Product Summary
- Model name: Sony α6500 (model ILCE-6500)
- Release Date: 6th October 2016
- Focus Type: Autofocus
- Format : APS-C
- Color: Black
- Availability: November 2016
- Price: $ 1,400
- Purchase options: Adorama | B&H | Amazon
Key features
- 24.2MP APS-C Exmor CMOS Sensor
- BIONZ X® Processor and New Front-End LSI
- 4D FOCUS with 425 phase detection AF points
- Touch Screen Focusing
- Slow motion at up to 120 fps
- 5-axis Image Stabilization Provides 5 Steps Shutter Speed Advantage
- Shutter durability 200,000 cycles
Sony introduced their new flagship APS-C sensor camera, the α6500 (model ILCE-6500).
As the latest addition to Sony’s lineup of award winning mirrorless cameras, the new α6500 shares the same unrivaled 4D FOCUS™ system as the α6300 camera, which can lock focus on a subject in as little as 0.05 seconds, the world’s fastest1 AF acquisition time. Also shared with the α6300, the new α6500 features 425 phase detection AF points that are densely positioned over nearly the entire image area – the world’s highest2 number of AF points on any interchangeable lens camera. The new model can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking and up to 8 frames per second in a live-view shooting mode that makes it easy to track fast moving subjects, as it combines all of the benefits of an electronic viewfinder with the immediacy of an optical viewfinder.
The camera can shoot at these high speeds for up to 307 frames3 thanks to its expanded buffer, which, along with the fast response speeds described above, are all achieved with the support of a new front-end LSI chip that has been added to the camera. This new front-end LSI also serves to enhance both still and video image quality.
Additionally, the new α6500 features Sony’s acclaimed in-camera 5-axis optical image stabilization, making it the first Sony APS-C sensor camera to offer all of the benefits of advanced in-body stabilization, which include a shutter speed advantage of approximately 5 steps4. It also offers touchscreen AF capabilities for focus point selection and adjustment.
“We are continuing to push the boundaries of modern innovation in digital imaging, in particular within the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “By equipping the α6500 with 5-axis image stabilization and touchscreen AF, we’re offering photographers and videographers more control than ever before and a seemingly endless amount of creative possibilities. As our flagship APS-C camera, it far exceeds the performance threshold of any camera in its class, and many above its class as well.”
Unmatched AF Capability
Sony’s new α6500 camera utilizes the same 4D FOCUS system as the α6300 – a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. It also features 425 phase detection AF points and High-density Tracking AF Technology, which significantly improves subject detection and tracking performance.
New for the α6500, thanks to faster internal processing capabilities enabled by the front-end LSI, the maximum buffer for high-speed continuous shooting is an impressive 307 frames3, greatly increasing the chances to catch that decisive moment.
The camera’s 425 phase detection AF points, focusing tracking and accuracy are also available when using non-native A-mount lenses5 with Sony’s LA-EA3 mount adaptor. Additionally, it includes silent shooting, Eye AF in AF-C mode, AF in focus magnifier modes, Expand Flexible Spot AF and more.
5-axis Image Stabilization Provides 5 Steps Shutter Speed Advantage
One of the most exciting developments in the new α6500 is the implementation of 5-axis image stabilization for the first time in a Sony APS-C sensor camera. Additionally, through a total revision of the internal design of the camera, this newly developed stabilization system fits entirely within a body that is nearly the same size as the α6300 model6. This innovative 5- axis system provides a shutter speed advantage of 5 steps4, ensuring the full resolving power of the sensor can be realized, even in challenging lighting.
The shake compensation provided by the system works with a variety of lenses, including E-mount lenses without OSS (Optical SteadyShot) stabilization and A-mount lenses7 when used with a compatible mount adapter. When an E-mount lens with OSS is mounted, pitch and yaw are compensated in the lens and horizontal, vertical and roll axes are compensated in the camera body, resulting in optimal 5-axis stabilization 7.
Also, with a simple half press of the shutter button, the effect of the image stabilization can be monitored in the viewfinder or on the LCD screen, allowing framing and focus to be accurately checked and continually monitored. This is available even when a lens is attached that does not have built-in shake compensation.
New Touch Screen Focusing
The new α6500 comes equipped with touch screen functionality, allowing users to lock focus on a subject simply by touching it on the screen. This is a powerful compliment to its advanced AF system and video shooting capabilities.
Additionally, in a first for Sony cameras, the α6500 features touchpad functionality. When utilizing the viewfinder for framing and shooting, the LCD screen can be used as a touch pad. Simply drag a finger across the screen to shift the focus point from one area to another.
Powerful 24.2 MP8 Exmor CMOS Sensor, BIONZ X® Processor and New Front-End LSI
The new α6500 features an APS-C sized 24.2 MP8 Exmor CMOS sensor that works together with a BIONZ X image processor and the newly developed front-end LSI to maximize processing power and achieve an impressive sensitivity range of ISO 100-512009.
The image sensor employs a thin wiring layer and large photodiode substrate that maximizes light collection efficiency, plus copper wiring in its structure for outstanding read-out speed. The BIONZ X image processor and newly developed front-end LSI ensure superior image and video quality with low noise even when using higher ISO settings, in particular those at high sensitivity values where other cameras typically struggle. The LSI is also responsible for the expanded buffer depth for continuous shooting.
Professional Video Capabilities
The new α6500 becomes the latest Sony interchangeable lens camera to offer internal 4K movie recording, as it can shoot 4K (3840x2160p) video in the popular Super 35mm format on the full width of the image sensor. When shooting in this format, the camera uses full pixel readout without pixel binning to collect 6K of information – approximately 2.4×10 (20 MP equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality 4K footage with exceptional detail and depth.
Additionally, the α6500 will focus exceptionally fast during movie shooting thanks to its Fast Hybrid AF system, offers touch focusing for professionally smooth focus shifts, while also offering adjustable AF transition speed and AF tracking sensitivity. The camera supports the XAVC S codec11 during video shooting, which records at a high bit rate of up to 100 Mbps during 4K recording and 50 Mbps during Full HD shooting, ensuring maximum detail and clarity in both video formats.
Other professional caliber video features include the ability to record Full HD at 120 fps at up to 100 Mbps, which allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD (24p) resolution with AF tracking.
New on the α6500 is the incorporation of a ‘Slow and Quick’ (S&Q) mode that supports both slow motion and quick motion. In this mode, frame rates from 1 fps to 120 fps can be selected in 8 steps for up to 60x quick motion and 5x slow motion recording12. Footage shot in this mode can be previewed after shooting without the need for PC-based post processing.
The camera also offers S-Log gamma recording13 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space. Both options allow for greater creativity for processing video post-production.
Shooters also now have the ability to select, extract and save still images from movie footage directly on the camera. Approximately 8 MP images and 2 MP images can be pulled from 4K modes and Full HD modes, respectively.
Enhanced Operability and Reliability
The new α6500 has a refined design, maintaining the mobility of the α6000 series while adapting much of the usability of Sony’s acclaimed α7 II series. The new model features the same high contrast, high-resolution 2.4 million dot XGA OLED Tru-Finder as the α6300 that offers exceptional corner-to-corner visibility.
New hardware features on the α6500 include a magnesium alloy body and a high-durability shutter with a tested life span of approximately 200,000 release cycles14. It also has several design features that are borrowed from the α7 II series of full-frame cameras, which include a robust lens mount, a recessed grip to improve handling, a larger release button and ten total custom buttons including ‘C1’, ‘C2’ and ‘C3’. It also has an improved operation feel for its mode and control dials and rear face buttons, as well as a softer eyepiece cup for more comfortable usage.
On the software front, there is a new overall user interface, which allows for a much smoother process for searching and adjusting menu settings, as well two new metering modes – Highlight, where exposure metering is focused on the brightest area of the frame, and Entire Screen Avg, which maintains an average metering for the entire image.
The camera is Wi-Fi®, QR and NFC compatible and fully compatible with Sony’s PlayMemories Mobile™ applications15available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™. The α6500 also offers location data acquisition via a Bluetooth16 connection to a compatible mobile device and an updated menu structure to deliver a smoother navigational experience.
Product Photo
Sample Image
Specification
Lens Mount | Sony E-Mount | |
Camera Format | APS-C (1.5x Crop Factor) | |
Pixels | Actual: 25 Megapixel
Effective: 24.2 Megapixel |
|
Max Resolution | 24 MP: 6000 x 4000 | |
Aspect Ratio | 3:2, 16:9 | |
Sensor Type / Size | CMOS, 23.5 x 15.6 mm | |
File Formats | Still Images: JPEG, RAW
Movies: AVCHD Ver. 2.0, MP4, MPEG-4 AVC/H.264, XAVC S Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
|
Bit Depth | 14-bit | |
Dust Reduction System | Yes | |
Memory Card Type | SD
SDHC SDXC Memory Stick Pro Duo Memory Stick PRO HG-Duo |
|
Image Stabilization | Sensor-Shift, 5-Way | |
Video Recording | Yes, NTSC/PAL | |
Video Format | UltraHD
XAVC S 3840 x 2160p / 30 fps (100 Mbps) / 30 fps (60 Mbps) / 25 fps (100 Mbps) / 25 fps (60 Mbps) / 24 fps (100 Mbps) / 24 fps (60 Mbps) High Definition XAVC S 1920 x 1080p / 120 fps (100 Mbps) / 120 fps (60 Mbps) / 100 fps (100 Mbps) / 100 fps (100 Mbps) / 60 fps (50 Mbps) / 50 fps (50 Mbps) / 30 fps (50 Mbps) / 25 fps (50 Mbps) / 24 fps (50 Mbps) High Definition AVCHD 1920 x 1080p / 60 fps (28 Mbps) / 50 fps (28 Mbps) / 25 fps (24 Mbps) / 25 fps (17 Mbps) / 24 fps (24 Mbps) / 24 fps (17 Mbps) High Definition AVCHD 1920 x 1080i / 60 fps (24 Mbps) / 60 fps (17 Mbps) / 50 fps (24 Mbps) / 50 fps (17 Mbps) High Definition MP4 1920 x 1080p / 60 fps (28 Mbps) / 50 fps (28 Mbps) / 30 fps (16 Mbps) / 25 fps (16 Mbps) High Definition MP4 1280 x 720p / 30 fps (6 Mbps) / 25 fps (6 Mbps) |
|
Aspect Ratio | 16:9 | |
Video Clip Length | Up to 29 Min 59 Sec | |
Audio Recording | Built-in Mic: With Video, Stereo
Optional External Mic: With Video, Stereo |
|
Focus Type | Auto & Manual | |
Focus Mode | Automatic (A), Continuous-servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-servo AF (S) | |
Autofocus Points | Phase Detection: 425
Contrast Detection: 169 |
|
Viewfinder Type | Electronic | |
Viewfinder Size | 0.39″ | |
Viewfinder Pixel Count | 2,359,296 | |
Viewfinder Eye Point | 23.00 mm | |
Viewfinder Coverage | 100% | |
Viewfinder Magnification | Approx. 1.07x | |
Diopter Adjustment | – 4.0 to +3.0 m | |
Display Screen | 3″ Rear Screen Tilting Touchscreen LCD (921,600) | |
Screen Coverage | 100% | |
ISO Sensitivity | Auto, 100-25600 (Extended Mode: 100-51200) | |
Shutter | Type: Electronic & Mechanical
Speed: 30 – 1/4000 second, Bulb Mode |
|
Metering Method | Center-weighted average metering, Multi-zone metering, Spot metering | |
Exposure Modes | Modes: Aperture Priority, Auto, Intelligent Auto, Manual, Movie, Program, Scene Selection, Shutter Priority, Superior Auto, Sweep Panorama
Metering Range: EV -2.0 – EV 20.0 Compensation: -5 EV to +5 EV (in 1/3 or 1/2 EV steps) |
|
White Balance Modes | Auto, Cloudy, Color Temperature, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater | |
Continuous Shooting | Up to 11 fps at 24.2 MP for up to 233 frames in JPEG format
Up to 11 fps at 24.2 MP for up to 301 frames in JPEG format Up to 11 fps at 24.2 MP for up to 107 frames in raw format Up to 8 fps at 24.2 MP Up to 6 fps at 24.2 MP Up to 3 fps at 24.2 MP |
|
Flash Modes | Auto
Fill-in Hi-Speed Sync Off Rear Sync Red-eye Reduction Slow Sync Wireless |
|
Built-in Flash | Yes | |
Guide No. | 19.69′ (6 m) ISO100 | |
Max Sync Speed | 1 / 160 seconds | |
Flash Compensation | -3 EV to +3 EV (in 1/3 or 1/2 EV steps) | |
Dedicated Flash System | TTL | |
External Flash Connection | Hot Shoe, Wireless | |
Self Timer | 10 seconds, 5 seconds, 2 seconds | |
Connectivity | 1/8″ Microphone, HDMI D (Micro), Micro-USB, USB 2.0 | |
Wi-Fi Capable | Yes | |
Battery | 1x NP-FW50 Rechargeable Lithium-ion Battery Pack, 7.2 VDC, 1080 mAh | |
AC Power Adapter | AC-PW20 (Optional) | |
Operating/Storage Temperature | Operating
32 to 104°F (0 to 40°C) |
|
Dimensions (WxHxD) | 4.7 x 2.6 x 2.1″ / 120.0 x 66.9 x 53.3 mm excluding protrusions | |
Weight | 15.98 oz / 453 g with battery and memory card | |
Pixels | Actual: 21.0 Megapixel
Effective: 20.1 Megapixel |
|
Sensor | 1″ (13.2 x 8.8 mm) CMOS | |
File Formats | Still Images: JPEG, RAW
Movies: AVCHD Ver. 2.0, MP4, XAVC S Audio: AAC LC, AC3, Dolby Digital 2ch, Linear PCM (Stereo) |
|
Max Resolution | 20 MP: 5472 x 3648 | |
Aspect Ratio | 1:1, 3:2, 4:3, 16:9 | |
Image Stabilization | Optical | |
Color Spaces | sRGB, Adobe RGB | |
Lens | Carl Zeiss Vario-Sonnar, 10 elements in 9 groups
9 Aspherical EFL: 8.8-25.7mm (35 mm equivalent: 24-70mm) Aperture: f/1.8 (W) – 2.8 (T) |
|
Zoom | Optical: 2.9x
Clear Image Zoom: 5.8x Digital: 11x |
|
Focus Range | Wide: 1.97″ (5 cm) – Infinity
Telephoto: 11.81″ (30 cm) – Infinity |
|
ISO Sensitivity | Auto, 125-12800 (Extended Mode: 80-12800) | |
Shutter | Type: Mechanical
Speed: 4 – 1/2000 second in Auto Mode Type: Mechanical Speed: 30 – 1/2000 second in Program Mode Type: Mechanical Speed: 30 – 1/2000 second in Manual Mode 30 – 1/2000 second in Aperture Priority Mode Type: Mechanical Speed: 30 – 1/2000 second in Shutter Priority Mode Type: Electronic Speed: 4 – 1/32000 second in Auto Mode Type: Electronic Speed: 30 – 1/32000 second in Bulb Mode Type: Electronic Speed: 30 – 1/32000 second in Program Mode Type: Electronic Speed: 30 – 1/32000 second in Aperture Priority Mode Type: Electronic Speed: 30 – 1/32000 second in Shutter Priority Mode |
|
Exposure Metering | Center-weighted, Multi, Spot | |
Exposure Modes | Modes: Aperture Priority, Intelligent Auto, Manual, Memory Recall, Movie, Panorama Shot, Programmed Auto, Scene Selection, Shutter Priority, Superior Auto | |
Shooting Modes | Anti-motion Blur
Fireworks Gourmet Handheld Twilight High Sensitivity Landscape Macro Night Portrait Night Scene Pet Mode Portrait Sports Sunset |
|
White Balance Modes | Auto, Cloudy, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade | |
Continuous Shooting | Up to 24 fps at 20.1 MP for up to 148 frames in JPEG format
Up to 24 fps at 20.1 MP for up to 71 frames in raw format |
|
Self Timer | 10 Sec, 5 Sec, 2 Sec | |
Remote Control | RM-VPR1 (Optional) | |
Flash Modes | Auto
Flash On Off Rear Sync Red-eye Reduction Slow Sync |
|
Built-in Flash | Yes | |
Maximum Effective Flash Range | Wide: 1.31 – 33.46′ (0.4 – 10.2 m)
Telephoto: 1.31 – 21.33′ (0.4 – 6.5 m) |
|
External Flash Connection | None | |
Memory Card Type | Memory Stick Duo
Memory Stick Pro Duo Memory Stick PRO Duo (High Speed) Memory Stick PRO HG-Duo SD SDHC SDXC |
|
Video Recording | Yes, NTSC/PAL | |
Resolution | 3840 x 2160p: 30 fps, 25 fps, 24 fps
1920 x 1080p: 60 fps, 50 fps, 30 fps, 25 fps, 24 fps 1920 x 1080i: 60 fps, 50 fps 1280 x 720p: 30 fps, 25 fps 1920 x 1080p: 240 fps, 480 fps, 960 fps 1824 x 1026p: 240 fps, 480 fps, 960 fps 1676 x 566p: 240 fps, 480 fps, 960 fps 1920 x 1080p: 250 fps, 500 fps, 1000 fps 1824 x 1026p: 250 fps, 500 fps, 1000 fps 1676 x 566p: 250 fps, 500 fps, 1000 fps |
|
Video Clip Length | Up to 29 Min | |
Audio Recording | Built-in Mic: With Video, Stereo | |
Viewfinder Type | Electronic | |
Diopter Adjustment | – 4 to +3 m | |
Viewfinder Coverage | 100% | |
Screen | 3.0″ LCD Rear Screen Tilt (1,228,800 pixels) | |
Connectivity | HDMI D (Micro), Micro-USB, USB 2.0 | |
Wi-Fi | Yes, 802.11b/g/n built-in | |
Battery | 1x NP-BX1 Rechargeable Lithium-Ion Battery Pack, 3.6 VDC, 1240 mAh | |
AC Power Adapter | AC-UB10C (Included) | |
Dimensions (WxHxD) | 4.0 x 2.3 x 1.6″ / 101.6 x 58.1 x 41.0 mm | |
Weight | 10.55 oz / 299 g with battery and memory card |