40000 (Expandable ISO 50–102400) | ISO 100–25600 (Expandable ISO 50–102400) |
| Video | ISO 100–25600 (Expandable ISO 100–102400) | ISO 100–12800 (Expandable ISO 100–25600) | |
| Maximum Frames Per Second | 6.5 fps** | 4.5 fps | |
| Top Shutter Speeds Range | Bulb, 30–1/4000 sec. | Bulb, 30–1/4000 sec. | |
| Live View AF Technology | Dual Pixel CMOS AF | Contrast AF | |
|
Video Frame Size |
Full HD: 1920 x 1080, HD: 1280 x 720
4K Time-lapse: 3840 x 2160, Full HD Time-lapse: 1920 x 1080 |
Full HD: 1920 x 1080, HD: 1280 x 720, SD: 640 x 480 |
|
|
Video Frame Rate |
1920 x 1080 (Full HD): 60p (59.94) / 30p (29.97) / 24p (23.98)
1280 x 720 (HD): 60p (59.94) / 30p (29.97) 3840 x 2160 (4K Time-lapse): 30p (29.97) 1920 x 1080 (Full HD Time-lapse): 30p (29.97) |
1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) 1280 x 720 (HD): 60p (59.94) 640 x 480 (SD): 30p (29.97) |
|
| AF Points | 45 AF points† (45 All Cross-type AF points) | 11 AF points (1 Cross-type AF point) | |
| Auto Focus Sensitivity | EV -3 to 18 (Center, f/2.8, One-Shot AF, ISO 100) | EV -3 to 18 (Center AF Point, ISO 100) | |
| Anti-flicker Feature | Yes | – | |
| Built-in Wi-Fi®††† | Yes | Yes | |
| Built-in NFC^ | Yes | – | |
| Built-in Bluetooth®^^ | Yes | – | |
| Built-in GPS†† | Yes | Yes | |
|
Viewfinder |
Intelligent Viewfinder II
Approx. 98% horizontal/vertical at 0.71x |
LED Viewfinder
Approx. 97% horizontal/vertical at 0.71x |
|
|
LCD Monitor |
Vari-angle Touch Screen, 3.0″ Clear View LCD II
Approx. 1,040,000 dots |
3.0″ Clear View LCD Approx. 1,040,000 dots | |
| Recording Media | SD/SDHC/SDXC Memory Card (UHS-I compatible) | SD/SDHC/SDXC Memory Card (UHS-I compatible) | |
|
Maximum Burst Rate |
SD Card (Standard): Approx. 18 RAW images SD Card (UHS-I): Approx. 21 RAW images | SD Card (Standard): Approx. 14 RAW images SD Card (UHS-I): Approx. 17 RAW images | |
| USB Compatibility | USB 2.0 | USB 2.0 | |
| Body Dimensions (W x H x D) | Approx. 5.67 x 4.35 x 2.94 in. / 144.0 x 110.5 x 74.8mm | Approx. 5.7 x 4.4 x 2.8 in. / 144.5 x 110.5 x 71.2mm | |
|
Weight |
Approx. 26.98 oz. / 765g (CIPA standards) Approx. 24.16 oz. / 685g (Body only)^^^ | Approx. 26.7 oz. / 755g (CIPA standards) Approx. 24.0 oz. / 680g (Body only)^^^ | |
Canon EOS 6D Mark II – New Versatile Full-frame DSLR
Product Summary
- Model name: Canon EOS 6D Mark II
- Release Date: June 29, 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Canon
- Availability: Late July 2017
- Price: $1,999
- Purchase options: Adorama | B&H | Amazon
- Brochure : PDF
Key features
- 26.2 Megapixel Full-frame CMOS Sensor
- Optical Viewfinder with a 45-point All Cross-type AF System
- Dual Pixel CMOS AF with Phase-detection & Full HD 60p
- DIGIC 7 Image Processor, ISO 100-40000
- Vari-angle Touch Screen, 3.0-inch LCD
- Built-in Wi-Fi, NFC, Bluetooth and GPS technology
- High-speed Continuous Shooting at up to 6.5 fps
- Dust- & Water-resistant
Successor to Canon’s EOS 6D, EOS 6D Mark II is a highly capable full frame DSLR camera for a range of specialist photography categories, from travel to portraits. It offers huge advancements to users allowing greater shooting possibilities, additional control and flexibility to achieve their photography vision. EOS 6D Mark II has been developed following feedback from users, and as such, will enable photographers to go beyond their limits as they take their creations further. With its new full frame sensor, DIGIC 7 processor, 45 point AF system and Dual Pixel CMOS AF technology, EOS 6D Mark II delivers the highest quality images fulfilling the needs of both professionals and hobbyists alike.
EOS 6D Mark II’s new 26.2 Megapixel CMOS sensor offers users of Canon’s current EOS 6D, and APC-S sensor EOS DSLRs, unrivalled image quality and improved performance. Its high dynamic range ensures exceptional exposure latitude allowing users to push their boundaries when shooting in bright light conditions. The improved ISO 40,000, expanding to ISO 102,400, allows flexibility so documentary photographers can snap scenes with the confidence that details will be retained even in the darkest nights. Combined with the latest DIGIC 7 processor EOS 6D Mark II’s technology creates high quality files straight from the camera. Whether you’re shooting a starry night in your garden or even the Northern Lights, users have the command to ‘wow’ and expand their portfolio in new, exciting ways.
With EOS 6D Mark II users can command greater control over their creative vision thanks to the 45 point AF system, which can be customised and allows more precise tracking. The upgrade to EOS 6D Mark II gives users the possibility to capture difficult scenarios with fast, spontaneous action such as the bride and groom walking down a confetti filled aisle. Alongside DIGIC 7’s image processing advancements, EOS 6D Mark II can predict the movement of a subject across the frame and respond rapidly. When combined with the 6.5 fps, EOS 6D Mark II opens a whole new range of possibilities. EOS 6D Mark II’s new AF system retains the ability to accurately lock onto subjects even in the lowest lighting, perfect for portraits in diminishing ambient lights.
Canon’s renowned Dual Pixel CMOS AF technology allows for high performance tracking as well as smoother focusing, and shorter focusing times, for movies. These features are a great advantage for shooting macro and product photography aided by the Live View screen.
EOS 6D Mark II is the first full frame EOS camera to include built-in 5-axis movie stabilisation that counteracts shake when footage is captured hand-held and on-the-move. The vari-angle LCD touch-screen allows users to switch focus at the tap of the screen and reach tricky angles when shooting unusual perspectives or in a crowd.
EOS 6D Mark II is the first camera from Canon to have both 4K time-lapse movie mode and intervalometer for more diverse movie making. Getting creative is made even easier and capturing footage in up to 4K resolution is ideal for shooting star-scapes in brilliant detail. The built-in intervalometer gives users maximum possibilities when editing their time-lapse movies.
Offering even smarter connectivity, EOS 6D Mark II boasts Wi-Fi and Bluetooth for an always on connection. Giving users even more flexibility when transmitting images to smart devices, users can easily share their work to speed up their workflow. Its capabilities allow photographers to control their camera from their smartphone to shoot images or video remotely; advantageous for users cautious of distracting their subject with movement, such as a resting butterfly. The built-in GPS keeps track of location, allowing you to automatically chronicle the destinations in which you create your stories.
EOS 6D Mark II is the camera to have for users seeking the highest quality images every time to bring their story to life. With EOS 6D Mark II users have the confidence to shoot whatever the lighting, offering precision and accuracy so users can focus on their creative vision. EOS 6D Mark II is a compact and lightweight full frame DSLR camera. It is resistant to dust and moisture, making it ideal for on-the-go shooting whilst offering top performance to complement users’ needs. EOS 6D Mark II gives users the power to approach their photography in new, exciting ways and offers reliable high performance to unleash their creative ambitions.
BATTERY GRIP BG-E21
BG-E21 is a bespoke battery grip for EOS 6D Mark II which can hold two battery packs simultaneously, and is compatible with both LP-E6N and LP-E6 battery packs. By improving the camera’s battery life BG-E21 doubles the number of possible shots. BG-E21 replicates the buttons of the top right body of EOS 6D Mark II. This means that the camera can be used in exactly the same way when shooting vertically, ensuring the ergonomics is not hindered. Users will also help to provide better handling and balance when shooting with heavier lenses.
Product Photo
Sample Movie
Sample Image
Specification
| Type | ||
| Type | Digital, single-lens reflex, AF / AE camera | |
| Recording Media | SD memory card, SDHC memory card*, SDXC memory card*
* Compatible with UHS-I |
|
| Image Sensor Size | Approx. 35.9 x 24.0mm | |
| Compatible Lenses | Canon EF lenses (except EF-S and EF-M lenses) (35mm-equivalent lens focal length will be as indicated on the lens) |
|
| Lens Mount | Canon EF mount | |
| Image Sensor | ||
| Type | CMOS sensor | |
| Effective Pixels | Approx. 26.2 megapixels | |
| Aspect Ratio | 3:2 | |
| Dust Deletion Feature | Auto, Manual, Dust Delete Data appending | |
| Recording System | ||
| Recording Format | Design rule for Camera File System 2.0 | |
| Image Type | JPEG, RAW (14-bit Canon original), RAW + JPEG simultaneous recording enabled | |
| Recorded Pixels | L (Large): | Approx. 26.0 megapixels (6240 x 4160) |
| M (Medium): | Approx. 11.5 megapixels (4160 x 2768) | |
| S1 (Small 1): | Approx. 6.5 megapixels (3120 x 2080) | |
| S2 (Small 2): | Approx. 3.8 megapixels (2400 x 1600) | |
| RAW: | Approx. 26.0 megapixels (6240 x 4160) | |
| M-RAW: | Approx. 14.6 megapixels (4680 x 3120) | |
| S-RAW: | Approx. 6.5 megapixels (3120 x 2080) | |
| Aspect ratio | 3:2, 4:3, 16:9, 1:1 | |
| File Numbering | Continuous, auto reset, manual reset | |
| Image Processing During Shooting | ||
| Picture Style | Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined 1 – 3 | |
| White Balance | Auto (Ambience priority), Auto (White priority), Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom, Color temperature setting (approx. 2500-10000 K) White balance correction and white balance bracketing features provided* Flash color temperature information transmission possible |
|
| Noise Reduction: | Applicable to long exposures and high ISO speed shots | |
| Automatic Image Brightness Correction | Auto Lighting Optimizer | |
| Highlight Tone Priority | Provided | |
| Lens Aberration Correction | Peripheral illumination correction, Chromatic aberration correction, Distortion correction, Diffraction correction | |
| Viewfinder | ||
| Type | Eye-level pentaprism | |
| Coverage | Vertical / Horizontal approx. 98% (with eyepoint approx. 21mm and aspect ratio set to 3:2) | |
| Magnification | Approx. 0.71x (-1m-1 with 50mm lens at infinity) | |
| Eye Point | Approx. 21mm (from eyepiece lens center at -1m-1) | |
| Built-in Dioptric Adjustment | Approx. -3.0 – +1.0m-1 (dpt) | |
| Focusing Screen | Fixed, Precision Matte | |
| Electronic Level | Provided | |
| Grid display | Provided | |
| Function setting display | Battery level (remaining capacity), Shooting mode, AF operation, Image quality (Image type), Drive mode, Metering mode, Flicker detection, Warning! display | |
| Mirror | Quick-return type | |
| Depth-of-field Preview | Provided | |
| Autofocus (during viewfinder shooting) | ||
| Type | TTL secondary image-registration, phase-difference detection with the dedicated AF sensor | |
| AF points: | Max. 45 points (Cross-type AF point: Max. 45 points)
* Number of available AF points, Dual cross-type AF points, and Cross-type AF points vary depending on the lens used. |
|
| Focusing Brightness Range | EV -3 – 18 (with the center AF point supporting f/2.8, One-Shot AF, room temperature, ISO 100) | |
| Focus Operation | One-Shot AF, AI Servo AF, AI Focus AF, Manual focusing (MF) | |
| AF area selection mode | Single-point Spot AF (manual selection), Single-point AF (manual selection), Zone AF (manual selection of zone), Large zone AF (manual selection of zone), Automatic selection AF | |
| AF point automatic selection conditions | Automatic AF point selection possible based on color information equivalent to human skin-tone | |
| AI Servo AF Characteristics | Characteristics can be set with Custom Functions for Tracking sensitivity, Acceleration / deceleration tracking, and AF point auto switching | |
| AF Fine Adjustment | AF Microadjustment (All lenses by same amount or Adjust by lens) | |
| AF-assist Beam | With the EOS-dedicated external Speedlite | |
| Exposure Control | ||
| Metering mode | Approx. 7,560-pixel RGB+IR metering sensor and 63-zone TTL open-aperture metering
· Evaluative metering (linked to all AF points) · Partial metering (approx. 6.5% of viewfinder at center) · Spot metering (approx. 3.2% of viewfinder at center) · Center-weighted average metering |
|
| Metering Range | EV 1 – 20 (at room temperature, ISO 100) | |
| Shooting mode | Basic Zone modes | Scene Intelligent Auto, Creative Auto, Special Scene (Portrait, Group Photo, Landscape, Sports, Kids, Panning, Close-up, Food, Candlelight, Night Portrait, Handheld Night Scene, HDR Backlight Control) |
| Creative Zone modes | Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb exposure, Custom shooting modes (C1/C2) | |
| ISO Speed (Recommended Exposure Index) |
Basic Zone modes: ISO speed set automatically P, Tv, Av, M, B: ISO Auto, ISO 100 – ISO 40000 manual setting (in 1/3- or whole-stop increments), and expansion to L (equivalent to ISO 50), H1 (equivalent to ISO 51200), H2 (equivalent to ISO 102400) provided.* With highlight tone priority set, the minimum limit will be ISO 200. |
|
| ISO Speed Settings | ISO speed range, Auto range, and minimum speed limit for Auto settable | |
| Exposure Compensation | Manual: | ±5 stops in 1/3 – or 1/2-stop increments |
| With Live View shooting | ±3 stops in 1/3- or 1/2-stop increments | |
| EB (Auto Exposure Bracketing) | ±3 stops in 1/3 – or 1/2-stop increments (can be combined with manual exposure compensation) | |
| AE lock | Auto: | AE lock when focus is achieved can be enabled or disabled for each metering mode with a Custom Function |
| Manual: | With AE lock button | |
| Flicker reduction | Provided | |
| Interval timer | Shooting interval and shot count settable | |
| Bulb timer | Bulb exposure time settable | |
| Mirror lockup | Provided | |
| HDR Shooting | ||
| Dynamic Range Adjustment | Auto, ±1, ±2, ±3 | |
| Effects | Natural, Art standard, Art vivid, Art bold, Art embossed | |
| Auto Image Align | Provided | |
| Multiple Exposures | ||
| Number of Multiple Exposures | 2 to 9 exposures | |
| Multiple-exposure control | Additive, Average | |
| Shutter | ||
| Type | Electronically-controlled, focal-plane shutter | |
| Shutter Speeds | 1/4000sec. to 30secs. (total shutter speed range; available range varies by shooting mode), Bulb, X-sync at 1/180sec. | |
| Drive System | ||
| Drive Mode | Single shooting, High-speed continuous shooting, Low-speed continuous shooting, Silent single shooting, Silent continuous shooting, 10-sec. self-timer / remote control, 2-sec. self-timer / remote control, Self-timer: Continuous | |
| Continuous Shooting Speed | High-speed continuous shooting | Max. approx. 6.5 shots/sec.
* The continuous shooting speed decreases during Antiflicker shooting, during Live View shooting with Servo AF, or during Live View shooting with an external Speedlite. |
| Low-speed continuous shooting | Max. approx. 3.0 shots/sec.
* The continuous shooting speed decreases during Live View shooting with an external Speedlite. |
|
| Silent continuous shooting | Max. approx. 3.0 shots/sec | |
| Max. burst | JPEG Large / Fine: | Approx. 110 shots (Approx. 150 shots) |
| RAW: | Approx. 18 shots (Approx. 21 shots) | |
| RAW+JPEG Large / Fine: | Approx. 17 shots (Approx. 19 shots) | |
| * Based on Canon’s standard testing SD card (Standard: 8 GB, High-speed: 16 GB, UHS-I compatible) and standard testing conditions (High-speed continuous shooting, ISO 100, Standard Picture Style). * Figures in parentheses are the number of shots when a Canon’s standard testing UHS-I SD card is used. |
||
| External Speedlite | ||
| Compatible Speedlites | EX-series Speedlites | |
| Flash Metering | E-TTL II autoflash | |
| Flash Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | |
| FE Lock | Provided | |
| PC terminal | Not provided | |
| Flash control | Flash function settings, Flash Custom Function settings | |
| Live View Shooting | ||
| Focus Method | Dual pixel CMOS AF | |
| AF operation | One-Shot AF, Servo AF | |
| AF method | Face+Tracking, Smooth zone, Live 1-point AF Manual focusing (approx. 5x and 10x magnification available for focus check) | |
| Focusing Brightness Range | EV -2.5 – 18 (at room temperature, ISO 100, One-Shot AF) | |
| Metering Mode | Evaluative metering (315 zones), Partial metering (approx. 6.3% of Live View screen), Spot metering (approx. 2.7% of Live View screen), Center-weighted average metering | |
| Metering brightness range | EV 0 – 20 (at room temperature, ISO 100) | |
| Silent Shooting | Provided (Mode 1 and 2) | |
| Touch Shutter | Provided | |
| Grid Display | Three types | |
| Movie shooting | ||
| Recording format | MP4 * For time-lapse movies: MOV format |
|
| Movie: | MPEG-4 AVC / H.264 Variable (Average) bit rate* For 4K time-lapse movies: Motion JPEG |
|
| Audio | AAC | |
| Recording Size | Full HD (1920 x 1080), HD (1280 x 720)
* For time-lapse movies: 4K (3840 x 2160) and Full HD selectable |
|
| Frame Rate | 59.94p / 29.97p / 23.98p (with NTSC) 50.00p / 25.00p (with PAL) |
|
| Compression Method | Standard (IPB), Light (IPB) * For 4K time-lapse movies: Motion JPEG / Full HD time-lapse movies: ALL-I (For editing/I-only) |
|
| Bit rate | MP4 | |
| Full HD (59.94p / 50.00p) / Standard (IPB) | Approx. 60Mbps | |
| Full HD (29.97p / 25.00p / 23.98p) / Standard (IPB) | Approx. 30Mbps | |
| Full HD (29.97p / 25.00p) / Light (IPB): | Approx. 12Mbps | |
| HD (59.94p / 50.00p) / Standard (IPB) | Approx. 26Mbps | |
| HD (29.97p / 25.00p) / Light (IPB) | Approx. 4Mbps | |
| MOV | ||
| 4K time-lapse movies (29.97p / 25.00p) | Approx. 500Mbps | |
| Full HD time-lapse movies (29.97p / 25.00p) | Approx. 90Mbps | |
| Card performance requirements | [Movie] (Writing / reading speed) | |
| Full HD (59.94p / 50.00p) / Standard (IPB) | SD Speed Class 10 or faster | |
| Full HD (29.97p / 25.00p / 23.98p) / Standard (IPB) | SD Speed Class 6 or faster | |
| Full HD (29.97p / 25.00p) / Light (IPB) | SD Speed Class 4 or faster | |
| HD (59.94p / 50.00p) / Standard (IPB) | SD Speed Class 6 or faster | |
| HD (29.97p / 25.00p) / Light (IPB) | SD Speed Class 4 or faster | |
| [Time-lapse movie] (Reading speed) | ||
| 4K Time-lapse movie (29.97p / 25.00p) | UHS-I 90 MB/sec. or faster | |
| Full HD Time-lapse movie (29.97p / 25.00p) | UHS-I Speed Class 3 or faster | |
| Focus method | Dual pixel CMOS AF | |
| AF method | Face+Tracking, Smooth zone, Live 1-point AF Manual focusing (approx. 5x and 10x magnification available for focus check) |
|
| Movie servo AF | Possible
* With movie Servo AF, the subject tracking and AF speed are settable. |
|
| Movie digital IS | Possible (Enable / Enhanced) | |
| Focusing brightness range | EV -2.5 – 18 (at room temperature, ISO 100, One-Shot AF, 29.97 fps) | |
| Metering Mode | Center-weighted average and Evaluative metering with the image sensor
* Automatically set by the focus method |
|
| Metering brightness range | EV 0 – 20 (at room temperature, ISO 100, center-weighted average metering) | |
| Exposure Control | Auto exposure shooting (Program AE for movie shooting), manual exposure | |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments | |
| ISO Speed (Recommended exposure index) |
Scene Intelligent Auto, Creative Auto | Automatically set within ISO 100 – ISO 12800 |
| P / Tv / Av / B | Automatically set within ISO 100 – ISO 40000, maximum limit settable within ISO 6400 – H2 (equivalent to ISO 102400). | |
| M | ISO Auto (automatically set within ISO 100 – ISO 40000), Manual setting within ISO 100 – ISO 40000 (in 1/3- or whole-stop increments), expandable to H1 (equivalent to ISO 51200), and H2 (equivalent to ISO 102400) | |
| * With highlight tone priority set, the minimum limit will be ISO 200. * The settable range is different for time-lapse movie shooting. |
||
| ISO speed settings | For movie shooting, you can set the ISO speed range, maximum limit for ISO Auto, and maximum limit for time-lapse movie shooting with ISO Auto | |
| Sound recording | Built-in stereo microphones, external stereo microphone jack provided Sound-recording level adjustable, wind filter provided, attenuator provided |
|
| HDR movie shooting | Automatically set in SCN modes | |
| Video Snapshots | Settable to 2secs. / 4secs. / 8secs. | |
| Time-lapse movie | Movie recording quality (4K, Full HD), Shooting interval (hr., min., sec.), Number of shots, Auto exposure (Fixed 1st frame, Each frame), LCD auto off, and Beep at the time of shooting are settable. | |
| Grid Display | Three types | |
| Remote control shooting | Provided | |
| Still Photo Shooting | Not possible during movie shooting | |
| LCD Monitor | ||
| Type | TFT colour, liquid-crystal monitor | |
| Monitor size | Wide, 7.7cm (3.0-in.) (3:2) | |
| Dots | Approx. 1.04 million dots | |
| Brightness Adjustment | Manual (7 levels) | |
| Electronic Level | Provided | |
| Interface Languages | 25 | |
| Touch screen | Capacitive sensing | |
| Shooting mode guide | Display on / off settable | |
| Feature guide | Display on / off settable | |
| Help display | Provided
* Text size settable for Help screen |
|
| Playback | ||
| Image Display Formats | Single-image display (without shooting information), Single-image display (with basic information), Single-image display (Shooting information displayed: Detailed information, Lens / histogram, White balance, Picture Style 1, Picture Style 2, Color space/noise reduction, Lens aberration correction, GPS information), Index display (4 / 9 / 36 / 100 images) | |
| Highlight Alert | Overexposed highlights blink | |
| AF Point Display | Provided (may not be displayed depending on shooting conditions) | |
| Grid Display | Three types | |
| Magnified view | Approx. 1.5x – 10x, initial magnification and position settable | |
| Image search | Search conditions settable (by rating, date, folder, protected, file type) | |
| Image Browsing Method | 1 image, 10 images, Specified number, Date, Folder, Movies, Stills, Protect, Rating | |
| Image Rotation | Provided | |
| Image protection | Provided | |
| Ratings | Provided | |
| Movie Playback | Possible (on LCD monitor or with HDMI) | |
| Start/end movie scene editing | Provided | |
| Slide Show | All images or images matching the search conditions are played back automatically. | |
| Post-Processing of Images | ||
| In-camera RAW Image Processing | Brightness adjustment, White balance, Picture Style, Auto Lighting Optimizer, High ISO speed noise reduction, JPEG image-recording quality, Color space, Lens aberration correction (Peripheral illumination correction, Distortion correction, Chromatic aberration correction, Diffraction correction) | |
| Resize | Provided | |
| Cropping | Provided | |
| Print Ordering | ||
| DPOF | DPOF Version 1.1 compatible | |
| Wi-Fi | ||
| Standards compliance | IEEE 802.11b/g/n | |
| Transmission method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) |
|
| Transmission range | Approx. 15m / 49.2ft.
*When communicating with a smartphone |
|
| Transmission frequency (central frequency) | Frequency: 2412 to 2462MHz Channels: 1 to 11ch |
|
| Connection method | Camera access point mode, infrastructure*
* Wi-Fi Protected Setup supported |
|
| Security | Authentication method: Open system, Shared key, WPA / WPA2-PSK Encryption: WEP, TKIP, AES |
|
| Communication with a smartphone | Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible. Images can be sent to a smartphone. |
|
| Transfer images between cameras | Transferring one image, Transferring selected images, Transferring resized images | |
| Connect to Connect Station | Images can be sent to and saved on Connect Station. | |
| Remote operation using EOS Utility | Remote control functions and image viewing functions of EOS Utility can be used wirelessly. | |
| Print from Wi-Fi printers | Images can be sent to a Wi-Fi printer. | |
| Send images to a Web service | Images in the camera or links to images can be sent to registered Web services. | |
| NFC | ||
| Standards compliance | NFC Forum Type 3 / 4 Tag compliant (dynamic) | |
| Bluetooth | ||
| Standards compliance | Bluetooth Specification Version 4.1 compliant (Bluetooth low energy technology) | |
| Transmission method | GFSK modulation | |
| GPS Functions | ||
| Compatible satellites | GPS satellites (USA), GLONASS satellites (Russia), Quasi-Zenith Satellite System (QZSS) MICHIBIKI (Japan) | |
| GPS signal reception modes | Mode 1, Mode 2 | |
| Geotag information appended to image | Latitude, Longitude, Elevation, Coordinated Universal Time (UTC), Satellite signal acquisition status | |
| Position update interval | 1sec., 5sec., 10sec., 15sec., 30sec., 1min., 2min., 5min. | |
| Time setting | GPS time data set to camera | |
| Log data | One file per day, NMEA format
* Change in time zone creates another file. |
|
| Log data deletion | Possible | |
| Custom Functions | ||
| Custom Functions | 28 functions | |
| My Menu | Up to 5 screens can be registered | |
| Custom Shooting Modes | Register under C1 / C2 mode | |
| Copyright Information | Text entry and appending possible | |
| Interface | ||
| DIGITAL terminal | Hi-Speed USB equivalent Computer communication, Connect Station CS100 connection |
|
| HDMI Mini OUT Terminal | Type C (Auto switching of resolution), CEC-compatible | |
| External Microphone IN Terminal | φ3.5mm stereo mini-jack Directional Stereo Microphone DM-E1 or commercially-available external microphone connectable |
|
| Remote Control Terminal | For N3-type remote control units | |
| Wireless Remote Control | Compatible with Remote Controller RC-6 and Wireless Remote Control BR-E1 (via Bluetooth) | |
| Eye-Fi Card | Supported | |
| Power | ||
| Battery | Battery Pack LP-E6N / LP-E6, quantity 1
* AC power usable with household power outlet accessories. |
|
| Battery Information | Power source, Battery level, Shutter count, Recharge performance, Battery registration possible | |
| Number of Possible Shots (Based on CIPA Testing Standards) |
With viewfinder shooting: | Approx. 1200 shots at room temperature (23°C / 73°F) |
| Approx. 1100 shots at low temperatures (0°C / 32°F) | ||
| With Live View shooting: | Approx. 380 shots at room temperature (23°C / 73°F) | |
| Approx. 340 shots at low temperatures (0°C / 32°F) | ||
| Movie Shooting Time | Total approx. 2hr. 40min. at room temperature (23°C / 73°F) Total approx. 2hr. 20min. at low temperatures (0°C / 32°F) * With a fully-charged Battery Pack LP-E6N, Movie Servo AF disabled, and Full HD 29.97p / 25.00p / 23.98p Standard (IPB) set. |
|
| Dimensions and Weight | ||
| Dimensions (W x H x D) | Approx. 144.0 x 110.5 x 74.8mm / 5.67 x 4.35 x 2.94in. | |
| Weight | Approx. 765g / 26.98oz. (including battery pack and card) / Approx. 685g / 24.16oz. (body only) | |
| Operating Environment | ||
| Working Temperature Range | 0°C – 40°C / 32°F – 104°F | |
| Working Humidity | 85% or less | |
| Battery Pack LP-E6 | ||
| Type | Rechargeable lithium-ion battery | |
| Rated Voltage | 7.2V DC | |
| Battery Capacity | 1800mAh | |
| Dimensions (W x H x D) |
Approx. 38.4 x 21.0 x 56.8mm / 1.5 x 0.8 x 2.2in. | |
| Weight | Approx. 80g / 2.8oz. | |
| Battery Charger LC-E6 | ||
| Compatible Battery | Battery Pack LP-E6 | |
| Recharging Time | Approx. 2hrs. 30mins. | |
| Rated Input | 100 – 240V AC (50 / 60Hz) | |
| Rated Output | 8.4V DC / 1.2A | |
| Working Temperature Range | 5°C – 40°C / 41°F – 104°F | |
| Working Humidity | 85% or less | |
| Dimensions (W x H x D) |
Approx. 69.0 x 33.0 x 93.0mm / 2.7 x 1.3 x 3.7in. | |
| Weight | Approx. 130g / 4.6oz. | |
| Battery Charger LC-E6E | ||
| Compatible Battery | Battery Pack LP-E6 | |
| Power Cord Length | Approx. 1m / 3.3ft. | |
| Recharging Time | Approx. 2hrs. 30mins. | |
| Rated Input | 100 – 240V AC (50 / 60 Hz) | |
| Rated Output | 8.4V DC / 1.2A | |
| Working Temperature Range | 5°C – 40°C / 41°F – 104°F | |
| Working Humidity | 85% or less | |
| Dimensions (W x H x D) | Approx. 69.0 x 33.0 x 93.0mm / 2.7 x 1.3 x 3.7in. | |
| Weight | Approx. 125g / 4.4oz. (excluding power cord) | |
Canon Unveils EOS Rebel SL2 for Entry Level Photographers
Product Summary
- Model name: Canon EOS Rebel SL2 / EOS 200D / Kiss X9
- Release Date: June 29, 2017
- Focus Type: Autofocus
- Format : APS-C
- Mounts: Canon
- Color : Black | White
- Availability: Late July 2017
- Price: $549.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 24.2 Megapixel CMOS (APS-C) Sensor
- Dual Pixel CMOS AF
- 3.0-inch Vari-Angle LCD Touch-Screen,
- Built-in Wi-Fi, NFC and Bluetooth Technology
- Full HD 60p & External Microphone Input
- DIGIC 7 Image Processor, ISO 100-25600
- Optical Viewfinder with a 9-point AF System
- Feature Assistant
- Small and Lightweight Body
Stepping up from a smartphone or point-and-shoot camera for photography can be intimidating. With the introduction of the new EOS Rebel SL2, a powerful, small, and lightweight DSLR camera, Canon hopes to alleviate some of those concerns for first-time DSLR users.
This small yet powerful camera features the world’s fastest AF speed* at 0.03 seconds, allowing for quick focusing on subjects in the frame. When designing the new EOS Rebel SL2 camera, Canon took into consideration feedback from entry-level photographers who expressed interest in learning how to go beyond a camera’s program mode. The result was the creation of a convenient new user interface called Feature Assistant. With the EOS Rebel SL2 camera, users will be able to see on the camera’s Vari-angle Touch Screen how switching modes on the mode dial or tweaking camera settings like aperture and exposure compensation can alter the image they are about to capture, thus guiding photographers on their way to capturing more compelling images, such as ones with a shallow depth-of-field or being able to give moving subjects a frozen or flowing look.
Product Photo
Sample Image
Specification
| Type | Digital, single-lens reflex, AF / AE camera with built-in flash | ||
| Recording media | SD memory card, SDHC memory card, SDXC memory card
* Compatible with UHS-I |
||
| Sensor Size | APS-C | ||
| Image sensor size | Approx. 22.3 x 14.9mm | ||
| Compatible lenses | Canon EF lenses (including EF-S lenses)
* Excluding EF-M lenses |
||
| Lens mount | Canon EF mount | ||
| Image Sensor | |||
| Type | CMOS sensor | ||
| Effective pixels | Approx. 24.2 megapixels | ||
| Aspect ratio | 3:2 | ||
| Dust delete feature | Auto, Manual, Dust Delete Data appending | ||
| Recording System | |||
| Recording format | Design rule for Camera File System (DCF) 2.0 | ||
| Image type | JPEG, RAW (14-bit Canon original) RAW+JPEG Large simultaneous recording possible |
||
| Recorded pixels | L (Large): | 24.0 megapixels (6000 x 4000) | |
| M (Medium): | Approx. 10.6 megapixels (3984 x 2656) | ||
| S1 (Small 1): | Approx. 5.9 megapixels (2976 x 1984) | ||
| S2 (Small 2): | Approx. 3.8 megapixels (2400 x 1600) | ||
| RAW: | 24.0 megapixels (6000 x 4000) | ||
| Image Processing During Shooting | |||
| Picture Style | Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined 1 – 3 | ||
| White balance | Auto (Ambience priority), Auto (White priority), Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom White balance correction, and White balance bracketing provided* Flash color temperature information transmission possible |
||
| Noise reduction | Applicable to long exposures and high ISO speed shots | ||
| Automatic image brightness correction | Auto Lighting Optimizer | ||
| Highlight tone priority | Provided | ||
| Lens aberration correction | Peripheral illumination correction, Chromatic aberration correction, Distortion correction, Diffraction correction | ||
| Viewfinder | |||
| Type | Eye-level pentamirror | ||
| Coverage | Vertical / Horizontal approx. 95% (with Eye point approx. 19mm) | ||
| Magnification | Approx. 0.87x (-1m-1 with 50mm lens at infinity) | ||
| Eye point | Approx. 19mm (from eyepiece lens center at -1m-1) | ||
| Built-in dioptric adjustment | Approx. -3.0 – +1.0m-1 (dpt) | ||
| Focusing screen | Fixed, Precision Matte | ||
| Mirror | Quick-return type | ||
| Depth-of-field preview | Provided | ||
| Autofocus | |||
| Type | TTL secondary image-registration, phase-difference detection with the dedicated AF sensor | ||
| AF points | 9-point AF (Center point: cross-type and vertical line sensitive when supporting f/2.8) | ||
| Focusing brightness range | EV -0.5 – 18 (with the center AF point supporting f/2.8, One-Shot AF, at room temperature, ISO 100) | ||
| AF operation | One-Shot AF, AI Servo AF, AI Focus AF, Manual focusing (MF) | ||
| AF-assist beam | Small series of flashes fired by built-in flash | ||
| Exposure Control | |||
| Metering modes | 63-zone TTL open-aperture metering
· Evaluative metering (linked to all AF points) · Partial metering (approx. 9% of viewfinder at center) · Spot metering (approx. 4% of viewfinder at center) · Center-weighted average metering |
||
| Metering brightness range | EV 1 – 20 (at room temperature, ISO 100) | ||
| Shooting mode | Basic Zone modes: | Scene Intelligent Auto, Flash Off, Creative Auto, Special scene modes (Portrait, Group Photo, Landscape, Sports, Kids, Close-up, Food, Candlelight, Night Portrait, Handheld Night Scene, HDR Backlight Control), Creative filters (Grainy B / W, Soft focus, Fish-eye effect, Water painting effect, Toy camera effect, Miniature effect, HDR art standard, HDR art vivid, HDR art bold, HDR art embossed) | |
| Creative Zone modes: | Program AE, Shutter-priority AE, Aperture-priority AE, Manual exposure | ||
| ISO speed (Recommended exposure index) |
Basic Zone modes: ISO speed set automatically Creative Zone modes: ISO Auto, ISO 100 – ISO 25600 set manually (whole-stop increments), and ISO expansion to H (equivalent to ISO 51200) provided |
||
| Exposure compensation | Manual: ±5* stops in 1/3- or 1/2-stop increments
* ±3 stops with [Shooting screen: Guided] set |
||
| AE lock | Auto: Applied in One-Shot AF with evaluative metering when focus is achieved | ||
| Shutter | |||
| Type | Electronically-controlled, focal-plane shutter | ||
| Shutter Speed | 1/4000sec. to 30sec. (Total shutter speed range. Available range varies by shooting mode.), Bulb, X-sync at 1/200sec. | ||
| Flash | |||
| Built-in flash | Retractable, auto pop-up flash Guide No.: |
Approx. 9.8 / 32.1 (ISO 100, in meters/feet) | |
| Flash coverage: | Approx. 18mm lens angle of view | ||
| Recharge time: | Approx. 3sec. | ||
| External flash | Compatible with EX-series Speedlites | ||
| Flash metering: | E-TTL II autoflash | ||
| Flash exposure compensation | ±2 stops in 1/3- or 1/2-stop increments | ||
| FE lock | Provided | ||
| PC terminal | None | ||
| Drive System | |||
| Drive modes | Single shooting, Continuous shooting, Silent single shooting, Silent continuous shooting, 10-sec. self-timer/ remote control*, 2-sec. delay, 10-sec. delay with continuous shooting
*When Wireless Remote Control BR-E1 (sold separately) is used. |
||
| Continuous shooting speed | Max. approx. 5.0 shots/sec.*
* Max. approx. 3.5 shots/sec. during Live View shooting or when [Servo AF] is set. |
||
| Max. burst (Approx.) | JPEG Large / Fine: | Full (Full) | |
| RAW: | Approx. 6 shots (approx. 6 shots) | ||
| RAW+JPEG Large / Fine: | Approx. 6 shots (approx. 6 shots) | ||
| * Figures are based on Canon’s testing standards (3:2 aspect ratio, ISO 100 and Standard Picture Style) using a Canon’s standard testing 8 GB card. * Figures in parentheses are the number of shots when a Canon’s standard testing UHS-I 16 GB card is used. * “Full” indicates that shooting is possible until the card becomes full. |
|||
| Live View Shooting | |||
| Focus method | Dual Pixel CMOS AF system | ||
| AF method | Face+Tracking, Smooth zone, Live 1-point AF Manual focus (approx. 5x / 10x magnification possible) |
||
| AF operation | One-Shot AF, Servo AF | ||
| Focusing brightness range | EV -2 – 18 (at room temperature, ISO 100, One-Shot AF) | ||
| Touch shutter | Provided | ||
| Metering mode | Evaluative metering (315 zones), Partial metering (approx. 6.0% of Live View screen), Spot metering (approx. 2.6% of Live View screen), Center-weighted average metering |
||
| Metering brightness range | EV 0 – 20 (at room temperature, ISO 100) | ||
| Exposure compensation | ±3 stops in 1/3-stop or 1/2-stop increments | ||
| Creative Filters | Provided | ||
| Grid display | Three types | ||
| Movie Shooting | |||
| Recording format | MP4
* Time-lapse movie shooting: MOV |
||
| Movie | MPEG-4 AVC / H.264 Variable (average) bit rate | ||
| Audio | AAC | ||
| Recording size and frame rate | 1920 x 1080 (Full HD): | 59.94p / 50.00p / 29.97p / 25.00p / 23.98p | |
| 1280 x 720 (HD): | 59.94p / 50.00p / 29.97p / 25.00p | ||
| 640 x 480 (VGA): | 29.97p / 25.00p | ||
| Compression method | IPB (Standard), IPB (Light)
* Time-lapse movie shooting: ALL-I |
||
| Bit rate | Full HD (59.94p / 50.00p) / IPB (Standard) | Approx. 60Mbps | |
| Full HD (29.97p / 25.00p / 23.98p) / IPB (Standard) | Approx. 30Mbps | ||
| Full HD (29.97p / 25.00p) / IPB (Light) | Approx. 12Mbps | ||
| HD (59.94p / 50.00p) / IPB (Standard) | Approx. 26Mbps | ||
| HD (29.97p / 25.00p) / IPB (Light) | Approx. 4Mbps | ||
| VGA (29.97p / 25.00p) (Standard) | Approx. 9Mbps | ||
| VGA (29.97p / 25.00p) (Light) | Approx. 3Mbps | ||
| HDR movie | Approx. 30Mbps | ||
| Time-lapse movie | Approx. 90Mbps | ||
| Focus system | Dual Pixel CMOS AF system | ||
| AF method | Face+Tracking, Smooth zone, Live 1-point AF Manual focus (approx. 5x / 10x magnification available for focus check) | ||
| Movie Servo AF | Provided | ||
| Digital zoom | Approx. 3x – 10x | ||
| Focusing brightness range | EV -2 – 18 (at room temperature, ISO 100, One-Shot AF) | ||
| Metering mode | Center-weighted average and Evaluative metering with the image sensor
* Automatically set by the AF method |
||
| Metering brightness range | EV 0 – 20 (at room temperature, ISO 100, with centerweighted average metering) | ||
| Exposure control | Autoexposure shooting (Program AE for movie shooting) and manual exposure | ||
| Exposure compensation | ±3 stops in 1/3- or 1/2-stop increments | ||
| ISO speed (Recommended exposure index) |
For autoexposure shooting: | ISO 100 – ISO 12800 set automatically. In Creative Zone modes, the upper limit is expandable to H (equivalent to ISO 25600). | |
| For manual exposure: | ISO Auto (ISO 100 – ISO 12800 set automatically), ISO 100 – ISO 12800 set manually (whole-stop increments), expandable to H (equivalent to ISO 25600) | ||
| ISO speed settings | Maximum limit for ISO Auto settable | ||
| HDR movie shooting | Possible | ||
| Video snapshots | Settable to 2sec. / 4sec. / 8sec. | ||
| Creative filters for movies | Dream, Old Movies, Memory, Dramatic B&W, Miniature effect movie | ||
| Sound recording | Built-in stereo microphones, external stereo microphone terminal provided Sound-recording level adjustable, wind filter provided, attenuator provided |
||
| Grid display | Three types | ||
| Time-lapse movie | Shooting interval (hours:minutes:seconds), Number of shots, Auto exposure (Fixed 1st frame, Each frame), LCD auto off, Beep as image shot settable | ||
| LCD Monitor | |||
| Type | TFT color liquid-crystal monitor | ||
| Monitor size and dots | Wide, 7.7cm (3.0-in.) (3:2) with approx. 1.04 million dots | ||
| Brightness adjustment | Manual (7 levels) | ||
| Interface languages | 25 | ||
| Touch screen technology | Capacitive sensing | ||
| Playback | |||
| Image display format | Single-image display (without shooting information), Single-image display (with basic information), Single image display (Shooting information displayed: Detailed information, Lens / histogram, White balance, Picture Style 1, Picture Style 2, Color space/noise reduction, Lens aberration correction), Index display (4 / 9 / 36 / 100 images) | ||
| Zoom magnification | Approx. 1.5x – 10x | ||
| Highlight alert | Overexposed highlights blink | ||
| AF point display | Provided (may not be displayed depending on shooting conditions) | ||
| Image search | Search conditions settable (Rating, Date, Folder, Protect, File type) | ||
| Image browsing methods | Single image, 10 images, specified number, date, folder, movies, stills, protect, rating | ||
| Image rotation | Possible | ||
| Rating | Provided | ||
| Movie playback | Possible (LCD monitor, HDMI), built-in speaker | ||
| Image protect | Possible | ||
| Slide show | Automatically play back all images or the images that match search conditions | ||
| Background music | Selectable for slide shows and movie playback | ||
| Post-Processing of Images | |||
| Creative filters | Grainy B/W, Soft focus, Fish-eye effect, Art bold effect, Water painting effect, Toy camera effect, Miniature effect | ||
| Resize | Possible | ||
| Cropping | Possible | ||
| Print Ordering | |||
| DPOF | DPOF Version 1.1 compliant | ||
| Wi-Fi | |||
| Standards compliance | IEEE 802.11b/g/n | ||
| Transmission method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n) |
||
| Transmission range | Approx. 15m / 49.2ft.
*When communicating with a smartphone |
||
| Transmission frequency (central frequency) | Frequency: 2412 to 2462 MHz Channels: 1 to 11 ch |
||
| Connection method | Camera access point mode, infrastructure*
* Wi-Fi Protected Setup supported |
||
| Security | Authentication method: Open system, Shared key, WPA / WPA2-PSK Encryption: WEP, TKIP, AES |
||
| Communication with a smartphone | Images can be viewed, controlled, and received using a smartphone. Remote control of the camera using a smartphone is possible. Images can be sent to a smartphone. |
||
| Transfer images between cameras | Transferring one image, Transferring selected images, Transferring resized images | ||
| Connect to Connect Station | Images can be sent to and saved on Connect Station. | ||
| Remote operation using EOS Utility | Remote control functions and image viewing functions of EOS Utility can be used wirelessly. | ||
| Print from Wi-Fi printers | Images can be sent to a Wi-Fi printer. | ||
| Send images to a Web service | Images in the camera or links to images can be sent to registered Web services. | ||
| NFC | |||
| Standards compliance | NFC Forum Type 3/4 Tag compliant (dynamic) | ||
| Bluetooth | |||
| Standards compliance | Bluetooth Specification Version 4.1 compliant (Bluetooth low energy technology) | ||
| Transmission method | GFSK modulation | ||
| Customization Features | |||
| Custom Functions | 11 | ||
| My Menu | Up to 5 screens can be registered | ||
| Copyright information | Text entry and appending possible | ||
| Interface | |||
| DIGITAL terminal | Computer communication (Hi-Speed USB equivalent), Connect Station CS100 connection |
||
| HDMI mini OUT terminal | Type C (Auto switching of resolution), CEC-compatible | ||
| External microphone IN terminal | 3.5mm diameter stereo mini-jack | ||
| Remote control terminal | For Remote Switch RS-60E3 | ||
| Wireless remote control | Compatible with Wireless Remote Control BR-E1 (Bluetooth connection) | ||
| Eye-Fi card | Compatible | ||
| Power | |||
| Battery | Battery Pack LP-E17 (Quantity 1)
* AC power usable with household power outlet accessories. |
||
| Number of possible shots (Based on CIPA testing standards) |
With viewfinder shooting: | Approx. 650 shots at room temperature (23°C / 73°F) Approx. 620 shots at low temperatures (0°C / 32°F) | |
| With Live View shooting: | Approx. 260 shots at room temperature (23°C / 73°F) Approx. 240 shots at low temperatures (0°C / 32°F) | ||
| Movie shooting time: | Approx. 2hr. at room temperature (23°C / 73°F) Approx. 1hr. 45min. at low temperatures (0°C / 32°F) |
||
| Dimensions and Weight | |||
| Dimensions (W x H x D) | Approx. 122.4 x 92.6 x 69.8mm / 4.82 x 3.65 x 2.75in. | ||
| Weight | Black | Approx. 453g / 15.98oz. (Including battery and card) Approx. 406g / 14.32oz. (Body only) |
|
| Silver | Approx. 454g / 16.01oz. (Including battery and card) Approx. 407g / 14.36oz. (Body only) |
||
| White | Approx. 456g / 16.08oz. (Including battery and card) Approx. 409g / 14.43oz. (Body only) |
||
| Operation Environment | |||
| Working temperature range | 0°C – 40°C / 32°F – 104°F | ||
| Working humidity | 85% or less | ||
Nikon Distortion Control Data 2.016 – Available for Download
Nikon Distortion Control Data – Version 2.016
Loaded into compatible cameras, distortion control data reduce barrel and pincushion distortion when photographs are taken or edited.
Download
Supported camera
| Camera | Supported from firmware version |
|---|---|
| D5 | C:1.00 |
| D4S | C:1.00 |
| D4 | A:1.10, B:1.10 |
| D810A | C:1.00 |
| D810 | C:1.00 |
| D800E | A:1.10, B:1.10 |
| D800 | A:1.10, B:1.10 |
| Df | C:1.00 |
| D750 | C:1.00 |
| D610 | C:1.01 |
| D600 | C:1.02 |
| D500 | C:1.00 |
| D7500 | C:1.00 |
| D7200 | C:1.00 |
| D7100 | C:1.02 |
| D7000 | A:1.04, B:1.05 |
| D5600 | C:1.00 |
| D5500 | C:1.00 |
| D5300 | C:1.00 |
| D5200 | C:1.02 |
| D3400 | C:1.00 |
| D3300 | C:1.00 |
| D3200 | C:1.03 |
| D90 | A:1.00, B:1.01 |
| IMPORTANT: Before loading distortion control data, update the camera firmware to a version that supports distortion control data version 2.000 or later.
Note: We have fixed the issue that sometimes rendered the Auto distortion control option in the camera menus unavailable when distortion control data version L2.013 was used with the D7200. |
Supported Lens
| Wide-angle |
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|---|---|
| Standard zoom |
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| Telephoto zoom |
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| High-magnification zoom |
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| Fixed focal length |
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| Telephoto |
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| Micro |
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Zeiss Announced Milvus 35mm f1.4 Lens
Product Summary
- Model name: Zeiss Milvus 1.4/35
- Release Date: 21 June 2017
- Focus Type: Manual
- Format : Full Frame
- Mounts: Canon | Nikon
- Availability: July 2017
- Price: $1,999
- Purchase options: Adorama | B&H | Amazon
Key features
- Full frame wide angle lens
- One Aspherical & Five Low Dispersion Elements
- Zeiss T* Anti-Reflective Coating
- Manual Focus Design
- Anodized Metal Barrel, Rubber Focus Ring
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
ZEISS has launched a new lens for full-frame DSLR cameras from Canon and Nikon on the market: the ZEISS Milvus 1.4/35. Now the tenth lens in the Milvus family, the ZEISS Milvus 1.4/35 is particularly suitable for portrait photography thanks to its speed. “The high maximum aperture enables the subject to stand out clearly against the background, and the photographer can achieve creative combinations of focus and blur,” says Christophe Casenave, Product Manager at ZEISS. “The manual focus enables very exact focusing, and the creamy bokeh provides an excellent image look. And even at full aperture the image quality leaves nothing to be desired.” The ZEISS Milvus 1.4/35 is also perfectly at home in landscape photography: “The 35-millimeter focal length is a genuine all-rounder.” Like all lenses in the ZEISS Milvus family, it is protected against dust and splashes and, according to Casenave, even bad weather is no problem. The metal barrel gives the lens its robust and durable character.
Practically no chromatic aberrations thanks to a new optical design
With aspherical lens elements, special glass materials and advanced correction, ZEISS has given the lens a completely new optical design. “This means the photos are practically free from chromatic aberrations,” says Casenave. Thanks to their excellent edge-to-edge imagery the ZEISS Milvus lenses are designed for high-performance digital cameras. “The resolutions of camera sensors are constantly becoming higher, and this also increases the demands made on the lenses. For ZEISS Milvus lenses this is no problem. They are a solid investment in the future.”
Also suitable for filming
The ten lenses in the ZEISS Milvus family, ranging between 15 and 135 millimeters, are also suitable for film productions: the manual focus with a large rotation angle can be operated with the aid of a ZEISS Lens Gear with a follow-focus system. The de-click function allows the aperture to be set continuously in the version for Nikon cameras. A further benefit for filming: ZEISS has matched the color characteristics of the ten lenses. Filmmakers can therefore switch between the focal lengths and still have a uniform color look. “This facilitates editing enormously,” says Casenave.
Product Photo
Specification
| Focal Length | 35mm |
| Aperture | Maximum: f/1.4 Minimum: f/16 |
| Camera Mount Type | Nikon F |
| Format Compatibility | Nikon FX/35mm Film |
| Angle of View | 64.2° |
| Minimum Focus Distance | 11.81″ (30 cm) |
| Maximum Reproduction Ratio | 1:4.6 |
| Elements/Groups | 14 / 11 |
| Diaphragm Blades | 9, Rounded |
| Autofocus | No |
| Filter Thread | Front: 72 mm |
| Dimensions (DxL) | Approx. 3.34 x 4.94″ (84.8 x 125.6 mm) |
| Weight | 2.49 lb (1.13 kg) |
Sigma 100-400mm F5-6.3 DG OS HSM Contemporary for Nikon – New Firmware Update
Sigma 100-400mm F5-6.3 DG OS HSM | Contemporary for Nikon
Sigma Corporation would like to announce a firmware update for the SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary for Nikon is now available. By updating the firmware, the lens will offer improved AF performance.
For customers who own the SIGMA USB DOCK, please update the firmware via SIGMA Optimization Pro.
Change log
- It has improved the AF performance.
Download
Purchase options:
Sigma Flash EF-630 for Canon – New Firmware Update
Sigma Flash EF-630 for Canon
This firmware update corrects the phenomenon that the flash does not fire when using the X Sync. contact in Manual Flash mode. For customers who own the SIGMA FLASH USB DOCK FD-11 for Canon, please update the flash firmware via SIGMA Optimization Pro.
Change log
- It has corrected the phenomenon that the flash does not fire when using the X Sync. contact in Manual Flash mode.
*The firmware can be updated using SIGMA FLASH USB DOCK FD-11 for Canon with firmware Ver1.01.
Download
Purchase options: Adorama | B&H | Amazon
Sigma Flash USB Dock FD-11 for Canon
This firmware update reduces the time required to update future firmware of the SIGMA ELECTRONIC FLASH EF-630 for Canon. For customers who own the SIGMA FLASH USB DOCK FD-11 for Canon, please update the firmware via SIGMA Optimization Pro.
Change log
- It will reduce the time required to update future firmware of SIGMA ELECTRONIC FLASH EF-630 for Canon.
Download
Tamron Launches World’s First All-in-one 18-400mm Zoom Lens
Product Summary
- Model name: Tamron 18-400mm F/3.5-6.3 Di II VC HLD (Model B028)
- Release Date: June 23, 2017
- Focus Type: Autofocus
- Format : APS-C
- Mounts: Canon | Nikon
- Availability: July 20, 2017
- Price: $649
- Purchase options: Adorama | B&H | Amazon
- Brochure : English
Key features
- 18-400mm Lens for APS-C DSLR
- 35mm equivalent of 27-620 mm angle of view
- 16 lens elements in 11 groups
- Vibration Compensation
- Electromagnetic diaphragm for Nikon-mount
Dramatic extended range achieved by combining cutting-edge optical design and other new breakthrough technologies including a redesigned cam structure
June 23, 2017, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of the new 18-400mm F/3.5-6.3 Di II VC HLD (Model B028), the world’s first ultra-telephoto all-in-one zoom lens for APS-C DSLR cameras, which covers a focal length range of 18-400mm. Since the 1992 launch of its AF28-200mm F/3.8-5.6 Aspherical (Model 71D), Tamron has dominated the all-in-one zoom category and has produced many lenses that cover wide-angle to telephoto zoom ranges. Tamron has now developed an ultra-telephoto all-in-one zoom that extends to 400mm (35mm equivalent of 620mm) and a 22.2x zoom ratio. Packed in a light, compact body (121.4mm/705g)*2 is Tamron’s accumulated knowledge and experience for all-in-one zoom lenses, including the most advanced optical and mechanical designs, an HLD (High/Low torque modulated Drive) for the AF system and the Vibration Compensation system. Photographers can now enjoy wide-angle to ultra-telephoto photography using one lens, which is ideal for travel photography and eliminates the need to carry extra lenses. The new Model B028 lens enables a wide variety of ultra-telephoto images including everyday casual scenes.
- The world’s first*1 ultra-telephoto all-in-one zoom lens to achieve 400mm telephoto
The new Model B028 is the world’s first lens for APS-C DSLR cameras that covers a focal length range of 18-400mm and achieves a zoom ratio of 22.2x. The focal length of 400mm on the telephoto end enables the capturing of ultra-telephoto pictures with the 35mm equivalent of 620mm angle of view. Now, with just this one lens, a photographer can readily enjoy the power of the ultra-telephoto to bring distant subjects closer as well as the perspective-flattening effects that only extreme telephoto settings can achieve. This all-in-one zoom lens is ideal for travel and everyday carry. It allows a photographer to switch from wide-angle to ultra-telephoto without changing lenses, making it faster and easier to capture a much wider range of subjects including travel scenes, wildlife, action sports, landscapes, cityscapes, portraits and food.
*1 Among interchangeable lenses for DSLR cameras (As of May 2017; Tamron)
- Excellent image quality across the entire zoom range, from wide-angle to ultra-telephoto
The optical construction of the B028 consists of 16 lens elements in 11 groups. The use of specialized glass elements such as LD (Low Dispersion) and aspherical lens elements effectively minimizes wide-ranging aberrations, including chromatic aberrations and distortion, thereby assuring outstanding image quality. Optimum power distribution among the individual lens element groups achieves both the optical performance and the compact size necessary for an ultra-telephoto all-in-one zoom lens that boasts 400mm focal length. Also, it enables tele-macro photography with a maximum magnification ratio of 1:2.9. - Lightweight and compact design exhibits Tamron’s basic philosophy for all-in-one zoom lenses
Despite being an all-in-one zoom lens that achieves 400mm ultra-telephoto, Model B028 is light and compact with a total length of 121.4mm and a weight of 705g*2. A new lens barrel design utilizing three-step extensions was developed to enable the necessary elongation to produce a 22.2x zoom ratio. Compared to the conventional approach, the division into a larger number of cams ensures comfortable operation and stability while zooming. Tamron’s philosophy for all-in-one zoom lenses is to allow each photographer to casually capture everyday images with a lens of a practical size, and Model B028 fulfills this philosophy.
*2 Length and weight are based on figures for the Nikon-mount lens.
- HLD motor provides high-precision AF and enables compact lens construction
The AF drive system for Model B028 uses Tamron’s exclusive HLD (High/Low torque modulated Drive) motor. The power-saving HLD motor produces outstanding driving torque, and adjusts motor rotation from low to high speed to enable accurate and quiet focusing. The HLD motor takes up less space thanks to its small size and circular arc shape that allows the size of the lens to be reduced. - Equipped with the Vibration Compensation system necessary for ultra-telephotography at 400mm
Despite its compact size, Model B028 is equipped with Tamron’s original VC (Vibration Compensation) system, which effectively curbs camera shake under low light conditions (such as a dimly lit room or at dusk) and while taking ultra-telephoto pictures. This greatly expands opportunities for casual handheld shooting. The jitter-free stability of the viewfinder image allows for easier framing and enables the photographer to compose the subject quickly and comfortably. - Electromagnetic diaphragm system now used also for Nikon-mount lenses
The electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses*3. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.
*3 Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300S, D500) (As of May, 2017; Tamron) - User-friendly features for everyday comfortable use
With an eye toward active outdoor photography, Model B028 features Moisture-Resistant Construction to ensure worry-free shooting as well as confidence while shooting under adverse weather conditions. Also, the Zoom Lock mechanism prevents undesired movement of the lens barrel under its own weight when the camera is angled downward while walking. - Compatible with TAP-in ConsoleTM, an optional accessory product
The optional TAP-in Console provides a USB connection to a personal computer, enabling the user to easily update the lens’s firmware as well as to customize features, including fine adjustments to the AF and VC. - External design placing importance on functionality and ease of use
While inheriting the design that makes use of many organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B028 comes with a highly sophisticated design that also places a lot of importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring and the switch shape design.
Product Photo
Sample Image
Specification
| Model | B028 |
|---|---|
| Focal Length | 18-400mm |
| Maximum Aperture | F/3.5-6.3 |
| Angle of View (diagonal) | 75°33′ – 4° (for APS-C format) |
| Optical Construction | 16 elements in 11 groups |
| Minimum Object Distance | 0.45m (17.7 in)* |
| Maximum Magnification Ratio | 1:2.9 |
| Filter Size | Φ72mm |
| Maximum Diameter | Φ79mm |
| Length** | for Canon 123.9mm (4.9 in) for Nikon 121.4mm (4.8 in) |
| Weight | for Canon 710g (25 oz) for Nikon 705g (24.9 oz) |
| Aperture Blades | 7 (circular diaphragm) |
| Minimum Aperture | F/22-40 |
| Image Stabilization Performance | 2.5stops (CIPA Standards Compliant) (For Canon : EOS-80D is used / For Nikon: D7200 is used) |
| Standard Accessories | Flower-shaped lens hood, Lens caps |
| Compatible Mounts | Canon, Nikon |
Nikon 100th Anniversary Edition Products are Available for Pre-Order
D5 100th Anniversary Edition
The D5 is Nikon’s flagship digital SLR camera. It has supported the work of professional photographers in such fields as press, sports, and nature photography, and has also aided in activities related to the study and exploration of space. The D5 100th Anniversary Edition, in which the heritage of a flagship model is embodied, has a dark metallic gray finish and a stamp on the bottom noting Nikon’s contribution to the study and exploration of space. An anniversary booklet detailing Nikon’s contributions to the study and exploration of space is also included.
D500 100th Anniversary Edition
The D500 is a model that offers both agility and highly precise rendering. With its metallic gray finish and commemorative logo, the 100th Anniversary Edition combines an elegant look and feel with practicality. It comes with an exclusive metal case that has a plate on which the commemorative logo and serial number are engraved. The case contains a commemorative body cap and a commemorative leather strap embossed with the commemorative logo.
NIKKOR 70-200E 100th Anniversary Edition
This is the 100th anniversary edition of the AF-S NIKKOR 70-200mm f/2.8E FL ED VR, a fast telephoto zoom lens that has been well received for its ability to offer both superior agility and excellent optical performance since its release in 2016. The commemorative lens comes with the individual glass elements that make up the internal workings of the lens, as well as a special stand and case for displaying them, providing those who purchase and use the lens with a sense of just how the lens achieves its characteristic rendering.
NIKKOR Triple F2.8 Zoom Lens Set 100th Anniversary Edition
NIKKOR lenses have become synonymous with Nikon’s optical technologies. The NIKKOR Triple F2.8 Zoom Lens Set 100th Anniversary Edition is a set of three f/2.8 maximum aperture zoom lenses that best represent the NIKKOR name. The set is comprised of the wide-angle AF-S NIKKOR 14-24mm f/2.8G ED, the normal AF-S NIKKOR 24-70mm f/2.8E ED VR, and the telephoto AF-S NIKKOR 70-200mm f/2.8E FL ED VR. The same commemorative serial number is engraved on all three lenses.
Nikon 100th Anniversary Premium Camera Strap
This premium camera strap is made entirely of the best Italian leather that only improves with use and age.
Nikon 100th Anniversary Premium Leather Bag (Antique Cognac)
Nikon 100th Anniversary Pin Collection
This collection of lapel pins representing Nikon’s most historic and popular products, as well as the corporate logo, looks back at Nikon’s 100-year journey through light.
Nikon 100th Anniversary Miniature Nikon F Camera
Canon EOS 5DS & EOS 5DS R – New Firmware Version 1.1.1
Canon EOS 5DS & EOS 5DS R Firmware – 1.1.1
Change log:
- Corrects a phenomenon in which shooting may not be completed while using HDR (High Dynamic Range) Mode, when certain combinations of settings are selected.
- Corrects the phenomenon of Err70 which occurs with certain combinations of settings.
- Corrects the level display when the camera is held in the vertical orientation with the hand grip pointing downward.
- Corrects a phenomenon in which, when using certain CF cards, it may take approximately five seconds for the camera to power on depending on when the camera’s power switch was turned <ON>.
Please review the instructions thoroughly before updating the firmware on your camera.
Please note that the firmware for EOS 5DS and EOS 5DS R is different.
Canon EOS 5DS – Download
Canon EOS 5DS R – Download
Purchase options:
Canon EOS 5Ds $3499: Adorama | B&H | Amazon
Canon EOS 5Ds R $3699: Adorama | B&H | Amazon
Samyang Introduces AF 35mm F2.8 FE for Sony E Mount
Product Summary
- Model name: Samyang AF 35mm F2.8 FE
- Release Date: June 5th, 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Sony E mount
- Availability: July 2017
- Price: EUR 299
- Purchase options: Adorama | B&H | Amazon
Key features
- Sony E-Mount Lens Full-Frame Format
- Circular aperture with 7 blades
- Ultra Multi Coating (UMC) of Samyang Optics
Samyang Optics is pleased to announce the release of Samyang’s third autofocus lens: AF 35mm F2.8 FE. A tiny lens with a mighty performance, it is ideal for daily photography as well as travel photography. This new compact and lightweight lens, together with the existing AF 14mm F2.8 FE and AF 50mm F1.4 FE lenses, now expands Samyang’s autofocus lens line-up to three.
Tiny but Mighty
The AF 35mm F2.8 FE weighs just 85g and measures 3.3cm in length, without the hood and rear cap. Thanks to Samyang’s exceptional optical technology, its compact size is packed with features for outstanding image quality. Featuring seven elements in six groups, two aspherical lenses and one high refractive lens plus Ultra Multi Coating to minimise aberration and unnecessary light dispersion, the lens delivers high resolution from the centre to the corners of the image.
Perfect Partner for Everyday Photographers
This new lens is specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. For full frame sensors, the focal length resembles the human eye the most. For APS-C types for Sony alpha 6000 and 5000 series users the lens is equivalent to approximately 52mm, which is also one of the most popular focal lengths among photographers.
Portability with mighty performance and a 35mm focal length makes this lens the best choice for daily photographers who want to capture every memory as a high quality image. The autofocus is fast and accurate and is ideal for the capture of outdoor events such as hiking, sports events and landscape photography. It also has a minimum focusing distance of 0.35m and is ideal for street, portrait and close focus photography.
Product Photo
Sample Image
Specification
Nikon Capture NX-D 1.4.5 – Available for Download
Nikon Capture NX-D 1.4.5
Change log
- Added support for the D7500 and COOLPIX W300.
- Added support for Picture Control > Auto.
- The Fisheye option in Camera and Lens Corrections now supports the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED lens.
- Changed the Crop tool 11:7 crop to 10:7.
- Improved thumbnail display quality for JPEG images that contain only small thumbnails.
- Fixed the following issues:
- White would print as light grey when Use this profile when printing was selected for Color Management > Printer Profile.
- Capture NX-D would quit unexpectedly if the Retouch Brush tool was displayed in full-screen view.
- Discontinued support for OS X 10.9.5.
Download
Nikon ViewNX-i – New Version 1.2.7
Nikon ViewNX-i – Version 1.2.7
Change log
- Added support for the D7500 and COOLPIX W300.
- Added support for Picture Control > Auto.
- Fixed the following issues:
– Facebook login could not be used.
– Images modified using Exposure compensation or White balance with On selected for Auto Red-Eye would sometimes not display correctly.
– The Rename… option in the File menu could not be used to rename multiple files.
– Photo info was lost when images were moved between folders.
Download