Nikon D7200 Instruction or User’s Manual Available for Download [PDF]
Nikon D7200 Instruction or User’s Manual Available for Download [PDF]
Nikon D7200 : B&H | Adorama | Amazon
Download Links
Nikon D7200 User Manual Download pdf : USA | Asia | Europe
Nikon D7200 Brochure : Japanese | English
Nikon D7200 User Menu Guide Download pdf : Click Here
Canon EOS M3 Camera User Guide or Instruction Manual available for Download [PDF]
Canon EOS M3 Camera User Guide or Instruction Manual available for Download
Key Specs:
- 24.2MP CMOS sensor (22.3 x 14.9mm)
- AF is 49 points. Hybrid CMOS AF
- ISO100-12800
- Media SD / SDHC / SDXC (UHS-I compatible)
- DIGIC6 processor
- Wi-Fi
- Continuous shooting 4.2 frames / sec.
- 384 zone metering
- Battery LP-E17
- The shutter speed is 30 seconds -1/4000 seconds
- Video full HD
- Built-in flash
- LCD monitor tilting 3 inches 1.04 million dots. Touch panel
- GPS is not equipped
- EVF option (EVF-DC1)
- The body is stainless steel, magnesium alloy, polycarbonate
- The size 110.9 x 68.0 x 44.4mm
- Weight 366g
EOS M3 Available at
Amazon UK | Amazon DE | DigitalRev (Ships Internationally)
Download Link: Click here
Sony FE 24-240mm F3.5-6.3 OSS lens (SEL24240) Lens for Full Frame E Mount Cameras
Product summary
- Model name: Sony FE 24-240mm F/3.5-6.3 OSS (SEL24240)
- Release date: March 3, 2015
- Price: $1000
- Availability: March, 2015
- Available at: Amazon | Adorama | B&H
Key Features
- A perfect match for ?7 series, 35mm full-frame E-mount cameras
- Optical SteadyShot image stabilization for handheld shooting
- 10x magnification with a wide 24mm to super tele 240mm
- Corner to corner sharpness from 5 Asphirical elements
- 9-blade circular aperture contributes to gorgeous bokeh
- ED glass element reduces flare and ghosting
- Fast focus w/ a linear motor drive and an inner focus mechanism
- Dust and moisture resistant design
Overview
Sony’s new “all-in-one” FE 24-240mm F3.5-6.3 OSS 10x zoom lens is an ideal travel partner handling everything from landscapes and everyday portraits to sports and action scenes with ease. Its huge 24-240mm range (10x zoom) makes this full-frame high magnification zoom is an ideal travel partner, covering focal lengths from wide angle to telephoto without the need to carry extra lenses.The advanced design includes five aspherical elements and one ED glass element, contributing to the lens’ excellent optical performance in a compact design. It features an advanced linear motor that drives the focusing mechanism for quick, smooth response throughout the extensive zoom range, as well as built-in Optical SteadyShot (OSS) stabilization and dust and moisture resistance.
Sony 24-240mm F3.5-6.3 OSS Specifications
| Lens Mount Type | Sony E-mount |
| Format | 35mm full frame |
| Maximum magnification ratio (x) | 0.27x |
| Focal Length (35mm equivalent) | 36mm – 360mm |
| Filter Diameter | 72mm |
| Lens Construction | 12 Groups / 17 Elements |
| Minimum Focus Distance | 1.64ft-2.63ft / 0.5m-0.8m |
| Angle of View | 61° – 6°50′ (APS-C) Angle of view (35mm) 84° – 10° |
| Aperture Blade | 7 blades |
| Circular aperture | Yes |
| ADI metering / Distance encoder | No |
| Image stabilization (SteadyShot) | Optical SteadyShot |
| Diameter x Length | 3.75 x 4.75″ (80.5-118.5mm) |
| Weight | 27.6oz (780g) |
Additional Images
Additional Info:
Sony FE 28mm F2 wide angle prime (SEL28F20)
Product summary
- Model name: Sony FE 28mm f/2-22 Prime Lens for Mirrorless Cameras
- Release date: March 3, 2015
- Price: $450
- Availability: May, 2015
- Available at: Amazon | Adorama | B&H
Key Features
- A perfect match for a7 series, 35mm full-frame E-mount cameras
- Outstanding optical performance in a wide 28mm focal length
- Bright F2 maximum aperture
- Dust and moisture resistant design
- 9-blade circular aperture contributes to gorgeous bokeh
- ED glass with multi?coating reduces flare and ghosting
- Compact and lightweight design matches a7 series beautifully
- A linear actuator focusing mechanism for smooth and quiet AF
- Compatible w/ ultra-wide and fisheye converter lenses
Overview
An ideal lens to supplement any photographer’s basic kit, the new full-frame FE 28mm F2 wide angle prime features a bright F2.0 maximum aperture that’s ideal for landscape, low-light handheld shooting and much more. The light, compact design of the lens is an ideal match for Sony’s α7 series full-frame camera bodies, with a high-grade aluminum finish adding instant visual appeal. The FE 28mm F2 has a 9-blade circular aperture, three aspherical lens elements – including one advanced aspherical element – and two ED glass elements that work together to ensure excellent edge-to-edge sharpness and excellent bokeh. All lens surfaces are multi-coated to suppress flare and ghosting with backlit shots. The inner focus mechanism of this wide angle prime is driven by an advanced linear actuator, allowing for whisper-quiet AF. Like the new FE 90mm F2.8 Macro G OSS macro lens, overall lens length will remain constant during focusing.
Sony 28mm F/2 Specifications
| Lens Mount Type | Sony E-mount |
| Format | 35mm full frame |
| Aperture (Max.) | f/2.0 |
| Aperture (Min.) | f/22 |
| Maximum magnification ratio (x) | 0.13x |
| Focal Length (35mm equivalent) | 42 mm |
| Filter Diameter | 49mm |
| Lens Construction | 8 Groups / 9 Elements |
| Minimum Focus Distance | 11.88″ (0.29m) |
| Angle of View | 54° (APS-C) Angle of view (35mm) 75° |
| Aperture Blade | 9 blades |
| Circular aperture | Yes |
| Diameter x Length | 2.55 x 2.35″ (64x 60mm) |
| Weight | 5.5 oz (155g) |
Additional Images
Additional Info
Sony Distagon T* FE 35mm f/1.4 ZA Lens
Product summary
- Model name: Sony ZEISS® Distagon T* FE 35mm F1.4 ZA Lens
- Release Date: March 3, 2015
- Price: $1598.00
- Available at: Amazon | Adorama | B&H
Key Features
- ZEISS quality delivers superior contrast and resolution throughout the image
- A perfect match for ?7 series, 35mm full-frame E-mount cameras
- Outstanding optical performance in a versatile 35mm focal length
- Bright F1.4 maximum aperture
- Corner to corner sharpness w/ Advanced Asphirical elements
- Aperture ring designed for still or movie shooting
- 9-blade circular aperture contributes to gorgeous bokeh
- Dust and moisture resistant design
- Direct Drive SSM (DDSSM) for quiet, precise focusing
Overview
This new ZEISS® Distagon T* FE 35mm F1.4 ZA full-frame wide angle prime showcases legendary ZEISS® optical performance in a compact design. With a minimum focusing distance of approximately 12 inches, the ZEISS® Distagon T* FE 35mm F1.4 is the first E-mount lens to feature an exceptionally fast aperture of F1.4. The lens has a 9-bladed circular aperture, which makes it a superior choice for creating smooth bokeh (defocus) during portrait shooting. It also performs extremely well in low-light shooting scenarios or for simple everyday photographs.The new 35mm prime lens produces stunning corner-to-corner sharpness – even at maximum aperture – thanks to its advanced optical design with 3 aspherical elements including one Sony advanced aspherical element and a 9-bladed circular aperture. It also features ZEISS® T* coating that suppresses flare and ghosting for natural color reproduction and excellent contrast.Additionally, the lens has a Direct Drive SSM (DDSSM) system that enables whisper-quiet precision focusing, even at the shallowest depth of field. A dedicated aperture ring can be set for smooth, continuous operation – ideal for movie-makers – or with click-stops to provide tactile feedback when shooting still images. The ZEISS® Distagon T* FE 35mm F1.4 is also dust and moisture resistant design for reliableoperation when shooting outdoors.
Specifications
| Lens Mount Type | Sony E-mount |
| Format | 35mm full frame |
| Aperture (Max.) | f/1.4 |
| Aperture (Min.) | f/16 |
| Maximum magnification ratio (x) | 0.18x |
| Focal Length (35mm equivalent) | 52.5mm |
| Filter Diameter | 72mm |
| Lens Construction | 8 Groups / 12 Elements |
| Minimum Focus Distance | 11.88″ (0.29m) |
| Angle of View | 44° (APS-C) Angle of view (35mm) 63° |
| Aperture Blade | 9 blades |
| Circular aperture | Yes |
| Diameter x Length | 3.2 x 4.5″ (78.5 x 112mm) |
| Weight | 22.3oz (630g) |
Additional Images:
Additional Info:
- Model name: SEL35F14Z
- Release Date: March 3, 2015
- Price: $1598.00
- Available at: Amazon | Adorama | B&H
Sony FE 90mm F2.8 Macro G OSS Macro Lens
Product summary:
- Model Name: Sony FE 90mm F2.8 Macro G OSS Macro (SEL90M28G)
- Release date: March 3, 2015
- Price: $1100
- Available at: Amazon | Adorama | B&H
Key Features
- 90mm Macro with a bright F2.8 maximum aperture
- Nano AR coating effectively suppress reflections
- Instant manual/auto focus selection via a sliding focus ring
- Optical SteadyShot image stabilization for handheld shooting
- Super ED glass w/ multi?coating reduces flare and ghosting
- Corner to corner sharpness w/ Advanced Asphirical elements
- 9-blade circular aperture contributes to gorgeous bokeh
- Direct Drive SSM (DDSSM) for quiet, precise focusing
- Dust and moisture resistant design
Overview
Designed to produce crisp, high-impact close-ups and portraits, the new FE 90mm F2.8 Macro G OSS lens delivers an impressive blend of clarity, detail and smooth backgroundThe first mid-telephoto macro lens for the α E-mount line, the FE 90mm F2.8 Macro G OSS features built-in Optical SteadyShot (OSS) image stabilization, allowing for pin-sharp images at up to 1:1 magnification, even when shooting handheld. The smooth, quiet Direct Drive SSM (DDSSM) mechanism drives two ‘floating’ focus groups independently, ensuring extremely precise focus positioning that’s crucial for macro photography. The new macro lens maintains the same overall length at all focal distances – very helpful for macro shooting – and has a focus hold button and sliding focus ring that can instantly switch between manual and auto focus1. It is also dust and moisture resistant.
Specifications
| Lens Mount Type | Sony E-mount |
| Format | 35mm full frame |
| Aperture (Max.) | f/2.8 |
| Aperture (Min.) | f/22 |
| Maximum magnification ratio (x) | 1x |
| Focal Length (35mm equivalent) | 135mm |
| Filter Diameter | 62mm |
| Lens Construction | 11 Groups / 15 Elements |
| Minimum Focus Distance | 11″ (0.28m) |
| Angle of View | 17° (APS-C) Angle of view (35mm) 27° |
| Aperture Blade | 9 blades |
| Circular aperture | Yes |
| Image stabilization (SteadyShot) | Optical SteadyShot |
| Diameter x Length | 3.12 x 5.25″ (79x 130.5mm) |
| Weight | 21.3oz (602g) |
Additional Images:
Additional Info:
Nikon DSLR Video Features Guide
Now a days video has become a part & parcel of DSLR cameras. Most of us aren’t aware of the video aspect of DSLR cameras. And there are so many of them. Every time a New camera comes out we get lost. Here is a guide from Nikon which shows the Video Features of Nikon’s DSLR line-up at a glance.
| D4S | D810 | D750 | D610 | D7200 | D7100 | D5500 | D5300 | D3300 | D3200 | |
| SENSOR SIZE | ||||||||||
| FX-format CMOS | ✓ | ✓ | ✓ | ✓ | − | − | − | − | − | − |
| DX-format CMOS | − | − | − | − | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| VIDEO FRAME RATES | ||||||||||
| 1920 x 1080 – 60/50p | ✓ | ✓ | ✓ | − | ✓ | − | ✓ | ✓ | ✓ | − |
| 1920 x 1080 – 30/25/24p | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| 1920 x 1080 – 60/50i | − | − | − | − | − | ✓ | − | − | − | − |
| 1280 x 720 – 60/50p | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| 1280 x 720 – 30/25p | − | − | − | ✓ | − | − | − | − | − | − |
| FILE / OUTPUT | ||||||||||
| H.264/MPEG-4 | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| 4:2:2 8-Bit Uncompressed Output Via HDMI | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| EXPOSURE CONTROLS | ||||||||||
| Shutter Speed Adjustment During Recording | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Aperture Adjustment During Recording | ✓ | ✓ | ✓ | − | − | − | − | − | − | − |
| Aperture Adjustment Prior to Recording | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Manual ISO Adjustment | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Auto ISO Adjustment in Manual Mode | ✓ | ✓ | ✓ | − | ✓ | − | − | − | − | − |
| Top Video ISO: 25,600 | ✓ | − | − | − | ✓ | − | ✓ | − | − | − |
| Top Video ISO: 12,800 | − | ✓ | ✓ | − | − | − | − | ✓ | ✓ | |
| Top Video ISO: 6,400 | − | − | − | ✓ | − | ✓ | − | − | − | ✓ |
| Power Aperture Control When Using External Recorder | ✓ | ✓ | ✓ | − | − | − | − | − | − | − |
| Power Aperture Control When Using Internal Memory Cards | − | ✓ | ✓ | − | − | − | − | − | − | − |
| Highlight Display for Exposure: Zebra Stripes | − | ✓ | ✓ | − | ✓ | − | − | − | − | − |
| CROP MODES | ||||||||||
| Multi-Area Mode FX/DX/2.7X | ✓ | − | − | − | − | − | − | − | − | − |
| Multi-Area Mode FX/DX | ✓ | ✓ | ✓ | ✓ | − | − | − | − | − | − |
| Multi-Area Mode DX/1.3X | − | − | − | − | ✓ | ✓ | − | − | − | − |
| DISPLAY / RECORD | ||||||||||
| HDMI for Simultaneous Live View: Optional External LCD Monitor and Camera LCD Monitor | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | − | − | − | − |
| Simultaneous Recording: Memory Card (Compressed) and External Recorder (Uncompressed) | ✓ | ✓ | ✓ | − | − | − | − | − | − | − |
| TIME LAPSE – INTERVAL TIMER | ||||||||||
| In-Camera Time Lapse with Exposure Smoothing | ✓ | ✓ | ✓ | − | ✓ | − | − | − | − | − |
| In-Camera Time Lapse | ✓ | ✓ | ✓ | ✓ | ✓ | − | − | − | − | − |
| Interval Timer with Exposure Smoothing | ✓ | ✓ | ✓ | − | ✓ | − | ✓ | − | − | − |
| Interval Timer | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | − | − |
| REMOTE CONTROL | ||||||||||
| Remote Start/Stop Video Recording w/optional accessory(s) | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | − |
| PICTURE CONTROL SYSTEM | ||||||||||
| In-Camera Custom Picture Control Setting | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Custom Tone Curves via Picture Control Utility | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| FLAT Picture Control Profile | − | ✓ | ✓ | − | ✓ | − | ✓ | − | − | − |
| AUDIO FEATURES | ||||||||||
| Sound Adjustments Prior to Recording | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Sound Monitoring Using Headphones | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | − | − | − | − |
| Manual Audio Sensitivity Adjustment | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Peak Meters for Audio Adjustment | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| 20 Audio Adjustment Steps | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Microphone Input | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Headphone Output | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | − | − | − | − |
| MISC. VIDEO FUNCTIONS | ||||||||||
| Select Destination for Video | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | − | − | − | − |
| In-Camera Edit Movie | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ | ✓ |
| Special Effects Mode During Recording: Miniature, Selective Color and More | − | − | ✓ | − | − | ✓ | ✓ | ✓ | ✓ | − |
New Nikon COOLPIX P900 with 83X Zoom
The zoom power of the COOLPIX P900 is nothing short of spectacular. This is 2000mm of optical zoom—more than any Nikon COOLPIX yet. And with Dynamic fine zoom you can reach 4,000mm equivalent focal length. The other key features of Nikon COOLPIX P900 are as follows.
Price : $596.95
Order Now : Adorama | B&H | Amazon
*Nikon COOLPIX P900 User Manual Download Pdf
*Nikon COOLPIX P900 Quick Start Guide Download Pdf
Key Features
- 16 Megapixel Low-light CMOS sensor
- Image size – 4608 x 3456
- Lens focal length 24-2000mm (35 mm equivalent)
- Lens shift Vibration reduction
- Focus range in Macro mode 1cm
- ISO – 100~6400
- Shutter speed 1/4000~1 sec
- Continuous shutter 7 fps
- Electronic View Finder
- Articulated 3” LCD monitor (921,000-dots)
- Supported Memory card – SD, SDHC, SDXC
- Movie 1920 x 1080/60p (Full HD)
- Built-in Flash
- Built-in WiFi with NFC
- Built-in GPS
- HDMI output
- Battery life – 360 Shots per charge (EN-EL23)
- Weight – 899 gm
166X Zoom Range
**NFC feature for Android™ v 4.0 or later smart devices only
Product Photo
Sample Photo & Video
More sample photos and video are available HERE
Buffer Capacity Nikon D7200 vs Nikon D7100
One of the major draw back of Nikon D7100 was its low buffer capacity. Nikon D7200 has fixed the issue. Along with the improved autofocus function Nikon D7200 comes with a deep buffer, which is sufficient for most photographer. With its 6 fps shooting capacity, The D7200 is an outstanding choice for sports, wildlife and other fast action. It has a large buffer capacity that can handle up to approx. 100 shots of continuous shooting. Here is a comparison between Nikon D7200 and Nikon D7100 buffer capacity.
Nikon D7200 : B&H | Adorama | Amazon
DX Format (24 X 16)
| Nikon D7200 | Nikon D7100 | ||||
| Image quality | File Size | Buffer Capacity | File Size | Buffer Capacity | |
| RAW | 12-bit Lossless compressed | 22.2 MB | 27 | 22.7 MB | 7 |
| 14-bit Lossless compressed | 28.0 MB | 18 | 28.5 MB | 6 | |
| 12-bit compressed | 20.6 MB | 35 | 20.2 MB | 9 | |
| 14-bit compressed | 25.4 MB | 26 | 24.9 MB | 8 | |
| JPEG Large Fine | 12.7 MB | 100 | 12.0 MB | 33 | |
1.3X Crop Format (28 X 12)
| Nikon D7200 | Nikon D7100 | ||||
| Image quality | File Size | Buffer Capacity | File Size | Buffer Capacity | |
| RAW | 12-bit Lossless compressed | 15.0 MB | 44 | 15.1 MB | 12 |
| 14-bit Lossless compressed | 18.7 MB | 29 | 18.8 MB | 8 | |
| 12-bit compressed | 13.8 MB | 67 | 13.4 MB | 14 | |
| 14-bit compressed | 16.9 MB | 46 | 16.3 MB | 11 | |
| JPEG Large Fine | 8.6 MB | 100 | 8.2 MB | 73 | |
Nikon D7200
Product Summary
- Model name: Nikon D7200
- Release Date: 1 March 2015
- Focus Type: Autofocus / Manual
- Format : APS-C / Crop Sensor
- Mounts: Nikon DX
- Color: Black
- Availability: Early April 2015
- Price: $1199.95
- Purchase options: B&H | Adorama | Amazon
Key features
- 24.2 Megapixel CMOS Sensor
- Magnesium alloy weather-sealed body
- New Image Processing engine – EXPEED 4 processor
- High ISO range = 100 ~ 25600 (expandable to BW 102,400)
- New Focusing Module – Advanced Multi-CAM 3500FX II
- Autofocus Sensitivity – -3EV to +19 EV
- High buffer capacity – 100 shots (JPEG/Fine/Large)
- Interval Timer with Exposure Smoothing
- Zebra stripes in Live view mode to show Highlight area
- Built in WiFi with NFC (Near Field Communicaiton)
- Optional Wireless Microphone ME-W1
- Increased battery life – 1,110 shots (EN-EL15)
Overview
Nikon just announced their New DX flagship camera Nikon D7200 two years after the release of Nikon D7100.The New 24.2 MP sensor of Nikon D7200 is made by Sony while the Nikon D7100 had a sensor from Toshiba. The new sensor has better dynamic range. Thanks to Built in WiFi with NFC Nikon D7200 can be controlled by Smart phone. Increased Buffer capacity allows to shot 100 Jpeg-large-fine or 27 12-bit Raw images or 18 14-bit lossless compressed photo. All 51 points can now focus at -2EV~ -3EV which is better than Canon 7D II.
Accessories
Vertical Grip : Nikon MB-D15 (same as Nikon D7100)
Wireless Microphone : ME-W1
Image Gallery
Sample Image
Full resolution sample can be found HERE
Nikon D7200 Video
Product Tour
More info
- Nikon D7200 Brochure : Japanese | English
- Nikon D7200 User Manual Download pdf : Click here
- Nikon D7200 User Menu Guide Download pdf : Click Here
- Nikon D7200 vs Nikon D7100
- Nikon D7200 vs Nikon D7100 Buffer capacity increased
Nikon D7200 vs Nikon D7100
Nikon D7200 : B&H | Adorama | Amazon
**New to Nikon D7200
| Nikon D7200 | Nikon D7100 | ||||
| Release Date | 1 March 2015 | 20 February 2013 | |||
| Price | $1,199.95 | $ 1599.95 (SRP) | |||
| Still Photography | |||||
| Image Processing Engine | EXPEED 4 | EXPEED 3 | |||
| Megapixel | 24.2 MP | 24.1 MP | |||
| Resolution | 6000 X 4000 | 6000 X 4000 | |||
| Sensor size | DX | 23.5 mm x 15.6 mm | DX | 23.5 x 15.6 mm | |
| Sensor type | CMOS | No OLPF | CMOS | No OLPF | |
| In camera crop mode | 1.3x | 15 MP | 1.3x | 15 MP | |
| ISO | 100 ~ 25600 (expandable to 102,400) | 100 ~ 6400 (expandable to 25600) | |||
| Metering & Focusing & Drive mode | |||||
| Metering | 2016 pixel RGB sensor0-20 EV | 2016 pixel RGB sensor0-20 EV | |||
| Focusing Module | Advanced Multi-CAM 3500FX II | Multi-CAM 3500DX | |||
| Focus points | 51 | 15 cross type; Center point effective at f/8 | 51 | 15 cross type; Center point effective at f/8 | |
| Shutter speed | 1/8000 ~ 30 sec, Bulb | 1/8000 ~ 30 sec, Bulb | |||
| Continuous drive | 6 fps | 7 fps (in crop mode) | 6 fps | 7 fps (in crop mode) | |
| Autofocus Sensitivity | -3 to +19 EV | -2 to 19 EV | |||
| Group Area AF | – | No | |||
| Separate selection of both focus point and AF-area mode for landscape and portrait orientation | Yes | No | |||
| Buffer Capacity | JPEG/Fine/Large: 100 shots | JPEG/Fine/Large: 33 shots | |||
| Viewfinder & LCD | |||||
| Viewfinder coverage | 100% | 100% | |||
| LCD size | 3.2″ | 3.2″ | |||
| Screen Dot | 1,228,800 | 1,228,800 | |||
| Touch screen | No | No | |||
| LCD Tilting | No | No | |||
| Flash | |||||
| Built-in flash GN | 39 ft. at ISO 100 | 39 ft. at ISO 100 | |||
| Flash X sync speed | 1/250 | 1/250 | |||
| Movie Features | |||||
| Resolutions | 1,920×1,080 / 60 fps1,920×1,080 / 30 fps | 1,920×1,080 / 60 fps1,920×1,080 / 30 fps | |||
| Format | MOV (H.264/MPEG-4) | MOV (H.264/MPEG-4) | |||
| Microphone | Stereo | Stereo | |||
| Speaker | Mono | ||||
| Interval Timer Exposure Smoothing | Yes | Interval Timer only | |||
| Number or intervals in Time-lapse | Up to 9,999 | Up to 999 | |||
| Auto ISO in Manual Mode | Yes | No | |||
| Highlight Display (Zebra Stripes) in Live View | Yes | No | |||
| Storage | SD – SDHC – SDXC | 2 slots | SD – SDHC – SDXC | 2 slots | |
| Connectivity | |||||
| USB | USB 2.0 | USB 2.0 | |||
| HDMI | Yes (mini-C) | Yes (mini-C) | |||
| Audio input/output | Stereo/Stereo (3.5mm jack) | Stereo/Stereo (3.5mm jack) | |||
| Built-in Wi-Fi | YES – Built-in Wi-Fi with NFC | No | |||
| Built-in GPS | No | No | |||
| Physical feature | |||||
| Shutter cycle | – | 150,000 | |||
| Battery Life | 1,110 shots (EN-EL15) 80 minutes of video |
950 shots (EN-EL15)110 minutes of video | |||
| Dimension | 5.4 in x 4.2 inx 3.0 in | 5.3 × 4.2 × 3.0 in | |||
| Weight | 765 gm | 765 gm | |||
Super Moon Video
This is a video of Super Moon from last September. It was recorded in Chittagong around 90 minute after sunset. It was quite windy, so I mounted the camera on a Manfrotto 190 series tripod. The Cloud and the Bats flying past the bright light of the Super Moon created a beautiful environment. I used Nikon D7100 camera with AFS Nikkor 300/f4 ED + TC 1.4E II Tele converter. The effective focal length was around 800mm due to 1.3x crop mode.
Date : 2014-09-09
Camera : Nikon D7100
Lens : AFS Nikkor 300/f4 ED + TC 1.4E II
Audio Credit – “Death By Candlelight” by FoolBoyMedia
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Leica S (Typ 007)
Release : September 2014
Availability : Second quarter of 2015
Price : $ 25,400.00
Pre-Order Now : Adorama | B&H
Key features
- 37.5MP 30 x 45mm CMOS Sensor
- Maestro II Image Processor
- No Optical Low-Pass Filter
- 4K Video at 24 fps, 4:2:2 Color
- Up to 3.5 fps Shooting, ISO 6400
- Built-In Wi-Fi and GPS Connectivity
- Weather-Sealed Magnesium Alloy Body
With the Leica S (Type 007), Leica presents the new top model of the Leica S-System. As a logical development of its predecessors, the new Leica S features a multitude of radically new components – like the Leica CMOS sensor and the Leica Maestro II image processor – and now opens up new dimensions in the field of medium-format photography.
For the first time, the combination of the highest burst rate, extreme sensor sensitivity and comprehensive capture modes for still pictures – and now also video in exceptional quality – provides photographers with the opportunity to exploit the superior imaging capabilities of medium format for productions that demand maximum mobility and drive. The Leica S significantly accelerates and simplifies the photographic workflow with a multitude of features that are unique to medium-format photography – and some of them not only there. In addition to the new body, a new lens also expands the capabilities of the S-System. With regard to speed and imaging quality, the Leica Summicron-S 100 mm f/2 ASPH. telephoto portrait lens represents a new benchmark. Finally, the Leica S-System also welcomes the new Leica S-E (Type 006) as a lower-priced entry-level model.
NEW IMAGE SENSOR AND NEW PROCESSOR FOR INCREASED QUALITY AND HIGHER SPEED
Amongst the most remarkable innovations in the Leica S are the new Leica CMOS sensor and Maestro II image processor. Thanks to these, it has been possible to enormously increase the speed and versatility of the S-System and raise it to a level that was previously unheard of in the medium-format segment. With a burst frequency of up to 3.5 frames per second, full-HD video in full-frame medium-format sensor size and 4K video recording, fast Live View mode and exceptional imaging quality at all ISO settings, the Leica S (Type 007) once again documents its status as the benchmark in the medium-format segment. The 2 GB buffer memory ensures smooth shooting of rapid sequences and, despite its more than doubled burst rate capability, the new focal plane shutter in the camera offers a further significantly increased service life of at least 150,000 cycles.
FAST, PREDICTIVE AUTOFOCUS MODULE FOR SUBJECTS IN MOTION
The revised autofocus system brings not only higher speed, but also more reliable and more precise focusing. To ensure optimum sharpness and precise tracking of moving subjects, the Leica S (Type 007) features a predictive autofocus mode: the camera registers the motion of the subject and determines the distance to it at the moment of exposure. In combination with its fascinating imaging quality and high burst rate, the Leica S sets entirely new standards for professional medium-format action photography.
INTEGRATED WLAN, GPS SYSTEM AND LEVELING AID FOR PRECISION AND UNCOMPLICATED WORKFLOWS
The Leica S is currently the only professional camera to feature an integrated GPS module that can record the geographical positioning data of the momentary location in the Exif data of the image file whenever needed, as well as automatically set the local system time. On the basis of the coordinates, appropriate software installed on a computer, for instance the Adobe Photoshop Lightroom® package supplied with the camera, can display the precise location of each image on a map and register the corresponding place names as search keys for archived photos. The new dual-axis levelling aid (spirit level) displays the precise horizontal and vertical orientation of the camera in the viewfinder to allow photographers to align the subject with absolute precision and without any need for external aids. In combination with an app for smartphones and tablets, the camera’s integrated Wlan module enables remote control of the camera and remote image assessment in Live View mode to provide simpler and intuitive workflows.
OPTIMISED HANDLING
With a resolution of 921,600 pixels, a 3″ diagonal, full sRGB colour space and increased contrast and brightness, the display allows optimum assessment of subjects and images in every situation. The glass plate protecting the monitor is manufactured from tough and scratch-resistant Corning Gorilla Glass®. The panel on the top deck of the Leica S has been redesigned as a trans-reflective display with a larger area and optimised information content to ensure optimum legibility – even in bright sunlight. Two new control elements on the top deck enable direct selection of Live View mode and the activation of video recording.
LIFESPAN
Leica S-Cameras are designed and constructed for many years of daily use. The new stainless-steel bayonet guarantees even greater endurance under even the toughest conditions. The Leica S (Type 007) possesses all the proven quality characteristics of the S-System. These include the large 30 × 45 mm Leica Pro Format sensor and its micro-lens layer that guarantees consistently uniform brightness from corner to corner. The camera and S-Lenses are extremely ruggedly built and sealed against environmental influences like dust and rain. The system’s unique dual-shutter concept offers photographers the choice of using the camera’s fast focal plane shutter with speeds up to 1/4000 s or the electronically controlled central shutter of the CS lenses that allows flash sync at all shutter speeds up to 1/1000 s. The ten currently available Leica S-System lenses, six of which are also available with a central shutter, offer photographers all important focal lengths and a first-class tilt/shift lens. At the same time, numerous third-party medium-format lenses can be mounted on the Leica S with adapters: for instance the Leica S-Adapter H for Hasselblad H lenses and the Leica S-Adapter C for Contax 645 lenses, both of which provide full compatibility – including autofocus, central shutter control (Hasselblad) and automatic aperture control.The Leica S is uncompromisingly built for maximum dependability in use and also features details like cable connections with strain relief, separate slots for CompactFlash and SD memory cards, further optimised energy efficiency and a scratch-resistant display.
Product Photo
Specification
| Lens Mount | Leica S bayonet |
| Compatible Lenses | Leica S lenses |
| Image Sensor | 37.5 MP45 x 30 mm CMOS sensor (Leica Pro format)No optical low-pass filter, IR filter on sensor. 0.8x crop factor compared to 35mm format |
| Aspect Ratio | 3:2 |
| Maximum Resolution | 7500 x 5000 px |
| Pixel Size | 6 µm |
| Dynamic Range | 13 stops |
| Color Depth | 16-bit |
| Color Space | sRGBAdobe RGBeciRGB_v2 |
| White Balance | Daylight, clouds, shade, tungsten, HMI, neon warm, neon cool, flash, gray card, Live View, autoWB, color temperature (Kelvin) |
| Sensitivity | Auto, ISO 200 to ISO 6400 (ISO 100 pull setting) |
| Exposure Mode | P: full automatic (with manual exposure shift), T: time-priority, A: aperture-priority, M: manual |
| Exposure Metering | Open aperture measurement through lens (TTL) |
| Exposure Metering Mode | Multi-field (5 field)Center-weightedSpot (3.5%) |
| Exposure Compensation | +/- 3 EV in 1/2 EV steps |
| Exposure Bracketing | 3 or 5 images; 1/2, 1, 2, or 3 EV |
| Metering Range | Multi-field and center-weighted: EV 1.2 to 20Spot: EV 2.7 to 20 |
| Shutter | Focal plane shutter; microprocessor-controlled metal bladesCentral shutter (with Leica S central shutter lenses) |
| Shutter Speed Range | 125 to 1/4000 sec. in 1/2 EV steps |
| Drive Mode | Single, continuous, interval, self-timer (12 or 2 sec. delay with mirror up) |
| Continuous Shooting | Up to 3.5 fps |
| Focus | Predictive autofocus with central cross sensor |
| Focus Modes | AF single, predictive AF continuous, manual override |
| File Format | DNG lossless compressed: 37.5 MPJPEG: 37.5 MP, 9.3 MP, 2.3 MPDNG+JPEG |
| File Size | DNG lossless compressed: 42 MBJPEG: 16 to 1 MB, depending on image content and resolution |
| Buffer | DNG lossless compressed: Up to 32 imagesJPEG: No limit, depending on memory medium, exposure time, and ISO |
| Storage | 1x SD/SDHC/SDXC1x CompactFlash (UDMA 7)External via tethered connection |
| Video | |
| Video Recording | Full HD 1920 x 1080 (with Leica Pro Format sensor area)4K 4096 x 2160 (with Super 35 window mode) |
| Frame Rate | Full HD: 24, 25, and 30 fps4K: 24 fps |
| Video File Format | MOV (Motion JPEG) |
| Color Sampling | 4:2:2 |
| Exposure Control | Manual and auto control |
| Focus | Manual, AF-field can be positioned |
| Exposure Metering Mode | Multi-field, center-weighted, spot (linked with the AF-field) |
| Audio | Manual and auto controlIn-camera stereo microphone: 48 kHz, 16 bit3.5 mm jack for audio-in or audio-out via included Audio-Adapter S |
| Viewfinder Type | Pentaprism optical viewfinder |
| Magnification | 0.87x (at 70mm, infinity focus, 0 diopter) |
| Viewfinder Frame Coverage | Approx. 98% |
| Diopter Correction | -3 to +1 m |
| Focusing Screen | Interchangeable |
| LCD Monitor | 3.0″ 921.6k-dot TFT LCD with Corning Gorilla Glass cover, 100% frame coverageTop monochrome information display |
| Color Space | sRGB (16 million colors) |
| Viewing Angle | 170° |
| Interface | LEMO Flash-syncHot shoe with middle and control contacts |
| Flash Synchronization | X-sync with focal plane shutter: 1/125 sec.X-sync with central shutter lens: Up to 1/1000 sec.High-speed sync: Up to 1/4000 sec. with optional SF 58 flash and HSS setting |
| Flash Control | SCA 3502TTLTTL HSS (up to 1/4000 sec.)
A M Strobe Start or end of exposure |
| Wi-Fi | Built-in Wi-Fi and GPS modules |
| Interface | HDMI Type C jackFlash sync socketLEMO USB 3.0 high-speed jack
Audio-Adapter (audio-in, audio-out, time code) LEMO flash sync socket LEMO cable release socket Contact bar for Leica Multifunctional Handgrip S (optional) |
| Power Supply | Battery S: Rechargeable lithium-ion battery pack (7.3 V, 2850 mAhLeica AC Adapter S (optional) |
| Tripod Mount Thread | 1/4″-20 and 3/8″-16 with anti-locking pins |
| Operating Conditions | 32-113°F / 0-45°C15-80% relative humidity |
| Dimensions | 6.3 x 3.1 x 4.7″ / 160 x 80 x 120 mm |
| Weight | 2.8 lb / 1.26 kg (without battery) |
Macro Extension Tube Review – Kenko vs Vello
Macro is a genre of photography which allures most of us. To gain access into this world of wonder the simplest piece of gear is an Extension Tube. Which is equally helpful whether you are a beginner or a veteran. Extension tube is a hollow tube and has no glass in it. To take close up picture we simply have to fit it in between the DSLR camera & lens.
Extension tubes are available in different length e.g. 12mm, 20mm, 25mm or 36mm. We can use any one of them or combine two or more depending on our need. The picture below is taken with a AF Micro Nikkor 200/4D lens. The subsequent examples shows the different level of magnification that can be achieve with different length of Extension tube.
Auto Focus Extension Tube
All modern DSLR camera communicate with the lens through electronic contact. So when we purchase an extension tube it needs to be an Auto focus one. Nikon doesn’t make Auto Focus Extension Tube. Canon has Extension Tube EF 25 II & Extension Tube EF 12 II, but they are expensive. Among the third party manufacturer’s Kenko is the most popular. Besides there are many other brands and non-brands. Here is a comparison among Kenko, Vello and a Non-brand AF extension tube.
Physical Construction
All three Extension tube comes in a set of three – 12mm, 20mm and 36mm. The outer structure of all three are plastic. Vello and Non-brand are almost the same, while the quality of plastic in Kenko is much better. The markings on the body for lens alignment are clean and simple on Kenko. Lens release knob in Kenko is very well made and easy to use, while the rest have metal tab. They all have Front metal mount. However the grade of metal in Kenko is superior. The Rear mount of Non-brand is made out of plastic, which feels quite cheap. It is not recommend to use it with heavy lens. The plastic rear mount can be cracked. And if they do your lens will fall apart. Both Kenko and Vello have metal rear mount. In Vello and Non-brand the inner wall of the tube is covered with black felt. In Kenko the inner wall construction is just like that of lens, which is obviously much better. Inner diameter of the Non-brand extension tube is narrow by few millimeter.
Functional quality
Extension Tubes have no effect on image quality, since they don’t have any optics inside. The Kenko has no problem in use. Vello and Non-brand works fine with Nikon Pro DSLR but not with entry level DSLR camera like Nikon D3100. When attached with Nikon D3100 it gives (F – – ) Error. Which indicates the electronic contact of camera body and extension tube aren’t aligned properly.
Fix Extension Tube Error (F – – )
If you look carefully you will see there is a small knob on the lower right side of camera lens mount (at 8 o’clock position). Press it and it gets depressed. When you mount a lens on camera this knob is pushed by a small tab (tab located at 4 o’clock position of lens rear mount). If the knob isn’t pushed the lens doesn’t fits in right position and gives (F – -) Error. The tab found in Vello and Non-brand Extension tube doesn’t work as intended.
To fix it push the little knob of camera lens mount with your finger nail tip and attach the extension tube. You will hear a click sound when Tube locks in and there will be no F- – Error. Now the extension tube will work just fine.
Conclusion
There is no doubt that Kenko is the best among the three. At around $130 its a good investment for long term work. The built quality, fit and feel all are just how it should be. Next comes the Vello. Which is fine at an affordable price selling around $80. It works with almost all lens I have tested including pro grade tele lens like AFS Nikon 70-200/2.8 VRII. The Non-brand extension tube at a glance looks almost like the Vello but close inspection reveals that it has some short coming. These Non-brands are usually sold around $30 to $50 price range. It is good for beginners in macro photography.
Extension Tube Recommendation
- If you are new to DSLR photography, have a kit lens (18~55mm) or 50mm Prime Lens and want an affordable Extension tube – You may purchase a Non-brand AF Extension Tube.
- If you are an advance ameture and want an affordable AF Extension Tube – go for brands like Vello.
- If you want the best and don’t have limit on budget go for Kenko.
Kenko AF Extension tube – Nikon | Canon | Sony A | Sony E | Olympus | Panasonic
Vello AF Extension tube – Nikon | Canon
About Author
Junaed is a Doctor by profession who started photography back in 1992. From film days to digital he is regarded as a talented Photographer. He regularly appears as a guest lecturer at various Photographic clubs & institutes.
Macro Photography Related Article :
Macro Photography Beginners Guide
How to convert Normal 18-55 Zoom Lens to Macro lens
How to convert a Tele converter to an Extension Tube
How to achieve High Magnification in Macro Photography
Macro AF Extension Tube Error Fix
AF Micro-Nikkor 200mm f/4D IF-ED Review
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World’s Most Expensive Photographs Of All Time
World’s Top 17 Most Expensive Photographs Of All Time
Number 1: “Phantom” (2014) by Peter Lik sold for $6.5 million in 2014
Photo: Peter Lik
Number 2: “Rhein II” (1999) by Andreas Gursky sold for $4,338,500 in 2011
Photo: Andreas Gurskys / Christie’s
Number 3: “Untitled #96” (1981) by Cindy Sherman sold for $3,890,500 in 2011
Photo: Cindy Shermans / Buzz feed
Number 4: “99 Cent II Diptychon” (2001) by Andreas Gursky sold for $3,346,456 in 2006
Photo: Aandreas Gurskys / Buzz Feed
Number 5: “The Pond-Moonlight” (1904) by Edward Steichen sold for $2,928,000 in 2006
Photo: Edward Westons / Buzz Feed
Number 6: “Kremlin of Tobolsk” (2009) by Russian President Dmitry Medvedev sold for $1,750,000 in 2010
Photo: Dmitry Medvedevs / Buzz Feed
Number 7: “photo of a nude” (1925) by Edward Weston sold for $1,609,000 in 2008
Photo: Edward Westons / Buzz Feed
Number 8: “Georgia O’Keeffe (Hands)” (1919) by Alfred Stieglitz sold for $1,470,000 in 2006
Photo: Alfred Stieglitzs / Buzz Feed
Number 9: “Georgia O’Keeffe Nude” (1919) by Alfred Stieglitz sold for $1,360,000 in 2006
Photo: Alfred Stieglitzs / Buzz Feed
Number 10: Untitled photo of a cowboy (1989) by Richard Prince sold for $1,248,000 in 2005
Photo: Richard Princes / Buzz Feed
Number 11: “Dovima with Elephants” (1955) by Richard Avedon sold for $1,151,976 in 2010
Photo: Richard Avedons / Buzz Feed
Number 12: “Nautilus” (1927) by Edward Weston sold for for $1,082,500 in 2010
Photo: Edward Westons / Buzz Feed
Number 13: “One” (2010) by Peter Lik sold for $1 million in 2010
Photo: Peter Liks / Buzz Feed
Number 14: “113. Athènes, T[emple] de J[upiter] olympien pris de l’est” (1842) by Joseph-Philibert Girault de Prangey sold for $922,488 in 2003
Photo; Joseph Philibert / Buzz Feed
Number 15: “The Great Wave, Sete” (1857) by Gustave Le Gray sold for $838,000 in 1999
Photo: gustave Le Grays / Buzz Feed
Number 16: “Joueur d’Orgue” (1898-1899) by Eugène Atget’s sold for $686,500 in 2010
Photo: Eugne Atgets / Buzz Feed
Number 17: Robert Mapplethorpe’s photo of Andy Warhol (1987) sold for $643,200 in 2006
Photo: Robert Mapplethorpes / Buzz Feed
LEICA X-E (Typ 102)
Release Date : September 2014
Price : $ 1,579.60
Order Now : Adorama | B&H | Amazon
Key features
- 16.2 MP APS-C CMOS Sensor
- Leica Elmarit 24mm f/2.8 ASPH Lens
- 35mm (35mm Equivalent)
- Lightweight and Compact Metal Body
- 2.7″ 230k-Dot TFT LCD Display
- 11-Point AF System
- Manual Focus and Manual Exposure Control
- ISO 12500, Up to 5 fps Shooting
- Pop-Up Flash & Built-In Hot Shoe
The Leica X-E (Typ 102) inherits its look from Leica legacy. The included Leica Elmarit 35mm f/2.8 ASPH lens is optimized to take full advantage of this camera. With street photography in mind this 16MP camera is only limited by the imagination of the photographer. The 35mm perspective can portray the natural world with out any obvious distortion. The premium look and feel of this camera makes it truly exceptional.
Product Photo
Specification
| Pixels | Actual: 16.5 Megapixel Effective: 16.2 Megapixel |
| Sensor | APS-C (23.6 x 15.8 mm) CMOS |
| Bit Depth | Not Specified By Manufacturer |
| File Formats | Still Images: DNG, JPEG |
| Max Resolution | 16.2MP: 4944 x 3278 |
| Aspect Ratio | 3:2 |
| Image Stabilization | None |
| Color Spaces | Not Specified By Manufacturer |
| Lens | Leica Elmarit, 8 elements in 6 groups1 AsphericalEFL: 24 mm (35 mm equivalent: 35 mm)Aperture: f/2.8 to f/16 |
| Filter Thread | None |
| Zoom | None |
| Focus Range | Normal: 0.98′ (30 cm) – Infinity |
| ISO Sensitivity | Auto, 100-12500 |
| Shutter | 30 – 1/2000 seconds |
| Exposure Metering | Center-weighted, Multi, Spot |
| Exposure Modes | Modes: Aperture Priority, Manual, Program Compensation: -0 EV to +3 EV (in 1/3 EV steps) |
| Shooting Modes | Black and White Copy Dynamic ToneHigh Contrast B&WNaturalStandard |
| White Balance Modes | Auto, Cloudy, Color Temperature, Daylight, Flash, Halogen, Manual, Shade 1Please Note:White balance adjustment (2 axis)close |
| Burst Rate | Up to 5 fps Up to 3 fpsPlease Note:Max. pictures in JPEG fine + DNG: 8 pictures |
| Interval Recording | No |
| Flash Modes | 1st Curtain Sync AutoAuto/Red-eye ReductionFill-inRed-eye ReductionSecond-curtain Sync
Slow Sync |
| Built-in Flash | Yes |
| External Flash Connection | Hot Shoe |
| Built-in Memory | 110MB |
| Memory Card Type | SD SDHCSDXC |
| Video Recording | None |
| Viewfinder Type | None |
| Screen | 2.7″ LCD Rear Screen (230,000 pixels) |
| Connectivity | HDMI A (Full Size) USB 2.0 |
| Wi-Fi | None |
| Battery | BP-DC8 Rechargeable Lithium-Ion Battery Pack, 3.7VDC, 1600mAh |
| Dimensions (WxHxD) | 4.9 x 2.7 x 2.0″ / 124.0 x 69.0 x 51.5 mm |
| Weight | 11.15 oz / 316 g (Camera only) |