Lowepro

Fujifilm FUJINON XF16mm F1.4 R WR Lens

FUJINON XF16mm F1.4 R WRProduct Summary

  • Model name: FUJINON XF16mm F1.4 R WR
  • Release date: April 16, 2015
  • Price: $999.95
  • Available at: B&H

Key features

  • FUJIFILM X-Mount is compatible with all FUJIFILM X-Series interchangeable system cameras
  • Weather-resistant design with 9 sealing points in 8 areas
  • 0.11 seconds autofocus speed and nearly silent operation
  • Uses 13 elements in 11 groups, including 2 aspherical lens elements to control spherical aberration and distortion, and 2 ED glass lens elements to reduce lateral and axial chromatic aberration 
  • Nano-GI coating alters the refractive index between glass and air to reduce ghosting and flare
  • 9 blade aperture creates smooth and circular bokeh
  • 1/3 EV steps
  • Minimum working distance of less than 6 inches

Overview

FUJIFILM announced the new FUJINON XF16mmF1.4 R WR, a weather-resistant, fixed focal length lens (24mm in 35mm format equivalent) that delivers a dramatic wide field of view and stunning image performance. The F1.4 maximum aperture is suitable for extraordinary image quality in low-light conditions, and awesome bokeh. It’s less than 6”minimum working distance of opens the door for numerous creative photographic possibilities. The XF16mmF1.4 R WR also includes a depth-of-field scale on the focus ring that is perfect for landscape, travel and street photographers.

Product Images

FUJINON XF16mm F1.4 R WR LENS

Specs

Type XF16mmF1.4 R WR
Lens configuration 13 elements 11 groups (includes 2 aspherical and 2 extra low dispersion elements)
Focal length
(35mm format equivalent)
f=16mm (24mm)
Angle of view 83.2°
Max. aperture F1.4
Min. aperture F16
Aperture control
  • Number of blades : 9(rounded diaphragm opening)
  • Step size : 1/3EV (22 steps)
Focus range 15cm – ∞
Max. magnification 0.21x
External dimensions : Diameter x Length* (approx.)
* distance from camera lens mount flange
ø73.4mm x 73.0mm
Weight* (approx.)
*excluding caps and hoods
375g
Filter size ø67mm

 

Sample images

Purchase options

Available at B&H

Sony Cyber-shot DSC-WX500

 

Sony Cyber-shot DSC-WX500 03

Availability : June 2015
Price : $330 ( Pre-order : Adorama | B&H | Amazon)
Color : Black | White | Red

The new compact cameras boast a variety of impressive imaging credentials including high-resolution 18.2 MP2 Exmor R CMOS Sensors, 30x optical zoom ZEISS Vario-Sonnar T* lenses, powerful BIONZ X processors and Optical SteadyShot® stabilization, making them the ultimate companion for any travel photographer or casual weekend shooter.

Key Features

  • 30x ZEISS Vario-Sonnar T* optical zoom lens with 60x “Clear Image” digital zoom capability
  • 18.2 MP Exmor R CMOS sensor and BIONZ X processor ensure the finest capture details for still images and Full HD videos in all lighting conditions
  • Optical SteadyShot with 5-axis image stabilization minimizes effects of camera shake
  • 921k dot, 3.0 type LCD screen that tilts a full 180 degrees
  • Full HD movie shooting capabilities including high-speed XAVC S format at 50 mbps
  • Built-in ‘pop up’ flash for low-light shooting support
  • Compatible with Wi-Fi / NFC for seamless wireless transfer of content and with select Sony PlayMemories™ Camera apps

 

Product Photo

Sony Cyber-shot DSC-WX500 07

Sony Cyber-shot DSC-WX500 05

Sony Cyber-shot DSC-WX500 06

Sony Cyber-shot DSC-WX500 04

Sony Cyber-shot DSC-WX500 02

Sony Cyber-shot DSC-WX500 01

 

 

Specification

DSC-WX500
Lens ZEISS Vario-Sonnar T* Lens
Optical zoom (35mm format equivalent) 30x (25-750mm)
Maximum aperture F3.5 (W) – 6.4 (T)
Image sensor / effective megapixels Exmor R CMOS 18.2MP
Image processor BIONZ X
Image stabilisation Standard; Active/Intelligent Active mode (for movies)
HD movie (Active Mode for movies only) Full HD 60p/50pvi
Viewfinder
ISO sensitivity (still image) Auto (ISO80-3200, selectable with upper / lower limit), 80/100/200/400/800/1600/3200, Multi-Frame NR:Auto (ISO80-3200 same as selected range in Auto), 100/200/400/800/1600/3200/6400[vi] /12800viii
Monitor Type 7.5cm (3.0type) (4:3) / 921,600 dots / Xtra Fine / TFT LCD
Monitor Adjustable angle Up by approx. 180 degrees
Beauty Effect Yes
Picture Effect Yes (still: 13 modes/ movie: 7 modes)
Wi-Fi/NFC Yes
GPS
PlayMemories Camera Apps Yes
4K still image output (HDMI) Yes
TRILUMINOS Colour Yes
Shooting stamina Approx. 400 still images (CIPA standard)
Dimensions (WxHxD) 101.6mm x 58.1mm x 35.5mm
Weight (Battery and Memory Stick DUO are included) Approx. 236g
Battery NP-BX1
Battery Life Approx. 400 still images (CIPA standard)
Available colours Black, white, red

Sony DSC-HX90V

 

Sony DSC-HX90V 05

Availability : June 2015
Price : $ 430 ( Adorama | B&H | Amazon )

The new HX90V model features the same type of high-quality retractable OLED Tru-Finder found on the acclaimed RX100 III model, making it the first truly ‘pocketable’ compact high-zoom camera with a built-in electronic viewfinder.  It also includes a variety of adjustable dials and functions including a customizable control ring, and has GPS functionality for automatically tagging photos and videos3.

Key Features

  • 30x ZEISS Vario-Sonnar T* optical zoom lens with 60x “Clear Image” digital zoom capability
  • Built-in pop-up OLED Tru-Finder EVF w/ high contrast and vivid colors
  • 18.2 MP Exmor R CMOS sensor and BIONZ X processor ensure the finest capture details for still images and Full HD videos in all lighting conditions
  • Optical SteadyShot with 5-axis image stabilization minimizes effects of camera shake
  • 921k dot, 3.0 type LCD screen that tilts a full 180 degrees
  • Full HD movie shooting capabilities including high-speed XAVC S format at 50 mbps
  • Built-in ‘pop up’ flash for low-light shooting support
  • Compatible with Wi-Fi / NFC for seamless wireless transfer of content and with select Sony PlayMemories™ Camera apps

 

Product Photo

Sony DSC-HX90V 06

 

Sony DSC-HX90V 04

Sony DSC-HX90V 03

Sony DSC-HX90V 02

Sony DSC-HX90V 01

 

Specification

DSC-HX90V
Lens ZEISS Vario-Sonnar T* Lens
Optical zoom (35mm format equivalent) 30x (25-750mm)
Maximum aperture F3.5 (W) – 6.4 (T)
Image sensor / effective megapixels Exmor R CMOS 18.2MP
Image processor BIONZ X
Image stabilisation Standard; Active/Intelligent Active mode (for movies)
HD movie (Active Mode for movies only) Full HD 60p/50pvi
Viewfinder 0.2-type electronic viewfinder (OLED)
ISO sensitivity (still image) Auto (ISO80-3200, selectable with upper / lower limit), 80/100/200/400/800/1600/3200, Multi-Frame NR:Auto (ISO80-3200 same as selected range in Auto), 100/200/400/800/1600/3200/6400[vi] /12800viii
Monitor Type 7.5cm (3.0type) (4:3) / 921,600 dots / Xtra Fine / TFT LCD
Monitor Adjustable angle Up by approx. 180 degrees
Beauty Effect Yes
Picture Effect Yes (still: 13 modes/ movie: 7 modes)
Wi-Fi/NFC Yes
GPS Yes
PlayMemories Camera Apps Yes
4K still image output (HDMI) Yes
TRILUMINOS Colour Yes
Shooting stamina Monitor:Approx. 390 still images, ViewFinder:Approx. 360 still images (CIPA standard)
Dimensions (WxHxD) 102.0mm x 58.1mm x 35.5mm
Weight (Battery and Memory Stick DUO are included) Approx. 245g
Battery NP-BX1
Battery Life Monitor: Approx. 390 still images, ViewFinder: Approx. 360 still images (CIPA standard
Available colours Black

Olympus Stylus 1s

Olympus Stylus 1s 01

Availability : Mid April 2015

Price$699.99
Order Now : Adorama | B&H | Amazon

Highest image performance in class

A fusion of the renowned OM‐D shooting style and the ultimate i.ZUIKO DIGITAL lens – that’s the new STYLUS 1s. The compact design is just 56.5mm slim, yet the camera is packed with the entire range of must‐have features for remarkable photos even in low light. Like the high‐power lens that offers a constant‐bright 1:2.8 aperture with a 10,7x optical zoom. It works seamlessly with the large 1/1.7 inch BSI CMOS sensor to deliver the quality you expect from Olympus. The large, high‐resolution and super‐fast response Electronic Viewfinder instantly shows any subtle changes of the scene with absolute precision for shooting without removing your eye from your subject. With the Hybrid Control Ring on the STYLUS 1s, you have both analogue and digital operation in a snap. Simply assign the settings you use most to the ring or sub‐dial on the top of the camera and shoot in the style of a pro. The STYLUS 1s also acts as a video camera to record memories and monuments as a personal movie.

Key Features

• 1:2.8 ultra‐slim, constant aperture 10.7x high‐power i.ZUIKO DIGITAL lens (28‐300mm*)
• TruePic VI image processor
• Large‐format/ high‐definition 1.44 million dot EVF
• Hybrid Control Ring & customisation
• 12 Megapixel high‐sensitivity backside‐illuminated 1/1.7” CMOS sensor
• iHS Technology
• Ultra‐fast autofocus system
• Manual controls and touch AF

Photo Gallery

 

Olympus Stylus 1s 04

Olympus Stylus 1s 02

Olympus Stylus 1s 03

 

Specifications

Type

  • Body material
    Metal

Image Sensor

  • Type
    1/1.7” BSI CMOS sensor
  • Effective pixels
    12 Megapixels
  • Filter array
    Primary colour filter (RGB)
  • Aspect ratio & area
    4:3 / 7.3 x 5.5mm
  • Full resolution
    12.76 Megapixels

Lens

  • Focal length (equiv. 35mm)
    28 ‑ 300mm
  • Maximum aperture
    2.8
  • Focal length
    6.0 ‑ 64.3mm
  • Optical zoom
    10.7x
  • Step Zoom
    Available (28, 35, 50, 70, 85, 100, 135, 200, 300mm)*

  • Displayed as zoom factor or focal length.

  • *Equivalent to a 35mm camera
  • Structure
    12 lenses / 10 groups
  • Aspherical glass elements
    8

Image Stabiliser

  • Type
    Lens shift
  • Modes
    Two‑dimensional

Focusing System

  • Method
    Contrast Detection AF system
  • Focus areas
    35 points / All target, Group target (9‑areas), Single target (normal), Single target (small)
  • AF lock
    Yes , Locked by first position of shutter release button in single AF mode
  • Modes
    • Manual focus
    • Single AF
    • Continuous AF
    • AF Tracking
    • Face Detection AF
    • Super Macro Mode
  • AF illuminator
    Yes
  • Manual focus
    With enlarged focusing area or focus peaking
  • Standard mode
    0.1m ‑ ∞ (wide) / 0.8m ‑ ∞ (tele)
  • Super Macro Mode
    Closest focusing distance: 5cm

Viewfinder

  • Type
    Electronical Viewfinder
  • Pixel number
    1440K dots
  • Field of view
    Approx. 100%
  • Eye point
    18mm at ‑1 dioptre from eyepiece lens
  • Brightness adjustment
    +/‑ 7 levels
  • Correction of colour temperature
    +/‑ 7 levels

Light Metering

  • Method
    TTL open aperture light metering
  • Detection range
    0 ‑ 20 EV Digital ESP, centre‑weighted average metering, spot metering

Sensitivity

  • Auto
    ISO 100 ‑ 12800 (ISO 2500 for modes Indoor, Available Light Portrait and Candle)
  • Manual
    ISO 100 ‑ 12800 (adjustable in 1/3 EV step)

Shutter

  • Modes
    • Single frame
    • Sequential shooting
    • Bracketing
    • Self timer
  • Self timer
    12s / 2s / Custom

Shutter Speeds

  • Shutter speed range
    1/2000 ‑ 60s (up to 15 min in Bulb mode)

Sequence Shooting

  • Speed
    7fps
  • Recordable frames
    70, 25 (RAW)
  • Conditions
    Memory card: Toshiba SDHC UHS‑I card R95 W80 model Premiugate series “Class 10” 8GB
  • Interval shooting
    Yes

Internal Flash

  • Type
    pop‑up
  • Modes
    • AUTO
    • Red-eye reduction
    • Fill-in
    • Off
    • Slow synchronisation with red-eye reduction
    • Slow synchronisation
    • Manual (Full, 1/1.3 – 1/128)
  • Working range (wide)
    0.1 ‑ 10.3m (ISO 1600)
  • Working range (tele)
    0.8 ‑ 10.3m (ISO 1600)

Monitor

  • Monitor type
    Tiltable LCD ‑ Touch Panel
  • Monitor size
    7.6cm / 3.0” (3:2)
  • Resolution
    1040K dots

Image Size

  • Aspect ratio
    4:3 / 3:2 / 16:9 / 1:1
  • RAW
    3968 x 2976 compressed / 13.9MB / frame
  • Large
    3968 x 2976 Fine (compression: 1/4) / 5.9MB / frame

  • 3968 x 2976 Normal (compression: 1/8) / 2.7MB / frame
  • Middle
    2560 x 1920 Normal (compression: 1/8) / 1.1MB / frame

Movie Recording System

  • Recording format
    MOV(MPEG‑4AVC/H.264), AVI(Motion JPEG)
  • Image Stabilisation Mode
    Multi‑motion Movie IS
  • HD Movie quality
    1080P 30p, 20Mbps Recording time: 29min.

  • 720P 30p, 13Mbps Recording time: 29min.
  • Frame rate
    30fps
  • Max. file size
    4GB

Interface

  • Media
    SD Memory Card (SDHC, SDXC, UHS‑I compatible) Class 6 is recommended for Movie shooting
  • HDMI™
    Yes Micro connector (Type D) *
  • USB 2.0 High Speed
    Yes
  • Combined V & USB output
    Yes NTSC or PAL selectable
  • Hot shoe
    Yes
  • Wireless connectivity
    • Eye-Fi Card compatible
    • WiFi

Size

  • Dimensions (W x H x D)
    116.2 x 87 x 56.5mm (with Automatic lens cap attached, without protrusions)
  • Weight
    402g (including battery and memory card)

 

Olympus Stylus Tough TG-4

Olympus Stylus Tough TG-4 04

Availability : May 2015
Price
$379.99
Pre-Order : Adorama | B&H | Amazon

Extreme situations. Breathtaking pictures.

Enjoy superb image capture no matter the conditions with our new flagship STYLUS TOUGH TG‐4 compact camera. Its robust exterior houses a high‐speed 16 megapixel BSI CMOS sensor and high‐performance TruePicVII image processor delivering spectacular photos and HD movies. An expert even in low‐light, its 1:2.0 wide aperture 4x optical zoom lens equipped with FAST AF ensures you never miss the moment as your adventure unfolds. With the TOUGH TG‐4 at your side, you have an ideal companion for any outdoor challenge: waterproof down to an amazing 15 meters, freezeproof to ‐10 °C, crushproof to 100kg and shockproof

to 2.1m. Shoot the finer details of nature by close focussing to within 1 cm of your subject! The unique focus stacking mode creates macro photos with exceptional depth of field in‐camera. Enjoy even greater creativity with a range of accessories including a fisheye‐ and tele‐converter and the LED light guide for enhanced macro images. Share your photos and movies with built‐in Wi‐Fi and enjoy fast, accurate tracking of your adventures with GPS and e‐Compass on board.

Key Features

• Waterproof to 15m**, shockproof to 2.1m***, crushproof to 100kg**** and freezeproof to ‐10°C
• 1:2.0‐4.9 wide‐aperture high‐speed lens
• 4x wide optical zoom (25‐100mm*) Zoom
• iHS Technology
• TruePic VII image processor
• 16 Megapixel backlit CMOS
• Microscope Mode

Photo Gallery
Olympus Stylus Tough TG-4 05

Olympus Stylus Tough TG-4 02

Olympus Stylus Tough TG-4 01

Olympus Stylus Tough TG-4 03

Specifications

Image Sensor

  • Effective pixels
    16 Megapixels
  • Filter array
    Primary colour filter (RGB)
  • Full resolution
    16.8 Megapixels
  • Type
    1/2.3” CMOS

Lens

  • Optical zoom
    4x (WIDE)
  • Focal length
    4.5 ‑ 18.0mm
  • Focal length (equiv. 35mm)
    25 ‑ 100mm
  • Structure
    9 lenses / 7 groups
  • Aspherical glass elements
    4
  • Maximum aperture
    2.0 ‑ 4.9
  • Filter diamater
    40.5mm

Monitor

  • Monitor type
    LCD
  • Monitor size
    7.6cm / 3” (3:2)
  • Resolution
    460000 dots
  • Brightness adjustment
    +/‑ 2 levels
  • Frame assistance
    Yes
  • Protection panel
    Yes

Focusing System

  • Method
    TTL iESP auto focus with contrast detection
  • Modes
    • iESP
    • Face Detection AF
    • Spot
    • AREA
    • AF Tracking
  • Selective Target
    Yes
  • Standard mode
    0.1m ‑ ∞ (wide) / 0.1m ‑ ∞ (tele)
  • Super Macro Mode
    Closest focusing distance: 1cm
  • Microscope Mode
    Zoom capability while being in Super Macro Mode
  • AF lock
    Yes
  • AF illuminator
    Yes

Light Metering

  • Histogram in shooting mode
    Yes
  • Modes
    • ESP light metering
    • Spot metering

Exposure System

  • Shutter speed
    1/2 ‑ 1/2000s / < 4s (Night scene)
  • Exposure compensation
    +/‑ 2 EV / 1/3 steps
  • Enhancement function
    Mechanical Image Stabiliser (Sensor shift)

  • Advanced Face Detection Technology

  • Shadow Adjustment Technology
  • Modes
    • i-Auto
    • Programme automatic
    • Aperture priority
    • Custom shooting
    • Underwater
    • Microscope
    • Scene Modes
    • Panorama
    • Movie

Scene Modes

  • Number of scene modes
    28

Sensitivity

  • Auto
    AUTO / High AUTO
  • Manual
    ISO 100, 200, 400, 800, 1600, 3200, 6400

White Balance

  • AUTO WB system
    Yes
  • Preset values
    • Overcast
    • Sunlight
    • Tungsten
    • Underwater
    • Flourescent 1
  • One-touch white balance
    1 custom settings can be registered

Internal Flash

  • Modes
    • AUTO
    • Red-eye reduction
    • Fill-in
    • Off
  • Working range (wide)
    0.2 ‑ 7.9m (ISO 1600)
  • Working range (tele)
    0.2 ‑ 3.1m (ISO 1600)
  • Flash compensation
    Yes

External Flash Control

  • Wireless flash control

Sequence Shooting

  • Reduced resolution
    60fps / 100 frames (in 3MP mode)

  • 15fps / 100 frames (in 3MP mode)
  • Full resolution
    5fps / 100 frames (Full Image Size)
  • Interval shooting
    Yes

Image Processing

  • Pixel mapping
    Yes
  • Noise reduction
    Yes
  • Engine
    TruePic VII
  • Distortion compensation
    Yes
  • Shading compensation
    Yes

 

Still Image Recording

  • DCF
    Yes
  • EXIF
    2.3
  • PIM
    III
  • DPS
    PictBridge
  • DPOF
    Yes

Movie Recording System

  • Recording format
    MOV (H.264) / HS Movie: AVI (Motion JPEG)
  • Image Stabilisation Mode
    Multi‑motion Movie IS
  • HD Movie quality
    1080P Recording time: 29min.

  • 720P Recording time: 29min.
  • Movie quality
    VGA Recording time: Up to card capacity

  • Note: maximum file size 4GB

  • When shooting 1080P/720P movies, use SDHC / SDXC class 6 or higher.

Movie Specialties

  • High-Speed Recording
    QVGA / 240fps 20sec.

  • VGA / 120fps Recording time: 20sec.
  • Time lapse
    720p (AVI Motion JPEG®)
  • Magic Filter
    • Pop Art
    • Soft Focus
    • Pale & Light Colour
    • Grainy Film
    • Pin Hole
    • Diorama
    • Dramatic Tone

Sound Recording System

  • Voice Playback
    Yes
  • Sound recording
    Yes , format: PCM
  • Internal microphone
    Stereo
  • Image footage
    4s
  • Speaker
    Yes

Memory

  • Removable Media
    SD / SDHC / SDXC (UHS‑I class supported)
  • Internal memory
    55MB
  • Eye-Fi Card compatible
    Yes

Image Size

  • RAW
    Yes
  • 16M
    4608 x 3456
  • 8M
    3264 x 2448
  • 3M
    2048 x 1536
  • VGA
    640 x 480
  • Aspect ratio
    4:3 / 3:2 / 16:9 / 1:1

Tough Features

  • Shock resistant
    Shock‑proof from heights of up to 2.1m *
  • Waterproof
    Waterproof up to a water pressure equivalent to 15m depth **
  • Freezeproof
    Freezeproof down to ‑10°C ***
  • Crushproof
    Crushproof up to 100kg ****
  • Dustproof
    Yes

  • * Equivalent to MIL Standard (Olympus test conditions)

  • ** According to IEC standard publication 529 IPX8

  • *** According to Olympus test conditions

  • **** According to IEC standard publication 529 IPX6

Other Features

  • Tap Control
    Yes
  • GPS
    Yes
  • Electronic compass
    Yes
  • SNS upload
    Yes
  • Manometer
    Yes
  • Perfect Shot Preview
    Yes
  • Panorama function
    In‑Camera Panorama
  • Self timer
    Delay: 2 / 12s / Custom
  • Menu guide
    Yes
  • Date imprint
    Yes
  • LED Illuminator
    Yes
  • Level Gauge
    Yes

Customisation Options

  • My Mode
    2 settings storable

Power Supply

  • Battery
    LI‑92B Lithium‑Ion Battery
  • Internal Charging
    Yes

Interface

  • HDMI™
    Yes Micro connector (Type D) *
  • Wireless connectivity
    • WiFi
    • Eye-Fi Card compatible
    • FlashAir
  • DC input
    Yes
  • Combined A/V & USB output
    Yes
  • USB 2.0 High Speed
    Yes

  • * “HDMI”, the HDMI logo and “High‑Definition Multimedia Interface” are trademarks or registered trademarks of HDMI Licensing LLC.

Size

  • Dimensions (W x H x D)
    111.5 x 65.9 x 31.2mm
  • Weight
    247g (including battery and memory card)

 

Nikon AF Micro-Nikkor 200mm f/4D IF-ED Review

 

The Nikon AF Micro-Nikkor 200mm f/4D IF-ED was released back in 1993. When most of the lenses are updated at every  6 to 10 years, this lens is standing in production line for more than 21 years. Seems quite interesting isn’t it. After using this lens for quite some time, its pretty much clear to me why they are reluctant to update it. I’ll share my experience which will give you some clue about it.

Physical Construction
Holding the lens for the first time doesn’t give the smooth feel of a modern lens. Its old fashioned and built like a tank. Very strong metal body, with broad rubberised focusing ring. At 1185gm its heavier than other Micro Nikkors but less than the AF-S Nikkor 70-200mm f/2.8G ED VR II. Without the lens hood it quite reasonable in size. It is a “IF” (Internal Focusing) lens, so the front part of the lens doesn’t rotate like many other old Nikkors. The filter thread is 62 mm like rest of the Micro-Nikkor Lenses. The lens body has a textured matt finish which is really nice. The focus limiting switch located at the left side, is handy to make focusing quicker if you are not doing macro work. Setting the switch at LIMIT mark will make the lens focus  from 2-ft 5-inch to Infinity. The built in tripod collar is very sturdy and smooth as well.

For switching auto-focus to manual focus you have to push the small silver button in M/A ring, then rotate it. This is something which I really dislike. Due to long involvement in macro photography I have to use this ring a lot. Mine and many others M/A ring has cracked around the screw next of silver button. I had to replace this ring from Nikon Service Centre and it doesn’t work as smooth as before.

Auto-Focus / Manual-Focus switch ring

The back side of the lens is little different. Watch carefully and you can see the back end of lens is rectangular instead of circular. As a result you can’t use a Tele-converter with this lens. The  AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED does accept Tele-converter.

Focusing Performance

Focusing ring is a very important component of a macro lens. If a macro lens lacks a good manual focusing ring its not worthy for me to purchase it. The AF Micro-Nikkor 200mm f/4D IF-ED has a very well dampened focusing ring. Its helps a lot for manual focusing. Most modern lenses have some issues with manual focusing, there is some degree of lag as you rotate the ring. But this old Nikkor is a solid performer. Auto focus isn’t very fast, but good enough for most work. And it doesn’t hunt much at close distance while doing macro work. However its not quick enough to focus on flying object at close range like a bee. The example image of flying Blue-Banded bee below was shoot handheld with manual focusing.

The arc of rotation is also critical for a macro lens. The focus ring doesn’t travel long in a regular lens and even if it does, it is optimised for distant object. You need the opposite for macro photography. The following diagram shows the total arc of rotation of this lens. This is not millimetre perfect but gives you a gross idea, how long the focusing ring travels. The free working distance of this lens at 1:1 magnification is around 10.3 inch. This means the front of the lens will remain 10.3 inch away from the subject. Which is very good for doing close up photography. I really loved the focusing behaviour of this lens more than AF-S VR Micro-NIKKOR 105mm f/2.8G and AF Micro-NIKKOR 60mm f/2.8D.

AF Nikon Micro 200mm f4 Rotation Arc of Focusing Ring

Below is the image shoot with above setting at 1:1 magnification.

Image taken with previous set up


Optical Performance
A lens is always as good as its glass and optical design. AF Micro-NIKKOR 200mm f/4D IF-ED has an optical design dated back to 1993. And doesn’t have many tags like N, G, VR, FL etc. I guess it doesn’t need any of those. It rocks when images quality matters without any of those fancy title. Having used many pro grade glasses from Nikon I was not expecting anything special. But I was amazed by its performance. At wide open aperture sharpness was very good from centre to corner. Stopping down at 5.6 and above, lens is nothing less than excellent. There is hardly any distortion. The images are crispy sharp. The contrast, colour all are exactly how its suppose to be. I wish all my modern lenses had no fancy title, instead should have inherited this sort of outstanding optical design and glass.

“Nikon Super Integrated Coating ensures control of flare and maximises colour performance. Close- Range Correction (CRC) overcomes aberrations. And superb sharpness and critical definition are assured.” – Nikon

If you are oriented with optical problems like chromatic aberration, fringes etc. You will know how badly it affects your image. And this lens has all these issues under control. So I don’t have to worry about correcting them in post processing. One other thing I am very much pleased about this lens is its Bokeh. It produces very smooth background in macro work. When compared to 105mm Macro and 60mm Macro, none generated as beautifully as the 200mm Micro did. In outdoor shooting in bright light with out of focus background the bokeh generated is also good (see example below).

Front Glass

Bokeh

In the following video you can see how smooth background it generates at very close distance.

 

Conclusion

We all keep a wide lens for group images. And then a Tele lens like 70-200 for portraits. A wide lens can never generate the beauty of a portrait image which a tele lens generates. And a Tele lens can’t create the detail that a wide shoot needs. This is exactly how I felt about the AF Micro-Nikkor 200mm f/4D IF-ED. In the world of macro photography AF Micro-Nikkor 200mm f/4D IF-ED is a Tele lens that can create portrait of a macro subject with outstanding smooth background. While AF Micro-Nikkor 60mm f/2.8D is like a wide lens for macro subject, should be used when wide field of view is needed. Due to its super sharp image from corner to corner and very good working distance its highly recommended for serious macro work. Don’t forget its highly expensive as well, at around USD 1700. The build quality is superb, better than most modern lenses. This is why I don’t want Nikon to update this lens. Its will be extremely difficult to surpass its overall quality and performance with a new lens.

Advantages
Excellent Built quality
Excellent Image quality
Easy to Manoeuvre

Disadvantages
High price
Poorly designed Manual to Auto (M/A) ring

Recommendation
Highly recommended for Serious Macro Photography.

Price : $ 1749 (USA) | $ 1399 (Grey Market)
B&H (usa) | B&H (grey) | Adorama | Amazon

Technical Specification
Focal Length : 200mm
Aperture : f4 ~ f32
Maximum Reproduction Ratio : 1:1
Minimum Working Distance: 10.25 inch
Diaphragm : 9
Filter size : 62mm
Tripod Collar : Yes
Dimensions : 3.0 in x 7.6 in.
Weight : 1185 gm

Compatibility : FX, DX, FX in DX Crop Mode, 35mm Film
Buit-in Motor : No
Hood : HN-30 (Not Included)

Example Photos with AF Micro-Nikkor 200mm f/4D IF-ED

 


About Author

Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.


Macro Photography Related Article :

Macro Photography Beginners Guide
How to convert a Tele converter to an Extension Tube
How to convert Normal 18-55 Zoom Lens to Macro lens
How to achieve High Magnification in Macro Photography
Macro AF Extension Tube Error Fix

Macro Extension Tube Review – Kenko vs Vello


 

Lensbaby Velvet 56 mm f/1.6 portrait lens

Lensbaby Velvet 56 (Black)

Pricing: $499.95 (Velvet 56) & $599.95 ( Velvet SE)
Available mount: Canon, Nikon, Sony A and Pentax
Availability: From April 13 at B&H

Key Features

  • Portrait-length 56mm focal length is compatible with full-frame format sensors as well as APS-C format sensors, where it will provide an 89.6mm equivalent focal length.
  • Fast f/1.6 maximum aperture offers extensive control over selective focus and shallow depth of field, and also benefits working in difficult lighting conditions.
  • The unique singlet-doublet-singlet lens design renders imagery with a soft, smooth, and glowing image quality reminiscent of mid-20th century portrait lenses.
  • Softness can be controlled by stopping-down the lens: when stopped-down to f/16, the image exhibits a smooth quality with greater central sharpness.
  • A 1:2 maximum magnification ratio and 5″ minimum working distance enable working with close-up subjects.
  • Silver edition lens features a clear anodized coating, silver-colored metal barrel, and engraved aperture and focus markings.
  • Manual focus design with a smooth, dampened focusing movement is complemented by engraved focus distance indicators.
  • Manual exposure control requires stop-down metering and manual setting of the aperture.

Additional images

Specs

Focal Length 56mm
Comparable 35mm Equivalent on APS-C Format Focal Length: 89.6mm
Aperture Maximum: f/1.6
Minimum: f/16
Mount Type Canon, Nikon, Sony A and Pentax
Format Compatibility Full-frame or APS-C
Minimum Focus Distance 5″ / 12.7 cm (working distance, from front of lens)
Maximum Magnification 1:2
Elements/Groups 4 elements in 3 groups
Autofocus No
Filter Thread 62 mm
Dimensions (Ø x L) 3.4 x 2.8″ / 86 x 72 mm
Weight 14.1 oz / 400 g

 

Lensbaby Velvet 56 is a 56mm f/1.6 SLR and mirrorless camera lens with 1:2 macro capabilities. This “new classic” portrait lens delivers a velvety, glowing, ethereal look at brighter apertures, and beautifully sharp but subtly unique images as you stop down — with gorgeous, velvety tones that give digital images a film-like, organic quality. Incredibly versatile, Velvet 56 enables photographers to move seamlessly from shooting an environmental portrait, to capturing details in a subject’s clothing or jewelry. Nature and macro photographers will find its close-focus capabilities, combined with effects varying from impressionistic to just a touch of velvety smoothness, provide a set of visual tools that will expand their vision of the world.

Evoking the image style and construction quality of classic portrait lenses of the mid-20th century, Velvet 56 features the heft and smooth, dampened manual focus of these early lenses. Velvet 56, with an all metal body, will be available in two colors: traditional black, plus, Velvet SE, a special silver edition. Velvet SE will feature a beautiful clear-anodized finish, along with engraved aperture and focus markings.

Velvet 56 Sample Image (here)

Canon XC10 – 4K Movie and Stills Camcorder

Canon XC10- 4K Movie and Stills Camcorder

Canon today unveils the XC10 – a compact, lightweight video and digital stills camera that brings professional 4K quality to aspiring filmmakers and enthusiasts. Inheriting many of the Cinema EOS range’s features, the XC10 offers incredible recording versatility and is the ideal solution as a small, stand-alone camera for independent film makers or the perfect accompaniment as a supporting B camera in larger productions.

Pricing : £1599.99 | $2,499.00

Availability : June 2015

Pre-Order Now : Adorama | B&H

Canon XC10 Key benefits:

  • Stunning 4K video and 12MP stills from one compact camera
  • High bit rate XF-AVC files, great for post production
  • Seamlessly integrate with professional workflows
  • Get creative with fast and slow motion recording
  • Built-in Wi-Fi for easy browser/smart device control

Canon XC10 02

Unleashing 4K recording for enthusiasts 

Boasting outstanding market leading image quality, traditionally associated with larger cameras, as well as the flexibility and ease of use of traditional compact camcorders, the XC10 delivers consistently breath-taking results. Its advanced imaging engine – a powerful combination of a specially developed 1” CMOS sensor and Canon’s new DIGIC DV5 image processor – gives both budding filmmakers or experienced pros the blistering speed and quality they demand to capture 4K video, at a wide range of variable bit rates.

Able to fit seamlessly into workflows, or productions with existing Cinema EOS cameras, the XC10 can record UHDTV standard (3840 x 2160) 4K footage to an internal CFast 2.0™¹ card at up to 305Mbps, or Full HD (1920 x 1080) footage to an SD card at up to 50Mbps, with pro-standard 4:2:2 colour sampling for high resolution performance.

The XC10 delivers rich colour, synonymous with Cinema EOS cameras, with a high ISO of up to 20,000, ensuring excellent results in low light conditions, and a 12-stop Wide Dynamic Range, providing vivid detail in both highlights and shadows.

Shooters have the freedom to capture a diverse range of scenes in professional 4K quality using a specially developed 10x optical zoom lens, complete with Canon’s class-leading image stabilisation technology. With a versatile 27.3-273mm focal range (35mm equivalent, in video mode) videographers can easily switch between capturing sweeping scenes, to intimate close ups with a single lens. Pros and enthusiasts alike can change between movie recording and still image shooting, capturing high quality 12.0 MP images, or extracting 8.29 MP stills from 4K video footage.

Uncompromising design, optimised for easy shooting 

The XC10 redefines the boundaries of advanced compact camcorder design, with a body that’s instantly intuitive to use. Once in your hand, you’ll find a rotating grip that supports a variety of shooting styles, as well as essential feature controls at your fingertips, including a manual zoom and focusing ring. Designed to match any shooting preference, the camcorder features a 7.66cm vari-angle touch LCD, with 100% field coverage, providing direct access to the menu system through a simple set of cross keys, while an included optical loupe viewfinder, that fits the LCD, offers a more traditional shooting experience.

Fostering creativity with expert workflows 

Professional videographers can easily integrate the XC10 into existing production kits and workflows, thanks to its portfolio of professional standard codecs and recording modes. Canon’s new XF-AVC H.264 codec supports recording in both 4K and Full HD quality, enabling easy integration into industry- standard Non-Linear Edit systems. Canon Log Gamma also enables maximum freedom in post-production editing and processing and seamless quality matching with content shot on Cinema EOS cameras. Additionally, videographers can freely shoot in 4K, and later down convert to Full HD, to create a higher quality end product, and enable greater flexibility in the editing process.

A selection of slow and fast motion recording modes – including up to 1200x fast motion in 4K/Full HD, and up to1/4x slow motion in HD – as well as interval shooting provide further creative opportunities.

The XC10 is also Wi-Fi compatible; enabling remote control of key features via a browser, smartphone or tablet – securing its position as an essential part of any Cinema EOS video shooter’s toolkit.


Product Photo

Canon XC10 01

Canon XC10 04

Canon XC10 05

Canon XC10 06

Canon XC10 07

Canon XC10 08

Canon XC10 09

Canon XC10 10

Canon XC10 11

Canon XC10 12

Canon XC10 13

Canon XC10 14

Canon XC10 15

 

Specification

XC10
Image Sensor
Sensor 1-Inch CMOS
System Bayer pattern filter
Total pixels per sensor 13.36MP
Effective pixels per sensor Video Mode: 8.29MP (3840 x 2160); Stills mode: 12MP (4000 x 3000)
Minimum illumination AUTO MODE: PAL50.00i: Approx. 5.32 lux (at 1/50 sec. shutter speed) 25.00P: Approx. 2.68 lux (at 1/25 sec. shutter speed) Manual Mode: PAL50.00i/25.00P: Approx. 0.05 lux (shutter speed 1/2 sec.)
Horizontal Resolution 1600 lines or more (4K Recording), 800 or more (Full HD recording)
Lens
Zoom ratio 10x
Focal length Video Mode: 8.9 – 89mm (27.3-273mm 35mm equivalent)Stills Mode: 4:3 – 24.1 -241mm,/ 3:2 – 25 – 250mm, /16:9 – 27.3 – 273mm (approx.)
Minimum focus distance 50cm across entire zoom range; approx. 8cm at wide macro setting
ND filter Yes, single density built-in. 1/8 (3-step) equivalent
Zoom control Manual. 35mm conversion markers provided
Focus control AF, Face detection and tracking, Push AF, AiAF (Photo Mode) Manual focus ring Touch Focus Function.
Iris control Auto, manual via control wheel
Aperture range f/2.8 – f/5.6 (W-T)
Filter diameter 58mm
Lens elements/groups 12 Groups of 14 elements
Aperture blades 8 blade diaphragm. Mechanical shutter built in.
Image stabilization system Optical (lens shift) + electronic stabilisation.Movie Mode IS options: Dynamic IS¹, Standard IS, Powered IS
Digital zoom No Digital Zoom. 2 x Digital Teleconverter via assignable button
Image Processor
Type DIGIC DV 5
Sampling accuracy YCC 4:2:2
Bit depth 8-bit
Recording
Video storage media 4K: CFast 2.0™ card; Full HD/Photo: SD card (Class 10 recommended for 50Mbps)
Capacity Depends on card used
Recording time Depends on card capacity. 4K: CFast 2.0™ 64GB approx. 25 min @305Mbps. Full HD 64GB SD card approx. 170 min @50Mbps
Recording file format Material eXchange Format (MXF)
Recording format Video Format: XF-AVC. Compression Format: MPEG-4 AVC/H.264
Recording frame rate (PAL model) 4K Recording: 305Mbps/205Mbps at 25.00PFull HD Recording: 50Mbps at 50.00P; 35Mbps at 50.00i/25.00P
Slow/Fast motion Yes: 1/4x – 1200x speed ¹. Frame rate is 25.00P
Interval Record Yes, Photo Mode only
Frame Record No.
Pre Record (cache record) Yes, in Full HD mode to SD card only. 5 Second pre-record time
Scan Reverse No
HD->SD conversion No
Internal Data Transfer No
Photo storage media SD card
Still Image quality 8.29 – 12Mp depending on format
System
Monitor Panel
Monitoring Panel Type Capacitive touch screen LCD
Size 3-Inch /7.66cm
Dots approx. 1,030,000
Image quality adjustments Brightness, Backlight
Adjustable Yes. 2-axis parallel hinge mechanism
Waveform Monitor No
Focus Assist Magnification. Area selectable via touch screen
Peaking Yes, Red, blue or yellow selectable
Zebra Yes. 70% or 100%, selectable
Markers Yes. Horizontal or grid markers white or grey
EVF
Size No EVF. Optical loupe viewfinder attachment for LCD screen supplied
Inputs/Outputs
Audio in Built-in stereo microphone, 3.5mm stereo mini jack external microphone
Headphone output 3.5mm Stereo mini jack
Video monitor output No
HDMI Yes. Output only
HDMI Video Output (Recording Mode) Colour Bars (HD output only)Camera Mode: (Dependent on capabilities of external recording device) 305Mps/205Mbps: 3840×2160 (25.00P)1920×1080 (50.00P/50.00i) 720 x 576: 50.00P50 Mbps: 1920 x 1080 (50.00P/50.00i) 720 x 576: 50.00P35 Mbps: 1920 x 1080 (50.00P/50.00i) 720 x 576: 50.00P
HDMI Video Output (Playback Mode) PAL4K movie playback : 3840×2160/25.00P: 1920×1080/50.00P/50.00i720x576/50.00PHD movie playback: 1920×1080/50.00P/50.00i720x576/50.00P
USB Yes mini-B, Hi-speed, Output only
HD/SD-SDI output No
Time code Yes, via HDMI
Genlock No
Component out No
AV terminal No
DC input Yes
Remote Control Terminal No
Colour Bars Yes. PAL Model: EB/SMPTE. Can be output via HDMI
Misc
Tally lamp Yes
Accessory shoe Yes, Hotshoe with synch contact for Canon Speedlite
Custom key No
Custom Dial No
Shooting functions
Exposure
Exposure metering Movie mode: Standard, spotlight, backlight Photo mode: Evaluative, centre-weighted, spot
Exposure compensation -2.0 – +2.0 stops in 1/3 stop increments (photos) and 1/4 stop increments (movies)
Auto Exposure mode AUTO/Programmed AE (P)/Shutter-priority AE (Tv)/Aperture-priority (Av) / SCN (Portrait /Sports /Night Scene /Snow /Beach /Sunset /Low Light / Spotlight / Fireworks)
Exposure Lock Yes (in compatible modes)
Auto Gain Control setting Yes.
Auto Gain Control limit 28.5dB
ISO Sensitivity Movie /Photo: ISO 160 – 20000Movie Mode with Canon Log or Wide DR selected: 500 to 20000
Gain setting 0.0 – 42.0dBAt the fine gain setting: Any setting in a 0.5 increment between 0.0 dB and 42.0 dBMovie Mode with Canon Log or Wide DR selected: 9.0 dB (8.5 dB at fine gain setting) to 42.0 dB
Shutter speed
Control Modes Manual, Shutter Priority AE (Tv), Auto Slow Shutter On/Off
Shutter speed Movie Mode: 1/2, 1/3, 1/4, 1/5, 1/6 to 1/2000 sec. (in 1/4-step increments)Photo Mode: 0.5 sec., 0.4 sec., 0.3 sec., 1/4 – 1/2000 sec. (in 1/3-step increments)
Shutter Angle No
Slow Shutter (SLS) Yes
Clear Scan No
Infrared
Infrared shooting mode No
Built-in IR lamp No
Wi-Fi & GPS Specifications
Wireless LAN standards IEEE 802.11b/g/n (2.4GHz band) / IEEE 802.11a/n (5GHz band* )*5GHz band not available in Qatar
Supported Wi-Fi Functions Photo Mode: Playback (in browser) from SD card; Download and save images to user terminal device via web browser.
Supported Browser for Remote Operatio Internet Explorer, Safari (iOS), Safari (Mac OS), Android standard browser
Remote Operation Control Features Aperture, Focus, WB, Shutter Speed, ISO/Gain, Shooting Mode, Start/Stop Recording
Live view image Resolution Camera setting mode: 680 x 383; Simplified setting: 284 x 160
Authentication Systems Open/WPA-PSK/WPA2-PSK
Encryption WEP64, WEP128, TKIP, AES
GPS Information (Optional Accessory) Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)
White balance
Auto YES
Preset 6 Presets: Daylight, Shade, Cloudy, Tungsten (incandescent lamps or halogen bulbs), Fluorescent H (3-wavelength type fluorescent), Fluorescent (white fluorescent)
Shockless WB Yes
Manual setting Set 1, Set 2 (Default 5,500K)
Time Code
Countup system Regen/Rec Run/Free Run/Preset (Non-Drop Frame)
Start value setting “00:00:00:00”, Set/Reset selectable
Audio
Recording Linear PCM (2ch, 16 bit, 48 kHz)
Audio Scene (Movies) Standard/Music/Festivals/Speech/Meetings/Forest and Birds/Noise Suppression/Custom Setting*(*) Custom setting cannot be selected in Auto mode.
Audio Settings (Movie Mode) Built-in Mic Wind Screen: Auto High/Auto Low/Off Internal mic attenuator:         Auto / On / OffBuilt-in Mic Frequency:           Response: Normal, low-range boosting, low-range cutting,mid-range boosting, low and high-range boosting Built-in Mic Directionality: Monaural / Normal / Wide / Zoom: MIC Att. Auto / On / Off : MIC Low Cut. On/Off: Audio limiter, On/Off: Audio compressor: High/Low/Off
Accessories
Supplied Lens hood, (Loupe) Viewfinder Unit, Remote Controller (RC-6), Battery Pack LP- E6N, High Speed HDMI Cable (HTC100/S), Compact Power unit CA-570, AC Cable, Interface Cable (IFC-300PCU/S), Shoulder Strap
Optional Canon Battery Charger LC-E6/LC-E6E GPS receiver GP-E2,Canon Speedlites (270EX II, 320EX (with video light), 430EX II, 580EX II, 600EX-RT) – 2nd curtain synchronisation and wireless functions not supported,Canon PROTECT Filter 58 mm, Canon ND4-L Filter 58 mm, Canon ND8-L Filter 58 mm
Battery
Battery Type LP-E6N (7.2v,1865 mAh) supplied
Power Consumption Approx. Max. Recording: 6.0W²/Playback: 4.1W
Continuous Recording Time Approx.: 110 mins (maximum) / 75 mins(typical)²
Miscellaneous
Dimensions Approx. 125x102x122mm (body only)Approx. 131x115x238mm (with viewfinder unit and lens hood)
Weight (camera only) Approx. 930g
Weight (fully equipped) Approx. 1040g (with lens hood, battery, CFast 2.0™ card and SD card)
Operating Temperature range Approx. 0°C to 40°C, 85% (relative humidity)Approx. -5°C to 45°C, 60% (relative humidity)
Disclaimers
Specifications are given for PAL version of the camera. NTSC version available in appropriate regions
¹ Dynamic IS not possible when recording in 4K or using Slow & Fast Motion mode
² In 4K rec. mode 1/4 x and 1/2 x speed not possible to CFast 2.0 ™ card. In Full HD to SD card, 1/4 x rec is 1280 x 720.
³ Recording time to CFast 2.0™ card. 305Mbps, at 25.00P, PAL mode
All specifications are subject to change without notice

 

Canon EOS C300 Mark II – 4K Movie camera

EOS C300 Mark II FSL 24-105 f4L LCD Monitor Up

Canon today unveils the EOS C300 Mark II, a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

Pricing : £11,299 excluding VAT | $ 15999

Availability : September 2015
Pre-order Now : Adorama | B&H

EOS C300 Mark II key benefits:

  • High bitrate internal 4K recording with external RAW
  • High dynamic range files, ideal for post production
  • Seamlessly integrate with professional workflows
  • Automatic features make independent shooting easy
  • Shoot with confidence in low light with low noise

EOS C300 Mark II RIGHT 24-105 f4L LCD Monitor Up

Supreme 4K image quality and versatility 
With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™¹ media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include, enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.

Instant integration into professional workflows 
Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bit and 48 kHz.

Designed for versatility 
The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.

Product Photo

EOS C300 Mark II LEFT 24-105 f4L Grip

EOS C300 Mark II FSR 24-105 f4L

EOS C300 Mark II FSR 24-105 f4L Grip

EOS C300 Mark II FSL 24-105 f4L LCD Monitor Up

EOS C300 Mark II FRT Body Only

EOS C300 Mark II FRT 24-105 f4L

EOS C300 Mark II FRT 24-105 f4L LCD Monitor Up

EOS C300 Mark II BSL 24-105 f4L LCD Monitor Up

EOS C300 Mark II BSL 24-105 f4L Grip

EOS C300 Mark II BOTTOM Body Only

EOS C300 Mark II BCK 24-105 f4L

EOS C300 Mark II BCK 24-105 f4L LCD Monitor Up

 

 Specification

 

EOS C300 Mark II
Image Sensor
Sensor Super35mm type CMOS
System RGB primary colour filter (Bayer array)
Total pixels per sensor 9.84 megapixels
Effective pixels per sensor Approx. 8.85 megapixels when 4096 x 2160/2048 x 1080 resolution selected Approx.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected
Dynamic Range During normal shooting: 300% With Canon Log gamma: 800% With Canon Log2 Gamma 1600%(ISO 850 or above/gain 2.5 dB or more)
Horizontal Resolution Up to 1800 TV lines or more depends 0n shooting resolution and on lens used.
Lens
Lens Mount Canon EF Mount. EF with Cinema Lock or PL mount available (optional upgrade)
Focal length adjustment 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.46 As indicated for EF-S lenses and Canon cine zoom lenses
Peripheral illumination correction YES (dependent on lens used)
ND filter 6 glass filters in camera body: 2 stops; 4 stops; 6 stops,8 stops,10 stops¹. Operate via body, wireless control or via RC-V100 Remote Control Unit.
Focus control Via lens, wireless control or wired remote (dependent on lens used) One shot AF with EF Lenses including Cine Servo lens range².(Not available with Manual Focus, CINEMA Zoom or Prime lenses).
Iris control Via body, grip, wireless control or wired remote. Push AI available with EF lens (Not available with CINEMA lenses)1/2-stop, 1/3-stop or FINE control.Possible to maintain constant F-number during zoom.
Image stabilization system Depends on lens used
Image Processor
Type Dual DIGIC DV5
Recording
Video storage media CFast 2.0™ and SD card supported. Simultaneous Recording to CFast2.0 and External Device possible
Recording time Depending on card used and resolution/ bit rate selected
Recording file format XF-AVC (Material eXchange Format (MXF))
Recording Standard Video Compression: MPEG-4 AVC/H.264Audio Recording: Linear PCM (16bit/24bit- 48kHz – 4ch) File Format: XF-AVC (MXF)Bit rate: Intra 410/225/220/110Mbps, LongGOP 50MbpsLong GOP: 35 or 24 Mbps (for proxy recording on SD cards)
Recording format CFast 2.0™ Card Intraframe recordingResolution:   4096×2160/3840×2160/2048×1080/1920×1080 Signal configuration: YCC422 10bit/(*)RGB444 (12bit/10bit)(*) Only with 2048×1080 or 1920×1080; 29.97P, 23.98P, 25.00P and 24.00PLong GOP recording  Resolution: 2048×1080/1920x1080Signal configuration: YCC422 10bit
Recording format SD Card Movies: Long GOP recording only (*) Resolution: 2048×1080/1920x1080Signal configuration: YCC420 8bit Photo: JPEG Resolution: 2048×1080/1920×1080(*) Proxy recording using low bit rate
Recording frame rate 59.94 Hz: 59.94i/59.94P/29.97P/23.98P (Depending on resolution selected) 50.00Hz: 50.00i/50.00P/25.00P (Depending on resolution selected24.Hz: 24.00P
Slow/Fast motion 59.94Hz:59.94P
2K (2048×1080/1920×1080) 1 to 60 FPS
2K CROP (*1)(2048×1080/1920×1080) max 120 FPS
29.97P
4K (4096×2160/3840×2160) 1 – 30 FPS
2K (2048×1080/1920×1080) max 60 FPS**
2K CROP * (2048×1080/1920×1080) max 120 FPS **
23.98P
4K (4096×2160/3840×2160 max 30 FPS
2K (2048×1080/1920×1080) max 120 FPS **
2K CROP * (2048×1080/1920×1080) max 120 FPS**
50.00Hz
50.00P
2K (2048×1080/1920×1080) 1 – 50 FPS
2K CROP * (2048×1080/1920×1080) max 100FPS **
25.00P
4K (4096×2160/3840×2160) 1 – 25 FPS
2K (2048×1080/1920×1080) max 50 FPS **
2K CROP * (2048×1080/1920×1080) max 100FPScz**
24.00Hz
4K (4096×2160/3840×2160) max 30 FPS
2K (2048×1080/1920×1080) max 60 FPS**
Interval Record Yes
Frame Record YES
Pre Record (cache record) Yes
Relay Recording YES
Double Slot (simultaneous) Recording YES
Scan Reverse YES: Both / Vertical/ Horizontal /Off
HD->SD conversion NO
Internal Data Transfer YES. Clips can be copied from CFast2.0 to CFast2.0 card internally in Media Mode.
Photo storage media SD Card
Still quality 2048 x 1080/1920 x 1080
System
LCD
Size 4” (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio
Dots Approx. 1.23 million dots (854 x RGB x 480), 100% field of view coverage
Image quality adjustments Super High, High or Normal can be selected as the luminance adjustment. Others are same as for the viewfinder.
Adjustable YES
Waveform Monitor YES
Focus Assist YES
Peaking YES
Zebra YES
Markers YES
EVF
Size 0.46” (1.18 cm on the diagonal), color organic EL display with a wide-screen 16:9 aspect ratio
Type Organic LED
Dots Approx. 1770,000 dots (1024 x RGB x 576)
Image quality adjustments Adjustment of the viewfinder brightness, contrast, color, sharpness and luminance boosting (on/off) can be performed (using menu settings).
Adjustable YES
Correction lens +2.0 to -5.5 diopter
Inputs/Outputs
Audio in YES: 2x XLR input on monitor unit, 3.5mm input on Camera Body
Headphone output YES Output impedance 50Ω or less, Reference signal output level 50Ω or less Reference signal output level -∞ to -12 dBV (with 16Ω load, volume from MIN to MAX)
Video/Audio output MON., REC OUT terminals: BNC JackVideo[HD]: SMPTE 292, SMPTE 274 [3G]: SMPTE 424, SMPTE 425 Audio[HD]: SMPTE ST 299-1 [3G]: SMPTE ST 299-2Output impedance 75Ω, Output signal level 0.8Vp-p
HDMI HDMI terminal (type A) Complies with HDMI specifications. Video/Audio output
IEEE 1394 (Firewire) NO
USB NO
Time code BNC jack (input/output)
Genlock BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ
Synch BNC jack (also serves as the SYNC OUT terminal) Signal level 1.0 Vp-p, Input impedance 10KΩ
LCD Monitor Input/Output VIDEO terminal Canon’s proprietary specifications (special 13-pin jack) AUDIO terminal Canon’s proprietary specifications (special 13-pin jack)
Component out NO
AV terminal NO
DC input YES
Remote Control Terminal 2.5mm mini jack
Wireless Control Terminal Via optional Wi-Fi adaptor
Colour Bars EBU, SMPTE, ARIB
Misc
Tally lamp YES
Accessory shoe YES (cold shoe, 3 locations: top of body, top of handle, front of handle)
Shooting functions
Exposure
Exposure Control and Metering Manual, Push Auto Iris, Auto Iris (with compatible lenses).Metering Options (a) Standard (center-weighted metering),(b) Spotlight,(c) Backlight compensation
Exposure compensation 0.25 increments from ±0 to ±2.0.
Push Auto Iris YES (EF and EF-S lenses. Not available with EF Cinema Lenses.)
Exposure Lock Via Push AI Function
Auto Gain Control setting YES
ISO Sensitivity 1 Stop increments: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400][—] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. 1/3 stop increments:[100, 125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600,[32000, 40000, 51200, 64000, 80000, 102400]
Gain setting Normal: [-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB,30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB 54dB] [—] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.Fine: Any value from -2dB to 24dB in 0.5dB increments can be set.
Shutter speed
Control Modes Off, Speed, Angle, Clear Scan, Slow
Shutter speed 59.94 HzOff: 59.94(i/P) : 1/60/29.98P: 1/30 24.00P 1/24Speed: 1/1 – 1/2000Clear Scan: 59.94 Hz mode: 23.98 Hz (lowest) to 250.37 Hz 24.00 Hz mode: 24.00 Hz (lowest) to 250.37 Hz Note: The frequency will differ depending on the frame rate setting.Slow: 59.94(i/P) 1/4, 1/8, 1/15, 1/30; 29.98P 1/4, 1/8, 1/15: 24.00P 1/3, 1/6, 1/12 50.00HzOff: 50.00(i/P) 1/50; 25.00P 1/25Speed:1/1 – 1/2000

Clear Scan: 24.00 Hz (lowest) to 250.40 Hz Note: The frequency will differ depending on the frame rate setting.

Shutter Angle 59.94Hz/50.00Hz: 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25
Focus Systems
AF Options Dependent on the interchangeable lens used and User Selected Mode. Dual Pixel CMOS AF (CMOS AF), Contrast AF
AF Modes One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting
Face Detection AF Yes; Face Priority or Face Only
Dual Pixel CMOS AF Yes. Compatible with all EF Mount Lenses (Except Manual Focus Only models)
Custom Picture
Stored Configurations 7 presets:Canon Log 2 : C.Gamut (Cinema Gamut) Canon Log 2 : BT.2020/Canon Log 2 : DCI-P3 Canon Log 2 : BT.709Canon Log: BT.2020 Gamut BT.709
Storage Medium Internal or SD card
Gamma Setting Options Canon Log 2/Canon Log/Wide DR/EOS Std.Normal 1 (STANDARD)/Normal 2 (4.0x)/Normal 3 (BT.709) Normal 4 (5.0x)
Colour Space Settings Cinema Gamut/BT.2020 Gamut/DCI-P3 Gamut/BT.709 Gamut
Colour Matrix Settings Neutral/Production Camera/Cinema EOS Original/Video/EOS Std./OFF
Customisable and protected settings YES
Black Gamma YES
Low Key Saturation YES
Knee YES
Sharpness YES
Noise reduction YES
Skin detail YES
Selective Noise Reduction YES
Colour matrix YES
White balance YES
Colour correction YES
Setup level YES
Press YES
Clip 100% IRE YES
White balance
Auto YES
Kelvin Range 2000K to 15000K, 100K intervals, Default 5500K
Preset Daylight/Tungsten
White Balance Shift Yes, -9 to +9 (Daylight or Tungsten Preset selected)
Black balance
Black balance adjustment YES
Time code
Countup system Regen, RecRun, FreeRun, External, Hold (Drop frame available for NTSC Mode)
Start value setting “00:00:00:00”, Set/Reset selectable
Audio
Recording 16-bit 2ch (48 kHz) linear PCM
Control Independent limiters and auto/manual settings
Microphone attenuation YES
Microphone level meter YES
Accessories
Supplied Monitor Unit, Handle Unit, Thumbrest, WFT Attachment, Tripod Adaptor Base, Eye Cup, CVF Cap, Shoulder StrapBattery Charger CG-10, AC Adaptor CA-A10, AC Cable, Battery Pack BP-A30, hex wrench, hexagon screw set,UN-5 Cable (X2)Lithium battery CR2025, Bracket
Optional (includes discontinued items) Canon Battery Pack BP-A30 (included with EOS C300 Mark II)/BP-A60 Canon AC adapter CA-A10Canon Battery Charger CG-A10 Canon Remote Controller RC-V100Canon shoulder strap SS-1200 (provided with the EOS C300 Mark II) Canon Tripod Adapter TA-100Canon Tripod base TB-1 Canon Shooting Brace SBR-1000Canon Wireless transmitter WFT-E6 Canon GPS Receiver GP-E1Canon unit cable UN-5 (provided)/UN-10 (purchased separately) Canon microphone adapter MA-400 (optional accessory) Canon rod clamp RD-1 (purchased separately)
Battery
Battery Type BP-A30 (included),BP-A60 (optional)
Input Power Supply 14.4 V DC (battery pack), 16.7 V DC (DC IN)
Miscellaneous
Dimensions Approx. 149 x 183 x 183 mm (5.9 x 7.2 x 7.2 in) [EOS C300 Mark II + thumb rest]Approx. 190 x 183 x 187 mm (7.5 x 7.2 x 7.4 in) [EOS C300 Mark II + grip]Approx. 190 x 265 x 226 mm (7.5 x 10.4 x 8.9 in) [EOS C300 Mark II +grip+bracket+handle unit] Approx. 190 x 307 x 362 mm (7.5 x 12.1 x 12.8 in)[EOS C300 Mark II+grip+bracket+handle unit+monitor unit]
Detachable handle YES
Operating Temperature range Approx. 0°C to 40°C, 85% (relative humidity)Approx. -5°C to 45°C, 60% (relative humidity)
DisclaimersAll specifications are subject to change without notice¹8 and 10 Stop ND selected via expansion option in menu²CN7 x 17 KAS S/E1 or P1 depending on mount Focus, Zoom and Iris via lens drive unit.Functions above control via RC-V100 on EF mount only

Canon is an authorised licensee of the CFast 2.0™ trademark, which may be registered in various jurisdictions

* The 2K area at the center of the 4K area is cropped and recorded. The size of the image is doubled -** depending on recording mode

How to convert Normal 18-55 Zoom Lens to Macro lens

The standard tool of macro photography is a Macro lens. But a lot of us can’t afford a dedicated macro lens due to high expense. A reversing ring is an easy solution. But the major disadvantage of using a reversing ring is that, you have no control on aperture. You have to set the aperture manually or use third party device to make it work. And in macro photography a hair movement of the lens while setting the aperture can make the image out of focus.

While trying various method to achieve good magnification once I suddenly discovered that if I remove the front element of zoom lens like 18-55 mm or 28-80 mm, it becomes a macro zoom lens. The magnification is high enough to do a lot of close up work. And you will have full control electronic control on aperture. Although they are unlikely to generate outstanding result but its always fun to do something new.

The steps are as follows –

*One word of caution – It will void your warranty, so do it at your own risk.

Convert Normal Zoom Lens to Macro lensRemove the rubber grip of the zoom ring.

Convert Normal Zoom Lens to Macro lensRemove the tape that hold together the two parts of plastic zoom barrel.

Convert Normal Zoom Lens to Macro lensNow you will see two plastic clamps holding the front part of the lens. Gently release the front part of the lens from plastic clamps. Remember at which position they were. Because if you want to restore the lens you have to reattach the front part in right position, otherwise you will have focusing problem.

Convert Normal Zoom Lens to Macro lens

Convert Normal Zoom Lens to Macro lensNow reattach the plastic barrel together along with the rubber grip and you will have something like this.

Convert Normal Zoom Lens to Macro lens
Its done. Attach the lens to your camera and see how it looks. The magnification can be changed by rotating the Zoom ring. Remember you have to move forwards or backward towards the subject to get the right focus. You can use a macro focusing rail for that purpose. With the setup complete now you have full aperture control.

A Video Tutorial with Nikon 28-80 Kit Lens

Pros
Its pretty cheap setup
Auto Aperture control
High Magnification more than 2X
Image quality reasonably good at high magnification – look at the example & judge yourself

Cons
There is distortion & lack of sharpness at the corners
Focusing needs to be precise to get better result (I used a macro focusing rail & manual focusing)

Working Distance
At 18mm free working distance in front of the lens is – 2.5 cm
At 55mm free working distance in front of the lens is – 3 cm

Magnification
At 18mm focal length you can take an image of 30 mm object
At 55 mm focal length you can take an image of 11 mm object.
Following two images shows how it looks at various focal length

Now here is my setup with Nikon D700 camera

Example
All the images taken with Nikon D700 in DX crop mode
The images also shows my on location setup

Macro Photography with Modified 18-55 lens

Macro Photography with Modified 18-55 lens

Macro Photography with Modified 18-55 lens

Bugs

LCD panel close-up with AF-S DX NIKKOR 18-55mm

Conclusion
The Whole setup is quite small and convenient to use. With fully functional Auto aperture you don’t have to worry about focus shift, which is a common problem with reversing ring. A good tripod and cable release is recommended for getting good result. The day I shoot the images was quite windy and rainy, so I used high ISO to get reasonable shutter speed. Otherwise I prefer to keep the ISO as low as possible to get smooth and rich color and tone. To minimise vibration I used mirror lock up and wireless trigger. Live view is quite helpful to get the focus right. As these kit lens are really cheap compared to a dedicated macro lens this setup will help a lot of young starter to get the taste of high magnification macro photography.


About Author

Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.


Macro Photography Related Article :

Macro Photography Beginners Guide
How to convert a Tele converter to an Extension Tube
How to achieve High Magnification in Macro Photography
Macro AF Extension Tube Error Fix

Macro Extension Tube Review – Kenko vs Vello
AF Micro-Nikkor 200mm f/4D IF-ED Review


Nikon 1 J5


Nikon 1 J5

Product Summary

  • Model name: Nikon 1 J5
  • Availability : 30th April 2015
  • Price :
    • Nikon 1 J5 + 1 NIKKOR 10-30mm f/3.5 – 5.6 VR = $499.95
    • Nikon 1 J5 + 1 NIKKOR 10-30mm f/3.5 – 5.6 VR + 1 NIKKOR VR 30-110mm f/3.8-5.6 = $749.95
    • Nikon 1 J5 + 1 NIKKOR 10-100mm f/4.0-5.6 VR  = $1,049.95
  • Color : Silver & Black | Silver & White | Black
  • Order Now : Adorama | B&H | Amazon
  • Brochure : Japanese
  • Manual : PDF download

Key Features

  • 20.8 Megapixel Backside-illuminated (BSI) – CMOS sensor
  • Image Sensor Format – CX (crop factor – 2.7x)
  • Image size – 5568 x 3712
  • AF area mode – 171 focus areas, Face- priority AF
  • Lens Mount – Nikon 1 mount
  • Processor – EXPEED 5A
  • ISO – 160~12800
  • Shutter speed 1/16,000~30 sec
  • Continuous shutter 20 fps
  • Articulated 3” LCD monitor (1,037,000-dots) with Touch Screen
  • Supported Memory card – microSD, microSDHC, microSDXC
  • Movie : 4K – 3840 x 2160 /15p; Slow-motion – 400 x 144 /1200 fps; HD – 1920 x 1080/60p
  • Built-in Flash
  • Built-in WiFi with NFC
  • HDMI output
  • Battery life – 250 Shots per charge; App. 60 min HD video (EN-EL24)
  • Weight – 231 gm

For More Info : Nikon 1 J5

Nikon declared the successor of Nikon 1 J4 The new Nikon J5. Its a Mirrorless 20 MP high speed camera capable of shooting at 1/16000 of a sec at 20 frame rate. It also can record Slow motion video at 1200 fps and 4k as well though the frame rate is only 15p. Moreover it carries the flexibility to use all Nikkor DSLR lens with the adapter FT-1.

Product Photo

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5

Nikon 1 J5 12

Nikon 1 J5 13

Sample Photo & Video

More sample images can be found HERE

Nikon 1 J5 sample image 01

Nikon 1 J5 sample image 02

Nikon Capture NX-D free RAW converting software

The Nikon Capture NX-D 1.2.0 is the latest RAW conversion software form Nikon. Nikon Capture NX-2 which costs $179.00 has been the standard RAW conversion software for Professional Photographers using Nikon DSLR for a long time. However Nikon started a new direction last year with the development of Nikon Capture NX-D. At that time it was in beta stage and buggy. By now the situation has changed and its a full fledged application.

As Nikon decided to stop updating the Nikon Capture NX-2, The New Capture NX-D has taken the lead. Moreover the software is free for all. It provides almost the same features of Nikon Capture NX-2. At present there is no other software that can convert the RAW files of Newly released Nikon D7200 DSLR except the Capture NX-D.

Nikon Capture NX-D RAW Workflow

Capture NX-D Key Features

  • Adjustment functions specialised for RAW processing. NEF or NRW file extension can be adjusted even after images are captured, including white balance and exposure compensation
  • Picture Control, Nikon’s exclusive function for specifying imaging characteristics, is also supported
  • Support for simple adjustment of JPEG and TIFF images
  • It offers the same functions available with Capture NX 2 for adjustment aspects such as tone curves, brightness and contrast, as well as functions for correcting lateral colour aberration caused by lenses, in JPEG and TIFF images
  • Floating palettes that are easy to use with multiple screens
  • Variety of display mode, including comparisons of multiple images and adjustment before and after images. Thumbnail display, filmstrip display, single-image display, and full-screen display are possible
  • Adoption of a sidecar format that saves original data as non-destructive files. Saving original data as non-destructive files allows users to start over with the adjustment of RAW images in their original, post-capture state, without undoing previous adjustments.
  • Filtering functions have been built into the application, allowing users to easily find the images they are looking for by filtering them according to criteria such as camera name or lens focal length based on tag data.
  • Batch processing can be used to simplify the troublesome process of applying adjustments to multiple images and images can be transferred to another application in 16-bit TIFF format after RAW processing.

Download Capture NX-D : Click Here

Capture NX-D User’s Manual (PDF)Click Here


Nikon Capture NX-D Folder browser
Nikon Capture NX-D RAW conversion
Nikon Capture NX-D Image comparison Mode

 

Nikon Capture NX-D System Requirement

Windows
OS Windows 8.1, and Windows® 7 (Service Pack 1) Compatible with 64- and 32-bit
CPU 1.6-GHz or better Intel Celeron/Pentium 4/Core series
Memory (RAM) 4 GB or more
Hard-disk 2 GB or more
Monitor resolution 1024 x 768 pixels or more
Mac
OS OS X  10.8.5, 10.9.5, 10.10.2
CPU Intel Core series/Xeon series
Memory (RAM) 4 GB or more
Hard-disk 2 GB or more
Monitor resolution 1024 x 768 pixels or more

 

Nikon ViewNX-i free image browsing software

The Nikon ViewNX-i is a new generation Nikon Imaging software and comes as free for everyone. ViewNX-i allows user to browse picture, manage & edit movie. Basic image management like batch renaming, rating image, showing metadata and GPS information are all available within this software. Besides it can export files to your desired image editing software, connect to social media services like Facebook, Youtube or other print service.

Now a days cameras are upgraded quite frequently. Every now and then a new camera comes up, we have trouble viewing the image unless we have the right software. For a Nikon user keeping the ViewNX-i updated will solve the issue, since as soon as Nikon releases a camera they update their software as well.

Nikon ViewNX-i Integration

ViewNX-i Key Features

  • Quick switching between the browser, map display, and Web services using tabs
  • An Output Toolbar that enables quick access to easy-to-use functions
  • Variety of display formats, including vertical and horizontal thumbnail display and display of two images for comparison
  • Simple shooting information display with a familiar layout
  • Photo Tray function in which still images and movies from multiple folders can be temporarily stored for quick and easy access
  • Smooth upload of files to Facebook, YouTube, and NIKON IMAGE SPACE
  • Flexible RAW development and image adjustment using Capture NX-D, which can be accessed directly from ViewNX-iNikon ViewNX-i
  • Support for the sidecar file format for movies enables the application of ratings and specification of playback range without modifying the original movie file
  • Movie editing functions that enable creation of original movies, movie trimming, combining of multiple photos and movies into a single movie, and saving of individual movie frames as still images with simple operations (collaboration with ViewNX-Movie Editor)

Download Nikon ViewNX-i : Click Here

Nikon ViewNX-i
Nikon ViewNX-i Menu
Nikon ViewNX-i Image View
ViewNX-i System Requirements

Windows
OS Windows 8.1, and Windows® 7 (Service Pack 1) Compatible with 64- and 32-bit
CPU 1.6-GHz or better Intel Celeron/Pentium 4/Core series
Memory (RAM) 1 GB or more under 32-bit operating systems
2 GB or more under 64-bit operating systems
Hard-disk 3 GB or more
Monitor resolution 1024 x 768 pixels or more
Mac
OS OS X  10.8.5, 10.9.5, 10.10.1 (For Movie Editing 10.9.5 or 10.10.1 is required)
CPU Intel Core series/Xeon series
Memory (RAM) 2 GB or more
Hard-disk 3 GB or more
Monitor resolution 1024 x 768 pixels or more