Nikon Picture Control Utility 2.3.0 Update – Download
Picture Control Utility 2.3.0
- Picture Control Utility 2 is used to edit and manage Picture Controls. Starting from NEF (RAW) images or custom Picture Controls copied from a camera, you can create and save new custom Picture Controls. Custom Picture Controls created in Picture Control Utility 2 can be used in ViewNX-i or Capture NX-D or exported to a memory card and imported to a camera.
Change log
- Added support for the D7500.
- With the release of Camera Control Pro 2 version 2.25.0, Picture Control Utility 2 can now be launched using the Edit button next to Picture Control in the Camera Control Pro 2 Image Processing panel.
Download
Nikon NEF Codec For Windows Version 1.31
NEF Codec for Windows – 1.31
The NEF Codec module allows NEF (RAW) files to be handled as easily as their JPEG and TIFF equivalents.
Change log:
- Windows Photo Gallery, Windows Live Photo Gallery, and Windows Photo Viewer now display the previews embedded in NEF (RAW) images.
Download
Nikon KeyMission 360/170 Utility Software 1.0.3 Released
Nikon KeyMission 360/170 Utility Version – 1.0.3
Use the KeyMission 360/170 Utility to copy to your computer, view, and edit beautiful spherical 360° panoramas and 170° wide-angle shots taken with Nikon’s KeyMission cameras. You can choose the angle when viewing spherical 360° content shot with the KeyMission 360 and export the footage to create new movies, export cropped images, add simple effects and background tracks, and create movies for upload to YouTube. You can also change settings for cameras connected via USB.
Change Log
- Image files on the desktop or in other locations can now be copied into the KeyMission 360/170 Utility Folder list and Thumbnail list via drag and drop.
- Discontinued support for OS X 10.9.5.
- Fixed the following issues:
- Changing the aspect ratio would cause the Current picture to flicker briefly.
- Moving the progress bar slider in the Current picture while using the Add background track option in the edit menu would display a frame other than that selected with the slider.
Download
KeyMission 360 : Adorama | B&H | Amazon
KeyMission 170 : Adorama | B&H | Amazon
KeyMission 80 : Adorama | B&H | Amazon
Watch NikonMission Sample videos in Youtube
(Use Google Chrome or Firefox browser)
Ricoh G800 & G800SE – New Firmware Version
Ricoh G800 Firmware – 1.06
Change log:
- When reading a “Camera Settings file”, different settings are registered in a camera.
- Though menu operation is locked by a password, it permits to turn memos on or off when doing long press of ADJ./MEMO button.
- LCD Brightness doesn’t work properly.
Download
Ricoh G800SE Firmware – 1.08
Change log:
- When reading a “Camera Settings file”, different settings are registered in a camera.
- Though menu operation is locked by a password, it permits to turn memos on or off when doing long press of ADJ./MEMO button.
- LCD Brightness doesn’t work properly.
- A file isn’t sent by using bluetooth on Windows10.
Download
Nikon KeyMission 170 – New Firmware Version 1.2
Nikon KeyMission 170 Firmware – 1.2
Change log:
- Made improvements regarding an issue which resulted in connections between the camera and iOS 10.2-compatible versions of the SnapBridge 360/170 app becoming unstable.
Note: Users of iOS 10.2 will also need to upgrade the SnapBridge 360/170 app to the latest version, which supports iOS 10.2.
Download
KeyMission 360 : Adorama | B&H | Amazon
KeyMission 170 : Adorama | B&H | Amazon
KeyMission 80 : Adorama | B&H | Amazon
Nikon D5600 – New Firmware Version C-1.02
Nikon D5600 Firmware – C-1.02
Change log:
- Improved pairing and connectivity between the camera and Android versions of the SnapBridge app.
Download
Understanding Bit depth
We have heard of the terms bit depth and resolution and even megapixels. Often people use them interchangeably. This is wrong as they although related to the effective resolution of the camera system, are different in their inherent meanings. Let’s take one of them, bit-depth and have a deeper look into what it is.
Digital photography is all about numbers representing different shades of color. In the earlier days of black and white digital photography, processing systems embedded in computers and powering the overall image processing could only play around with 1 or 0 (two numbers). These were essentially 1 bit computer systems which could produce only 1 number at a time. These were assigned to black and white and each pixel thus could have only one of 2 possible tonal shades. Gradually as computer systems and along with that processing engines improved, 2 bit 3 bit and gradually 8 bit image processing systems became a reality. A 2 bit processing engine could represent 4 shades represented by the numbers 00, 01, 10, and 11. A 8 bit processing system could create a image file that has 256 combinations or colors (2 x 2 x 2 x 2 x 2 x 2 x 2 x2). In order to represent a picture that has the optimum number of colors in it (which is required to create a picture with no color jerks) is 250. As such an 8 bit image processing system is the basic requirement for color digital photography.
We also need to understand that at the heart of the image processing system is the camera sensor. This is that one element of the camera which has light sensitive photodiodes and which captures the reflected light from the subject. Now each photodiode is like a chamber which captures the light. However these chambers are not designed to capture all the light waves. Only three primary colors, red, blue and green are captured. We have discussed about Bayer Pattern elsewhere on this website. It is the most common forms of filter patterns that is used in modern digital camera sensors. It captures more of the green light then the other two primary colors due to the fact that the human eye is more susceptible to the green color.
A RAW file shot using an 8 bit image processing system has all the information to be able to convert it into a 24 bit image using a photo editing software. What it basically means is that each of the primary channels (or color channels) can capture 256 shades and thus has the potential to be converted into a 24 bit (8 x 8 x 8) image after post processing.
Modern digital camera technology has not stopped at 8 bit though. Camera manufactures have been churning out equipments which have still higher resolution of 12 bit and 14 bit. This means during post processing a photographer has a lot of tonal information in the image (if it has been shot in RAW). These are however heaver in file size and can easily overrun the buffer of the camera during shooting and also the memory card if one has to do a long shoot. Shooting RAW is thus advantageous when the photographer wants to preserve the full information that is captured so that he can produce the best quality pictures during post production and publishing.
Nikon D7500 Instruction or User’s Manual Available for Download [PDF]
Nikon D7500 Instruction or User’s Manual Available for Download in PDF.
Download Links
- User’s Manual : Europe | Asia | America
- Menu Guide
- SnapBridge Connection Guide: English
- Online Manual
Fast & Versatile Wide-angle Nikon AF-S Nikkor 28mm f/1.4E ED Lens
Product Summary
- Model name: AF-S NIKKOR 28mm f/1.4E ED
- Release Date: May 31, 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Nikon
- Availability: June 2017
- Price: $1999.95
- Purchase options: Adorama | B&H | Amazon
Key features
- Two Extra Low-Dispersion Elements
- Three Aspherical Elements
- Nano Crystal & Super Integrated Coatings
- Protective Fluorine Coating
- Rear Focusing System
- Electromagnetic Diaphragm Mechanism
- Nine-Blade Diaphragm
The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events.
The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare.
The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.
Product Photo
Nikon’s Compact & Portable AF-P DX Nikkor 10-20mm VR Lens
Product Summary
- Model name: AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR
- Release Date: May 31, 2017
- Focus Type: Autofocus
- Format : APS-C
- Mounts: Nikon
- Availability: June 2017
- Price: $309.95
- Purchase options: Adorama | B&H | Amazon
Key features
- Three Aspherical Elements
- Super Integrated Coating
- Pulse Stepping Motor AF System
- Seven-Blade Diaphragm
The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.
Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops1 of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.
This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.
Product Photo
New Nikon AF-S Nikkor 8-15mm f/3.5-4.5E ED Circular Fisheye Lens
Product Summary
- Model name: AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED
- Release Date: May 31, 2017
- Focus Type: Autofocus
- Format : Full Frame
- Mounts: Nikon
- Availability: June 2017
- Price: $1249.95
- Purchase options: Adorama | B&H | Amazon
Key features
- Three Extra Low-Dispersion Elements
- Two Aspherical Elements
- Nano Crystal & Super Integrated Coatings
- Protective Fluorine Coating
- Electromagnetic Diaphragm Mechanism
- Seven-Blade Diaphragm
Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view.
The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video.
The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma, even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare.
Product Photo
Fujifilm Releases New Firmware for GFX 50S, X-Pro2, X-T1, X-T2 & X-T20
Fujifilm GFX 50S Firmware Ver – 1.10
Change log:
- Tether shooting by wireless communication
- Operability improvement of exposure compensation
- AF function improvement
Fujifilm X-Pro2 Firmware Ver – 3.10
Change log:
- Expansion of EVF BRIGHTNESS setting
- Addition of Function assignment
Fujifilm X-T1 Firmware Ver – 5.20
Change log:
- Addition of BACKUP & RESTORE function in Tether shooting
Fujifilm X-T2 Firmware Ver – 2.10
Change log:
- Tether shooting by wireless communication
- Expansion of EVF BRIGHTNESS setting
- Addition of Function assignment etc.
Fujifilm X-T20 Firmware Ver – 1.01
Change log:
- Revision of MY MENU setting
Sony Alpha 9 (model ILCE-9) Instruction or User’s Manual Available for Download [PDF]
Sony Alpha 9 (model ILCE-9) Instruction or User’s Manual Available for Download in PDF.
This model is also known as: A9, A9/B, A9B, ALPHA9, ALPHA9/B, ALPHA9B, ILCE9, ILCE9/B
Download Links
- User’s Manual : Europe | America
- Online Help Guide
- Help Guide PDF
Adobe Lightroom CC 2015.10.1 / 6.10.1 Released
Lightroom CC 2015.10.1 / 6.10.1 is now available. The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom.
New Camera Support in Lightroom CC 2015.10.1 / 6.10.1
- Panasonic LUMIX DC-ZS70 (DC-TZ90,DC-TZ91, DC-TZ92, DC-T93)
- Sony A9 (ILCE-9)
New Lens Profile Support in Lightroom CC 2015.10.1 / 6.10.1
Mount | Name |
Sony FE | Zeiss Batis 2.8/135 |
Customer reported issues resolved
- Edit in Photoshop Erroneous Message Fixed
- Fixed issue causing color cast on images from some Fujifilm X series cameras shot in CH/CL modes.
- Fixed issue where images taken on the Fujifilm GFX 50s with top 3 extended ISOs appear over exposed.
- Fixed issue where some images converted to DNG from the Hasselblad H6 contained a color cast.
- Fixed issue with Hasselblad X1D images losing highlight details at high ISOs.
Known Issues
- We have an issue where customers are unable to use the Develop module with GPU enabled. This only occurs when using an AMD graphics card using driver Version 17.4.4 (released 4/23/2017) on Windows. Please see this note for more details and workarounds.
Supported Camera & Lens:
Download Link : Windows | Mac
Adobe Camera Raw 9.10.1 Update Download
Adobe has released Camera Raw 9.10.1 for Photoshop. It fixes several issues and brings support for new cameras & lenses.
Adobe Camera Raw 9.10.1 Update DownloadSupported cameras and lenses
16 Megapixel RICOH WG-50 – A Heavy-duty Compact Camera
Product Summary
- Model name: RICOH WG-50
- Release Date: May 25, 2017
- Focus Type: Autofocus
- Format : Crop Sensor
- Color: Orange | Black
- Availability: June 2017
- Price: $279.95
- Purchase options: Adorama | B&H | Amazon
Key feature
Developed as standard-class waterproof digital compact cameras, the RICOH WG-50 provide dependable operation and outstanding operability in demanding outdoor conditions : the WG-50 designed to be waterproof to a depth of 14 meters, shockproof against falls from a height of 1.6 meters, and freeze-proof to temperatures as low as -10°C. They also provide a range of features to facilitate all types of still-image and movie shooting, including approximately 16.0 effective megapixels and Full HD (1920 x 1080 pixels) movie recording capability. It also comes equipped with an outdoor-friendly LCD monitor whose brightness level can be instantly adjusted to the lighting level of a shooting situation.
A range of optional camera-mounting accessories allowing the user to securely fix the camera on a bicycle or watercraft. Using the camera’s creative shooting functions, such as interval shooting and Full HD movie recording, the user can capture unique images seen from a totally different angle or viewpoint.
1. Heavy-duty construction assuring underwater shooting down to 14 meters, for up to two hours
The solid, airtight body common to the WG-50 is not only waterproof down to a depth of 14 meters for up to two hours of continuous operation (equivalent to IPX 8 or JIS Class 8), but is also shockproof against falls from a height of 1.6 meters,* dustproof (equivalent to IPX 6 or JIS Class 6), freeze-proof to temperatures as low as -10°C, and crushproof against weights up to 100kgf (kilogram force). ** Thanks to this heavy-duty construction, the cameras perform superbly and dependably even in harsh, demanding outdoor conditions.
2. Exceptional image quality
The WG-50 come equipped with a back-illuminated CMOS image sensor, which assures excellent high-sensitivity and low-noise characteristics and high-speed readout of image data signals. Coupled with a high-performance imaging engine, this image sensor delivers a top sensitivity of ISO 6400 and super-high-resolution images with approximately 16.0 effective megapixels. These models also provide advanced image processing functions, made possible by the latest super-resolution technology, to assure sharp, clear, high-resolution images. They even offer such innovative features as Handheld Night Snap mode, which automatically captures several images of the same nighttime scene and produces a single, blur-free composite image from them. Some upper-class features have also been added to these models to facilitate and upgrade scenic photography: white-balance optimization in the Landscape shooting mode reproduces brilliant greens of trees.
3. 5X optical zoom lens with a 28mm wide-angle coverage
The WG-50 feature a high-performance, five-times optical zoom lens with a focal-length coverage from 5mm to 25mm (equivalent to approx. 28mm to 140mm in the 35mm format) to accommodate a wide range of scenes and subjects, including sweeping landscapes. They also provide other convenient shooting functions, such as a macro mode to capture dramatic close-up images from a minimum focusing distance of a mere one centimeter; an Intelligent Zoom function to extend the zoom range to approximately 36 times (equivalent to 1008mm in the 35mm format) without compromising image quality, for superior telephoto photography; and an interval shooting mode, which comes in handy for fixed-point observation.
4. Underwater shooting mode
Specifically designed for underwater photography, the Underwater and Underwater Movie shooting modes are programmed to optimize color and contrast, based on the data of images actually captured under the water. These modes deliver sharp, true-to-life images by enhancing shades of red which are lost in underwater photography, while effectively compensating for the loss of contrast caused by the diffusion of light in water. During Underwater mode, the Flash Off + Flash On option, allows the user to consecutively capture two images — with a single shutter release — one without flash and another with flash.
5. Six Macro Lights to assist close-up shooting, and a Self-Portrait Assist mode
Ideally positioned around the circumference of the lens barrel for macro shooting, six LED Macro Lights allow the WG-50 to provide bright, uniform illumination on a subject when the Digital Microscope mode is selected.*** Thanks to these Macro Lights, the user can clearly see a magnified view of the microscopic world undetectable by the naked eye on the camera’s LCD monitor, and effortlessly capture eye-catching, close-up images. In order to minimize camera shake and subject shake, the Instant Illumination Enhance function allows for the use of a higher shutter speed by automatically raising the discharge level of the Macro Lights at the moment of shutter release. The Macro Lights also provide other useful functions, such as a Self-Portrait Assist mode, which uses the blink of an LED lamp to check if the subject’s face has been safely captured within the picture frame, and the LED Lighting mode, which uses the Macro Lights as a lighting device in the dark.
*** When this mode is selected, the image size is fixed at 2.0 megapixels (at 16:9 proportions).
6. Full HD movie recording for extended shooting of high-quality movies
The WG-50 provide Full HD movie recording employing the H.264 recording format. Users can capture high-quality, extended movie clips (1920 x 1080 pixels, 16:9 proportions) at a frame rate of 30 frames per second. To add some creative touches to movie recording, they also feature a high-speed camera function**** for slow-motion playback of captured movie clips, and an interval movie function. A micro-HDMI terminal (Type D) is also provided on the camera body for simultaneous output of Full HD movie clips and sound to external audio-visual devices.
**** When this function is selected, the recorded size is fixed at 1280 x 720 pixels.
7. Triple anti-shake protection to prevent blurred images in all applications
(1) Pixel Track SR mechanism
When recording still images, this advanced shake-reduction mechanism effectively compensates for camera shake by digitally processing affected images.
(2) Digital SR mode
When the camera detects low-lighting conditions in still-image shooting, this mode automatically raises the sensitivity up to as high as ISO 6400, making it possible to use a higher shutter speed and effectively minimize the adverse effect of camera shake and subject shake when dealing with poor lighting conditions.
(3) Movie SR mode
During movie recording, this mode effectively compensates for the misalignment of images caused by camera shake through the use of exclusive software to produce beautiful, blur-free movie clips.
8. 2.7-inch LCD monitor with the Outdoor View Setting mode
The WG-50 come equipped 2.7-inch LCD monitor with horizontally extended 16:9 proportions and approximately 230,000 dots. The monitor’s AR (Anti-Reflection) coating minimizes annoying glare and reflections to assure a sharp, clear on-screen image even in the harsh sunshine often encountered during outdoor shooting. It also comes equipped with such convenient features as: the Outdoor View Setting mode, which easily sets the optimum monitor brightness level for a given lighting condition.
9. Other features
- A range of WG-series mount accessories (optional) to accommodate diverse camera setups
- Two remote control receptors (one in front and another in the back) to widen signal coverage
- Macro stand (included) to maintain a minimum focusing distance of one centimeter to the subject during extended observation and shooting of macro images
- High-speed Face Detection function to capture as many as 32 faces in focus in approximately 0.03 seconds (minimum); Smile Capture function to automatically release the shutter when the subject’s smile is detected
- Outdoor-friendly Style Watch function to display the time on the LCD monitor, using an extended push of the OK button when the camera’s power is turned off
- Delay-free, pushbutton start of the playback mode, using an extended push of the playback button
- Auto Picture mode to automatically select the most appropriate shooting mode from 16 different scene modes
- A choice of 12 digital filters
- Pet detection function to automatically detect the face of a cat or dog
Product Photo
Sample Image
Specification
Lens | RICOH lens, 11 elements in 9 groups (5 aspherical elements) | |
---|---|---|
Focal Length | 5 – 25 mm | |
(in 35mm format equivalent) | Approx. 28 – 140mm | |
Maximum Aperture | F3.5(W) – F5.5(T) | |
Zoom | Optical Zoom | 5X |
Digital Zoom | approx. 7.2X | |
Intelligent Zoom | approx. 7.5X at 7M, approx. 36X at 640 (including optical zoom) | |
Motion Blur Reduction | Still | Pixel Track SR Hi-sensitivity anti-shake mode (Digital SR) |
Movie | Movie shake reduction mode (Movie SR) | |
Focus | Type | 9-point AF, Spot AF, Auto tracking AF |
Focus Range (From lens face) |
Standard: 0.5m – infinity / 1.64ft. – infinity (entire zoom range) Macro:0.1 – 0.6m / 0.33 – 1.97ft. (entire zoom range) 1cm Macro:0.01 – 0.3m / 0.03 – 0.98ft. (middle zoom position) Infinity-landscape, Pan Focus, Manual Focus: available |
|
Face detection | Face Detection AF&AE is available for all modes up to 32 faces. Smile Capture, Self-portrait Assist, Self-portrait Assist + Smile Capture, Blink Detection | |
Pet detection | Detect up to 1 pet’s face(auto) | |
Number of Effective pixels | Approx. 16 megapixels | |
Image Sensor | 1/2.3″ CMOS | |
Number of Recorded pixels | Still | 16M, 12M(1:1), 12M(16:9), 7M, 5M(16:9), 5M, 4M(16:9), 3M, 2M(16:9), 1024, 640 * In Report mode, select from 3M (2048 x 1536), 2M (1600 x 1200) or 1280 (1280 x 960). |
Movie | 1920, 1280 | |
Sensitivity (Standard Output Sensitivity) | AUTO, Manual (ISO 125 – 6400) | |
White Balance | Auto, Daylight, Shade, Tungsten light, Fluorescent light(D:Daylight Color, N:Daylight White, W:White Light), Manual | |
Display | 2.7″ Wide LCD, approx. 230K dots, AR Coating(Cover only) | |
Exposure Control | Metering System | Multi-segment metering, Center-weighted metering, Spot metering |
Exposure Compensation | ± 2EV ( 1/3EV steps) | |
Scene modes | Auto Picture, Program, HDR, Handheld Night Snap, Movie, High Speed Movie, Digital Microscope, Landscape, Flower, Portrait, Underwater, Underwater Movie, Interval Shot, Interval Movie, Surf & Snow, Kids, Pet, Sport, Night Scene, Night Scene Portrait, Fireworks, Food, Digital SR, Report, Green | |
Playback modes | Slideshow, Image Rotation, Small Face Filter, Ink Rubbing Filter, Collage, Digital Filter(B&W / Sepia, Toy Camera, Retro, Color, Extract Color, Color Emphasis, High Contrast, Starburst, Soft, Fish-eye, Brightness, Miniature), HDR Filter, Original Frame, Movie Edit, Red-eye Edit, Resize, Cropping, Image Copy, Protect, Start-up Screen | |
Shutter Speed | 1/4000 – 1/4sec.(Mechanical and electronic shutter), 4sec at most. (Night Scene mode setting) | |
Built-in flash | Modes | Flash-on and Flash-off modes. “Red-eye” compensation function employs a pre-discharge. |
Flash Range | Wide:approx. 0.2 – 5.5m / 0.66 – 18 ft. (ISO Auto) Tele:approx. 0.2 – 3.5m / 0.66 – 11 ft. (ISO Auto) |
|
Drive Modes | One shot, Self-timer, Continuous Shooting, Burst Shooting, Remote Control, Auto Bracketing | |
Storage Media | Built-in Memory (approx. 68MB), SD/SDHC/SDXC Memory Card Eye-Fi Card |
|
Power Source | Rechargeable D-LI92 lithium-ion battery | |
Battery life | Still*: approx. 300 shots (Rechargeable Lithium-ion battery) Playback**: approx. 260 min. (Rechargeable Lithium-ion battery) |
|
Interfaces | USB2.0(Micro-B), HDMI output terminal(Type D) | |
Water proof / Dustproof | Equivalent to JIS Class 8 waterproof and JIS Class 6 dustproof capabilities | |
Dimensions | Approx. 122.5 (W) x 61.5 (H) x 29.5 (D)mm /4.8 (W) x 2.4 (H) x 1.2 (D) inches (including lens depth) | |
Weight | With battery & SD card | Approx. 193g / 6.8 oz. (loaded and ready) |
Body only | Approx. 173g / 6.1 oz.(without battery and SD memory card) |