Nikon Special Offer For July – Up to $300 Off
Nikon has new instant rebates for July (up to $300). The rebates are valid till 30th July 2016.
There is also a $500 Instant Rebate on the Nikon D500 + 16-80mm Lens:
Nikon D500 + AF-S DX Nikkor 16-80mm f/2.8-4E ED VR Lens = $2566.95
(Regular Price: $3,066.95)
Adorama | B&H | Amazon
All lenses include:
A filter (or filter kit) & Corel Digital Organization Creativity Software Kit – Elite Edition.
Most lenses include other small accessories as well.
+ Free Shipping.
Nikon 35mm f/1.8G AF-S DX AF Nikkor Lens = $166.95
Nikon 50mm f/1.8G AF-S Nikkor Lens = $176.95
Nikon 40mm f/2.8G AF-S DX Micro Nikkor Lens = $246.95
Nikon 10.5mm f/2.8G ED-IF AF DX Fish-eye Nikkor Lens = $596.95
Nikon 12-24mm F/4G ED-IF DX Nikkor Lens = $946.95
Nikon 17-55mm f/2.8G ED-IF AF-S DX Zoom Nikkor Lens = $1,196.95
Nikon 24-70mm f/2.8G ED-IF AF-S Nikkor Lens = $1,796.95
Canon EOS 1DX Mark II Scores 88 in DxOMark
DxOMark has published their test report on Canon EOS-1D X Mark II. Unlike many other review the result of DxOMark is primarily based on sensor performance. The top position still belongs to Nikon D810 which scores 97. The Canon EOS-1D X Mark II scores 88 with very good low light performance. The Nikon D5 also stands in the same line but its main strength is in high ISO performance.
According to DxOMark..
“The Canon performs exceptionally well. Not only does it have a wider useful dynamic range at base and low ISOs than the Nikon, it’s not far behind the Sony, and that small difference won’t be noticed in use. The Canon sensor continues to offer a wide dynamic range at every ISO setting, improving on the Sony from ISO800 onwards, and falling only slightly behind the Nikon’s strong performance from ISO6400 onwards. Indeed, the difference at most is around +0.6EV. Canon cameras are known for high ISO noise performance, and the Mark II surpasses both the Nikon and Sony by nearly +0.5EV.”
Canon EOS-1D X Mark II available: Adorama | B&H | Amazon
Source : DxOMark
SIGMA Photo Pro 6.4 Available for Download
SIGMA has released Photo Pro 6.4.0 for Windows and Macintosh. For customers who use SIGMA sd Quattro, dp Quattro series, SIGMA SD and DP series cameras.
Change log:
For Windows
・ It is compatible with the RAW data (X3F and X3I files) of sd Quattro.
・ It incorporates a function to select the frame (Edit Window) for the X3I files taken in the sd Quattro’s SFD mode.
・ It incorporates a “Detail Slider” for images taken with the sd Quattro and dp Quattro to adjust the rendering details of the images.
・ It incorporates a “Binning function” that can improve the color rendering of RAW data with ISO 800 or higher.
・ It improves the display speed of the image in the Review Window, when color mode and white balance are edited.
・ It improves the rendering performance of red colored and highlighted parts of the image when the sd Quattro and dp Quattro’s RAW data is developed.
・ It no longer shows the saving dialog when JPEG or TIFF files are selected from one image to the other.
・ It has corrected and improved the compatibility with SIGMA Capture Pro.
・ It has corrected the phenomenon that the exposure adjustment value becomes 0 when RAW data taken with the SD1 / SD1 Merrill is developed or saved.
For Macintosh
・ It is compatible with the RAW data (X3F and X3I files) of sd Quattro.
・ It incorporates a function to select the frame (Edit Window) for the X3I files taken in the sd Quattro’s SFD mode.
・ It incorporates a “Detail Slider” for images taken with the sd Quattro and dp Quattro to adjust the rendering details of the images.
・ It incorporates a “Binning function” that can improve the color rendering of RAW data with ISO 800 or higher.
・ It improves the display speed of the image in the Review Window, when color mode and white balance are edited.
・ It improves the rendering performance of red colored and highlighted parts of the image when the sd Quattro and dp Quattro’s RAW data is developed.
・ It no longer shows the saving dialog when JPEG or TIFF files are selected from one image to the other.
・ It has corrected and improved the compatibility with SIGMA Capture Pro.
・ It has corrected the phenomenon that the exposure adjustment value becomes 0 when RAW data taken with the SD1 / SD1 Merrill is developed or saved.
・ It has corrected the phenomenon that a “Memory Shortage Error” caution may appear, depending on the computer environment, when an external storage device is connected.
Notice: RAW data (X3F files) of the sd Quattro series can only be processed in SIGMA Photo Pro 6.4.0 or later. Please update the software to the latest and make sure it is compatible with the RAW data of sd Quattro series.
Download – Mac | Windows
Sigma Releases Firmware update for 150-600mm F5-6.3 DG (Nikon)
The lens firmware update corrects the phenomenon of overexposure when the lens is attached to the SIGMA TELE CONVERTER TC-1401 on Nikon Digital SLR camera “D500”, released by NIKON CORPORATION.
Applicable products
・SIGMA 150-600mm F5-6.3 DG OS HSM | Sports – Nikon mount
・SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary – Nikon mount
Benefit of this firmware update
It has corrected the phenomenon that it shows some overexposure when it is attached with
SIGMA TELE CONVERTER TC-1401 on Nikon D500.
This firmware update can be installed using SIGMA Optimization Pro.
Source : Sigma
Nikon COOLPIX A300 – New Firmware Version 1.1
Nikon COOLPIX A300 Firmware – 1.1
Change log:
- Fixed an issue that in rare cases would prevent the camera turning on even when a battery with sufficient charge was inserted.
- Updated some help text.
Download
SanDisk CFast can Corrupt Canon EOS-1D X Mark II Images
It has been confirmed that when shooting still images with the EOS-1D X Mark II digital SLR camera launched in April 2016 with SanDisk CFast cards, the following phenomenon will occur.
Phenomenon
If a SanDisk CFast card is inserted into the camera or a card reader, the bottom part of still images recorded may be corrupted.
This phenomenon is confirmed in images recorded in both the RAW and JPEG formats.
In the RAW file, the image corruption may appear in the bottom right corner of the image.
In the JPEG file, the image corruption may appear in the lower third area of the image.
Please Note:
Movie recording is not affected by this phenomenon.
Still images or movies recorded to CF cards are not affected by this phenomenon.
Cause
This phenomenon is caused by SanDisk CFast cards. The camera does not cause this phenomenon.
Affected Products
SanDisk CFast cards.
Image corruption may be experienced with the cards listed below:
The “xxx” at the end of the product number varies depending on the sales region.
SanDisk Extreme PRO CFast2.0 64GB (SDCFSP-064G-xxx)
SanDisk Extreme PRO CFast2.0 128GB (SDCFSP-128G-xxx)
SanDisk Extreme PRO CFast2.0 64GB (SDCFSP-064G-xxxA)
SanDisk Extreme PRO CFast2.0 128GB (SDCFSP-128G-xxxA)
SanDisk Extreme PRO CFast2.0 64GB (SDCFSP-064G-xxxB)
SanDisk Extreme PRO CFast2.0 128GB (SDCFSP-128G-xxxB)
Market Support
Although it has been confirmed that this phenomenon is caused by SanDisk CFast cards, to prevent the occurrence of this phenomenon, Canon is considering releasing camera firmware on the Web for a download service in early July.
We would like to apologize for the inconvenience, but we would like to ask our customers to refrain from using SanDisk CFast cards when shooting still images until the new camera firmware becomes available.
Workaround
It is our understanding that image files about 16MB or less recorded immediately before the camera’s power is turned off may become corrupted. Below are the methods available to help avoid image corruption when powering off the camera:
The Camera can be powered off in four ways:
- When the power switch is set to OFF
- When the card slot cover is opened
- When the power is turned off due to the Auto Power Off setting
- When the battery is removed
The phenomenon can be prevented by performing the procedure below:
Before powering the camera off, please take extra shots*1 because the extra shots taken immediately before the camera is powered off may experience the corruption and not the images taken before the extra shots were taken.
*1 The table below shows the most popular file types used and how many extra shots are recommended.
| File Size (Approx.) | How many extra shots do I need to take in order to meet the 16MB or larger requirement? |
| ＜RAW＞ 23.2MB | 1 |
| ＜JPEG＞ L：6.2MB | 3 |
| ＜JPEG＞ M1：4.3MB | 4 |
| ＜JPEG＞ M2：3.4MB | 5 |
| ＜JPEG＞ S：2.2MB | 8 |
Videomator – Paid Photography Apps Become Free – for iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
Videomator
Normal Price : $ 1.99
Download Now
This very simple app will allow you to record video with different color presets (317) Much more is coming soon!
Videos will be saved in your photo stream.
Metabones Brings Native AF to EF Mount But there is a Caveat
Dpreview Warning
“We’ve tried out the new firmware on a Smart Adapter IV paired with a few lenses (Canon 35mm F1.4L II, 70-200 F2.8L II IS, Sigma 24mm, 35mm, and 50mm F1.4 Art) on the Sony a7R II. Phase-detect functionality appears to be limited to a very small central regions, which means lots of hunting if using off-center points, or Lock-on AF and Eye AF (both in AF-C) for non-central subjects. While AF in video is possible, it’s slow with significant hunting. At this point, with these lenses, we find this update largely useless, and found ourselves reverting to the ‘Green’ mode that was default prior to this update for best performance.”
Source : Dpreview
Press Release
Metabones® Adds “Native” AF and Smooth Iris to EF Mount Speed Boosters® and Smart Adapters™ by Firmware
Vancouver, Canada, June 23, 2016:
Metabones® releases Metabones App 2.3, a major firmware update with the following additional features.
- Eye-AF (A6300/A7 series).
- Fast contrast detect AF for all E-Mount cameras.
- DMF (direct manual focus) for E-Mount cameras, where the camera switches to MF as soon as AF completes. This is useful for checking AF accuracy when used with focus peaking.
- Smooth iris for Sony E-Mount and FZ-Mount cameras and Blackmagic, JVC and Panasonic Micro Four Thirds Mount cameras.
Metabones® has already added fast EF lens autofocus to its Micro Four Thirds Mount Speed Boosters® and Smart Adapters™ last year. With this speedy advantage now extended to E-Mount, EF-Mount lenses are now capable of focusing quickly across the widest variety of mirrorless cameras with trusted Metabones precision and reliability.
The smooth iris feature slows down the movement of the electromagnetic aperture diaphragm so that video footage transitions smoothly when the aperture changes, with reduced tick noise from the lens. The latest Canon and Tamron SP lenses have special support for this feature and Metabones® makes use of it if the lens supports it.
Limitations:
- E-Mount “native” autofocus features may not work with all lenses.
- “Native” autofocus may be lesser in performance and/or accuracy compared to the original “Green” mode phase-detect autofocus for A6300, A7 Mark II and A7R Mark II.
- AF-C and video autofocus may have unsatisfactory AF performance and/or accuracy. This is a limitation inherent in DSLR lenses, which lack the low latency required for making many fine movements in rapid succession during AF-C and video focusing.
- Excessive hunting may occur if a small aperture is used with AF-C, video or “Liveview Display Setting Effect” turned on.
- The first few autofocus attempts may result in false positives where the camera gives focus confirmation but the subject is not in focus. This issue goes away on its own after a few trials with most lenses.
- No support for in-camera correction such as peripheral shading, CA and distortion.
- Power consumption may increase compared to the original “Green” mode autofocus. We recommend turning off the “Pre-AF” option to conserve battery power. On A7 series cameras and A6300 the option is on page 3 under the “gear” tab.
- Actuations of the electromagnetic aperture diaphragm and/or the focus motor of the lens result in noises which may be picked up by the camera’s internal microphone during video recording. Use of an appropriately placed external microphone is required for video work.
- The aperture moves in 1/3 stop steps with most Panasonic cameras and 1/8 stop steps with other cameras, which may be noticeable in video recordings. Programmed exposure mode and shutter priority exposure mode should not be used for video. Lenses supporting “smooth iris” smooth out the transition but do not increase iris resolution.
The following lenses have been tested for “native” AF. Refer to Metabones’ web site for the most up-to-date list. Lenses equipped with smooth iris support are marked with asterisks. APS-C lenses are not compatible with Speed Booster®.
- Canon EF 8-15mm f/4L USM Fisheye*
- Canon EF-S 17-55mm f/2.8 IS USM
- Canon EF-S 18-55mm f/3.5-5.6 IS II*
- Canon EF 24-105mm f/4L IS USM
- Canon EF 28-80mm f/3.5-5.6 II
- Canon EF 40mm f/2.8 STM*
- Canon EF 50mm f/1.2L USM
- Canon EF 50mm f/1.4 USM
- Canon EF 70-200mm f/2.8L IS II USM*
- Canon EF 70-200mm f/4L USM (non-IS)
- Canon EF 70-300mm f/4-5.6L IS USM*
- Canon EF 85mm f/1.2L II USM
- Canon EF 100mm f/2.8L IS USM Macro*
- Canon EF 100-400mm f/4.5-5.6L IS USM (I)
- Canon EF 100-400mm f/4.5-5.6L IS II USM*
- Canon EF 200mm f/2.8L II USM
- Canon EF 300mm f/4L IS USM
- Sigma 18-35mm f/1.8 DC HSM Art 013
- Sigma 24-105mm f/4 DG OS HSM Art 013
- Sigma 50mm f/1.4 EX DG HSM
- Tamron SP 24-70mm f/2.8 Di VC USD A007
- Tamron SP 45mm f/1.8 Di VC USD F013*
- Tamron SP 70-200mm f/2.8 Di VC USD A009*
- Incompatible lenses: (“Green” mode PDAF is still supported on A6300, A7 Mark II and A7R Mark II.)
- Canon EF 50mm f/1.8 II
- Canon EF 100mm f/2.8 USM Macro
- Canon EF 135mm f/2L USM
- Contax N lenses modified to EF mount by Conurus Canada
- Sigma 18-125mm DC OS HSM
- Tamron SP 17-50mm f/2.8 Di II VC B005
- Tamron 28-300mm f/3.5-6.3 (IF) Macro A20
OSX and Windows versions of the firmware updater are available for download from Metabones’ web site. The same download updates Speed Booster® ULTRA, Smart Adapter™ Mark IV, EF to FZ Mount Smart Adapter and all EF Mount to Micro Four Third mount products. Updates to earlier Smart Adapters™ (I, II and III) and the original Speed Booster® are by factory only and are free of charge except for shipping.
Nikon D5 Movie Recording Enhanced with New Firmware
Nikon D5 Firmware “C” – 1.01
Change log:
- The camera can now record movies up to 29 minutes and 59 seconds long. Movies are recorded across up to 8 files, each up to 4 GB size, which can be joined together using the ViewNX-Movie Editor option in ViewNX-i version 1.2.0 or later. *
- An Electronic VR option has been added to the MOVIE SHOOTING MENU. Note that electronic vibration reduction is not available at frame sizes of 3840×2160 or 1920×1080 crop, and that the angle of view is slightly reduced when electronic vibration reduction is in effect. *
- A Flicker reduction option has been added to the PHOTO SHOOTING MENU. *
- Dynamic-area AF (9 points) has been added to the AF-area mode options available during viewfinder photography. *
- The chief changes to viewfinder photography autofocus are:
– Improved camera response when the button assigned Auto-area AF using Custom Setting f1 (Custom control assignment) > AF-area mode or AF-area mode + AF-ON is pressed to temporarily select auto-area AF.
– Improved tracking when Wide is selected for Custom Setting a5 (3D-tracking watch area) and 3D-tracking is selected for AF-area mode.
- The following changes have been made to the shooting display in the web browser when Silent photography is selected in HTTP server mode:
– An “SL” (“silent”) icon has been added to the release mode button.
– The “number of shots remaining” display for continuous release modes now shows the time remaining.
– Exposure compensation can now be adjusted by up to ±3.
- The file name (extension “.NDF”) is now displayed in HTTP server mode when Image Dust Off data are displayed in a web browser either full frame or in the image viewer.
- The web browser displays for computers, iPads, and Android OS now identify white balance presets 1 through 6 by number when preset manual white balance is selected in HTTP server mode.
- If movie recording is started while the camera is focusing in movie live view, the camera will now stop focusing before beginning recording.
- • Fixed the following issues:
– The camera would sometimes record the date of recording incorrectly during leap years and the like.
– The Save/load settings option in the SETUP MENU would only load up to 10 of the up to 20 items that could be stored in “My Menu”.
– The camera would display the encryption key for Direct (access point) connections when searching for wireless networks using Search for wireless network with Direct (access point) selected in the SETUP MENU > Network connection wizard.
– The device would sometimes be unable to connect to the D5 when Connect and exit wizard was chosen with Direct (access point) selected in the SETUP MENU > Network connection wizard.
– The OS X edition of the Wireless Transmitter Utility would not function as expected when used to edit or add profiles for a camera connected via USB if Password protection was enabled for wireless or Ethernet LANs in the Network > Network settings menu.
– The camera would sometimes not correctly display pictures created using the Trim option in the RETOUCH MENU.
– If playback zoom was activated while the memory card access lamp was lit, the picture would sometimes not display correctly or the camera would zoom in on a point other than the active focus point if:
- RAW Slot 1 – JPEG Slot 2 was selected for Role played by card in Slot 2 in the PHOTO SHOOTING MENU,
- On was selected for Image review in the PLAYBACK MENU,
- Memory cards were inserted in Slots both 1 and 2, and
- The NEF (RAW) and JPEG images were different sizes
Download
Hasselblad Announces Mirrorless Medium Format Camera X1D
Product Summary
- Model name: Hasselblad X1D-50c
- Release Date: 22 June 2016
- Focus Type: Autofocus
- Format : Medium Format
- Mounts: Hasselblad XCD
- Availability: August 2016
- Price: $ 8,995
- Purchase options: Adorama | B&H
Key features
- Compact, lightweight (725g), highly portable and user-friendly medium format technology
- Large 50MP CMOS medium format sensor delivering up to 14 stops of dynamic range
- New line of XCD lenses with integral central shutter; 45mm and 90mm available at launch
- Compatible with all 12 lenses and lens accessories from the Hasselblad professional H System (adapter required)
- Multiple image format options
- High quality XGA electronic viewfinder or high resolution rear display with touch functionality
- Wide range of shutter speeds: 60 minutes to 1/2000th sec. with full flash synchronisation throughout the range
- An ISO range from 100 to 25,600
- Dual SD card slots, GPS and Wi-Fi
- USB 3.0 Type-C connector, Mini HDMI, Audio In/Out
- Weather and dust sealings
- HD video
The world’s first compact mirrorless digital medium format camera
Hasselblad is proud to introduce the groundbreaking X1D – weighing less than half that of a conventional digital medium format camera, the mirrorless 50MP camera is a game changer in the world of photography.
Inspired by the brand’s iconic design heritage, the camera is ergonomic and compact, offering a handling experience unlike any other. Handmade in Sweden, the X1D combines Scandinavian sensibility with beautiful performance.
Like the iconic V System, the X1D seamlessly combines portability with excellent optical quality for which the brand is renowned. Hasselblad has ingeniously introduced mirrorless technology to digital medium format for the first time ever, creating a precision performance camera that can sit in the palm of your hand. The 50MP CMOS sensor captures the finest details with true natural colours.
Commenting on the announcement Perry Oosting, Hasselblad CEO noted: “The X1D marks a pivotal point in Hasselblad’s rich 75-year history. This camera makes medium format photography available to a new generation of Hasselblad users, while pushing the existing limits of photography to new heights.”
A completely new family of dedicated autofocus lenses has been developed to support optical quality and portability, offering a wide range of shutter speeds and full flash synchronisation up to 1/2000th second.
Weighing just 725g and including HD video, Wi-Fi and built-in GPS, the X1D is a trusted partner and ideal travel companion. The robust exterior is dust and weather proof, providing durability to take with you wherever you go.
The X1D has been created with passionate photographers in mind, opening up Hasselblad to a new generation of creatives. Ideal for those who want to create the highest quality medium format images with a straightforward and easy to use camera that can fit in the palm of your hand.
Product Photo
Sample Image
Specification
| Sensor type | CMOS, 50 megapixels (8272 . 6200 pixels, 5.3 . 5.3 μm) |
| Sensor dimensions | 43.8 . 32.9mm |
| Image size | Stills: RAW 3FR capture 65MB on average. TIFF 8 bit: 154MB; Video: HD (1920 x 1080p) |
| File format | Stills: Lossless compressed Hasselblad 3FR Raw + JPEG
Video: H.264 Compressed (25 fps) |
| Shooting mode | Single shot stills, Video |
| Colour definition | 16 bit; Dynamic range up to 14 stops |
| ISO speed range | ISO 100, 200, 400, 800, 1600, 3200, 6400, 12800, 25600 |
| Storage options | Dual SD card slots |
| Colour management | Hasselblad Natural Colour Solution |
| Storage capacity | 16GB card holds 240 images on average |
| Capture rate | 1.7 – 2.3 frames per second |
| Display | 3.0 inch TFT type, 24 bit colour, 920K pixels; Touch functionality: Yes, full support
Live View: On camera, host and iOS device with high frame rate (30 fps) |
| Histogram feedback | Yes (on rear display) |
| IR filter | Mounted in front of sensor |
| Acoustic feedback | Yes |
| Software | Phocus for Mac and Windows. Compatible with Adobe Photoshop Lightroom® and Adobe Camera Raw® |
| Platform support | Macintosh: OSX version 10.10; PC: Windows 7 / 8 / 10 (64 bit only) |
| Host connection type | USB 3.0 (5 Gbit/s) Type-C connector |
| Additional connections | Mini HDMI, Audio In/Out |
| Operating temperature | – 10 ˚C to + 45 ˚C / 14 – 113 ˚F |
| Wi-Fi & GPS | 802.11a,b,g,n,ac (depending on region) |
| Dimensions | Camera Body only: 150.4 x 98.1 x 71.4 mm |
| Weight | 725g (Camera Body and Li-ion battery ) |
| Camera type | Mirrorless Large Sensor Medium Format |
| Lenses | Hasselblad XCD lenses with integral lens shutter |
| Shutter speed range | 60 minutes to 1/2000 sec with XCD Lenses |
| Flash sync speed | Flash can be used at all shutter speeds |
| Viewfinder | 2.36MP XGA Electronic Viewfinder |
| Focusing | Autofocus metering via contrast detection
Instant manual focus override |
| Flash control | Automatic TTL centre weighted system. NikonTM compatible hotshoe
Output can be adjusted from -3 to +3EV. |
| Exposure metering | Spot, Centre Weighted and CentreSpot |
| Power supply | Rechargeable Li-ion battery (7.2 VDC/3200 mAh) |
Adobe Releases Major Photoshop CC Update – 2015.5
Today‘s updates mark another step forward in establishing Creative Cloud as the one-stop shop for creative people – providing the best in desktop tools, mobile applications and training. Among many features of Photoshop CC 2015.5 the following are noteworthy.
- Content-Aware Crop
- Adjust facial features
- Match Font
- Selection and Masking Space
- Create patterns with Capture CC
- Better collaboration with Libraries
- Updated Libraries panel
- Improved artboards
- Work easier with glyphs
Learn More about Photoshop CC 2015.5
Pricing and Availability
Updates to CC desktop apps are now available for download by Creative Cloud members as part of their membership at no additional cost. Membership plans are available for individuals, students, teams, educational institutions, government agencies and enterprises. For pricing details, visit: https://creative.adobe.com/plans.
Butterfly in Slow-Motion with iPhone
It was early April, the time of butterfly mating. During this time of year they are very active. We know butterflies collect nectar from flower for sugar. But they also need water and minerals. Which they lick from moist soil. I came across a group of butterflies and decided to film them. I dropped my DSLR setup and set the iPhone in Slo-mo mode. iPhone 6 & 6s can record video at 240 frame per second @ 1280 X 720. You need to set it up in Setting > Photos & Camera > Camera > Record Slo-mo. This feature is very useful to view our world from a different perspective.
One of the key point here is the way you approach towards the butterflies. I moved towards them very slowly, otherwise it was impossible to be capture them from such close proximity (only 7 inch). The mobile was handheld and at ground level. You can see from the image below how close I was. iPhone 6 has a 8 Megapixel back camera & the lens is 29mm (35mm equivalent) with fixed 2.2 aperture.
Panasonic’s Ultra fast Wide Angle Lens LEICA DG SUMMILUX 12mm f1.4 Announced
Product Summary
- Model name: LUMIX G LEICA DG SUMMILUX 12mm/F1.4 ASPH (H-X012)
- Release Date: 15 June 2016
- Focus Type: Autofocus
- Format : Micro Four Thirds
- Mounts: Micro Four Thirds
- Availability: August 2016
- Price: $1,299.99
- Purchase options: Adorama | B&H | Amazon
Key features
- 24mm (35mm camera lens equivalent) Wide angle lens
- F1.4 high speed aperture
- Splash & dust-proof construction
- Compatible with 4K video capture
Panasonic’s new LEICA DG SUMMILUX 12mm/F1.4 ASPH lens is a high-speed, single focus lens that meets professional needs and provides high image quality. It not only offers outdoor photographers a tool for capturing landscapes across a wide angle but also allows indoor shooting in low-lit environments. Furthermore it can produce impressive, natural defocusing effects with its F1.4 large aperture and boasts a rugged, splash/dustproof design to cater for photographers carrying it on their outdoor adventures.
LEICA standard for exceptional image quality
Integrating two aspherical lenses, two UED (Ultra Extra-Low Dispersion) lenses and an ED (Extra-Low Dispersion) lens, the lens system comprises 15 elements in 12 groups. The adoption of five special lenses makes it possible to clear the stringent LEICA standard for exceptional image quality with high resolution and minimum distortion.
The new LEICA DG SUMMILUX 12mm/F1.4 ASPH achieves high resolution from the centre to the corners of the image, which can be taken advantage to shoot starry skies or night scenes containing illumination. The multi-coated lens elements also improve image quality to capture true-to-life pictures and video.
Precise Focusing for 4K Video
Incorporating an inner focus drive system and a stepping motor, the new LEICA DG SUMMILUX 12mm/F1.4 ASPH is capable of smooth, silent operation. When used in combination with any LUMIX G camera and its high-speed, high-precision contrast AF system, both photo and video recording are optimised. It is also compatible with the sensor drive at a maximum of 240 fps to take full advantage of cameras with high-speed AF. This stunning AF performance is excellent for recording 4K videos, where precise focusing is essential.
Full, Intuitive Aperture Control
The LEICA DG SUMMILUX 12mm/F1.4 ASPH has an aperture ring for direct, intuitive aperture control. Nine blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings.
Metal Durability
A highly reliable metal mount assures durability for repeated use. The lens mount, the barrel and the hood are all made of metal to provide a sleek, sophisticated design that matches the entire line-up of LUMIX G Mirrorless cameras.
Help is at Hand to find the Perfect Lens
From wide-angle to telephoto, there is a LUMIX G lens for all circumstances. To help you find the perfect lens for your needs, the Panasonic website offers an intuitive lens selector tool. Within the gallery, simply select the type of photos that you’d love to take and the website will provide recommendations for equipment to achieve similar, breathtaking results.
Product Photo
Sample Image
Specification
| Lens Construction | 15 elements in 12 groups (2 aspherical lenses, 1 ED lens, 2 UED lenses) |
| Nano Surface Coating | – |
| Mount | Micro Four Thirds mount |
| Optical Image Stabilizer | – |
| Focal Length | f=12mm (35mm camera equivalent 24mm) |
| Aperture Type | 9 diaphragm blades / Circular aperture diaphragm |
| Maximum Aperture | F1.4 |
| Minimum Aperture | F16 |
| Closest Focusing Distance | 0.20m / 0.66ft |
| Maximum magnification | Approx. 0.1x / 0.2x (35mm camera equivalent) |
| Diagonal Angle of View | 84° |
| Filter Size | φ62mm / 2.44inch |
| Max. Diameter | φ70.0mm / 2.76inch |
| Overall Length | Approx. 70mm / 2.76inch (from the tip of the lens to the base side of the lens mount) |
| Weight [g] | Approx. 335g (excluding lens cap, lens rear cap and lens hood) |
| Weight [oz] | Approx. 11.82oz (excluding lens cap, lens rear cap and lens hood) |
Phase One Releases Professional Photo Cataloging Software – Media Pro SE
Phase One, creator of the world’s finest open-platform high-end camera systems and professional imaging software, released Media Pro SE (Second Edition). Media Pro SE supports photo and video files from more than 100 different cameras and is built to manage large photo libraries.
Media Pro SE adds support for the latest Mac and Windows operating systems and supports adjustments from the latest build of Capture One 9. With an added activation and a host of bug fixes, photographers and digital creatives using Media Pro in their workflows now can enjoy continued digital asset management along with the superior quality of Capture One 9.
This release includes:
- Rendering engine update Capture One 9.1
- Mac OSX 10.11 support
- Windows 10 support
- New 3 seat license (increased from 2) so Media Pro SE installations can be run in parity with Capture One 9’s 3 activations.
“Media Pro is a much loved application with special workflow solutions, and it enjoys a large and active customer base,” said James Johnson, Software Product Manager, Phase One. “This release incorporates the most recent feedback from those customers.”
Phase One’s Capture One image editing software and Media Pro SE photo management software is a combined photography software toolset that offers the most effective choice for photographers who need to manage very large, high quality image files and collections in a fast and efficient workflow.
For details on Media Pro SE, please go to www.phaseone.com/MediaProSE
Availability and Pricing
Media Pro SE is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide. www.phaseone.com/partners
New customers can purchase Media Pro SE for 189 USD / 189 EUR. Owners of Media Pro 1 may upgrade for 39 USD / 39 EUR.
Adobe Camera Raw 9.6 Update Download
Camera Raw 9.6 is now available through the update mechanism in Photoshop CC and the Creative Cloud application.
New Camera Support
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- Canon PowerShot G7 X Mark II
- Leica M-D (Typ 262)
- Nikon COOLPIX B700
- Panasonic DMC-GX85 (DMC-GX80, DMC-GX7MK2)
Camera Raw 9.6 for Photoshop CC/2014/2015
Camera Raw – Mac
Camera Raw – Windows
Adobe DNG 9.6
Adobe DNG Converter – Windows
Adobe DNG Converter – Mac
Lightroom CC 2015.6 / 6.6 Update brings New Guided Upright Feature
Adobe has released Lightroom CC 2015.6 and Lightroom 6.6. The update provides additional camera raw support, lens profile support and bug fixes introduced in earlier releases of Lightroom. Guided Upright feature.
New Camera Support in Lightroom CC 2015.6 / 6.6
- Canon PowerShot G7 X Mark II
- Leica M-D (Typ 262)
- Nikon COOLPIX B700
- Panasonic DMC-GX85 (DMC-GX80, DMC-GX7MK2)
Also please note that Lightroom CC 2015.6/6.6 also includes camera matching color profiles for the Pentax 645Z, Pentax K-1, and Pentax K-3 II cameras.
Additional Updates in Lightroom CC 2015.6 / 6.6
- Merge to Panorama and HDR now works with Smart Previews. Previously, Lightroom required the use of original images for the Merge to Panorama or HDR features.
- The Preferences -> Lightroom mobile section now contains a “Pending Sync Activity” section. This area is useful for helping identify any potential issues related to image sync across the Lightroom family of applications (desktop, mobile and web).
Tethered Camera Support for the following cameras:
- Canon EOS-1D X Mark II
- Canon EOS 80D
- Canon EOS 1300D / Canon Rebel T6
New Compact Telephoto Zoom PENTAX-DA 55-300mm F4.5-6.3 ED
Product Summary
- Model name: HD PENTAX-DA 55-300mm F4.5-6.3ED PLM WR RE
- Release Date: 9th June 2016
- Focus Type: Autofocus
- Format : APS-C
- Mounts: PENTAX KAF4
- Color: Black
- Availability: July 2016
- Price: $399.96
- Purchase options: Adorama | B&H
Key features
- 84.5-460mm (35mm Equivalent)
- Retractable Design & Quick Shift Focus
- Weather-Resistant Construction
Developed as an interchangeable lens for use with PENTAX K-mount digital SLR cameras, this new compact, weather-resistant telephoto zoom lens provides enhanced autofocus performance and outstanding optical performance.
This zoom lens provides focal lengths between 84.5mm and 460mm (in the 35mm format)* to cover medium- to super-telephoto ranges. Thanks to its upgraded AF performance, it assures quiet, high-speed AF operation in still-image shooting, as well as smooth AF tracking operation during movie recording to minimize operation noise caused by focus and aperture shifts. Its newly designed, high-quality optics provide a minimum focusing distance of 0.95 meters, expanding the range of photographic applications. With the adoption of a retractable structure, it measures a mere 89 millimeters in length, making it easy to carry around. Coupled with its weather-resistant construction, this zoom lens assures outstanding reliability and durability even in demanding shooting conditions.
Main Features
1. High-speed AF operation
With the adoption of a rear-focus system, the focusing lens is 93.6 percent lighter* than the previous version. By driving this focusing lens using a pulse motor (PLM), which is directly linked to a lead screw, this zoom lens operates faster — approximately 8.3 times** at its wide-angle end and approximately 1.7 times** at its telephoto end –and quieter than the existing model.* When mounted on the new PENTAX K-70 digital SLR camera body, it assures smoother, faster AF operation with dimly lit subjects, thanks to an improved AF algorithm that exchanges AF data between the camera body and the lens with greater precision. Operability of its power-assisted focus system during manual-focus operation has also been improved. Since its distance ring is designed to accurately detect the angle of rotation and swiftly react to a change of angle, this zoom lens can shift its focusing lens smoothly in response to distance ring operation.
* When compared with the HD PENTAX-DA 55-300mm F4-5.8ED WR.
** When taking a still image in viewfinder shooting, with the camera’s AF mode set to AF-S and for subjects positioned at a distance between 1.5 meters to infinity.
2. Quiet AF operation and electromagnetic diaphragm control, perfect for movie recording
This is the first K-mount lens to feature an electromagnetic diaphragm control system.* When mounted on the new PENTAX K-70 digital SLR camera body, it assures smooth, high-precision aperture control during movie recording. Thanks to this state-of-the-art system, it shifts the aperture setting automatically and smoothly, even when the brightness level of the subject changes drastically in movie shooting. Coupled with the PLM mechanism, it also assures smooth AF tracking operation and exposure control, while minimizing the intrusion of focus- and aperture-shift noises during movie-recording operation. As the result, it produces more natural, true-to-life movies in locations such as a theater stage or a sunlight-streaked forest where the brightness level fluctuates considerably, and for such active subjects as athletes and animals.
* This lens features a KAF4 lens mount compatible with an electromagnetic diaphragm control system. In order to use this lens, the camera’s firmware must be upgraded to the latest version (except for the PENTAX K-70). Cameras compatible with this system are: K-1, K-3 II, K-S2 and K-S1. If this lens is mounted on a camera without proper firmware upgrade, its diaphragm control mechanism becomes inactive, making it impossible to obtain correct exposure.
3. High-quality images, with a minimum focusing distance of 0.95 meters
With focal lengths from 84.5mm to 460mm (in the 35mm format), this telephoto zoom lens provides approximately 5.5-times zoom coverage from medium- to super-telephoto ranges. Its 14-element, 11-group optics include an ED (Extra-low Dispersion) optical element to effectively minimize spherical and chromatic aberrations, while delivering high-resolution, fine-detailed images with rich contrast from the image’s center to its edges and minimal color bleeding at any focal length setting. In addition to the short minimal focusing distance of 0.95 meters, made possible by the rear-focus system, the lens barrel has also been designed to be free of extension during AF operation, making it ideal for a wide variety of applications, such as outdoor, sports and landscape shooting.
4. Compact telephoto zoom lens
Thanks to its retractable structure, the lens is only 89 millimeters long. Since it weighs just 442 grams, it is extremely compact and handy to carry even in a limited space, such as a bag, making it ideal for casual, day-to-day shooting.
5. Weather-resistant construction
The lens features a dependable weather-resistant construction with 11 sealing parts to effectively prevent the intrusion of water into the lens interior. When paired with a weather-resistant PENTAX digital SLR camera body, it creates a durable, dependable digital imaging system that performs superbly in demanding shooting settings — even in rain or mist, or in locations prone to water splashing or spray.
6. HD Coating to optimize image description
The lens is treated with high-grade, multi-layer HD Coating.* Compared with conventional multi-layer coatings, this PENTAX-original coating assures higher light transmittance and less reflection to deliver bright, high-contrast images free of flare and ghost images, even under demanding lighting conditions such as backlight.
* HD stands for High Definition.
7. Other features
- ・Quick-Shift Focus System allows the user to instantly switch to manual-focus operation, even when the camera’s AF system is in operation.
- ・SP (Super Protect) Coating applied to the front surface of the lens to effectively repel water and grease.
- ・Rounded diaphragm with nine blades to produce a smooth, beautiful bokeh (defocus) effect, while minimizing the streaking effect of point light sources.
Product Photo
Sample Image
Specification
| Focal Length | 55-300mm |
|---|---|
| Equivalent to 84.5-460mm in 35mm format (when attached to PENTAX APS-C size DSLR cameras) |
|
| Maximum Aperture | F4.5-6.3 |
| Minimum Aperture | F22-32 |
| Lens Construction | 14 elements in 11 groups |
| Angle of View (Diagonal) | 29-5.4° (when attached to PENTAX APS-C size DSLR cameras) |
| Mount | KAF4 |
| Minimum Focusing Distance | 0.95m (3.1ft.) |
| Maximum Magnification | 0.30x |
| Filter Diameter | 58mm |
| Diaphragm Control | Electromagnetic diaphragm Fully automatic |
| Number of Diaphragm Blades | 9 |
| Rounded diaphragm （55mm: F4.5-9 300mm: F6.3-13） | |
| Lens Hood | PH-RBK58 (included) |
| Lens Cap | O-LC58 (included) |
| Lens Case | S80-120 (optional) |
| Maximum Diameter x Length | approx. 76.5mm x 89mm (approx. 3in. x 3.5in.) |
| Weight | approx. 442g / with hood approx. 471g (approx. 15.6 oz./ with hood approx. 16.6oz.) |
| Temperature | -10°C～40°C (14°F～104°F) |
| Humidity | 85% or less (no condensation) |