Nikon AF-S NIKKOR 400mm f/2.8E FL ED VR
Release Date : 14 May 2014
Price : $ 11,996.95
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Key features
- Fast super-telephoto lens
- Electromagnetic diaphragm
- Fluorine coating
- Robust and light
- One-piece hood
Lighter and more rugged than its acclaimed predecessor, the AF-S NIKKOR 400mm f/2.8E FL ED VR frees professionals and passionate shooters to capture the thrill of sports, action and wildlife with staggering clarity and precision, even when shooting handheld in challenging lighting conditions. A fast f/2.8 maximum aperture paired with Nikon VR technology delivers exciting new low-light capabilities and beautiful bokeh, while a specialized diaphragm maintains consistent exposure during high-speed shooting. Pro-grade dust- and moisture-sealing and a fluorine coated front meniscus glass element protect the lens’ superb NIKKOR optics on tough assignments while Nikon’s advanced lens technologies give you every advantage for catching the shots that matter.
When it comes to capturing sports or wildlife where the action is fast and the conditions are rarely favorable, lens speed can mean the difference between a great shot and a miss. At f/2.8, the AF-S NIKKOR 400mm f/2.8E FL ED VR gathers maximum light and renders beautiful bokeh. Nikon VR enhances that speed with up to 4 stops* of blur-free handheld shooting, including a new mode specifically for shooting Sports and Action, while a specialized electromagnetic diaphragm mechanism achieves remarkably consistent exposures when shooting at high frame rates. You might not be able to predict the spontaneous, but you certainly can prepare for it.
Thanks to lightweight fluorite lens elements and a magnesium alloy die-cast lens barrel, the AF-S NIKKOR 400mm f/2.8E FL ED VR is nearly 2 lbs. lighter than its predecessor, AF-S NIKKOR 400mm f/2.8G ED VR. Anyone who has spent time in the field with a large super-telephoto lens knows every pound counts. And since wildlife and action often mean harsh conditions, it features professional grade dust- and moisture-resistant sealing and a fluorine coated meniscus protective glass element at the lens front. Wherever your assignments or passion take you, the AF-S NIKKOR 400mm f/2.8E FL ED VR is ready.
The AF-S NIKKOR 400mm f/2.8E FL ED VR is an advanced lens designed to draw peak potential from high-resolution Nikon D-SLRs. The lens’ ultra-fast, ultra-quiet Silent Wave Motor (SWM) provides outstanding autofocus performance with seamless manual override (just spin the lens barrel). Two fluorite lens elements (FL) provide superior optical characteristics while minimizing overall weight, while two Extra-Low Dispersion (ED) glass elements nearly eliminate chromatic aberration, even at f/2.8.
Sample Image
Specifications
| Focal length | 400 mm |
| Maximum aperture | f/2.8 |
| Minimum aperture | f/22 |
| Lens construction | 16 elements in 12 groups (Including 2 fluorite and 2 ED glass elements plus meniscus protective glass and Nano Crystal coat). 2 aspherical lens elements, and lens elements with a Nano Crystal Coat. |
| Angle of view | 6°10′ (4°00′ with DX-format camera) |
| Minimum focus distance | 2.6m from focal plane |
| Maximum reproduction ratio | 1/6.9 |
| No. of diaphragm blades | 9 (rounded) |
| Filter attachment size | 40.5 mm (drop-in) |
| Diameter x length (extension from lens mount) | Approx. 159.5 x 358 mm |
| Weight | Approx. 3800 g |
| Supplied accessories | Slip-on front lens cap, LF-4 Rear Lens Cap, HK-38 Lens Hood, 40.5 mm screw-in NC filter, CT-405 Lens Case, LN-2 Strap, Monopod collar |
Nikon AF-S NIKKOR 20mm f/1.8G ED
Release Date : 12 September 2014
Price : $ 796.95
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Key features
- Fast 20 mm FX-format prime lens
- Bright f/1.8 aperture
- High-resolution images
- Minimum focus distance
- Compact and lightweight design
With the ultra-wide view of a 20mm lens, you’re free to capture expansive landscapes and architecture, wedding parties, an entire band on stage, crowd shots and much more. Add low-light capabilities to that view, and the shooting possibilities are nearly endless. Introducing the AF-S NIKKOR 20mm f/1.8G ED, a compact, lightweight FX-format lens that combines the ultra-wide perspective of a 20mm focal length, the low-light capabilities and shallow depth of field of an f/1.8 maximum aperture and the superb optical characteristics of an advanced NIKKOR prime lens. Whether you shoot stills, HD video, time lapse sequences or star trail images on an FX- or DX-format D-SLR, the AF-S NIKKOR 20mm f/1.8G ED will widen your creative potential.
The AF-S NIKKOR 20mm f/1.8G ED delivers a 20mm, 94° angle of view (30mm, 70° equivalent on DX-format cameras) that’s ideal for stills or motion capture. With its 7.8-inch close focus capability, you can work in tight spaces or get close to your subject to accentuate your focal point. From a distance, the AF-S NIKKOR 20mm f/1.8G ED lets you get wide, expansive vistas into the frame. Videographers will love using their Nikon D-SLR and this compact, lightweight lens for establishing shots, first-person point-of-view sequences and B-Roll footage.
At its maximum aperture setting of f/1.8, the AF-S NIKKOR 20mm f/1.8G ED produces beautifully blurred backgrounds in your photos and HD videos and lets you shoot at lower ISO settings to retain high image quality. In low light situations, opening the aperture to f/1.8 will also increase shutter speed to prevent camera shake and motion blur.
The AF-S NIKKOR 20mm f/1.8G ED is designed to draw peak performance from high-resolution Nikon D-SLRs in both still and HD video applications. Aspherical (AS) lens elements and Extra-low Dispersion (ED) glass elements with Nano Crystal Coat (N) combat sagittal flare and chromatic aberration for superb, sharp rendering across the entire frame. Nikon’s innovative Silent Wave Motor (SWM) uses ultrasonic waves for fast, accurate near quiet autofocusing as close as 7.8-inches (0.2 meters) from your subject.
Sample Image
Specification
| Focal length | 20mm |
| Maximum aperture | f/1.8 |
| Minimum aperture | f/16 |
| Lens construction | 13 elements in 11 groups (including 2 ED lens elements, 2 aspherical lens elements, and lens elements with Nano-Crystal coatings) |
| Angle of view | Nikon film SLR and FX-format D-SLR cameras: 94°, Nikon DX-format D-SLR cameras: 70° |
| Minimum focus distance | 0.2m (0.66ft) from focal plane |
| No. of diaphragm blades | 7 (rounded diaphragm opening) |
| Filter attachment size | 77mm (P = 0.75mm) |
| Weight | Approx.355g (12.6oz.) |
| Supplied accessories | 77mm snap-on Front Lens Cap LC-77, Rear Lens Cap LF-4, Bayonet Hood HB-72, Flexible Lens Pouch CL-1015 |
Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
Release Date : 10 April 2014
Price : $ 896.95
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Key features
- DX-format 16.7x zoom
- Portable build
- High optical performance
- Vibration Reduction (VR) 4.0 STOPS
- Zoom-lock switch
- Weather-sealed mount
The world is full of amazing views—some right in front of us, others far in the distance. Capture all of them beautifully with a single lens, the outstanding all-in-one telephoto zoom AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR. Surprisingly compact and lightweight for a 16.7x zoom lens, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR draws great performance from Nikon DX-format D-SLRs and is a highly versatile second lens. Shoot wide-angle scenic landscapes and group photos, portraits with softly blurred backgrounds, super-telephoto close-ups and everything in between—if you can see it, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can capture it. Optimized for shooting both stills and HD videos, it features specialized Vibration Reduction technology for tack-sharp photos and steady videos, even when your hands are a bit shaky. And since it’s a NIKKOR, it features some of the best optics available. Whether you’re looking for maximum versatility in a lens or you’re just the kind of photographer who finds inspiration all around, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR will help you capture more of life’s great views.
The AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can do just about anything—stills, videos, landscapes, interiors, portraits, wildlife…you name it. Its massive zoom range goes from wide-angle (27mm equivalent in 35mm) all the way to super-telephoto (450mm equivalent in 35mm), so you can catch stunning close-ups of concert performers and athletes as easily as wide scenic shots. Its compact, balanced design and Vibration Reduction technology help keep photos sharp and videos steady, and the lens’ fast, quiet autofocus system minimizes camera noise during video recording.
A little camera shake can ruin an otherwise great photos or video, especially when shooting at super-telephoto distances. To combat camera shake, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR features Nikon’s Vibration Reduction technology, which provides 4.0 stops* of blur-free handheld shooting. Capture crisp, clear photos and steady videos even if your hands are a bit unsteady. Additionally, VR is a big advantage in low-light situations—slow down your shutter speed without compromising sharpness.
Like all renowned NIKKOR lenses, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR delivers stunning image quality—vibrant color, sharp detail, and minimal distortion. To enhance that superb optical performance and increase its versatility as both a photo and video lens, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR includes Nikon’s advanced lens technologies like Silent Wave Motor (SWM) for ultra-fast, near-silent autofocusing, three Aspherical (AS) and Extra-low Dispersion (ED) glass elements for maximum contrast and minimal lens flare and ghosting, a rounded 7-blade diaphragm for beautiful, natural background blur and Internal Focusing (IF) for a more compact, streamlined lens design.
- red: AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR
- blue: AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR
Sample Photo
Specifications
| Focal length | 18–300mm |
| Maximum aperture | f/3.5–6.3 |
| Minimum aperture | f/22–40 |
| Lens construction | 16 elements in 12 groups (including 3 ED lens elements, 3 aspherical lens elements) |
| Angle of view | 76° – 5° 20′ |
| Minimum focus distance | 0.48m (1.6ft), from focal plane at all zoom positions |
| No. of diaphragm blades | 7 (rounded) |
| Filter attachment size | 67mm |
| Diameter x length (extension from lens mount) | Approx. 78.5 mm x 99 mm |
| Weight | Approx. 550g (19.4 oz.) |
| Supplied accessories | 67 mm snap-on Front Lens Cap LC-67, Rear Lens Cap LF-4 |
Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR
Release Date : 6 August 2013
Price : $496.95
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Key features
- Versatile DX-format 7.8x zoom lens
- Wide to telephoto zoom range
- High optical performance
- Vibration Reduction (VR) system
- Compact and lightweight build with weather-sealed mount
If you’re looking for an outstanding grab-and-go lens—the kind you’ll keep on your camera for nearly every situation—check out the new AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR. Optimized to draw full potential from Nikon’s high-resolution DX-format image sensors, it delivers beautiful ultra-sharp photos and videos with softly blurred backgrounds. Its versatile 7.8x zoom range (18mm to 140mm) lets you shoot everything from wide-angle family portraits to telephoto close-ups on the sports field. 4 stops of VR image stabliization means sharper handheld photos and video, especially when shooting in low light or at maximum focal length. You can even get as close as 1.48-feet from your subject for macro-style close-ups!
Developed with high pixel count D-SLRs in mind, the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR delivers vibrant, detail-rich photos and videos across its entire zoom range. Zoom out for an 18mm wide-angle view that’s great for group shots, landscapes or any time you need to fit more into the frame. Zoom in for 140mm of telephoto reach—enough zoom to capture close-ups of your favorite player from the sidelines. In between, you have standard views similar to what you see with your eyes and medium telephoto views ideal for portraits. Whatever shot comes your way, you’ll be ready to catch it.
The AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR versatility is strengthened by 4 stops of VR image stabilization. Capture sharp, shake-free handheld photos and videos in low-light situations, when you want to use slower shutter speeds, and at telephoto distances, when even the smallest amount of camera shake can ruin a shot.
AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR is an advanced lens designed to get the most from high-resolution Nikon D-SLRs. In addition to VR image stabilization, it uses ED (Extra-low Dispersion) glass, which virtually eliminates reflections and lens flare for better contrast and Aspherical (AS) lens elements for minimizing aberration and improving image integrity and color. Nikon’s remarkable Silent Wave Motor (SWM) provides ultra-fast, ultra-quiet autofocusing, a major advantage when recording video. And, of course, the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR has NIKKOR’s renowned quality of construction and outstanding optics.
Sample Image
Specifications
| Focal length | 18-140 mm |
| Maximum aperture | f/3.5-5.6 |
| Minimum aperture | f/22-38 |
| Lens construction | 17 elements in 12 groups (including 1 ED lens element, 1 aspherical lens element) |
| Angle of view | 76° – 11°30′ |
| Minimum focus distance | 0.45 m (1.48 ft) from focal plane at all zoom positions |
| Maximum reproduction ratio | 0.23x |
| No. of diaphragm blades | 7 (rounded diaphragm opening) |
| Filter attachment size | 67 mm (P = 0.75 mm) |
| Diameter x length (extension from lens mount) | Approx. 78 mm maximum diameter x 97 mm (distance from camera lens mount flange) |
| Weight | Approx. 490 g (17.3 oz) |
| Supplied accessories | 67mm snap-on front lens cap LC-67, Rear lens cap LF-4 |
Nikon AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II
Release Date : 6 January 2014
Price : $ 246.95
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Key features
- Popular 3x zoom lens
- Retractable lens mechanism
- Ultra-compact and lightweight
- Vibration Reduction (VR) system
There’s a reason Nikon includes an 18-55mm lens with so many D-SLR kits—it’s simply a fantastic all-around lens. The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II is the most compact, advanced version of the 18-55mm lens yet. A new retractable barrel design inspired by the Nikon 1 system makes it approx. 25% smaller and lighter than its predecessors, and the latest Vibration Reduction technology provides 4.0* stops of blur-free handheld shooting. Whether you’re shooting wide group shots or tight close-ups, photos or HD videos, the AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II delivers.
The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II is optimized to draw maximum performance from Nikon’s new generation of high-resolution DX-format HD-SLRs. Nikon’s Super Integrated Coating (SIC) ensures outstanding color richness and contrast by reducing reflections and glare. A seven-blade rounded diaphragm renders backgrounds and out-of-focus elements in your shots with a natural, softly blurred appearance. Your photos and HD videos will reveal the astounding sharpness and detail your HD-SLR is capable of achieving.
The AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II features Nikon’s latest Vibration Reduction image stabilization technology, which provides 4.0* stops of blur-free handheld shooting. That means your photos and videos will be tack-sharp, even if your hands are a bit unsteady. Additionally, it means you’ll be able to shoot at slower shutter speeds without affecting image sharpness—a huge advantage in low light situations where slower shutter speeds mean brighter photos.
Sample Image
Specifications
| Focal length | 18-55mm |
| Maximum aperture | f/3.5-5.6 |
| Minimum aperture | f/22-36 |
| Lens construction | 11 elements in 8 groups (including 1 aspherical lens elements) |
| Angle of view | 76° – 28°50′ |
| Minimum focus distance | AF: 0.28 m (0.92 ft) from focal plane at all zoom positions. MF: 0.25 m (0.82 ft) from focal plane at all zoom positions |
| Maximum reproduction ratio | AF: 0.31x (at 55 mm). MF: 0.36x (at 55 mm) |
| No. of diaphragm blades | 7 (rounded diaphragm opening) |
| Filter attachment size | 52 mm (P = 0.75 mm) |
| Diameter x length (extension from lens mount) | Approx. 66 mm maximum diameter x 59.5 mm (distance from camera lens mount flange when lens is retracted) |
| Weight | Approx. 195 g (6.9 oz) |
| Supplied accessories | 52mm snap-on front lens cap LC-52 |
Nikon AF-S Teleconverter TC-14E III
Release Date : 14 May 2014
Price : $496.95
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Key features
- High-performance 1.4x teleconverter: increases the focal length of select NIKKOR lenses by 40%.
- High image quality: advanced optical formula delivers sharp, high-resolution images. Maximises the lens’s optical performance and enhances autofocus accuracy.
- Electromagnetic aperture: maximises exposure accuracy with compatible lenses.
- Superior optical design: optical system minimises chromatic aberration that can originate from the teleconverter itself.
- Fluorine coating: applied to the front and rear surfaces to repel dirt and moisture.
Nikon’s long legacy and expertise in optical engineering is substantiated with this new 1.4x teleconverter that retains the lens’ image quality, even at wide-open apertures. This new teleconverter effectively multiplies the focal length of many NIKKOR lenses by 1.4x, while resulting in only a one-stop loss of exposure. Especially useful for nature and sports photographers, the enhanced optical system reduces chromatic lens aberration, while preserving the accuracy of the AF system.
The construction of the teleconverter has been significantly upgraded for both durability and optical brilliance. Comprised of seven elements within four groups, the outer elements feature a fluorine coating for enhanced resistance to dirt and water droplets. For added durability, the lens barrel has been designed for increased moisture and dust resistance.
Product Photo
Sample Images in Flickr
Compatible Cameras and Lenses
“This product is compatible with the following cameras when used with type E lenses :”
“D4 series, D3 series, Df, D810, D800 series, D700, D610, D600, D300 series, D7100, D7000, D5300, D5200, D5100, D5000, D3300, D3200, D3100”
“This product can be used with the AF-S NIKKOR lenses listed below. When using lenses indicated by an asterisk, note that the focus distance given in the photo info may not be correct.”
Compatibility Chart
• AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED (autofocus not supported)*
• AF-S VR Nikkor ED 200mm F2G (IF)
• AF-S NIKKOR 200mm f/2G ED VR II
• AF-S VR Nikkor ED 300mm F2.8G (IF)
• AF-S NIKKOR 300mm f/2.8G ED VR II
• AF-S NIKKOR 400mm f/2.8G ED VR*
• AF-S NIKKOR 400mm f/2.8E FL ED VR*
• AF-S NIKKOR 500mm f/4G ED VR
• AF-S NIKKOR 600mm f/4G ED VR*
• AF-S NIKKOR 800mm f/5.6E FL ED VR*
• AF-S VR Zoom Nikkor ED 70–200mm f/2.8G*
• AF-S NIKKOR 70–200mm f/2.8G ED VR II*
• AF-S NIKKOR 70–200mm f/4G ED VR*
• AF-S VR Zoom Nikkor ED 200–400mm F4G (IF)*
• AF-S NIKKOR 200–400mm f/4G ED VR II*
• AF-S NIKKOR 80–400mm f/4.5-5.6G ED VR*
Nikon AF-S Teleconverter TC800-1.25E ED
Release Date : January 28, 2013
** This product is currently unavailable for individual sale.
Key features
AF-S Teleconverter TC800-1.25E ED is a dedicated teleconverter, designed specifically for use with the AF-S NIKKOR 800mm f/5.6E FL ED VR lens and tuned together with the lens to maximize optical and AF performance.
Minimum focus distance is 5.9 meters from the focal plane (5.8 meters in manual focus) when connected to the AF-S NIKKOR 800mm f/5.6E FL ED VR lens.
Nikon’s first teleconverter to employ an ED glass element, to correct chromatic abberations.
Autofocus is possible when attached to f/8 compatible cameras.
Product Photo
Compatible Cameras and Lenses
1.25x AF-S Teleconverter, AF-S TELECONVERTER TC800-1.25E ED that employs an ED glass element is supplied as a dedicated teleconverter (focal length is extended to 1000 mm with effective maximum aperture of f/7.1)
Electromagnetic diaphragm mechanism is incorporated for enhanced stability in auto exposure control during continuous shooting even when the teleconverter is used (Not compatible with the D2 series, D1 series, D200, D100, D90, D80, D70 series, D3000, D60, D50, D40 series, 35mm film cameras)
VR function that provides the effect equivalent to a shutter speed 4.0 stops faster*
Compatibility Chart
• AF-S NIKKOR 800mm f/5.6E FL ED VR
Canon EOS 750D (EOS Rebel T6i / EOS Kiss X8i) Instruction or User’s Manual Available for Download [PDF]
Canon EOS 760D (EOS Rebel T6s / EOS 8000D) Instruction or User’s Manual Available for Download [PDF]
New Sony Vario-Sonnar T 24-70mm F2.8 II & Vario-Sonnar T 16-35mm F2.8 II
Sony today has announced two new high-performance ZEISS® lenses zoom lenses – a standard zoom and a wide-angle zoom – for its α A-mount system.
Vario-Sonnar T* 24-70mm F2.8 ZA SSM II ( model SAL2470Z2 )
Covering a popular 24-70mm range of focal lengths, this high performance full-frame zoom delivers imaging quality you’d expect from a prime lens.From everyday snapshots to handheld portraits, landscapes and wildlife, you’ll enjoy legendary ZEISS® sharpness and contrast at all focal lengths. With a bright constant F2.8 maximum aperture right across the zoom range, the SAL2470Z2 is a dependable partner for low-light portraits, dim interiors and night-time scenes.Aspherical and ED (Extra-low Dispersion) glass elements are combined in a precision optical design that’s highly effective at suppressing aberration. You’ll appreciate the difference with high contrast and faithful reproduction of delicate gradations.
Availability : June 2015
Price : $2100 ( Adorama | B&H | Amazon )
Sample Image
Vario-Sonnar T* 16-35mm F2.8 ZA SSM II ( model SAL1635Z2 )
This large aperture, wide angle zoom is equally capable of capturing spectacular scenery or bustling street scenes. With a bright F2.8 maximum aperture at all zoom settings, it’s also ideal for handheld shooting at twilight or in dimly-lit interiors.The precision optical design features aspherical lens elements that minimise distortion. In addition, ED (Extra-low Dispersion) and Super ED glass elements provide superior contrast, resolution, and colour fidelity.
Availability : June 2015
Price : $2250 ( Adorama | B&H | Amazon )
Sample Image
Specification
| Vario-Sonnar T* 24-70mm F2.8 ZA SSM II | Vario-Sonnar T* 16-35mm F2.8 ZA SSM II | |
| Format | 35mm full frame (A-mount) | 35mm full frame (A-mount) |
| Lens configuration (group/element) | 13/17 | 13/17 |
| Aspherical lens | 2 | 3 |
| Super ED glass | 0 | 1 |
| ED glass | 2 | 1 |
| No. of aperture blades | 9 | 9 |
| Min. focus distance | 0.34 m | 0.28 m |
| Max. magnification ratio | 0.25 | 0.24 |
| Image stabilisation | supported in body | supported in body |
| Filter diameter | 77 mm | 77 mm |
| Dimensions D x L (approx.) | 83 x 111 mm | 83 x 114 mm |
| Weight (approx.) | 974g | 872g |
| Dust & moisture resistant | YES | YES |
What’s new in Adobe Photoshop Lightroom 6
Adobe has announced all-new Photoshop Lightroom 6 (DVD | Download) with Photoshop CC lets anyone perfect photos across desktop and mobile.
New features in this release include:
HDR – Create natural-looking or surreal images from extremely high-contrast scenes by easily combining multiple shots taken with different exposure settings into a single raw high dynamic range image.
Panorama – Capture super wide fields of view and amazing detail by stitching together multiple images to create stunning raw panorama shots.
Facial Recognition – Quickly find and categorize images of family and friends.
Advanced Video Slideshows – Create beautiful, polished slideshows using still images, video and music along with professional effects like pan and zoom.
Performance Improvement & GPU Enhancements – Perfect photos up to 10 times faster than ever.
Olympus Stylus TOUGH TG‐4 Instruction or User Manual [PDF] Download
Olympus Stylus TOUGH TG‐4 Instruction or User’s Manual Available for Download [PDF]
User Manual Download
● Olympus Stylus TOUGH TG‐4 Instruction Manual (PDF) – Download Link : English | French | Spanish
● Olympus Stylus TOUGH TG‐4 Quick Start Guide (PDF) – Download Link : English
Price : $379.99
Pre-Order : Adorama | B&H | Amazon
Nikon 1 J5 Instruction or User Manual [PDF] Download
Nikon 1 J5 Instruction or User’s Manual Available for Download [PDF]
User Manual Download
● Nikon 1 J5 User Manual (PDF) : Download Link-1 | Download Link-2 | Download Link-3
● Nikon 1 J5 Reference Manual (PDF) : Download Link
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ZEISS Batis 85mm f 1.8
The ZEISS Batis 1.8/85 is a moderate tele lens which offers 11 lens elements in eight groups and features the ZEISS Sonnar optical design. The lens elements are made from special types of glass and designed to ensure superior image quality. The ZEISS Batis 1.8/85 is a particularly good choice for wedding photography and portrait shots, offering the high speed which provides plenty of creative scope to bring out the main subject. Thanks to its optical image stabilization, the ZEISS Batis 1.8/85 can capture outstanding images even under difficult, shifting light conditions.
“The Batis family of lenses is the first time we have launched autofocus lenses for Sony’s full-frame E-mount cameras which are ZEISS through and through – in other words exclusively developed and distributed by us,”
– Dr. Michael Pollmann, Product Manager at ZEISS Camera Lenses
Mount : Sony’s E-mount
Availability : July 2015
Price : $1,199
Pre-order Now : Adorama | B&H
Product Photo
Specification
| Focal length | 85 mm | |
| Aperture range | f/1.8 – f/22 | |
| Lens elements/groups | 11/8 | |
| Focusing range | 0.80 m (2.6 ft) – infinity | |
| Working distance | 0.71 m (2.3 ft) – infinity | |
| Image field (diag. / horiz. / vert.) | 29° / 24° / 16° | |
| Diameter circle diameter | 43.3 mm (1.7 ″) | |
| Object field at minimum object distance** | 18.9 × 28.3 cm (7.4 x 11.1 ″) | |
| Magnification ratio at minimum object distance | 1/7.9 | |
| Filter thread | M67 × 0.75 | |
| Diameter (max.) | 81 mm (3.2 ″) | |
| Diameter of the focusing ring | 78 mm (3.1 ″) | |
| Length (without lens cap) | 92 mm (3.6 ″) | |
| Length (with lens caps) | 105 mm (4.1 ″) | |
| Weight (without lens caps) | 475 g (1.0 lbs) | |
| Camera mounts | E-Mount | |
ZEISS Batis 25mm f2
The ZEISS Batis 2/25 wide-angle lens has ten lens elements in eight groups and draws on the ZEISS Distagon optical design. Four of the lens elements are aspheric on both sides and five are made from special types of glass. The aspheric lens design ensures consistently high image quality over the whole image field and a sharpness that extends right to the edges of the frame. The moderate 82 degree image angle combined with a minimum focusing distance of 0.2 meters makes this wide-angle lens the perfect choice for architecture and landscape photography and many other applications besides. It encourages the user to make creative use of depth of field which can often yield surprising results, particularly in close-up photography.
“The Batis family of lenses is the first time we have launched autofocus lenses for Sony’s full-frame E-mount cameras which are ZEISS through and through – in other words exclusively developed and distributed by us,”
– Dr. Michael Pollmann, Product Manager at ZEISS Camera Lenses
Mount : Sony’s E-mount
Availability : July 2015
Price : $1,299 (excl. VAT)*
Pre-order Now : Adorama | B&H
Product Photo
Specification
| Focal length | 25 mm | |
| Aperture range | f/2 – f/22 | |
| Lens elements/groups | 10/8 | |
| Focusing range | 0.2 m (0.65 ft) – infinity | |
| Working distance | 0.13 m (0.42 ft) – infinity | |
| Image field (diag./horiz. / vert.) | 82° / 72° / 51° | |
| Image circle diameter | 43.3 mm (1.7 ″) | |
| Object field at minimum object distance** | 12.4 × 18.7 cm (4.9 x 7.4 ″) | |
| Magnification ratio at minimum object distance | 1:5.2 | |
| Filter thread | M67 × 0.75 | |
| Diameter (max.) | 81 mm (3.2 ″) | |
| Diameter of the focusing ring | 78 mm (3.1 ″) | |
| Length (without lens caps) | 78 mm (3.1 ″) | |
| Length (with lens caps) | 92 mm (3.6 ″) | |
| Weight (without lens caps) | 335 g (0.74 lbs) | |
| Camera mounts | E-Mount | |
PENTAX K-3 II
Ricoh has released PENTAX K-3 II – The new flagship model of the PENTAX K-series digital SLR cameras.
Availability : Mid May 2015
Price : $1,099
Preorder : B&H | Adorama | Amazon
Sample image
Key Features
1. High-resolution images
The K-3 II combines an APS-C-size CMOS image sensor free of an anti-aliasing filter with the high-performance PRIME III imaging engine — identical to the one installed in the PENTAX 645Z medium-format digital SLR camera — to optimize the imaging power of approximately 24.35 effective megapixels and deliver sharp, fine-gradation images. It also effectively minimizes annoying noise generated at higher sensitivities, allowing high-grade, high-sensitivity shooting even at the top sensitivity of ISO 51200.
2. New-generation PENTAX-original shake reduction mechanism
(1) Upgraded in-body SR mechanism to assure the best shake reduction performance in the K series
The K-3 II comes equipped with a PENTAX-developed SR (Shake Reduction) mechanism that can be used with any compatible PENTAX interchangeable lens.* Thanks to its new, high-precision gyro sensor, this mechanism assures more stable, effective camera-shake compensation than ever before, with an extra-wide compensation range of as much as 4.5 shutter steps — the widest of all K-series digital SLR models. Even when taking a panning shot, this efficiently controls the SR unit to always produce the best image possible under the given conditions.
(2) New Pixel Shift Resolution System to deliver image resolutions higher than the image sensor’s capacity
The K-3 II features Pixel Shift Resolution System,** the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single unit of color data, this new system obtains all color data in each pixel. This innovative system delivers super-high-resolution images with far more truthful color reproduction and much finer details, while significantly lowering the level of high-sensitivity noise. Recorded images can also be synthesized, either on a computer using the accompanying utility software, or with the camera’s in-body RAW-data development function.
(3) Innovative AA filter simulator to minimize moiré
By applying microscopic vibrations to the image sensor unit at the sub-pixel level during image exposure, the K-3 II’s AA (anti-aliasing) filter simulator*** provides the same level of moiré reduction as an optical AA filter. Unlike an optical filter, which always creates the identical result, this innovative simulator lets the user not only switch the anti-aliasing filter effect on and off, but also to adjust the level of the effect. This means that the ideal effect can be set for a particular scene or subject.
(4) Supportive shooting functions
The K-3 II’s SR unit has a flexible design that tilts the image sensor unit in all directions. This is one reason why the K-3 II can provide a host of handy shooting functions, including auto level compensation; image-composition fine-adjustment; and ASTRO TRACER, which simplifies advanced astronomical photography.
* Lenses compatible with this mechanism: K、KA、KAF、KAF2 and KAF3mount lenses; screw-mount lenses (with an adapter); and 645- and 67-system lenses (with an adapter). Some functions are not available with certain lenses.
** When using this system, the user is advised to stabilize the camera firmly on a tripod. When a moving subject is captured in the camera’s image field, its image may not be reproduced clearly, either in part or as a whole.
*** This function works most effectively with a shutter speed of 1/1000 second or slower. This function may not be combined with some shooting modes, including the Pixel Shift Resolution system.
3. High-precision, SAFOX 11 sensor module with 27-point AF system
The K-3 II features the sophisticated SAFOX 11 AF sensor module with an expanded image-field coverage using 27 AF sensors (25 cross-type sensors positioned in the middle). The center sensor and the two sensors just above and below it are designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on a subject when using a large-aperture lens. Thanks to the combination of a state-of-the-art AF algorithm and the advanced PENTAX Real-Time Scene Analysis System, this AF system assures much improved AF tracking performance in the AF Continuous mode, while providing an extra-wide measurable luminance range (-3EV to +18EV).
4. High-precision exposure control with PENTAX Real-Time Scene Analysis System
The K-3 II is equipped with the advanced PENTAX Real-Time Scene Analysis System, which is supported by an approximately 86,000-pixel RGB metering sensor. This system is designed to optimize the camera’s overall performance, not only by controlling exposure with great accuracy, but also by utilizing the data obtained by the light-metering sensor to further enhance the accuracy of autofocusing and white-balance adjustment. It has also expanded the measurable luminance level to as low as -3EV. By detecting the type of scene or subject using the RGB metering sensor, the K-3 II selects the exposure settings that are more consistent with the photographer’s creative intentions.
5. High-speed continuous shooting with a top speed of approximately 8.3 images per second
The K-3 II continuously records as many as 23 images in the RAW format, or 60 images in the JPEG format,**** in a single sequence. This has been made possible through the use of several innovative developments, including: a high-speed, highly accurate control mechanism that regulates the shutter, mirror and diaphragm independently; a damper mechanism that effectively minimizes mirror shock; and a high-speed data transmission system incorporated in the PRIME III imaging engine.
**** JPEG recorded pixels: L, JPEG image quality: Best
6. Optical viewfinder with nearly 100-percent field of view
The K-3 II’s glass prism has been treated with a coating that is designed to improve reflectance for a much brighter viewfinder image. With a magnification of approximately 0.95 times, its viewfinder provides a broad, bright image field for easy focusing and framing.
7. Full HD movie recording with an array of creative tools
The K-3 II captures Full HD movie clips (1920 x 1080 pixels; 60i/30p frame rate) in the H.264 recording format. It also comes equipped with a stereo mic terminal for external microphone connection and a headphone terminal. The user can even adjust the audio recording level manually and monitor sound pressure levels during microphone recording. In addition to a host of distinctive visual effects available for movie recording,***** the K-3 II also provides the interval movie mode, which captures a series of 4K-resolution movie clips at a fixed interval
***** When special image processing is required, the frame rate may vary depending on the selected special-effect mode.
8. Built-in GPS module
Thanks to its built-in GPS module, the K-3 II provides a variety of advanced GPS functions, including the recording of location, latitude, longitude, altitude and UTC (Universal Time Coordinated) and direction at the time of shooting. The user can easily access images containing GPS data using a computer, to browse them, check on shooting locations and position data on the screen, or save them.
The user can also take advantage of some unique tools, including: GPS log, which keeps track of the photographer’s movement; Electronic Compass, which displays the camera’s direction on the camera’s LCD monitor; and ASTROTRACER, which simplifies the tracing and photographing of celestial bodies by coupling GPS data with the camera’s SR mechanism.
9. Large, easy-to-view 3.2-inch LCD monitor with approximately 1,037,000 dots
On its back panel, the K-3 II features a 3.2-inch high-resolution LCD monitor with approximately 1,037,000 dots and a 3:2 aspect ratio. In addition to its wide-view design, this monitor also has a protective tempered-glass front panel for added durability, and a unique air-gapless construction in which the air space between LCD layers is eliminated to effectively reduce the reflection and dispersion of light for improved visibility during outdoor shooting.
10. Compact, solid body with dustproof, weather-resistant construction
The K-3 II’s exterior casing, consisting of top and bottom panels and front and back frames, is made of sturdy yet lightweight magnesium alloy. Thanks to the inclusion of 92 sealing parts in the body, it boasts a dustproof, weather-resistant and cold-resistant construction, assuring solid operation at temperatures as low as -10°C. It also features a dependable, durable shutter unit that withstands 200,000 shutter releases. Despite all these features, the K-3 II has been designed to be compact and maneuverable, assuring remarkable operability and swift response in the field.
11. Other features
- Dual SD card slots for memory card flexibility (compatible with SDXC UHS-1 speed class in SDR104 buss speed mode)
- Smartphone-support functions using the optional FLUCARD FOR PENTAX 16GB
- Top-grade DRII (Dust Removal II) mechanism for effective elimination of dust on the image sensor using ultrasonic vibration
- HDR (High Dynamic Range) shooting mode with RAW-format data filing
- PENTAX-invented hyper control system for quick, accurate response to the photographer’s creative intentions
- Model dial with a choice of lock mechanism engagement (ON or OFF)
- Compensation of various parameters: lens distortion, lateral chromatic aberration, diffraction, brightness level at image-field edges, and fringe effect (available in RAW-format processing only)
- The latest version of Digital Camera Utility 5 software is included
Product Photo
Specifications
| Type | TTL autofocus, auto-exposure SLR digital-still camera |
|---|---|
| Lens Mount | PENTAX KAF2 bayonet mount (AF coupler, lens information contacts, K-mount with power contacts) |
| Compatible Lens | KAF3、KAF2KAF3, KAF2 (power zoom compatible),KAF,KA mount lens |
Image Capture Unit
| Image Sensor | Primary color filter, CMOS. Size: 23.5 x 15.6 (mm) |
|---|---|
| Effective Pixels | Approx. 24.35 megapixels |
| Total Pixels | Approx. 24.71 megapixels |
| Dust Removal | Image sensor cleaning using ultrasonic vibrations “DR II” with the Dust Alert function |
| Sensitivity (Standard output) |
ISO AUTO/100 to 51200 (EV steps can be set to 1EV, 1/2EV or 1/3EV) |
| Image Stabilizer | Sensor-shift shake reduction (SR: Shake Reduction) |
| AA Filter Simulator | Moiré reduction using SR unit. OFF/Type1/Type2/Bracket |
File Formats
| File format | RAW (PEF/DNG), JPEG (Exif 2.30), DCF2.0 compliant |
|---|---|
| Recorded Pixels | JPEG: L(24M：6016×4000), M(14M:4608×3072), S(6M:3072×2048)、XS(2M:1920×1280), RAW: (24M:6016×4000) |
| Quality Level | RAW (14bit): PEF, DNG JPEG: ★★★ (Best), ★★ (Better), ★ (Good), RAW + JPEG simultaneous capturing available |
| Color Space | sRGB, AdobeRGB |
| Storage Medium | SD, SDHC and SDXC Memory Card (Conforms to USH-1 standards), Eye-Fi card, FLU card. |
| Dual SD slot | Sequential Use, Save to Both, Separate RAW/JPG, Image copy between slots possible |
| Storage Folder | Folder name: Date (100_1018,101_1019…) or User assigned folder name (Default “PENTX”) |
| Recording File | File name: “IMGP****” or User assigned file name File name numbering: Sequential, Reset |
Viewfinder
| Type | Pentaprism Finder |
|---|---|
| Coverage (FOV) | Approx. 100% |
| Magnification | Approx. 0.95x (50mmF1.4 at infinity) |
| Eye-Relief Length | Approx. 20.5mm (from the view window), Approx. 22.3mm (from the center of lens) |
| Diopter adjustment | Approx. -2.5m to + 1.5m-1 |
| Focusing Screen | Interchangeable Natural-Bright-Matte III focusing screen |
Live View
| Type | TTL method using CMOS image sensor |
|---|---|
| Focusing Mechanism | Contrast detection (Face detection, Tracking, Multiple AF points, Select, Spot) Focus peaking: ON/OFF |
| Display | Field of View approx. 100%, Magnified view (2x, 4x, 8x, 10x), Grid display (4×4 Grid, Golden Section, Scale display), Histogram, Bright area warning, Composition Adjustment |
LCD Monitor
| Type | Wide viewing angle TFT color LCD with AR coating, Air-gapless glass. |
|---|---|
| Size | 3.2 inch (aspect ratio 3:2) |
| Dots | Approx. 1037K dots |
| Adjustment | Brightness, Saturation and Colors adjustable |
White Balance
| Type | Method using a combination of the CMOS image sensor and the light source detection sensor |
|---|---|
| White Balance | AUTO WB, Multi Auto WB, Daylight, Shade, Cloudy, Fluorescent Light (D:Daylight Color, N:Daylight White, W:Cool White, L:Warm White), Tungsten Light, Flash, CTE, Manual WB (up to 3 settings), Color Temperature Configuration (up to 3 settings), Copying the white balance setting of a captured image |
| Fine Adjustment | Adjustable ±7 steps on A-B axis or G-M axis |
Autofocus System
| Type | TTL: phase-matching autofocus |
|---|---|
| Focus Sensor | SAFOX 11, 27 point (25 cross type focus points in the center) |
| Brightness Range | EV-3 to 18 (ISO 100 / at normal temperature) |
| AF mode | Single AF (AF.S), Continuous AF (AF.C), Auto select AF (AF.A) |
| AF Point Selection | Spot, Select, Expanded Area (S, M, L), Zone select, Auto (27 AF points) |
| AF Assist Light | Dedicated LED AF assist light |
Metering
| Type | TTL open aperture metering using 86K pixel RGB sensor, Multi-segment, Center-weighted and Spot metering |
|---|---|
| Metering Range | EV-3 to 20 (ISO100 at 50mm F1.4) |
| Exposure Mode | Green mode, Program, Sensitivity Priority, Shutter Priority, Aperture Priority, Shutter & Aperture Priority, Manual, Bulb, Flash X-sync Speed, USER1, USER2, USER3 |
| EV Compensation | ±5EV (1/2EV steps or 1/3EV steps can be selected) |
| AE Lock | Button type (timer type: two times the meter operating time set in Custom Setting); Continuous as long as the shutter button is halfway pressed |
Shutter
| Type | Electronically controlled vertical-run focal plane shutter * Electronic shutter when using Pixel Shift Resolution |
|---|---|
| Shutter Speed | Auto: 1/8000 to 30 sec., Manual: 1/8000 to 30 sec. (1/3EV steps or 1/2EV steps), Bulb |
Drive Modes
| Mode Selection | Still Image: Single frame, Continuous (H, M, L), Self-timer (12s, 2s), Remote Control (immediately, 3 sec., continuous), Exposure Bracketing (2, 3 or 5 frames/ Possible to use with Self-timer or Remote Control ), Mirror-up (Possible to use with Remote Control), Interval shooting, Interval Composite |
|---|
Movie:
Remote Control, Interval Movie RecordContinuous ShootingTBD: Max. approx. 8.3 fps, JPEG ( L: ★★★ at Continuous H): up to approx. 60 frames, RAW: up to approx. 23 frames
TBD: Max. approx. 4.5 fps, JPEG L: ★★★ at Continuous M): up to approx. 100 frames, RAW: up to approx. 32 frames
TBD: Max. approx. 3.0 fps, JPEG ( L: ★★★ at Continuous Lo): up to approx. 200 frames, RAW: up to approx. 52 frames
*ISO100Multi-ExposureComposite Mode(Additive/Average/Bright)
Number of Shots(2 to 2000 images)Interval ShootingStill Image：
Interval：2s. to 24h.
Number of shots:2～2000
imagesStart Interval: Now/Set Time
Movie
Recorded size:4K/FullHD/HD
Interval:2s. to 1h.
Recording time:14s.to 99h.
Start Interval: Now/Set Time
Flash
| Flash Modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync (available with dedicated external flash) |
|---|---|
| Sync Speed | 1/180sec. |
| Flash Exposure Compensation | -2.0～+1.0EV |
Capture Settings
| Custom Image | Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Bleach Bypass, Reversal Film, Monochrome, Cross Processing |
|---|---|
| Cross Process | Random, Preset 1-3, Favorite 1-3 |
| Digital Filter | Extract Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome |
| HDR | Auto, HDR1, HDR2, HDR3, Exposure Bracket Value adjustable, Automatic composition correction function |
| Pixel Shift Resolution | ON/OFF |
| Lens Correction | Distortion Correction, Peripheral Illumin. Correction, Lateral Chromatic Aberration Correction, Diffraction Correction |
| D-RANGE Compensation | Highlight Correction, Shadow Correction |
| Noise Reduction | Slow Shutter Speed NR, High-ISO NR |
| GPS | GPS Logging (Logging Interval, Logging Duration, Memory Card Options), ASTROTRACER, Calibration, Additional Settings (GPS Time Sync, GPS Indicator Lamp) |
| Horizon Correction | SR On: correction up to 1 degrees, SR Off: correction up to 2 degrees |
| Composition Adjustment | Adjustment range of ±1.5mm up, down, left or light (1mm when rotated); Rotating range of 1 degree |
| Electronic Level | Displayed in viewfinder and LCD panel (Horizontal direction only);Displayed on LCD monitor (Horizontal direction and vertical direction) |
Movie
| File Format | MPEG-4 AVC/H.264（MOV） *Motion JPEG(AVI) for Interval Movie Record |
|---|---|
| Recorded Pixels | Full HD(1920×1080, 60i/50i/30p/25p/24p） HD (1280×720, 60p/50p/30p/25p/24p) |
| Sound | Built-in monaural microphone, external microphone (Stereo recording compatible) Recording Sound Level adjustable. |
| Recording Time | Up to 25 minutes; automatically stops recording if the internal temperature of the camera becomes high. |
| Custom Images | Bright, Natural, Portrait, Landscape, Vibrant, Radiant, Muted, Bleach Bypass, Reversal Film, Monochrome, Cross Processing |
| Cross Processing | Random, Preset 1-3, Favorite 1-3. |
| Digital Filter | Extract Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome |
| HDR *available only for Interval Movie |
Auto, HDR1, HDR2, HDR3, Exposure Bracket Value adjustable |
Playback
| Playback View | Single frame, multi-image display (6,12, 20, 35, 80 segmentation), display magnification (up to 16, 100% display and quick magnification available), rotating, histogram (Y histogram,RGB histogram), bright area warning, Auto Image Rotation, detailed inf,Copyright Information (Photographer, Copyright holder), Folder Display, Calendar Filmstrip Display, Slide Show, GPS information (latitude,longitude, altitude, Coordinated Universal Time , Orientation) |
|---|---|
| Delete | Delete single image, delete all, select & delete, delete folder, delete instant review image |
| Digital Filter | Base Parameter Adj, Extract Color, Toy Camera, Retro, High Contrast, Shading, Invert Color, Unicolor Bold, Bold Monochrome, Tone Expansion, Sketch, Water Color, Pastel, Pasteurization,Miniature, Soft, Starburst, Fish-eye, Slim |
| RAW Development | RAW file select： Select Single Image, Select Multiple Images, Select a folder |
RAW Development Parameter:
File Format (JPEG/TIFF), Aspect Ratio, JPEG Recorded Pixels, JPEG Quality, Color Space, Distortion Correction, Peripheral Illumin. Corr., Lateral Chromatic Aberration Correction, Diffraction Correction, Color Fringe Correction, White Balance, Custom Image, Digital filter, HDR, Pixel Shift Resolution, Sensitivity, High-ISO NR, Shadow CorrectionEditImage Rotation, Color Moiré Correction, Resize, Cropping (Aspect ratio and Slant adjustment available), Index,Movie Edit (Divide or delete selected frames), Capturing a JPEG still picture from a movie, Saving RAW data in buffer memory, Image Copy, Eye-Fi Image Transfer
Customization
| USER Mode | Up to 3 settings can be saved |
|---|---|
| Custom Functions | 26 items |
| Mode Memory | 12 items |
| Button Customization | RAW/ran Button (One Push File Format, Exposure Bracketing, Optical Preview, Digital Preview, Shake Reduction, LCD Panel Illumination, AF button (AF1, AF2, Cancel AF) |
| Text Size | Standard, Large |
| World Time | World Time settings for 75 cities (28 time zones) |
| AF fine Adjustment | ±10 step, Uniform adjustment, Individual adjustment (up to 20 can be saved) |
| Copyright Information | Names of “Photographer” and “Copyright Holder” are embedded to the image file. Revision history can be checked using the provided software. |
GPS/Electronic Compass
| Satellites | GPS, QZSS, SBAS(WAAS/EGNOS/GAGAN/MSAS) |
|---|---|
| Reception Frequency | L1 1575.42MHz |
| Recorded Information | Latitude, Longitude, Altitude, Time (UTC), Direction |
| Geodesics | World Geodetic System (WGS84) |
| GPS Logging | KML format, Logging Interval: 5/10/15/30sec. /1min., Logging Duration: 1-24hr. (Up to 9hours at Logging Interval 5sec. Up to 18hrs. at Logging Interval 10sec.) |
| Electronic Compass | Azimuth calculation using triaxial geomagnetic sensor and triaxial acceleration sensor, True north standard |
Power supply
| Battery Type | Rechargeable Lithium-ion Battery D-LI90 |
|---|---|
| AC Adapter | AC Adapter Kit K-AC132 (Optional) |
| Battery Life | Number of recordable images: Approx.: 720 images Playback time: Approx. 370 minutes * With a fully-recharged Rechargeable Lithium-ion Battery. Tested in compliance with CIPA standard.Actual results may vary depending on the shooting condition. |
Interfaces
| Connection Port | USB3.0 (micro B), External power supply terminal, External cable switch terminal, X-sync socket, HDMI output terminal (Type D) , Stereo microphone input terminal, Headphone terminal |
|---|---|
| USB Connection | MSC/PTP |
Dimensions and Weight
| Dimensions | Approx. 131.5mm (W) x102.5mm (H) x 77.5mm (D) (excluding protrusions) |
|---|---|
| Weight | Approx. 785g (Including dedicated battery and 1x SD Memory Card), Approx. 700g (body only) |