Sigma Lens Instant Rebate 2016
Current Rebates
Sigma has announced Instant Rebates program for 2016.
- Expires: February 29, 2016.
- Amount: Upto $300
Lenses
| 15mm f/2.8 fish eye | $50 | Amazon | Adorama | B&H |
| 10-20mm f/3.5 EX DC HMS | $200 | Amazon | Adorama | B&H |
| 17-50mm f/2.8 EX DC OS HMS Macro | $250 | Amazon | Adorama | B&H |
| 105mm f/2.8 EX DG OS HMS Macro | $300 | Amazon | Adorama | B&H |
| 18-250mm F3.5-6.3 DC OS HSM Macro | $250 | Amazon | Adorama | B&H |
| 50-500mm f/4.5-6.3 APO DG OS HSM | $150 | Amazon | Adorama | B&H |
| 70-200mm f/2.8 EX DG OS HSM | $250 | Amazon | Adorama | B&H |
Cameras
Sigma dp1 Quattro Digital Camera with 19mm f/2.8 Lens – $699 (after $300 instant rebate)
Sigma dp-2 Quattro Digital Point & Shoot Camera, Fixed 30mm f/2.8 Lens – $699 (after $300 instant rebate)
Sigma dp0 Quattro Digital Camera with 14mm f/4.0 Lens – $699 (after $300 instant rebate)
Sigma DP-2 Merrill Digital Camera with 46 Megapixel, FOVEON X3 Direct Image Sensor, Fixed 30mm f/2.8 Lens – $640 (after $300 instant rebate)
Sigma SD1 Merrill Digital SLR Camera Body, 46 Megapixel – $1,899 (after $400 instant rebate)
Expired rebates
Sigma 50mm f/1.4 DG HSM ART Lens- $100 Instant Rebate. The Sigma 50mm f/1.4 DG HSM ART Lens is now priced at $849.00 and available in a variety of mounts. Canon, Nikon, Sony A, Sigma
Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Canon EOS Cameras – USA Warranty. Now $799.00 after $270 Instant Rebate (Reg $1069.00)
Sigma 150-500mm f/5-6.3 DG APO OS (Optical Stabilizer) HSM AutoFocus Telephoto Zoom Lens for Nikon AF Cameras – USA Warranty. Now $799.00 after $270 Instant Rebate (Reg $1069.00). All Sigma 150-500mm rebates here
Sigma 10-20mm f/4-5.6 EX DC HSM Autofocus Zoom Lens for Canon EOS Digital SLR Cameras – U.S.A. Warranty. Now $379.00 after $100 Instant Rebate (Reg $479.00)
Sigma 10-20mm f/4-5.6 EX DC HSM Autofocus Zoom Lens for Nikon DSLR Cameras – USA Warranty. Now $379.00 after $100 Instant Rebate (Reg $479.00). All Sigma 10-20mm rebates here
New Sigma instant rebates 2015 now available. Save up to $300! Promotion ends Feb. 28, 2015
Sigma Cameras
| Model | Rebate | Check at |
|---|---|---|
| Sigma DP1 Merrill | $200 | Amazon | Adorama | B&H |
| Sigma DP2 Merrill | $200 | Amazon | Adorama | B&H |
| Sigma DP3 Merrill | $200 | Amazon | Adorama | B&H |
| Sigma SD1 Merrill | $300 | Amazon | Adorama | B&H |
Sigma Lenses
| Model | Rebate | Check at |
|---|---|---|
| 60mm F2.8 DN | A | $30 | Amazon | Adorama | B&H |
| 4.5mm f/2.8 EX DC HSM | $100 | Amazon | Adorama | B&H |
| 50mm f/1.4 EX DG HSM | $100 | Amazon | Adorama | B&H |
| 105mm f/2.8 EX DG OS HMS Macro | $300 | Amazon | Adorama | B&H |
| 10-20mm f/3.5 EX DC HMS | $80 | Amazon | Adorama | B&H |
| 17-50mm f/2.8 EX DC OS HMS Macro | $150 | Amazon | Adorama | B&H |
| 18-250mm F3.5-6.3 DC OS HSM Macro | $200 | Amazon | Adorama | B&H |
| 50-500mm f/4.5-6.3 APO DG OS HSM | $150 | Amazon | Adorama | B&H |
| 150-500mm F5-6.3 APO DG OS HSM | $200 | Amazon | Adorama | B&H |
| 70-200mm f/2.8 EX DG OS HSM | $200 | Amazon | Adorama | B&H |
Sigma Gear Database
Clipstro – Paid Photography Apps Become Free – for iPhone & iPad
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
Clipstro – auto strobe motion video creator
Normal Price : $ 2.99
Download Now
With Clipstro, you can record 5 seconds of video and it will automatically convert it into an actionshot video.
Clipstro allows you to create a video, similar to motion sequence images, hassle-free. Yon don’t even need a tripod.
Enjoy using the app for sports, checking your posture, or videos of cars, bikes, etc.
The video you created can be posted on Facebook, or you can save it to the photo library in order to upload it on video-sharing apps such as Instagram, Vine, LINE, RIDERS.
TIPS FOR GETTING THE BEST RESULTS:
1) Keep the camera as still as possible. In cases where the camera needs to follow an action, move the camera slowly and no more than 45 degrees.
2) The background should be distinctive. Water, snow, or sky backgrounds will likely not produce desired results. Also, avoid dark places.
3) Because actions performed in place will overlap, objects and actions being recorded should move across the video frame.
IN-APP PURCHASES:
The following options are available without In-app Purchase
Interval (smaller values mean closer strobe intervals): 2, 4
Strobes (number of strobes to keep): All, 5
Objects: 1, Many
Addition values available through In-app Purchase (Interval and Strobes options sold separately)
Interval: 3, 6, 8
Strobes: 3, 7, 10
THE RESOLUTION OF THE VIDEO AFTER CONVERTED:
Clipstro supports devices running iOS 7 or later, but the resolution for the video may vary depending on the memory capacity of the device.
Devices with less than 512 MB of RAM … 640X360
e.g.: iPhone4/4s, iPad2, iPad mini 1st, iPod touch 5th
Devices with more than 1GB of RAM … 1280X720
e.g.: iPhone5/5c/5s, iPad 3rd/4th/Air, iPad mini Retina
CONVERTING TIME:
Clipstro supports devices running iOS 7 or later, but a newer and faster device requires less time to convert.
iPhone 4s, 70 seconds
iPhone 5, 58 seconds
iPhone 5s, 33 seconds
iPhone6, 27 seconds
iPhone6Plus, 27 seconds
iPad 2, 65 seconds
iPad 3rd, 115 seconds
iPad Air, 27 seconds
iPad mini, 58 seconds
iPod touch 5th, 70 seconds
Manfrotto 290 Xtra, Dual Tripods & Monopod – Announced
MANFROTTO PRESENTS: THE NEW 290 COLLECTION
- Released on: August 6th 2015
- Price: From £49.95
Manfrotto annouced completely renewed range of new 290 collection – tripods, kits and monopods. The new 290 range keeps the heritage of the previous 290 family, whilst upgrading to a new premium style with innovative functions. Aimed at passionate hobbyists, the new collection is the perfect starting point for photographers who are developing their skills and gaining experience.
Manfrotto 290 Xtra
The 290 Xtra boasts a completely new style and outstanding technical functions and allows users to realise their creative streak thanks to the flexibility offered with the new 4 leg angle positions. Available in aluminium and carbon fiber, the robust construction and ergonomic control provide a constant rock solid support thanks to the adjustable aluminium leg lock. The carbon fiber version features lightweight carbon composite tubes. Coming with a dedicated shoulder bag, the 290 Xtra is the perfect companion for both indoor and outdoor photography.
Specifications
|
attaches by. |
1/4 attachment type |
|
centre column |
rapid |
|
closed length |
25.79 in |
|
Color |
black color |
|
column tube diameter |
0 63/64 in |
|
leg angles |
25°.46°.66°.88° |
|
leg sections |
3 number |
|
legs tube diameter |
26. 22.5. 19 mm |
|
material |
aluminum |
|
Maximum Height |
66.93 in |
|
maximum height (with centre column down) |
57.48 in |
|
Minimum Height |
15.75 in |
|
plate type |
200PL-14 |
|
safety payload |
11.02 lbs |
|
Weight |
4.85 lbs |
Manfrotto 290 DUAL
The 290 Dual represents the natural connection between the 290 and 190/055 tripod ranges. It has kept the sturdy construction of the 290 range and features the innovative 90° center column mechanism. When required, use one finger to lift up the center column and swing it to the horizontal position without having to remove the camera or head. This feature, alongside the 4 leg angle position, enables the tripod to reach ground level. Boasting robust aluminium construction and ergonomic control, the 290 Dual is the ideal support for photographers to discover new shooting perspectives and express maximum creativity.
Specifications
|
attaches by. |
1/4 attachment type |
|
centre column |
rapid |
|
closed length |
29.13 in |
|
Color |
black color |
|
column tube diameter |
0 63/64 in |
|
leg angles |
25°.46°.66°.88° |
|
leg sections |
3 number |
|
legs tube diameter |
26. 22.5. 19 mm |
|
material |
aluminium magnesium |
|
Maximum Height |
69.09 in |
|
maximum height (with centre column down) |
59.45 in |
|
Minimum Height |
2.17 in |
|
safety payload |
8.82 lbs |
|
Weight |
5.71 lbs |
Manfrotto NEW 804 3-WAY HEAD
The updated 804 3-way head which features new retractable levers, with rubber handles. Thanks to the new levers and its Adapto body, the new 804 has become even more compact and lightweight.
Manfrotto 290 MONOPOD
The new 290 collection includes an updated version of the Manfrotto 290 Monopod. With new rubber legwarmers and an angled wrist strap, together with an upper disc with integrated ¼” and 3/8” attachment, the monopod represents a constant rock-solid support thanks to the adjustable aluminum leg lock. Also available in a carbon fiber 4 section version.
Purchase options
Amazon Carries Manfrotto Tripods
Graava Action Camera Creates Movie on the Go
Release Date : 5 August 2015
Availability : Early 2016
Price : $ 249.00
Available at : Graava
Key features
- Record HD Video at 30fps
- 8 MP still camera
- Automatically create movie of best moments of your videos by selected time
- Accident Alert
- Two-way communication
- Wireless charging
- Water-resistant Body
Graava is a very small video and still action camera. Unlike GoPros it has some unique features that makes a major breakthrough. With any other movie recording device you have to record video first, then go to desktop compile the video within a reasonable time frame then post the video, which is really a difficult and lengthy process for most. The Graava removes all these steps between recording the video and sharing it in youtube or social media. For example start recording a 4 hour long video and tell Graava that you want all the interesting parts of the video to be compiled within 4 minutes. It will do the job for you. But how does Graava do it !! The camera has on board accelerometer, gyro sensor, GPS, Wi-Fi and Bluetooth modules, speaker and microphones. It also records the heart rate monitor data from smartwatches including Apple Watch. All these sensory inputs help Graava to decide which parts of the recorded video has interesting moments. So it takes only those sections and trim the rest. The output video has a 1920×1080 resolution at 30 fps. Moreover it can be used to create time-lapse, hyper-lapse as well as remote monitoring through live view. Its a real clever camera that takes videos recording and its utility to a new level.
Product Photo
Specification
Camera
- Video Resolution: HD 1080p 30 fps / 720p 60 fps
- Hyperlapse Video: 4K, 1080p and 720p
- Photo Resolution: 8MP Wide
- Lens Angle of View: 130º
- Auto Image Rotation: Record video horizontally or vertically
- Looping Mode: Record a continuous loop video
- Image Stabilization
- Fixed Focus
Battery & CPU
- Battery: Rechargeable Lithium-ion 1100mAh, 3,7V
- Battery Life: Video 1080p estimated time 3 hours (with Wi-Fi off)
- Wireless Charging built-in
- ARM Dual core processor
Water Resistance
- Water-resistant rating IP67
- Do not worry about rain, splashing and accidental submersion.
Software
- Configurable camera modes by hotkeys
- Automatic auto-edition of best moments of your videos by selected time
- Share your best moments videos
- Control remotely with live preview
- Media Library, view photos, playback videos
- Smart notifications by mode
- Automatic recording by motion and by smartphone proximity
- Accident Alert
- Cloud files/Backup sync
- Full setting camera control
Smart Cam Features
- Record videos in HD
- Take photos
- Time-Lapse
- HyperLapse Videos
- Motion/Sound Dectect
- Activity alerts
- Activity Zones
- Video History on Cloud
- Accident Alert
- Auto recording by GPS
- Loop video recording
- Accident video protect
- HD video streaming
- Activity alerts
- Two-way communication
- Make Clips and time-lapse
Auto-Edition
Advanced Auto-Edition
Formulas – Paid Photography Apps Become Free – For iPhone
READ : The Apps mentioned here as Free – are free when this post is written. The Apps for Apples iOS device are made free by the developers, we don’t know how long the apps remain free, unless the developers mention it. Download Quickly if you want them.
Formulas – Photo Lab Effects and Custom Frames
Normal Price : $ 1.99
Download Now
Dozens of custom, multi layered photo effects unlike anything available on the App Store, ranging from basic color and tonal to authentic vintage film emulations, textured finishes, and painterly and artistic styles. Built with scientific precision by some of the most talented artists in the mobile photography community, these effects truly deserve the “Formula” accolade. Each is meticulously constructed from components that are expertly-crafted by renowned photographer Dirk Wuestenhagen and that themselves are fully-fledged effects in the traditional sense including textures, filters, gradients, adjustments, and much more. Each formula goes through a vigorous testing process to ensure compatibility with a wide range of scenes, subjects, and editing styles from landscapes and cityscapes to street photography and portraits.
Dozens of custom frames expertly-crafted by renowned photographer Dirk Wuestenhagen, which include high quality scans of vintage paper, worn fabric, weathered stone, and a multitude of other materials and substrates that are then refined, blended, and fine-tuned to perfection in an arduous post-processing regimen aimed at exposing naturally occurring character lines, blemishes, and impurities. Moreover, a great deal of attention is given to specific color tones within an overall limited spectrum of earthy hues that are deemed to work best with images.
One-tap Auto Adjust tool that automatically analyzes color and tonal levels in an image and makes adjustments accordingly, thereby producing professional results with no effort whatsoever.
Beautifully designed and streamlined UI that is intuitive and easy to navigate. A lot of thought and effort went into making the UI appealing to and accessible by users of all skill levels.
PHOTO EDITING EXTENSION:
Edit your photos right from within your photo library with a fully-fledged photo editing extension that not only provides access to the full functionality of the main app, but also preserves your sessions, allowing you to pick up right where you left off the next time you edit the image.
STACKABLES:
Think you’ve got what it takes to create your own formulas? Download Stackables from the App Store and start experimenting today.
TECHNICAL INFO:
High resolution support up to 16MP (4,000 x 4,000 px) on newer devices (iPhone 5 and later, iPad 3 and later).
Support for JPEG, lossless PNG, and lossless TIFF formats.
Nikon 200-500mm f/5.6E vs 200-400mm f/4G vs 80-400mm f/4.5-5.6G – Specs & Comparison
Nikon 200-500mm f/5.6E vs 200-400mm f/4G vs 80-400mm f/4.5-5.6G
These are the Nikon’s top three Big Guns in zoom sections. Though they have similar reach at the long end, inside they are quite different. Affordability & optical perfomance are the two important factor to be considered. The good thing is, for birds & tele photography now you have more options. Have a close look.
| Model | 200-500mm f/5.6E VR | 200-400mm f/4G VR | 80-400mm VR |
| Zoom Ratio | 2.5x | 2.0x | 5x |
| Focal Length Range | 200-500mm | 200-400mm | 80-400mm |
| Max Aperture | f/5.6 | f/4 | f/4.5-5.6 |
| Min Aperture | f/32 | f/32 | f/32-40 |
| Compatible Format | FX/35mm | FX/35mm | FX/35mm |
| Angle of View | |||
| DX-format | Max: 8°00’Min: 3°10′ | Max: 8°Min: 4° | Max: 20°Min: 4° |
| FX-format | Max: 12°20’Min:5°00′ | Max:12°20’Min:6°10′ | Max: 30°10’Min:6°10′ |
| Reproduction Ratio | 0.22x | 0.27x | 0.2x |
| Lens Elements | 19 | 24 | 20 |
| Lens Groups | 12 | 17 | 12 |
| Compatible Format | FX/DX | FX/DX | FX/DX |
| VR or Image Stabilization | Yes | Yes | Yes |
| Diaphragm Blades | 9 | 9 | 9 |
| Nano Crystal Coat | — | Yes | Yes |
| ED Glass Elements | 3 | 4 | 4 |
| Super Integrated Coating | Yes | — | Yes |
| AF-S (Silent Wave Motor) | Yes | Yes | Yes |
| Internal Focusing | Yes | Yes | Yes |
| Minimum Focus Distance | 7.2ft.(2.2m) | 6.6ft.(2.0m)6.41.95 | 5.74ft.(1.75m) |
| Focus Mode | Manual/Auto | Manual/Auto | Auto/Manual |
| Filter Size | 95mm | 52mm | 77mm |
| Accepts Filter Type | Screw-on | Screw-on | Screw-on |
| Approx. Dimensions (Diameter x Length) | 4.2in(108mm) x 10.5in(267.5mm) |
4.9in(124mm) x 14.4in(365mm) |
3.8in(95.5mm) x 8.0in(203mm) |
| Design |  |
 |
 |
| MTF |   |
  |
  |
| Approx. Weight | 81.2oz.(2300g) | 118.5oz.(3360g) | 56oz.(1570g) |
| Price | $1,396.95 | $6,996.95 | $2,299.95 |
| Purchase Options | |||
You may also like our article
Nikon AF-S 24-70mm f/2.8E ED VR vs AF-S 24-70mm f/2.8G ED – Differences
Now both are here. It is obvious some will lost in choosing between them. Which one to choose? So here is a quick comparison between the old Nikon 24-70mm f/2.8G ED lens and the new 24-70mm f/2.8E ED VR. Take an informed decision.
| Model Name | AF-S NIKKOR 24-70mm f/2.8E ED VR (new) | AF-S NIKKOR 24-70mm f/2.8G ED (old) |
| Format | FX/35mm | FX/35mm |
| Focal Length | 24-70mm | 24-70mm |
| Zoom Ratio | 2.9x | 2.9x |
| Max Aperture | f/2.8 | f/2.8 |
| Min Aperture | f/22 | f/22 |
| Angle of View | ||
| DX-format | Max: 61°Min: 22°50′ | Max: 61°Min: 22°50′ |
| FX-format | Max: 84°Min: 34°20′ | Max: 84°Min: 34°20′ |
| Max Reproduction Ratio | 0.27x | 0.27x |
| Lens Elements | 20 | 15 |
| Lens Groups | 16 | 11 |
| Compatible Format(s) | FX/DX | FX/DX |
| VR or Image Stabilization | Yes | No |
| Diaphragm Blades | 9 | 9 |
| Nano Crystal Coat | Yes | Yes |
| ED Glass Elements | 2 | 3 |
| Aspherical Elements | 3 | 3 |
| Super Integrated Coating | Yes | Yes |
| AF-S (Silent Wave Motor) | Yes | Yes |
| Internal Focusing | Yes | Yes |
| Minimum Focus Distance | 35-50mm: 1.2 ft (0.38m)24, 28, 70mm: 1.3 ft (0.41m) | 1.2ft (0.38m) |
| Focus Mode | Manual/Auto | Manual/Auto |
| Filter Size | 82mm | 77mm |
| Accepts Filter Type | Screw-on | Screw-on |
| Approx. Dimensions (Diameter x Length) | 3.4in (88mm) x 6in (154.5mm) | 3.3in (83mm) x 5.2in (133mm) |
| Approx. Weight | 38.4oz (1070g) | 31.7oz (900g) |
| Lens Design |  |
 |
| MTF Chart |   |
  |
| Price | $2,396.95 | $1,746.95 |
| Purchase options | ||
Nikon 24mm f/1.8G ED vs. 24mm f/1.4G ED – Specs & comparison
| Model Name | Nikkor 24mm f/1.8G ED | Nikkor 24mm f/1.4G ED |
| Focal Length | 24mm | 24mm |
| Max Aperture | f/1.8 | f/1.4 |
| Min Aperture | f/16 | f/16 |
| Format | FX/35mm | FX/35mm |
| Angle of View | ||
| DX-format | Min: 61° | Max: 61° |
| FX-format | Min: 84° | Max: 84° |
| Maximum Reproduction Ratio | 0.2x | 0.179x |
| Lens Elements | 12 | 12 |
| Lens Groups | 9 | 10 |
| Compatible Format(s) | FX/DX | FX/DX |
| VR or Image Stabilization | No | No |
| Diaphragm Blades | 7 | 9 |
| Nano Crystal Coat | Yes | Yes |
| ED Glass Elements | 2 | 2 |
| Aspherical Elements | 2 | 2 |
| AF-S (Silent Wave Motor) | Yes | Yes |
| Minimum Focus Distance | 0.75ft. (0.23m) | 0.82ft. (0.25m) |
| Focus Mode | AF, Manual | Auto, Manual |
| Rear Focusing | Yes | Yes |
| Filter Size | 72mm | 77mm |
| Accepts Filter Type | Screw-on | Screw-on |
| Approx. Dimensions (Diameter x Length) | 3.1 x 3.3 in. | 77.5 x 83.0mm | 3.3 x 3.5in. | 83 x 88.5mm |
| Approx. Weight | 12.6oz.(355g) | 21.9oz.(620g) |
| Design |  |
 |
| MTF |  |
 |
| Price | $746.95 | $2,196.95 |
| Purchase options |
Tokina 11-16mm F/2.8 ATX Pro DX II Now Only $399
Product :
Tokina 11-16mm F/2.8 ATX Pro DX II Lens for Canon APS-C Cameras
Tokina 11-16mm F/2.8 ATX Pro DX II Lens for Nikon APS-C Cameras
Regular Price: $479.00
Instant Rebate: $80.00
Current Price : $ 399.00
Tamron Releases New 18-200mm F/3.5-6.3 Di II VC Lens
Release Date : 6 August 2015
Availability : 20 August 2015
Price : $ 249.00
Available at :
Canon – Adorama | B&H
Nikon – Adorama | B&H
Sony – Adorama | B&H
Key features
- 27-300mm (35mm equivalent) lens
- For APS-C format digital SLR cameras
- All in one High Power Zoom lens
- Light weight design
- Zoom Lock feature
- Vibration Compensation
- Moisture-resistant construction
Tamron 18-200mm F / 3.5-6.3 Di Ⅱ VC is a new improvised version of its highly acclaimed AF 18-200mm F / 3.5-6.3 XR Di Ⅱ LD lens. The New lens adopts the latest optical design and mechanical structure. It features Vibration Compensation to cancel out camera shake. Moreover the all new auto focus unit ensures faster focusing speed than previous model. At 400 gm this lens is light enough to carry around all day long. The 27-300mm (35mm equivalent) focal length makes it a perfect choice for a traveler. Its ideal for snapshot, portrait, landscape and close up photography.
Product Photo
Specification
| Model name | B018 |
| Focal length | 18-200mm |
| Maximum Aperture | F / 3.5-6.3 |
| Minimum aperture | F / 22-40 |
| Aperture blades | 7 |
| Lens constitution | 14 group 16 element |
| Minimum focusing distance | 18mm = 0.5m35mm = 0.77m180mm = 0.49m200mm = 0.5m |
| Maximum magnification | 1: 4 |
| Filter diameter | 62mm |
| Length | 96.6mm (for Canon)94.1mm (for Nikon) |
| Weight | 400g |
| Mount available | For Canon / Nikon / for Sony |
Lowepro Photo Sport II Backpacks BP 200 AW II & 300 AW II – Next generation active-adventure backpack
Product Summary
- Release Date: August 5, 2015
- Color: Black | Blue
- Availability: August 5, 2015
- Price
- Photo Sport BP 200 AW II – $169.95
- Photo SPort BP 300 AW II – $199.95
- Purchase options: B&H
Features
Lowepro announces it’s next generation of its best-selling and active-adventure backpack, Photo Sport II. Addressing the demands of two passions in one pack, the updated Photo Sport II series offers camera and personal gear portability when engaged in aerobic sports or activities. The Photo Sport BP 200 AW II and 300 AW II both include a new UltraCinch™ design, featuring side access and a custom pull-tab to tighten and stabilize the bag’s photo gear space in one swift action. Lightweight, weather-resistant materials and a built-in All Weather AW Cover keep photographers moving when the weather changes. An ActivZone harness system, padded waistbelt and adjustable shoulder straps offer padding in all the right spots, while the bag’s dedicated compartment for a 2-liter water reservoir (not included) helps photographers stay hydrated while running, hiking, biking, climbing, boarding or trekking.
Product Walkthrough
Additional images
Carrying Capacity
| BP 300 AW II | BP 200 AW II |
|
|
Specifications
| BP 300 AW II | BP 200 AW II |
|
|
Purchase options
Photo Sport BP 200 AW II / 300 AW II available at B&H
Lowepro Whistler Backpacks BP 350 AW & BP 450 AW Backpacks – four-season and alpine-inspired backpack series
Product Summary
- Release Date: August 5, 2015
- Availability: August 5, 2015
- Price:
- Whistler BP 350 AW – $349.95
- Whistler BP 450 AW – $389.95
- Purchase options: B&H
Features
Lowepro has launch Whistler, a four-season and alpine-inspired backpack series. Born on the side of a mountain, the Whistler series was designed and tested by professional photographers, including Whistler shooter Paul Morrison, in the extreme conditions of the Coast Mountains of British Columbia, Canada.
Whistler is a versatile, four-season technical backpack that comes in two sizes – 350 AW and 450 AW. Ideal for wilderness photographers and adventurers who carry an equal measure of camera, video and functional outdoor equipment, the bag’s hinged and zippered back panel offers partial or full access to photography gear, and its rigid internal structure can support attachment of skis, poles, tripods, ice axes and more. Featuring Lowepro’s ActivZone System™ harness and MaxFit™ divider system, the bag is comfortable to wear and flexible to pack. Whistler’s extra-protective build keeps gear safe from the elements, including a waterproof fabric and base, detachable All Weather AW Cover™ and removable camera gear insert.
Product Walkthrough
Additional Images
Carrying Capacity
| 350 AW | 450 AW |
|
|
Technical Specifications
| 350 AW | 450 AW |
|
|
Purchase options
Whistler BP 350AW / 450AW available at B&H
A Quick Comparison of Budget Long Telephoto Zoom Lenses for Sports & Bird Photography
With the release of Nikon’s New AF-S NIKKOR 200-500mm f/5.6E ED VR lens the game of budget telephoto zoom lens has heated up. Mother company like Canon and Nikon have lenses at 100-400mm range but they cost more than $2000. This is very expensive for non professional yet highly enthusiastic photographers. Till now only Sigma and Tamron have been making long telephoto zoom lens for this big group of bird and sports photographers. Now Nikon has joined the game and they release it at a price few can believe. When Nikon sells their AF-S NIKKOR 200-400mm f/4G ED VR II at $7000 its really surprising to see them release a lens like AF-S NIKKOR 200-500mm f/5.6E ED VR at $1399. Moreover with release of every new lens Canon is rising the price while Nikon haven’t. Most of the Nikon lovers are very happy with this policy of Nikon. I hope Canon will hear the cry of their loyal consumers. Here is a quick comparison among the four currently available long range tele-photo zoom lenses.
Sigma 150-600 vs Tamron 150-600 vs Nikon 200-500
| Sigma 150-600mm f/5-6.3 DG OS HSM (New) | Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary | Tamron SP 150-600mm f/5-6.3 Di VC USD | AF-S NIKKOR 200-500mm f/5.6E ED VR | |
| Focal Length | 150 – 600mm | 150 – 600mm | 150 – 600mm | 200 – 500mm |
| Max. Aperture | 5-6.3 | 5-6.3 | 5-6.3 | 5.6 |
| Minimum Focusing Distance | 8 ft 6.4 inch | 9 ft 2.2 inch | 8 ft 10.32 inch | 7 ft 2.4 inch |
| Elements/Groups | 24/162 FLD & 3 SLD Elements | 20/141 FLD and 3 SLD Elements | 20/133 Low Dispersion Elements | 19/123 ED Elements |
| Diaphragm Blades | 9 | 9 | 9 | 9 |
| Weather Sealing | Splash and Dust Proof Mount | Splash and Dust Proof Mount | Moisture Resistant | – |
| Image Stabilization | Yes | Yes | Yes | Yes (4.5 stop) |
| Tripod Collar | Yes | Yes | Yes | Yes |
| Filter size | 105 mm | 95 mm | 95 mm | 95 mm |
| Length | 11.4 inch | 10.2 inch | 10.1 inch | 10.5 inch |
| Weight | 2.86 kg | 1.93 kg | 1.95 kg | 2.3 kg |
| Mount | Canon, Nikon & Sigma | Canon, Nikon & Sigma | Canon, Nikon & Sony | Nikon |
| Price | $1,999 | $1,089 | $1,069 | $1,396.95 |
| Available Here | B&H | B&H | B&H | B&H |
Lens Construction
MTF Chart Comparison
Ricoh GR II firmware update v1.10 released
Ricoh has released Ricoh GR II firmware update v1.10 with some general performance improvements and v1.0.5 of the Image Sync software. Download here
Nikon Releases AF-S NIKKOR 24mm f/1.8G ED Lens
Release Date : 4 August 2015
Availability : Mid September 2015
Price : $ 749.95
Available at : B&H | Amazon | Adorama
Key features
- 24mm Wide angle prime
- Bright F1.8 Aperture
- 72mm Filter diameter
- 7 Blade rounded diaphragm
- Minimum focusing distance 9 inch
The AF-S NIKKOR 24mm f/1.8G ED is the latest addition to the exceptional system of NIKKOR f/1.8 primes, and provides enthusiast photographers with a fast wide-angle prime lens that’s both lightweight and affordable. This new lens lets photographers immerse viewers into landscapes, interiors and architecture with amazing clarity and minimal distortion, while a fast maximum aperture delivers superb bokeh and excellent low-light ability. Whether a photographer’s passion is capturing environmental portraits or the delicious details of a meal, this lens creates a dramatic separation between subject and background.
The new NIKKOR 24mm f/1.8 complements Nikon’s high-resolution DSLRs and provides amazing image quality thanks to Nikon lens technologies including Nikon’s exclusive Nano Crystal Coat. Additionally, this compact lens features ED and Aspherical lens elements for extreme sharpness while minimizing ghosting and flare.
Product Photo
Sample Image
Specification
| Focal length | 24 mm |
| Maximum aperture | f/1.8 |
| Minimum aperture | f/16 |
| Lens construction | 12 elements in 9 groups (including two ED glass and two aspherical lens elements, and lens elements with Nano Crystal Coat) |
| Angle of view | Nikon FX-format D-SLR cameras: 84°Nikon DX-format D-SLR cameras: 61° |
| Minimum focus distance | 0.23 m/0.75 ft from focal plane |
| Maximum reproduction ratio | 0.20x |
| No. of diaphragm blades | 7 (rounded diaphragm opening) |
| Filter-attachment size | 72 mm (P = 0.75 mm) |
| Dimensions | Approximately 77.5 mm maximum diameter x 83.0 mm (distance from camera lens mount flange) |
| Weight | Approximately 355 g/12.6 oz |
| Supplied accessories | LC-72 72 mm snap-on Front Lens Cap, LF-4 Rear Lens Cap, HB-76 Bayonet Hood, CL-1015 Lens Case |
| Compatible accessories | 72 mm screw-on filters |
Nikon Unveils AF-S NIKKOR 200-500mm f/5.6E ED VR Lens for Sports & Bird Photography
Release Date : 4 August 2015
Availability : Mid September 2015
Price : $ 1399.95
Available at : B&H | Amazon | Adorama
Key features
- 200-500mm Super Tele Photo Lens
- Constant F5.6 Aperture
- 95mm Filter diameter
- 4.5 Stop Vibration Reduction (VR)
- Sports Mode for sports photography
- Electromagnetic Aperture Control
- Optional 95mm NC & Circular Polarizing Filter II
The new Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR is an exhilarating new lens option, giving enthusiast FX and DX-format photographers the ability to go further with amazing zoom power and tack-sharp clarity. This compact super-telephoto zoom is ideal for bringing distant subjects closer, including birds, sports, wildlife and motorsports. This lens opens the doors for a fresh new perspective; with a maximum reach of 500mm on FX-format Nikon cameras and a staggering 750mm equivalent reach on DX-format cameras. With a maximum aperture of f/5.6, photographers have the ability to fill much of the frame with their subject and create a pleasing background blur, even in challenging light. This lens also features Nikon’s Electromagnetic Aperture for consistent exposures, as well as VR with 4.5 stops of image stabilization. Additionally, the VR features Sport Mode, which is well-suited for capturing vibrant, sharp images of distant subjects at high frame rates or when panning with fast-moving action. The lens also lets users focus as close as 7.2 ft. throughout the entire focal range, for when a decisive play comes closer than expected, or capturing intricate details of nature.
Whether spending all day at an air race or in the field, the new NIKKOR 200-500mm f/5.6 is surprisingly lightweight at only 5 lbs 1.2 oz. (2300 grams) including the tripod collar, making this lens easy to use handheld for extended periods. Photographers looking for even more reach can increase the zoom power using an optional compatible Nikon 1.4x, 1.7x or 2x E series Teleconverters** to capture even the most distant subjects.
The new AF-S NIKKOR 200-500mm f/5.6E ED VR’s optical formula features three ED elements to enhance sharpness and minimize chromatic aberration. A 9-blade aperture provides a desirable, smooth bokeh, while Nikon’s Silent Wave Motor technology helps to quickly and quietly achieve critical focus. The filter diameter of the new 200-500mm lens is 95mm, and Nikon will also offer optional 95mm NC (Neutral Color) and the 95mm Circular Polarizer CPL2 filters.
Product Photo
Sample Image
Specification
| Focal length | 200-500 mm |
| Maximum aperture | f/5.6 |
| Minimum aperture | f/32 |
| Lens construction | 19 elements in 12 groups (including three ED glass elements) |
| Angle of view | Nikon FX-format D-SLR cameras: 12°20′-5°00’Nikon DX-format D-SLR cameras: 8°00′-3°10′ |
| Minimum focus distance | 2.2 m/7.22 ft from focal plane |
| Maximum reproduction ratio | 0.22x |
| No. of diaphragm blades | 9 (rounded diaphragm opening) |
| Filter-attachment size | 95 mm (P=1.0 mm) |
| Dimensions | Approximately 108 mm maximum diameter x 267.5 mm (distance from camera lens mount flange) |
| Weight | Approximately 2300 g/5 lb 1.2 oz (including tripod collar), approx. 2090 g/4 lb 9.8 oz (without tripod collar) |
| Supplied accessories | LC-95 95 mm snap-on Front Lens Cap, LF-4 Rear Lens Cap, HB-71 Bayonet Hood, CL-1434 Lens Case |
| Compatible accessories | 5 mm screw-on filters (95 mm Neutral Color NC Filter/95 mm Circular Polarizing Filter II), AF-I/AF-S Teleconverters TC-14E*1/TC-14E II*1/TC-14E III*1/TC-17E II*2/TC-20E*2/TC-20E II*2/TC-20E III*2*1 AF possible when attached to an f/8-compatible camera.*2 AF is not possible. |
Nikon’s All New AF-S NIKKOR 24-70mm f/2.8E ED VR Lens
Release Date : 4 August 2015
Availability : Late August 2015
Price : $ 2399.95
Available at : B&H | Amazon | Adorama
Key features
- Professional grade 24-70mm Lens
- Constant F2.8 Aperture
- 82mm Filter diameter
- 4 Stop Vibration Reduction (VR)
- Front & rear lens element has Fluorine coating for durability
- Electromagnetic Aperture Control
- Improvement of Hood lock release button
- Dust & weather proof design
Look into the bag of nearly any Nikon-wielding pro and you will find Nikon’s iconic 24-70mm f/2.8, and with good reason; this lens’ versatility and image quality has made it an essential workhorse lens for every type of shooter. The new AF-S NIKKOR 24-70mm f/2.8E ED VR improves upon its respected predecessor in nearly every aspect, adding the best Nikon lens technologies to create an essential optic. An exciting evolution to come to this lens is the much-anticipated addition of Nikon’s Vibration Reduction (VR) image stabilization technology. With up to four stops of image stabilization*, the new 24-70mm f/2.8 VR is ready to tackle the challenging light of a wedding ceremony or on-the-spot news, while Tripod Mode helps to banish blur for landscape shooters. VR is also a huge benefit to filmmakers shooting handheld or on a rig who already appreciate the lens’ depth-of-field control and precise sharpness.
The new NIKKOR 24-70mm f/2.8 utilizes Nikon’s Electromagnetic Aperture control, which allows for consistent exposures during high speed bursts of shooting. This lens also improves upon image quality with new optical construction to provide clarity and consistently sharp images, and is ideal for capturing portraits, landscapes and weddings. For nearly any assignment in any kind of light, the combination of a fast f/2.8 constant maximum aperture and useful zoom range make this lens the choice of many professionals. A first for NIKKOR lenses, a new Aspherical Extra-Low Dispersion (ASP/ED) element is paired with traditional aspherical, ED and High-Refractive Index (HRI) elements for a thrilling new level of optical precision. Photos and videos take on a beautiful balance of sharpness and subtle blur effects, virtually free of flare, ghosting, coma and chromatic aberration throughout the frame. Nikon’s exclusive Nano Crystal Coat is also employed to further reduce instances of ghosting and flare.
The new lens construction enhances durability and image quality, while retaining the overall balance and handling that made this a favorite of photographers in the first place. The lens is sealed and gasketed against the elements, and now features a fluorine coating on the front and rear element to make it easier to remove dirt, moisture and smudges from the lens surface. The optical formula consists of 20 elements in 16 groups, while a 9-blade diaphragm helps to create a pleasing, natural out of focus area with beautiful bokeh. Additionally, the AF-S NIKKOR 24-70mm f/2.8E ED VR features a new filter diameter of 82mm and will accept the new Nikon CPL2 Circular Polarizer and 82mm NC (Neutral Color) filters.
Product Photo
Sample Image
Specification
| Focal length | 24-70 mm |
| Maximum aperture | f/2.8 |
| Minimum aperture | f/22 |
| Lens construction | 20 elements in 16 groups (including two ED glass, one aspherical ED glass, three aspherical lens and one HRI lens elements; lens elements with Nano Crystal Coat and fluorine coat) |
| Angle of view | Nikon FX-format D-SLR cameras: 84°-34°20’Nikon DX-format D-SLR cameras: 61°-22°50′ |
| Minimum focus distance | 35-50 mm focal length: 0.38 m/1.25 ft from focal plane24, 28, 70 mm focal lengths: 0.41 m/1.35 ft from focal plane |
| Maximum reproduction ratio | 0.28x |
| No. of diaphragm blades | 9 (rounded diaphragm opening) |
| Filter-attachment size | 82 mm (P = 0.75 mm) |
| Dimensions | Approximately 88.0 mm maximum diameter x 154.5 mm (distance from camera lens mount flange) |
| Weight | Approximately 1070 g/2.4 lb |
| Supplied accessories | LC-82 82 mm snap-on Front Lens Cap, LF-4 Rear Lens Cap, HB-74 Bayonet Hood, CL-M3 Lens Case |
| Compatible accessories | 82 mm screw-on filters (82 mm Neutral Color NC Filter/82 mm Circular Polarizing Filter II) |
Fuji Announces Professional Infrared Mirrorless Camera Fujifilm X-T1 IR
Release Date : 3 August 2015
Availability : October 2015
Price : $ 1699.95
Available at : Adorama | B&H | Amazon
Key features
- Professional Grade UV, visible & IR spectrum (approx. 380nm – 1,000nm) Sensitivity
- 16.3 Megapixels APS-C X-Trans CMOS II Sensor
- EXR Processor II
- High-precision 2.36 million dot OLED viewfinder
- Ultra-fast Real Time Viewfinder
- Wide viewing angle (diagonal 38° and horizontal 31°)
- Digital Split Image and Focus Highlight Peaking
- Completely electronic shutter up to 1/32000 seconds
- ISO200 – 6400, extended ISO 100, 12800, 25600
- Interval timer shooting for Time Lapse photography
- Die-cast magnesium body
- Dust and water-resistant body
The FUJIFILM X-T1 IR (Infrared) is the first advanced infrared X-Series mirrorless camera that delivers high performance in demanding fields for technical experts, law enforcement, medical research and scientific communities. Sharing nearly identical specifications as the award-winning FUJIFILM X-T1, the FUJIFILM X-T1 IR adds advanced infrared technology to see light from the ultraviolet (UV), visible and infrared (IR) portions of the light spectrum (approximately 380nm – 1,000nm). The X-T1 IR is a premium mirrorless camera specifically designed for professionals, and pairs seamlessly with each high quality FUJINON XF lens for reliable and outstanding results.
The FUJIFILM X-T1 IR builds on the performance and capabilities of the original X-T1, and with its new infrared technology, delivers dependable results to experts who have a wide range of work requirements, including: crime scene investigation, fine art photography, healthcare diagnostics and observation, and other scientific and technical applications. Infrared imaging is critically important in these fields because it allows users to see information that is not visible to the human eye.
Experts, professionals, and practitioners can use the new FUJIFILM X-T1 IR in their everyday work, and immediately benefit from its X-Trans CMOS II Sensor, its ultra wide “Real Time” EVF, and its large, high resolution tilting screen. The X-T1 IR maintains the 100% silent electronic shutter of the X-T1, and its electronic viewfinder allows perfect night vision with an infrared light source, normally invisible to the human eye. The exterior of the X-T1 IR is constructed of 100% magnesium alloy, and is built to be weather-resistant, perfect for use in hot or cold, wet or dusty, and other challenging weather conditions. The X-T1 IR has approximately 80 points of weather sealing for outdoor dependability, and can withstand freeze temperatures down to 14°F (-10°C).
The X-T1 IR focuses on both excellent image quality as well as delivering incredible speed. It uses an extremely fast and accurate autofocus system, and is compatible with Ultra High Speed UHS-II SD memory cards. At up to 8 frames per second, the X-T1 IR is fit for any specialized workplace in need of first-rate photo quality, durability and performance.
Product Photo
Specification
| Lens Mount | Fujifilm X Mount |
| Camera Format | APS-C (1.5x Crop Factor) |
| Pixels | Actual: 16.7 MegapixelEffective: 16.3 Megapixel |
| Max Resolution | 4896 x 3264 |
| Aspect Ratio | 1:1, 3:2, 16:9 |
| Sensor Type / Size | CMOS, 23.6 x 15.6 mm |
| File Formats | Still Images: JPEG, RAWMovies: H.264, MOV
Audio: Linear PCM (Stereo) |
| Dust Reduction System | Yes |
| Memory Card Type | SDSDHC
SDXC |
| Video Recording | Yes |
| Resolution | 1920 x 1080: 60 fps, 50 fps, 30 fps, 25 fps, 24 fps1280 x 720: 60 fps, 50 fps, 30 fps, 25 fps, 24 fps |
| Video Format | High DefinitionMOV
1920 x 1080p / 60 fps (36 Mbps) |
| Aspect Ratio | 16:9 |
| Video Clip Length | Up to 27 Min |
| Audio Recording | Built-in Mic: With Video, StereoOptional External Mic: With Video |
| Focus Type | Auto & Manual |
| Focus Mode | Continuous-servo AF (C), Manual Focus (M), Single-servo AF (S) |
| Autofocus Points | Contrast Detection: 49 |
| Viewfinder Type | Electronic |
| Viewfinder Size | 0.5″ |
| Viewfinder Pixel Count | 2,360,000 |
| Viewfinder Eye Point | 23.00 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 0.77x |
| Diopter Adjustment | – 4 to +2 m |
| Display Screen | 3″ Rear Screen Tilting LCD (1,040,000) |
| Screen Coverage | 100% |
| ISO Sensitivity | Auto, 200-6400 (Extended Mode: 100-51200) |
| Shutter | Type: ElectronicSpeed: 4 – 1/32000 second
Type: Electronic Speed: 0 – 1 second in Bulb Mode Type: Electronic & Mechanical Speed: 30 – 1/4000 second Type: Electronic & Mechanical Speed: 4 – 1/4000 second in Program Mode Type: Electronic & Mechanical Speed: 60 – 0 second in Bulb Mode Type: Electronic & Mechanical Speed: 30 – 1/2 second in Time Mode |
| Remote Control | RR-90 (Optional) |
| Metering Method | Average metering, Multi-zone metering, Spot metering |
| Exposure Modes | Modes: Aperture Priority, Manual, Programmed Auto, Shutter PriorityCompensation: -3 EV to +3 EV (in 1/3 EV steps) |
| White Balance Modes | Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Burst Rate | Up to 8 fps at 16.3 MP for up to 47 framesUp to 3 fps at 16.3 MP |
| Flash Modes | AutoAuto/Red-eye Reduction
Commander Commander/Red-eye Reduction Forced On Forced On/Red-eye Reduction Rear Curtain Sync/Red-eye Reduction Rear Sync Slow Sync Slow Sync/Red-eye Reduction Suppressed Flash |
| Max Sync Speed | 1 / 180 seconds |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe, PC Terminal |
| Start-up Time | 0.5 seconds |
| Shutter Lag | 0.05 seconds |
| Continuous Shooting | Up to 8 fps |
| Self Timer | 10 seconds, 2 seconds |
| Interval Recording | Yes |
| Connectivity | 2.5mm Sub-mini (2-Ring), HDMI C (Mini), USB 2.0, X-Sync Socket |
| Wi-Fi Capable | Yes |
| Software System Requirements | Windows: XP, Vista, 7, 8Mac: OS X 10.6, 10.7, 10.8 |
| Battery | 1x NP-W126 Rechargeable Lithium-ion Battery Pack, 7.2 VDC, 1260 mAh |
| Operating/Storage Temperature | Operating14 to 104°F (-10 to 40°C)
Humidity: 10 – 80% |
| Dimensions (WxHxD) | 5.1 x 3.5 x 1.8″ / 129.0 x 89.8 x 46.7 mm Minimum depth: 1.3″ / 33.4 mm |
| Weight | 15.52 oz / 440 g with battery and memory card |