Lowepro

Adobe Photoshop Camera Raw 8.1 Release Candidate Announced

Adobe announced Photoshop Camera Raw 8.1 Release Candidate and now available for download. A “release candidate” means that this update is well tested but it’d benefit from additional community response before it is distributed automatically to all of our customers.

Camera Raw 8.1 Release Candidate added following supports 

  • Hasselblad H5D-60
  • Olympus PEN E-P5
  • Olympus PEN E-PL6
  • Phase One IQ260*
  • Pentax Ricoh GR
  • Panasonic LUMIX DMC-G6
  • Panasonic LUMIX DMC-LF1

To download click here

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Rokinon 8mm f/3.5 aspherical fisheye lens for (Canon, Nikon and Sony) Only $229 – free shipping

Rokinon 8mm f:3.5 Aspherical Fisheye Lens

Only for 48 Hrs Adorama has  the Rokinon 8mm f/3.5 aspherical fisheye lens for Canon, Nikon and Sony mount: $229 with free shipping if you use code S0511113 at checkout. This offer will expire at 3pm EST on May 16th.

Rokinon 8mm F/3.5 Features

Nikon 1 NIKKOR 32mm f1.2 lens

Product Summary

  • Model name: Nikon 1 NIKKOR 32mm f1.2 lens
  • Release Date: May 14, 2013
  • Focus Type: Auto/ Manual
  • Format : 1 Nikkor
  • Mounts: Nikon
  • Availability: June 2013
  • Price: $ $899.95*
  • Purchase options: Adorama (Black|Silver)

Features

A fast, mid-telephoto, fixed focal length lens with a maximum aperture of f/1.2, high-performance Nikon 1 lens that offers both superior resolution and large, smooth blur characteristics. The 1 NIKKOR 32mm f/1.2 lens will be available in Black and Silver.

With a fixed focal length of 32mm and a maximum aperture of f/1.2, the new 32mm lens is the fastest in the ever expanding 1 NIKKOR lens lineup. An ideal lens for portraiture, the 1 NIKKOR 32mm f/1.2 lens is capable of rendering breathtaking images that capture every detail.

The 1 NIKKOR 32mm f/1.2 lens (86mm equivalent in 35mm format) enables brilliant sharpness and is able to resolve intricate details in portraits such as hair, eyes and eyelashes, while also allowing for strategically precise image blur and bokeh. From flattering portraits to still-life art, this fast lens gives users the ability to emphasize a primary subject combined with a skillfully blurred background for a dramatic yet natural separation, and shoot with confidence in challenging light.

Additionally, core NIKKOR lens technologies have been carried over into the 1 NIKKOR series, as the 32mm f/1.2 is the first 1 NIKKOR lens to be equipped with a Silent Wave Motor (SWM), a manual focus ring and a Nano Crystal Coat — all traditional staples of the NIKKOR line. Utilizing the Close-Range Correction System, the lens is able to provide high-resolution, realistic textures and minimized aberration, even during close-up shooting. The M/A (autofocus with manual override) mode lets the user to manually focus during autofocus operation for intuitive and fine adjustments while shooting. Additionally, the lens sports an elegant and portable design while Nikon’s exclusive Nano Crystal Coat effectively reduces instances of ghost and flare for optimal image quality.

With the addition of the new 1 NIKKOR 32mm f/1.2 lens, the 1 NIKKOR lens lineup now offers nine total lenses for photographers seeking the ideal harmony of performance and portability.

Nikon will continue to expand the 1 NIKKOR lineup with lenses that make the most of the capabilities and performance offered by Nikon 1 advanced cameras with interchangeable lenses, while consistently offering new ways for users to express their creative vision.

Additional Images

1 Nikkor 32mm f:1.2 portrait lens with nikon v2

Nikon 1 NIKKOR 32mm f1.2 lens Specifications

Focal length
32 mm
Max aperture
f/1.2
Min aperture
f/16
Construction
9 elements in 7 groups (including elements with Nano Crystal coating)
Angle of view
28°
No. of diaphragm
7 (rounded diaphragm opening)
Min focus distance
0.45 m/1.48 ft from focal plane
Reproduction ratio
0.08x (approx. 0.22x with 35mm [135] format)
Weight
Approx. 235 g/8.3 oz
Diameter x length
Approx. 65.5 x 47 mm
Filter size
52 mm
Lens cap
Snap-on
Lens hood
HB-N107 (supplied)
Lens case
CL-N101 (optional)

 

Additional Info

Sample Image

Purchase options

Nikon 1 NIKKOR 32mm f1.2  available at  Adorama (Black|Silver)

Zeiss Touit 12mm f/2.8 Lens

Zeiss Touit 12mm f/2.8 Lens (Sony E-Mount)

Product Summary

  • Model name: Zeiss Touit 2.8/12
  • Focus Type: Manual
  • Format : Full Frame
  • Mounts: Canon | Nikon
  • Purchase options: B&H

Product Highlights

  • Aperture Range: f/2.8-22
  • Designed for APS-C-Sized Sensors
  • 35mm Equivalent Focal Length: 18mm
  • Floating Element Design
  • Two Aspherical Lens Elements
  • Distagon Optical Design
  • Carl Zeiss T* Anti-Reflective Coating
  • Rigid Metal Construction
  • Rubberized Control Rings
  • Supports All Sony E & Fujifilm X Camera Functions

Overview

The Zeiss Touit 2.8/12 Lens is a wide-angle prime for use on APS-C-sized image sensors, and as such provides a 35mm-equivalent focal length of 18mm. Zeiss Touit 12mm f/2.8 Lens compatible with Sony E & Fujifilm X mount mirrorless cameras and supports all camera functions, including autofocus and exposure control.

Zeiss Touit 2.8/12 Lens

About “Touit”

Touit should be pronounced like the English “do it.” Touit Represents good visibility, agility, mobility and diversity. Touit is a band-tailed parrots live in Latin America and the Caribbean. This deep green bird is very small and agile. Touit parrots live in a wide range habitats, from damp-tropical island environment to lowland rainforests to thorn-bush savannas and even high altitude Andes Mountains up to over 20,000 feet.

Zeiss Touit 2.8/12 Lens Specifications

Focal length 12 mm
Aperture f/2.8 – f/22
Focusing 0,18 m (0.59 ft) – ∞
Construction (e/g) 11/8
Field of View (d/h/v) 99° / 89° / 66°
Coverage at close range 220 x 144 mm (8.66 x 5.67″)
Filter size M67 x 0,75
Dimensions (with caps) E: 81 mm (3.19″)
X: 86 mm (3.39″)
Diameter of focusing ring E, X: 65 mm (2.56″)
Weight E: 260 g (0.57 lbs)
X: 270 g (0.60 lbs)
Available mounts Sony E, Fuji X 

 

Sample images

Purchase options

Available at B&H @ $1,250.00

 

Canon EF 200-400mm f/4 L IS USM Extender 1.4x Lens

Product summary

Key features & specs

  • Built-in 1.4x extended, the first time for any commercially made lenses
  • 4-stop Optical Image Stabilization plus IS ‘Mode 3’
  • Fast f/4 aperture available throughout the focal length range
  • Magnesium alloy body complete with weather sealing
  • Fluorite and UD coating to reduce Chromatic aberrations and blurring
  • Advanced anti-reflection SubWavelength Structure Coating (SWC) and Super Spectra Coating to reduce ghosting and flares
  • Ring-type Ultra-Sonic Motor for faster yet quieter auto-focusing
  • Full-time Manual focusing
  • Fluorine coating on the front and rear lens elements to prevent dirt
  • 33 elements arranged in 24 groups

Overview

With the addition of the EF 200-400mm f/4L IS USM Extender 1.4x to Canon’s L series range of lenses Canon has thus opened a new dimension for its lens line-up. The EF 200-400mm f/4L IS USM Extender 1.4x features a 200-400mm focal length range with a fast f/4 constant maximum aperture throughout its focal length. But the most striking feature is the built-in 1.4x extender for the first time. Apart from that it also features, what Canon claims, is a 4-stop image stabilization. Canon has provided a magnesium alloy body complete with weather sealing and the essential lens coating to ensure that it has packed everything that a professional photographer demands out of a tele-lens.

The good

For the first time in any commercially available lens Canon has provided a built-in 1.4x extender. The lens thus automatically becomes a sought after tool for professional sports and wildlife photographers looking for that really tight composition. Just with a flick of a switch the lens extends from 200-400mm to a 280-560mm giving photographers that extra amount of reach that makes all the difference. Additionally, the use of superior quality optics the effect of the extender on image quality is minimum to non-existent when engaged.

Weather sealing is an essential aspect that most wildlife photographers look for in their equipment. A part of the respected Canon L-series line-up of lenses the EF 200-400mm f/4L IS USM Extender 1.4x comes with weather sealing. It is made out of tough magnesium alloy.

The glass optics features fluorite and Ultra-Low Dispersion (UD) elements. This drastically reduces color fringing and blurring at such high ranges. Additionally to reduce ghosting and flares Canon has provided Advanced anti-reflection SubWavelength Structure Coating (SWC) and Super Spectra Coating.

Canon has provided IS ‘Mode 3’ which engages only when the exposure is made. This has critical advantages especially when the photographer is panning for fast moving subjects without the image stabilization system trying to compensate for that movement.

Canon has provided the Power Focus (PF) Mode which when used with selected models of Canon DSLRs will allow the photographer to achieve an accurate ‘pull-focus’ effect.

The Bad

When the teleconverter is engaged you do lose a bit of shutter speed as the maximum aperture comes down to f/5.6.

The lens weighs about 3.6 kg making it quite a behemoth to lug on your shoulders.

It is pricy too coming with a RRP of just under $12 K.

Similar Products

Perhaps, Nikon 200-400 f/4 VR II lens. There are currently no other lens that has a built-in extended. As such it is in a league of its own.

Should I buy it?

Essentially Canon claims that the lens is mobile and perfect for use on any sports and wild-life photography assignments. Reading the specifications of the lens it seems like a great purchase for professionals looking for a versatile lens for sports/wildlife photography. Aavailable @ $11,799 (Amazon | Adorama | B&H)

Sample images by Canon EF 200-400mm f/4L IS USM on Flickr

Product Images

Canon EF 200-400mm f:4 L IS USM Extender 1.4x Lens

Canon EF 200-400mm f:4 L IS USM Extender 1.4x

Canon EF 200-400mm f/4 L IS USM Lens Specifications

Release Date 14 May 2013
Angle of view (h-v-d) 10° – 5°10′, 7° – 3°30′, 12° – 6°10′
with extender 7° 20′- 3°40′, 4° 55′- 2°25′, 8° 50′ – 4°25′
Lens construction (e/g) 25/20 (33/24 with extender)
No. of diaphragm blades 9
Min aperture 32(45 with extender)¹
Closest focussing distance 2 Meter
Max magnification (x) 0.15 (0.21 with extender)
Distance Information Provided
IS 4-stops
AF Motor Ring USM²
Dust/moisture resistance* Yes
Filter diameter (mm) 52 drop in
Max. diameter x length (mm) 128×366
Weight (g) 3620
Lens Cap E-145C
Lens hood ET-120 (WII)
Lens case/pouch 200-400
Extension Tube EF12 II 0.20-0.03 (0.36- 0.02 with extender)
Extension Tube EF25 II 0.26-0.07 (0.52- 0.05 with extender)
Extender Compatibility Compatible
Other Accessories Lens wide strap B
SPECS WITH EF 1.4X III
Focal Length 280-560 (392-784 with built in extender)
Max Aperture 5.6-45¹ (8-64 with built in extender)
Max Magnification 0.21
AF Possible Yes
IS Yes
SPECS WITH EF 2.0X III
Focal Length 400-800 (560 -1120 with built in extender)
Max Aperture 8-64 (11 -91 with built in extender)
Max Magnification 0.31
AF Possible Yes² (No with built in extender)
IS Yes³
Minimum aperture ¹ Minimum aperture if using 1/3stop increments
AF actuator ² Full time Manual focus
AF Possible ² AF only possible with EOS-1 series Cameras and 5D Mark III with Firmware update
IS ³ IS will not work with EOS film cameras with the exception of the EOS-1v when used with Mark III Extenders
*Lenses with dust/moisture resistance are fitted with a rubber ring on the lens mount which may cause slight abrasion of the camera mount. This in no way effects either the lens or camera performance.

 

Purchase options

Canon EF 200-400mm f/4 L IS USM available at Amazon | Adorama | B&H

Olympus PEN E-P5 – Advanced Performance in a Classic Design!

Olympus PEN E-P5

Product Summary

  • Model name: Olympus PEN E-P5
  • Release Date: May 10, 2013
  • Focus Type: Autofocus / Manual
  • Format : Four-thirds
  • Availability: May 2015
  • Price: $999.99
  • Color: Black, Silver or White
  • Purchase options: Adorama

Key Features

  • 16MP Four Thirds sensor
  • Twin control dials (front and rear)
  • 1/8000 sec top shutter speed, 1/320 sec flash sync
  • ‘5-axis’ image stabilization with automatic panning detection (‘S-IS Auto’)
  • ISO ‘LOW’ (100 equiv) – ISO 25,600
  • Up to 9fps shooting (5.0 fps with continuous AF)
  • Focus ‘peaking’ display
  • Intervalometer and Time Lapse movie creation
  • 1.04m dot 3″ LCD touchscreen display – tilts 80° upwards and 50° downwards
  • Built-in Wi-Fi for remote shooting (iAuto only) and image transfer to smartphone or tablet
  • Optional VF-4 electronic viewfinder: 2.36M dot LCD, 0.74x magnification (equiv), eye sensor

Press Release

THE ONLY THING RETRO ABOUT IT IS THE WAY IT LOOKS: NEW OLYMPUS FLAGSHIP PEN E-P5® TAKES COMPACT SYSTEM CAMERAS TO A NEW LEVEL

Olympus PEN E-P5- Front

Advanced Performance in a Classic Design: 1/8000th of a Second Shutter, Built-in Wi-Fi, Custom Control, Creative Functions, Optional VF-4 Viewfinder and More

CENTER VALLEY, Pa., May 10, 2013 – Olympus marks the 50th anniversary of the legendary PEN F with the launch of the new Olympus® PEN E-P5, a digital update of a classic film camera designed with breakthrough technology and incredible performance advancements. Designed for photographers looking for superior image quality in a portable body, the PEN E-P5 delivers a stellar shooting experience with 1/8000th of a second shutter speed – a world-first for the Compact System Camera class – built-in Wi-Fi, autofocus advancements, easy-access manual controls and a host of other features.

The new flagship in the Olympus PEN series exudes detailed craftsmanship, from a seamless design to an all-metal casing that houses many of the same award-winning technologies found inside Olympus’s premier Micro Four Thirds® camera, the OM-D E-M5®: 16-Megapixel TruePic VI Live MOS sensor, FAST AF, 5-Axis Image Stabilization and more.

The Olympus PEN E-P5 is the first Compact System Camera with a mechanical shutter that can achieve a speed of 1/8000th of a second to freeze fast-moving subjects like insects in flight or to create pictures with dramatic background blur, even in bright conditions. The built-in flash, with an improved, faster 1/320th of a second synch speed, makes it easier to take backlit shots during the daytime. Never miss an instant photo opportunity with features like quick start-up, new short release time lag AF mode, which reduces the time between shots to 0.044 seconds, and nine-frame-per-second sequential shooting.

A world class autofocus system, also found in the Olympus OM-D E-M5, powers the E-P5’s new Super Spot AF, accurately bringing into focus even extremely small subjects. Simply select an area on your subject where pin-point accurate AF is required and the E-P5 can auto-focus on that area – offering even more precision than phase-difference autofocus systems. New Focus Peaking dramatically improves the usability of manual focus lenses by bringing shots into focus by emphasizing the contours of the point of focus in white or black.

The camera’s in-body 5-Axis Image Stabilization mechanism, which has been further evolved since its introduction in the Olympus OM-D E-M5, is now compact enough to fit in the E-P5’s svelte body. The system corrects various kinds of camera shaking, whether shooting still photos or recording movies and the new IS-AUTO mode automatically detects the camera’s movements and provides optimal control of correction when panning regardless of direction or camera orientation. Correction-checking on the Live View screen makes it possible to check the image stabilization effects on the Live View screen that was previously difficult with in-body image stabilization systems. The user can press the shutter button halfway to check the image stabilization effects on the display and then decide upon the composition. The image remains on the display for two seconds after the shutter button is released, making it possible to stabilize the autofocus point and set framing. Multi-motion IS used in combination with the 5-Axis Image Stabilization mechanism produces excellent correction performance, especially during movie recording.

Hands-on photographers will appreciate the intuitive 2×2 Dial Control system which is in easy reach on the back and top of the camera. When shooting manually, a lever on the back can be quickly moved to one of two positions. In the first position, moving the dial at the front of the camera adjusts the aperture while the back dial affects exposure time. In the second position, the dials change the ISO value and white balance. Alternatively, you can use the lever on the back of the camera to assign a range of other functions.

The E-P5 is the first Olympus camera to include built-in Wi-Fi. Setup is simple and involves quickly scanning the QR code displayed on the camera’s LCD with your Smart device to synch it with the Wi-Fi network created by the camera. Olympus’ free smartphone app, Olympus Image Share 2.0*, synchronizes your smartphone’s and E-P5’s screens so you can effectively see the camera’s LCD on your phone and control it by touching the smartphone display as if it were your camera. This is extremely useful for self-portraits and for remotely shooting subjects like wildlife that are easily startled if you get too close. You can count down to shutter release on the phone itself, grant friends’ devices access to selected images, and even use your smartphone to embed GPS information in your shots.

Photo Story mode enables you to capture a scene from multiple viewpoints and then combine them into a single image to create unique collages inside the camera. New “Photo Story+” adds a rich variety of stamps and “Signature” for adding a handwritten or original image signature on top of the image through the Oi.Share app. Other creative features include new interval shooting that sets a time interval between 1 second to 24 hours, as well as how many shots the camera will capture in a series (1 to 99) during that time to create images that show the growth of a plant, the drifting of clouds, moving crowds or a butterfly emerging from its chrysalis. Time Lapse Movie converts the series of pictures taken using interval shooting into a movie inside the camera. The 12 available Art Filters on the E-P5 lend even more creativity to time-lapse movies as well as still images. Live Bulb mode has been improved by automatically reducing the monitor’s brightness to prevent glare and to display a histogram and the elapsed time of an exposure to more easily shoot stars, light painting and fireworks.

The Olympus PEN E-P5 is equipped with a bright and viewable 1.04 million dot high-definition tilt-type touch panel LCD that can be adjusted to face upwards at an 80-degree angle and downwards at a 50-degree angle. For photographers who prefer composing their shots using an eyepiece, the new optional high-definition VF-4 viewfinder, provides an impressive 1.48X magnification, a 2.36 million dot LCD, eye detect to turn it on at the right time, and intuitive functionality that enable real-time viewing of shooting conditions.

The Olympus PEN E-P5 is compatible with the whole Micro Four Thirds range on quality lenses, which now extends to newly introduced black versions of the M.ZUIKO® DIGITAL 17mm f1.8, 45mm f1.8 and 75mm f1.8 lenses.

U.S. Pricing and Availability
The Olympus PEN E-P5 will be available in May 2013 in the following configurations.
Estimated Street Price:

  • $999.99 Body only, available in Black, Silver or White
  • $1449.99 (Black or Silver body with black M.ZUIKO DIGITAL 17mm f1.8 lens and VF-4 Electronic Viewfinder lens)

Additional Images

Specifications

Product Type
Product type Micro Four Thirds interchangeable lens system camera
Memory SD Memory Card*1  (SDHC, SDXC, UHS-I compatible, Eye-Fi Card compatible*2 )*1: Class 6 or higher is recommended for Movie shooting.*2: Not compatible with Endless Memory.
Screen size 17.3 mm (H) x 13.0 mm (V)
Lens mount Micro Four Thirds Mount
Image Pickup
Product type 4/3 Live MOS Sensor
Number of pixels / Aspect ratio Number of effective pixels : Approx. 16.1 million pixelsTotal number of pixels : Approx. 17.2 million pixelsAspect ratio : 1.33 (4:3)
Dust reduction Supersonic Wave Filter (image sensor dust reduction system)
Recording(Still)
Recording format DCF, DPOF compatible / Exif, PRINT Image Matching III, MPO compatible
File format RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO(3D still)
Recording image size [RAW] 4608 x 3456 pixels[JPEG] 4608 x 3456 pixels – 640 x 480 pixels
File size RAW: 4608(H)x3456(V) (approx. 1/1.5 lossless compressed) Approx. 17MBSet1(LF): 4608(H)x3456(V)  (1/4 compressed) Approx. 7.5MBSet2(LN): 4608(H)x3456(V)  (1/8 compressed) Approx. 3.5MBSet3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MBSet4(SN): 10
Image Stabilization System
Type Built-in (Image sensor shift type for movie & still, 5-axis* image stabilization)   *yaw/pitch/vertical shift/horizontal shift/roll
Mode 4 modes (S-I.S.AUTO, S-I.S.1, S-I.S.2, S-I.S.3), OFF
IS for Live View image Available (by half-pressing the shutter button or enlarging operation)
Focal length setting Available
Available manual focal length setting Input focal length : 8, 10, 12, 15, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Shutter speed range 60 – 1/8000 sec. (Not available when Bulb or Time is selected.)
Live View
Live View Approx. 100% field of view,Exposure compensation preview, WB adjustment preview,Gradation auto preview, Face detection preview (up to 8 faces),Grid line, Histogram, Magnification display (x5/x7/x10/x14),
Display Mode Normal, Histogram, Highlight and shadow, Level guide, Off
Monitor
Monitor type 3.0-inch tilting monitor**Approx.1037k dots (3:2), electrostatic capacitance type touch panel
Touch control Shutter release, Enlargement, Live Guide, AF area selection, AF area enlargement, Frame forward/backward, Enlargement playback, Super Control Panel, Art Filter selection, Scene mode selection, Wi-Fi connection
Tilting angle Upward tilting angle : up to 80 degreesDownward tilting angle : up to 50 degrees
Brightness / Color temperature control ±7 levels / ±7 levels
Color tone select Vivid / Natural
発色設定 Vivid / Natural
Focusing
AF system High-speed imager AF
Focus mode Single AF (S-AF) / Continuous AF (C-AF)* / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) **C-AF and AF tracking are not available with non-mFTS lenses. It works as S-AF in C-AF mode.
Full-time AF Available
Magnified frame AF Selectable from over 800 AF pointsMagnification x5, x7, x10(Default), x14 selectableSuper Spot AF: Selectable from center of enlarge view(0.02% – 0.16% in view image)Enlarged view focus point check by magnify button**: Available with old lenses without data communication
Face detection AF / Eye detection AF Available / AvailableEye Detection AF mode : Off / Nearer-eye priority / Right-eye priority / Left-eye priority
Focusing point / Focusing point selection mode 35-area multiple AF
/ All target, Group target area (9-area), Single target,(normal) Single target(small)
Peaking function Avaliable on Fn button or Manual FocusType : White edge, Black edge
AF illuminator Available
Manual focus assist    * Customize function Live View image is magnified when the focus ring is rotated. (at S-AF+MF or MF mode)
Exposure Control(Still)
Metering system(TTL Image sensor metering) Digital ESP metering (324-area multi pattern metering), Center weighted average metering, Spot metering, Spot metering with highlight control, Spot metering with shadow control
Metering range EV 0 – 20 (at normal temperature, 17mm f2.8, ISO 100)
Exposure mode i Auto, P: Program AE (Program shift can be performed), A: Aperture priority AE,S: Shutter priority AE, M: Manual, Bulb, Time, Scene select  AE, Art Filter,Underwater wide / macro* , My Set*Selectable from menu as a function on Fn/Rec button*My set can be set to mode dial function
Scene select AE Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv., 3D *
ISO sensitivity AUTO ISO : LOW(approx. 100) ‐25600 (customizable, Defalut:LOW-1600)Manual ISO : LOW(approx.100), 200 – 25600, 1/3 or 1 EV steps selectable
Exposure compensation ±3 EV in 1/3, 1/2, 1 EV steps selectable
AE lock Locks at 1st release of shutter button (can be set to Fn/Rec button)
Shutter
Shutter type Computerized focal-plane shutter
Shutter speed 1/8000 – 60 sec. (1/3, 1/2, or 1EV steps selectable)Bulb/Time: default setting 8min.  (1/2/4/8/15/20/25/30 min. selectable)
Flash
Flash intensity control method TTL Auto, Auto*13, Manual, Super FP*13(FP-TTL AUTO, FP-MANUAL)*13: Available on the external flash
Built-in flash TTL Flash, GN=7 (ISO100・m) / GN=10(ISO200・m)
Flash mode Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64)
Synchronization speed 1/320 sec. Built-in Flash*1/250 sec. External Flash**Super FP: 1/125-1/4000 sec.
Flash intensity control Up to ±3 EV in 0.3, 0.5, 1 EV steps selectable
Compatible external flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R
Wireless Flash Control
Compatible external flash FL-50R, FL-36R, FL-300R, FL600R
Control method Triggered and controlled by built-in flash(Olympus Wireless RC Flash system compatible)
External Flash intensity type TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Channel 4 channels
Group No. 4 groups (External flash 3 groups + a built-in flash*)
Drive
Sequential shooting maximum speed [Sequential shooting H mode]*   9.0 fps * in case of “I.S. Off”*Focus and exposure are fixed at the values for the first shot.[Sequential shooting L mode]*4.5 fps  in case of “I.S. Off” (in 5.0 seq. shooting L)5.0 fps* in case of “I.S. Off” (in 5.0 seq. shooting L)*When using the M.ZUIKO DIGITAL ED 12-50mm EZ f3.5-6.3.
Max. recordable pictureson sequential shooting * [RAW]  Max. 20 frames (in 4 seq. shooting L),   Max.15 frames (in 9 seq. shooting H)[JPEG]  Max. 70 frames (in 4 seq. shooting L),   Max. 19 frames ( in 9 seq. shooting H)* When using the M.ZUIKO DIGITAL ED 12-50mm EZ f3.5-6.3.* With TOSHIBA SDHC UHS-I R95/W90 EXCERIA
Self-timer Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10)
Bracketing
Exposure bracketing 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable*AE-BKT can be programmed to the Fn-button.
ISO bracketing 3 frames in 0.3/0.7/1.0EV steps selectable
White balance bracketing 3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Flash bracketing 3 frames in 0.3/0.7/1.0EV step selectable
Art Filter bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable*AE-BKT can be programmed to the Fn-button.
bracketing for HDR postprocess 3 or 5 frames in 2.0/3.0EV steps selectable, 7 frames in 2.0EV steps selectable.*This function does not execute HDR processing.*HDR function can be programmed to the Fn-button.
Art Filter
Mode (Variation / Effect) Pop Art (I, II / a.b.c.d.e.)
Soft Focus ( – / c.e.)
Pale & Light Color (I, II / a.b.c.d.)
Light Tone ( – / d.)
Grainy Film (I, II / b.c.d.f.g)
Pin Hole (I, II, III / d.)
Diorama ( – / d.)
Cross Process (I, II / b.c.d.)
Gentle Sepia ( – / a.b.c.d.)
Dramatic Tone (I / b.c.d.e)  (II / b.c.d.e.f.g)
Key Line (I, II / a.b.c.d.e.)
WaterColor (I, II / a.c.d.)
Art Effect a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. B&W Effect (Yellow, Orange, Red, Green)
g. Pict. Tone (Sepia, Blue, Purple, Green)
PHOTO STORY
Type  (Frame effect / Aspect & Window Standard (Ⅰ,Ⅱ,Ⅲ,Ⅳ /  a,b,c,d,e / A,B,C,D )
Pattarn) Fun Frame (Ⅰ,Ⅱ,Ⅲ /-/-)
Frame Effect a.  White Frame
b.  White Frame & White Edge Effect
c.  Black Frame
d.  White Frame & Pin Hole Effect
Aspect &Window Pattern A.   4:3, 2 frames
B.    4:3, 3 frames
C.   1:1. 2 frames
D.    1:1, 3 frames
Movie
Recording format MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
Movie Mode [MOV]
  Full HD: 1920(H)x1080(V),   30p(29.97fps)Recording20Mbps(Fine) / 17Mbps(Normal) :  Aspect 16:9
  HD: 1280(H)x720(V),   30p(29.97fps)Recording13Mbps(Fine) / 10Mbps(Normal) :  Aspect 16:9
[AVI Motion JPEG]
  HD: 1280(H)x720(V), 30fps *  Aspect 16:9
  SD: 640(H)x480(V), 30fps *,  Aspect 4:3
          *Excluding some Art Filters
Maximum Recording Time [MOV]
  Full HD : Approx. 29min(Normal) / Approx. 22min(Fine)
  HD : Approx. 29min(Normal) / Approx. 29min(Fine)
[AVI]
  HD : Approx. 7min*  /  SD : Approx. 14min*
        *Excluding some Art Filters
Movie Function Movie Effect : One-shot echo / Multi-echo / Art fadeArt Filter Movie, Aperture-prioritized Movie, Shutter Speed-Prioritized Movie, Manually Shot Movie
One-push Movie Digital Conveter ×4*  Avairable on Movie effect mode
TimeLapse Movie Available (AVI Motion JPEG  1280×720 ,10fps)
Image Stabilization for Movie M-IS (Image sensor shift), Off
AE Lock Available
Exposure control (Movie) P: Program AE,   A: Aperture priority AE,   S: Shutter speed priority AE,   M: Manual,   Art Filter* S mode and M mode : Shutter speed is limited in less than 1/30 sec.
Compression ratio Motion-JPEG Format : 1/12(HD), 1/8(SD)
File size MOV Format : Max 4GBMotion-JPEG Format : Max 2GB
Recording(Sound)
Recording format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Microphone/Speaker Stereo/Mono
Microphone function Wind Noise Reduction,  Recording VolumeAudio dubbing possible for still pictures (up to 30 sec.)
Maximum Recording Time Picture with Sound: 30sec.Movie: depend on Movie Recording Time
White Balance
White balance mode Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting)
White balance compensation ±7 steps in each A-B/G-M axis   * Except for Custom WB
Preset white balance 7 preset WBs (3000K – 7500K)- Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)
Colour Mode
Colour matrix sRGB, Adobe RGB
色空間 sRGB, Adobe RGB
Picture Mode
Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters
Gradation Auto, Normal, High Key, Low Key     [except Art Filters]
Interval Mode
Intereval Mode Interval Time 1sec. – 24 Hours,  Max 99 frames.Available on making Time-lapse movie automatically
Multi Exposure
Number of picture / Function 2 frames / Auto gain, Exposing on Recorded picture(RAW)
Multi Aspect
Aspect Ratio 4:3(Default) / 3:2 / 16:9 / 1:1 / 3:4
Level Gauge
Detection 2-axis
One push Tele-converter
Magnification x2
Wi-Fi Function
GPS info. Function Available (by using Smartphone GPS data)
Wireless Shooting Live View, Rec view, Wireless touch AF shutter*, Power off*Self-Timer setting.*Camera function is fixed on i-Auto.
Image Share File Type: JPEG, MOVConnect to up to 4 devices simultaneously.  Marking function for image share.
Easy Connection QR code setting
Playback
Playback mode Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x – 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow (with sound including BGM, 2 selectable slide show effects, replaceable BGM), Light Box display
Information display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Menu
Languages 34 languages selectable :- English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
Reset & custom setting
My set 4 settings recordable / Available to set to mode dial.
Image Editing
Editing function RAW development, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280×960, 640×480, 320×240), Trimming, Aspect, e-Portrait, Image Overlay, Postrecording
RAW picture editing RAW development based on settings of the camera (including Art Filter, ART-BKT).2 programmable settings, preview capability.
Print
Print function Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output
USB/AV/Remote controller connector Dedicated multi-connector     [USB: USB2.0 Hi-Speed,  Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 compatible.]
HDMI connector Micro HDMI (Type-D)
Flash attachment Hot shoe
Accessory Port 2 Dedicated multi-connector   [for VF-2/VF-3/VF-4, SEMA-1, MAL-1 and PP-1.]
Wireless LAN Built-in (IEEE 802.11b/g/n)
PC interface USB2.0 Hi-Speed
TV interface HDMI (HD/Stereo Sound), conventional video-out (SD/Mono Sound)
Power Requirements
Battery BLN-1 Li-ion battery (included)
Sleep mode Available (1/3/5 min. off)
Number of recordable pictures Approx. 330 shots    [IS ON, CIPA test standard](with BLN-1 and TOSHIBA super high-speed Class 6 SDHC 4GB card)
Dimensions / Weight
Dimensions 122.3mm(W)×68.9mm(H)×37.2mm(D)[CIPA guideline compliant, excluding protrusions]
Weight Approx. 420g  [CIPA guideline compliant, with BLN-1 battery and Memory card]Approx. 378g  [body only]
Operating Environment
Temperature 0 ~ +40℃ (operation) / -20 ~ +60℃ (storage)
Humidity 30 – 90% (operation) / 10 – 90% (storage)
Box contents
Body, Li-ion battery BLN-1, Li-ion battery charger BCN-1, USB cable, Shoulder strap, OLYMPUS Viewer 3 (CD-ROM), Instruction manual, Warranty card

 

Purchase options

Available at Adorama (BlackSilver or White)

National Geographic Traveler Photo Contest 2013

national geographic traveller magazine logo

The National Geographic Traveler Photo Contest 0213 is accepting submissions. The contest offers a Grand prize that includes a 10-day expedition to the Galapagos Islands and publication of the winning image in the upcoming December/January edition of National Geographic Traveler magazine. The entry fee is $15. However, contestants can submit as many images as they wish. Submissions must be received by June 30. Images can be submitted in the following categories: Travel Portraits, Outdoor Scenes, Sense of Place and Spontaneous Moments.

To submit your entries click here

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The National Wildlife Federation Photo contest 2013

The National Wildlife Federation is having a photo contest. Entry ends on 15 May 2013 (Wednesday)

You could see your photo featured in an upcoming issue of National Wildlife® magazine, alongside images taken by the world’s top nature photographers. Plus you could win a once-in-a-lifetime expense-paid trip for two to photograph polar bears, cash prizes and more! Enter here

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EOS Digital Solution Disk Software Download

CANON_logo

“EOS Digital Solution Disk Software” is a software suite containing the applications “Digital Photo Professional”, “EOS Utility” and “Picture Style Editor”, dedicated for users who cannot use the bundled CD to install the suite to the PC.

Digital Photo Professional: This software is recommended for users who mainly shoot RAW images. You can quickly view, edit, process and print RAW images. You can also edit JPEG images while retaining the original images.

EOS Utility: With the camera connected to a computer, EOS Utility enables you to transfer still photos and movies shot with the camera to the computer. You can also use this software to set various camera settings and shoot remotely with the computer connected to the camera.

Picture Style Editor: You can edit Picture Styles and create and save original Picture Style files.

This package contains the following version applications:

  • Digital Photo Professional 3.13.10
  • EOS Utility 2.13.10
  • Picture Style Editor 1.13.10

Download:

EOS Digital Solution Disk Software Disk v28.1A

PS: Serial number of your camera including leading zeros is requred to download the software.